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hypoet
hypoet
25/Androgynous still surviving with little to hold and little to give but the words that grind through my teeth and stream out of my fingertips (though they're meaningless)
Reach for me rightly in the morning with your hands that got us into this mess in the first place The weight of the grip that perpetrated your adolescence offers air back to my lungs resuscitates me
0
May 18, 2024
May 18, 2024 at 10:07 AM UTC
five then life
A little more power and strength is added to my being when I see the pavement is steaming. I saw it coming. The sun showed signs of popping back out in the midst of civilians fearing a storm. A sly ******* everyone has to have a little fun. By textbook-definition, entertainment is dangling the sweet taste of chlorophyll and spring in front of me, and it isn't selfish until my vision and interest are taken for granted. Gas is a force of nature and I'm on the other side of the glass.
0
Apr 10, 2017
Apr 10, 2017 at 8:42 PM UTC
single-sighted
It's dusty and abstract, the outside to the eyes. The people, the places, the styles, the minds; the world isn't plaid, it's ringed and it's crystal made of a path that goes fireside where there is light and there is color; where the sounds blend together and a binaural beat brings a shoulder to a cheek and kisses to knees; they find freckles in the peace "look, it's you and it's me."
0
Jan 19, 2017
Jan 19, 2017 at 4:48 PM UTC
40 beats per minute
He protects his phone but not his *** Sitting on a cherry withered-wood, it's good to remember that in December, he waited for this tired world, to pass him by, for his mother to 'please come home.' Casper, undercut with curls on top, plays a greyed banjo while wearing the green-chestnut flannel his dad wore before he disappeared into vermilion sky, only remembered with lullabies from a hopeful mom that smelled like Pall-Malls and factory-soaked-heartbreak. White, chiseled with skeleton intention, he sips from within himself, hoping to harness new direction.
0
Jun 2, 2016
Jun 2, 2016 at 12:38 AM UTC
Casper
The ***** ate into rocky soil, pushing through clots of dirt. It reminded me of the girl I love from two-thousand fifteen and how she struggled to be clean, because of a needle eating skin burrowing towards vein, against what was within. My fingers pushed on it's ribcage -- I never found out it's *** -- only forcing brief breathes and gasps flowing from my grasp, knowing that I can't save her and that I can't save him. Patches of white were framed around squid-ink clash; fleas fleeing from an ever-slow dying of heat, hopping onto me, a host with a heartbeat. She never had a name and all I can call him is 'it'. It's paws fluttered like a desperation dash across the invisible wall of life, a borderline between eternal logos and dimming pathos. Whiskers brushed against the plastic, grocery store bag, destined for celery, destined for dead cat. And as the shovel drank the soil, And as the bag fell into nothing -- Heaven or Hell -- I feel so tainted for a life so fleeting, for a love so wasted, for everything leaving. For everyone leaving.
0
May 31, 2016
May 31, 2016 at 7:22 AM UTC
Wasted
Sheers of shimmering gloss grace her torso. And I have broken her bones, imploring that I love her so. Blueberry lips belly the cold; hold her too deep, hold her I'm told. I. He says Call me Mr. G. G for Gore, Greed, that Green. An atypical stoner with hair wetter than his mouth. With more ******* than a pound, he says, With an understanding of all the suffering in the global delusion that is the Earth. Mr. G, his name. Oily brunette, Mr. G., would smoke Marlboro Green Blend -- menthol -- and spit shot out between stained lips after each extracurricular exhale. The saliva would land, tremendously, and puddles of Rasta shooting stars would lay, stretching across concrete galaxy. Hazel eyes invaded and shamed him, for he wished to be green, like life, but only envisioned a contradiction: death (see nature), for which he learned to embrace, stoically, like a shepherd of an endangered breed meant to die among skewed perspective. II. This house could be mistaken for a cinderblock purgatory; between color and absence of, eternal and temporary. A raptor laughter purged the tension -- he abided by no accommodation of civility. As smoke followed his hyena howl, the landline lay suddenly of purpose. Resin raided the clunky, black buttons; a voice was whispered like a blue phantom: Motherfuckin' cheese, pineapple, pepperoni -- no, extra fuckin' cheese, extra pep -- Sure, add some more pep with your driver: he, she -- honestly, man -- they better have pep-in-their-fuckin-step-you-feel? Minutes passed like sentient matchbooks dropping towards a skeletal fire. G threw the phone across the room and, like a disenchanted drunk dance, his words wobbled over each other, I ordered a 'za, a pizza for the layman. About thirty, probably thirty-one minutes, that is. Passing me the flower-stitched **** I ****** in one, maybe two, three, blasts that I swore had some sort of nano-insects