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megan-kellerman
megan-kellerman
American Recent graduate of Fairleigh Dickinson's Creative Writing undergrad program. Distorted images, underwriting, and alliteration.
A seed in soil. Gestation period: unknown. One day a dog pads heavily on my head. Then, the rain comes.
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Nov 22, 2011
Nov 22, 2011 at 3:21 PM UTC
Autobiography
is getting used to certain people and learning what responses they expect from you. Every once in awhile you’ll find someone to hide in your room with you, but eventually they’ll find the door and leave you echoing again.
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Nov 17, 2011
Nov 17, 2011 at 3:59 PM UTC
The Most You Can Hope For
Could you know enough to know that       you don't know anything about       any one particular thing at any       given time? Enough to feel your mind first mildly       groping for some association about the       topic at hand, then scratching in panic       at its own gray walls for a segue into       something more familiar? A subject change. There sits in Spring a mournful child wishing       for winter and the necessity of layers,       the easy task of coercing his mother       into hugs because without them, he says,       he'll surely freeze to death, a phantom son,       a display case of old human progeny       from the time before love was outlawed       and before the babies were made with       chemicals, when they were made at all. Those future children will die with no       souls, no prospect of ghosthood, no       morals and no literary merit. They will flinch from fiction and pound poetry       into the ground with steel-toed boots, spit       on the remains, pretend to dream with their       government-issued flashcards, scenes       from movies projected on billboards in silence,       ears ringing in the quiet but for the       occasional puttering along of a society so       advanced, it doesn't know what to do with itself.
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Nov 11, 2011
Nov 11, 2011 at 10:25 AM UTC
This Is Very Old
at the big church in Harlem, we talk about the terrible twos and the almost-men who have stepped in. One old, one new. Their names barely escape. Women advance on us from the right. Their faces are distorted, colorless behind the rain. They are every woman, and we are not. We are reluctant to look them in the eye, great ghosts of expectation, and we are drowning in the blue, floating upwards, no surface to greet us, lulled deeper and deeper into the loop, floating, advancing, heavy eyes and uncertain place. Repeat.
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Oct 10, 2011
Oct 10, 2011 at 2:58 PM UTC
Watching water art with you
Stranded on the fringe of Time, my wrists throb with the pulse that binds them. Outside these walls are dark vines, ivy armed with years and years, grown to sharp points that wind themselves up my body to pierce my pin curls and lie across my forehead. They absorb the heartbeat from my temples and use it against me to hold me here, bound architecture, cross and unkind, a phantom line in an oblivious mind.
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Oct 7, 2011
Oct 7, 2011 at 4:30 PM UTC
Green Space