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avillagra
and there were days when your kisses left hot imprints on my skin, smoldering.      i would shove my head under covers and hope to keep the glow effervescent, my fingers tracing the pieces of you left in me. a deep sleep would try to pull me through soft linen, it whispering       "chase dreams here and not while you're awake." but a hum in ears and a missing dip in a mattress, cloth pressing against my skin, wrapped around my ankles: a reminder that you were still not there. and now i still shove my head under covers, chasing a heat that envelops the places between my thighs and shuns my feet from frost- yet, I can never find the warmth that you'd provide.
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Oct 16, 2018
Oct 16, 2018 at 11:26 PM UTC
somnia
Suddenly, it's not love anymore, it's a memory. I'm alone, drunk in a bathroom and my thoughts don't crawl to the section of my brain where you are located. You don't have a place in my blood, I can count on one hand the times I've said your name in the last year. Does that make a sinner because you were once my God? I'd swallow every syllable uttered in my direction, scripture licked from my lips, and wipe my face clean with your affirmations. And I was clean-bogged down by a perpetual hangover and hands that won't ever stop shaking and hair that never smelt like anything other than your cologne and cigarettes- but I was clean, I was saved. And every time I knelt before you, I was saved again and again. So call me unfaithful because I have forsaken you, though long after you did me, and you did, you did. You've been gone so long, I can't even remember what your voice sounds like. All I have is a memory of a grin plastered on a face, all teeth and a head reared back: gleaming, mirth incarnate. But that image can't force me to perform ceremony in your name anymore. My eyes will only water, no streams fall down my face. The earth you walk on now is scorched, by women who no longer see your face any time they close their eyes. You are Moses in a desert with no followers, just an endless mirage: a girl who will never love you beckons you further and further. And I am sure you are thirsty. Then, call out my blasphemy, I swear I won't hear your accusations over the litany of curses muttered along with your name. I am Judas, I am Brutus, in the last circle of hell, for I am betrayer of the only religion that ever made me feel whole. But I couldn't spend another prayer on my knees.
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Aug 13, 2018
Aug 13, 2018 at 6:39 PM UTC
discoveries on linoleum
Suddenly, it's not love anymore, it's a memory. I'm alone, drunk in a bathroom and my thoughts don't crawl to the section of my brain where you are located. You don't have a place in my blood, I can count on one hand the times I've said your name in the last year. Does that make a sinner because you were once my God? I'd swallow every syllable uttered in my direction, scripture licked from my lips, and wipe my face clean with your affirmations. And I was clean-bogged down by a perpetual hangover and hands that won't ever stop shaking and hair that never smelt like anything other than your cologne and cigarettes- but I was clean, I was saved. And every time I knelt before you, I was saved again and again. So call me unfaithful because I have forsaken you, though long after you did me, and you did, you did. You've been gone so long, I can't even remember what your voice sounds like. All I have is a memory of a grin plastered on a face, all teeth and a head reared back: gleaming, mirth incarnate. But that image can't force me to perform ceremony in your name anymore. My eyes will only water, no streams fall down my face. The earth you walk on now is scorched, by women who no longer see your face any time they close their eyes. You are Moses in a desert with no followers, just an endless mirage: a girl who will never love you beckons you further and further. And I am sure you are thirsty. Then, call out my blasphemy, I swear I won't hear your accusations over the litany of curses muttered along with your name. I am Judas, I am Brutus, in the last circle of hell, for I am betrayer of the only religion that ever made me feel whole. But I couldn't spend another prayer on my knees.
