Hello Poetry
Submit your work and get some sparkles! Create free account
stephan-pickering
I cannot forget... אני לא יכול לשכוח ©  STEPHAN PICKERING / חפץ ח"ם בן אברהם 12 Shevet 5778 / 28 January 2018 revised: 3 Iyyar 5758 / 28 April 2018 19 Iyyar 5778 / 4 May 2018 20 Iyyar 5778 / 5 May 2018 21 Iyyar 5778 / 6 May 2018 Shabtai Zisel / 'Bob Dylan' (1964): 'Forget the dead you've left, they will not follow you' W.G. Sebald z"l (1966): 'And so, they are ever returning to us, the dead' I. the Path / derekh is silent, a vacuum, resonating with the footsteps of tzaddikim, whose teachings transcend(ed) the Kingdom of Night... where there was no longer kefitzat ha'derekh shrinking of the road jumping the Path teleportation. ...un die vvelt hot geshivign, taught Reb Elie Wiesel z"l... & the world remained silent. not existing for themselves, the tzaddikim speak with the Shekhinah from their throats, and the mar'ot johanna visions of johanna are witnessed by breslover chavurot on desolation row, murmurations of starlings overhead. listening to them, we survive to walk / dorekh the Path, with kabbalists z"l, R. Chiyya & R. Yose, the chevraya kadisha the holy companions, a derekh through the sea, away from the energy vampyrism & relentless phantasmagoric cyberstalking of the phantasmagoric Queene, who engages in quacker cross-contamination, while prising her mindfully plagiarising lips (a mirror image of a death's-head hawk moth) for a crucifictionist wafer: a tax-deductible, copyright charity deduction for ontological delusions long after midnight, clutching her cossetted Yehu'di hatreds like a perforated osculatorium, because, שמח בחלקו.     **************** Reb Uri Tzvi Greenberg z"l, 1923 [trans. Michael Weingrad]: 'For so long there has been no water in the wells. Only curses. ...& suddenly the icons scream in Yiddish'. II. Light is the absence of Darkness, to acknowledge Rav Rebecca Newberger Goldstein. & the holy slow train moves (when it does) sideways across flat earths. consider the post-Auschwitz dilemma for an opus dei natz'ri  who cannot grasp the etymology: prae / before + posterus / coming after praeposterus / reversed, absurd. did Shabtai Zisel / 'Bob Dylan' influence the teachings of R. Yitzhak Luria z"l ? III. memories are stalking & ambuscading, & as you said, Reb David Meltzer z"l, 'the Yehu'di in me is the ghost of me'... & now the hourglass is invisible... the windows of perception to be peered into, not out of, as hairline fractures develop in the retinas of narrow-ruled yellow writing tablets masquerading as frenetic mirrors, never glimpsing tzefiyat ha'yeshu'ah, the expectation of salvation. & we are here,   witnessing cyberian corpses erecting three-way mirrors to their obbligato and  mindfulness for girl children...the mantras of a white supremacist ****** ****** trained to effect genocide  at a distance, his audible hungering  for the  rapture   of an endloesung in his drive-by dark carnival, having no farraginous self to say farewell to. Lilith, the Midrash teaches, ate the 'bones' of Her enemies, but the ****** uses prayer beads as majong ***** fired from his cap gun. IV. 'she' stands on the bamboo porch, thinking the lotus leaves floating by are a reflexion of 'her' crumbling totenkopfverbaende phantasies. long after midnight, she shrieks to a cyberian Mytilene, her mind so narrow, thoughts are forced to crawl through her fossilised ***** majora, which she identifies as a personal luchot ha'edot, the glass **** molded by her proboscis tongue, as it fabricates yet another delusion of a 1967 that never happened. 