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madison-davis
(Prelude) They told me that before I walked, I climbed like ivy on the backs of those old enough to know what it felt like to support something. I hope you’re tall enough to climb because staying close to the ground won’t get either of us anything but fleshy fingers and pale legs that haven’t felt the embrace of branches. The Manzanita grove sits squat and clustered, heavy grandparents, gossiping about which child had the best education. Strips of light- spilling through oval and jade leaves spread out like dough between four branches. “Well, my girl has got the legs to be a dancer” “Mine has roots that lead right back to the Queen of England” They fall asleep midday, the chatter having made their red bark peel. Try to tip toe between the trunks or they will wake and keep you around to fatten you up with a combination of *** roast and home grown herbs slightly wilted from too much time in the sun. greedy fool who should bite his tongue and try climbing an oak for a change in perspective. Stradling the trunk with slender legs bark scraping the unscathed skin. Pulling upward for filtered light always partial always half the story.
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Jun 26, 2014
Jun 26, 2014 at 12:52 AM UTC
You'll Only Get Half of the Story
Anderson Cooper has a beautiful face. His mouth a respectful parallel line, his eyes a beacon to alert us of incoming disaster one where bombs erupt behind his wide shoulders one where smoke clouds his view. He is a shield of false hope “Everything is alright” and “this has gone terribly wrong” cover his brow as winkles, reasonings, excuses, all over Anderson Cooper has a beautiful face. His lips quiver slightly as he raises a lingual gun to the opposing side only to lower it moments later with a look of surprise that graces his cheekbones. He is a weapon of mass destruction a solid reflection lies underneath the mirror one side of the body a beckon, the other a halt Anderson Cooper has a beautiful face.
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Jun 26, 2014
Jun 26, 2014 at 12:33 AM UTC
War
Mama likes to turn it up high. Croon like there’s nothing but sweet, heartbreaking men he tells her he loves her like there isn’t another woman loving him forever is what she needs Croon like there’s nothing but sweet, heartbreaking men Shakes her head like she’s heard it through the grapevine. loving him forever is what she needs Dancing with the mop like he’ll stay true. Shakes her head like she’s heard it through the grapevine “Ain’t no mountain high enough!” gaze turned up, looking for the one Dancing with the mop like he’ll stay true He’s just another man, he isn’t Motown. “Ain’t no mountain high enough!” gaze turned up, looking for the one he tells her he loves her like there isn’t another woman He’s just another man, he isn’t Motown. Mama likes to turn it up high.
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Jun 26, 2014
Jun 26, 2014 at 12:29 AM UTC
motown
what you choose it bound to your skin spooled tightly around your ankles gray and black rivulets tight rope on the ground walking straight, walking clean watch your feet or you might fall on to the wrong path one where men wave their thumbs at you on the highway while you swerve and bend no tightrope no haywire haze on your window shield your parents want you to pick up pieces of cloud bring them back to their aching heels curved around the coils of gray and black. you’ll always wish they could see how low your wire is how close you are to jumping down and resting your feet a while maybe it’s time they get themselves a thicker piece of land.
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Jun 26, 2014
Jun 26, 2014 at 12:28 AM UTC
on a wire
I wish I could go back and change what I said You are so much more than unique with bright eyes returning from the battle. You keep waking up. I once knew how to breathe air that wasn’t filled with my own need. But this isn’t about me. Mia. Mine. I want to give you tight squeezes to my chest keep you from the pain that I never could have recovered from. So on this day, remember what you felt, what you will never stop feeling. Fists closed, cheeks turned upward tongue out. Rain feels like moonlit kisses and you want nothing more than to drown in their sweet caresses Fall asleep to the sound of mandolin, baby, you’re miles from here. You daydream of dolphins and glasses unbroken baby you’ve got work to do here. Dig toes into half wet sand salty silences grace each curve of your hands as you want to pray instead, you smile laugh like you’ve just seen the Queen dip her chipped tea cup into the ocean before you. You grow. Look in the mirror and notice hair, body, face recognize your little rebellions as you make mistake after beautiful mistake Feel the weight of the last day of moving away remember what safe sounds like. Ride boats in the night take the wheel and you’re flying you always have been. Return to the shore hope to flop your belly to the land hold it close not drift away never go back the way the water went. Taste pasta smooth as that man you once met on Maple St. You devour the coyote calls and dark halls bit by bit baby, you’re moving alone here. Feel your own baby feel his little breath and puckered toes. Kiss his nose and weep like Mother Mary must have. Like every mother must have. Catch him as he runs from you swing him round and read aloud “the end” watch him say again again Move aside as he grows tall You work long shifts now tips taste like new shoes for Chase good food a day out of the house. Feel your mother around you and she has to go “traveling” she might have said. You take father’s ashes you take the basket with a story dedicated to you. You can’t go back now You face forward, hand plates to the hungry hope to hand them your own doubt You dance to Dave Matthew’s Band you didn’t think too much of it. Touch the fuzz on her head feel grateful she has all of her fingers. Let your bones rest let them be. You watch them grow. Too quickly to pause but take in every second before they can fly too. You are sick but you keep waking up. Move happily from sand to water take in laughter from the other side. Grow, grow as you drive 2,736.5 miles to a new home where Maddie will bring you raspberries and talk of smelly ghosts in the next room. Where you’re son will nearly die and live again. Bringing what light he can. drive away sea air again the water is darker somehow. Feel the pull of California you are coming home. Unpack boxes filled with past treasures beam at memory and intended scrapbooks keep on keepin on scream with joy as September plays baby, you’re 16 again hips sway and pain fades away. There’s more to taste, so much more from this day.
