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julia-spohn
American
As we lay in bed, Afternoon creeping in on us, You said eight words that Hold you in my head forever. “I really wish it was raining right now.” And how I wished it was too. Not for the simple pleasure of The covers smuggling In our warmth and trapping us there, In as friendly a way as one can be trapped. Not for the gentle transfer of raindrops from Windows to our ears. Not for the plants, not for the trees, No drought on our minds But our own. It was for the washing away of guilt - Just, sound reasoning to keep ourselves there. To lay Just a little longer, As if the outside world now held nothing for you, Nothing for me, and, in fact, Ceased to exist. The sun broke through your curtain, Unfair and unforgiving for a November afternoon. And we lay there, Just a little longer, Until a bead of sweat Slipped down my spine. “Maybe I should go,” I said, And you made no move To stop me.
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Sep 4, 2014
Sep 4, 2014 at 2:12 AM UTC
Just a Little Longer
You are like sweet pickles. I prefer dill, Always have and always will And your taste will never be enough. But I choose you Because you are the Only thing on the table That looks familiar. Your skin is just as Pleasing as a dill pickle, But this little similarity will only Sour my smile, And my disappointment in your taste Will become quite apparent As it echoes through the tunnels and channels of my Lips and eyes. But I’ve passed up cheeses And wines for you (The cheeses are unfamiliar, Smelly, and fattening; the Wines turn me red And stupid). Yes, I have chosen you. I hope your eyes dilate at that And the growing and enveloping blackness Takes over your vision and your will, Rendering me invisible But twice as lovely and Four times as dangerous. With you blinded now, sweet pickles, Let me tie you up in my fingers And **** you.
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Feb 28, 2011
Feb 28, 2011 at 11:27 PM UTC
Sweet Pickles
There's no formula. Why would there be a formula, Why muddle it up with signs and Figures and giving and taking When words do enough to draw a Coroner's bag over it? All you can know is the beautiful Tightening of the Devil's hand on your soul, Which he has now turned into a stress ball With a witty or motivational saying on it. Some are smiley faces, But he crushes them all the same. Too bad Libra isn't there to balance you out, Sort out the Good and the Evil, Your God and your Devil. Because really, we ride on a line Some would call razor sharp. The most difficult task throughout our lives Is, undeniably, the act of balancing. Imagine this: We are all the King's Fools, We sit in the King's castle In the Grand Hall With wooden tables And beautiful banners to represent Who discovered and exploited And conquered a certain piece of land, And a certain part of the population, And a certain percentage of humanity. And these banners are red and gold, Red for Passion, Gold for Obsession. And the walls are ****** Breaking themselves apart Like hourglass's employed grains of sand. We all balance in this hall On ridiculously tall unicycles, So tall that the fruit and assorted Desserts we are balancing on our clown's Top hats on our sweating heads Brush against the lion's tail on the first banner, The boar's tusks on the second, And sometimes the rose's bowing stem. We do this all our lives While the nobility, Or the cosmos, Or God and the Devil, Or Good and Evil, Sit and watch, laughing and throwing themselves at us For us to catch and juggle whenever they please.
0
Feb 28, 2011
Feb 28, 2011 at 11:25 PM UTC
Via Negativa
There's no formula. Why would there be a formula, Why muddle it up with signs and Figures and giving and taking When words do enough to draw a Coroner's bag over it? All you can know is the beautiful Tightening of the Devil's hand on your soul, Which he has now turned into a stress ball With a witty or motivational saying on it. Some are smiley faces, But he crushes them all the same. Too bad Libra isn't there to balance you out, Sort out the Good and the Evil, Your God and your Devil. Because really, we ride on a line Some would call razor sharp. The most difficult task throughout our lives Is, undeniably, the act of balancing. Imagine this: We are all the King's Fools, We sit in the King's castle In the Grand Hall With wooden tables And beautiful banners to represent Who discovered and exploited And conquered a certain piece of land, And a certain part of the population, And a certain percentage of humanity. And these banners are red and gold, Red for Passion, Gold for Obsession. And the walls are ****** Breaking themselves apart Like hourglass's employed grains of sand. We all balance in this hall On ridiculously tall unicycles, So tall that the fruit and assorted Desserts we are balancing on our clown's Top hats on our sweating heads Brush against the lion's tail on the first banner, The boar's tusks on the second, And sometimes the rose's bowing stem. We do this all our lives While the nobility, Or the cosmos, Or God and the Devil, Or Good and Evil, Sit and watch, laughing and throwing themselves at us For us to catch and juggle whenever they please.
