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loxlei-blaire
loxlei-blaire
American That skull had a tongue in it and could sing once.
The boy you love says, *I’m going to **** you.* So you let him. You let him take you home and you sit in his room while the heat from his fingertips lingers on the doorknob. The steam from the shower curls like smoke into the room and he wants to swallow you whole, so you jump right into his mouth. It’s wet. It’s hot. You can’t breathe. This is Unbearable. But you get to be with him —in a corner of him— lying on his balcony. This is what you wanted. So these rusty bars that crisscross over his heart, this forgotten half of an apple, the rawness of your body— you asked for it. You had booked a ticket to this ****** cave— to breathe in him, with him, exhale him. And now you get to taste him, drink of him, drown in him, die from him. But you’re waiting for him to turn the shower off, turn the sky on, nick away the black and paint it blue again, blow a few white clouds into the emptiness. And you hear him—hands on your handle—turn it off. But the water keeps running. This doesn’t make sense, you say. The water gushes down the glass pane, wets your pain.   Your arteries pump this water. I’m not thirsty, you say. But the water is still running and his chest is thunder, his mouth is granite. There’s no lightening to light your way out, no way to see the clock. This never-ending minute, this hour of forever, the ocean that flows back up into the river. This is all wrong, you say. But he doesn’t hear you because his body is covering yours, crushing yours. A cracked sternum, some water in your lungs, a little blood in your tears —but it’s okay, because he gave it to you. And you deserve this, you do… to remain here in static acid forever so you don’t forget. The boy bit my thigh, sharpened the left blade of my shoulder, couldn’t remember my name or the warmth of my blood. But he memorized the place in the river where my body was thrown —a stone, some silt, the scales of a trout. But even with these, he’s still left drenched in his own body.
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Apr 10, 2013
Apr 10, 2013 at 12:05 PM UTC
Water Hypothesis
The boy you love says, *I’m going to **** you.* So you let him. You let him take you home and you sit in his room while the heat from his fingertips lingers on the doorknob. The steam from the shower curls like smoke into the room and he wants to swallow you whole, so you jump right into his mouth. It’s wet. It’s hot. You can’t breathe. This is Unbearable. But you get to be with him —in a corner of him— lying on his balcony. This is what you wanted. So these rusty bars that crisscross over his heart, this forgotten half of an apple, the rawness of your body— you asked for it. You had booked a ticket to this ****** cave— to breathe in him, with him, exhale him. And now you get to taste him, drink of him, drown in him, die from him. But you’re waiting for him to turn the shower off, turn the sky on, nick away the black and paint it blue again, blow a few white clouds into the emptiness. And you hear him—hands on your handle—turn it off. But the water keeps running. This doesn’t make sense, you say. The water gushes down the glass pane, wets your pain.   Your arteries pump this water. I’m not thirsty, you say. But the water is still running and his chest is thunder, his mouth is granite. There’s no lightening to light your way out, no way to see the clock. This never-ending minute, this hour of forever, the ocean that flows back up into the river. This is all wrong, you say. But he doesn’t hear you because his body is covering yours, crushing yours. A cracked sternum, some water in your lungs, a little blood in your tears —but it’s okay, because he gave it to you. And you deserve this, you do… to remain here in static acid forever so you don’t forget. The boy bit my thigh, sharpened the left blade of my shoulder, couldn’t remember my name or the warmth of my blood. But he memorized the place in the river where my body was thrown —a stone, some silt, the scales of a trout. But even with these, he’s still left drenched in his own body.
