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Bb Maria Klara Aug 2015
You pointed out the obvious,
how I was taking time;
and I was fairly cautious
not to be sublime.

I didn't want to tell you,
that I was just afraid,
that I feared every piece of rue
that made me feel so strayed.

I took every step slowly,
never wanting to part.
For in the end, I lowly
cradle my aching heart.

I would rather conceal our bliss
in awkward daylit hours
than spend a moment so amiss
in a place ever so sour.

I stalled to keep you near me
for happiness, I knew.
I hoped you always did see
and hoped you were happy too.

I stalled because when we are not
together, things do change.
For more time I wish I had fought
but home was out of range.

I stalled because I wanted,
(I'd say so without shame)
to never be so haunted
of the nights with barefaced blame.

I stalled because I didn't
want to argue tonight,
I don't know how to hint it,
but I fear a direct fight.

I stalled because I disliked
how it felt to be away.
Unknowing, fearing, nearing psyched
if I'll see you the next day.

I stalled because I couldn't
bear to let you go;
But I'm just a young woman
and we still have years to go.

I stalled because I didn't
want to feel alone.
Without you, just your imprint;
I feel lost and unknown.

I stalled because I love you.
I have loved you and I still do.
I still love you and I will love you,
and I will remain true.
I do not know what to note about this. Sorry.
Hot
she was hot, she was so hot
I didn't want anybody else to have her,
and if I didn't get home on time
she'd be gone, and I couldn't bear that-
I'd go mad. . .
it was foolish I know, childish,
but I was caught in it, I was caught.
I delivered all the mail
and then Henderson put me on the night pickup run
in an old army truck,
the **** thing began to heat halfway through the run
and the night went on
me thinking about my hot Miriam
and jumping in and out of the truck
filling mailsacks
the engine continuing to heat up
the temperature needle was at the top
HOT HOT
like Miriam.
leaped in and out
3 more pickups and into the station
I'd be, my car
waiting to get me to Miriam who sat on my blue couch
with scotch on the rocks
crossing her legs and swinging her ankles
like she did,
2 more stops. . .
the truck stalled at a traffic light, it was hell
kicking it over
again. . .
I had to be home by 8,8 was the deadline for Miriam.
I made the last pickup and the truck stalled at a signal
1/2 block from the station. . .
it wouldn't start, it couldn't start. . .
I locked the doors, pulled the key and ran down to the
station. . .
I threw the keys down. . .signed out. . .
your ******* truck is stalled at the signal,
I shouted,
Pico and Western. . .
. . .I ran down the hall,put the key into the door,
opened it. . .her drinking glass was there, and a note:

  sun of a *****:
  I waited until 5 after ate
  you don't love me
  you sun of a *****
  somebody will love me
  I been wateing all day
  
  Miriam

I poured a drink and let the water run into the tub
there were 5,000 bars in town
and I'd make 25 of them
looking for Miriam
her purple teddy bear held the note
as he leaned against a pillow
I gave the bear a drink, myself a drink
and got into the hot
water.
Even as the sun with purple-coloured face
Had ta’en his last leave of the weeping morn,
Rose-cheeked Adonis hied him to the chase;
Hunting he loved, but love he laughed to scorn.
Sick-thoughted Venus makes amain unto him,
And like a bold-faced suitor ‘gins to woo him.

“Thrice fairer than myself,” thus she began
“The fields chief flower, sweet above compare,
Stain to all nymphs, more lovely than a man,
More white and red than doves or roses are;
Nature that made thee with herself at strife
Saith that the world hath ending with thy life.

“Vouchsafe, thou wonder, to alight thy steed,
And rein his proud head to the saddle-bow;
If thou wilt deign this favour, for thy meed
A thousand honey secrets shalt thou know.
Here come and sit where never serpent hisses,
And being set, I’ll smother thee with kisses.

“And yet not cloy thy lips with loathed satiety,
But rather famish them amid their plenty,
Making them red and pale with fresh variety:
Ten kisses short as one, one long as twenty.
A summer’s day will seem an hour but short,
Being wasted in such time-beguiling sport.”

With this she seizeth on his sweating palm,
The precedent of pith and livelihood,
And, trembling in her passion, calls it balm,
Earth’s sovereign salve to do a goddess good.
Being so enraged, desire doth lend her force
Courageously to pluck him from his horse.

Over one arm the ***** courser’s rein,
Under her other was the tender boy,
Who blushed and pouted in a dull disdain,
With leaden appetite, unapt to toy;
She red and hot as coals of glowing fire,
He red for shame, but frosty in desire.

The studded bridle on a ragged bough
Nimbly she fastens—O, how quick is love!
The steed is stalled up, and even now
To tie the rider she begins to prove.
Backward she pushed him, as she would be ******,
And governed him in strength, though not in lust.

So soon was she along as he was down,
Each leaning on their elbows and their hips;
Now doth she stroke his cheek, now doth he frown
And ‘gins to chide, but soon she stops his lips,
And, kissing, speaks with lustful language broken:
“If thou wilt chide, thy lips shall never open”.

He burns with bashful shame; she with her tears
Doth quench the maiden burning of his cheeks;
Then with her windy sighs and golden hairs
To fan and blow them dry again she seeks.
He saith she is immodest, blames her miss;
What follows more she murders with a kiss.

Even as an empty eagle, sharp by fast,
Tires with her beak on feathers, flesh, and bone,
Shaking her wings, devouring all in haste,
Till either gorge be stuffed or prey be gone;
Even so she kissed his brow, his cheek, his chin,
And where she ends she doth anew begin.

Forced to content, but never to obey,
Panting he lies, and breatheth in her face;
She feedeth on the steam as on a prey,
And calls it heavenly moisture, air of grace,
Wishing her cheeks were gardens full of flowers,
So they were dewed with such distilling showers.

Look how a bird lies tangled in a net,
So fastened in her arms Adonis lies;
Pure shame and awed resistance made him fret,
Which bred more beauty in his angry eyes.
Rain added to a river that is rank
Perforce will force it overflow the bank.

Still she entreats, and prettily entreats,
For to a pretty ear she tunes her tale;
Still is he sullen, still he lours and frets,
‘Twixt crimson shame and anger ashy-pale.
Being red, she loves him best; and being white,
Her best is bettered with a more delight.

Look how he can, she cannot choose but love;
And by her fair immortal hand she swears
From his soft ***** never to remove
Till he take truce with her contending tears,
Which long have rained, making her cheeks all wet;
And one sweet kiss shall pay this countless debt.

Upon this promise did he raise his chin,
Like a dive-dapper peering through a wave
Who, being looked on, ducks as quickly in;
So offers he to give what she did crave;
But when her lips were ready for his pay,
He winks, and turns his lips another way.

Never did passenger in summer’s heat
More thirst for drink than she for this good turn.
Her help she sees, but help she cannot get;
She bathes in water, yet her fire must burn.
“O pity,” ‘gan she cry “flint-hearted boy,
’Tis but a kiss I beg; why art thou coy?

“I have been wooed as I entreat thee now
Even by the stern and direful god of war,
Whose sinewy neck in battle ne’er did bow,
Who conquers where he comes in every jar;
Yet hath he been my captive and my slave,
And begged for that which thou unasked shalt have.

“Over my altars hath he hung his lance,
His battered shield, his uncontrolled crest,
And for my sake hath learned to sport and dance,
To toy, to wanton, dally, smile, and jest,
Scorning his churlish drum and ensign red,
Making my arms his field, his tent my bed.

“Thus he that overruled I overswayed,
Leading him prisoner in a red-rose chain;
Strong-tempered steel his stronger strength obeyed,
Yet was he servile to my coy disdain.
O be not proud, nor brag not of thy might,
For mast’ring her that foiled the god of fight.

“Touch but my lips with those fair lips of thine,
—Though mine be not so fair, yet are they red—
The kiss shall be thine own as well as mine.
What seest thou in the ground? Hold up thy head;
Look in mine eyeballs, there thy beauty lies;
Then why not lips on lips, since eyes in eyes?

“Art thou ashamed to kiss? Then wink again,
And I will wink; so shall the day seem night.
Love keeps his revels where there are but twain;
Be bold to play, our sport is not in sight:
These blue-veined violets whereon we lean
Never can blab, nor know not what we mean.

“The tender spring upon thy tempting lip
Shows thee unripe; yet mayst thou well be tasted.
Make use of time, let not advantage slip:
Beauty within itself should not be wasted.
Fair flowers that are not gathered in their prime
Rot and consume themselves in little time.

“Were I hard-favoured, foul, or wrinkled-old,
Ill-nurtured, crooked, churlish, harsh in voice,
O’erworn, despised, rheumatic, and cold,
Thick-sighted, barren, lean, and lacking juice,
Then mightst thou pause, for then I were not for thee;
But having no defects, why dost abhor me?

“Thou canst not see one wrinkle in my brow,
Mine eyes are grey and bright and quick in turning,
My beauty as the spring doth yearly grow,
My flesh is soft and plump, my marrow burning;
My smooth moist hand, were it with thy hand felt,
Would in thy palm dissolve or seem to melt.

“Bid me discourse, I will enchant thine ear,
Or like a fairy trip upon the green,
Or like a nymph, with long dishevelled hair,
Dance on the sands, and yet no footing seen.
Love is a spirit all compact of fire,
Not gross to sink, but light, and will aspire.

“Witness this primrose bank whereon I lie:
These forceless flowers like sturdy trees support me;
Two strengthless doves will draw me through the sky
From morn till night, even where I list to sport me.
Is love so light, sweet boy, and may it be
That thou should think it heavy unto thee?

“Is thine own heart to thine own face affected?
Can thy right hand seize love upon thy left?
Then woo thyself, be of thyself rejected,
Steal thine own freedom, and complain on theft.
Narcissus so himself himself forsook,
And died to kiss his shadow in the brook.