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Jun 26, 2014
Jun 26, 2014 at 12:27 AM UTC
Mini
I wish I could go back and change what I said You are so much more than unique with bright eyes returning from the battle. You keep waking up. I once knew how to breathe air that wasn’t filled with my own need. But this isn’t about me. Mia. Mine. I want to give you tight squeezes to my chest keep you from the pain that I never could have recovered from. So on this day, remember what you felt, what you will never stop feeling. Fists closed, cheeks turned upward tongue out. Rain feels like moonlit kisses and you want nothing more than to drown in their sweet caresses Fall asleep to the sound of mandolin, baby, you’re miles from here. You daydream of dolphins and glasses unbroken baby you’ve got work to do here. Dig toes into half wet sand salty silences grace each curve of your hands as you want to pray instead, you smile laugh like you’ve just seen the Queen dip her chipped tea cup into the ocean before you. You grow. Look in the mirror and notice hair, body, face recognize your little rebellions as you make mistake after beautiful mistake Feel the weight of the last day of moving away remember what safe sounds like. Ride boats in the night take the wheel and you’re flying you always have been. Return to the shore hope to flop your belly to the land hold it close not drift away never go back the way the water went. Taste pasta smooth as that man you once met on Maple St. You devour the coyote calls and dark halls bit by bit baby, you’re moving alone here. Feel your own baby feel his little breath and puckered toes. Kiss his nose and weep like Mother Mary must have. Like every mother must have. Catch him as he runs from you swing him round and read aloud “the end” watch him say again again Move aside as he grows tall You work long shifts now tips taste like new shoes for Chase good food a day out of the house. Feel your mother around you and she has to go “traveling” she might have said. You take father’s ashes you take the basket with a story dedicated to you. You can’t go back now You face forward, hand plates to the hungry hope to hand them your own doubt You dance to Dave Matthew’s Band you didn’t think too much of it. Touch the fuzz on her head feel grateful she has all of her fingers. Let your bones rest let them be. You watch them grow. Too quickly to pause but take in every second before they can fly too. You are sick but you keep waking up. Move happily from sand to water take in laughter from the other side. Grow, grow as you drive 2,736.5 miles to a new home where Maddie will bring you raspberries and talk of smelly ghosts in the next room. Where you’re son will nearly die and live again. Bringing what light he can. drive away sea air again the water is darker somehow. Feel the pull of California you are coming home. Unpack boxes filled with past treasures beam at memory and intended scrapbooks keep on keepin on scream with joy as September plays baby, you’re 16 again hips sway and pain fades away. There’s more to taste, so much more from this day.
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(the first time I accepted a cigarette, he had rolled it himself, smiling gap-toothed and weary eyed, naked on the porch.) tomorrow, a homeless man downtown will *** a smoke from a lonely drunk fellow who burned his divorce papers the night before. (I didn’t want to cough but it hit like history biased and bruised.) thirty years ago my grandfather sat at a typewriter surrounded in blue vapor waving my young mother in to ask her what life was like and how he hoped she wasn’t smoking. (We wanted to look like a 40’s black and white film, but there’s nothing romantic about burnt fingers) the homeless man chuckles as the drunk fellow tells his story of burnt agreements and the way the smoke smelled like his wife’s perfume on another man’s jacket. they sing the smokey song inhale, exhale, laugh. inhale, exhale, sigh. they shake hands, part ways. (he laughs when I need a full cup of water to rid the webs from my lungs) mama leans back in her chair pulls a pack from her pocket one left. her father breathes and then it’s time to sing the smokey song. inhale, exhale, laugh. inhale, exhale, sigh. (I walk to the kitchen worrying about splinters, black tar oblivious to passing cars, fathers, the future. Reach for incense so mother won’t know I’ve been singing the smoky song, the one where breath resembles gray satin ribbons, the one where I inhale, exhale, laugh. inhale, exhale, sigh.)
