Don't go far off, not even for a day
Don't go far off, not even for a day,
Because I don't know how to say it - a day is long
And I will be waiting for you, as in
An empty station when the trains are
Parked off somewhere else, asleep.
Don't leave me, even for an hour, because then
The little drops of anguish will all run together,
The smoke that roams looking for a home will drift
Into me, choking my lost heart.
Oh, may your silhouette never dissolve
On the beach, may your eyelids never flutter
Into the empty distance. Don't LEAVE me for
A second, my dearest, because in that moment you'll
Have gone so far I'll wander mazily
Over all the earth, asking, will you
Come back? Will you leave me here, dying?
Mar 1, 2017
Mar 1, 2017 at 10:27 PM UTC
Sucede que me canso de ser hombre.
Sucede que entro en las sastrerías y en los cines
marchito, impenetrable, como un cisne de fieltro
navegando en un agua de origen y ceniza.
El olor de las peluquerías me hace llorar a gritos.
Sólo quiero un descanso de piedras o de lana,
sólo quiero no ver establecimientos ni jardines,
ni mercaderías, ni anteojos, ni ascensores.
Sucede que me canso de mis pies y mis uñas
y mi pelo y mi sombra.
Sucede que me canso de ser hombre.
Sin embargo sería delicioso
asustar a un notario con un lirio cortado
o dar muerte a una monja con un golpe de oreja.
Sería bello
ir por las calles con un cuchillo verde
y dando gritos hasta morir de frío.
No quiero seguir siendo raíz en las tinieblas,
vacilante, extendido, tiritando de sueño,
hacia abajo, en las tripas mojadas de la tierra,
absorbiendo y pensando, comiendo cada día.
No quiero para mí tantas desgracias.
No quiero continuar de raíz y de tumba,
de subterráneo solo, de bodega con muertos,
aterido, muriéndome de pena.
Por eso el día lunes arde como el petróleo
cuando me ve llegar con mi cara de cárcel,
y aúlla en su transcurso como una rueda herida,
y da pasos de sangre caliente hacia la noche.
Y me empuja a ciertos rincones, a ciertas casas húmedas,
a hospitales donde los huesos salen por la ventana,
a ciertas zapaterías con olor a vinagre,
a calles espantosas como grietas.
Hay pájaros de color de azufre y horribles intestinos
colgando de las puertas de las casas que odio,
hay dentaduras olvidadas en una cafetera,
hay espejos
que debieran haber llorado de vergüenza y espanto,
hay paraguas en todas partes, y venenos, y ombligos.
Yo paseo con calma, con ojos, con zapatos,
con furia, con olvido,
paso, cruzo oficinas y tiendas de ortopedia,
y patios donde hay ropas colgadas de un alambre:
calzoncillos, toallas y camisas que lloran
lentas lágrimas sucias.
Oct 3, 2015
Oct 3, 2015 at 10:59 AM UTC
Tonight I can write the saddest lines.
Write, for example, 'The night is starry
and the stars are blue and shiver in the distance.'
The night wind revolves in the sky and sings.
Tonight I can write the saddest lines.
I loved her, and sometimes she loved me too.
Through nights like this one I held her in my arms.
I kissed her again and again under the endless sky.
She loved me, sometimes I loved her too.
How could one not have loved her great still eyes.
Tonight I can write the saddest lines.
To think that I do not have her. To feel that I have lost her.
To hear the immense night, still more immense without her.
And the verse falls to the soul like dew to the pasture.
What does it matter that my love could not keep her.
The night is starry and she is not with me.
This is all. In the distance someone is singing. In the distance.
My soul is not satisfied that it has lost her.
My sight tries to find her as though to bring her closer.
My heart looks for her, and she is not with me.
The same night whitening the same trees.
We, of that time, are no longer the same.
I no longer love her, that's certain, but how I loved her.
My voice tried to find the wind to touch her hearing.
Another's. She will be another's. As she was before my kisses.
Her voice, her bright body. Her infinite eyes.
I no longer love her, that's certain, but maybe I love her.
Love is so short, forgetting is so long.
Because through nights like this one I held her in my arms
my soul is not satisfied that it has lost her.
Though this be the last pain that she makes me suffer
and these the last verses that I write for her.
translated by W.S. Merwin
Oct 3, 2015
Oct 3, 2015 at 10:29 AM UTC
Let's talk about the girl,
who wasn't ready for the nights events,
ashamed of the fact that she didn't know the right words, or gestures to prove herself worthy.
Let's talk about the boy,
keeping a pace comparable to roaring waves,
inviting himself into a place he wasn't welcome.
Let's talk about the word "please",
how it fell off his tongue like cinnamon; coating the surface of her uncertainty with promises of a tomorrow.
Let's talk about the street lights,
radiating like a warning,
whispering: run.
Let's talk about regret,
humming her to sleep,
reminding her of the view from a dark street
screaming: you deserve more than this.
Sep 15, 2015
Sep 15, 2015 at 7:49 PM UTC
The young maricones and the ***** muchachas,
The big fat widows delirious from insomnia,
The young wives thirty hours' pregnant,
And the hoarse tomcats that cross my garden at night,
Like a collar of palpitating ****** oysters
Surround my solitary home,
Enemies of my soul,
Conspirators in pajamas
Who exchange deep kisses for passwords.
Radiant summer brings out the lovers
In melancholy regiments,
Fat and thin and happy and sad couples;
Under the elegant coconut palms, near the ocean and moon,
There is a continual life of pants and *******
A hum from the fondling of silk stockings,
And women's ******* that glisten like eyes.
The salary man, after a while,
After the week's tedium, and the novels read in bed at night,
Has decisively ****** his neighbor,
And now takes her to the miserable movies,
Where the heroes are horses or passionate princes,
And he caresses her legs covered with sweet down
With his ardent and sweaty palms that smell like cigarettes.
The night of the hunter and the night of the husband
Come together like bed sheets and bury me,
And the hours after lunch, when the students and priests are ************
And the animals mount each other openly,
And the bees smell of blood, and the flies buzz cholerically,
And cousins play strange games with cousins,
And doctors glower at the husband of the young patient,
And the early morning in which the professor, without a thought,
Pays his conjugal debt and eats breakfast,
And to top it all off, the adulterers, who love each other truly
On beds big and tall as ships:
So, eternally,
This twisted and breathing forest crushes me
With gigantic flowers like mouth and teeth
And black roots like fingernails and shoes.
Aug 26, 2015
Aug 26, 2015 at 1:14 AM UTC
I sit in the rows at church and hear stories of the Man that fixes the broken.
I hear of all He's done.
l hear of all He will do and all He can do.
I think of all I've done.
I think of all I will do and what I can do.
I think of what you did to me.
I think of what you will do again and what you can do to someone else.
I feel the layers of my skin peeling apart as I find the center of everything.
I find the reason why I'm like this.
I see the parts of you that I've kept away in my chest.
I sit in the rows at church and hear the word "forgiveness."
I hear the words "no one can know" over and over again in the back of my head.
The Man who heals the broken says to forgive.
If apart of you lives inside of me, do I forgive myself too?
Aug 26, 2015
Aug 26, 2015 at 1:10 AM UTC