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jordynlc
jordynlc
nineteen, witch woman, heart attack
nobody writes love letters anymore between dings and likes and clicks and whistles our hearts are splayed on boring screens and i’m supposed to tell you all of the multitudes by which i love you in 140 characters or less in a brief “i love you” text i don’t want to “@” you i want to touch you i don’t want to message i want long form soul searching in these short bursts, i can’t tell you anything. i can’t tell you how, sometimes, in the middle of the night i hear noises and i can’t tell if they’re coming from inside or outside of my house or my room or my head and when i am scared i wrap myself around my sheets and wrap my blanket around me and think hard for a placebo feeling of your arms on my back and your gun on my nightstand. i can’t tell you how, sometimes, in the early afternoon i forget to take my meds and my legs will shake and my eyes will go blank and my heart will bare knuckle box my sternum and flittering lashes and fluttering fingers dangle off of me like hanging branches in a bluster and in those moments, before i can walk to the cabinet and pop my pills i hold the big, rugged floral pillow on top of my body close my eyes and think of you telling me, “hey, it’s okay” and sometimes it gives me the strength to slink off of the couch and wobble to the kitchen. i can’t tell you how, sometimes, when you’re gone nothing fills the void where you used to sit on the edge of my messy bed and tell me that it’s okay that i got drunk again and maybe i’ll do better tomorrow i have done better so many tomorrows to date and i regret not spending one with you sooner. i can’t tell you how when i think of home i think of nowhere i can’t tell you how when i think of someday i think of nothing i can’t tell you how much it means that in these microcosms of time that i cannot visualize or trivialize or make sense of where the clay won’t stick and the nails won’t enter where there is only shimmering dust in a tiny tornado and a lot of hope and mystery i can’t tell you how much it means that you are around. j.l.
0
Jun 11, 2016
Jun 11, 2016 at 2:04 PM UTC
i couldn't text you this
nobody writes love letters anymore between dings and likes and clicks and whistles our hearts are splayed on boring screens and i’m supposed to tell you all of the multitudes by which i love you in 140 characters or less in a brief “i love you” text i don’t want to “@” you i want to touch you i don’t want to message i want long form soul searching in these short bursts, i can’t tell you anything. i can’t tell you how, sometimes, in the middle of the night i hear noises and i can’t tell if they’re coming from inside or outside of my house or my room or my head and when i am scared i wrap myself around my sheets and wrap my blanket around me and think hard for a placebo feeling of your arms on my back and your gun on my nightstand. i can’t tell you how, sometimes, in the early afternoon i forget to take my meds and my legs will shake and my eyes will go blank and my heart will bare knuckle box my sternum and flittering lashes and fluttering fingers dangle off of me like hanging branches in a bluster and in those moments, before i can walk to the cabinet and pop my pills i hold the big, rugged floral pillow on top of my body close my eyes and think of you telling me, “hey, it’s okay” and sometimes it gives me the strength to slink off of the couch and wobble to the kitchen. i can’t tell you how, sometimes, when you’re gone nothing fills the void where you used to sit on the edge of my messy bed and tell me that it’s okay that i got drunk again and maybe i’ll do better tomorrow i have done better so many tomorrows to date and i regret not spending one with you sooner. i can’t tell you how when i think of home i think of nowhere i can’t tell you how when i think of someday i think of nothing i can’t tell you how much it means that in these microcosms of time that i cannot visualize or trivialize or make sense of where the clay won’t stick and the nails won’t enter where there is only shimmering dust in a tiny tornado and a lot of hope and mystery i can’t tell you how much it means that you are around. j.l.