'she' turns, stepping onto an embroidered nationalsozialist matt,  'her'eyes a frail ambassador of demure malice. it is a moment such as this, when 'her' desire of wanting to have been an Auschwitz  Aufseherin, cannot be   masqued  as a playful Latrodectus mactans. ephemeral fabrications cling to 'her' -- an unbroken dance of impetuous mirrors, as 'she' remains on the porch, clutching 'her' 'we' aliases, thinking, somehow, they are 'her' aharon ha'bris... V. interlude / הַפסָקָה Kafka z"l: 'I am divided from all things by a hollow space' Shabtai Zisel / 'Bob Dylan': 'I felt that place within, that hollow place, where martyrs weep, & angels play with sin' Rav Yitzhak Luria z"l: after tzimtzum, the withdrawal of 'ehyeh 'asher 'ehyeh, there came to be halal ha'panui, 'the hollow space' R. Shabbatai Sheftel ben Akiva Horowitz z"l, 1719. Shefa tal [Frankfurt edition] 3.5, 57b [Hebrew]: 'Before the world's bere'shit, 'ayin sof withdrew into its essence, from itself to itself within itself. It left halal ha'panui within its essence, in which it emanated and created' [emended from Reb Daniel Matt 1995] VI. sh'ma...'mir veln zey iberlebn, iberlebn, iberlebn' (Lublin Chassidim z"l, 1939)... hear: 'we shall outlive them, outlive them, outlive them'... why did R. Moshe Sofer z"l teach 'Chadush aser min ha'toray' / 'What is new is forbidden in the Torah'? the trolls here & what they call 'poetry': collections of letters on a flickering moon-glow  computer screen behind a suburban curtain, letters having no glyphs or sounds, all encased in Sho'ah denial... and yet. white supremacist sock monkeys cannot silence the memories of the thousands of Yehu'dit children z"l burned alive on pyres, June-August 1944, in the holy natz'ri village of Auschwitz, in october country. לעולם לא עוד לעולם לא עוד ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ...with thanks to my akhim / brothers & poets, D.J. Carlile & George Dance & Will Dockery for reading previous drafts... ...and to the memories z"l of David Meltzer 17 February 1937-31 December 2016 & Anthony Scaduto 7 March 1932-12 December 2017...chaver'im / friends & for the 'or from R. Paul Laderman z"l & R. Meyer Goldberg z"l ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ STEPHAN PICKERING / חפץ ח"ם בן אברהם Torah אלילה Yehu'di Apikores / Philologia Kabbalistica Speculativa Researcher לחיות זמן רב ולשגשג...לעולם לא עוד THE KABBALAH FRACTALS PROJECT לעולם לא אשכח IN PROGRESS: Shabtai Zisel benAvraham v'Rachel Riva: davening in the musematic dark
0
Jun 30, 2018
Jun 30, 2018 at 12:58 AM UTC
I cannot forget... אני לא יכול לשכוח
I cannot forget... אני לא יכול לשכוח ©  STEPHAN PICKERING / חפץ ח"ם בן אברהם 12 Shevet 5778 / 28 January 2018 revised: 3 Iyyar 5758 / 28 April 2018 19 Iyyar 5778 / 4 May 2018 20 Iyyar 5778 / 5 May 2018 21 Iyyar 5778 / 6 May 2018 Shabtai Zisel / 'Bob Dylan' (1964): 'Forget the dead you've left, they will not follow you' W.G. Sebald z"l (1966): 'And so, they are ever returning to us, the dead' I. the Path / derekh is silent, a vacuum, resonating with the footsteps of tzaddikim, whose teachings transcend(ed) the Kingdom of Night... where there was no longer kefitzat ha'derekh shrinking of the road jumping the Path teleportation. ...un die vvelt hot geshivign, taught Reb Elie Wiesel z"l... & the world remained silent. not existing for themselves, the tzaddikim speak with the Shekhinah from their throats, and the mar'ot johanna visions of johanna are witnessed by breslover chavurot on desolation row, murmurations of starlings overhead. listening to them, we survive to walk / dorekh the Path, with kabbalists z"l, R. Chiyya & R. Yose, the chevraya kadisha the holy companions, a derekh through the sea, away from the energy vampyrism & relentless phantasmagoric cyberstalking of the phantasmagoric Queene, who engages in quacker cross-contamination, while prising her mindfully plagiarising lips (a mirror image of a death's-head hawk moth) for a crucifictionist wafer: a tax-deductible, copyright charity deduction for ontological delusions long after midnight, clutching her cossetted Yehu'di hatreds like a perforated osculatorium, because, שמח בחלקו.     **************** Reb Uri Tzvi Greenberg z"l, 1923 [trans. Michael Weingrad]: 'For so long there has been no water in the wells. Only curses. ...