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15
What thoughts I have of you tonight, Walt Whit- man, for I walked down the sidestreets under the trees with a headache self-conscious looking at the full moon. In my hungry fatigue, and shopping for images, I went into the neon fruit supermarket, dreaming of your enumerations! What peaches and what penumbras! Whole fam- ilies shopping at night! Aisles full of husbands! Wives in the avocados, babies in the tomatoes!--and you, Garcнa Lorca, what were you doing down by the watermelons? I saw you, Walt Whitman, childless, lonely old grubber, poking among the meats in the refrigerator and eyeing the grocery boys. I heard you asking questions of each: Who killed the pork chops? What price bananas? Are you my Angel? I wandered in and out of the brilliant stacks of cans following you, and followed in my imagination by the store detective. We strode down the open corridors together in our solitary fancy tasting artichokes, possessing every frozen delicacy, and never passing the cashier. Where are we going, Walt Whitman? The doors close in an hour. Which way does your beard point tonight? (I touch your book and dream of our odyssey in the supermarket and feel absurd.) Will we walk all night through solitary streets? The trees add shade to shade, lights out in the houses, we'll both be lonely. Will we stroll dreaming ofthe lost America of love past blue automobiles in driveways, home to our silent cottage? Ah, dear father, graybeard, lonely old courage- teacher, what America did you have when Charon quit poling his ferry and you got out on a smoking bank and stood watching the boat disappear on the black waters of Lethe? Berkeley 1955
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Aug 7, 2018
Aug 7, 2018 at 10:00 PM UTC
A Supermarket In California
What thoughts I have of you tonight, Walt Whit- man, for I walked down the sidestreets under the trees with a headache self-conscious looking at the full moon. In my hungry fatigue, and shopping for images, I went into the neon fruit supermarket, dreaming of your enumerations! What peaches and what penumbras! Whole fam- ilies shopping at night! Aisles full of husbands! Wives in the avocados, babies in the tomatoes!--and you, Garcнa Lorca, what were you doing down by the watermelons? I saw you, Walt Whitman, childless, lonely old grubber, poking among the meats in the refrigerator and eyeing the grocery boys. I heard you asking questions of each: Who killed the pork chops? What price bananas? Are you my Angel? I wandered in and out of the brilliant stacks of cans following you, and followed in my imagination by the store detective. We strode down the open corridors together in our solitary fancy tasting artichokes, possessing every frozen delicacy, and never passing the cashier. Where are we going, Walt Whitman? The doors close in an hour. Which way does your beard point tonight? (I touch your book and dream of our odyssey in the supermarket and feel absurd.) Will we walk all night through solitary streets? The trees add shade to shade, lights out in the houses, we'll both be lonely. Will we stroll dreaming ofthe lost America of love past blue automobiles in driveways, home to our silent cottage? Ah, dear father, graybeard, lonely old courage- teacher, what America did you have when Charon quit poling his ferry and you got out on a smoking bank and stood watching the boat disappear on the black waters of Lethe? Berkeley 1955
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40
I didn't have the guts to be a rebel All the counterculture called at me Asking me to join In living rooms with Goodwill couches Owned by a friend of a friend of a friend They reached out to me Hands and hearts so open that they couldn't stop bleeding Asking me to join them To make what I felt To do what I wanted Regardless of whatever the rules said. They asked me, Passing the tokens of a shared insobriety That sought out the essential truth beneath A thousand and one layers of culture and biology and social pressure That only ever manages to turn diamonds into coal I don't have the testicular fortitude to forsake the gifts of my birthright My middle-class hope Of a sliver of land beholden to an HOA Of a wife who loves me kind of and children that will hold me to an anachronistic social standard that will leave me wanting But it could be mine It could be a world of my own making With love and joy and plenty And the mediocrity and turmoil That is essential to life whether it is good or bad It could be mine The true face of the world is violent And life struggles unconditionally to enact it's will on a world That has extinguished more species than are alive We are mayflies in the cosmos waxing and waning And no one cares And no one guarantees that I will eat tomorrow Let alone find love Or persist in the presence of my ancestors. I don't have the ***** to wager my little bits of happiness Even if there is a slim chance to change a million minds or more Call me a coward Call me a pragmatist In a century call me dead Right now you can call me mostly happy And I don't know if there is anything better