“Torches are made to light, jewels to wear,
Dainties to taste, fresh beauty for the use,
Herbs for their smell, and sappy plants to bear;
Things growing to themselves are growth’s abuse.
Seeds spring from seeds, and beauty breedeth beauty;
Thou wast begot: to get it is thy duty.

“Upon the earth’s increase why shouldst thou feed,
Unless the earth with thy increase be fed?
By law of nature thou art bound to breed,
That thine may live when thou thyself art dead;
And so in spite of death thou dost survive,
In that thy likeness still is left alive.”

By this, the lovesick queen began to sweat,
For where they lay the shadow had forsook them,
And Titan, tired in the midday heat,
With burning eye did hotly overlook them,
Wishing Adonis had his team to guide,
So he were like him, and by Venus’ side.

And now Adonis, with a lazy sprite,
And with a heavy, dark, disliking eye,
His louring brows o’erwhelming his fair sight,
Like misty vapours when they blot the sky,
Souring his cheeks, cries “Fie, no more of love!
The sun doth burn my face; I must remove.”

“Ay me,” quoth Venus “young, and so unkind!
What bare excuses mak’st thou to be gone!
I’ll sigh celestial breath, whose gentle wind
Shall cool the heat of this descending sun.
I’ll make a shadow for thee of my hairs;
If they burn too, I’ll quench them with my tears.

“The sun that shines from heaven shines but warm,
And lo, I lie between that sun and thee;
The heat I have from thence doth little harm:
Thine eye darts forth the fire that burneth me;
And were I not immortal, life were done
Between this heavenly and earthly sun.

“Art thou obdurate, flinty, hard as steel?
Nay, more than flint, for stone at rain relenteth.
Art thou a woman’s son, and canst not feel
What ’tis to love, how want of love tormenteth?
O, had thy mother borne so hard a mind
She had not brought forth thee, but died unkind.

“What am I that thou shouldst contemn me this?
Or what great danger dwells upon my suit?
What were thy lips the worse for one poor kiss?
Speak, fair; but speak fair words, or else be mute.
Give me one kiss, I’ll give it thee again,
And one for int’rest, if thou wilt have twain.

“Fie, lifeless picture, cold and senseless stone,
Well-painted idol, image dull and dead,
Statue contenting but the eye alone,
Thing like a man, but of no woman bred!
Thou art no man, though of a man’s complexion,
For men will kiss even by their own direction.”

This said, impatience chokes her pleading tongue,
And swelling passion doth provoke a pause;
Red cheeks and fiery eyes blaze forth her wrong:
Being judge in love, she cannot right her cause;
And now she weeps, and now she fain would speak,
And now her sobs do her intendments break.

Sometime she shakes her head, and then his hand;
Now gazeth she on him, now on the ground;
Sometime her arms infold him like a band;
She would, he will not in her arms be bound;
And when from thence he struggles to be gone,
She locks her lily fingers one in one.

“Fondling,” she saith “since I have hemmed thee here
Within the circuit of this ivory pale,
I’ll be a park, and thou shalt be my deer:
Feed where thou wilt, on mountain or in dale;
Graze on my lips, and if those hills be dry,
Stray lower, where the pleasant fountains lie.

“Within this limit is relief enough,
Sweet bottom-grass and high delightful plain,
Round rising hillocks, brakes obscure and rough,
To shelter thee from tempest and from rain:
Then be my deer, since I am such a park;
No dog shall rouse thee, though a thousand bark.”

At this Adonis smiles as in disdain,
That in each cheek appears a pretty dimple.
Love made those hollows, if himself were slain,
He might be buried in a tomb so simple,
Foreknowing well, if there he came to lie,
Why, there Love lived, and there he could not die.

These lovely caves, these round enchanting pits,
Opened their mouths to swallow Venus’ liking.
Being mad before, how doth she now for wits?
Struck dead at first, what needs a second striking?
Poor queen of love, in thine own law forlorn,
To love a cheek that smiles at thee in scorn!

Now which way shall she turn? What shall she say?
Her words are done, her woes the more increasing.
The time is spent, her object will away,
And from her twining arms doth urge releasing.
“Pity!” she cries “Some favour, some remorse!”
Away he springs, and hasteth to his horse.

But lo, from forth a copse that neighbours by
A breeding jennet, *****, young, and proud,
Adonis’ trampling courser doth espy,
And forth she rushes, snorts, and neighs aloud.
The strong-necked steed, being tied unto a tree,
Breaketh his rein, and to her straight goes he.

Imperiously he leaps, he neighs, he bounds,
And now his woven girths he breaks asunder;
The bearing earth with his hard hoof he wounds,
Whose hollow womb resounds like heaven’s thunder;
The iron bit he crusheth ‘tween his teeth,
Controlling what he was controlled with.

His ears up-pricked; his braided hanging mane
Upon his compassed crest now stand on end;
His nostrils drink the air, and forth again,
As from a furnace, vapours doth he send;
His eye, which scornfully glisters like fire,
Shows his hot courage and his high desire.

Sometime he trots, as if he told the steps,
With gentle majesty and modest pride;
Anon he rears upright, curvets and leaps,
As who should say ‘Lo, thus my strength is tried,
And this I do to captivate the eye
Of the fair ******* that is standing by.’

What recketh he his rider’s angry stir,
His flattering ‘Holla’ or his ‘Stand, I say’?
What cares he now for curb or pricking spur,
For rich caparisons or trappings gay?
He sees his love, and nothing else he sees,
For nothing else with his proud sight agrees.

Look when a painter would surpass the life
In limning out a well-proportioned steed,
His art with nature’s workmanship at strife,
As if the dead the living should exceed;
So did this horse excel a common one
In shape, in courage, colour, pace, and bone.

Round-hoofed, short-jointed, fetlocks **** and long,
Broad breast, full eye, small head, and nostril wide,
High crest, short ears, straight legs and passing strong,
Thin mane, thick tail, broad buttock, tender hide;
Look what a horse should have he did not lack,
Save a proud rider on so proud a back.

Sometime he scuds far off, and there he stares;
Anon he starts at stirring of a feather;
To bid the wind a base he now prepares,
And whe’er he run or fly they know not whether;
For through his mane and tail the high wind sings,
Fanning the hairs, who wave like feathered wings.

He looks upon his love, and neighs unto her;
She answers him as if she knew his mind:
Being proud, as females are, to see him woo her,
She puts on outward strangeness, seems unkind,
Spurns at his love, and scorns the heat he feels,
Beating his kind embracements with her heels.

Then, like a melancholy malcontent,
He vails his tail that, like a falling plume,
Cool shadow to his melting buttock lent;
He stamps, and bites the poor flies in his fume.
His love, perceiving how he was enraged,
Grew kinder, and his fury was assuaged.

His testy master goeth about to take him,
When, lo, the unbacked *******, full of fear,
Jealous of catching, swiftly doth forsake him,
With her the horse, and left Adonis there.
As they were mad, unto the wood they hie them,
Outstripping crows that strive to overfly them.

All swoll’n with chafing, down Adonis sits,
Banning his boist’rous and unruly beast;
And now the happy season once more fits
That lovesick Love by pleading may be blest;
For lovers say the heart hath treble wrong
When it is barred the aidance of the tongue.

An oven that is stopped, or river stayed,
Burneth more hotly, swelleth with more rage;
So of concealed sorrow may be said.
Free vent of words love’s fire doth assuage;
But when the heart’s attorney once is mute,
The client breaks, as desperate in his suit.

He sees her coming, and begins to glow,
Even as a dying coal revives with wind,
And with his bonnet hides his angry brow,
Looks on the dull earth with disturbed mind,
Taking no notice that she is so nigh,
For all askance he holds her in his eye.

O what a sight it was wistly to view
How she came stealing to the wayward boy!
To note the fighting conflict of her hue,
How white and red each other did destroy!
But now her cheek was pale, and by-and-by
It flashed forth fire, as lightning from the sky.

Now was she just before him as he sat,
And like a lowly lover down she kneels;
With one fair hand she heaveth up his hat,
Her other tender hand his fair cheek feels.
His tend’rer cheek receives her soft hand’s print
As apt as new-fall’n snow takes any dint.

O what a war of looks was then between them,
Her eyes petitioners to his eyes suing!
His eyes saw her eyes as they had not seen them;
Her eyes wooed still, his eyes disdained the wooing;
And all this dumb-play had his acts made plain
With tears which chorus-like her eyes did rain.

Full gently now she takes him by the hand,
A lily prisoned in a gaol of snow,
Or ivory in an alabaster band;
So white a friend engirts so white a foe.
This beauteous combat, wilful and unwilling,
Showed like two silver doves that sit a-billing.

Once more the engine of her thoughts began:
“O fairest mover on this mortal round,
Would t
RAJ NANDY Jul 2015
INTRODUCTION TO THE FIRST WORLD WAR
            BY RAJ NANDY: PART ONE

                   INTRODUCTION
  “What passing-bells for those who die as cattle?
         Only the monstrous anger of the guns.
        Only the stuttering rifles’ rapid rattle
    Can patter out their hasty orisons.”
      -by Wilfred Owen, British Army Lt. killed in
        action in France on 04th Nov 1918.