& suddenly the icons scream in Yiddish'. II. Light is the absence of Darkness, to acknowledge Rav Rebecca Newberger Goldstein. & the holy slow train moves (when it does) sideways across flat earths. consider the post-Auschwitz dilemma for an opus dei natz'ri  who cannot grasp the etymology: prae / before + posterus / coming after praeposterus / reversed, absurd. did Shabtai Zisel / 'Bob Dylan' influence the teachings of R. Yitzhak Luria z"l ? III. memories are stalking & ambuscading, & as you said, Reb David Meltzer z"l, 'the Yehu'di in me is the ghost of me'... & now the hourglass is invisible... the windows of perception to be peered into, not out of, as hairline fractures develop in the retinas of narrow-ruled yellow writing tablets masquerading as frenetic mirrors, never glimpsing tzefiyat ha'yeshu'ah, the expectation of salvation. & we are here,   witnessing cyberian corpses erecting three-way mirrors to their obbligato and  mindfulness for girl children...the mantras of a white supremacist ****** ****** trained to effect genocide  at a distance, his audible hungering  for the  rapture   of an endloesung in his drive-by dark carnival, having no farraginous self to say farewell to. Lilith, the Midrash teaches, ate the 'bones' of Her enemies, but the ****** uses prayer beads as majong ***** fired from his cap gun. IV. 'she' stands on the bamboo porch, thinking the lotus leaves floating by are a reflexion of 'her' crumbling totenkopfverbaende phantasies. long after midnight, she shrieks to a cyberian Mytilene, her mind so narrow, thoughts are forced to crawl through her fossilised ***** majora, which she identifies as a personal luchot ha'edot, the glass **** molded by her proboscis tongue, as it fabricates yet another delusion of a 1967 that never happened. 'she' turns, stepping onto an embroidered nationalsozialist matt,  'her'eyes a frail ambassador of demure malice. it is a moment such as this, when 'her' desire of wanting to have been an Auschwitz  Aufseherin, cannot be   masqued  as a playful Latrodectus mactans. ephemeral fabrications cling to 'her' -- an unbroken dance of impetuous mirrors, as 'she' remains on the porch, clutching 'her' 'we' aliases, thinking, somehow, they are 'her' aharon ha'bris... V. interlude / הַפסָקָה Kafka z"l: 'I am divided from all things by a hollow space' Shabtai Zisel / 'Bob Dylan': 'I felt that place within, that hollow place, where martyrs weep, & angels play with sin' Rav Yitzhak Luria z"l: after tzimtzum, the withdrawal of 'ehyeh 'asher 'ehyeh, there came to be halal ha'panui, 'the hollow space' R. Shabbatai Sheftel ben Akiva Horowitz z"l, 1719. Shefa tal [Frankfurt edition] 3.5, 57b [Hebrew]: 'Before the world's bere'shit, 'ayin sof withdrew into its essence, from itself to itself within itself. It left halal ha'panui within its essence, in which it emanated and created' [emended from Reb Daniel Matt 1995] VI. sh'ma...'mir veln zey iberlebn, iberlebn, iberlebn' (Lublin Chassidim z"l, 1939)... hear: 'we shall outlive them, outlive them, outlive them'... why did R. Moshe Sofer z"l teach 'Chadush aser min ha'toray' / 'What is new is forbidden in the Torah'? the trolls here & what they call 'poetry': collections of letters on a flickering moon-glow  computer screen behind a suburban curtain, letters having no glyphs or sounds, all encased in Sho'ah denial... and yet. white supremacist sock monkeys cannot silence the memories of the thousands of Yehu'dit children z"l burned alive on pyres, June-August 1944, in the holy natz'ri village of Auschwitz, in october country. לעולם לא עוד לעולם לא עוד ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ...with thanks to my akhim / brothers & poets, D.J. Carlile & George Dance & Will Dockery for reading previous drafts... ...and to the memories z"l of David Meltzer 17 February 1937-31 December 2016 & Anthony Scaduto 7 March 1932-12 December 2017...chaver'im / friends & for the 'or from R. Paul Laderman z"l & R. Meyer Goldberg z"l ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ STEPHAN PICKERING / חפץ ח"ם בן אברהם Torah אלילה Yehu'di Apikores / Philologia Kabbalistica Speculativa Researcher לחיות זמן רב ולשגשג...לעולם לא עוד THE KABBALAH FRACTALS PROJECT לעולם לא אשכח IN PROGRESS: Shabtai Zisel benAvraham v'Rachel Riva: davening in the musematic dark
Continue reading...
