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sean
sean
American A rural farmhand and urban wanderer, I came to poetry via anthropology. Layered meaning is my curiosity. Any and all criticism appreciated!
And I feel this sludge running down the long halls of my legs a flood of viscous petrol jelly slick sewage sick patrolling artery walls this metallic slide so much molten lava running down the mountains of my thighs. I'm a concrete machine getting my mortar fix tin woman hollow heart methyl folate ****** Give me another hit buffer my pain. Already I have diesel fuel juice leeching out my tissues lightning striking the brain. It's hard to get your attention with this leavening pooling the blood in my feet It's hard to say hello with acid cuddled words. I want to raise my arms and touch you but I'm too toxic I'll burn you. This nausea has become me this metabolic crash is my stop-gap. Short circuit pain this neuropathy has hardened me in the space between these synapses I dream of nothing. Doped up by the yellow stuff Daddy sprays from the plane I was a farmer's daughter but the doctor says You've got the mutant gene, for heavy metal toxicity. Another serotonin addict with brains of saccharine and plastic I might get a pink ribbon for surviving if they call it disease, but silently, inside I feel this sludge sick sewage slick battening down the reflexes backing up the pipes. my body is the future body I say. because this deadly brigade is eating up the human chain. There were Chernobyl defects, and the media loves lepers with lesions but a blistered stillborn baby is no face for nuclear policy but we --we're the unsung mutant breed-- there are billions of us mentally sick lazy fucks, hypochondriacs of pre-existing conditions can't find work not even at Walmart for disability aid-- But when you check out, please donate. Drop another baby in the cancer cup.
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Aug 7, 2012
Aug 7, 2012 at 8:07 PM UTC
Future-sick
And I feel this sludge running down the long halls of my legs a flood of viscous petrol jelly slick sewage sick patrolling artery walls this metallic slide so much molten lava running down the mountains of my thighs. I'm a concrete machine getting my mortar fix tin woman hollow heart methyl folate ****** Give me another hit buffer my pain. Already I have diesel fuel juice leeching out my tissues lightning striking the brain. It's hard to get your attention with this leavening pooling the blood in my feet It's hard to say hello with acid cuddled words. I want to raise my arms and touch you but I'm too toxic I'll burn you. This nausea has become me this metabolic crash is my stop-gap. Short circuit pain this neuropathy has hardened me in the space between these synapses I dream of nothing. Doped up by the yellow stuff Daddy sprays from the plane I was a farmer's daughter but the doctor says You've got the mutant gene, for heavy metal toxicity. Another serotonin addict with brains of saccharine and plastic I might get a pink ribbon for surviving if they call it disease, but silently, inside I feel this sludge sick sewage slick battening down the reflexes backing up the pipes. my body is the future body I say. because this deadly brigade is eating up the human chain. There were Chernobyl defects, and the media loves lepers with lesions but a blistered stillborn baby is no face for nuclear policy but we --we're the unsung mutant breed-- there are billions of us mentally sick lazy fucks, hypochondriacs of pre-existing conditions can't find work not even at Walmart for disability aid-- But when you check out, please donate. Drop another baby in the cancer cup.
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I try to write when I am tired but tiny spiders descend around my desk. Newly-hatched eight limbed-things parasail the silk lids over my eyes. If only I could ride out the exhale and go at once adrift, self-rappel I would climb the silk suspension line swing from thought to thought thread the eye of the needle pull-ey up the beanstalk. but instead I'm left to watch these aerial yoginis swim on a draft from the ceiling. These spinsters with their poetic acrobatics for whom rhythm is spun on silent trapeze-- make a play-swing out of gravity. The tiny spiders that descend around my desk make me--an oaf. a self-honoring monument for climbing, a botched landmark to ---human ingenuity me, a moving pedestal for dancing me, a knotted up windsock hunched over a heated screen, trying to blow down metaphor, alliteration from these tiny kites that ascend the earth. Tiny spider, tiny spider let down your silk tresses draw up my mind swing the high rafters I want to hang upside down-- make a play-swing out of gravity. Yet when I pulled on the thread to net the silken-mouthed beast, words did not come down like mana from heaven. Rather, my tongue grew heavy with cotton metaphor, alliteration, the fabric of suspended poetry unraveled. Lucid improvisation fell like Icarus to quips. because thinking to write and writing to think is like pulling dead hair from spaghetti. Meanwhile, tiny spiders descend around my desk parasail and make a play-swing out of gravity.
