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maya-gold
American Walking the rather broad line between would-be witty and could-be sincere. Now with dashes!
i love you for your contradictions— the tuned dissonance that hums past midnight lips, brushing my ear when you sleepily draw me in closer. i lie in the curve of your heartbeat, thinking about concrete abstracts, but mostly about how you warmed my foot with your hand, how you seem to smile the most by the way we walk in time, and how i always miss you when i have you. (i like how we always have to relearn how to click together, and how it takes about thirty seconds, the awkward space between fingers interlocking.) you leave me with tear-slicked elbows, and i hurry our goodbyes.
0
Oct 9, 2011
Oct 9, 2011 at 3:54 PM UTC
paradox at 2 a.m.
sun-warmed hands and tongue-warmed teeth; she chews on a wingless idea, stilted by an upward momentum. maybe she doesn’t grow, but she stretches, expands, taking entropy with her. and she knows (she knows) that when she’s reached the top, she’ll be at the bottom, and the circles of mind-numbing thought will bleach her ribs white.
0
Oct 9, 2011
Oct 9, 2011 at 3:53 PM UTC
obscurity
you stranger, you becoming stranger, your voice the heart-beat spindle’s threadbare pull, pulsating in green-light chorus, washing me in and out of the shore of an intangible reality that i think you not only live in, but that you’ve created for yourself, cloth of blood and crystalline light and layer upon layer of memory that may or may not have happened. i dream of having my own palace in the inverted sky; i’d be the taste that you try to swallow away, the flickering guilt of the candle you forgot to blow out when you left the room— you left me in the light. i’d coax that tendril of half-thought half-baked slightly-worn feeling, weaving it through the syllables of my fingertips. the drumming of my hands across impatient countertops would keep the time, and you’d grow in rhythm. i’d smile, the smug, gap-toothed knowledge that comes from molding the inarticulate summation of yourself, you, who i have never met. our eyes would meet across the infinite cliff of a space between words, and that would be enough. i’d like to be able to leave the sound of my voice in the crook of your elbow, jarring your step as you try to look past the horizon, and only see my tower of words— i want to be your babel, baby.
0
Oct 9, 2011
Oct 9, 2011 at 3:53 PM UTC
trash talk
this isn’t love. this is another addiction. and that’s what i tell you, conventional facebook wisdom, from a mountain range away. i can see the crinkle of spontaneity in the folds of the bouquet you bought her, the red and gold and pink of the sunsets i left behind; they wilted when you put them in her car while she was at work, the unspoken knowledge of an unlocked door, shutting in a touch of pollen and hope, dusting her rearview mirror. i wonder if she’ll be able to drive and see clearly. i know you have an addictive personality, that you cling and destroy and renew with sadism and intelligence and love, but this isn’t going to work. this isn’t going to solve half a year’s worth of her saying no, and a year and half’s worth of a repetitive, vicious cycle, that she was all too right to break out of. no amount of flowers will bring her back, even the largest bloom will not be enough to be a sufficient metaphor for your renewed passion. all you have left is the receipt of ashes that you left in the driver’s seat.
0
Oct 9, 2011
Oct 9, 2011 at 3:51 PM UTC
carbon monoxide
you cried and i didn’t, because why would we ever do anything that adheres to gender stereotypes? and even though i wasn’t crying, i could hear myself talking in an endless stream of cliches that pulled me through whatever eddy of frantic panic of dislocation of petrifying disorientation i was feeling, and pushed me into a remote grey corner, where i couldn’t feel anything but how your sobs mixed with the static of horrible reception. (and that was crying enough) you said “i don’t know what to do,” you said “what should i do?” and **** me if i knew, because i always know what to do, but i’m not you, but that’s why this has worked for a year and six days. so i sat next to my chemistry textbook on a rough grey slab of stone, on a day that seemed like it couldn’t decide whether to shine or not, and listened to you gasp in air like the words you had to say but didn’t want to were multiplying, a cancer in your throat and i wanted to leave them there, let you suffocate, so i wouldn’t have to hear them. but i’m the rock, and i felt the rock, and i couldn’t feel anything else by this point anyway, so i said what i thought i would have to say, but what i thought was the product of an overactive imagination. and this wasn’t sealable, this wasn’t something that could be cemented into the bench under my feet, holding me and my invisible tears and my chemistry textbook. because i’m the rock, but you’re my rock, and everything was breaking into something that cut. and you didn’t know, and i didn’t want you to, and you asked me, and i didn’t know, and you didn’t want to, and i asked you, and you smiled again, and i disconnected in the cold of a shaken faith. and sat, and watched the grass grow.
0
Oct 9, 2011
Oct 9, 2011 at 3:51 PM UTC
mortar
you cried and i didn’t, because why would we ever do anything that adheres to gender stereotypes? and even though i wasn’t crying, i could hear myself talking in an endless stream of cliches that pulled me through whatever eddy of frantic panic of dislocation of petrifying disorientation i was feeling, and pushed me into a remote grey corner, where i couldn’t feel anything but how your sobs mixed with the static of horrible reception. (and that was crying enough) you said “i don’t know what to do,” you said “what should i do?” and **** me if i knew, because i always know what to do, but i’m not you, but that’s why this has worked for a year and six days. so i sat next to my chemistry textbook on a rough grey slab of stone, on a day that seemed like it couldn’t decide whether to shine or not, and listened to you gasp in air like the words you had to say but didn’t want to were multiplying, a cancer in your throat and i wanted to leave them there, let you suffocate, so i wouldn’t have to hear them. but i’m the rock, and i felt the rock, and i couldn’t feel anything else by this point anyway, so i said what i thought i would have to say, but what i thought was the product of an overactive imagination. and this wasn’t sealable, this wasn’t something that could be cemented into the bench under my feet, holding me and my invisible tears and my chemistry textbook. because i’m the rock, but you’re my rock, and everything was breaking into something that cut. and you didn’t know, and i didn’t want you to, and you asked me, and i didn’t know, and you didn’t want to, and i asked you, and you smiled again, and i disconnected in the cold of a shaken faith. and sat, and watched the grass grow.