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47
fetid life like old wine settled in a knock-off crystal glass oily tops and clotting bottoms what day is it what time is it what realm is it where am i sinking to is there treasure in a chest gold and gems in my chest where a heart pumps bad auras from gut to head to feet to lips where gut twists and up comes shame where legs twist and up come sheets where long nights awake and burning end in morning light birds chirping is there treasure where i’m going lungs full of dark water storms striking lurid waves deep down in my dark i am safe it is cold, i can sleep on smooth pearls and wet sand with ten thousand leagues of pressure protecting and if i am so unfortunate that i may surface ten thousand leagues of pressure will push me back down again in a wine-dark sea they don’t know blue like i know blue.
0
Jun 10, 2016
Jun 10, 2016 at 10:19 PM UTC
before they invented blue (i invented blue)
a balloon floats over a child’s birthday party that the fat girl wasn’t invited to. the balloon is the art of maintenance. let some air out, blow some in, until it’s just right, and then tie it off. when i was born, i weighed ever so slightly more than six pounds. that was the last time i’d be slight. i grew big and grew bigger years of eating, years of blowing hot air into a balloon hard and fast with thick, humid inside filling and filling no longer clear but cloudy and clotted and sick and bigger, and bigger, skin ripping, breaths uncaring, breaths unwavering— my mother was terrified i’d pop. i came close in high school, weighing in at two hundred and eight pounds at the doctor, when i accidentally saw the chart that i was so afraid to see that i hadn’t seen it in years and now, here, i saw the weight that i was so afraid, all of this time, to know that i carried. but i felt it qualitatively not in the knees, where they tell you you’ll feel it not in the tightening and narrowing of my overstuffed clothes and arteries plaque lining them, hardening into tunnels that the blood can’t find a way through in more than needle thin streams little brooks in a body born with rivers not in the heart pumping hard to keep up not in the swollen, alien stomach that i am sure does not belong to Kate Moss but i am unsure truly belongs to me. it looks nothing like the plus size model’s tanned, toned, macro version of a micro Moss flawless and shiny and glazed with the flecks of photoshopped light i am a photographer myself, i know the tricks i felt it in the way the world treated me. and i know that woman, my designated sister in size who couldn’t fit in my pants and whose shirt I’d drown in, the predetermined champion of my cause, my implied, targeted marketing role model gimmick and plea to the outraged girls with thick thighs to settle for someone shopped, just like everyone else. edited, audited for body parts like stretch marks and pale skin and lines of hair called happy trails but are sad that scream desperately for air and an ending when someone, someone they call brave, runs his tongue along the clearing where they ripped out our flowers and called them weeds, a sad reminder that i call him brave, too, because they told me he was. they told me he was brave for adventuring my hills and valleys. he is no explorer, most of the time. he is simply a tourist. they tell me to settle for a woman who still doesn’t look like me. and they set me a new standard to aspire to— “FINE, BE BIG, BE PLUS, BE CURVY! YOU CAN BE THEM, BUT YOU CANNOT BE FAT. YOU CANNOT BE FAT. HER FAT IS IN HER ******* IN HER HIPS, IN HER THIGHS… BUT YOUR FAT? YOUR FAT? YOU’RE JUST FAT!” so i looked in the mirror, ****** it in, twisted, manipulated, tried on this bra and these underwear and yes, my waist looked slim and yes, my hips had breadth and yes, my ******* were massive and yes, I looked like her. but then, my mother screamed. “you are going to die! this is so unhealthy! we have to do something!” because my high school sent a letter home telling my mother that i was abominable based on three letters and three digits: BMI- 37.1 WEI GHT 203 i took off my control top ******* i undid the latch on my push up, padded bra. i deflated my stomach. i deflated my pride. i looked in the mirror in shock and horror like viewing an old time slasher flick in the back of a drive in in the middle of the night in the days where maybe there’d be a hook on the handle when he came to open my door. i did not look like her. i let out the air in slow and painful pinches. and sometimes it