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sarah-leclair
sarah-leclair
802
I “I didn’t know anything” Astrapia, the beautiful arcs of plum and golden wrap in you a security. It is disconcerting to see you know so little-- to not see such daunting arcs for rhetoric. Hold steady. II “about the facts of life and that I didn’t know that I would conceive or so on.” Misconceptions most fed, generational ignorance liberating throb and leisure and pleasure and… Seemingly perfectly perched. Feathery flow and bend swoons over the exotic excitement naturally-- unknowingly. The color flushes, flashing bright, a melting beauty.   To know of this must be to know serenity… III “I stayed with him and he said he loved me.” Every prismatic fiber is yours. IV “He said this was the only true way to show that you loved somebody.” Paradise, what alluring shades you show. The better to attract you, my love. Oh, what mysterious gaze you hold. The better to captivate you, my love. Oh, what sturdy frame you stand. The better to surround you, my love. Oh, what fierce talons you stretch. The better to clutch you, my dearest love. V “And I met him again then, and he said, Well you did it before; why can’t you do it now?” He reaches for her once more, as if for lifetimes this had been the norm. She settles in the familiarity and loveliness that is, or so would seem. Neither flushed nor melting, with one door another opens. “And that was the time I got pregnant.”
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Oct 4, 2014
Oct 4, 2014 at 11:09 AM UTC
5 Images of Bliss-- Rachel Dilworth imitation from Wild Rose Asylum
The king and queen cried “Bless us! We cannot conceive!” And “blessed” they were. Their heir, a miracle, a vision of royalties. And so a celebration was in order (as is most pertinent in events such as princess births) to adorn the little lamb with gifts. “Gifts”. Whether the blame lies here or there our princess lamb heir stands the most to suffer in cases such as forgotten friends. Or unforgetful vengeance-- So spite screeched an everlasting “CURSE THEE TO DEATH ON THE ***** OF A SPINDLE!” And with a turn of its heels shock set       in. ...shock sinks in. The well-intentioned sprite attempts to soften the wolf’s blow on our little lamb heir-- Only a nap-- only it would seem such in the conjecture of events. Now no longer is she princess baby heir then does a spindle come alive X winters later! (convenient, one might say--in all the land one’s but burned, temptingly locked away in the curious tower) Insert fainting sounds. Insert crowded gasps. Insert “told you so!” And the sheep follow our little lamb’s sleep. One hundred year sleep. Hair follicles sprout a slimy green, and not-so-royal fungi flourishes-- brash brambles tuck in the herd as if to say “Sleep tight! Don’t let the mites bite!” But not our little lamb. Reassuringly beautiful princess lamb heir keeps like red wine. She is only to be drank up from the right cup-- a proper lamb. Prince Lamb. Whose worries consist of much different things than our lamb heir-- but for another ‘lore. Our Prince Lamb dips, sips, lips on lips and she is awake! Beautiful princess lamb knows exactly what to make of all this? The sheep herd rises, and their “joyous” bleating reverberate and penetrate cold castle walls and break down the thorny cover. And they lived happily (and most originally) ever after-- as sheep tend to do.
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Oct 4, 2014
Oct 4, 2014 at 11:02 AM UTC
Brier-Rose
The king and queen cried “Bless us! We cannot conceive!” And “blessed” they were. Their heir, a miracle, a vision of royalties. And so a celebration was in order (as is most pertinent in events such as princess births) to adorn the little lamb with gifts. “Gifts”. Whether the blame lies here or there our princess lamb heir stands the most to suffer in cases such as forgotten friends. Or unforgetful vengeance-- So spite screeched an everlasting “CURSE THEE TO DEATH ON THE ***** OF A SPINDLE!” And with a turn of its heels shock set       in. ...shock sinks in. The well-intentioned sprite attempts to soften the wolf’s blow on our little lamb heir-- Only a nap-- only it would seem such in the conjecture of events. Now no longer is she princess baby heir then does a spindle come alive X winters later! (convenient, one might say--in all the land one’s but burned, temptingly locked away in the curious tower) Insert fainting sounds. Insert crowded gasps. Insert “told you so!” And the sheep follow our little lamb’s sleep. One hundred year sleep. Hair follicles sprout a slimy green, and not-so-royal fungi flourishes-- brash brambles tuck in the herd as if to say “Sleep tight! Don’t let the mites bite!” But not our little lamb. Reassuringly beautiful princess lamb heir keeps like red wine. She is only to be drank up from the right cup-- a proper lamb. Prince Lamb. Whose worries consist of much different things than our lamb heir-- but for another ‘lore. Our Prince Lamb dips, sips, lips on lips and she is awake! Beautiful princess lamb knows exactly what to make of all this? The sheep herd rises, and their “joyous” bleating reverberate and penetrate cold castle walls and break down the thorny cover. And they lived happily (and most originally) ever after-- as sheep tend to do.
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some say we should keep personal remorse from the poem, stay abstract, and there is some reason in this, but jezus; twelve poems gone and I don't keep carbons and you have my paintings too, my best ones; its stifling: are you trying to crush me out like the rest of them? why didn't you take my money? they usually do from the sleeping drunken pants sick in the corner. next time take my left arm or a fifty but not my poems: I'm not Shakespeare but sometime simply there won't be any more, abstract or otherwise; there'll always be mony and ****** and drunkards down to the last bomb, but as God said, crossing his legs, I see where I have made plenty of poets but not so very much poetry.
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Oct 4, 2014
Oct 4, 2014 at 10:48 AM UTC
To The ***** Who Took My Poems
You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I'll rise. Does my sassiness upset you? Why are you beset with gloom? 'Cause I walk like I've got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I'll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops. Weakened by my soulful cries. Does my haughtiness offend you? Don't you take it awful hard 'Cause I laugh like I've got gold mines Diggin' in my own back yard. You may shoot me with your words, You may cut me with your eyes, You may **** me with your hatefulness, But still, like air, I'll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I've got diamonds At the meeting of my thighs? Out of the huts of history's shame I rise Up from a past that's rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that's wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.
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Oct 4, 2014
Oct 4, 2014 at 10:42 AM UTC
Still I Rise