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marissa-adele
marissa-adele
I've got a lot to say to you. / / / whalesarelikefallinginlove.tumblr.com
I felt at home with you in your empty apartment, where your mother called me “darling” and “honey” for vacuuming, and I sat on the floor in the middle of your living room, imagining I had just bought my own place. I listen as you furnish the rest of your life out loud to me. I say we should build safe houses around each other and call it home. Now this is where I tell you, your kisses are like warm honey. And I don’t even know what that tastes like, but I swear that is the right simile. You are made from poetry. You are tightropes Overhead, knotted together. You are the netting beneath the act. Somehow you balanced me when all I ever felt like I was doing was crashing into you. I say ‘be prepared to be tackled when I am happy’ because you are like throwing the front door of my house open, before sprinting into my yard to peer at the first flowers of spring growing. My heart slows down to a jog recovery when you’re around. So I tell you, your kisses are like foggy breath in the winter. They’re the frost on my dad’s car in the morning. Frost like the dusting on my bangs when I was little and walked into elementary school with wet curly hair. I tell you, your kisses are like going on a plane for the first time, but also like getting off at the airport in your hometown. Sure, you enjoyed the flight. But you’re happy to be home.
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Nov 23, 2014
Nov 23, 2014 at 7:44 PM UTC
My Safe Poem
The last time I saw you, I was the splitting image of the Butterfly Project. I thought pen could save me. In middle school, they impress upon you so much about ink poisoning, But not enough about what to use besides ink. I need the butterflies on my wrist, I say. *I’ve been doing some research, and I found that Butterflies can see the color red.* I tell you they tumbled down my arms. The butterflies, they somersault Over red crevices in my wrist and palm;   Bat their wings like eyelashes holding back tears; Rush air over wounds with their wings Because oxygen heals. I never said I didn’t like the taste of oxygen. It just wasn’t my flavor yet. Maybe the reason I like film photography so much Is because an author named Janet Fitch once said she felt like *An underdeveloped photograph, Her image rising to the surface.* Maybe my photograph is overexposed. My photograph is of the whiteness in my mind when I hurt myself, And I need chemicals like fixer To bring an image to the front and center. The rule of thirds divided me into two parts self-hatred And one part hatred for hating myself: Perhaps there’s one chemical I need to soak my brain in; Perhaps I missed the perma-wash step And I didn’t fully rinse away the negative solution on my film. And if I am to talk about steps, Then I am a spiral staircase that hasn’t had the steps built in yet Because I don’t understand how to attach them. I’ve forgotten how to hold onto railings. My palms are splintered because I land on them when I fall. Now I never said I wasn’t worth recovery. I just couldn’t say that I was. I am the embodiment of not wanting to get on the roller coaster because I’m scared, but also being the roller coaster myself. I just don’t know how to stop.
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Nov 23, 2014
Nov 23, 2014 at 7:41 PM UTC
The Color Red
The last time I saw you, I was the splitting image of the Butterfly Project. I thought pen could save me. In middle school, they impress upon you so much about ink poisoning, But not enough about what to use besides ink. I need the butterflies on my wrist, I say. *I’ve been doing some research, and I found that Butterflies can see the color red.* I tell you they tumbled down my arms. The butterflies, they somersault Over red crevices in my wrist and palm;   Bat their wings like eyelashes holding back tears; Rush air over wounds with their wings Because oxygen heals. I never said I didn’t like the taste of oxygen. It just wasn’t my flavor yet. Maybe the reason I like film photography so much Is because an author named Janet Fitch once said she felt like *An underdeveloped photograph, Her image rising to the surface.* Maybe my photograph is overexposed. My photograph is of the whiteness in my mind when I hurt myself, And I need chemicals like fixer To bring an image to the front and center. The rule of thirds divided me into two parts self-hatred And one part hatred for hating myself: Perhaps there’s one chemical I need to soak my brain in; Perhaps I missed the perma-wash step And I didn’t fully rinse away the negative solution on my film. And if I am to talk about steps, Then I am a spiral staircase that hasn’t had the steps built in yet Because I don’t understand how to attach them. I’ve forgotten how to hold onto railings. My palms are splintered because I land on them when I fall. Now I never said I wasn’t worth recovery. I just couldn’t say that I was. I am the embodiment of not wanting to get on the roller coaster because I’m scared, but also being the roller coaster myself. I just don’t know how to stop.
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38
You’d be mistaken if you said the stones didn’t feel hotter than the sand beneath your feet. Casting circles along the ground, light shimmers between the trees. Flowers reach up to it, along the way shedding petals. I walk on, gathering about me my dress. I’ve found recently that I’m happiest in a dress. Reminiscing memories of prom, I imagine a floor of stones instead of tile and a corsage of intricate petals And a sea of feet, Swaying to a slow song, like flowers sway into the light in Sanibel. Imagine our venue as Sanibel where light brightens every picture and blesses every dress; where the appearance of flowers isn’t just a corsage or pretty weeds poking through stones; where sand adornes feet and wind means a breeze of perfumed petals. Twirling down from the trees, petals blink with color in the light and stick to ocean-water bathed feet shaded by my dress. Days are spent winding along stones of Sanibel’s flowing garden of flowers And it becomes captivating. I find elegance in flowers like prom attendees. They bat their eyes like petals alight softly on stones. I see so much light, I would twirl and twirl and twirl in my dress, spinning on feet And if my feet never touch the ground, at least they’ve danced to lush flowers and at least my dress has spilled out around me, meeting petals soaking light, cloaking stones. In Sanibel, I dress for bare feet. I let myself not be heavy as a stone, I let myself flower. And I collect petals, to remind me things wither without light.
