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lilly-afshar
American I write to try and express complex emotions which I have a difficult time feeling. Whether this makes me a poet or not, depends on how others relate to my work.
I have been born in this skin, and have loved it wholeheartedly. I've watched it grow, and play, nurturing it, neglecting it. I know my shaking knees do not smile, the sweat on my palms do not taste sweet. I know the sent of my body; every follicle of hair which grows wild, soft and familiar, like the forests of home. I love the wrinkles, and dimples, the great mass of my flesh. My fingers play across it as a child would trace her fingers over the body of a lake, or the frost on windows during a cool morning. I speak in tongues, in dreams, and images that no other could hope to know. I walk my mind in summer afternoons, and nights on a lonely beaches. I imagine, ugly and silly, stupid and witty, wonderful, fanciful, and frightening blurrs; and they are all beautiful, and they are all my own. I love myself, even when I am unfair even when I am wrong, and selfish, and angry. Even when I wish to rip at myself until I’m a harmless mass of calcium and iron. Even when I heave under the scale of things so much larger than this, so much darker and older and deeper than this, there is a voice in my heart that says: no. You are a daughter of dying stars and You are stronger than the trees you love and You are not perfect and I love You. and I forgive You. my shaking knees do not smile, the sweat on my palms do not taste sweet. So tell me stranger, what do you know of loving me?
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Nov 14, 2012
Nov 14, 2012 at 11:17 PM UTC
Self-Love
Days are heavy, thick, and physical. objects exist and separate, matter builds then breaks apart, and I am trapped, in this tight skin to do the same. Night is transparent, loose enough to hold you black, and white, and body-less, boundless connected with unwavering hands. I ache to keep these moments here but all things die, we let go. I wake to feel the weight of sun on eyelids, skin on muscle, pulse on bone; the grinding scrape of thought against thought. So I lay back down, count the drops from the leaking faucet, until the night again.
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Nov 14, 2012
Nov 14, 2012 at 11:06 PM UTC
bodyless
Sit very still. I will come, if I’m willing. And I am. Words build up like hairs in my mouth. Lines that wind, and stick I try to speak, but they will knot and compliments come out as hacks and coughs, not the purrs I had imagined. I am not graceful, I do not always land on my feet. I try to leave you presents, things I find, things you might enjoy. but I’m met with confused faces, tinged with distaste, when my attempts fall dead and blood stained. Do not touch me. I am embarrassed by my lack of opposable thumbs, my hairy coat. I have teeth and claws; and I will use them in abundance. I am cute, but not substantial, nothing heavy enough to lean on, just heavy enough to weigh you down. I run; behind the couch, under the bed, watching safely in a dark closet. please, Do not touch me.
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Nov 14, 2012
Nov 14, 2012 at 11:00 PM UTC
Do Not Touch Me
This is not a poem to idealize you, but I remember your body well. I miss how soft your skin was, the way it smelled like your bed, back home when we…when you would hold and kiss me lightly. I hadn’t loved you then. You were a stranger, with new paint and gold embroideries, a beautiful boat in a safe harbor. No, I did not love you then. It was when I could see my fingerprints on your windows, the scuff marks on the floors, and the nights I’d hear you creek and moan. It was when I felt the dulling of the brass on the railings I used most often, the day I memorized the placement of every chip of paint, and ugly barnacle. I wish you felt the same. When we met, I was far away (I had not loved you then). You saw my silhouette and imagined a glowing vessel of gold and pearls, delicate and wild. I’m sorry to have disappointed you with my wooden frame, and chipped paint. The creaks and moans of a body at sea. The parts I loved of you, you didn’t wish to see in me. So let me set aside the flowery words the alliteration and simile. Let me speak plainly. You are a miserable self-fulfilling prophesy riding on the coat-tails of sympathy with an ego so self-righteous, so blind that if you were handed a mirror, you’d only see another stranger to criticize. You wouldn’t know love if it hit you in the face, And it has, on several occasions. I now fully understand the stories of women running you over with cars, and screaming profanities from 2nd story windows. You called them crazy, but, I only wish I had the nerve to join their ranks. You are a judgmental, emotional leech squirming in your own self hatred and soiled clothes, imposing your disparaging insecurities onto the ones who try to clean you up. So please believe me that when I say **** you” It is only because they have not created a word powerful enough to describe the sour taste your name leaves in my mouth, or the sparks of hot metal it leaves when it crosses my mind. When I say “I never want to see you again” It is only because I am so embarrassed by your appearance in my recent past that if you were to: fall into a hole, float out to sea, or disappear into your own puckered **** I would breathe a sigh of relief. So, yes- I miss the way your skin smelled; like your bed, sweet and sour. but there are beds with more loveable personalities than you.
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Nov 14, 2012
Nov 14, 2012 at 10:56 PM UTC
Abandon Ship
This is not a poem to idealize you, but I remember your body well. I miss how soft your skin was, the way it smelled like your bed, back home when we…when you would hold and kiss me lightly. I hadn’t loved you then. You were a stranger, with new paint and gold embroideries, a beautiful boat in a safe harbor. No, I did not love you then. It was when I could see my fingerprints on your windows, the scuff marks on the floors, and the nights I’d hear you creek and moan. It was when I felt the dulling of the brass on the railings I used most often, the day I memorized the placement of every chip of paint, and ugly barnacle. I wish you felt the same. When we met, I was far away (I had not loved you then). You saw my silhouette and imagined a glowing vessel of gold and pearls, delicate and wild. I’m sorry to have disappointed you with my wooden frame, and chipped paint. The creaks and moans of a body at sea. The parts I loved of you, you didn’t wish to see in me. So let me set aside the flowery words the alliteration and simile. Let me speak plainly. You are a miserable self-fulfilling prophesy riding on the coat-tails of sympathy with an ego so self-righteous, so blind that if you were handed a mirror, you’d only see another stranger to criticize. You wouldn’t know love if it hit you in the face, And it has, on several occasions. I now fully understand the stories of women running you over with cars, and screaming profanities from 2nd story windows. You called them crazy, but, I only wish I had the nerve to join their ranks. You are a judgmental, emotional leech squirming in your own self hatred and soiled clothes, imposing your disparaging insecurities onto the ones who try to clean you up. So please believe me that when I say **** you” It is only because they have not created a word powerful enough to describe the sour taste your name leaves in my mouth, or the sparks of hot metal it leaves when it crosses my mind. When I say “I never want to see you again” It is only because I am so embarrassed by your appearance in my recent past that if you were to: fall into a hole, float out to sea, or disappear into your own puckered **** I would breathe a sigh of relief. So, yes- I miss the way your skin smelled; like your bed, sweet and sour. but there are beds with more loveable personalities than you.
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