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66
Let us pretend, beloved, that this is the skin you wore yesterday. Allow me to lick the salt from your lips and I’ll ignore the black dog who at night, stalks my fire escape and feasts upon the lull of a sleepless—sleep. The dog who drags me back from the cliffs of a steady breath and bites salt from my lips. I want to take this dog. I want to see her —your her— knot her fingers in its shabby fur, and flail beneath its jaw. So I can see the inside of her body— all thinness—a red delicacy. I want to see which vein you loved, so I can know for sure that you have been there: the muscle —a tendon— the tightening of how you were inside her. But I feel the bloom of your iris steal into the pound of my chest, so I forgive how these hands —broken hands— never tore through my hair. My pupils just fill with bowed heads and pleading wrists while the dog gnaws at the break of my ankles. And in this little moan of bloodied floor and sodden wood, the kiss of your mouth grazes my neck’s snap— your fingers trickle up my thigh into a little pool of Never Enough. You had tried to warn me about the time the power line snapped while all the birds were asleep— but the dog had torn my ears from me by then.
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Jan 28, 2013
Jan 28, 2013 at 12:15 PM UTC
I Am That Bird
Knowing you, I am like a girl                                   who willfully touches hemlock to her tongue. For among the boney noose of pearls                    strung up my spine,                                  you, with hands that can hold         both knives and violin bows                                                 leak a piece of air into the streams of my back And I let you—I                       let it fever its way around stringy tethers,        up to the oven of blood in my head                                                         while you lick your lips (the moon pours out) and I do not watch this                                  because now I cannot even trample          across floors of lemongrass                                   or brace the line of my jaw for a tender fist. The earth simply throws a plump tomato at my chest                                                smirks simmering in its oceans                              but all I can do is fall there                                                 lay near                                                               lose years                                                                       expire here— (the sodden match) (the hot scoop of iced cream)                                while the froth of my heart grows cold and colder. So I can’t even smash your head                   (a skull I love)                         into the wooden wall until it is as                                                                  soft as a boiled pomegranate.           For my own flesh is a puddle of sputters on the kitchen table                                                  ready for you to eat (dine, my darling, dine!)
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Nov 21, 2012
Nov 21, 2012 at 1:29 AM UTC
Aneurysm
Knowing you, I am like a girl                                   who willfully touches hemlock to her tongue. For among the boney noose of pearls                    strung up my spine,                                  you, with hands that can hold         both knives and violin bows                                                 leak a piece of air into the streams of my back And I let you—I                       let it fever its way around stringy tethers,        up to the oven of blood in my head                                                         while you lick your lips (the moon pours out) and I do not watch this                                  because now I cannot even trample          across floors of lemongrass                                   or brace the line of my jaw for a tender fist. The earth simply throws a plump tomato at my chest                                                smirks simmering in its oceans                              but all I can do is fall there                                                 lay near                                                               lose years                                                                       expire here— (the sodden match) (the hot scoop of iced cream)                                while the froth of my heart grows cold and colder. So I can’t even smash your head                   (a skull I love)                         into the wooden wall until it is as                                                                  soft as a boiled pomegranate.           For my own flesh is a puddle of sputters on the kitchen table                                                  ready for you to eat (dine, my darling, dine!)
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29
Knees quake, stagnant faces caressed smearing red, smearing salt across painted dress. Some eyes barren, some eyes gone, stomachs lurched and stomachs drawn. Mountains with their moss play bed to fallen boys, to their wasted lungs powder does still cloy. Rivers play mother’s cool arms washing way the mess of harm. Within in the field are stepping stones of flesh, made colored canvas with wounds still fresh. These boys have died a thousand deaths a thousand different ways sometimes several thousand a day losing each and every choke of air. All morning rebirth is an unlucky fate, for fellow friend’s faces freeze mid-word mid-breath mid-life. Their warm splatter upon your skin, a hole in their head you were yours. And these bullets, these bayonets are bombarded on you, on your boys by your brothers. Who you have loved. Who you have touched. With whom you have sung your song. These boys Are not fighting for cause or crime or love or what heats the mind. You fight. You die. Your bodies are reborn. You bleed for those seeming Caesars for those napping Napoleons who dust powdered sugar off their plump lips and canter over each cobblestone as if it were a country.
