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sheila-jacob
sheila-jacob
I'm 65-ish,was born and raised in Birmingham, U.K.and have lived in Wales for the past 40 years. I'm constantly amazed by life's complexity and beauty and by my amazing family.
In the carpark I'm startled by a flight of leaves. It's colder than yesterday and trees are ********** I abandon the footpath, tread between tiny red apples buttoning twigs and dry grass, find a bird's curled feather white as snowfall.
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Sep 18, 2016
Sep 18, 2016 at 2:02 PM UTC
Suddenly September:for Elly
She finds no skylight or space to fly but dips in and out of the little door gathering twig and grass and snags of blown fleece. She circles, plaits, hatches a nest-worth of speckled eggs, fills her box on the garden wall with crescendos of newborn song.
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Aug 19, 2016
Aug 19, 2016 at 4:19 AM UTC
Bird House
She dropped the" in-law" somewhere along the way: I was the daughter she never had. In her last illness we chatted over the phone, exchanged family news and celebrity gossip. One morning she asked if I felt better, urged me to walk with a stick if my legs still hurt, "now mind you do.." I promised I'd be careful, didn't bother to explain I'd had kidney cancer not achy legs. Details weren't important.I knew what she meant. A memory had escaped, freed us both to a warmer place before dementia locked the doors again,deep-froze the key.
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Jul 27, 2016
Jul 27, 2016 at 7:11 AM UTC
Remembering
"The tulips are too red in the first place, they hurt me" Sylvia Plath Red is a restless diva pacing in the wings, making an entrance as the carmine tulips of a get-well bouquet. Red is a strumpet blaspheming the temple where caring hands smooth pristine beach-white bedclothes. Red is a snooper ********** her body's fresh wound, wearing her flowering heart as a throbbing corsage.
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Jul 27, 2016
Jul 27, 2016 at 7:01 AM UTC
A visit from the colour red
I'm the first to blunder ashore ******* a cloak around my nakedness. He's cooking breakfast as though nothing had happened. No death on a tree, no empty tomb, no walking through closed doors. We share the bread he breaks, relish flakes of sizzling fish that juice our mouths, tang the fingers we lick clean. We pick bones from our teeth, bask,full-bellied,and for a while it's like old times, waiting for him to speak, arrange our day. He takes me to one side, charcoal smoke snagging his robe. "Simon, do you love me   love me      love me?" He knows when I sit and when I rise but is heart-sore for answers I blurt across the hills, over the lake, above echoes of cock-crow only the two of us can hear.
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Jun 30, 2016
Jun 30, 2016 at 1:41 PM UTC
The last breakfast
Splattered boots stand ready, resting from tied black laces and muddy roads. An attaché case gapes too, cwtches the photo of a young woman with dark wavy hair, her unframed forever- smile focussed on a face behind the camera at the moment the shutter clicked and clicks and clicks opening and closing, packing and unloading, staying and leaving, making up a bed from striped & labelled winceyette. Here's a tear of tissue paper stabbed urgently on folded cloth with random red stitches. Here's the Star of King David pointing upwards, locked on the blanket by one steel safety pin.
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Jun 27, 2016
Jun 27, 2016 at 11:36 AM UTC
Pinning the star.Thoughts on the collage.work.by Sonja Benskin Mesher
so you are still in bed? yes are you not feeling any better? no. it is like a bombshell, with the bomb left in it. boom and my little world i loved is shattered. all my things are the same, yet something shifted. i am bereft. i cannot help, i am the same. yes i know. sbm.
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Jun 27, 2016
Jun 27, 2016 at 11:21 AM UTC
. the bear is still in bed .
She rises at dawn, chilled by the lost embrace of her sleeping pills, brushes summer's blown ashes with the shuffle of footsteps on old stone floors. She thaws her hands around a coffee cup, sits at her desk,  ******** Ariel            arrowed from  yesterday's tide           hoof-printing ocean waves             jetting barnacles telephone wires           a man's black boot routing them through cold English mornings, a gold Sheaffer pen. Words seep across the page, trail toxins of grief. Light edges between churchyard yews, fingertips the curtains. A thumb's worth of breast-milk stains her nightgown.
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May 9, 2016
May 9, 2016 at 1:15 PM UTC
Sylvia Plath at Court Green,October 1962
market day one, it is twice a week, thursday and saturday, much the same each day, books for a donation, queue for the butcher. waiting, eye the ******* ham and oxtail, admire pressed tongue, taste the salt on butter. all addressed with green stuff for decoration. the bread lady will let you hold her goose eggs, feel the weight of them, stroke the shell. you do not need to buy them, you can caress them nicely. they are soft when born, soft as babies are. above all stands the wooden man, scrubbed clean with springy hair and wearing arms that hang below the sleeve. he talked to a lady from london, he said. sbm.
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May 3, 2016
May 3, 2016 at 4:11 AM UTC
days of brawn
He's a stone statue on the old wire fence, onyx eyes staring as I sky-gaze.. Too white for rain, too grey for snow. I turn, tread noisily and his heart's a remembered flame in the dying bush.
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May 2, 2016
May 2, 2016 at 7:23 AM UTC
Winter Robin