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Jul 9, 2018
Jul 9, 2018 at 1:04 AM UTC
A middle class hope
I didn't have the guts to be a rebel All the counterculture called at me Asking me to join In living rooms with Goodwill couches Owned by a friend of a friend of a friend They reached out to me Hands and hearts so open that they couldn't stop bleeding Asking me to join them To make what I felt To do what I wanted Regardless of whatever the rules said. They asked me, Passing the tokens of a shared insobriety That sought out the essential truth beneath A thousand and one layers of culture and biology and social pressure That only ever manages to turn diamonds into coal I don't have the testicular fortitude to forsake the gifts of my birthright My middle-class hope Of a sliver of land beholden to an HOA Of a wife who loves me kind of and children that will hold me to an anachronistic social standard that will leave me wanting But it could be mine It could be a world of my own making With love and joy and plenty And the mediocrity and turmoil That is essential to life whether it is good or bad It could be mine The true face of the world is violent And life struggles unconditionally to enact it's will on a world That has extinguished more species than are alive We are mayflies in the cosmos waxing and waning And no one cares And no one guarantees that I will eat tomorrow Let alone find love Or persist in the presence of my ancestors. I don't have the ***** to wager my little bits of happiness Even if there is a slim chance to change a million minds or more Call me a coward Call me a pragmatist In a century call me dead Right now you can call me mostly happy And I don't know if there is anything better
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41
I tried to write about her hair in philosophy. My gaze was drawn to it, in the stiff silent room. The only thing that ebbed warmth. The fluorescent lights tried to steal its glow but the hair had an effect. The light bounced off the tight curls, forced back to the cracks within white plastered walls. My hand gripped my pen in restraint; to feel, to touch once. If I could only reach the back of her chair. But my hand gripped my pen harder, my fingers would be invaders of a land not meant to be pillaged so thoughtlessly. So I am restrained like a ship against a heavy current, I can only worship a land outside of my reach.
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Jun 29, 2018
Jun 29, 2018 at 6:23 PM UTC
moral dilemmas
i was so [angry, jealous, d e v a s t e d] when you choose her over me. i couldn't stand to see the pleasant calm that settled over the two of you. you were quiet with her, your eyes held soft looks, shorts glances. disbelief in your face like you couldn't believe the prize you'd won. and i guess i'm wrong again because the word is broken, i was so [broken] you wouldn't even breathe in my direction when she was around and i was always around, a victim and witness to unrequited love. i wonder if she hurt you more than you hurt me because she always thinking of how she couldn't stand to be with you, even one more time. i watched the way she'd brighten whenever he smirked and she never smiled with you, only at. maybe i feel a little better about this whole mess because her heart was breaking in two, too. it doesn't really matter because she had him and you and him and you and sometimes I don't think there was any distinction in time. maybe it was all blended together but I know she knew the difference because she loved him. and didn't love you. and those words are vindication enough and I know our love wasn't real because it feels good, these words feel good, you hurt feels good. her hurt feels good too [just not as much] she loved him and loved him and he didn't love her back, not with the soft kisses and that sun-kissed hair. not even with the way she said his name, kind of like how i say yours. but now he does and i always thought i was the odd line segment in this love rectangle because she loved him and i loved you and you loved her and nobody loved me. but I guess we're both losers in this stupid ante highschool ******** because you could **** her brains out and she'd still whisper his name and when he ***** her i don't doubt for a minute you've never crossed her mind and I know so many stiff socks on your bedroom floor are sponsored by images of her. so it feels good. being less x feels good.
