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lakunoc
lakunoc
33/M/Filipino 1st Runner-up in Poetry for three consecutive years in the Cesar S. Tiangco Literary Awards 2009 - 2011.
and the face that reminded her of what loss was, arose in full circle. the light shone on what the darkness kept hidden: the dead bodies of little furry animals; all the white rabbits (as if pulled out from that magical hat) appeared, surrounding her.
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Nov 20, 2018
Nov 20, 2018 at 5:26 AM UTC
afterdark
after painfully separating the colors in intricate patterns she allows herself the full glimpse of her daily labors. and without hesitation brushes the dry earth, along with her work. her long fingers unfurling, the long and brittle parts breaking into sand. 7 November 2018
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Nov 7, 2018
Nov 7, 2018 at 4:06 AM UTC
Mandala
my ribs were pierced and the last vestige of life kept pouring out. and when the last word was said, my body was lain among the mute. I was a carpenter once, yet I will Soon be carved from wood To sit in silence like furniture, all dressed up and well kept with expressions on my face: Of pain, of hope, of kindness. But let us keep our eyes on what cannot be seen. What is visible is seldom what it shows. A man I once knew kept with him a jar of seawater He reasons that when he wakes up He is reminded by the vastness of the sea. And he embraces its fragrance: Salt and water. Can not a jar claim a portion of the sea as his? Or to put it in perspective is it not the sea that embraces us? Our mouths and minds are still, left open and dull in silence Waiting perhaps in solitary meditations or in many tongues we will talk. and the crowd will call us drunk. I and my other self are one. But soon, after I have gone another will take my place, he will embrace us like the sea Even in places where no sea is in sight. One thing is certain: salt. The tasteless air will ink new births of sea. Today let us clothe ourselves in the nakedness of our adopted innocence. We will walk with the many and again converse in the greater garden. - 5 September 2018
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Sep 4, 2018
Sep 4, 2018 at 1:43 PM UTC
Parable of the Jar
I. *“You can only fight the way you practice” ― Miyamoto Musashi, A Book of Five Rings: The Classic Guide to Strategy* His lessons started late As always, and as always What is thrown is a question You grip tightly around your fingers as one would, as one always should. With a branch he beckons: “Come” he asks, *“if a stick is struck from this angle, what would your answer be?”* Always, the old man taught With each strike, each parry, Each disarm and lock, Each time my knuckles Would hurt. This way he makes it sure that my body remembers. This is always the first step. My mind might forget. But the body Remembers. II. *“It is difficult to realize the true Way just through sword-fencing. Know the smallest things and the biggest things, the shallowest things and the deepest things.” ― Miyamoto Musashi, The Book of Five Rings: Miyamoto Musashi* With him, everything starts The vague quality of nonwords Taught from pain, simplified Through science: the fulcrum and the lever. Each joint, each turn, a pattern to comprehend, all things work in context: *A framework of the undeniable Fact:* *the world is separate In only these two words:* Taub at Tihaya The colloquial words for Face down and face up; This is a pattern of the body. III. *“If you wish to control others you must first control yourself” ― Miyamoto Musashi, A Book of Five Rings: The Classic Guide to Strategy* Tihaya The lesson starts When he presses His thumb forward to a hand asking for alms like turning a doorknob too far to the right. Taub when I pull back four fingers on a giving hand too far to what is left. these are the means for control. When I know How much is necessary To push or to pull, To teach or to break. - 18 October 2017
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Oct 18, 2017
Oct 18, 2017 at 5:56 AM UTC
musashi
I. *“You can only fight the way you practice” ― Miyamoto Musashi, A Book of Five Rings: The Classic Guide to Strategy* His lessons started late As always, and as always What is thrown is a question You grip tightly around your fingers as one would, as one always should. With a branch he beckons: “Come” he asks, *“if a stick is struck from this angle, what would your answer be?”* Always, the old man taught With each strike, each parry, Each disarm and lock, Each time my knuckles Would hurt. This way he makes it sure that my body remembers. This is always the first step. My mind might forget. But the body Remembers. II. *“It is difficult to realize the true Way just through sword-fencing. Know the smallest things and the biggest things, the shallowest things and the deepest things.” ― Miyamoto Musashi, The Book of Five Rings: Miyamoto Musashi* With him, everything starts The vague quality of nonwords Taught from pain, simplified Through science: the fulcrum and the lever. Each joint, each turn, a pattern to comprehend, all things work in context: *A framework of the undeniable Fact:* *the world is separate In only these two words:* Taub at Tihaya The colloquial words for Face down and face up; This is a pattern of the body. III. *“If you wish to control others you must first control yourself” ― Miyamoto Musashi, A Book of Five Rings: The Classic Guide to Strategy* Tihaya The lesson starts When he presses His thumb forward to a hand asking for alms like turning a doorknob too far to the right. Taub when I pull back four fingers on a giving hand too far to what is left. these are the means for control. When I know How much is necessary To push or to pull, To teach or to break. - 18 October 2017
