Hello Poetry
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paige-serbin
American Hello Poetry, you are my new place. I want to share my thoughts with other people, but I have no such people for me in reality, so here I share. / I was hoping to be published at some point, and I thought I would not publish my private thoughts on the internet because I supposed that doing so might interfere with my ability to get published on paper, and also for privacy reasons. But since then, I have realized that I will most likely never be published, and that the best way to share myself is here, or some other online poetry place.
file, new scroll down a little more i haven't seen them run enough the pictures and the colors a little faster, now so as to see the dye run out in photo streams instant flashes in shades of **** skin in the dead back from the flesh they come streaking through the screen instances from the past in the pigment of a presumed memory not entirely recalled pickled here with rainbow hue scroll faster i want to see the images blur into pixel.
0
Oct 15, 2014
Oct 15, 2014 at 7:05 PM UTC
Scrolling
a play on words set on a stage held up by paucity of meaning.
0
Oct 15, 2014
Oct 15, 2014 at 7:02 PM UTC
A Haiku-like poem.
wrapped in a blanket a cold, insidious pig trying to stay warm.
0
Oct 15, 2014
Oct 15, 2014 at 7:02 PM UTC
A Haiku
leave on your light for me i can feel the veins in my hands pushing for me leave open the door for me and i can come closed to you the veins in my hands cheer for me in their spindliness and apparent strength they adore me. stay closed those eyes for me my hands are trained enough for full of fluid in motion they pound out all i have created not for you more for the light i can feel from your doorway not your eyes more the callouss in my veins leave it be give it me small and strong and feminine and veiny, bony, made of need let the veins in my hands rush for you for me.
0
Oct 15, 2014
Oct 15, 2014 at 6:58 PM UTC
Veins in My Hands
As I will As I like it As my will As it gives recursive themes of Strength and fancy Weakened by the real It subsists; It is Cannot not be: As they loathe it. As I was: My sunlit energy precedes, preceded me Some life in me that speeds towards Metabolism that speeds towards Eventual cell death Respiration-- Deeply respirating I halt for no respite Despite the leaning apprehension Towering over what Is in me; The roaming imposition Of what there will be— It seeks me It wanders and stops occasionally And devours something imagined That heaven I had made That Will that I had suffered As it will.
0
Oct 15, 2014
Oct 15, 2014 at 4:55 PM UTC
Untitled
we stand in stagnant shades of grey with dark blue, for a change and positioned between us is a series of pregnant pauses giving birth to discomfort more common than our common conversation. i am suspended between the metal spring the dust, the cushion, and the stone fall. i admit to you: in my daydreams, though i bump my head and kick the cat and wake up too late for coffee, have to write on my palms to remember your name in my dreams the writing rubs away off the skin on my hands from holding. and the people smile under their hats at me though it snows so hard it’s swept under the couch and in my daydreams: i can finally hold all the warmth in the world effusing from bodies i cannot feel, will never touch and when the temperature rises, i go outside after the rain again but the rain doesn't culminate on the evergreens; i shook the branches to feel the balm on my shoulders but the dryness overhead displaced me in the absence of water. don’t you stare at me i am not great now; i am lying with the insects to come up with more eyes to see with i, this great essence of grotesque but i must compromise my greatness for ever dancing, eating, loving, finding some reason to pray prey upon the bliss so truant from my mind. i feel i am some monstrous vermin, nameless and defiled, simply tossed among the files, which has absconded, so punished, from the living room floor to under the couch. i admit to you now, though you look at me with vacuous acuity: for all i know, my life was accidentally whispered on a freudian slip of paper from God’s pile of post-it notes and carelessly tossed into the eternal blue flame. but i am no fragment i am no flea nor tick nor scorched typo i am less monstrous than the universes between your eyes which will never shine on me we guess, we categorize, we think, we sweat beads to make a necklace of labor and pass it down the generations as an embellishment of humanity and with hallowed bird’s bones do we rip apart our wishes.