203
אני יכול לזכור...I can remember I. in the ashes of Auschwitz February 2018 / Shevat 5778 there exists no kol hachavvyot, the Infinite One bring/ing all of reality into be-ing. there is no 'ehyeh 'asher 'ehyeh who formed Light, who created Darkness. II. the candles of the Vanished World are no longer sown in the seasons of breath. in 1920 Vilna, Yehu'dit bones were excavated for horses to be buried, all by the tongue of a priest covered in ambergris. in 2018 Cyberia alleys, the malefactor mime cries as Long Island parhelia flicker in the seasonal ice around his little girls. III. the cypress of the Kingdom of Night are amidst natz'ri house gardens, marking in the mouths of opus dei children the straws of Poland. long after midnight we seek solace in One-Eyed Paritus's Meditations obliques, where Sol Nazerman's zoharic midrashim of Shabtai Zisel are narrated by Claude Lanzmann. the quantum nonlocality of the corpse of ha'Kodesh Barukh hu is the Hollerith tracking number. IV. Nach uraltem, aengstlich beheutetem Klostergeheimnis lernen selbst Greise muehelos Kavier spielen. -- Max Ernst this is to the memories z"l of Rod Steiger 14 April 1925-9 July 2002 Roman Vischniac 19 August 1897-22 January 1990 Rose Leamel Ziebell (1933-2007) Dottie Sutton (1922-2015) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ © 3 February 2018 / 18 Shevat 5778 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ STEPHAN PICKERING / חפץ ח"ם בן אברהם Torah אלילה Yehu'di Apikores / Philologia Kabbalistica Speculativa Researcher לחיות זמן רב ולשגשג...לעולם לא עוד THE KABBALAH FRACTALS PROJECT לעולם לא אשכח
0
Jun 30, 2018
Jun 30, 2018 at 12:40 AM UTC
אני יכול לזכור...I can remember
אני יכול לזכור...I can remember I. in the ashes of Auschwitz February 2018 / Shevat 5778 there exists no kol hachavvyot, the Infinite One bring/ing all of reality into be-ing. there is no 'ehyeh 'asher 'ehyeh who formed Light, who created Darkness. II. the candles of the Vanished World are no longer sown in the seasons of breath. in 1920 Vilna, Yehu'dit bones were excavated for horses to be buried, all by the tongue of a priest covered in ambergris. in 2018 Cyberia alleys, the malefactor mime cries as Long Island parhelia flicker in the seasonal ice around his little girls. III. the cypress of the Kingdom of Night are amidst natz'ri house gardens, marking in the mouths of opus dei children the straws of Poland. long after midnight we seek solace in One-Eyed Paritus's Meditations obliques, where Sol Nazerman's zoharic midrashim of Shabtai Zisel are narrated by Claude Lanzmann. the quantum nonlocality of the corpse of ha'Kodesh Barukh hu is the Hollerith tracking number. IV. Nach uraltem, aengstlich beheutetem Klostergeheimnis lernen selbst Greise muehelos Kavier spielen. -- Max Ernst this is to the memories z"l of Rod Steiger 14 April 1925-9 July 2002 Roman Vischniac 19 August 1897-22 January 1990 Rose Leamel Ziebell (1933-2007) Dottie Sutton (1922-2015) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ © 3 February 2018 / 18 Shevat 5778 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ STEPHAN PICKERING / חפץ ח"ם בן אברהם Torah אלילה Yehu'di Apikores / Philologia Kabbalistica Speculativa Researcher לחיות זמן רב ולשגשג...לעולם לא עוד THE KABBALAH FRACTALS PROJECT לעולם לא אשכח
Continue reading...