The Socialists called it the ‘Imperialist’s War’,
and it was the ‘Trench War’ for the soldiers;
But Europe hailed it as ‘The War to End All Wars’,                
Expecting it to end prior to 1914’s Christmas!
But alas, it soon became a mighty global war
fueled by national and ethnic aspirations and
territorial lust!
The assassination of Archduke Ferdinand, heir
to the Austro-Hungarian Monarchy, -
On the 28thof June 1914 at Sarajevo, was the
spark which triggered off this great catastrophe!
During 1876 when German Chancellor Bismarck
was asked about chances of an European War at
a future date;
He felt that Europe was like a big store house of
gunpowder keg!
While pointing to the volatile BALKANS he had said,
That European leaders were smoking in an arsenal,
where a small spark could cause a mighty explosion!
And 38 years later the world had witnessed,
Bismarck’s unfortunate prediction!
This war ended on 11th of November 1918, after a
four and half year’s long duration;
With 16.5 million military and civilian deaths, and
many more wounded and missing in action!
For the War had spread beyond the traditional
killing fields,
Killing many innocent civilians following the
bombing raids by German Zeppelins!
Now, before proceeding further some background
information here becomes necessary,
To understand the socio-political events leading
to the unfolding of this Great War Story!

         PRELUDE TO THE GREAT WAR
The Nationalistic fervor aroused by Napoleon,
And the February Revolution of 1848 in France,
Inspired Europe’s inhabitants to preserve their
ethnic and racial identities, without leaving
things to chance!
The Italian and German unification, and the
Hapsburg Austro-Hungarian polarization,
Aroused the expectations of the Slavic people,
Who remained spread all over Central and
Eastern Europe!
The various ethnic groups forming the Slavic race,
Always dreamt of an independent Balkan State!

         CAUSES FOR ‘THE GREAT WAR’
Imperialism, Nationalism, Militarization, Alliances,
and finally the assassination of the Archduke
Ferdinand,
Are the five main causes for this war, which is
generally mentioned by our Historians!
However, I shall now try to acquaint you briefly,  
With some relevant events from our recorded
History.

BRITISH IMPERIALISM:
Towards the turn of the 20th century Britain was
the dominant global imperial power;
And since the mid-19th Century it was seen that
the sun never set over the British Empire!
The British had a vast mercantile and a naval fleet,
To trade with, and administer their far flung colonies.
At the turn of the 20th Century the British Navy was
changing over from steam to oil power like other
big nations;
So the oil fields of the Middle East was important
for British militarization.
Also passage through the Suez Canal was vital for
maintaining their colonial possessions!
These facts will get linked up in Part Two of my
later composition!

GERMAN NATIONALISM:
The nationalistic fervor aroused in Germany
since Chancellor Bismarck’s days,
Made the Germans try to outstrip the British
in many ways!
This fervor was reflected in Goethe’s poetry and
through Richard Wagner’s musical notes;
Between 1898 and 1912 five Naval Laws were
passed in the German Reichstag, by majority
votes,
For building battleships, cruisers, and 96 torpedo
boats;
Which later became a scourge for Allied and
British shipping, known as the U-Boats!
The German nationalism and militarization went
hand in hand during those days,
While her industrialization also progressed at a
rapid pace.
Kaiser Wilhelm II had sought “a place in the sun”
by trying to outstrip the British in the arms race!
Statistic show more number of German scientists
had received the Noble Prize for their inventions,
Between this period and World War- II, when
compared with the combined winners of other
Western nations!

AUSTRIA-HUNGARIAN MONARCHY:
In 1867 by a comprising agreement between
Vienna and Budapest the capital cities,
The Austro-Hungarian kingdom became a Dual
Monarchy!
Many ethnic groups had composed this Monarchy
in those early days as we see;
With Germans, Hungarians, Romanians, and Slavic
people like the Czechs, Poles, Croats, Slovaks,
Serbs, and the Slovenes!
While the Austrian Officers of this Monarchy spoke
German, the majority of the soldiers were Hungarians,
Czechs, Slovaks, who never spoke German!
So the soldiers were taught 68 single-words of
German commands,
For the Austro-Hungarian Imperial Army to function
collectively as one!
While Francis Joseph their sovereign and emperor,
aspired to become a strong centralized European
power.
But out of the 50 million people of this Monarchy
around 23 million were Slavs,
Who always dreamed of an independent Slavic
Kingdom in the Balkans!

THE BALKANS & THE KINGDOM OF SERBIA
After the Iberian and the Italian peninsulas of
Europe, the BALKAN peninsular is seen to be
lying in Europe’s extreme south east, -
South of the Danube and Sava River, bounded
in the west by the Adriatic and Ionian Sea.
In the east is the Aegean and Black Sea,
With the Mediterranean Sea in the south, -
washing the tip formed by Greece with its many
islands around!
Now much of the Balkan areas were under the
Ottoman Empire since early 14th Century;
And here I cut across many centuries of past
European History!
Following a series of revolutions since 1804
against the Turks,
The Principality of Serbia was carved out in the
area of the Balkans!
A new constitution in 1869 defined it as an
independent State of Serbia;
Was internationally recognized at the Treaty
of Berlin in 1878, to later become the Kingdom
of Serbia!
This kingdom was located south adjoining the
Monarchy of Austro-Hungarians, much to their
annoyance those days,
Since the Kingdom of Serbia was looked upon
as a ‘beacon of liberty’ by the Southern Slavic
race!

THE BOSNIAN CRISIS (1908-1909)  
This dual provinces of Bosnia and Herzegovina
in the Balkans,
Were formally under the control of the
Ottoman Sultan.
With permission of the Congress of Berlin in
1878, it was administered by Austria-Hungary;
Though the legal rights remained with Turkey!
But the Slavic population present there had
Nationalistic ambitions,
Aspired to join the Slavs in nearby Kingdom of
Serbia, to form a pan-Slavic nation!
The Slavic population in Austria-Hungary, also
entertained such dreams wistfully!
Now in 1908 a ‘Young Turk Movement’ based
at Macedonia,
Had planned to replace the absolute Turkish
rule in Bosnia!
And by modernizing the Constitution hoped
to rejuvenate the sick Ottoman Empire.
These developments set alarm bells ringing
in Austrian capital Vienna!
So on the 6th of October 1908 they quickly
annexed Bosnia and Herzegovina!
After having lost a war with Japan, and following
an internal Revolution of 1905 the Russians,
Prevented an escalation by staying out of the
Bosnian Crisis!
But the annexation of Bosnia had angered the
Serbs greatly,
So they started to train secret terrorist groups to
liberate Bosnia from Austria-Hungary!
These terrorist groups operated in small cells,
Under the leadership of Col. Dimitrijevic, also
known as the ‘Apis’ those days.
Now, a secret cell called the ‘Black Hand’ operated
in the Bosnian capital of Sarajevo with Gavrilo
Princep as one of its members;
Who was trained and equipped in Serbia along
with other ‘Black Hand’ members.
The Austro-Hungarian Monarchy had remained
distressed about these subversive activities by
the Slavic race!
So in Jan 1909 they obtained the unconditional
support from Germany, in the event of a war
with Serbia even if Austria was the aggressor!
And also secretly hoped in a war to annex
Serbian territory!
For in the two Balkan Wars of 1912 and 1913,
Serbia had greatly extended its territory to
become a powerful adversary!
Serbia had also obtained an assurance from
its protector Russia, should a war break out with
Austria!
Now, as tension mounted upsetting the delicate
balance of power in the Balkans gradually,
Archduke Franz Ferdinand with his wife Sophie,
planned to visit Sarajevo from Austria-Hungary!
It was a God sent moment for the secret
organization the ‘Black Hand’,
To plan the assassination of Archduke Ferdinand!

THE ASSASSINATION: SARAJEVO 28TH JUNE 1914
Now when I look back in time I pause to wonder,
How such an amateurish assassination plot could
have ever succeeded,
Without the cruel hands of destiny and fate!
The 28th of June was a bright summer’s St. Vitus
Day and a holiday in Serbia;
And also the 14th marriage anniversary of Franz
Fernandez and his wife Sophia!
Several assassins were positioned along the route,
Which was to be taken by the Archduke!
While the motorcade proceeded to the Town Hall
a bomb was thrown,
Which bounced off the rear of Archduke’s car,
Injuring few bystanders and a passenger in the
rear car!
The Archduke however refused to cancel his trip,
Saying that it was the act of some lunatic!
After completion of the Town Hall ceremony, the
Archduke wanted a change of plan deviating from
the laid down route;
By wanting to visit the patients in the hospital,
Injured by the bomb which had struck his cars
rear hood!
But the Czech driver was not briefed and took
a wrong turn by mistake;
Reversed trying to correct himself, stalled the car
stoppling next to Gavrilo Princep!
Presenting Princep with a stationary target, a
cruel work of destiny and fate!
Prince pulled out his pistol and fired two shots  
at a point blank range, killing both Ferdinand
and  wife Sophie;
When Ferdinand cried out ‘’Sophie, Sophie,
don’t die, live for the children’’, - words which
now remain enshrined in History!

TRIAL OF PRINCEP & THE CONSPIRATORS
The trial began in a military court on 12th of
October at Sarajevo,
With three judges and no jury, when Princep
pleaded 'Not Guilty'!
Killing of Duchess Sophie was an unplanned
accident,
Since he wanted to **** the Governor instead!
He claimed to be a Serbian nationalist working
for the unification of the Slavic race,
and detested the annexation of Bosnia by the
Austo-Hungarians!
Along with 15 other accused, Princep was found
guilty of high treason;
But being underage, was sentenced to 20 years
labour in prison.
But died three year's later from tuberculosis!

