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anaap
anaap
If my hand touches your skin, instant accidents happen: unexpected flowers bloom, earthquakes, fires, revolutions perhaps, sudden climate changes, delays in train times, people urgently kissing in the streets. We’ve witnessed it: the solar explosion of precise things, the road opening to the heart of all beginnings. This is your skin where my hand, barely touching it, will feel unknown landscapes of flesh and from where your eyes come back, two deep lakes, two restless headlights slicing the night, regardless of how often Adorno may have said that lyrical poetry no longer befits the world. If Adorno himself had ever touched your skin, he would have climbed down from his entrenched conviction and asked poets to tell, once again, the world that begins in your skin. Trees grow close to the timid miracle of its tremor, rivers run from a spring as you lift your eyes. An immensity so like the sea when you slowly move, or when you hesitate, distracted in your pacing. A moon rises when you speak, and the night slightly darkens when you leave. If I could inhabit you like a house perched on a mountain slope or like a thoughtful fisherman watching the sea from a quiet shore, if I knew how to keep you in the morning, as the flower keeps the dew, or hold you as a fruit is held in a child’s hand, I would set off through the hurried ways and settle in you as in my homeland. The promised land to which I could return, and where at length I’d build my house. But I look. I look around and see you are not there. It was only the dream of you and, waking, I realise the abrupt illusion of fantasy. I raise my unconvinced hand towards the ever- lasting bookcase looking for Aesthetic Theory. I leaf through it, distractedly, feeling the most lyrical sorrow of being.
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Jun 7, 2014
Jun 7, 2014 at 7:18 PM UTC
Aesthetic Theory
If my hand touches your skin, instant accidents happen: unexpected flowers bloom, earthquakes, fires, revolutions perhaps, sudden climate changes, delays in train times, people urgently kissing in the streets. We’ve witnessed it: the solar explosion of precise things, the road opening to the heart of all beginnings. This is your skin where my hand, barely touching it, will feel unknown landscapes of flesh and from where your eyes come back, two deep lakes, two restless headlights slicing the night, regardless of how often Adorno may have said that lyrical poetry no longer befits the world. If Adorno himself had ever touched your skin, he would have climbed down from his entrenched conviction and asked poets to tell, once again, the world that begins in your skin. Trees grow close to the timid miracle of its tremor, rivers run from a spring as you lift your eyes. An immensity so like the sea when you slowly move, or when you hesitate, distracted in your pacing. A moon rises when you speak, and the night slightly darkens when you leave. If I could inhabit you like a house perched on a mountain slope or like a thoughtful fisherman watching the sea from a quiet shore, if I knew how to keep you in the morning, as the flower keeps the dew, or hold you as a fruit is held in a child’s hand, I would set off through the hurried ways and settle in you as in my homeland. The promised land to which I could return, and where at length I’d build my house. But I look. I look around and see you are not there. It was only the dream of you and, waking, I realise the abrupt illusion of fantasy. I raise my unconvinced hand towards the ever- lasting bookcase looking for Aesthetic Theory. I leaf through it, distractedly, feeling the most lyrical sorrow of being.
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every time i cry my mouth opens and i want to scream but it is a silent scream a scream with so much pain that it cannot be human because humans are not built for all the agony that we are struggling to run from {a.h.}
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Jun 7, 2014
Jun 7, 2014 at 7:14 PM UTC
Untitled
you said, "never forget me" as if the coast could forget the ocean or the lung could forget the breath or the earth could forget the sun. (b.t)
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Jun 7, 2014
Jun 7, 2014 at 7:09 PM UTC
Untitled