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shvaugn-craig
shvaugn-craig
Canadian Shvaugn Craig has always been a poet and a writer and is rather fond of twisting and abusing words, tea and kittens. Possibly all at the same time. When she is not avoiding homework, crocheting, procrastinating on writing the next american novel and ignoring other real life situations, she can be found blogging poetry mainly about sex and other violent imagery.
somebody told me there was the dark something black upon the lines a shadow in the light of the skin hovering just below the tip of my tongue as you lean in to kiss me i ask you to hit me and you oblige press the pads of your fingers into the curve of my hips and pull though i do not know how to write this the desire the black the ache the tender feeling as you kiss me gently on the forehead run your fingers through my hair before you grab tight and pull me down with barely enough time to moan or gasp in pleasure for it's a complicated sort of thing i am writing as if this **** is art something broken within the wine a voice upon the wind and the red ink upon my paper this is eventually all the same the voice and the silence the pain and the ache the anger and the crying until i am left with nothing to write about for these are the moments when i learn willingly to hate the poems i seem to be only capable of writing for i am still going and writing and laughing in circles no closer to any answer at all
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Jul 7, 2014
Jul 7, 2014 at 3:15 AM UTC
Untitled
as if there could be those lines something along the wave of the water the curve of my bones a shallow scrape against the palm of my hand as i reach in against the mirror to kiss the cool of the glass while the panic subsides i am still waiting for something and it is unknown whether i will be capable of feeling it when i do whether the moment when i finally come undone nails locked along the length of my arms teeth through the pad of my lip something about my body tense with an ache the absence of control whether it will be worth it in the end i say i should be writing i say i should be able to handle it i say that this is eventually sometimes not worth it whether in the end i can hold my body steady that i can piece it together lick the blood slowly from the base of my skull and pry the muscles apart pry everything apart until it no longer hurts for this is hopefully now nearly over
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Jul 7, 2014
Jul 7, 2014 at 3:04 AM UTC
subside
*at least in the end, you were polite about it.* your hand rests gently on the back of my neck, nails rough and worn as you trace your way down the length of my spine, turning each **** with a definite crack and caress until you reach the curves of my hips and dig in. sorry. *i'm sorry. i'm sorry. i'm sorry. * my name, something other than a curse, the words just hovering between the space of your lips as one of us, i'm not sure who, starts to cry. we are left with your hand on my heart, knife on my gullet, lips pressed softly to my cheek in prayer as you apologize once more, and the moment where everything pauses and i brace myself for the impact.
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Jul 7, 2014
Jul 7, 2014 at 2:59 AM UTC
Absolution
and i wonder how i got to here. smile. whether for me, or him or anyone else in particular, i don't know anymore. not now. and i do not question it. because regardless of whether or not i like it, this city is beautiful, the shallow curve of the mountains in the distance as the traffic spans the boulevards beside me. for i inhabit (this) now, and my body moves, one foot after another, the stretch and the pull of my muscles in the morning, the curve of my stomach as my hands wrap around the width of my hips in photos, and the mirror and the odd moments where i am simply aware of just being. i have barely begun to explore the start of my arrival (at the spaces between my ribs, the line from my neck to the top of my shoulders, the curve of my jaw, the crease of my eyelids while i smile, hands on my hips, body curving over in laughter while i dig my fingers into my belt loops in an attempt to stay steady). and in the end, i am happy regardless of how i got here.
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Nov 30, 2013
Nov 30, 2013 at 3:10 AM UTC
arrival
you rivet me, ***** me tightly down, bolts snapping, wire stretched thin along the slow, grinding gears of my body. but i do not understand why, for i have done everything you wanted, have become anything you wanted me to be. i have practiced, observed, studied the tilt of her head when she laughs, how she blinks her eyes before answering any question you've asked her. and i am nothing short of perfection in my replication, down to the tiniest details that you've never consciously noticed to her nails, her hair, her lips, the colour of her eyes as she laughs. for this is why i am here, to please, excite, follow your orders. i am built to serve, accept and follow you, give you pleasure and predict your every move, i am yours to do with what you wish, for i am the machine and you are my master. but this time i cannot understand why, you are not pleased with the results of my actions. so please, before you lower the axe, this time for the final blow, will you tell me please, why you are crying.
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Nov 30, 2013
Nov 30, 2013 at 3:07 AM UTC
i am the machine
part three you tell me you love me and i wish to stop breathing curl my body forward into yours clutch my fingers against your shoulders breath your scent in and almost will myself to cry as i am overcome i hope you know how happy you make me
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Nov 30, 2013
Nov 30, 2013 at 3:04 AM UTC
happy
why is it now though i think i knew understood it in the end the pull of this force by something other than magic that maybe i can heal it over by the press of her hips to mine the tangle of her fingers in my hair and the tug as she pulls me to her fingers locked to the collar of my shirt as she takes me down out across the sheets and in the end this is fantasy smoke along the shallow curve of my back the trace of my gaze up her legs until i reach her ******* and look away funny though for by the end of it i had to unpack it all trace my face in the mirror and dig deep enough the squeeze the valve of my heart open and push all the blood out across the floor because i am sleeping with him his teeth a bite along the edge of my skin his fingers digging into my hips my arms clinging to him as i whisper (i love you, i love you, i love you) in an attempt to spread this truth out along the axis of my heart and i'm still watching her
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Nov 30, 2013
Nov 30, 2013 at 3:03 AM UTC
something other
part two i told you i love you (i love you) quickly without breath in my memories of the embellishment of the act and the tug of the words from my lips in one go almost to the point where i wondered if i'd just thrown my confession away i told you i love you (i love you) "really?" you asked really, truly actually, probably by now for long enough that i am no longer fighting it and this will only grow from here i told you i love you (i love you) and you asked for time but i knew that before i decided to speak i knew that as i opened my mouth i knew that as i watched your face in response and it's ok i'll give it to you willingly for i see no reason why we won't get there in the end
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Nov 21, 2013
Nov 21, 2013 at 7:16 PM UTC
in the end
part one i was going to write you a confession to tell you i love you (i love you) probably filled with words about the way you make me feel written like all other poems and all other loves shared by other people so generic that in the end i couldn't i was going to write you a love poem in confession about it all and i can't not sure why or how or when but this relationship is now everything not in a creepy or desperate manner but in a fashion that it's slightly too large to kiss open across the page in a way that makes any sense at all i was going to write you a confession to tell you i love you (i love you) but instead wrote one on why i couldn't you'll just have to make do with this
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Nov 20, 2013
Nov 20, 2013 at 6:50 PM UTC
make do
and this is different. or not. **** you should push me, grab me, bite me, break me, pry me open along the bed, kiss me, stroke me, hold me together, still. i keep expecting something, as if the world should have shattered, i should have cried, whether from complication, fear or embarrassment, i am not sure. yet this is normal, almost, for i am still faintly left with the rocking sensation of your inhabitance of my body, the beat of my heart in knowledge of the act, the churn of my mind in remembrance. **** you should push me, grab me, bite me, break me, pry me open along the bed, kiss me, stroke me, hold me together, still. for i do not feel to have lost myself yet.
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Nov 20, 2013
Nov 20, 2013 at 1:53 PM UTC
****