0
Oct 15, 2014
Oct 15, 2014 at 4:53 PM UTC
Admissions from Under the Couch
we stand in stagnant shades of grey with dark blue, for a change and positioned between us is a series of pregnant pauses giving birth to discomfort more common than our common conversation. i am suspended between the metal spring the dust, the cushion, and the stone fall. i admit to you: in my daydreams, though i bump my head and kick the cat and wake up too late for coffee, have to write on my palms to remember your name in my dreams the writing rubs away off the skin on my hands from holding. and the people smile under their hats at me though it snows so hard it’s swept under the couch and in my daydreams: i can finally hold all the warmth in the world effusing from bodies i cannot feel, will never touch and when the temperature rises, i go outside after the rain again but the rain doesn't culminate on the evergreens; i shook the branches to feel the balm on my shoulders but the dryness overhead displaced me in the absence of water. don’t you stare at me i am not great now; i am lying with the insects to come up with more eyes to see with i, this great essence of grotesque but i must compromise my greatness for ever dancing, eating, loving, finding some reason to pray prey upon the bliss so truant from my mind. i feel i am some monstrous vermin, nameless and defiled, simply tossed among the files, which has absconded, so punished, from the living room floor to under the couch. i admit to you now, though you look at me with vacuous acuity: for all i know, my life was accidentally whispered on a freudian slip of paper from God’s pile of post-it notes and carelessly tossed into the eternal blue flame. but i am no fragment i am no flea nor tick nor scorched typo i am less monstrous than the universes between your eyes which will never shine on me we guess, we categorize, we think, we sweat beads to make a necklace of labor and pass it down the generations as an embellishment of humanity and with hallowed bird’s bones do we rip apart our wishes.
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55
i have too many things.  these things keep me here.  for how would i move my amniotic items, who would want these things, who could need and buy my broken miscellany?  rather these things be burned.  but i couldn't throw that away, it was a gift.  how better to show ungratefulness in the faces of the fantastic people who once wanted things for me.  and the structure of these things, created by people; the destruction in the smolder makes me sick.  i think of teddy bears rotting in a dump.  baby birds from islands far away, across the planet, in the most isolated areas on earth, are still found with plastic trash in their downy bodies.  no, i couldn't throw these things away.  i am an empty space among things.  i am this amount of money, i am this collection of sculpted granite, plastic, glass elephants.  i am made of candle wax and useless, synthetic material, all new.  my utility stretches the length of the unused rulers in my several drawers.  these things make me.  i am this much, and not much more.  engulfed by these things in a sac, here i am, curled up in my small breathing room, darkened.  and ibuprofen taken in fours.  i wake up with headaches that won't go away with coffee, water, peace, exercise, ingenuity, grace, forgiveness.  they will not go away.  after sleeping ten, twelve hours, they will not go away.  i cannot forgive them.  no bids on eBay.  so the truth comes out:  nobody buys me.  i used to get so angry.  i would throw things, see.  i destroyed things that were beautiful and hurt the people who wanted me.  and now nobody wants my things, though they must all go away.  i must destroy them all again, to make more space for the waning disposition in the back of my brain.  the gray matter, that's what matters.  that's what creates me, and it controls how i create.  i cannot travel outside of my mind meat.  i cannot create to make up for these things i destroyed, and i cannot be forgiven.  i am this much.  an inch or two of room for me to exist.  and is the soul made out of dust and rubber?  if so, it must be sold.  given away, maybe.  it is a part of these things, though i do not know where i would go if i were freed of this caveman accumulation.  perhaps to dresden, i speak the language.  to know and not be known.  the strangers are much more strange to me when they have never known small-town america, and have never even conceived of this hollow, cluttered room.  so stuffed to the point of utter uselessness.  ah, so the utilitarians might say that i am not even human, i suppose.  my cup has not been imbued with all the functionality of humanity, and remains half empty.  half human, stretching out a day-by-day half life, getting longer by the foot.  and what of these books?  mostly read, and some looked at, a few skimmed, a few only here for a once in a lifetime reference (perhaps for a school project or a stint of curiosity long since vanished from my gray matter), several collections of my childhood fancy.  mystery and adventure.  this mantle of knick knacks and paraphernalia hails from my past and the pasts before mine.  with such an archive, i may accurately be considered a historian (with or without the halitosis…i couldn't tell you for lack of third party noses).  lately i haven't spoken in my sleep, though i couldn't say for certainly; there's no one there to talk to.  these things are tinted white and gray in the fashion of the silent film.  they act out the motions and emotions from their conceptions in my peripheral vision, sensational ****** expressions and dramatic gestures from the old south. waking and sleeping, they breathe in opposing time with me.  these things, they bury me.