           CONCLUDING PART ONE
  ''Blow out, you bugles, over the rich Dead!
   There's none of these so lonely and poor of old,
   But dying, has made us rarer gifts than gold."
      -Rupert Brook, part of the British Naval Expeditionary
       Force, buried in Skyros, Greece 1914.
Now, looking back over a hundred years in
hindsight I do realize,
That this assassination was not the immediate
cause or the spark which triggered this War,
But only an excuse and a pretext for the
Austro-Hungarians to carve up Serbia,
And distribute those territories between
Allies and friends of Austria;
Also enhance the prestige of their Empire!
Since the war had commenced almost two
months after the Archduke’s assassination,
Austria had lost the high moral ground for
vengeance with righteous indignation!
It was a cynical and a predetermined plan
of Austria in connivance with Germany,
To destroy Serbia and squash the hopes of
Slavic people for a pan-Slavic State, - as we
now get to see!
This war ended with the dissolution of four old
Empires of the Austro-Hungarians, Ottomans,
Tsarist Russians, and the Germans!
While new nations of Czechoslovakia, Yugoslavia,
Austria, and Hungary, got created from the
dissolved Empire of Austria-Hungary.
Russia gave up lands creating Finland, Estonia,
Latvia, and Lithuania.
The Ottomans gave up lands in SW Asia and the
Middle East, and in Europe retained only Turkey!
Thus this Great War had creating new nation states,
And gave Europe its new revamped face!
Composed by Raj Nandy of New Delhi,
Thanks for reading patiently!
   TO BE CONTINUED LATER AS PART TWO
**ALL COPY RIGHTS ARE WITH THE AUTHOR
Dear Readers, this is a product of three weeks of my research work, put across in simplified verse! Hope to compose Part Two at a later date, and tell you about trench warfare & the poems composed about this War! On the 28th of June 2015, 101 years of this First World War was completed! Kindly give Comments only after reading in your spare time, for this Great War  took place during our grandfather's time! Thanks! -Raj
spysgrandson Aug 2012
you check on me many times a day
with my antique ears
I hear your squeaking shoes
on these vinyl floors
someone laid for those who came before
like passengers on a stalled bus
with windows that allowed only one view

I know you and I wait for the same thing
for you to check on the passenger who replaces me
he will be no different
a few more hairs, perhaps a few less stares
you will gently place your hand on his wrist
write in his chart, and maybe
glance at the date of birth,
do the mindless math
and wonder without wonder
if my replacement will have a bigger number than I

but I am still here
gazing at your angled eyes
while you count the beats
which slow a little each day
waiting for you to say
how long will this one last?

don’t worry, squeaking vinyl floor walker
when my drum stops pounding
I will try to make sure it happens
while I am asleep
Terry O'Leary Aug 2013
PROLOGUE

Umpteen billion years
Big Bang, supernova, gas
Brief eclipse of time

Gases swirling, fall
Sun and planets, water, goo
Brief eclipse of time

Another billion
life, amoeba, fishes swim
Brief eclipse of time

Movement, change and flux
slither, crawl, climb, walk and talk
Brief eclipse of time

Ra, Sol, Helios,
Mithra and the Mighty Eye
Brief eclipse of time

Life begins and ends
birth, joy, laugh, cry, death, and dust
Brief eclipse of time

Waves cleave seas, shores, skies
forever folding, pulsing
Brief eclipse of time


            
CHRONICLE

The Mighty Eye begins to slip and slowly sink,
(unfocused, stained, diffuse)
while frizzled waves imbibe her searing tears,
with salted languid lips.

The Mighty Eye, now weary, thin,
is gazing through the frozen cracks,
as sundry straying clouds,
bloated,
sidle feebly by
and wax their billowed tracks
upon the heated sky,
and cool the rush of rolling waves
beneath the blotted sky.

The waves
(impaled on time and space inside me),
gently tumbling aging pebbles
and lifeless shells across the shifting sands,
seem unaware
as they once again arise
to greet the Mighty Eye,
to close the Mighty Eye,
to ***** the Mighty Eye.

But then again,
perhaps the waves are well aware indeed,
yet simply unconcerned
and feel no need to care.

For, as the frazzled froth is rushing forward
madly towards the sandy shores beyond,
before retreating slowly,
then careening brashly forth ahead again,
eternally,
it matters little if the Mighty Eye will cast
her blazing glance from high above,
or else retire for the night,
kissed sweetly by the liquid lips
of distant faithless waves
in a brief eclipse of time.

The trees, they hang in time and space around me –
trees, which in time before had swayed,
so gently tugged by ocean breezes,
trees, which in time before were lightly lit
with emerald tinted leaves,
trees, which in time before had reached to space above
with twisted tangled fingers,
grasping fingers,
fingers drenched with golden tears
shed by the Mighty Eye.

The trees, they hang in space and time,
benumbed and frozen motionless around me
chilled with rooted premonitions of the void,
their branches clutching darkness  
and their leaves foreboding doom.

The muted winds begin to whisper tales
of many frightened things,
which, with mournful apprehension
have hunkered down behind the haze
and ceased their joyful play.

And all the while dank shadows gaily dance
a dismal dance,
for their time is soon to come.

The fitful shore lies suddenly still.

Unfeeling stones and hollow shells,
are paused a little,
stalled,
and dropped haphazardly,
midst their mindless random journey,
now abandoned by the sea,

for fickle waves have slipped away
to greet a falling prey.

And as the Mighty Eye droops lower,
laminated molten lips
are pursed and pucker higher,
******* in the sky.

Within a trice the Mighty Eye
submits and squints, distended red,
perhaps tormented by fantastic thoughts
of imminent demise,
or else of being lashed beneath a lid
of distant faithless waves.

And as her dying flash dissolves,
two lurid lips arise,
three ***** lips -
a thousand parted limpid lips
which asudden,
though with little haste,
consume the Mighty Eye.

                  
EPILOGUE**

The trees are now but lurking shades
amongst the murky shadows.

Relentless fog slips slowly by -
her floating tongues drip silence
as they slink like snakes in stealth nearby.

The lacerated faithless lips have once again returned
to kiss the vacant vapid shores
in a brief eclipse of time.
Ivan Brooks Sr Jan 2018
Before all of this, even after all of this, I will forever be a patriot.
Before the poet in me matured and I started talking like a parrot,
The dogs of war barked and I climbed exile's fence on my own
And there I have dwelled, with nothing tangible to bring me down.

I have been on this fence so long and I will remain there forever!
Especially since the premature child is still in the incubator.
From this vantage point, I have learned never to trust any politician
I've always looked at them with mistrust, disdain, and suspicion,

Before all of this  and before I ran and climbed the exile fence,
I was once mercilessly flogged, dragged and made to dance
By drugged up and coerced child soldiers with a rubber cable
They tied and spread me like a dog on the market table
I watched as innocent people were killed with a rusty knife
There, I vowed to become a fence dweller for the rest of my life!

I've been a patriot all my life but I have done it from here..safer.
From here I have seen blood spilled, hearts broken, hopes dashed,
progresses stalled, mullions embezzled, promises broken, lies told
people changed, games played, party surfed, interests prioritized.
And from this vantage point, I have learned never ever to trust any politician
I have always been right...though I have looked on with disdain, suspicion,
and operated with caution but through it all, I have remained a true patriot and a fence dweller.

.✍️©️✍️IvanBrooksPoetry.✍️©️✍️
''Fence dweller'' was a phrase I coined in justification of my neutrality and abstinence from politics in my homeland, Liberia.This piece encapsulates a fringe of the story of the ****** civil war, carnage and horrible things that we saw and had to endure as a people and nation.
It was not a heart, beating.
That muted boom, that clangor
Far off, not blood in the ears
Drumming up and fever

To impose on the evening.
The noise came from outside:
A metal detonating
Native, evidently, to

These stilled suburbs nobody
Startled at it, though the sound
Shook the ground with its pounding.
It took a root at my coming

Till the thudding shource, exposed,
Counfounded in wept guesswork:
Framed in windows of Main Street's
Silver factory, immense

Hammers hoisted, wheels turning,
Stalled, let fall their vertical
Tonnage of metal and wood;
Stunned in marrow. Men in white

Undershirts circled, tending
Without stop those greased machines,
Tending, without stop, the blunt
Indefatigable fact.
(To Marcel Schwob in friendship and in admiration)

In a dim corner of my room for longer than
my fancy thinks
A beautiful and silent Sphinx has watched me
through the shifting gloom.

Inviolate and immobile she does not rise she
does not stir
For silver moons are naught to her and naught
to her the suns that reel.

Red follows grey across the air, the waves of
moonlight ebb and flow
But with the Dawn she does not go and in the
night-time she is there.

Dawn follows Dawn and Nights grow old and
all the while this curious cat
Lies couching on the Chinese mat with eyes of
satin rimmed with gold.

Upon the mat she lies and leers and on the
tawny throat of her
Flutters the soft and silky fur or ripples to her
pointed ears.

Come forth, my lovely seneschal! so somnolent,
so statuesque!
Come forth you exquisite grotesque! half woman
and half animal!

Come forth my lovely languorous Sphinx! and
put your head upon my knee!
And let me stroke your throat and see your
body spotted like the Lynx!

And let me touch those curving claws of yellow
ivory and grasp
The tail that like a monstrous Asp coils round
your heavy velvet paws!

A thousand weary centuries are thine
while I have hardly seen
Some twenty summers cast their green for
Autumn’s gaudy liveries.

But you can read the Hieroglyphs on the
great sandstone obelisks,
And you have talked with Basilisks, and you
have looked on Hippogriffs.

O tell me, were you standing by when Isis to
Osiris knelt?
And did you watch the Egyptian melt her union
for Antony

And drink the jewel-drunken wine and bend
her head in mimic awe
To see the huge proconsul draw the salted tunny
from the brine?

And did you mark the Cyprian kiss white Adon
on his catafalque?
And did you follow Amenalk, the God of
Heliopolis?

And did you talk with Thoth, and did you hear
the moon-horned Io weep?
And know the painted kings who sleep beneath
the wedge-shaped Pyramid?

Lift up your large black satin eyes which are
like cushions where one sinks!
Fawn at my feet, fantastic Sphinx! and sing me
all your memories!

Sing to me of the Jewish maid who wandered
with the Holy Child,
And how you led them through the wild, and
how they slept beneath your shade.