bite and burrow into the holes of my sponge for a throat. Wringing my rubbery neck, watching my words leave my toothy cave, I found out that G doesn't believe in beer. Believes in souls but not beer, believes in green men, not beer. Alcoholic splash is what we all need, at times. So I told him the obvious, I'm going to get a case of (Insert your ****** choice) and I'll be back as soon as possible. G stared at me and made a guttural noise, Do whatcha please, I'll stay here and protect us from vampires. You know, blood-suckas. Pale stoner vampires. III. The leather painted door was wide open like the legs of ominous spider cave, but the doors of a car I had never seen before were as closed as the lips of a VCR. There's nothing but silence in these situations -- is this one of those situations? Grassy knoll? Approaching the mouth of purgatory, I entered with the hesitancy of a lost dog. On the plastic covered couch, two people sat atop the invisible cloud above the patterned fabric and above the fingers of time. Blonde hair sprouted from her scalp, raining down upon vanilla shoulder blades, her chest a harbor for two pale, freshly mounds, with crooked, beige diamonds in the center. She trembled when G said, Meet Steph -- can I call you Steph, Steph? -- Meet Steph, the artist formerly known as Stephanie, holding up her licence, Vanmeter, of 441 1/2 Locust Ave. That's creepy, huh, Steph? Locust Ave? Are you something that lives in the ground, comes up every several years, making noise? Has this been years in the making? Are you bound to make noise in my house? You know this is a house, right? Whatsa matter, unfamiliar due to ya living-in-the-motherfuckin-ground or is it because you share a house, an apartment, Steph? Is it one of those? Pizza deliveries ain't paying the bills? G gets up, I, a coward, approaching him about to say -- Hold up, brother, he says. Not another move, pulling his hand from behind her shaking, confused head, a silver cannon an extension of his arm. She's here to **** our blood, She's here to **** our. blood. Whether she means to or not, I know you don't think you want to, Steph, I know you don't mean to, But you're here to drain-us-like-the-Red-Cross. I tell G that she isn't, What have you done, G, You need to let her go before this gets worse. That cliche dialogue. Because these things always do, cliche or not. Brother, you don't understand these things -- It's impossible for a godless man to understand the mechanisms of something bigger, something holy -- but you need to listen, G said, You need to -- she tried to move, quickly, but G grabbed her by her blonde strands, pulled her back towards the couch, She swiped at his eye, drawing blood. There was a pause, a deathly silence, by the hair, she was rendered motionless, Oh, no, he echoed, Love, you shouldn't, You ought not do those things. Looking at me, he asked me to listen, Always remember this wasn't your fault. Sometimes, you can't be in control Holstering her neck with his gun hand, G picked her up, slamming her, head first, into the drug covered, resin sprinkled coffee table. He dropped on top of her, Looked at me, Remember, okay? and beat her head with the **** of the gun, until the cracking of a larger M&M; shell muffled towards all eardrums, maybe even hers. With blood, that could be mistaken as war paint, swimming across his jaw and neck, and sprinkled on his forehead, G whispered, You are free, and I was never sure who he was talking about. My feet left before I did, I was suddenly in my car with only the ignition and G's voice registering. I passed car after car, pastel metal wagon after metallic matte creation, not sure if I ever saw him, not sure if he ever existed, if I ever existed. IV. Sheers of shimmering gloss grace her torso. And I have broken her bones, imploring that I love her so. Blueberry lips belly the cold; hold her too deep, hold her I'm told. Waking up in a cavern darkness, my dreams disintegrate from my eyes, swirl in my headspace, evaporating to heaven knows where. Scattered pitter-patter drowns midnight Seattle, killing and washing away cluttered, modern filth, ******* carnivorous minds into hungrier gutters. This is the part where the screen of my life reveals: SIX MONTHS LATER, in yellow, stenciled letters. But what it wouldn't say is how I still feel like I'm dipped in the ink of Ithaca, NY. If this were the indulgent autobiography of my life it wouldn't say that the distance doesn't matter, because that'd be a lie; I feel like I have only escaped myself. The rain swells, sounding as thick as blood, swishing around the veins of the city. Stephanie dies every night, disappearing and reappearing behind secret doors only she can open. When she comes to me in sleep, she is baptized in green, head caved, Forget-Me-Nots sprouting between fragmented skull and select spots of brain soil, the flowers singing jazz with a different voice, every time. One time she spoke. With blueberry lips that belly cold, she sounds like my mother: I am so proud of you, she statically says. You saved me. Remember. V. To be continued.