0
Oct 15, 2014
Oct 15, 2014 at 4:49 PM UTC
Musings on the Cluttered Room
i have too many things.  these things keep me here.  for how would i move my amniotic items, who would want these things, who could need and buy my broken miscellany?  rather these things be burned.  but i couldn't throw that away, it was a gift.  how better to show ungratefulness in the faces of the fantastic people who once wanted things for me.  and the structure of these things, created by people; the destruction in the smolder makes me sick.  i think of teddy bears rotting in a dump.  baby birds from islands far away, across the planet, in the most isolated areas on earth, are still found with plastic trash in their downy bodies.  no, i couldn't throw these things away.  i am an empty space among things.  i am this amount of money, i am this collection of sculpted granite, plastic, glass elephants.  i am made of candle wax and useless, synthetic material, all new.  my utility stretches the length of the unused rulers in my several drawers.  these things make me.  i am this much, and not much more.  engulfed by these things in a sac, here i am, curled up in my small breathing room, darkened.  and ibuprofen taken in fours.  i wake up with headaches that won't go away with coffee, water, peace, exercise, ingenuity, grace, forgiveness.  they will not go away.  after sleeping ten, twelve hours, they will not go away.  i cannot forgive them.  no bids on eBay.  so the truth comes out:  nobody buys me.  i used to get so angry.  i would throw things, see.  i destroyed things that were beautiful and hurt the people who wanted me.  and now nobody wants my things, though they must all go away.  i must destroy them all again, to make more space for the waning disposition in the back of my brain.  the gray matter, that's what matters.  that's what creates me, and it controls how i create.  i cannot travel outside of my mind meat.  i cannot create to make up for these things i destroyed, and i cannot be forgiven.  i am this much.  an inch or two of room for me to exist.  and is the soul made out of dust and rubber?  if so, it must be sold.  given away, maybe.  it is a part of these things, though i do not know where i would go if i were freed of this caveman accumulation.  perhaps to dresden, i speak the language.  to know and not be known.  the strangers are much more strange to me when they have never known small-town america, and have never even conceived of this hollow, cluttered room.  so stuffed to the point of utter uselessness.  ah, so the utilitarians might say that i am not even human, i suppose.  my cup has not been imbued with all the functionality of humanity, and remains half empty.  half human, stretching out a day-by-day half life, getting longer by the foot.  and what of these books?  mostly read, and some looked at, a few skimmed, a few only here for a once in a lifetime reference (perhaps for a school project or a stint of curiosity long since vanished from my gray matter), several collections of my childhood fancy.  mystery and adventure.  this mantle of knick knacks and paraphernalia hails from my past and the pasts before mine.  with such an archive, i may accurately be considered a historian (with or without the halitosis…i couldn't tell you for lack of third party noses).  lately i haven't spoken in my sleep, though i couldn't say for certainly; there's no one there to talk to.  these things are tinted white and gray in the fashion of the silent film.  they act out the motions and emotions from their conceptions in my peripheral vision, sensational ****** expressions and dramatic gestures from the old south. waking and sleeping, they breathe in opposing time with me.  these things, they bury me.
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1
walk, don't run remember when we were young? the days were marked with our own personal nuance in our transparent and unbreakable plans, and the hours by childish boredom and evanescent impulse to break them. we settled into each our own, that we shared because we thought we had each other right, and when we were wrong we served to one another our indentured solitude. the seconds were my friends and the minutes broke their promises never to be long; i won't belong without you and your scent. i am afraid to be a guest in my childhood home and a passing tourist in my former dreams which include you remember how we ran? early in the morning we were scientists of the mind and body and questioners and beholders we tried the position of inquisition of feet upon the dashboard and trash about the floor and cigarettes and something remembered not as potent anymore. walk, don't run. remember how we tripped over each other? impregnable intensity drained us of our reason; control became an asset of the controlled but now i stand by the flank of the ranks of real people, and they teach me how to walk away.   we ran too much, i think.
0
Oct 15, 2014
Oct 15, 2014 at 4:43 PM UTC
Heat Causes Violence and Emotion
I was afraid to walk outside in case the rain would catch me standing as I am and was; alone, unrequited, an apple-pitted girl against whatever comes to mind. Say it, anything, dance damply under the unmoving ceiling fan and move like falling wind in summer. The only time I feel like me, summer. The only time to stop and not feel immobile; the only time to move and not feel pushed. The only happy time. Have an apple, feel it to the core. Wear a dress, and let the rain fall through it and the wind soak it so the clinging mocks your need to hold on, but still let go, and watch it tumble down your legs and mouth; cling to something far away, through dreams. Like flimsy cloth, you and I, like warmth and wind and rain, we can be. You and me. Or just me alone. Unrequited, clinging to the edge of the line where the rain starts, racing hearts, which will cross the line first? Who will win? It's the decision of my life, whether to walk into the rain or not. But it's the time that catches me against my watch, and so embarrassed, I let my hand catch the rain until it stops suddenly.