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Jun 26, 2014
Jun 26, 2014 at 12:24 AM UTC
smokey song
what is it about a stickshift that makes everything better? the door handles would always freeze on cold mornings. we would have to brace our feet against the ice lean back far to open a door. mama would slip back and fling herself into the driver’s seat a beckon for me to jump in before the line got too long at the store and all the coffee went cold. we liked to pretend we could drive to the beach from here, swerve around corners where everyone still lay sleeping, roll up to some deserted boardwalk and collect sea glass to keep in the glove box. shifting gears after the stoplight, too slow for commuters who pass by with raised middle fingers. she pulls over, breathes hard, screams. I lean my chair back, taking in the scent of bananas we had let rot under the seat and cup her hand like I understand what’s going on. she starts the engine with a splutter and we laugh like we didn’t just run away, laugh like punches weren’t thrown as we pass by, no punch backs. two women laughing like a yellow beatle could make anything better
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Jun 26, 2014
Jun 26, 2014 at 12:23 AM UTC
Yellow Paradise, New Jersey
Scream, throw yourself to ***** cement take off your shoes you want to pull away strips of skin to reveal what’s really just lonely little pieces of people you’ve tried on like hides. You are two parts animal paw at tree trunks marking territory, yours all yours. Pull up dandelions, look around for the killer Paws trembling, sending shockwaves through cracked dirt. Laugh, throw your head in my lap take off your shoes, braid my hair We walk down south main and you want to give all your money to a homeless man you know he could just as easily be you. Torn pants, clinging to a cigarette pack like a lifeboat No, you only want to be a vagabond on the stage fling your voice to the crowd, keep their gaze. dance with your arms outspread, yours all yours. make love with a glance, sway your hips to reveal hibiscus from your palms, the sort of deep red I can almost taste. Bite your tongue until it bleeds clench your brow, run bare foot through paths winding like scars. Lick your lip, looking for traces of sea salt find it there, smile like there’s nothing better than bittersweet Know that when the dust settles I will sit with you and watch the animal teach the boy how to survive in the wild.
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Jun 26, 2014
Jun 26, 2014 at 12:21 AM UTC
How to Survive in the Wild
Cats cry as classical music plays and furniture floats in some box far off We hold our heads low, only hands move to roll down windows while leaving a place we never called home. California, did you feel me reach for you between heaving breaths as father passes Main Street toward the highway? and mama smiles, cringes, throws her chest forward Merge for incoming traffic but there isn’t anyone else on the highway headphones like blindness or alternate realities where mama and I are not just an expense. Pennsylvania and Super 8 Motel Where we rush in carrying the cats in towels to make them look like laundry not having enough to pay the pet deposit red brown bed covers- bad blood between mother and father as they cannot agree on a tv station miles to go and everyone sighs and sips at their excitement Stop at an exit toward a hotel without a pool in Nebraska where people take their drink dry or ***** or depressed mama and papa get one on the rocks with stares and snots from men wearing cowboy hats and desperately fat belt buckles papa imitates a gay man mama is confused dust for $85 a night two travelers, one to return headed for gold but not for good States run by with motive unknow Dog rests her head on my lap as we cross the line and I ask to stand by the sign both agree it is too dangerous I weep and wish to open the doors we do, and the air is different, like taking off a mask I wanted to embrace the ground we now walked on, with feverish kisses meant for the trees Papa leaves and drives all the way back with promises on his shoulders while mama and I unpack boxes silverware, bedsheets, posters with the expectation of a return that never happens We collapse the boxes labeled fragile open the shades, and stop waiting for a man who isn’t traveling, a place, a destination.
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Jun 26, 2014
Jun 26, 2014 at 12:14 AM UTC
destination
Cats cry as classical music plays and furniture floats in some box far off We hold our heads low, only hands move to roll down windows while leaving a place we never called home. California, did you feel me reach for you between heaving breaths as father passes Main Street toward the highway? and mama smiles, cringes, throws her chest forward Merge for incoming traffic but there isn’t anyone else on the highway headphones like blindness or alternate realities where mama and I are not just an expense. Pennsylvania and Super 8 Motel Where we rush in carrying the cats in towels to make them look like laundry not having enough to pay the pet deposit red brown bed covers- bad blood between mother and father as they cannot agree on a tv station miles to go and everyone sighs and sips at their excitement Stop at an exit toward a hotel without a pool in Nebraska where people take their drink dry or ***** or depressed mama and papa get one on the rocks with stares and snots from men wearing cowboy hats and desperately fat belt buckles papa imitates a gay man mama is confused dust for $85 a night two travelers, one to return headed for gold but not for good States run by with motive unknow Dog rests her head on my lap as we cross the line and I ask to stand by the sign both agree it is too dangerous I weep and wish to open the doors we do, and the air is different, like taking off a mask I wanted to embrace the ground we now walked on, with feverish kisses meant for the trees Papa leaves and drives all the way back with promises on his shoulders while mama and I unpack boxes silverware, bedsheets, posters with the expectation of a return that never happens We collapse the boxes labeled fragile open the shades, and stop waiting for a man who isn’t traveling, a place, a destination.
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