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hsu-kai-ting
The first afternoon I can recall, you grabbed my hand and took me outside. You surprised me, I said. Because that noon is the first time I saw that lake. The second afternoon I can recall, you called me by name and we went outside. I brought you lunch, and we drank some mind-boggling liquid which you stole from that old man living beside that lake. We lied on the grass, and if that was not a dream, I hope not, I felt your breath with mine, and your lips on mine. The third afternoon I can recall, you went to my bed and shook me awake. I was mesmerized to see you again, but you’ve changed. The colour in your eyelids, your cheeks, and your lips was artificial. If you haven’t spoken, I wouldn’t be able to recognize you. Sitting at the edge of my bed, you’ve said the name of that lake, and I knew  it was you still. The fourth afternoon I can recall, you were 18 and still cried on my shoulder not because you were hurt, but because you were happy  getting married. Flowers, chairs, and a priest waited  for you beside that lake. I was about to cry at that moment, knowing it wasn’t me you were marrying. The fifth afternoon I can recall, you yelled at me, “I can’t live this way!” I asked you why, but you didn’t tell me, you showed me. That kiss beside that lake was wrong. In all of the reasons why it was wrong, I found one which is right. You loved me the way I loved you. The sixth afternoon I can recall, you left me alone beside that lake. Yes, you loved me, but as you have said you need to love yourself more. I can’t hold you any blame for leaving, I understood, and I lived with the promise that you’ll come back to me – in one piece or even in ashes. The seventh afternoon I can recall, you were barely alive. You looked old, with dark circles around your eyes. You hid them with glittery make-up. “This lake haven’t changed.” you said. I looked at that lake, its beauty and all its glory looked nothing next to you. The eighth afternoon I can recall was the worst of them all. You didn’t call, you didn’t leave, you didn’t cry, you didn’t go to my bed. And you weren’t barely alive. Someone wrote me a letter, not you, to take you where you and bring you back home. You didn’t find yourself, you’ve lost it To yhe hero in your veins, who ate you in your sleep. This afternoon, I carry you, with all but  my shattered heart, inside a jar. My tears are one with that lake, but I’ll bury you beside it. I know you’re happy. Your soul one with that lake.
0
Jun 3, 2014
Jun 3, 2014 at 9:33 AM UTC
the Lake
The first afternoon I can recall, you grabbed my hand and took me outside. You surprised me, I said. Because that noon is the first time I saw that lake. The second afternoon I can recall, you called me by name and we went outside. I brought you lunch, and we drank some mind-boggling liquid which you stole from that old man living beside that lake. We lied on the grass, and if that was not a dream, I hope not, I felt your breath with mine, and your lips on mine. The third afternoon I can recall, you went to my bed and shook me awake. I was mesmerized to see you again, but you’ve changed. The colour in your eyelids, your cheeks, and your lips was artificial. If you haven’t spoken, I wouldn’t be able to recognize you. Sitting at the edge of my bed, you’ve said the name of that lake, and I knew  it was you still. The fourth afternoon I can recall, you were 18 and still cried on my shoulder not because you were hurt, but because you were happy  getting married. Flowers, chairs, and a priest waited  for you beside that lake. I was about to cry at that moment, knowing it wasn’t me you were marrying. The fifth afternoon I can recall, you yelled at me, “I can’t live this way!” I asked you why, but you didn’t tell me, you showed me. That kiss beside that lake was wrong. In all of the reasons why it was wrong, I found one which is right. You loved me the way I loved you. The sixth afternoon I can recall, you left me alone beside that lake. Yes, you loved me, but as you have said you need to love yourself more. I can’t hold you any blame for leaving, I understood, and I lived with the promise that you’ll come back to me – in one piece or even in ashes. The seventh afternoon I can recall, you were barely alive. You looked old, with dark circles around your eyes. You hid them with glittery make-up. “This lake haven’t changed.” you said. I looked at that lake, its beauty and all its glory looked nothing next to you. The eighth afternoon I can recall was the worst of them all. You didn’t call, you didn’t leave, you didn’t cry, you didn’t go to my bed. And you weren’t barely alive. Someone wrote me a letter, not you, to take you where you and bring you back home. You didn’t find yourself, you’ve lost it To yhe hero in your veins, who ate you in your sleep. This afternoon, I carry you, with all but  my shattered heart, inside a jar. My tears are one with that lake, but I’ll bury you beside it. I know you’re happy. Your soul one with that lake.