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Aug 21, 2012
Aug 21, 2012 at 1:25 PM UTC
Made to Climb
Sorrow is a hot flush of prickle salt filled pearls that spill over the dry reds of your cheeks. Sorrow is the swollen ache in your throat that tugs down on the corners of your mouth: gravity that seeks to bring nose to grass, forehead to gravel: the little razor that dig into your blackened flesh. Sorrow is the way your own arms seize themselves: freckle to freckle, hand to hand, all identical and opposite. Sorrow is knowing that all sounds coming out of your own mouth and all self-caressing comfort is utterly and irrevocably and inexplicably vain. Sorrow is the cool glass you smash your brow against in reflective attempts to cool poundings in your temple and calm the only constant of life: drumming, hot-blood pumping four-chambers that will one day Fail You. Sorrow is dirt you inhale into your starved lungs when it buries your head in earthy embrace awaiting your thrashing to grow still as you’re shushed like an animal before butcher until your hair blows gently in the wind. Sorrow is the way pain like fire licks every crevice of your sweet skin until molted scars like old corpses swallow you whole making you utterly and irrevocably and inexplicably unrecognizable. Sorrow is the eyes of your friends refusing to meet your own until the flicking of blues and greens and browns and blacks to any place besides the empty whites of your own is dizzying is numbing: an electric buzzing of static in grey matter. Sorrow is an invisible hand wrapping gently around your neck pushing you under the oceans of your own briny making until your foam kissed lips are blue and cold— parted slightly in a dead hope that someone will revive them. Sorrow is the vice clenching bloodied tissue of your battered and bruised heart tightly and tighter still. Until it is stagnant. Until it is inconstant. Until it’s too late to tell anyone what sorrow is.
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May 6, 2012
May 6, 2012 at 4:05 PM UTC
What Sorrow Is
Sorrow is a hot flush of prickle salt filled pearls that spill over the dry reds of your cheeks. Sorrow is the swollen ache in your throat that tugs down on the corners of your mouth: gravity that seeks to bring nose to grass, forehead to gravel: the little razor that dig into your blackened flesh. Sorrow is the way your own arms seize themselves: freckle to freckle, hand to hand, all identical and opposite. Sorrow is knowing that all sounds coming out of your own mouth and all self-caressing comfort is utterly and irrevocably and inexplicably vain. Sorrow is the cool glass you smash your brow against in reflective attempts to cool poundings in your temple and calm the only constant of life: drumming, hot-blood pumping four-chambers that will one day Fail You. Sorrow is dirt you inhale into your starved lungs when it buries your head in earthy embrace awaiting your thrashing to grow still as you’re shushed like an animal before butcher until your hair blows gently in the wind. Sorrow is the way pain like fire licks every crevice of your sweet skin until molted scars like old corpses swallow you whole making you utterly and irrevocably and inexplicably unrecognizable. Sorrow is the eyes of your friends refusing to meet your own until the flicking of blues and greens and browns and blacks to any place besides the empty whites of your own is dizzying is numbing: an electric buzzing of static in grey matter. Sorrow is an invisible hand wrapping gently around your neck pushing you under the oceans of your own briny making until your foam kissed lips are blue and cold— parted slightly in a dead hope that someone will revive them. Sorrow is the vice clenching bloodied tissue of your battered and bruised heart tightly and tighter still. Until it is stagnant. Until it is inconstant. Until it’s too late to tell anyone what sorrow is.
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78
Black robes, white collars, eyes black as night and fiery voices that of pretense speak. While threat of hell from a mouth does leak. “Your Tongues are Wicked. Your Fight Against Flesh is Weak. Your Bodies are Marred and Seek to Commit Evils in Covert Speech. Your Dress is Too Red, Your Lips Too Sweet, Your Skin Creamy Enough to Make Man Weep. From Their Wives They Will Stray. for This, You are to Blame, My Daughter. Repent.” Cross myself, Father, I will. Again and again. Hail my Mary, Father, I will. Again and again. To stone saints I will kiss and pray to intervene for my sin. Flesh I will eat and blood I will drink and pass to my kin. “Come to Me Later Alone, My Daughter and I Will Help You Kneel and Pray to Cleanse Your Conscience of the Things That Make You Stray. I’ll Put Your Hand to Your Breast and Your Mouth to My Feet So That Your Soul Can Be at Rest.” Father, you’re bleeding, from your back, from your thigh. What have you done to make yourself in pain sigh? I did not know that your God required Blood and Hurt. Is it mine that he seeks to reign? “Daughter, If You Bow to Me I Will Show You Why and How. His Sword I Will Brandish And His Armor I Will Myself Shield. Here, Look Down and With Your Collar Embrace and Yield.” - blood stains the floor, another lost and her soul takes flight to a place of higher or lower cost – Children, look at what religion has done. Children, never know the meaning of Fear.