0
Apr 27, 2016
Apr 27, 2016 at 9:13 PM UTC
Godless
Sheers of shimmering gloss grace her torso. And I have broken her bones, imploring that I love her so. Blueberry lips belly the cold; hold her too deep, hold her I'm told. I. He says Call me Mr. G. G for Gore, Greed, that Green. An atypical stoner with hair wetter than his mouth. With more ******* than a pound, he says, With an understanding of all the suffering in the global delusion that is the Earth. Mr. G, his name. Oily brunette, Mr. G., would smoke Marlboro Green Blend -- menthol -- and spit shot out between stained lips after each extracurricular exhale. The saliva would land, tremendously, and puddles of Rasta shooting stars would lay, stretching across concrete galaxy. Hazel eyes invaded and shamed him, for he wished to be green, like life, but only envisioned a contradiction: death (see nature), for which he learned to embrace, stoically, like a shepherd of an endangered breed meant to die among skewed perspective. II. This house could be mistaken for a cinderblock purgatory; between color and absence of, eternal and temporary. A raptor laughter purged the tension -- he abided by no accommodation of civility. As smoke followed his hyena howl, the landline lay suddenly of purpose. Resin raided the clunky, black buttons; a voice was whispered like a blue phantom: Motherfuckin' cheese, pineapple, pepperoni -- no, extra fuckin' cheese, extra pep -- Sure, add some more pep with your driver: he, she -- honestly, man -- they better have pep-in-their-fuckin-step-you-feel? Minutes passed like sentient matchbooks dropping towards a skeletal fire. G threw the phone across the room and, like a disenchanted drunk dance, his words wobbled over each other, I ordered a 'za, a pizza for the layman. About thirty, probably thirty-one minutes, that is. Passing me the flower-stitched **** I ****** in one, maybe two, three, blasts that I swore had some sort of nano-insects bite and burrow into the holes of my sponge for a throat. Wringing my rubbery neck, watching my words leave my toothy cave, I found out that G doesn't believe in beer. Believes in souls but not beer, believes in green men, not beer. Alcoholic splash is what we all need, at times. So I told him the obvious, I'm going to get a case of (Insert your ****** choice) and I'll be back as soon as possible. G stared at me and made a guttural noise, Do whatcha please, I'll stay here and protect us from vampires. You know, blood-suckas. Pale stoner vampires. III. The leather painted door was wide open like the legs of ominous spider cave, but the doors of a car I had never seen before were as closed as the lips of a VCR. There's nothing but silence in these situations -- is this one of those situations? Grassy knoll? Approaching the mouth of purgatory, I entered with the hesitancy of a lost dog. On the plastic covered couch, two people sat atop the invisible cloud above the patterned fabric and above the fingers of time. Blonde hair sprouted from her scalp, raining down upon vanilla shoulder blades, her chest a harbor for two pale, freshly mounds, with crooked, beige diamonds in the center. She trembled when G said, Meet Steph -- can I call you Steph, Steph? -- Meet Steph, the artist formerly known as Stephanie, holding up her licence, Vanmeter, of 441 1/2 Locust Ave. That's creepy, huh, Steph? Locust Ave? Are you something that lives in the ground, comes up every several years, making noise? Has this been years in the making? Are you bound to make noise in my house? You know this is a house, right? Whatsa matter, unfamiliar due to ya living-in-the-motherfuckin-ground or is it because you share a house, an apartment, Steph? Is it one of those? Pizza deliveries ain't paying the bills? G gets up, I, a coward, approaching him about to say -- Hold up, brother, he says. Not another move, pulling his hand from behind her shaking, confused head, a silver cannon an extension of his arm. She's here to **** our blood, She's here to **** our. blood. Whether she means to or not, I know you don't think you want to, Steph, I know you don't mean to, But you're here to drain-us-like-the-Red-Cross. I tell G that she isn't, What have you done, G, You need to let her go before this gets worse. That cliche dialogue. Because these things always do, cliche or not. Brother, you don't understand these things -- It's