0
Jul 17, 2011
Jul 17, 2011 at 7:39 PM UTC
Summertime (stream of consciousness)
it rained yesterday, and as we walk today onto the soaking track, the long and circular spiked-rubber track, ***** puddles assault us, bearing the floating, struggling corpses of worms that escaped the drowning underworld only to be swallowed by the waves of the upperworld, where we humans run and play with each other and with nature, but as much as we can change in our mother, we cannot quell her lachrymose heart, and so we walk gingerly among the vain attempts at survival which manifest themselves as bodies laying split and ****** pinned to the earth by natural needles (their fluids drying over their skin, sticking them, melding them, to the ground) as though someone has prepared them for dissection. but no one save i attests to the sincerity of ****** science; i am the only one to delve into their infirm bodies to seek their minds and travel down their tracts and empty their glands and poke at their five or four hearts, however many worms have; i am the only one to dissect them, yet lay one digit on them i do not. i dare not, for what would i discover but wormlike attributes, and who would ever discover anything inside a worm but defeat in its own birth, ostracism for having been derived from something so lowly as a creature without limbs, which eats, yes eats, the very black vile we stomp our mighty feet upon. but, remember, worms have many hearts (four or five, however many) and therefore, more blood to spill. and so, from that logic springs forth the idea that the blood of an earthworm (in comparison to its body) flows four or five times as heartily, more guiltily. but no guilt touches the ones who scream and swerve as they run, avoiding death scene after death scene in the short films of worms' lives. it confuses me, however, how these worms came to be lying dead atop our artificial turf, for isnt it fact that a worm comes to the surface when the earth floods, and so isnt it fact that artificial turf does not flood (for it is solid and immovable through and through, and so no worm's tunnel can penetrate the hard rubber) and so isnt it mysterious that these creatures have risen to the surface from a subterranean lair that doesnt exist? pondering this, i stop and i let the rest run past me, kicking up brown water with an odor unknowable-- the stench of death in summer. i look down to the ghastly sight, and i know suddenly that worms have hidden and that rain has found and injured them, and that we have dismissed and killed them. and i think to myself, i know why worms hide. knowing this, i look up to continue trampling these mockingbirds of the dirt (for who would take pity on a girl taking pity on worms?) but i stop when i see a young boy lingering on the side of the track, studying the turf i so carefully studied moments before. i study him. and i see him delicately scoop up a worm, wriggling at life's end, hold it between his fingers high in the air like a golden chalice to be blessed, and drop it whole into his open mouth.
0
Jul 17, 2011
Jul 17, 2011 at 7:21 PM UTC
worms.
it rained yesterday, and as we walk today onto the soaking track, the long and circular spiked-rubber track, ***** puddles assault us, bearing the floating, struggling corpses of worms that escaped the drowning underworld only to be swallowed by the waves of the upperworld, where we humans run and play with each other and with nature, but as much as we can change in our mother, we cannot quell her lachrymose heart, and so we walk gingerly among the vain attempts at survival which manifest themselves as bodies laying split and ****** pinned to the earth by natural needles (their fluids drying over their skin, sticking them, melding them, to the ground) as though someone has prepared them for dissection. but no one save i attests to the sincerity of ****** science; i am the only one to delve into their infirm bodies to seek their minds and travel down their tracts and empty their glands and poke at their five or four hearts, however many worms have; i am the only one to dissect them, yet lay one digit on them i do not. i dare not, for what would i discover but wormlike attributes, and who would ever discover anything inside a worm but defeat in its own birth, ostracism for having been derived from something so lowly as a creature without limbs, which eats, yes eats, the very black vile we stomp our mighty feet upon. but, remember, worms have many hearts (four or five, however many) and therefore, more blood to spill. and so, from that logic springs forth the idea that the blood of an earthworm (in comparison to its body) flows four or five times as heartily, more guiltily. but no guilt touches the ones who scream and swerve as they run, avoiding death scene after death scene in the short films of worms' lives. it confuses me, however, how these worms came to be lying dead atop our artificial turf, for isnt it fact that a worm comes to the surface when the earth floods, and so isnt it fact that artificial turf does not flood (for it is solid and immovable through and through, and so no worm's tunnel can penetrate the hard rubber) and so isnt it mysterious that these creatures have risen to the surface from a subterranean lair that doesnt exist? pondering this, i stop and i let the rest run past me, kicking up brown water with an odor unknowable-- the stench of death in summer. i look down to the ghastly sight, and i know suddenly that worms have hidden and that rain has found and injured them, and that we have dismissed and killed them. and i think to myself, i know why worms hide. knowing this, i look up to continue trampling these mockingbirds of the dirt (for who would take pity on a girl taking pity on worms?) but i stop when i see a young boy lingering on the side of the track, studying the turf i so carefully studied moments before. i study him. and i see him delicately scoop up a worm, wriggling at life's end, hold it between his fingers high in the air like a golden chalice to be blessed, and drop it whole into his open mouth.
Continue reading...
145