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50
I had always thought that Love Would open the floodgates, Would make of me A giant vial, Tipping me over and causing me To spill out the sweetest poison. Love came, in his crafty, shy way, And as he announced himself, I prepared, filing through my thoughts, My bank of literary currency, Searching for the most succulent of metaphors, The most shining of similes, And twenty-six alliterations for Twenty-six letters. I sat at my island, Pen in hand, Pensive smile on my lips. My heart was full of music, And I said, like Orsino, "If music be the food of love, Well, Give me more!" I sat, And waited. I waited, And nothing came. No sounds to move my heart to dance, No symbols to make my eyes twinkle, No product, no design, Nothing at all to say. It is not that Love has made my head blank. Rather, it is that Love has made Me mute. Love waltzed in, More elegant than I ever will be, And, approaching from behind, Placed his solid and ice cold hand Over my poor, unmoving mouth, Paralyzed with a smile. Love spun me around to face him, Taking my arms forcefully, and said, "Dance with me." My mouth remained paralyzed, but Oh, how my feet flew! How they skated across the floor So recently turned to ice At the courteous request of Love. How he spun me like a spindle, How he pricked my finger upon its Needle.  How he smiled and smiled, And how I took in nothing but his eyes. They were not an icy blue as one might imagine. Instead, they contained a shallow blackness, Darkness divine. Where mortals have mere specks of color In their eyes, flecks like those on marbles, Love has the stars. Love has the universe in his eyes, And the universe has mirrors, And the mirrors have eyes That grasp yours, And soon you know not What you are witnessing.
0
Feb 28, 2011
Feb 28, 2011 at 11:24 PM UTC
Orsino's Lament
I had always thought that Love Would open the floodgates, Would make of me A giant vial, Tipping me over and causing me To spill out the sweetest poison. Love came, in his crafty, shy way, And as he announced himself, I prepared, filing through my thoughts, My bank of literary currency, Searching for the most succulent of metaphors, The most shining of similes, And twenty-six alliterations for Twenty-six letters. I sat at my island, Pen in hand, Pensive smile on my lips. My heart was full of music, And I said, like Orsino, "If music be the food of love, Well, Give me more!" I sat, And waited. I waited, And nothing came. No sounds to move my heart to dance, No symbols to make my eyes twinkle, No product, no design, Nothing at all to say. It is not that Love has made my head blank. Rather, it is that Love has made Me mute. Love waltzed in, More elegant than I ever will be, And, approaching from behind, Placed his solid and ice cold hand Over my poor, unmoving mouth, Paralyzed with a smile. Love spun me around to face him, Taking my arms forcefully, and said, "Dance with me." My mouth remained paralyzed, but Oh, how my feet flew! How they skated across the floor So recently turned to ice At the courteous request of Love. How he spun me like a spindle, How he pricked my finger upon its Needle.  How he smiled and smiled, And how I took in nothing but his eyes. They were not an icy blue as one might imagine. Instead, they contained a shallow blackness, Darkness divine. Where mortals have mere specks of color In their eyes, flecks like those on marbles, Love has the stars. Love has the universe in his eyes, And the universe has mirrors, And the mirrors have eyes That grasp yours, And soon you know not What you are witnessing.