Sing to me of that odorous green eve when
crouching by the marge
You heard from Adrian’s gilded barge the
laughter of Antinous

And lapped the stream and fed your drouth and
watched with hot and hungry stare
The ivory body of that rare young slave with
his pomegranate mouth!

Sing to me of the Labyrinth in which the twi-
formed bull was stalled!
Sing to me of the night you crawled across the
temple’s granite plinth

When through the purple corridors the screaming
scarlet Ibis flew
In terror, and a horrid dew dripped from the
moaning Mandragores,

And the great torpid crocodile within the tank
shed slimy tears,
And tare the jewels from his ears and staggered
back into the Nile,

And the priests cursed you with shrill psalms as
in your claws you seized their snake
And crept away with it to slake your passion by
the shuddering palms.

Who were your lovers? who were they
who wrestled for you in the dust?
Which was the vessel of your Lust?  What
Leman had you, every day?

Did giant Lizards come and crouch before you
on the reedy banks?
Did Gryphons with great metal flanks leap on
you in your trampled couch?

Did monstrous hippopotami come sidling toward
you in the mist?
Did gilt-scaled dragons writhe and twist with
passion as you passed them by?

And from the brick-built Lycian tomb what
horrible Chimera came
With fearful heads and fearful flame to breed
new wonders from your womb?

Or had you shameful secret quests and did
you harry to your home
Some Nereid coiled in amber foam with curious
rock crystal *******?

Or did you treading through the froth call to
the brown Sidonian
For tidings of Leviathan, Leviathan or
Behemoth?

Or did you when the sun was set climb up the
cactus-covered *****
To meet your swarthy Ethiop whose body was
of polished jet?

Or did you while the earthen skiffs dropped
down the grey Nilotic flats
At twilight and the flickering bats flew round
the temple’s triple glyphs

Steal to the border of the bar and swim across
the silent lake
And slink into the vault and make the Pyramid
your lupanar

Till from each black sarcophagus rose up the
painted swathed dead?
Or did you lure unto your bed the ivory-horned
Tragelaphos?

Or did you love the god of flies who plagued
the Hebrews and was splashed
With wine unto the waist? or Pasht, who had
green beryls for her eyes?

Or that young god, the Tyrian, who was more
amorous than the dove
Of Ashtaroth? or did you love the god of the
Assyrian

Whose wings, like strange transparent talc, rose
high above his hawk-faced head,
Painted with silver and with red and ribbed with
rods of Oreichalch?

Or did huge Apis from his car leap down and
lay before your feet
Big blossoms of the honey-sweet and honey-
coloured nenuphar?

How subtle-secret is your smile!  Did you
love none then?  Nay, I know
Great Ammon was your bedfellow!  He lay with
you beside the Nile!

The river-horses in the slime trumpeted when
they saw him come
Odorous with Syrian galbanum and smeared with
spikenard and with thyme.

He came along the river bank like some tall
galley argent-sailed,
He strode across the waters, mailed in beauty,
and the waters sank.

He strode across the desert sand:  he reached
the valley where you lay:
He waited till the dawn of day:  then touched
your black ******* with his hand.

You kissed his mouth with mouths of flame:
you made the horned god your own:
You stood behind him on his throne:  you called
him by his secret name.

You whispered monstrous oracles into the
caverns of his ears:
With blood of goats and blood of steers you
taught him monstrous miracles.

White Ammon was your bedfellow!  Your
chamber was the steaming Nile!
And with your curved archaic smile you watched
his passion come and go.

With Syrian oils his brows were bright:
and wide-spread as a tent at noon
His marble limbs made pale the moon and lent
the day a larger light.

His long hair was nine cubits’ span and coloured
like that yellow gem
Which hidden in their garment’s hem the
merchants bring from Kurdistan.

His face was as the must that lies upon a vat of
new-made wine:
The seas could not insapphirine the perfect azure
of his eyes.

His thick soft throat was white as milk and
threaded with thin veins of blue:
And curious pearls like frozen dew were
broidered on his flowing silk.

On pearl and porphyry pedestalled he was
too bright to look upon:
For on his ivory breast there shone the wondrous
ocean-emerald,

That mystic moonlit jewel which some diver of
the Colchian caves
Had found beneath the blackening waves and
carried to the Colchian witch.

Before his gilded galiot ran naked vine-wreathed
corybants,
And lines of swaying elephants knelt down to
draw his chariot,

And lines of swarthy Nubians bare up his litter
as he rode
Down the great granite-paven road between the
nodding peacock-fans.

The merchants brought him steatite from Sidon
in their painted ships:
The meanest cup that touched his lips was
fashioned from a chrysolite.

The merchants brought him cedar chests of rich
apparel bound with cords:
His train was borne by Memphian lords:  young
kings were glad to be his guests.

Ten hundred shaven priests did bow to Ammon’s
altar day and night,
Ten hundred lamps did wave their light through
Ammon’s carven house—and now

Foul snake and speckled adder with their young
ones crawl from stone to stone
For ruined is the house and prone the great
rose-marble monolith!

Wild *** or trotting jackal comes and couches
in the mouldering gates:
Wild satyrs call unto their mates across the
fallen fluted drums.

And on the summit of the pile the blue-faced
ape of Horus sits
And gibbers while the fig-tree splits the pillars
of the peristyle

The god is scattered here and there:  deep
hidden in the windy sand
I saw his giant granite hand still clenched in
impotent despair.

And many a wandering caravan of stately
negroes silken-shawled,
Crossing the desert, halts appalled before the
neck that none can span.

And many a bearded Bedouin draws back his
yellow-striped burnous
To gaze upon the Titan thews of him who was
thy paladin.

Go, seek his fragments on the moor and
wash them in the evening dew,
And from their pieces make anew thy mutilated
paramour!

Go, seek them where they lie alone and from
their broken pieces make
Thy bruised bedfellow!  And wake mad passions
in the senseless stone!

Charm his dull ear with Syrian hymns! he loved
your body! oh, be kind,
Pour spikenard on his hair, and wind soft rolls
of linen round his limbs!

Wind round his head the figured coins! stain
with red fruits those pallid lips!
Weave purple for his shrunken hips! and purple
for his barren *****!

Away to Egypt!  Have no fear.  Only one
God has ever died.
Only one God has let His side be wounded by a
soldier’s spear.

But these, thy lovers, are not dead.  Still by the
hundred-cubit gate
Dog-faced Anubis sits in state with lotus-lilies
for thy head.

Still from his chair of porphyry gaunt Memnon
strains his lidless eyes
Across the empty land, and cries each yellow
morning unto thee.

And Nilus with his broken horn lies in his black
and oozy bed
And till thy coming will not spread his waters on
the withering corn.

Your lovers are not dead, I know.  They will
rise up and hear your voice
And clash their cymbals and rejoice and run to
kiss your mouth!  And so,

Set wings upon your argosies!  Set horses to
your ebon car!
Back to your Nile!  Or if you are grown sick of
dead divinities

Follow some roving lion’s spoor across the copper-
coloured plain,
Reach out and hale him by the mane and bid
him be your paramour!

Couch by his side upon the grass and set your
white teeth in his throat
And when you hear his dying note lash your
long flanks of polished brass

And take a tiger for your mate, whose amber
sides are flecked with black,
And ride upon his gilded back in triumph
through the Theban gate,

And toy with him in amorous jests, and when
he turns, and snarls, and gnaws,
O smite him with your jasper claws! and bruise
him with your agate *******!

Why are you tarrying?  Get hence!  I
weary of your sullen ways,
I weary of your steadfast gaze, your somnolent
magnificence.

Your horrible and heavy breath makes the light
flicker in the lamp,
And on my brow I feel the damp and dreadful
dews of night and death.

Your eyes are like fantastic moons that shiver
in some stagnant lake,
Your tongue is like a scarlet snake that dances
to fantastic tunes,

Your pulse makes poisonous melodies, and your
black throat is like the hole
Left by some torch or burning coal on Saracenic
tapestries.

Away!  The sulphur-coloured stars are hurrying
through the Western gate!
Away!  Or it may be too late to climb their silent
silver cars!

See, the dawn shivers round the grey gilt-dialled
towers, and the rain
Streams down each diamonded pane and blurs
with tears the wannish day.

What snake-tressed fury fresh from Hell, with
uncouth gestures and unclean,
Stole from the poppy-drowsy queen and led you
to a student’s cell?

What songless tongueless ghost of sin crept
through the curtains of the night,
And saw my taper burning bright, and knocked,
and bade you enter in?

Are there not others more accursed, whiter with
leprosies than I?
Are Abana and Pharphar dry that you come here
to slake your thirst?

Get hence, you loathsome mystery!  Hideous
animal, get hence!
You wake in me each ******* sense, you make me
what I would not be.

You make my creed a barren sham, you wake
foul dreams of sensual life,
And Atys with his blood-stained knife were
better than the thing I am.

False Sphinx!  False Sphinx!  By reedy Styx
old Charon, leaning on his oar,
Waits for my coin.  Go thou before, and leave
me to my crucifix,

Whose pallid burden, sick with pain, watches
the world with wearied eyes,
And weeps for every soul that dies, and weeps
for every soul in vain.
(1)

The day she visited the dissecting room
They had four men laid out, black as burnt turkey,
Already half unstrung. A vinegary fume
Of the death vats clung to them;
The white-smocked boys started working.
The head of his cadaver had caved in,
And she could scarcely make out anything
In that rubble of skull plates and old leather.
A sallow piece of string held it together.

In their jars the snail-nosed babies moon and glow.
He hands her the cut-out heart like a cracked heirloom.

                (2)

In Brueghel's panorama of smoke and slaughter
Two people only are blind to the carrion army:
He, afloat in the sea of her blue satin
Skirts, sings in the direction
Of her bare shoulder, while she bends,
Finger a leaflet of music, over him,
Both of them deaf to the fiddle in the hands
Of the death's-head shadowing their song.
These Flemish lovers flourish;not for long.

