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stellar-skies
stellar-skies
23/Gender Fluid Philosophy undergrad @ UEA
*She took off her dress. She had long black hair, a pale face, slanted green eyes, greener than the sea. She was beautifully formed, with high ******* long legs, a stylized body. She knew how to swim better than any other woman on the island. She slid into the water and began her long easy strokes towards Evelyn.* Anais Nin, Mallorca Letter from Anais Nin To Sean Every stroke is like the foundation of Adam you pound and twist. Make your **** shift from inner to outer space. That way when you lift you are not empty, while the air above your *** has a crisp outline --movements down inner thigh easy to sway, a lilt almost, dark reservoir where you are satisfied before it happens, as you wait anticipating that several blink. Letter from Sean to Anais When i kiss, my lips are tender and nibble and my breath sweet can be heard in that autumn forest as a river runs down your spine; you are a mouth that licks the back of my hand nibbling on my fingers while I find the crease of your ***** and liberate the edges. You're a lovely, fertile reef where impossible swans hold my **** within the fireworks spoken as light storms remember the reflected grace of your mouth and eyes when we stare into that abyss that never stops so wonderful *** rides our back to an ancient sea forgotten when the tide pools break. 2. Anais She had long black hair and when she spoke the hair covered her eyes, and you cleared them by brushing the strands back, slipping your ideal into her mouth, her long legs drawn against your anticipation of some deep distress when you finish later, a great shark of a ship hunting the strokes, spliting the pearl clam open with your simple breathing foaming hurricanes, when they reach half-way suddenly still -- the anchor falls through the splash raging down our street released to an undetermined depth.
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Feb 2, 2017
Feb 2, 2017 at 1:29 PM UTC
Letters with Anais Nin
*She took off her dress. She had long black hair, a pale face, slanted green eyes, greener than the sea. She was beautifully formed, with high ******* long legs, a stylized body. She knew how to swim better than any other woman on the island. She slid into the water and began her long easy strokes towards Evelyn.* Anais Nin, Mallorca Letter from Anais Nin To Sean Every stroke is like the foundation of Adam you pound and twist. Make your **** shift from inner to outer space. That way when you lift you are not empty, while the air above your *** has a crisp outline --movements down inner thigh easy to sway, a lilt almost, dark reservoir where you are satisfied before it happens, as you wait anticipating that several blink. Letter from Sean to Anais When i kiss, my lips are tender and nibble and my breath sweet can be heard in that autumn forest as a river runs down your spine; you are a mouth that licks the back of my hand nibbling on my fingers while I find the crease of your ***** and liberate the edges. You're a lovely, fertile reef where impossible swans hold my **** within the fireworks spoken as light storms remember the reflected grace of your mouth and eyes when we stare into that abyss that never stops so wonderful *** rides our back to an ancient sea forgotten when the tide pools break. 2. Anais She had long black hair and when she spoke the hair covered her eyes, and you cleared them by brushing the strands back, slipping your ideal into her mouth, her long legs drawn against your anticipation of some deep distress when you finish later, a great shark of a ship hunting the strokes, spliting the pearl clam open with your simple breathing foaming hurricanes, when they reach half-way suddenly still -- the anchor falls through the splash raging down our street released to an undetermined depth.
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47
And then the day came, when the risk to remain tight in a bud was more painful than the risk it took to Blossom.
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Feb 2, 2017
Feb 2, 2017 at 1:27 PM UTC
Risk
Words have lost their meaning over time The more the same phrases are used Over and over and over again The less their context matters Like staring at a word for too long It becomes nothing The more we throw meaningful sentiments Into a grammatical machine Moulding them into a form Most befitting The more inevitable Their fate As feed for the fatuous void. But what if words Had no meaning in the first place? Their context absurd Relative to our personal emotions We communicate In perceptions Condensed down Into a finite set of sounds and symbols How strange We are all subject to this It is inescapable Words have our truths caged Indefinitely. I could say everything many romantics have already put into words But that would be lazy and impertinent Their semantics have dissolved Worn from view No matter how many voices Echo what was once A truth in history. For my love, I would cast aside all language For my soul is constantly dancing to a song Of melodious candour My mind wanders Into his room So warm and musty And there I am held All at once Words escape me No I escape words. It is impossible For you To comprehend the way you make my heart move Whenever I am in your company But it is there It exists It is truth I pray You feel it too Because then these phrases I’ve strung together Needn’t be spoken. Poetry lives To materialise our senses Here is mine So let us remove the shackles of our language, my love And dive naked Liberated Into a world Where only pure intuition resides.
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Jan 24, 2017
Jan 24, 2017 at 5:56 AM UTC
An Ode to the Wordless
Words have lost their meaning over time The more the same phrases are used Over and over and over again The less their context matters Like staring at a word for too long It becomes nothing The more we throw meaningful sentiments Into a grammatical machine Moulding them into a form Most befitting The more inevitable Their fate As feed for the fatuous void. But what if words Had no meaning in the first place? Their context absurd Relative to our personal emotions We communicate In perceptions Condensed down Into a finite set of sounds and symbols How strange We are all subject to this It is inescapable Words have our truths caged Indefinitely. I could say everything many romantics have already put into words But that would be lazy and impertinent Their semantics have dissolved Worn from view No matter how many voices Echo what was once A truth in history. For my love, I would cast aside all language For my soul is constantly dancing to a song Of melodious candour My mind wanders Into his room So warm and musty And there I am held All at once Words escape me No I escape words. It is impossible For you To comprehend the way you make my heart move Whenever I am in your company But it is there It exists It is truth I pray You feel it too Because then these phrases I’ve strung together Needn’t be spoken. Poetry lives To materialise our senses Here is mine So let us remove the shackles of our language, my love And dive naked Liberated Into a world Where only pure intuition resides.
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65
You lie Perfectly Openly Honestly Upon my bed And while I want nothing more Than to curl up Beside your flawless form I fear My essence Sooted with vice Rough with coarseness Would tarnish The sublime glint You flaunt So innocently But I know The feeling is mutual For perfection Is arbitrary. Diamonds They reflect Their effulgence Is no weakness For nothing can cut Or blunt Their brilliance And I suppose This is the lame Metaphor I have reverted to As a demonstration Of my ineffable Vertible Love for you.
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Jan 24, 2017
Jan 24, 2017 at 5:51 AM UTC
Bona Fide
If only I were a painting; a majestic work of art, adored by all, confined to the safety of my canvas home. If only my form were a mass of oil shades; intertwining, swirling, rippling. My, how everyone would swoon at my brilliance. But, I tell a sad story. And the critics prey upon my light, when a slight darkness remains. Like gold to a magpie, they pick, for my dazzling and beguiling radiance is too much an invitation, when all I glow highlights my worn edges. My shadowy past comes to the fore, and I cannot retreat into my home, when there is none. Everyone stares. And I’m now careful of my wishes.
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Jan 24, 2017
Jan 24, 2017 at 5:47 AM UTC
Untitled #25
To be more than the shame staining my skin a pallid shade of grey, would be more than the dreams, painting the windows of my mind with a rosy tint, of hope of chance; it would be all. But, is this pinkish-haze from the comfort of reveries, as I’m enveloped in velvety corolla? Or are these the malignant, sardonic barbs, that foretell my fate as a truthless soul in an honest reality?
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Jan 22, 2017
Jan 22, 2017 at 8:33 PM UTC
Untitled #31