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63
I am in love with Melancholy. He is the sweetest of suitors, Bedazzled in jewels that glint so smoothly, And just enough, And right in your eyes, To shield you, Maybe protect you, From his abuse and his repetitive, Cyclical nature. He is so handsome in any light. I sometimes love to just stare at him And contemplate the rigid, weepingly gorgeous Features that make up his seraph's face. There is a sharp angle just beneath his perfect Ears, which hear me splay cheeky compliment after Cheeky compliment toward them. This angle turns into his jaw, Which opens up and down, not like a hinge but rather a Hatchet, to tell me So many lies. He presents them just so - as lies. But he sways them so wonderfully, So persuasively and professionally That I can do nothing but fall Asunder to this dark suitor's mouth. He pulls me towards him, Like the Earth pulls the Moon, Like the Spider pulls the Prey, Like Love pulls the Fool. Intoxicating, really. His lips move like planets. They orbit around his weightless voice, And they spin on their own axes, And sometimes they spin toward my own. They plant themselves like magnets, As if we were meant to be, And they move in harmony, Just as hard and stubborn as magnets, Just as ineffably wonderful we sometimes Find physics to be. But then they release - He releases. He floats backward, his beautiful Demonic grin enticing me, Telling me, "I'll love you and Leave you, and you can do nothing do But enjoy it." My Melancholy. My beautiful, beautiful angel who blots out the night, Sweeping the stars together to form a White, blinding fingerpainting that he tapes to the heavens, And delivers unto me what I believe is daylight. But then his head bends back, Exposing that beautiful hatchet-jaw, And his crackling fire of a voice beams Like headlights right into my doe ears and eyes. He cackles, tells me he loves me, And flies away.
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Feb 28, 2011
Feb 28, 2011 at 11:23 PM UTC
The Suitor
I am in love with Melancholy. He is the sweetest of suitors, Bedazzled in jewels that glint so smoothly, And just enough, And right in your eyes, To shield you, Maybe protect you, From his abuse and his repetitive, Cyclical nature. He is so handsome in any light. I sometimes love to just stare at him And contemplate the rigid, weepingly gorgeous Features that make up his seraph's face. There is a sharp angle just beneath his perfect Ears, which hear me splay cheeky compliment after Cheeky compliment toward them. This angle turns into his jaw, Which opens up and down, not like a hinge but rather a Hatchet, to tell me So many lies. He presents them just so - as lies. But he sways them so wonderfully, So persuasively and professionally That I can do nothing but fall Asunder to this dark suitor's mouth. He pulls me towards him, Like the Earth pulls the Moon, Like the Spider pulls the Prey, Like Love pulls the Fool. Intoxicating, really. His lips move like planets. They orbit around his weightless voice, And they spin on their own axes, And sometimes they spin toward my own. They plant themselves like magnets, As if we were meant to be, And they move in harmony, Just as hard and stubborn as magnets, Just as ineffably wonderful we sometimes Find physics to be. But then they release - He releases. He floats backward, his beautiful Demonic grin enticing me, Telling me, "I'll love you and Leave you, and you can do nothing do But enjoy it." My Melancholy. My beautiful, beautiful angel who blots out the night, Sweeping the stars together to form a White, blinding fingerpainting that he tapes to the heavens, And delivers unto me what I believe is daylight. But then his head bends back, Exposing that beautiful hatchet-jaw, And his crackling fire of a voice beams Like headlights right into my doe ears and eyes. He cackles, tells me he loves me, And flies away.
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59
Red, red ripeness. I bite into you, You waxed up, charmed up, And now bitten up Red apple. I bite into you, And you don’t surprise me. And when Eve bit into you, I bet she wasn’t surprised either. In fact, I’m willing to bet that Mother Eve Ate not you, But a green apple. Green, green ripeness, Sweet upon vision, Sour upon tongue, ****** upon taste. You are what made Eve fall. Red may be passion, But green conquers so much more. Envy, poison, birth, death, Sickness, health, cycle, Recycle. The Snake knew this well. The Snake fashioned the apple In his own image.
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Feb 28, 2011
Feb 28, 2011 at 11:20 PM UTC
Green Apples