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arihant
arihant
23/M Meditator, Imagineer, Another Cartoon. Beyond time and space is the self and its unborn and undying stories.
This is a lie, in that, it is likened with the first thought - blindfold for a day and daydream. Sridala Swami caught a boy who didn't wake up, odd hour to let phosphene thoughts flow, confused, like drunken drive on, a footpath. This is likened to a poem written wide awake, could I ever really not see? This has happened before - The grass bristles ricocheting finger strokes, pampered, like mother seeking refuge, in the smiles mimicry of forgotten childhood emanates, eyed closed, given in to the gut stretch fever after retching and vomiting like a cartoon character. One can't talk to grass otherwise. In the purple faint of school assembly hands reaching out to a thud a concert crowd ready to catch but delayed reflexes in play. I felt the hands of strangers, finger prints etched with water sprinkles on my face, singing "Wake Up!" One can't listen to hands otherwise. Running on an unknown bridge eyes blinded by sweat and tears of shock sadness and watch dogs' stares, of separation, disgust and anger over words and intentions behind other's mistakes, eyes closed under an idol unnoticed a beggar's hand over the head in prayer One can't sense an unseen person otherwise. Inside out folding of your mind impressions washed out, dried on the wires of gratitude unequivocal, irrevocable and unsolicited in the summer sun, feeling like a toilet flushed after years I wonder if angels long for it too. One can't hear silence within, so loudly otherwise.
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Jan 11, 2018
Jan 11, 2018 at 4:11 PM UTC
A LIE OTHERWISE
It feels like the effort of scree's fiction against gravity, the rocks on the mountain slopes, doing everything they can to not erode down When you aren't a person of your word gravity plunges everything on the road downhill, The cars passing by your confidence to ride through the trails It's amazing, that we always have a choice to choose to act on something or not heeding to the acts of God, memory lanes, rising above the pressure of your lowers to make you keep sitting down all day, devour chips, seemingly infinite time, movies and entertaining videos, and on fine days, getting stuck to the text an author put their time into years ago. These days the heap of regrets is enough to act as morning alarm lest everything falls into being undone.
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Nov 29, 2017
Nov 29, 2017 at 1:27 PM UTC
ON BEING PERCEIVED NOT BEING A MAN OF MY WORD
After reading/listening to Rochelle D'Silva's "There Will Come A Time" I woke up to a dream, which we call reality, eyes wide open, senses intact, But who can really differentiate? I opened my wisecracking eyes to a photograph of father grinning so wide, I mistook him for an uncle I thought I’d forgot. Prints of the past are like yesterday’s prints of stale newspapers, you don’t hold onto newspapers for the news you hold on them to clean car windshields and protect shelves from grime, for chat-pati namkeen and peanut containers, and then you thrown them away, which probably get recycled; but the prints of the past stick, no? You cringe at the things you said to the right person at the wrong time and in the wrong place or five other permutations of the three. You close your eyes hard and frown while remembering the times that you slipped your tongue mispronouncing words which are in your second language, or said things that you thought were funny, but no one laughed. Prints of the past are like laptop kept on for days, just because you’d opened some tabs days ago, contents of which might be unnecessary now, but your mind’s stubborn to read them all. *** Poets love the past, it’s the foundation for words, pain and agony, and also love, probably forgotten in those browser tabs. Without eyes looking out far or behind without a past and a future, we might feel hemmed between two walls closing towards each other at the speed of retracing your steps back towards where you’re now, in the present. What now? When prints of the past and e-zines of the future come to seize the end or even the journey for that matter, when you find yourself extricated from the vicious cycles of love and lust and and pain and hope, when any ideas or thoughts seize to entice you, you resort to memories that don’t make you shiver, a delicious rub against a sack cloth to relieve an itch. The crash of the milk bottle racks on early morning errands, the shutting down of back doors of the bread vans, or something out of time, something that is funny and embarrassing that you can’t broach about it. How seeing someone snorting back the mucus and then gulping it, makes you nauseous but when you have cold, you do it yourself, because the handkerchief is far, and you'd rather not use your hand, "Eew!" Or memories of an old friend, which is a song by Angus and Julia stones, but also a song of blissful senility, it’s been so long, that you don’t remember her face, but you still remember what it felt like to play outside, hand in hand, panting. Home is where the heart is, heart is remembering. Or instead, you look at things with a blank slate, where there’s nothing to left to think about, you shut your eyes, get lost, probably get found. By someone on the roadside, staring at you with concern, perhaps that person is you. Repeat the vicious cycle of cob webs - love and lust and pain and agony, hope and thought, intermittently, and then find words to write about it, before you can’t anymore, again.