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Jun 13, 2018
Jun 13, 2018 at 12:49 AM UTC
make it sting
i was so [angry, jealous, d e v a s t e d] when you choose her over me. i couldn't stand to see the pleasant calm that settled over the two of you. you were quiet with her, your eyes held soft looks, shorts glances. disbelief in your face like you couldn't believe the prize you'd won. and i guess i'm wrong again because the word is broken, i was so [broken] you wouldn't even breathe in my direction when she was around and i was always around, a victim and witness to unrequited love. i wonder if she hurt you more than you hurt me because she always thinking of how she couldn't stand to be with you, even one more time. i watched the way she'd brighten whenever he smirked and she never smiled with you, only at. maybe i feel a little better about this whole mess because her heart was breaking in two, too. it doesn't really matter because she had him and you and him and you and sometimes I don't think there was any distinction in time. maybe it was all blended together but I know she knew the difference because she loved him. and didn't love you. and those words are vindication enough and I know our love wasn't real because it feels good, these words feel good, you hurt feels good. her hurt feels good too [just not as much] she loved him and loved him and he didn't love her back, not with the soft kisses and that sun-kissed hair. not even with the way she said his name, kind of like how i say yours. but now he does and i always thought i was the odd line segment in this love rectangle because she loved him and i loved you and you loved her and nobody loved me. but I guess we're both losers in this stupid ante highschool ******** because you could **** her brains out and she'd still whisper his name and when he ***** her i don't doubt for a minute you've never crossed her mind and I know so many stiff socks on your bedroom floor are sponsored by images of her. so it feels good. being less x feels good.
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47
i know, i know i'm a ********* i love the sting of your spit on my face you open your mouth and let words fly. open your throat any wider and i'll see your tonsils. every moment, you can only ever be angry with me, maybe in love the next. but i envy you for it, the truth's never been mine though I can't find honesty in the way you say you've had enough of me. you won't ever apologize, but I see "I'm sorry" in your eyes, every time you open the door again i guess i'm just in love with the way you say goodbye
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Jun 11, 2018
Jun 11, 2018 at 12:22 PM UTC
Your Eternal Departure
disclaimer: because I started writing about smoking cigarettes but it sounded a lot more like falling in love i wish i could spit the taste off my tongue as i breathe in, but it lays stale and heavy in my mouth. your hand grasps my shoulder, body leaned forward your lips wrapped around a cigarette and i wonder: does your mouth taste like my mine? the smell will never leave this house. you hold me close on a couch, breathing air into my smoke. your hands fumble, drop a torch on an already abandoned floor and run your fingers through my hair. i don't mind the smell later, it follows me for days. for you, it takes three washes for me to be erased. my arm barely feels the pain as you flick your last cigarette at me. the ember fades into the snow as you walk away. i've barely finished mine and for some reason, in the dark the tension in my lungs never lets up. i'm laying in an empty bathtub, fully clothed and i can't stop yelling out about how much i love: "i need a cigarette! can I smoke in here? please can I? please." i can't and i grasp the sides of porcelain, weeping for linoleum, trying to get outside, closer to you because my mouth tastes like nothing and if i could get the taste back, maybe i could get the feeling of you back into my mouth and hands and when i go outside, no one has a lighter and i remember you always lit mine.
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Jun 4, 2018
Jun 4, 2018 at 12:59 PM UTC
mementos include: a pack of reds
I just hate that parts of me blow away whenever you get blown. But I get it, your *** is the only religion I want to be forced to swallow.
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Jun 3, 2018
Jun 3, 2018 at 11:41 PM UTC
I swear on my tired knees (this is the last)
“Maybe Olive?” My skin has always been a canvas for someone else’s violence and frustration. Bruises only highlight the depth of skill from hangers, brushes, belts, hands, and fists. Each leave a color wheel on my flesh. Later I never shied away from pain. Inflicting patterns of geometric shapes on my wrists, indicates a lack of creativity. All it ever got me was red and red and red. I poured the color into my vision and when my hands shook while enduring the pain, I felt red acrylic paint singing in my veins. It paved the path to grey. Now charcoals shade in color on cheeks. No fingers mold the structure of my body. I become shapeless, dirtying the mouths that try to breathe life into a sculpture destined to collapse. Shoddy past craftsmanship finally bringing the imperfections to light. The vicious clay dries and cracks, dusting and crumbling. Idle as it wait for a new artist to make it whole or get rid of the project completely. Make room for a fresh canvas, maybe then I’ll remember the hue of my own skin.
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Jun 3, 2018
Jun 3, 2018 at 6:13 PM UTC
Maybe, Maple?