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renoir
renoir
I can never find my socks.
when they ask him what he cares about he’s not sure how to answer because there are galaxies that spin freely in their own time and time that runs in place and places that contour in untrenched freeways and ways not so free, stuck in trembles, that run down a boy’s spine when he isn’t sure how to answer a question and by jove, there were questions honest and truly that he wanted to ask a strange man in tattered clothes and a young lad rubbing mud from under his nails and a woman poking a stick under her dress and the other men who huddled near an ember storm but the tat of their shirts spoke plenty and he shouldered away then just as he does now for what should be easily asked and easily answered --he does not feel as clean as he is-- and he does not know where the middle ground is or why this pause is curling black or how to say i do not know what i want and maybe words matter to him because once tied, he begs for a slip of tongue to resolve   what he could not say with pauses   and maybe pauses matter because once his words slip too far in between he caresses every second that allows a reel backwards and maybe he is backwards and will never answer the question the way he feels he should so when they ask him again what he cares about he pauses and pleads his brain before he can say, *i wish to ask the questions that will tell me i care enough.*
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Mar 23, 2014
Mar 23, 2014 at 4:50 PM UTC
The Contemplation
** 1. we come across a building that’s as big as it is empty and toss pebbles with our feet because that’s easier than speaking and i swear we’ve had this hush before 2. you’ve never been one for a hush that lasts longer than the last time i made eye contact so when i ask you what to do as the empty building looms over us, you only say “i don’t know where to go.” 3. we settle for sitting on the steps of the deserted building and counting how many people rush by with their hoods pulled up and pull our own hoods up in response because that’s what strangers do 4. you tell me again that you don’t know where to go and i just kick up dust and revel in it because this is our breakup ritual i could not tell you where to go
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Mar 22, 2014
Mar 22, 2014 at 7:46 PM UTC
Au Revoir
The first line is crucial and with a shaking hand, he pretends it’s permanent --a tattoo among paper dolls that must be majestic, must be fit for a queen. Careful now, for it mustn’t smudge, and it mustn’t crack this is not ink nor stain and this will not be a temporary funeral, just a temporary death and the grandeur feeling of perpetuating desire. He only knows what he wants, and it is to paint So there are the lips now, precariously shaded red With hair--oh her hair--so sporadic and displayed like a forest of electricity. oh but this art is nothing but fragile and for this moment, he is an artist of persona and it's okay if he's broken after when the paint dries and a hand must wash it away Yes, for at this moment he can be permanent, a tattoo among paper dolls. and he will not crack, and will not smudge “Just remain in one piece,” he says. “You would’ve made a beautiful girl.”
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Feb 28, 2014
Feb 28, 2014 at 11:08 PM UTC
Something about Someone