swam, doing pirouettes in the bowl like a little dancer a teaser of the kind of thin lean woman i am not unless these dinners keep spinning clockwise down the toilet before i feel them weigh in my stomach and i am wise to the clock – wait just 30 minutes and you take up half the calories. do it now, now, now, you have to, you have to – and you’ll take up half the space. Ana told me to and she is only looking out for me. the numbers decline to 199 and i think 189 could be mine if i put in the time and i’m wise to the clock so i start the countdown from 199 to 189 to 177 and i quit because i let the air out, and for once in my life, when i left my house in two months’ time for the first time, for once in my life, i wanted to let it in. some days it leaks out of me. one more laxative won’t hurt and i don’t care if the weight is fat, water, or **** it still counts 155, 159, 163…161, 159, 155 and sometimes i still think Ana is my friend. but when i’m weak and jealous and out of my head and angry at the explorer i’ve met who tells me he has so enjoyed his visit that he’s decided to move in forever, enchanted with the landscape and the history and culture in the area, in the country i’ve built through disorder and plants and bread and loss and skin bunching and ribs you can feel and an *** you can grab so hard sometimes it hurts sometimes i still think Ana is my friend. but when i am deflated and counting and wearing out my plastic, and I think one way or another, I’m going to die I’ll **** myself, with razor blades or Ativan or cancer from these ******* laxatives or these appetite suppressant menthol 100 cigarettes or maybe I’ll just jump like I wanted to But any day, if I keep going, I’m going to pop— I realize something about my friend Ana. when i’m sickly and tired and ******** my brains out and wishing i hadn’t hurt and built walls to keep out the man that filled the vacancy in my hotel heart who i promised to marry to keep in my country, the one built from feminist strength, brick and bone and stars and skin and roses and muscle and fat and beauty, baby, take your visa back and let’s knock down these walls and we can tie me off. Ana is not my friend. She’s holding the pin.
0
Dec 20, 2015
Dec 20, 2015 at 12:34 AM UTC
a clock, a balloon, a foreign land
a balloon floats over a child’s birthday party that the fat girl wasn’t invited to. the balloon is the art of maintenance. let some air out, blow some in, until it’s just right, and then tie it off. when i was born, i weighed ever so slightly more than six pounds. that was the last time i’d be slight. i grew big and grew bigger years of eating, years of blowing hot air into a balloon hard and fast with thick, humid inside filling and filling no longer clear but cloudy and clotted and sick and bigger, and bigger, skin ripping, breaths uncaring, breaths unwavering— my mother was terrified i’d pop. i came close in high school, weighing in at two hundred and eight pounds at the doctor, when i accidentally saw the chart that i was so afraid to see that i hadn’t seen it in years and now, here, i saw the weight that i was so afraid, all of this time, to know that i carried. but i felt it qualitatively not in the knees, where they tell you you’ll feel it not in the tightening and narrowing of my overstuffed clothes and arteries plaque lining them, hardening into tunnels that the blood can’t find a way through in more than needle thin streams little brooks in a body born with rivers not in the heart pumping hard to keep up not in the swollen, alien stomach that i am sure does not belong to Kate Moss but i am unsure truly belongs to me. it looks nothing like the plus size model’s tanned, toned, macro version of a micro Moss flawless and shiny and glazed with the flecks of photoshopped light i am a photographer myself, i know the tricks i felt it in the way the world treated me. and i know that woman, my designated sister in size who couldn’t fit in my pants and whose shirt I’d drown in, the predetermined champion of my cause, my implied, targeted marketing role model gimmick and plea to the outraged girls with thick thighs to settle for someone shopped, just like everyone else. edited, audited for body parts like stretch marks and pale skin and lines of hair called happy trails but are sad that scream desperately for air and an ending when someone, someone they call brave, runs his tongue along the clearing where they ripped out our flowers and called them weeds, a sad reminder that i call him brave, too, because they told me he