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jake-sullivan
jake-sullivan
Hello, I'm Jake. I'm lost, but am trying to be better. I don't like emotions, but I thrive typing them into stanzas. I’m that person who obsesses over the cinematography or symbolism of a scene in a movie. I have an undying love for movies and tv, thunderstorms, and new words. When I’m older, I hope to live in a log cabin with three dogs, and I spend way too much time watching log cabin real estate videos. I think I want to be an English teacher or a psychologist but honestly, I'll change my mind twenty times before Sunday. Writing is what gets me through my days.
I can feel their gazes the strange look on their faces their eyes black and still and when I look at myself mine just trace the cracks I can feel their gazes the sun heats the ground my forehead sweats, it aches I stumble on nothing, I fumble smiles the sun heats the ground and I fumble smiles, and I stumble on nothing behind me, behind me goosebumps, on my neck under my blue fleece jacket, and scarf, hands in, and out, of pockets such inconveniences when I need to hold them behind me, behind me the air sings?, flattening each note? the atmosphere, gets,,, caught, in my, grasp, in my,,, lungs, behind me?, behind, me?, I can feel?, their gazes, ?smiles?, I fumble, on, ?and I stumble on, nothing
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Oct 12, 2015
Oct 12, 2015 at 11:18 PM UTC
,
if i believe in death be sure of this it is because you have loved me, moon and sunset stars and flowers gold crescendo and silver muting of seatides i trusted not, one night when in my fingers drooped your shining body when my heart sang between your perfect ******* darkness and beauty of stars was on my mouth petals danced against my eyes and down the singing reaches of my soul spoke the green- greeting pale- departing irrevocable sea i knew thee death. and when i have offered up each fragrant night,when all my days shall have before a certain face become white perfume only, from the ashes then thou wilt rise and thou wilt come to her and brush the mischief from her eyes and fold her mouth the new flower with thy unimaginable wings,where dwells the breath of all persisting stars
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Oct 10, 2015
Oct 10, 2015 at 6:39 PM UTC
If I Believe
Twelve o’clock. Along the reaches of the street Held in a lunar synthesis, Whispering lunar incantations Dissolve the floors of memory And all its clear relations, Its divisions and precisions, Every street lamp that I pass Beats like a fatalistic drum, And through the spaces of the dark Midnight shakes the memory As a madman shakes a dead geranium. Half-past one, The street lamp sputtered, The street lamp muttered, The street lamp said, ‘Regard that woman Who hesitates towards you in the light of the door Which opens on her like a grin. You see the border of her dress Is torn and stained with sand, And you see the corner of her eye Twists like a crooked pin.’ The memory throws up high and dry A crowd of twisted things; A twisted branch upon the beach Eaten smooth, and polished As if the world gave up The secret of its skeleton, Stiff and white. A broken spring in a factory yard, Rust that clings to the form that the strength has left Hard and curled and ready to snap. Half-past two, The street lamp said, ‘Remark the cat which flattens itself in the gutter, Slips out its tongue And devours a morsel of rancid butter.’ So the hand of a child, automatic, Slipped out and pocketed a toy that was running along the quay. I could see nothing behind that child’s eye. I have seen eyes in the street Trying to peer through lighted shutters, And a crab one afternoon in a pool, An old crab with barnacles on his back, Gripped the end of a stick which I held him. Half-past three, The lamp sputtered, The lamp muttered in the dark. The lamp hummed: ‘Regard the moon, La lune ne garde aucune rancune, She winks a feeble eye, She smiles into corners. She smoothes the hair of the grass. The moon has lost her memory. A washed-out smallpox cracks her face, Her hand twists a paper rose, That smells of dust and old Cologne, She is alone With all the old nocturnal smells That cross and cross across her brain.’ The reminiscence comes Of sunless dry geraniums And dust in crevices, Smells of chestnuts in the streets, And female smells in shuttered rooms, And cigarettes in corridors And cocktail smells in bars.’ The lamp said, ‘Four o’clock, Here is the number on the door. Memory! You have the key, The little lamp spreads a ring on the stair, Mount. The bed is open; the tooth-brush hangs on the wall, Put your shoes at the door, sleep, prepare for life.’ The last twist of the knife.
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Oct 10, 2015
Oct 10, 2015 at 6:35 PM UTC
Rhapsody On A Windy Night
Twelve o’clock. Along the reaches of the street Held in a lunar synthesis, Whispering lunar incantations Dissolve the floors of memory And all its clear relations, Its divisions and precisions, Every street lamp that I pass Beats like a fatalistic drum, And through the spaces of the dark Midnight shakes the memory As a madman shakes a dead geranium. Half-past one, The street lamp sputtered, The street lamp muttered, The street lamp said, ‘Regard that woman Who hesitates towards you in the light of the door Which opens on her like a grin. You see the border of her dress Is torn and stained with sand, And you see the corner of her eye Twists like a crooked pin.’ The memory throws up high and dry A crowd of twisted things; A twisted branch upon the beach Eaten smooth, and polished As if the world gave up The secret of its skeleton, Stiff and white. A broken spring in a factory yard, Rust that clings to the form that the strength has left Hard and curled and ready to snap. Half-past two, The street lamp said, ‘Remark the cat which flattens itself in the gutter, Slips out its tongue And devours a morsel of rancid butter.’ So the hand of a child, automatic, Slipped out and pocketed a toy that was running along the quay. I could see nothing behind that child’s eye. I have seen eyes in the street Trying to peer through lighted shutters, And a crab one afternoon in a pool, An old crab with barnacles on his back, Gripped the end of a stick which I held him. Half-past three, The lamp sputtered, The lamp muttered in the dark. The lamp hummed: ‘Regard the moon, La lune ne garde aucune rancune, She winks a feeble eye, She smiles into corners. She smoothes the hair of the grass. The moon has lost her memory. A washed-out smallpox cracks her face, Her hand twists a paper rose, That smells of dust and old Cologne, She is alone With all the old nocturnal smells That cross and cross across her brain.’ The reminiscence comes Of sunless dry geraniums And dust in crevices, Smells of chestnuts in the streets, And female smells in shuttered rooms, And cigarettes in corridors And cocktail smells in bars.’ The lamp said, ‘Four o’clock, Here is the number on the door. Memory! You have the key, The little lamp spreads a ring on the stair, Mount. The bed is open; the tooth-brush hangs on the wall, Put your shoes at the door, sleep, prepare for life.’ The last twist of the knife.
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I feel happy but all I want to do is cry like I just saw the boogeyman lurking in between my jackets and grinning with his sharpened teeth With a child on a chain the name on his collar is scratched, unreadable Who? When I peer from my sheets all that remains across the room filled with summer’s breath I lose my own He’s gone The child remains, back to me, shivering but the boogeyman He’s gone Where? Where? What was I sayi – Who? Where? …
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Oct 10, 2015
Oct 10, 2015 at 6:23 PM UTC
The Boogeyman's Slave