out of the arm of one love
and into the arms of another
I have been saved from dying on the cross
by a lady who smokes ***
writes songs and stories
and is much kinder than the last,
much much kinder,
and the *** is just as good or better.
it isn't pleasant to be put on the cross and left there,
it is much more pleasant to forget a love which didn't
work
as all love
finally
doesn't work ...
it is much more pleasant to make love
along the shore in Del Mar
in room 42, and afterwards
sitting up in bed
drinking good wine, talking and touching
smoking
listening to the waves ...
I have died too many times
believing and waiting, waiting
in a room
staring at a cracked ceiling
wating for the phone, a letter, a knock, a sound ...
going wild inside
while she danced with strangers in nightclubs ...
out of the arms of one love
and into the arms of another
it's not pleasant to die on the cross,
it is much more pleasant to hear your name whispered in
the dark.
May 11, 2014
May 11, 2014 at 11:43 PM UTC
The night is only a sort of carbon paper,
Blueblack, with the much-poked periods of stars
Letting in the light, peephole after peephole --
A bonewhite light, like death, behind all things.
Under the eyes of the stars and the moon's rictus
He suffers his desert pillow, sleeplessness
Stretching its fine, irritating sand in all directions.
Over and over the old, granular movie
Exposes embarrassments--the mizzling days
Of childhood and adolescence, sticky with dreams,
Parental faces on tall stalks, alternately stern and tearful,
A garden of buggy rose that made him cry.
His forehead is bumpy as a sack of rocks.
Memories jostle each other for face-room like obsolete film stars.
He is immune to pills: red, purple, blue --
How they lit the tedium of the protracted evening!
Those sugary planets whose influence won for him
A life baptized in no-life for a while,
And the sweet, drugged waking of a forgetful baby.
Now the pills are worn-out and silly, like classical gods.
Their poppy-sleepy colors do him no good.
His head is a little interior of grey mirrors.
Each gesture flees immediately down an alley
Of diminishing perspectives, and its significance
Drains like water out the hole at the far end.
He lives without privacy in a lidless room,
The bald slots of his eyes stiffened wide-open
On the incessant heat-lightning flicker of situations.
Nightlong, in the granite yard, invisible cats
Have been howling like women, or damaged instruments.
Already he can feel daylight, his white disease,
Creeping up with her hatful of trivial repetitions.
The city is a map of cheerful twitters now,
And everywhere people, eyes mica-silver and blank,
Are riding to work in rows, as if recently brainwashed.
May 10, 2014
May 10, 2014 at 10:31 PM UTC
the house next door makes me
sad.
both man and wife rise early and
go to work.
they arrive home in early evening.
they have a young boy and a girl.
by 9 p.m. all the lights in the house
are out.
the next morning both man and
wife rise early again and go to
work.
they return in early evening.
By 9 p.m. all the lights are
out.
the house next door makes me
sad.
the people are nice people, I
like them.
but I feel them drowning.
and I can't save them.
they are surviving.
they are not
homeless.
but the price is
terrible.
sometimes during the day
I will look at the house
and the house will look at
me
and the house will
weep, yes, it does, I
feel it.
May 10, 2014
May 10, 2014 at 10:25 PM UTC