Yet desolation, stalled in paint, spares the little country
Foolish, delicate, in the lower right hand corner.
Mateuš Conrad Jan 2020
psiór vs.
                        pśιór "debate".

every area of interests has its cul de sac,
its brick-wall, a dead-end as it were,
a point where transcendence is
welcomed, unavoidable,
but nonetheless: miserable stalled.

philosophers have the cartesian
   cogito ergo sum -
whatever arithmetic of wording
they produce, not even samson
could topple this pillar of foundation
for the temple of thought.

the same is with my example...
it would appear that the diacritical
**** ι with a floating head i
did not translate further, beyond
the same treatment of yot (j) -
(gee a jeep! yodh: serif (י) and
rashi (

yet by oath alone, hebrew orthography
invokes itself in letters...
unlike the post-roman orthography
of words...

                   ι    י      
                      Y         (    .    )
                      ي

                            ­        floating alongside
e...
         if only the greek sigma
   had the tetragrammaton of the arabic "ι" -
the initial σ (يـ‎) & the final ς (ـي) are
indeed there, but what of the isolated
(ي‎) & the medial (ـيـ‎) - unless of course
of course we treat to invoke the
upper-case: Σ - such as is missing in arabic,
and is only a question of: how much
the prolonged line?

p.s.

   why would i ever like the evolution
of gaming?
  well... teenage boy, "trapped",
by a video game,
what were my usual saturday mornings?
strapped to an PS1....
tenchu, metal gear solid...
       i am a gamer,
like most people are readers
on the *******...
      i'm here to play a game,
with indefinite time constraints,
as i am concerned about
  massaging my ****,
to ease my prostate concerns...
wankers.

          i'm still going to listen
to byzantine chants...
    because? modern gaming,
well, sure,
   it's, "free"...
but there are in-built
           payment processors...
additions, etc.,

   like me and my maine ****
cat,
      6 candles....
i know he wants to "escape"
via an open window,
but before he can "escape"
(i will let him put)...
he has to play a blinking
game with him,
i squirm, i close my eyes,
he does likewise...
  the candles are still lit...

but gaming has evolved...
"once upon a time"
you'd run into a games shop,
tongue waggling...
for the next big release...

      i know... i know...
war robots...
           that mobile game...
2 lame 2 blame...
that's my user name...
i haven't spent a dime / cent /
penny on this game...

what i do like,
is playing the game with
a...  ah! - - - - - - - - - -

but times have changed,
it was no longer about RPG games
akin to final fantasy VII,
and cheat books...

or playing Sims 3000 finding
the escape wormhole
of playing a Sim playing
a computer game: inside a computer
game...
            
when you bought a game for
$50 bucks...
and was never told:
it's "free"...
but then have to invest in
******* overpriced additions...

- - - - - - - - - handicap!
        i like war robots,
because?
       i like playing with a handicap!
the people who spend money?
mostly Koreans, Russians,
Kazakhs... H'americans,
Brazilians...
            you know,
what really evolved in gaming?
the chance to play in a non-NPC
environment...
   to play alongside live gamers...

that **** broke the ******* camels
****, sack, and *******...
last time i checked...
women were more into gaming
than the men were:
candy cwash saga...
   men fathomed gaming
via the narrative component...
but what of this additional
payments?!
in the good old days:
you paid 20 quid, you had your narrative...
now, "fwee"... but,
no wait... there are... additional
payments, you see?

i like playing a game,
handicapped...
in a free game environment...
when, your prized asset
is patience?
and all the rich arabs / russians
are spending money,

   and you, simply, wait...
and perfect your tactics?!
while they are buying up all
the "cheat codes"?
        sure... they'll serve the purpose
of staging 4000 battles...
you, eh... around 300+...
but their % rate?
      6... they have a 6% rate of success...
with 4000 or so battles...
while you?
           300+ battles?
roughly in the range of
60 - 50% success rate...
        gaming, has changed,
games were never "free",
as they are "free" now...
        
   hell, i'm not a gamer to be honest...
some people treat taking a ****
as the only time required to read
a book, i treat the same "timed" allowance
to play a game...

                 my mother is a gamer,
we've reached a moment in history where
women will play more mobile games
than ever boys would play,
video, narrative games...

          my mother is a gamer,
that's just eerie...
                   i have a second game
in tow....
   a blinking game with my maine ****
cat, surrounded by 6 candles...
oh he has the garden for the worth of
night...

but gaming has changed...
    i like the handicap dynamics of
war robots...
       like **** will i spend any money
on the game...
  i want to play against
the paying russians, chinese, arabs
and kazakhs....

          ******* - my favourite mode...
team work...
every single time i leave
my rogatka to jump and sprint
capturing beacons
when the battle is almost over...

thank **** i just bypassed
the evolution of PS1 into PS2 and PS3
and whatever else came...
     i missed about 10+ years of
gaming...
   and i hit the beehive jukebox...
of games without NPC characters...

i revised gaming at the right time,
when NPC disppeared,
completely,
and gaming became revised
by the internet live-event
game-membership.
Renee Nov 2014
my brain was once a machine
filled with cogs and gears
working tirelessly day after day
my machine has stalled
all motion has ceased
it cant resume

my cogs begin to rust
my gears start to deteriorate
what used to be a beautiful intricate system
has lost its luster and
turned dull and brittle
the machine fell from its suspension
and collapsed upon itself
into a pile of scrap metal

the lifeless heap is removed
and replaced
this new machine is built
it's pretty and promising
and made from encouragement and hope
like all the previous ones
but this is a never ending cycle
my machines will continue to breakdown
I find myself looking for words.
Combinations of feeling
I did not know existed.
I cannot breathe.
I struggle for them
& make myself a fool.
The world was so big before I met you
& now I'm grasping for it,
unable to recall it's delusion
as I am pulled into your orbit.
Out of drifting dreams.
My mind goes blank
& all I can see
is the dark galaxy that is you.
Alien, beautiful & natural.
You haunt me.
I nearly never believed so big,
& you infiltrated this complex defense
to show me what's been missing.
Half crazed by the loneliness of space
I cannot articulate.
Another form of art I hesitate to express.
I do not trust myself
that it will not be perfect,
fluid,
each stroke of the tongue
like the brush fear failure.
I want to show you all I see
beneath the stars.
Let the brilliance of the moon shine through.
But she is stuck.
In the cloud of curious awareness,
my eloquence cripples me.
How many things can I say
before I lose my grace?
& I dread
the company of simple minds
who cannot love stories.
So eager,
your patience holds the hand of the clock.
I want to watch your eyes glow
lit up by the music from my lips,
& I want to be carried off
by all you reminisce.
I can't believe in chance
when a soul like yours comes to court.
Thrice even.
I am challenged by the core of you.
Inquiry.
Things I cannot see
& stopped looking for.
If I take no notice,
I will not be seen.
Drawn into someone else's dreams,
Abandoning me.
I forgot how to identify
with my kind
so that I did not lose me.
Then I rusted over.
The great machine locked away
while the shows went on
in Technicolor.
Introspective
losing passion & luster inside this shell.
How you found me,
only body in forum.
You took me out to play.
Engaged, stalled, oiled & sparked
Life.
I am reminded of a better me.
An affirmation,
of my Dominant heart.
His voice,
the coaxing in my womb to Be.
Away with closed up, dying to shine.
You wanted to show me off,
pretty girl.
I remember being a Goddess
& shattering the abyss around me
with heart & raw warmth.
The fire of honesty.
Unsatiated wander bred in me
& I held nothing back.
Now the world is clay
& my garden to build upon.
Train me to grow.
I am inspired to be stardust.
Permeate every corner of this heavenly body.  
I find myself the eager student of Aquarius.
Algernon Feb 2016
The N-Judah is stuck in a black tunnel
the Drunk Man looks heavy
he drags his head to look around
his hands lag a little behind his words
the Drunk Man points to the The Priest
"you a football coach?"
The Priest corrects him gently
"I am a Priest."
the Drunk Man's eyes widened:
"How old are you, Priest?"
The Priest, his hands clasped in front of him,
and with a smile, "Seventy."
"Seventy?!" the Drunk Man exclaims
he's looking around the train
"You don't look 70," he smiles,
"You look beautiful."

the train was stalled for over 20 minutes.
a mans voice over the speaker informed us
someone got hit by a train
he apologized for the inconvenience
he lets go a heavy sign and clicks off the speaker

the Drunk Man asks the Priest first
"What's your favorite scripture?"

and then the whole train
"How intimate is your relationship with God?"

his gaze doesn't move, but he addresses everyone in earshot
"When nobody's looking - do you cheat?"

his gaze doesn't move, but he addresses everyone, even those who can't hear him
"When no one is paying attention - are you honest?"

Nobody responds to him except the Priest.
Finally, the train moves.
When I get off, I can see that
The Drunk Man and the Priest stay on the train.
Work in progress. This is a real event so I'm working how to accurately and poetically write it down.
Kaye B Anderson Apr 2014
"I love you."

Their true feelings spoken, There's something to be said,
To share their feelings - they're no longer weak.
As they lay there in bed.
As they lay there unafraid to speak.

They can't see their future without one another.
A deep a relationship, they are almost there.
Emotions still roar like thunder.
Hopes and Dreams, they now share.

Not just sleeping together, but Making love.
They hide no secrets, Tell no lies.
Each other - They're proud of.
Arguments now lead to Compromise.

It's their first time.
Emotions take over.
Touching, Kissing, Feeling,
Passion - the wait is over.

Their feelings for each other, yet again, grow.
Every one gets along fine.
Questions, Answers, Conversations flow.
Nervous - Meeting the family for the first time.

He says he wants to be more serious - She agrees.
Relationship is stronger.
Arguments forgiven.