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Mar 26, 2012
Mar 26, 2012 at 8:42 PM UTC
Mass
I trace my fingers along your smooth, Porcelain hold And I decide yes. Yes, I want you tonight. Because I am cold And your heat is enticing. I sink my body slowly Into your hot embrace, A sigh passing my mouth, While waves of warm relief Cascade down my body and face. I roll and writhe in your hard grasp; It’s loud like a waterfall So I try to speak to you, but you’re thunder And I am pounded down until I gasp. I’m clean, I’m new, I’m shiny, I’m wet. My painted face is gone, so I look like a child With the wide eyes, except for the ******* And sensation that is nothing like regret. But my time with you is spent: It’s growing colder because heat doesn’t last. And my skin is speckled with chill bumps Because your skilled, cooled fingers are still bent On coaxing sighs and smiles from my lips. But you have to leave now: Down the drain, Like the wantonness from the dip of my hips. I open my eyes and I’m alone. I was always alone. A red mouth from the glass of wine in my hand, Burning candles that must be blown, Tiled walls and tiled floors glazed with water, And perfumed bubbles still Hanging in the strands of my hair. Because I’ve been in the bathtub with Hints of steam still in the air.
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Feb 21, 2012
Feb 21, 2012 at 10:46 AM UTC
I Get Thunder Every Night
There are birds. The birds are pursuing you. The birds are silver And their reflections Are just that more brilliant Gliding over the ocean. It’s so beautiful, But you don’t notice. Because you don’t know That the grass is green Or that the sun is shining Or that the birds are singing. Only, the birds are singing… Screaming, rather. But you know it’ll stop soon. And you notice That you could be on vacation, If it weren’t for the screaming silver birds. But the birds will be silent soon And silent birds make for crying women And fatherless children. You could be on vacation. Because the sky is so blue And the clouds are so white Like the innocence you used to have. And you wish you could smell the air. But all you notice is the smell of Fear and gasoline And melting chocolate in your pocket. The silver birds flying behind you Are angry and they want you to fall Out of the sky. But all you know is that you want it To be quick and painless. The screaming grows louder So you know your wings are hurt So you dive. Unwillingly. And all you can think about Is your girl and how she’s going to cry And how your boy isn’t going to know you. He’ll just be told that you were a hero, Not that you were scared of silver birds. So the birds, both angry and silver, crash into the ground, But the wreckage isn’t made of feathers. All you know is that you wish it were. It’s so beautiful You could be on vacation Because you’re lying in a field of flowers. And they’re as brilliant as the ocean was. But those flowers are burning, And the sky is orange, the clouds ashen, And the grass is slick with blood And you don’t know where the ocean is. So you realize that you’re not dead Because you’re covered in red And everything hurts. And the screaming hasn’t stopped. Your men are lying around you with torn feathers… Bleeding. The angry birds that brought you to this place Are broken too. Fallen too. So you don’t hate them anymore Because it doesn’t matter that their Feathers are different colors than yours. Their girls are crying and their boys Won’t know them either. And through the pain all You can cry is Mother, Mother! And through the pain all The angry birds can cry is Mutter, Mutter! Until all the birds are silent. It's quiet now... You could be on vacation.
