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neil-s-mcleod
neil-s-mcleod
70/M/Los Angeles Born in Oxford, raised in Kenya, and came to America as a Fulbright Scholar to study dentistry at U.S.C., Dr McLeod is past winner of Los Slamgeles Poetry Slam and author of abitingchance.blogspot.com and fifteen books of poetry.
And now the night shades fall, Day's brightness leaves sway for evening's gown. Tall shadows join and darken all And naught but spires remain of our old town. This night, our herald of tomorrow's coming dawn, Warmed by the heat breathed back from these old walls, Now wraps close all deeds and sorrows drawn, And soothes us as her darkening curtain falls. Despise us not who sit and meditate For 'neath thy cloak reason has its way And comforts in those silent hours late, The toils and hardships of departing day.
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May 6, 2018
May 6, 2018 at 12:22 AM UTC
Dusk
By any measure Accomplishing your goals is called success. Yet in and of itself When all is said and done it means little. Success is not the measure of the man, But what comes after it - After the struggling and the inward perspective Comes significance, That greater purpose For which we all should strive, To matter, not to ourselves But to the lives of others, “Hello”, he said Eyeing me in the football stand, And with diminished accolade Expounded, “Your Roddy’s dad.” And in a twinkling The true measure came to me, That in his world, and that of my son I had attained significance.
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May 5, 2018
May 5, 2018 at 9:44 PM UTC
Success And Significance
It sits there on the sideboard Or on the mantle shelf, And after such a long time You don’t notice it yourself. But should you have a visitor Or younger child come by It will spark interest anew And gasps of “Me oh my!” It’s then the curious wonder How the ship was put inside, And where the opening’s concealed And was it hard to hide? And if you put it in there How many times you tried? And if it went in through the neck How could it be so wide? It’s then you tell the story Of going to the store To find a bottle of good clear glass With a shape worth planning for. Dimple Haig is famous, Carduh’s pretty fair, The first one is triangular, The other one is square. The bottle must be decanted, When empty cleaned and dried, And a careful measure taken Of the dimensions inside. It’s then you render drawings Of the ship you want to make, And plan out going backwards Every step you’ll have to take. First you carve the hull Of wood with grain that’s fine, Then step the masts with hinges So they fold down in a line. You add the sails and rigging, Check how they’ll ***** When’s time to pull the halyards Through the bottle’s neck. It takes months to finish Doing a little every night, I had my children watching And remarking at the sight. They saw me put in plasticine To mold and shape the ocean And carve wave crests with a spoon To give the water motion. When at last the time is right And everything is ready You carefully set the ship upon The sea and hold it steady. Then pulling on each halyard The sails are slowly raised And those who watch the process Stand enchanted and amazed.
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May 5, 2018
May 5, 2018 at 9:21 PM UTC
A Ship In A Bottle
It sits there on the sideboard Or on the mantle shelf, And after such a long time You don’t notice it yourself. But should you have a visitor Or younger child come by It will spark interest anew And gasps of “Me oh my!” It’s then the curious wonder How the ship was put inside, And where the opening’s concealed And was it hard to hide? And if you put it in there How many times you tried? And if it went in through the neck How could it be so wide? It’s then you tell the story Of going to the store To find a bottle of good clear glass With a shape worth planning for. Dimple Haig is famous, Carduh’s pretty fair, The first one is triangular, The other one is square. The bottle must be decanted, When empty cleaned and dried, And a careful measure taken Of the dimensions inside. It’s then you render drawings Of the ship you want to make, And plan out going backwards Every step you’ll have to take. First you carve the hull Of wood with grain that’s fine, Then step the masts with hinges So they fold down in a line. You add the sails and rigging, Check how they’ll ***** When’s time to pull the halyards Through the bottle’s neck. It takes months to finish Doing a little every night, I had my children watching And remarking at the sight. They saw me put in plasticine To mold and shape the ocean And carve wave crests with a spoon To give the water motion. When at last the time is right And everything is ready You carefully set the ship upon The sea and hold it steady. Then pulling on each halyard The sails are slowly raised And those who watch the process Stand enchanted and amazed.
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56
The pages of your letters, Coloured and scented, Are the flowers of my day. From my fingers they drop, Like dry petals in the breeze, When sleep drifts over me And thoughts of you become my dreams.