Would we happy with each other?
What we have, is this right?
Frustrated with each other.
First fight.

He is lost in her beauty.
Many Dates passed, the first now a memory.
Dates and Dinners, Drinks and Movies.
Date two, Date three.

The first kiss - He gave her.*
A memorable night.
Both on their best behaviour.
A romantic dinner over candlelight.

No hesitation shown.
Arranged first date - No-one stalled.
Spoke for the first time on the phone.
Nervous -  Dialling their number, *first call.


Exciting emotions unlocked.
The start of a relation.
Numbers swapped.
Shared a conversation.

**"Hello, Nice to meet you!"
Backwards Love.      ***READ POEM BACKWARDS***

ALSO READ BELOW:

A story told backwards, A poem written backwards. I started from the bottom to the top. From " Hello, Nice to meet you!" all the way to "I love you"

This poem can be read 4 ways:
1) From top to bottom.
2) From bottom to top. (backwards)
3) Read only the sentences in bold, from top to bottom, and of course,
4) Read only the sentences in bold, from bottom to top.

I hope you enjoy reading this as much as I enjoyed writing it.

The name that came to mind for this poem, is 'Backwards Love', since writing this love story backwards was my intention. Though because it can be read four ways, I also thought of the title 'Love - Four ways'. What do you think?


              

   Copyright © 2014 All Rights Reserved by Kayelee (Kaye) B. Anderson.    
Warning: All of my work (poems/creative writing posted on hellopoetry.com) is protected by Copyright laws and I will not take any copying (stealing) of any of my work lightly.
After the inception of the new, high speed way,
luck beheld a continuation that increased
velocity even more.  Stores, beginning through
optimistic (sails, sales) filled with industrious
wind currents, began to perish, because the dust

crept in to forget and never start again.  Trade
was offered from one to another, likely to achieve

practical results, but the consequence was a loss
of heritage.  All that had gone before stumbled
out the door into darkness and surcease.  Absence
was abandoned as the light walked away into
the desolate remains which, in only a few days,
left the city, and commerce, stalled with people,
everywhere, standing quietly like burlap dolls.
The sound was pouring light outward from its
eyesight to remember something other than that

which had been lost, inserted and devoid; the
former ideas drifted to become a trace of the new

prestige.  Communication overwhelmed the hope
though hope endured.  A collection of machines
was learning to live together, and to attend night
clubs with astonished amounts of stress arguing
against the comprehension which insisted that
importance was captivating the subjects of change.

Always, they were slinking into the circuits,
coloring the programs with a steady pace that
receded to neglect functionality.  Those tired of
hearing about the clocks winding down were not
escaping the clever snares set for their awkward

feet and kept among delicate fossils of brilliance.
It might have been a global fever, or perhaps
everything just ceased to operate.  Some strike by
electrons offered them the predicament, and
the opportunity, returning them to a simple form

of human sentiment, so that smaller gatherings

arrived at the significance of a tale while burning
things on sticks above the campfires flickering
along the coast and seen inland at the base of
distant mountains.  Simple arts included using
furniture and hot air balloons driven by stainless
steel burners.  Talking too often, and to a point of
foolish interruption, demonstrated the frailty of
coordination where zeros and ones meant,
essentially, that a point had been made and lost,
although fighting confusion was denied by context.
Some of this was mistaken by preconceptions that
created impractical situations, and other things
were long walks glued to comfortable boots or

reliable shoes.
ConnectHook Dec 2015
Multitudes will be liberated by that recognition;
and although multitudes obtain liberation in that manner,
the number of sentient beings being great, evil karma powerful,
obscurations dense, propensities o too long standing,
the Wheel of Ignorance and Illusion becometh neither exhausted nor accelerated
.

           The Tibetan Book of the Dead
          translation:  Lāma Kazi Dawa-Samdup


Free Tibet your sticker tells me…
Yes, I think, perhaps I should –
and the noble thought compels me,
uninformed, half-understood.

Will their freedom help my Karma?
Upgrade my reincarnation?
(Soul who could not dare to harm a
fly… much less a Buddhist nation.)

Not to justify aggression
by the ever-brutal Commies,
let us grant no glib concession
to the Maoists – or their mommies.

Slogans echo in the void,
shining in bardos of the dead;
stopped by the light, I am annoyed
impatient for the change from red.

A bumper crop of human woe
beams forth a mandate to my brain
while red Dakinis circle slow
in Buddhist hells of karmic pain.

The eastern concepts here diverge
and bow before brutality.
They make this driver long to merge
with incorporeality.

Then I glimpse a monkish fellow
swathed in saffron, calmly seated.
His, the cloud-borne sage’s pillow;
mine the traffic; stalled, defeated.

In his gaze of stern displeasure
I perceive the orient stars
calculating man’s mismeasure
trapped, exhausted, among the cars.

Flanked by Spirits wreathed in fire
he extends an accusing hand:
Western slave of base desire:
come and  liberate my land !”

I meditate before the stop light:
am I ready for the task ?
Should I just refuse it outright
Can’t it be someone else ?  I ask…

Must I free this mountain nation
from the Buddha, demons and Reds?
Shall your sticker’s declaration
shatter the yoke and raise their heads ?

Somebody ought to free Tibet,
and heed this Himalayan cry.
Maybe we should get upset…
The red light changes. Cars pass by,

predestined for benign events
and unconcerned for persecution;
oblivious to dissidents
awaiting execution.
John F McCullagh Jun 2012
The Pedicab drivers of Gotham all say
You should ignore a "Whale Hail"
because it just doesn't pay.
The city is hilly and
to pedal gets tough
when your passengers are,
shall we say, overstuffed.

Two tubby tourists out on the town
between them they weighed about
Eight Hundred Pounds.
They had wiped out the Sushi
at an all you can eat.
Much too lazy to walk
on their overstressed feet.

They hailed for a Pedicab
of which there's a multitude
Thats the sole explanation
for accepting their pulchritude.

Their ride started slowly,
but pleasant enough.
But then came a hill
and the going got rough.

He groaned and he struggled
as he trucked up the road,
but not even juiced Armstrong
could handle this load.

With two tubby tourists
ensconced in the back.
He slowed to a crawl
then stalled in his tracks.

Something had to give
with those two in the rear
The cab then turned turtle
chucking him in the air.

The two tubby tourist
were down on their backs
Their driver unconscious
and two tires flat.

An Ambulance came
and gave him first aide
The two tourists rolled off
and he never got paid.

If we banned too large colas
and sixty ounce beers
could we hope that these
land whales
might,one day, disappear?

Until then its risky
to pick such fares up
unless in a limo
or a truck thats Ram tough
Taken from the pages of Yesterday's New York Post
Sarina Sep 2013
I was born to a woman who smoked cigarettes
and since I was a child, I tried to inhale blueberries until they
stalled my windpipe.

My mother taught me that word –
windpipe – after she coughed for hours upon hours. I
was so happy that day, imagining how I must have swallowed
windchimes for the doctors who helped birth me
in December’s final snow –
how I hoped they believed I sounded pretty, although

covered in that sop adults call life juice. Life juice sounds nice
but I had known babies who
came just as sticky as me and never got to breathe.

Windchimes, you know, the things
beautiful ladies in ankle-length dresses hang outside,
my daddy lived thirteen hours down the interstate and I knew
somehow that he owned one.

In my dreams, I touched it
and pulled on it. I twisted the copper-ends up like my
momma’s hair and pretended we were with my dad by some
lake where the breezes are heavy enough and I
am small enough for them to carry me up, up, and away.

Everyone insisted that windpipes are inside
while windchimes stay out –

I fixed that problem, too. I tried three times to plant chimes in
my ears, unglue parts of the skin there from myself
to make room for dangly jewelry. A tiny
slit was all I needed, but it would not stay open for long

and I never got to swing my head
pretend I possessed the ability to create music like how God
let my momma grow smoke. I never got to exhale.
AMcQ Nov 2014
Words swirl through parting crimson.
Each syllable reflects on
the warm surface as it passes.
Some are almost drawn back
by the delicate wisp of breath.
Others are bitten off
stalled by a thought,
a look...
that look!
A tooth gripping soft red.
Released, the cherry
lips fall back in place.

Another butterfly flees my chest.
Mateuš Conrad Jan 2017
oh i didn't write something to change the boundaries,
i wanted to capture the digital narrative,
or how the hope of destroying all forms of theology
with our a.i. gravitas, we started to
apply the digital anaesthetic -
and cradle the numbing effects of:
                 us, in experiment,
or: us, in a medium of synthetic material...
             either way pushing us apart friom actually
inhabiting organic matter...
           the many of us these these are merely pawn
in the game...
                  we're pawns in a construction site
of all thing theretical... meaning it's truly 2D by comparison
to the 3D structures we see...
       the element that will truly give a.i. it's ego?
wait wait... why with latin dead and me not speak it
but i have this theoretical baggage of ego?
            ego is only short of en egg should i decide to
write it... arbeit macht frei must come from
counter-conceptualisation of the remains of the roman
empire with self- (hyphen included), to remind people
that it's all about work, and how we will either loose
or free ourselves from the re in the setting sun to echo aeons...
that might be the case...
            but find me a modern day writer who has
to use this medium of people talking over one another...
find me a writer who''s lodged in the internet like
a cherry atop a cake...
          who can't be gagging for a log cabin in some obscure
place, who has to be in the thick of it...
       i'm not writing to change the world,
i'm writing to describe the status quo...
            qua norm, or should i say "norm"...
from status quo comes the question: qua status?
     when i write i think about throwing a pebble into
a lake, compared to throwing a pebble into a river...
compared to throwing a pebble into a sea...
to be honest? throwing a pebble into a sea is
the most involving...
                  and there is poetic subconscious in this,
which i will unearth: the pebble is supposed to mean this:
the three forms of water are supposed to represent
another this:
                                 the pebble is supposed to represent
a soul, a concentration of my my, my sigma (total),
and the three tiers of water are supposed to represent this...
that said, i watched
    an internet video... by angry mgtow...
an answer to white women are rejecting beta males now /
blonde in the belly of the beast...
   first thing: why are men using the internet
deemed more "creepy" than women?
    we've already embarked on this a.i. project for the sole
reason as to overcome theological argument and
religion... we are living in a Frankenstein experiment,
but the "problem" is that we're only working on
the software package of the beast...
         the hardware can wait... we're not going to replace
our fondness for busdrivers and cleaners any time soon...
  we love our manual labourers...
                  american woman! stay away from me!
american woman! mama let me be!