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Jun 28, 2012
Jun 28, 2012 at 4:13 AM UTC
I try to write poetry but I am tired.
Turn me out into the night a rainy night. Turn me out into the schlap of asphalt. Let me spin my wheels. Sometimes I kiss my own hand to feel alive-- Other times I turn out That chaffing concrete runway They call a heart. I run in the rain.
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May 24, 2012
May 24, 2012 at 4:26 AM UTC
Rain-dance
Clouds engulf the L.A. basin Layered mold in the tubberware lunchbox I left home. Except the spores are tufts of a woman's white hair Clumped together in the shower drain blocking the grates. You cannot shoot up enough silicon to fill the wrinkles of a body hollowed You'd have to start pulling marrow from the bone. These craters of the basin-- ****** dry to burn. hollowed curves a body barren, tapped out, laid fallow. Shrouded... White noise White film White foam. She, with her fingers in every swimming pool She, lounging behind the smokescreen She, big curvaceous mound smoldering rock of an old woman She, who can **** it in and hold it in the atmosphere She, lasso-ing lady with wild tendril hair She can't always keep from billowing out hot air. Soon enough she'll catch a sore throat. Soon enough she'll taste the concrete waterways. Soon enough, she, ittle too long. The tale of Hydra is a tale of women deflated. This lick of fire did not blanket the city but set it ablaze. She swallowed the heat ****** back the fire bled and wept Armageddon-red sunsets.   White Noise White Film White Foam She, a flat, airless mortar without bricks tooth-picked clean. only marrow left of bone.
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May 24, 2012
May 24, 2012 at 3:45 AM UTC
The Marine Layer
When I was young I had a body made of rubber And elastic bands That mother tightened So I would sit up straight But she grew slack with age. When I was young I was pliant I had too many ballons in my ears So mother pulled them, but I disappeared- Tucking my head into my collar And my hands into my armpits To escape. I was reminded of this yesterday, Driving by one of those street advertisements Car dealerships, Verizon wireless Where they communicate to get your attention Balloons growing To the dance of wind inside an empty sleeve.
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Jan 31, 2012
Jan 31, 2012 at 3:12 AM UTC
Young
The ants come hunting for you out of these mounds Your touch I crave But if you call me luxury To lay in my lap I'll trip-latch the key Call the red army and collapse the underground.
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Jan 31, 2012
Jan 31, 2012 at 2:51 AM UTC
Don't call me luxury
You come out with the ants at night Out of the woodwork When the work of building needs to rest The creak of bones is loudest So the building and the ants and you move at night. You debated for twenty snores before daring to shift the mound and scuttle his arm The longer you waited to ease the bone aches Body heat and neck vice, The more depressed you became thinking The whole situation masochistic. Finally, you roll and pull-ey Your limbs out of reach, Pad down the stairs relishing That quiet space opening within your head Downstairs you re-arrange the kitchenaid Take off your underwear and Examine your knees in the mirror. Your knees creak, the ants creep And you ask yourself if you can keep building another year.
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Jan 31, 2012
Jan 31, 2012 at 2:43 AM UTC
Out of the woodwork
These berries are bruises Fading birthmarks I have still Fresh from that morning you opened my curtains Rolled down your window Promised me honey and a candy-colored life. These berries are bruises You made me breakfast in bed. Too early you lifted my tent, brought a full spread: Fruit, toast and black coffee-- But when I tilted my lips You drunk first of my womanly cup. Pouring out hot, bitter slick My lips swelled blue blister I stiffened under your dead weight, I killed my tongue. I tried to keep dreaming of Hands to knead me And butter the softness of these Blueberry scone hips, But instead you picked all the berries out Your greed a mouthful, The growing woman inside me leavened-- Watching you stain my girlhood, Popping one fruit bead after another ******* the seeds from my teeth.