impossible for a godless man to understand the mechanisms of something bigger, something holy -- but you need to listen, G said, You need to -- she tried to move, quickly, but G grabbed her by her blonde strands, pulled her back towards the couch, She swiped at his eye, drawing blood. There was a pause, a deathly silence, by the hair, she was rendered motionless, Oh, no, he echoed, Love, you shouldn't, You ought not do those things. Looking at me, he asked me to listen, Always remember this wasn't your fault. Sometimes, you can't be in control Holstering her neck with his gun hand, G picked her up, slamming her, head first, into the drug covered, resin sprinkled coffee table. He dropped on top of her, Looked at me, Remember, okay? and beat her head with the **** of the gun, until the cracking of a larger M&M; shell muffled towards all eardrums, maybe even hers. With blood, that could be mistaken as war paint, swimming across his jaw and neck, and sprinkled on his forehead, G whispered, You are free, and I was never sure who he was talking about. My feet left before I did, I was suddenly in my car with only the ignition and G's voice registering. I passed car after car, pastel metal wagon after metallic matte creation, not sure if I ever saw him, not sure if he ever existed, if I ever existed. IV. Sheers of shimmering gloss grace her torso. And I have broken her bones, imploring that I love her so. Blueberry lips belly the cold; hold her too deep, hold her I'm told. Waking up in a cavern darkness, my dreams disintegrate from my eyes, swirl in my headspace, evaporating to heaven knows where. Scattered pitter-patter drowns midnight Seattle, killing and washing away cluttered, modern filth, ******* carnivorous minds into hungrier gutters. This is the part where the screen of my life reveals: SIX MONTHS LATER, in yellow, stenciled letters. But what it wouldn't say is how I still feel like I'm dipped in the ink of Ithaca, NY. If this were the indulgent autobiography of my life it wouldn't say that the distance doesn't matter, because that'd be a lie; I feel like I have only escaped myself. The rain swells, sounding as thick as blood, swishing around the veins of the city. Stephanie dies every night, disappearing and reappearing behind secret doors only she can open. When she comes to me in sleep, she is baptized in green, head caved, Forget-Me-Nots sprouting between fragmented skull and select spots of brain soil, the flowers singing jazz with a different voice, every time. One time she spoke. With blueberry lips that belly cold, she sounds like my mother: I am so proud of you, she statically says. You saved me. Remember. V. To be continued.
Continue reading...
220
*SHE BUILT HER DEMONS FROM THE ASHES OF BURNT MEMORIES.* *SHE BUILT HER ANGELS FROM THE HOPE OF FUTURE MELODIES.*
0
Mar 13, 2016
Mar 13, 2016 at 11:23 PM UTC
El Mas Alla.
A ***** hybrid clouded his voice; a southern drawl and Midwestern daydream. Mutt to himself, a fire to others, a redundant reverie about a home -- any home -- with pictures of bloodletting, forgetting mothers, Adidas clad feet belonging to hooded killers. His hands sway in church but his soul doesn't. No belief in either concept: God or soul. Annoyed with the Christian claim that one needs the other. He speaks a voice that echoes, then evolves into a rarity too tame to flounder and fight, too wild to sit and stare.
0
Mar 13, 2016
Mar 13, 2016 at 11:21 PM UTC
***** Hybrid
Her eyes were yellow love when she walked away. Her pearl skin, thousand count; so taut, smother ***** pound -- the steps beyond thought process sullen, floundering less and less... And when she becomes real again, the hollowness, whatevered wan. Broken, broken: he loves you without any soul.
0
Mar 13, 2016
Mar 13, 2016 at 11:21 PM UTC
Without Any Soul
Maybe we're from the same scar. Maybe the same galactic gutter. Maybe the same pulpy punch. Maybe you were my sister or you were my brother. Maybe there is a place where we used to go to plant our feet in what we didn't know. Maybe there is a place where the whistle grows, the voices chatter, the stillness slows. And maybe, somewhere or the whistle grows, the voices chatter, the stillness shows. And maybe, somewhere, or this place, you said to me, "I hope you remember that this is a false memory."
0
Mar 13, 2016
Mar 13, 2016 at 11:20 PM UTC
The Same Scar