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Feb 5, 2012
Feb 5, 2012 at 9:30 PM UTC
Warring In Vacation
There are birds. The birds are pursuing you. The birds are silver And their reflections Are just that more brilliant Gliding over the ocean. It’s so beautiful, But you don’t notice. Because you don’t know That the grass is green Or that the sun is shining Or that the birds are singing. Only, the birds are singing… Screaming, rather. But you know it’ll stop soon. And you notice That you could be on vacation, If it weren’t for the screaming silver birds. But the birds will be silent soon And silent birds make for crying women And fatherless children. You could be on vacation. Because the sky is so blue And the clouds are so white Like the innocence you used to have. And you wish you could smell the air. But all you notice is the smell of Fear and gasoline And melting chocolate in your pocket. The silver birds flying behind you Are angry and they want you to fall Out of the sky. But all you know is that you want it To be quick and painless. The screaming grows louder So you know your wings are hurt So you dive. Unwillingly. And all you can think about Is your girl and how she’s going to cry And how your boy isn’t going to know you. He’ll just be told that you were a hero, Not that you were scared of silver birds. So the birds, both angry and silver, crash into the ground, But the wreckage isn’t made of feathers. All you know is that you wish it were. It’s so beautiful You could be on vacation Because you’re lying in a field of flowers. And they’re as brilliant as the ocean was. But those flowers are burning, And the sky is orange, the clouds ashen, And the grass is slick with blood And you don’t know where the ocean is. So you realize that you’re not dead Because you’re covered in red And everything hurts. And the screaming hasn’t stopped. Your men are lying around you with torn feathers… Bleeding. The angry birds that brought you to this place Are broken too. Fallen too. So you don’t hate them anymore Because it doesn’t matter that their Feathers are different colors than yours. Their girls are crying and their boys Won’t know them either. And through the pain all You can cry is Mother, Mother! And through the pain all The angry birds can cry is Mutter, Mutter! Until all the birds are silent. It's quiet now... You could be on vacation.
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73
How beautiful is the innocence of a child? So lofty in spirits, so in character undefiled. So pure and untainted are their wants of the world; But yet how it wishes to see them unfurled. Ah, to be that free. To laugh and be honestly happy with no degree, No constraints, no limitations of their soul. Youth: our one chance to be whole. How I would like to be that child Who runs in the field and falls with consequences mild; Only to then immediately get back up and continue to play. If only life could be that easy day by day; Up and down, up and down. But alas, we are confined by our sins that drown Us in ambition, power, lust, and greed; Things that poison our innocence in thought, word, and deed. As I reach for it in the high, high tree I realize its branch is rotten, so I fall to my knees. Because to strive for this innocence does not belong to me anymore It belongs to the child and the child is no more.
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Jan 10, 2012
Jan 10, 2012 at 3:29 PM UTC
The Child
How I love that grin, that smile That makes my own lips turn Towards heaven. Or is it hell. Oh that they could meet. Oh that your fingers could graze my wrist Or cheek to seek my flesh, if not Only by mistake. You give me reason and reverence To stay finger width apart. I fear your touch would burn, And sear that I might flee. To hasten away from Your presence that I suffer. For you drive daggers deep Into my heart, my flesh, my mind. But my cares for you reign in my want, For which you should be thankful. With you pain becomes my master And my lover and I know not The difference between the two. Everyday my life begins and then ends. For your presence is like lightning And I seek to be struck by it’s bright death daily. Do you not see the lively sparks Cascading down the rivers of my eyes? Down the contours of my neck To their grave within the thud Of an empty heart. But everyday I return to receive The painful punishment of a lack Of air that I desperately Seek to fill my lungs. I love your ignorance to my pain. I love how you fail to notice My trembling brow and quivering lip. Or am I too unaware? Perhaps your hands fill a blank page With sorrowful strife and twisted tongue. Perchance we are both bound with what will Always go unspoken, unfulfilled, and unloved. And our shame is ****** And our folly is to our own charge. For there will come that day when Your hand touches my breast Only to find it’s beat forever at rest.
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Oct 27, 2011
Oct 27, 2011 at 5:16 PM UTC
Today