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Nov 23, 2014
Nov 23, 2014 at 7:39 PM UTC
Sanibel (full sestina)
You’d be mistaken if you said the stones didn’t feel hotter than the sand beneath your feet. Casting circles along the ground, light shimmers between the trees. Flowers reach up to it, along the way shedding petals. I walk on, gathering about me my dress. I’ve found recently that I’m happiest in a dress. Reminiscing memories of prom, I imagine a floor of stones instead of tile and a corsage of intricate petals And a sea of feet, Swaying to a slow song, like flowers sway into the light in Sanibel. Imagine our venue as Sanibel where light brightens every picture and blesses every dress; where the appearance of flowers isn’t just a corsage or pretty weeds poking through stones; where sand adornes feet and wind means a breeze of perfumed petals. Twirling down from the trees, petals blink with color in the light and stick to ocean-water bathed feet shaded by my dress. Days are spent winding along stones of Sanibel’s flowing garden of flowers And it becomes captivating. I find elegance in flowers like prom attendees. They bat their eyes like petals alight softly on stones. I see so much light, I would twirl and twirl and twirl in my dress, spinning on feet And if my feet never touch the ground, at least they’ve danced to lush flowers and at least my dress has spilled out around me, meeting petals soaking light, cloaking stones. In Sanibel, I dress for bare feet. I let myself not be heavy as a stone, I let myself flower. And I collect petals, to remind me things wither without light.
Continue reading...
39
You’d be mistaken if you said the stones didn’t feel hotter than the sand beneath your feet. Casting circles along the ground, light shimmers between the trees. Flowers reach up to it, along the way shedding petals. I walk on, gathering about me my dress.
0
Nov 23, 2014
Nov 23, 2014 at 7:37 PM UTC
Sanibel
I am not silk linens for you to drape across the arm of the couch like a waiter adorns his arm with a porcelain-colored napkin that never bears a crease. I am not glass; the vase that shattered, and leaked clear blood that lapped across the floorboards and decorated the suffocating flowers with invaluable beads cannot possibly define me. I feel sensitivity when a frost chills its way about my teeth, but the state is not penned into my sexuality. Now if I were to shoot a bayonet that belongs within the leather jacket of a man’s costly callused and blistered hands with, instead, my own that were spun from the fabric of my dress, I would aim for the notion that labels women— like we are merely a crate of pomegranates— as “gentle, domestic brutes” and my gunshot would echo with the shout of a vindication on the rights of women that can be written down between the sheer of our tyrannical stockings. I’ll cut my hair to the length of controversy; for if I must rebel, my passion for women’s equality begins at the roots.
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Jan 3, 2014
Jan 3, 2014 at 5:42 PM UTC
Feminism: From The Perspective of Mary Wollstonecraft
I need you to know that I’m like a flower. I’ll wilt and crinkle if you forget about me, even for just a sun-adorned day. I need to be watered, constantly— but not constantly enough that I am drowned and submerged under the shower. There is a correct amount to overwhelm me. If you caress my petals too roughly, I’ll bruise… And if you pull them off, they may never have the audacity to grow back.
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Jan 3, 2014
Jan 3, 2014 at 5:42 PM UTC
To The Gardener:
Death does not know of the phrase “I am breaking up with you,” nor the feeling of hatred you have for yourself; death only knows the deterioration of your body as a whole. Death does not know of the darkness plaguing your mind, or the crack you feel in your heart. Death only knows of a lack of nutrients, or a lack of blood, or a lack of breath. Death does not apologize, nor give you a second chance. Most importantly, death will not love you; death will not give you the opportunity to recover.
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Jan 3, 2014
Jan 3, 2014 at 5:41 PM UTC
He Told Me I Was Death, But
somebody once described to me a fiction where eyes contain galaxies                            within them, and it’s the stars that make them sparkle when a smile dances across their mouth,                        but in disbelief, I wavered for the city lights always drowned out the stars but your gaze caresses me like I’m of the finest silks                         and in that is a fiction itself. all my doubts were smoothed over as my chin was tilted upward, and there before me were the galaxies                         captured within your eyes.
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Jan 3, 2014
Jan 3, 2014 at 5:39 PM UTC
my constellation
The words rose to the Tip of my tongue Piling and piling up Into a big, towering jumble Of letters. I opened my mouth, pursed my Lips, and the words slid Forward— only to be pushed right back— The jumble of them—quite A mile long—they all went Unspoken as I swallowed them Back down into the Depths and recesses of me where All those words—a huge Pile—remain forever— Quiet—I-could’ve-but-I Didn’t— Unspoken.
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Jan 3, 2014
Jan 3, 2014 at 5:37 PM UTC
unspoken