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In a matter of seconds minutes or so I inhale you deeply Killing every inch Of what's left of me slowly I don't regret this Because in a matter Of years, and if i be lucky Of decades We all live To face death I'm just enjoying the Little sins That would **** my existence
0
Jun 3, 2014
Jun 3, 2014 at 9:29 AM UTC
we live, we die: it's basic
the car oozes its rusty roars as we make our way out of this town, fleeing. we held each other's hands, you keep your eyes on the road while i keep crying like an idiot. to be perfectly honest, i didn't know the real reason why there are tears, it is because i am happy with you? or scared of this decision? all i know is that i love you, all i know is that i am scared, all i know is that this is wrong. but i continue, trying to prove myself wrong. and for the past two years i have never been so wrong in my life. we were not brave souls, the ones you said. we are young, hormonal, and purely stupid. our plans, my life, and yours are wounded intricately together. you move, i move. you breathe, i breathe. you touch me, i touch you. you stay, this time I go. it is impossible for you to understand that we got scared of what's beyond. but sometimes the people worth fighting for aren't worth loving anymore.
0
Jun 3, 2014
Jun 3, 2014 at 9:28 AM UTC
weak
Running naked through the ruins of Detroit, deep embrace against a graffitied wall. The clink of spent bottles chime with passion's song, and echoed down a forgotten hall. Bombed out, Nagasakieque, sur-reality, a strange and desolate aphrodisiac. Ghosts watch our post-apocalyptic tryst, through every wrecking ball crack. With patchouli scented hair of reddish brown, she's taken me to the forgotten side of town. Paradise, hidden among the rubble. But only for the discerning eye. Her pen painted poetic justice here, and tried to reveal the reasons why. Street coney's and cold bottles of Stroh's could not be scuttled in the wake. Its someone's hometown, no matter what, though it looks like hell for heaven's sake. With patchouli scented hair of reddish brown she's taken me to the forgotten side of town. Like some lost and lonely stray, she takes it in, dusts it off, and holds it to her heart. Sees promise in every burnt out factory, and hope in every unattended park. Empty crack houses sleep down the darkened alleyways, like effigies awaiting to be burned. The clock tower is stuck on borrowed time, with hands waiting to be turned. With patchouli scented hair of reddish brown she's taken me to the forgotten side of town. And on our cardboard mattress and the last few sips of wine, the stars never looked so good to me, her body never so fine. Perfection amid controlled chaos, eloquent profanities. She dances naked in the moonlight, and quelled our insanities. With patchouli scented hair of reddish brown she's taken me to the forgotten side of town. Inspired by "Ghost Gardens" a poem by Rebecca Askew
0
Jun 3, 2014
Jun 3, 2014 at 9:20 AM UTC
The Forgotten Side Of Town
Running naked through the ruins of Detroit, deep embrace against a graffitied wall. The clink of spent bottles chime with passion's song, and echoed down a forgotten hall. Bombed out, Nagasakieque, sur-reality, a strange and desolate aphrodisiac. Ghosts watch our post-apocalyptic tryst, through every wrecking ball crack. With patchouli scented hair of reddish brown, she's taken me to the forgotten side of town. Paradise, hidden among the rubble. But only for the discerning eye. Her pen painted poetic justice here, and tried to reveal the reasons why. Street coney's and cold bottles of Stroh's could not be scuttled in the wake. Its someone's hometown, no matter what, though it looks like hell for heaven's sake. With patchouli scented hair of reddish brown she's taken me to the forgotten side of town. Like some lost and lonely stray, she takes it in, dusts it off, and holds it to her heart. Sees promise in every burnt out factory, and hope in every unattended park. Empty crack houses sleep down the darkened alleyways, like effigies awaiting to be burned. The clock tower is stuck on borrowed time, with hands waiting to be turned. With patchouli scented hair of reddish brown she's taken me to the forgotten side of town. And on our cardboard mattress and the last few sips of wine, the stars never looked so good to me, her body never so fine. Perfection amid controlled chaos, eloquent profanities. She dances naked in the moonlight, and quelled our insanities. With patchouli scented hair of reddish brown she's taken me to the forgotten side of town. Inspired by "Ghost Gardens" a poem by Rebecca Askew
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