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akr
akr
Canadian I never set out to write poems, and when I did they went wrong. I think storing images is important to the heart. / / Poetry keeps returning to me, like a boomerang I never tossed.
This song is called sun of June. Or, the self-invention of wildflowers. Or, the sweetened fragrance of the outdoors before the damp scent of dusk descends. With the painted gold flitting through the woods and wild lilies in all the right spots silver blades of marsh grass stand up tall "I will never desert you." Desertion inevitably wears earthtones, like a thin smile, this recollected song.
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Jun 23, 2018
Jun 23, 2018 at 9:29 PM UTC
Sun of June
Late summer a lofty pause. At work I am absent from myself; from any conviction. The vegetation has reached to its fullest and covers the vision. Memory free of concern. As in the work of nighttime to morning, so memory of other seasons is dimmed. We wish to retreat at length and recline to watch the season's sunset. Not yet the descent into the urgent. A moment sent to you so silent, it is punctuated with the song of cicadas, chyrp of crickets, so nourishing for you have only to lift your eyes to see.
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Sep 4, 2015
Sep 4, 2015 at 6:26 PM UTC
Day of cicadas
What cloud, dim constellation you pale moon of deep detachment from the self. Dark moon undersea, you are unwilling to perform me So come! It clings untold time before leaving; reduces the fat of life. Though your gravity blots out possibility, there’s use hanging aloof an opaque cloud, tempering all things loud, bright, and obtuse-- Now you are sealed with all time, you want kindly to observe Stillness. And when all time departs in a vapour, you cling without occupation, an array of senses, then often you begin: sketching and sketching, and sketching.
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Aug 13, 2015
Aug 13, 2015 at 4:42 PM UTC
Undersea
Moon Moon-- roughly the size of a cantaloupe. Whom eyes have chafed on, not perceiving any pain. Moon, but not quite Li Po's: Many hungry are below you hung, paused as if thinking on the paths to your glaciers.
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May 30, 2015
May 30, 2015 at 11:35 PM UTC
Moon
After “lo fatal” When I read you first I was living in Bergen. Pretending at translation and going up scree, clutching at conifers in a painted flaxen sun. I'd imagined you’d given up on being Modernista to settle for a quaint shack— for the hardness of the carved fjord. Now if you were to arrive in the wild where I have kept this place strangely similar by the pine, blue herons, Mount Ozzard over the dandelions, how would you come walking down the road? Would deer pause to smell your tracks or the cedar cutter look up as he heard you pass, or these coal-black snags which guard the lot’s entrance and haven't swayed in so long groan? Dichoso el árbol, que es apenas sensitivo. Happy is the tree, you said. Scarcely sentient. Ruben Dario: what is the tree which rushes through this poem?
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May 30, 2015
May 30, 2015 at 11:33 PM UTC
After "Lo Fatal"
Moon hour Waking up, the streets are with so empty it's hard to believe night could hold the moon so delicately in its hand, detached, like a mirror. The mirror while we sleep gathers the mountains up and waters the thirsty dreams of thistles blowing in the moon breeze the moon aloft yolked to night forever, neither dejected nor happy it wanders its light through its milk on the ground. Sleepwalk Your mother in a sleepwalk began searching in the leftovers of what lay in her mind for the three things she had misplaced. A ring of keys or a wooden bowl, an appointment not written down, a door not closed. There she is descending the stairs, opening drawers and pulling back curtains until her father wakes her, asking "What is it your looking for?" And leads her back to her room, where the future resumes and she is telling this story to a child.
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May 30, 2015
May 30, 2015 at 11:07 PM UTC
Parts 1 and 2
I'm with you in the old red mortar and brick, the city our childhood played out in. No one can touch or bear the humility of the quiet things here. That which was silenced decades ago shred itself. Downtown, you find self is not a container or apparatus but a sunlight. And sometimes also a shadow. A crowd. Watch how they fold down the granite stairs. Ripple in the wind. They both unwind like a line from the fish reel and stand still as a streetlight, a name not spoken.
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May 30, 2015
May 30, 2015 at 11:04 PM UTC
Downtown
There were efforts to sling a steeple around a cloud, to enclose a smoke ring in a palm, bring a mountain to a riverbed. They failed. Something of a Pythagorean charm is retained for garbing oneself in white, the precision of mathematics performing beautifully the rites. To refrain from bean-eating. One who has held their hands beating the air for a long time gains a kind of theorem for dignity, despite having no solution to show. Wrinkles reveal this was not the beginning but a palimpsest, set over another work so old the efforts must continue as the equation foretold.
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May 30, 2015
May 30, 2015 at 11:02 PM UTC
The mathmatics
Now that the proper instruments are arranged his time of inscription nears. He reads from the last page, backwards there to find the beginning. Whisking away the presumptions of page one as mere suggestibility; to read as the author reads is mission. Why follow the staged footprints? The book that neatly folds light between fine feathers keeps out of sight what he wants, headlong to reverse truth north, find relativity false to find the blazing word for "now."
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May 25, 2015
May 25, 2015 at 8:28 PM UTC
Ode to Ghazal
The sudden accumulation of windy days. The hardening off of pondering in and over landscape. The chirrups of crickets carrying last songs outside the bedroom window. The evacuation of moisture and then the foilage coinciding with the bursting air; the downed leaves incidentally.
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Feb 2, 2015
Feb 2, 2015 at 10:08 PM UTC
9th of September, 2014