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Sep 29, 2017
Sep 29, 2017 at 6:35 AM UTC
PRINTS OF THE PAST
After reading/listening to Rochelle D'Silva's "There Will Come A Time" I woke up to a dream, which we call reality, eyes wide open, senses intact, But who can really differentiate? I opened my wisecracking eyes to a photograph of father grinning so wide, I mistook him for an uncle I thought I’d forgot. Prints of the past are like yesterday’s prints of stale newspapers, you don’t hold onto newspapers for the news you hold on them to clean car windshields and protect shelves from grime, for chat-pati namkeen and peanut containers, and then you thrown them away, which probably get recycled; but the prints of the past stick, no? You cringe at the things you said to the right person at the wrong time and in the wrong place or five other permutations of the three. You close your eyes hard and frown while remembering the times that you slipped your tongue mispronouncing words which are in your second language, or said things that you thought were funny, but no one laughed. Prints of the past are like laptop kept on for days, just because you’d opened some tabs days ago, contents of which might be unnecessary now, but your mind’s stubborn to read them all. *** Poets love the past, it’s the foundation for words, pain and agony, and also love, probably forgotten in those browser tabs. Without eyes looking out far or behind without a past and a future, we might feel hemmed between two walls closing towards each other at the speed of retracing your steps back towards where you’re now, in the present. What now? When prints of the past and e-zines of the future come to seize the end or even the journey for that matter, when you find yourself extricated from the vicious cycles of love and lust and and pain and hope, when any ideas or thoughts seize to entice you, you resort to memories that don’t make you shiver, a delicious rub against a sack cloth to relieve an itch. The crash of the milk bottle racks on early morning errands, the shutting down of back doors of the bread vans, or something out of time, something that is funny and embarrassing that you can’t broach about it. How seeing someone snorting back the mucus and then gulping it, makes you nauseous but when you have cold, you do it yourself, because the handkerchief is far, and you'd rather not use your hand, "Eew!" Or memories of an old friend, which is a song by Angus and Julia stones, but also a song of blissful senility, it’s been so long, that you don’t remember her face, but you still remember what it felt like to play outside, hand in hand, panting. Home is where the heart is, heart is remembering. Or instead, you look at things with a blank slate, where there’s nothing to left to think about, you shut your eyes, get lost, probably get found. By someone on the roadside, staring at you with concern, perhaps that person is you. Repeat the vicious cycle of cob webs - love and lust and pain and agony, hope and thought, intermittently, and then find words to write about it, before you can’t anymore, again.
Continue reading...
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I feel the vastness of the hand like I move my hands to and from the sun or the moon to fit it right across the diameter when it lands on your back and I start moving up and down, to find that you can’t be controlled like the sun and the moon can be, from a distance, that when I will scroll down to your beloved circle you’ll be a rebel’s soul, parrying quietly When my tongue will be a mast in the throbbing waves of your inside pointing towards the sky, it’ll  fight the battles of the seas, with the purpose to make peace with it. You will wet my tongue mast and I yours moving, thrusting, squishing between the winds of my two fingers, you and I will sighs the winds of storms like they were trying to create another earth only more, more. “It’s throbbing more and more,” she said Let it feel that it longs for a pacifier, that would heighten its heartbeats first perhaps even a minor undetected heart attack burning like the bed sheet under us lilt of our movements making air from the fans incapable of extinguising the fire that will only rest once it has watered all the trees inside.