was. they told me he was brave for adventuring my hills and valleys. he is no explorer, most of the time. he is simply a tourist. they tell me to settle for a woman who still doesn’t look like me. and they set me a new standard to aspire to— “FINE, BE BIG, BE PLUS, BE CURVY! YOU CAN BE THEM, BUT YOU CANNOT BE FAT. YOU CANNOT BE FAT. HER FAT IS IN HER ******* IN HER HIPS, IN HER THIGHS… BUT YOUR FAT? YOUR FAT? YOU’RE JUST FAT!” so i looked in the mirror, ****** it in, twisted, manipulated, tried on this bra and these underwear and yes, my waist looked slim and yes, my hips had breadth and yes, my ******* were massive and yes, I looked like her. but then, my mother screamed. “you are going to die! this is so unhealthy! we have to do something!” because my high school sent a letter home telling my mother that i was abominable based on three letters and three digits: BMI- 37.1 WEI GHT 203 i took off my control top ******* i undid the latch on my push up, padded bra. i deflated my stomach. i deflated my pride. i looked in the mirror in shock and horror like viewing an old time slasher flick in the back of a drive in in the middle of the night in the days where maybe there’d be a hook on the handle when he came to open my door. i did not look like her. i let out the air in slow and painful pinches. and sometimes it swam, doing pirouettes in the bowl like a little dancer a teaser of the kind of thin lean woman i am not unless these dinners keep spinning clockwise down the toilet before i feel them weigh in my stomach and i am wise to the clock – wait just 30 minutes and you take up half the calories. do it now, now, now, you have to, you have to – and you’ll take up half the space. Ana told me to and she is only looking out for me. the numbers decline to 199 and i think 189 could be mine if i put in the time and i’m wise to the clock so i start the countdown from 199 to 189 to 177 and i quit because i let the air out, and for once in my life, when i left my house in two months’ time for the first time, for once in my life, i wanted to let it in. some days it leaks out of me. one more laxative won’t hurt and i don’t care if the weight is fat, water, or **** it still counts 155, 159, 163…161, 159, 155 and sometimes i still think Ana is my friend. but when i’m weak and jealous and out of my head and angry at the explorer i’ve met who tells me he has so enjoyed his visit that he’s decided to move in forever, enchanted with the landscape and the history and culture in the area, in the country i’ve built through disorder and plants and bread and loss and skin bunching and ribs you can feel and an *** you can grab so hard sometimes it hurts sometimes i still think Ana is my friend. but when i am deflated and counting and wearing out my plastic, and I think one way or another, I’m going to die I’ll **** myself, with razor blades or Ativan or cancer from these ******* laxatives or these appetite suppressant menthol 100 cigarettes or maybe I’ll just jump like I wanted to But any day, if I keep going, I’m going to pop— I realize something about my friend Ana. when i’m sickly and tired and ******** my brains out and wishing i hadn’t hurt and built walls to keep out the man that filled the vacancy in my hotel heart who i promised to marry to keep in my country, the one built from feminist strength, brick and bone and stars and skin and roses and muscle and fat and beauty, baby, take your visa back and let’s knock down these walls and we can tie me off. Ana is not my friend. She’s holding the pin.
Continue reading...
85
if you tied cement blocks to my feet i’d thank your fingertips for gracing me. and when you pushed me out to sea I’d kiss your stone hands goodbye and sink with all the love i could muster without telling you how you’ve tangled the threads of my existence until they became a knot in your pocket. i’d scream at the rooftops the way I screamed at you and tell them I’d use them as a trampoline to spring the regret i felt for ever telling you that you were less than every shingle that kept me dry, although you’re the one who always made it rain anyway. shot through a closed smile teeth shattered like stained glass in a cathedral where i prayed you’d forgive me. i know you never needed me but if you let me come home i'll stay on my side of the bed keep me out of your mind and chain yourself to the headboard so you don't feel tempted to explore me again. i know i'm not enough but i'm something. -j.l.
0
Feb 22, 2015
Feb 22, 2015 at 2:54 PM UTC
under the guise of a loving friend