62
השואה גוססת...the Sho'ah is dying © STEPHAN PICKERING / חפץ ח"ם בן אברהם 30 Sivan 5778 / 13 June 2018 revised: 1 Tammuz 5758 / 14 June 2018 2 Tammuz 5778 / 15 June 2018 3 Tammuz 5778 / 16 June 2018 I. and cantillated poetry -- memory being automatic editing -- may not be enough. what was not a reality may never be a reality, may never be a memory. soon, survivors will be silent, and the concierge of film and tape and books will whisper in library corridors. the villanellesque windows of constantly chanting 'disaster' and 'master' are shattering, an amphigouri of shadows and mirrors... II. I stand on the balconies of quantum strings: Auschwitz made my forebears more Yehu'dit than Moshe. No one bears witness for the witness. -- Paul Celan, 1971. Speech-grille & selected poems [trans. Joachim Neugrosche] (E.P. Dutton), 1-255 (241) the horizon is grey, in Poland 2018, the ash still creating a haze, specks on the leaves, the shoulders, the watch face on my wrist having no hands... III. how is the memory of a paternal relative kept 'alive'? she remains like a flickering match growing fainter in what will be a night of receding possibilities, shadows be-ing alongside my own. I have one colour 1941 photograph of her. like salt held on the tongue she is carried in my mind. she would not, a decade later in Rosemead, speak of the Kingdom of Night. one of the fading blue numbers stamped (not tattoed) on her left forearm in 1942 was a four. she would stare intently into my eyes, turn her arm over, the four becoming a chair... it was Garcia Lorca in 1928 who said 'verde que te quiera verde'... she loved green, even the green stained gargoyles she was painting in Paris... on a sidewalk caught up in a christianist SS roundup 16 July 1942, the Rafle du Velodrome d'Hiver, her painting fingers crushed. soon she was on a rattling box car in August 1942, sent to the East... she was gone in 2006...but her dreams are still in me... IV. teaches Reb Ya'akov Glatshteyn... Like a tiny candle over each grave, a cry will burn, each one for itself. 'I am I' -- thousands of slaughtered I's will cry in the night: 'I am dead, unrecognized'. -- Ya'akov Glatshteyn / Yankev Glatshteyn / Jacob Glatstein, 1987. 'I have never been here before', p. 111 in: Ya'akov Glatshteyn, 1987. Selected poems of Yankev Glatshteyn [ed./trans. R.J. Fein] (Jewish Publication Society), 1-215 [Yiddish & English] V. let us compell trolls among us to remember that, at its peak, their grandparents' vaticanist Auschwitz was burning 12,000 of us every 24 hours... when it was happening sound still reaches us in 2018. and yet. when it was happening, few were listening, but now it is bashert / inevitable my soul hears nothing else. the 'orderly' minds of the trolls among us are well-tended cemeteries without gravestones. the fire escapes are covered with psilocybin spores. long after midnight, when the darkened carnival is awake, there are survivors at the seder table awaiting the Missing One return with Her Sefer haZohar, pick up the empty cup. the underside of every leaf is fear, shadows gathering at the foot of our beds, transforming gristle into haze, made real by Hebrew letters and syllables. TO BE CONTINUED 'When I am in the darkness, why do you intrude?' -- Shabtai Zisel / 'Bob Dylan', 1978 ******************* STEPHAN PICKERING / חפץ ח"ם בן אברהם Torah אלילה Yehu'di Apikores / Philologia Kabbalistica Speculativa Researcher לחיות זמן רב ולשגשג...לעולם לא עוד THE KABBALAH FRACTALS PROJECT IN PROGRESS: Shabtai Zisel benAvraham v'Rachel Riva: davening in the musematic dark
0
Jun 27, 2018
Jun 27, 2018 at 10:54 AM UTC