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the rain sifts through my attempts to grasp it with mere hands: one cannot understand without going through its constant shift and change of faces. As to another, one learns to ask the right questions, naturally, at the opportune time. Like in all things Every conversation Which pass through us Were never truly there. Those that do stay are bereft of meaning. What remains often is the damp, moistness of the late -ber month showers: regret, loss, a tactless remark. They share the same fate in all of this, the slow, uptake for words: closure, a second chance, a bad joke like the heavy traffic we always have to endure - a cartload heavy -laden with stockpiled souvenirs with no particular use except for reminiscing, a flickering hope for the last bus ride home. One day, you will miss all of this. And the only thing that is left to endure, is memory. 14 October 2017
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Oct 14, 2017
Oct 14, 2017 at 6:00 AM UTC
August
The Albatross Lone de-odorizer of the toilet Its smooth contour covered in a clear blanket Wrapped around with cheap plastic, Adorned with cheap silk, the semi-lucent plastic Like unwrapping a yema It smells very sweet. Very, very. You seldom notice this white bird In your long hours of comforting, brooding Hungering for attention beneath the swollen toilet Asking for unwanted pleasures The toilet asks "why must I feed?” The Albatross mums in its silent reprieve. Still you didn’t notice the wounding Of your smooth oily toilet In long comforting hours of sleep; No, only excretion is wanted here. The albatross takes away the scourge The scourge beneath your noses And still you didn’t notice The glory in its inexistence (Paolo Jerome D. Cristobal / June 28, 2008)
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Sep 17, 2017
Sep 17, 2017 at 12:00 PM UTC
The albatross
and the boy drew a line with his stubby hands, feeling the roughness of the pavement. and it is his stubbornness, when his name is called, he doesn't look back pretending not to hear. with dirt on his hands he watches the sparks slither into smoke through his mouth to taste something ominously sweet. 24 March 2017
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Mar 24, 2017
Mar 24, 2017 at 8:11 AM UTC
Watusi
She would scratch the surface To let the old paint fall Exposing the barrenness Of the walls. Then she would, As she was hired to do, Cover it up with a foliage Of green. Nonetheless Mimicking growth. - 01/20/16
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Jan 20, 2016
Jan 20, 2016 at 12:45 PM UTC
Interior
It felt strange The first time I became aware I just happened to Walk up The stairs and the wind Blew. I really didn't feel Anything Nothing, really its just as if you were stealing chocolate and you feel As if someone knew. No words for it. Yes, i know it's An understatement. It's them again. I catch them glancing Too often, too long And Waiting For something To turn up. - 01/21/16
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Jan 20, 2016
Jan 20, 2016 at 12:42 PM UTC
Palda
For G.S.L. 1. Lover: Write, we must of the moons we spent Weaving our alien languages together Deriving meaning from each other by what it meant for us to be home in our shell. Words we've bound each other with With histories of our forefathers, How we delved in the intricacies of the mind Carefully, and as surely as the waves Caressing the shores from distant seas. Coupled with the cresting of the wave, An ocean's promise lies in wait. To you I am like the soil that does not empty Its thirst for answers from the rain. Yet you cannot give me access to your inner paths So instead, I have knelt down in silence and cupped your hermit house to my ear. You have found speech for words you cannot say. 2. Beloved: I am like the shallow portion of the sea where you can clearly observe the rocks and stones That cut, as well as the coral that thrive Like fiery coals attracting fish. We are of different tongues, Yet despite the separateness Our strangeness connected us to each other. You have raised old foundations And pulled the sea to come to me. There i knelt on uneven sands Confident that your own voice Will lead us to the birthing dawn. Now it is not just the sea that divides us but the very same wildness, that impetuosity that gleamed at dawn, Which led me to you. Where now is the cradle for the pearl of the night? How you have drifted away I cannot know. Birthed from sand, Foundations crumble. Your words are carried away with the rising Of the tides. Numbing the island in me Leaving a mark visible only in old maps, Which sunk the moment you left. On the very same shore I see you searching still. - 13 November 2015
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Nov 13, 2015
Nov 13, 2015 at 10:57 AM UTC
Sabah
For G.S.L. 1. Lover: Write, we must of the moons we spent Weaving our alien languages together Deriving meaning from each other by what it meant for us to be home in our shell. Words we've bound each other with With histories of our forefathers, How we delved in the intricacies of the mind Carefully, and as surely as the waves Caressing the shores from distant seas. Coupled with the cresting of the wave, An ocean's promise lies in wait. To you I am like the soil that does not empty Its thirst for answers from the rain. Yet you cannot give me access to your inner paths So instead, I have knelt down in silence and cupped your hermit house to my ear. You have found speech for words you cannot say. 2. Beloved: I am like the shallow portion of the sea where you can clearly observe the rocks and stones That cut, as well as the coral that thrive Like fiery coals attracting fish. We are of different tongues, Yet despite the separateness Our strangeness connected us to each other. You have raised old foundations And pulled the sea to come to me. There i knelt on uneven sands Confident that your own voice Will lead us to the birthing dawn. Now it is not just the sea that divides us but the very same wildness, that impetuosity that gleamed at dawn, Which led me to you. Where now is the cradle for the pearl of the night? How you have drifted away I cannot know. Birthed from sand, Foundations crumble. Your words are carried away with the rising Of the tides. Numbing the island in me Leaving a mark visible only in old maps, Which sunk the moment you left. On the very same shore I see you searching still. - 13 November 2015
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