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Jan 31, 2012
Jan 31, 2012 at 2:25 AM UTC
Breakfast in bed
I go out for coffee to see the display. A dozen glass cases Faces polished, gleaming wares- People eating their gaze to divide the public air. You must be polite when sharing space. Beware of sliding eyes too slow, too fast, sideways. I come to these places to be seen to find coy reservation But mostly I come to steep *** And brew tension This my coffeeshop menagerie Where I wish to be the voyuer And you the view. Perhaps it is the caffeine but I feel a quickening,   a fogging of thought sensing you there. So I'll test my tea boost immunity, Break glaze my glass shield, burn and remember I can't disappear. Yours- an earnest stare refracting my glass-eyed fear.
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Jan 21, 2012
Jan 21, 2012 at 6:11 PM UTC
Coffee Shop Menagerie
I stroke your skin like a leaf and hold it up to the light, allowing fingertips            to go slow from root to tip.            to sew the lining where two unlike materials meet.            to code this friction into tactile intuition... And yet--                                                       I am afraid. With this and all acts of temptress divination.                                                 I, I...am afraid. I want to read our intersection. I want             to see               in your life-line.                         myself. First, I will find the highways of your pulse- watch as they                            give way to country roads. Dissecting life-ways into bi-ways where I can go slow from root                         to                             tip.                                 rise Feel the land                                                        and fall. from grass to hallowed knoll- Throw me dirt and blow out your windows.                             Take me slow down the side roads. Next, I consult the creases of your open fist. Gone are the fine blue lines                                                          -the tomographic Heat, and its rhizomatic                                              beat. Instead, you hold me in this underpass [the clamminess and opposite-land of passion and speed]                                           where                              [shadows cling and relationships keep]. You hold my hand. To leave, and blast!                                                  - to stay, I will need a map. Hide me here long enough to find beauty in the fine etched lines that paint the walls in broad swoops of graffiti: those cryptic tag-lines that advertise your witty, poetic celebrity. from finger to wrist                    arc              the      to the thumb the pulse that could run on and on. [our] distant reflection                             -a mirage in the rising sun. where the earth line cuts off the air line to fuse the heart-              and the head                                                                                 -line.
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Jan 17, 2012
Jan 17, 2012 at 10:51 PM UTC
How to Dissect a Love-line
I stroke your skin like a leaf and hold it up to the light, allowing fingertips            to go slow from root to tip.            to sew the lining where two unlike materials meet.            to code this friction into tactile intuition... And yet--                                                       I am afraid. With this and all acts of temptress divination.                                                 I, I...am afraid. I want to read our intersection. I want             to see               in your life-line.                         myself. First, I will find the highways of your pulse- watch as they                            give way to country roads. Dissecting life-ways into bi-ways where I can go slow from root                         to                             tip.                                 rise Feel the land                                                        and fall. from grass to hallowed knoll- Throw me dirt and blow out your windows.                             Take me slow down the side roads. Next, I consult the creases of your open fist. Gone are the fine blue lines                                                          -the tomographic Heat, and its rhizomatic                                              beat. Instead, you hold me in this underpass [the clamminess and opposite-land of passion and speed]                                           where                              [shadows cling and relationships keep]. You hold my hand. To leave, and blast!                                                  - to stay, I will need a map. Hide me here long enough to find beauty in the fine etched lines that paint the walls in broad swoops of graffiti: those cryptic tag-lines that advertise your witty, poetic celebrity. from finger to wrist                    arc              the      to the thumb the pulse that could run on and on. [our] distant reflection                             -a mirage in the rising sun. where the earth line cuts off the air line to fuse the heart-              and the head                                                                                 -line.
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