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Aug 21, 2017
Aug 21, 2017 at 2:06 PM UTC
Threads: A Story of Distances
Perhaps it was too soon but time will tell me that it was the right time when it got loose out of my pocket. The agony of the lost ink pen given to me by my grandfather is not that it had a thick nib that glided though sheets of stories, gave track to trains of thoughts. The agony is that, I wanted the pen to be the living proof in his posterity, or mine that he was a good man, and only grabbed by the ills of habits and inability to control one's mind did he speak bad with others. I had a hard time, gulping the loss like the hardened blob of mucus too difficult to shove down the throat but too difficult to push it out. But then I had no other option, I could sulk in the moment for long, or I could imagine that these poems, are what would show him a good man, despite his odds of the world against. I'm the ink and the ink pen and not what got lost. For this body too is borrowed, expenses not more than what bought the ink pen. Of course grandfather would probably get angry if told. So the agony of the lost ink pen is that it got lost, but also found by someone. May the person find good use of it.
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Jul 25, 2017
Jul 25, 2017 at 11:29 AM UTC
The Agony of a Lost Ink Pen
Tomorrow I may never die, writhe in the loops of time like catching cold endlessly over so many lifetimes But the place I sat, eyes, a waterfall of suddenly gratitude towards existence for its too trivial for it to have any purpose other than to exist. Eyes fluttering spasms of throbs, shedding some unknown impressions, long held in the eye of the mind suddenly vanishing in the air, I was born anew in shifted time.
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Jul 23, 2017
Jul 23, 2017 at 5:43 AM UTC
A Place To Merge
You failed not waterproof you allowed water to fall into feet bottom skin Lucky we had enough of you we juggled you in the leaky shoes that were no good either Next time you’ll be worn inside trek shoes so that you wouldn’t have to taste the marshy stink of feet bottom the premonition of possible fever
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Jun 23, 2017
Jun 23, 2017 at 7:57 AM UTC
Ode To Socks (Mountain Version)
I wish I could be a book I could send myself to you in envelops and postcards over a laconic lifetime rungs of ladder climbed waded through like the push of legs in the water, over sand chewing on the words you sent. We, are a family now, some privileged in the boundaries of grandiloquent bags and pouches, some forgotten in the drawers before relocations, versions of a person’s state of mind over time, we make history books capturing people in the making of an indistinct next moment sometimes we carry our own praises outsourced by the wits of our writers like love they did find not in the other but their own selves, blind still. Does your reader pause too? basks in the glory of an empty wall staring at nothing in particular? I wish we had will and means to write ourselves on ourselves so that we could reach other and do that. Instead like our creators, we are dilapidated ruins of yellow bodies, left to live and die on dirt and air once they are gone, aren’t you scared of death? Seeking Reply Letter A
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Jun 7, 2017
Jun 7, 2017 at 11:43 AM UTC
A Letter From A Letter To Another
I was looking for a friend, when you tapped my shoulder from the back and I was confused how to respond back to a recognition from a person that was not mutual. Last time this happened I was in a hall trying to remember something about microprocessors so that I could at least pass, when the invigilator stood on top of me, just staring me, writing. Cold sweat droplets started racing on my face, assumption: he was from my department. When he finally spoke he asked which exam was I writing, and in absolute bewilderment I forgot, the name of the exam I was giving! You girl with an accent, I had watched your poems, writing you on stage like the broad nip ink pen that road trips with blue ink. I just forgot, in the sun burst of your face, standing in front of me, as if you knew me for eternity.
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Jun 3, 2017
Jun 3, 2017 at 8:28 AM UTC
"I'm sorry, do I know you?"
Amazing, curve of an arm, wave of a hand speed breaking over the stretch marks on lower back feeling the lines like the habit of taking corners of clothes and sheets pressing in between the gaps of two fingers, a pleasure no one else ever even sees. Wrap of an arm, making the back and front the ancient interior China, the arm, the great wall of China, protecting from sadness and occasional loneliness. Curve of the legs fitting the other like they were two rods under thermal stress. The vastness of the *** comforting the lack of it on most days, when my body hair is as natural to you as blinking, I miss how two bodies become void In the shape of night’s silence, the arc
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May 7, 2017
May 7, 2017 at 1:17 AM UTC
The Arc