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71
i because instead of slipping away, i can feel you stretching away through the lines of electricity that used to run from hand to hand finger to finger seamlessly clasped and lightning touch but now, the distinct, archaic electricity wires; through the state line that makes 144 miles 2.5 hours in a car with traffic, 3.5 hours in a train with horizons seem like the years that we spent not knowing each other; through the lines of shadow that keep me up in the middle of the night, pulling me down when i’m short enough already, thanks; through the line that was once binding us, which was only there to make separate forms somewhat distinct— the line which now feels like us dissolving thinning, holes becoming gaps becoming gasps, then melting into tarred and feathered feelings, and the knowledge that even poetry can’t make me feel what you felt today. life line, my *** ii some days, i feel like a ******* camel. not only because i have to stumble bleak miles over thankless tundra under the blue sky of distinct impossibility that in reality is heaven on earth, but in reality doesn’t have your smile; not only because i have to do this with memories of you stored like water in humps— the way you look when we press up nose to nose and laugh, the way you feel like something new and something never-ending the way you conduct lightning though my spine and make thunder sound in my ears all of which has faded to a distant sloshing; not only because sometimes i see a mirage, that palm tree lake luau oasis, that glimpse of the curve of your jaw or whisper of the sound of your voice that makes me turn around but is really another sand dune; but because when i see other couples with their hands interlocked and their eyes aligned and their feet in step like their life is a stage and their world is a musical, i want to ******* spit. iii. but sometimes i realize that stretching is growth is elasticity; that because the kinetic momentum of matter is the fusion of what i want to want with what i need to need, it doesn’t matter because either way, i can’t complain. that because i’m at home in the sound of your voice and because i haven’t been homesick at all, but lovesick and yousick and healthier than ever because of it— it makes me smile whenever, at the end of every conversation, we say: i love you i miss you.
0
Oct 9, 2011
Oct 9, 2011 at 3:50 PM UTC
crosshatch
i because instead of slipping away, i can feel you stretching away through the lines of electricity that used to run from hand to hand finger to finger seamlessly clasped and lightning touch but now, the distinct, archaic electricity wires; through the state line that makes 144 miles 2.5 hours in a car with traffic, 3.5 hours in a train with horizons seem like the years that we spent not knowing each other; through the lines of shadow that keep me up in the middle of the night, pulling me down when i’m short enough already, thanks; through the line that was once binding us, which was only there to make separate forms somewhat distinct— the line which now feels like us dissolving thinning, holes becoming gaps becoming gasps, then melting into tarred and feathered feelings, and the knowledge that even poetry can’t make me feel what you felt today. life line, my *** ii some days, i feel like a ******* camel. not only because i have to stumble bleak miles over thankless tundra under the blue sky of distinct impossibility that in reality is heaven on earth, but in reality doesn’t have your smile; not only because i have to do this with memories of you stored like water in humps— the way you look when we press up nose to nose and laugh, the way you feel like something new and something never-ending the way you conduct lightning though my spine and make thunder sound in my ears all of which has faded to a distant sloshing; not only because sometimes i see a mirage, that palm tree lake luau oasis, that glimpse of the curve of your jaw or whisper of the sound of your voice that makes me turn around but is really another sand dune; but because when i see other couples with their hands interlocked and their eyes aligned and their feet in step like their life is a stage and their world is a musical, i want to ******* spit. iii. but sometimes i realize that stretching is growth is elasticity; that because the kinetic momentum of matter is the fusion of what i want to want with what i need to need, it doesn’t matter because either way, i can’t complain. that because i’m at home in the sound of your voice and because i haven’t been homesick at all, but lovesick and yousick and healthier than ever because of it— it makes me smile whenever, at the end of every conversation, we say: i love you i miss you.
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80
i can lose myself in your eyes— no, actually, that’s not true. i have an excellent sense of direction (up down around the contours of your spine, between the frantic pulls of your breath, across yet through the rise and fall of your chest; always with the certainty of you) though i do usually become waylaid by crossways, intersections, and boulevards; by unspoken daydreams, unseen words, and misplaced thoughts; by the fragile temerity of an allusion at midnight, and the convenient paradoxes of endless space and finite time. but you; you, i can find. because though i will never be quite able to steer myself by stars, portents, or street signs, i can feel the way across your fingertips as surely as any sailor and where the stars, portents, or street signs direct, but do not guide it is your warmth that means that i will never get lost in your eyes. because i’ll always be found in your voice, and the taste of your touch. and while i’ll always have to carry a map and still have to stop three times to reorient redirect and ask for directions, i’m not too worried. because lost is a frame of mind, and found is a destination that I am constantly leaving and arriving; an infinite loop wrapped around your little finger.
0
Oct 9, 2011
Oct 9, 2011 at 3:49 PM UTC
i know why the compass points south
i could feel the crushed hourglass, trickling down my hand, melting my fingers as it oozed downward with steady nonchalance. so i reached upward to the ageless, abandoned cathedral of searing blue truth that pulled the seconds apart. and i knew (as my elbow was lost to time) that i could not move mountains but with the push of a sigh i could destroy whorls of sand into new empires that with an intake of air (the rise of my collarbone disintegrating all the faster) i could feel the tide breathing for me and that was enough as i dissolved into the impossibility of something.
0
Oct 9, 2011
Oct 9, 2011 at 3:47 PM UTC
the last thing he said before he closed his eyes