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May 11, 2017
May 11, 2017 at 4:41 PM UTC
Pages
When ever I touch the ground that’s hot With the sole of my foot that’s bare, I never fail to recall a time, And the memories lingering there, Of a day when I was just a boy, Beneath equatorial skies, And the tactic used to keep me indoors While the missionaries rested their eyes. My mother was sick with malaria The curse of the tropic zone, And while my dad was away on the hunt Their station became our home. And after lunch when the sky was hot And the morning’s work was done They took my shoes away from me To keep me out of the sun. The veranda air was still as a grave, Not a sound to could be heard outside Save the click-click-click from the beetles And the grasshoppers jumping to hide. Or the scratching scaly slither, Of a snake on the flowerbed verge, Or the distant cry of the crested crane, These are the sounds that merge. The sight of the distant Koru hills Shimmering in the haze Beyond the frangipani trees Return once more to my gaze, And the prickly spiky Crown of Thorns That lined the garden ways, These are the sights that ribbon back From my early Kenyan days. The smell of the room was a mixture Of scents on the garden air, And creosote coming up through the floor From the pilings under there, And paraffin from the pressure lamps Which hissed as they gave us light. With the hint of oil of pyrethrum Sprayed round the eves at night. The step to my door should I venture At noon was as hot as a stove, The soil on the paths and driveway Would burn if ever I strove. And the thorns in the earth would pr ick me As I cautiously picked my way through To the shade of the frangipani tree, From there I took in the view. So, when ever I touch the ground that’s hot With the sole of my foot that’s bare, I never fail to recall a time, And the memory lingering there, Of a day when I was just a boy, Where the images I find, Set smells and sights and sounds of Africa sizzling in my mind. Redding, California July 4th 2005 temperature 105° Fahrenheit
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May 11, 2017
May 11, 2017 at 4:32 PM UTC
The Hot Earth
When ever I touch the ground that’s hot With the sole of my foot that’s bare, I never fail to recall a time, And the memories lingering there, Of a day when I was just a boy, Beneath equatorial skies, And the tactic used to keep me indoors While the missionaries rested their eyes. My mother was sick with malaria The curse of the tropic zone, And while my dad was away on the hunt Their station became our home. And after lunch when the sky was hot And the morning’s work was done They took my shoes away from me To keep me out of the sun. The veranda air was still as a grave, Not a sound to could be heard outside Save the click-click-click from the beetles And the grasshoppers jumping to hide. Or the scratching scaly slither, Of a snake on the flowerbed verge, Or the distant cry of the crested crane, These are the sounds that merge. The sight of the distant Koru hills Shimmering in the haze Beyond the frangipani trees Return once more to my gaze, And the prickly spiky Crown of Thorns That lined the garden ways, These are the sights that ribbon back From my early Kenyan days. The smell of the room was a mixture Of scents on the garden air, And creosote coming up through the floor From the pilings under there, And paraffin from the pressure lamps Which hissed as they gave us light. With the hint of oil of pyrethrum Sprayed round the eves at night. The step to my door should I venture At noon was as hot as a stove, The soil on the paths and driveway Would burn if ever I strove. And the thorns in the earth would pr ick me As I cautiously picked my way through To the shade of the frangipani tree, From there I took in the view. So, when ever I touch the ground that’s hot With the sole of my foot that’s bare, I never fail to recall a time, And the memory lingering there, Of a day when I was just a boy, Where the images I find, Set smells and sights and sounds of Africa sizzling in my mind. Redding, California July 4th 2005 temperature 105° Fahrenheit
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57
A little bit of *** In a canvas bag And a wallet full of notes And a piece of rag A tooth brush and comb And a letter pack And a bit of paper With a number on the back And a crisp old sheet From a writing pad Is a folded memory And a poem so sad Yet with joy in the lines That live on still While the love they were for Will no longer thrill For the cause is lost Like the canvas bag Left by the seat With no name tag How can I find That fleeting two? They won't be in Oxford They were passing through I met them in London By the cold roadside They wanted a lift So I gave them a ride They'll pass on Down Exeter way The cost of that lift Was dear to pay For now I am left With a canvas bag With a leather flap For a naming tag All covered with names That student wrote So when standing so cold At a glance he'd note The words of his subject Written thereon And his mind would warm As he pondered on The lecture from where The thought first came And the hour of the day When he wrote the name Nameless he was And his lady too Till the old bag Was sifted through Then a card Came to light With a name upon it Plain to sight And I remember The college hall Goldsmith's was The name let fall So to the English Scholar then I may return The bag again With a little bit of *** And a sad love poem I'll return them all To their former home.
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May 11, 2017
May 11, 2017 at 4:30 PM UTC
Finders Keepers
Do not ask me to say I love you And look sadly up to me with those deep dark eyes Do not be like some timid furry animal Unsure of my affections and fearing I shall say go. Do not ask me to say I love you Those words rob me of my free choice to say I truly love And compel me as though I were cornered And have to argue. If I say nothing you'll stir and sigh, Or answer, you'll doubt the reply For no more than an idle phrase Rather say come love, then kiss me I shall follow till from the wave's crest I'll say the real words. For like the waves love comes and goes. So do not ask.
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May 10, 2017
May 10, 2017 at 2:30 PM UTC
Do Not Ask
You may never have stood and looked down the sight At the tommy buck out in the breeze With the barrel on the side of the truck As your father says, "Gently now, squeeze." You may never have felt the kick of the **** Then heard the report with a crack, Or seen the buck just scatter away, Leaping this way and that. You may never have smelt the smell of the air After a fire on the plain When fresh grass shoots are pushing through With mushrooms, after the rain. You may never have heard the kru kroo of a dove When at dusk to its mate it is calling, As shadows are lengthening out to the east And the African night is falling. You may never have felt the pump of your heart As you slam the truck cab door Then lurch on the seat as you cross the plain To the prey when you're only four. You may never have ridden with game in the back As rain clouds blacken the sky, Or heard the clank of the tail-gate chains And, never again shall I!
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May 10, 2017
May 10, 2017 at 12:44 PM UTC
One For The ***
I was strolling down the aisle We were shopping there in style With my daughter sitting smiling in the cart, I was stretching out my hand For the Martinelli's brand When the apple of my eye gave me a start. With the bottle in my grasp I saw, coming toward us fast, A high heeled damsel, scarfed and towing her caddie And she smirked as I, condemned, Stood up to comprehend The reason, as my child said "Whisky Daddy?" There was nothing I could say, To make it seem another way, To vanquish the conviction so compelling It was the color you could tell And the shape she knew so well, The question that my daughter asked was telling. Neil Stewart McLeod
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May 10, 2017
May 10, 2017 at 12:40 PM UTC
Busted