השואה גוססת...the Sho'ah is dying
השואה גוססת...the Sho'ah is dying © STEPHAN PICKERING / חפץ ח"ם בן אברהם 30 Sivan 5778 / 13 June 2018 revised: 1 Tammuz 5758 / 14 June 2018 2 Tammuz 5778 / 15 June 2018 3 Tammuz 5778 / 16 June 2018 I. and cantillated poetry -- memory being automatic editing -- may not be enough. what was not a reality may never be a reality, may never be a memory. soon, survivors will be silent, and the concierge of film and tape and books will whisper in library corridors. the villanellesque windows of constantly chanting 'disaster' and 'master' are shattering, an amphigouri of shadows and mirrors... II. I stand on the balconies of quantum strings: Auschwitz made my forebears more Yehu'dit than Moshe. No one bears witness for the witness. -- Paul Celan, 1971. Speech-grille & selected poems [trans. Joachim Neugrosche] (E.P. Dutton), 1-255 (241) the horizon is grey, in Poland 2018, the ash still creating a haze, specks on the leaves, the shoulders, the watch face on my wrist having no hands... III. how is the memory of a paternal relative kept 'alive'? she remains like a flickering match growing fainter in what will be a night of receding possibilities, shadows be-ing alongside my own. I have one colour 1941 photograph of her. like salt held on the tongue she is carried in my mind. she would not, a decade later in Rosemead, speak of the Kingdom of Night. one of the fading blue numbers stamped (not tattoed) on her left forearm in 1942 was a four. she would stare intently into my eyes, turn her arm over, the four becoming a chair... it was Garcia Lorca in 1928 who said 'verde que te quiera verde'... she loved green, even the green stained gargoyles she was painting in Paris... on a sidewalk caught up in a christianist SS roundup 16 July 1942, the Rafle du Velodrome d'Hiver, her painting fingers crushed. soon she was on a rattling box car in August 1942, sent to the East... she was gone in 2006...but her dreams are still in me... IV. teaches Reb Ya'akov Glatshteyn... Like a tiny candle over each grave, a cry will burn, each one for itself. 'I am I' -- thousands of slaughtered I's will cry in the night: 'I am dead, unrecognized'. -- Ya'akov Glatshteyn / Yankev Glatshteyn / Jacob Glatstein, 1987. 'I have never been here before', p. 111 in: Ya'akov Glatshteyn, 1987. Selected poems of Yankev Glatshteyn [ed./trans. R.J. Fein] (Jewish Publication Society), 1-215 [Yiddish & English] V. let us compell trolls among us to remember that, at its peak, their grandparents' vaticanist Auschwitz was burning 12,000 of us every 24 hours... when it was happening sound still reaches us in 2018. and yet. when it was happening, few were listening, but now it is bashert / inevitable my soul hears nothing else. the 'orderly' minds of the trolls among us are well-tended cemeteries without gravestones. the fire escapes are covered with psilocybin spores. long after midnight, when the darkened carnival is awake, there are survivors at the seder table awaiting the Missing One return with Her Sefer haZohar, pick up the empty cup. the underside of every leaf is fear, shadows gathering at the foot of our beds, transforming gristle into haze, made real by Hebrew letters and syllables. TO BE CONTINUED 'When I am in the darkness, why do you intrude?' -- Shabtai Zisel / 'Bob Dylan', 1978 ******************* STEPHAN PICKERING / חפץ ח"ם בן אברהם Torah אלילה Yehu'di Apikores / Philologia Kabbalistica Speculativa Researcher לחיות זמן רב ולשגשג...לעולם לא עוד THE KABBALAH FRACTALS PROJECT IN PROGRESS: Shabtai Zisel benAvraham v'Rachel Riva: davening in the musematic dark
Continue reading...
129