   (it's daily, over and over in my head, that line and
many more kindred sing-alongs)
   we've already been drafted into creating the software
of the a.i. beast, it doesn't matter that the
hardware is already there but that we've stalled its
potential... the software is harder to be bound to
the logistics a limb might be drafted to exhibit basic
tongue of movement...
          all compliments to women:
they're the irrationality that will give the a.i. the spark!
           meaning autonomy...
  and how could i not even sound like an atypical man?
don't date the opposite ***?
              tease urban living with what life's like in
the middle-zone of outer-urbanity, i.e. the case of
a ******* bungalow? ha ha.
                              but this video got me like i might
catch a herring, and i do love pickled herrings...
raw pickled herrings...  it just got me
when i said: i'd like to move to the Faroe Islands...
no please, spare me the misery...
                         it's hard not to be
sexually antagonistic (sexist) - esp. when you're
not a sheikh with a motorboat and a fluffy moustache
that might brush-up against the ******* like
a vibrating ***** while you taste the pastries of flesh
with a saintly glee...
             every time i performed oral ***
on her i felt i left that hot-spot having slobbered
a tonne of lard... smeared a tonne of ****** cream and
that my face became phosphorescent, or an anglerfish:
which is the first sign before you don't even
bother to care to launch a space mission apollo 13
into the depths containing stars... or ask
      ridley scott...
                          i think he's the one dubbed:
coping mechanism... unlike philip k **** this guy's
a coping mechanism, a rare spectacle:
science fiction obstructs actual science...
                     i'm glad he's around and i pray that
we truly explore the depths of seas before going up
there: where the sun don't shine.
                  but this video got to me...
                i can't relate to it, either with the masculine
theory or the feminine experience...
i don't know: it almost feels like i live in a time
capsule at the best part of the 20th century when
i could still buy compact discs in a music shop
on a high-street... when there was no over-arching
agarophobia and claustrophobia telling us
when it was worthwhile to leave the house...
   and when it wasn't...
                         i opened another bottle of wine
that i made myself, and i don't know...
                  we started by ridding ourselves of god
to later replenish that end with a death of us,
it's almost as if we're staging parameters of being human
in this 2D construction site, on the basics:
merely exchanging opinions...
                                         i have, coming naturally:
this curiosity with the internet...
   i remember times of hotmail.com chatrooms...
      it's not as old as some people will claim the burden
to be, but the times when the ****** medium was
being sold to us... before facebook and subsequently otherwise
people were still very much comfortable before the television
set... but then people became less interested in
music and decided music could only exist in software
and not hardware, and i started to forage the berry shrubs of
youtube for music...
  i hope i don't precipitate any thought toward
nostalgia... bearing in mind i did establish myself
on the memory of having been to the cinema
to watch the films blow and austin powers 2:
the spy who shagged me
- and in the latter case
i laughed at the shadow-scene like i might at
a laurel and hardy... and in the former case i loved
the music... and that's before comedy became too
"intelligent": too canned laughter...
revisionist existentialist, when dittoing can no longer
mean borrowing, or passing on a meaning,
                     or d.n.a. competition, when the end result
is but ~ (approximate) / ambiguity...
    the too intelliget: canned laughter...
                   the last time i really laughed at the movies
i was watching austin powers 2: the spy who shagged me...
the tent scene... it was the epitome of comedy,
a laurel and hardy slap stick incantation of a viewer...
   i guess it only comes with a sense of an individual
finding something so simple funny, that when
the same individual is dropped like a paratrooper into
a cinema audience: his laughter will become akin to
a virus, and thus become infectious and the individual
in mind because the cursor for canned laughter
later stored, to witness a televised episode of Friends
or Fraiser... which... would you believe it: aren't funny at all.
what was i going on about in the first place?
      ha ha... dunno... which makes Nick Harper a comic
genius... every time i see him
i laugh like a tickled ******* dangling off a bull horn
and two words ring a bell: mein shawl! and yes: it's
dramatically flinged, like i might be found
******* against the wind...
   quick question! five easy pieces rebel or cool hand
luke rebel?!
Akemi Aug 2013
All edge and divides
Frightening truths, severed lies
You don’t walk through a crowd
For fear of taking their lives

Serpent tongue, serpent teeth
Rattles between lips, sealed
Spoke of many, far too many
Nonconformities

Cyclic reveries
The start and end don’t
Repeat
Just an infinite line
Parallel in
Retreat

Cyclic history
Stalled and stuttered to
Death
Just to rise once again
All mistakes and
Regrets
1:10pm, August 5th 2013

People are selectively ignorant of all the injustice in the world.
They'd rather believe untruths and pretend they're good people.

---

2

Keep your head, keep your heart, keep your soul, all apart
Keep your misinformed selves wasting in the dark
Irrelevancies, to your own selfish lives
On the side line, watching a million die

You’ll think to yourself, what a good person you are
To never have wronged, like those ******* out far
But you’re a neutral, not a good--just a passerbyer
(Not heavenbound) a limbo-lingering bystander
kaelin May 2017
petal lips
causing insatiable lust,
breaking down walls but
building up trust.
a connection stalled,
better late than never;
when I say that I want you,
I mean it forever.
Spiros Zafiris Dec 2012
the co-pilot, seated on the left, would scowl
the pilot was more amenable to small talk,
on this, our free ride: Miami to San Juan

the brother-in-law gave us a choice,
Puerto Rico or Equator
the ten or so days of our sleeping
on their living-room floor
were fun, the first three days
and he, a Miami airport guy,
offered one of two free flights

having chosen San Juan,
and not caring about the blood-thirsty Bermuda Triangle,
there we were :
in a C-24 cargo plane with its load
of five race horses, well stalled, well fed,
large, leather, hay-full pouches easily
accessible in front of each stall; one in front
and four others; two behind the first
and two others behind these; far
down, in the tail section, sat a man—
his job, caring for the horses

I don't know much about cargo planes
as a matter of fact, it may have been a C-26
but C-24 twirls my eyebrows more—
and I didn't expect it to be so cold up there

soon enough, I found out
we wouldn't arrive in jet-preen time,
perhaps in seven hours, or more

my love, cushion-comfy on the floor
next to the captain, stared, as I did,
to the ever-present, mountainous stars
housed not in mere magnificence but in abstract vision
you will learn much, staring at us,
we both knew we heard
by the briefest glance at each other's eyes

hour after hour fleeted,
my lovey fast asleep, captainside:
the first boom didn't startle
but the horses knew better
soon enough, the yoke started to jump
pilot and co-pilot, 30-year veterans,
tried to reveal only Calm
but the co-pilot started talking to
San Juan—I was to discover we
were, perhaps, forty minutes from the airport
then: neigh-EEEE, the horses
crazied themselves, each kicking
his stall—for, by now,
the one boom had transformed into:
BOOM! BOOM! BOOM!--constant BOOMS
and the yoke seemed to fly off
the captain's hands

at one point, as the co-pilot rose,
I could swear he briefly pulled his hair,
as he went behind the cockpit—searching, searching

he found what he was looking for:
a 20-gallon can of fuel—but it could
have been only 10 or 15
my baby was still fast asleep—the horses,
by now, had gone berserk—the caretaker, at the very
end, seemed to be having a spiritual experience,
ready to enter heaven; I may have seen an angel's
hand on the ready


speedily, the co-pilot unwound the cup
of a thermos and handed it to me
I was thinking: they will never find our bodies
and almost dared to awaken lovey;
how she kept on sleeping was a case of
supernal intervention

and lo and behold, the co-pilot placed
a finger on a tiny hole, leading to the fuel tank
and ordered: hold the thermos cup and don't shake—
I'll fill it and you pour the fuel into the hole

there we were:
BOOM! BOOM! BOOM!--constant BOOMS
heee-heee-heea—horses
voicing their concern
and with the first cup-full, I didn't spill
a drop—but there were more than two
hundred—perhaps three hundred to go

every time more than 7 drops skipped
the little hole, both the co-pilot and I
deathrattled in nightmares of unclogging vascular tease

we were twenty minutes away,
by this point, and the plane
started to hum
it must have been more than 280 thermos-cup
loads, the little hole accepted—and
perhaps 3 or 4 spilled down

was, perhaps, 3:00 A.M. when we landed
my love started to awake as
the wheels hit the runway

the airport was quite empty
of passengers or, almost, anyone
I wasn't in a great hurry
to tell lovey

mostly, clearly, I remember
us passing the pilot and co-pilot, inside,
after a while, sitting on chairs facing a closed snack bar

such blank looks I've
never seen, before or after;
a crippled fuel gauge pin
almost killed the horses
~~
..Dec. 24,2012..© 2012 Spiros Zafiris
..channeled; spirit Ram; reaching into
the poet's mind
~~
harlon rivers Oct 2017
when you start
feeling as if
just being you
    is not enough ,..

when you see
the sunlight slipping away
sliding into the ocean
and the outbound tide
    is pulling strong ,..

   gravity throbs downward ―
you see it's weight groan
pacing in lonely eyes,

you feel it's burden
bear down on
a wayfaring stranger
   wandering away alone ,..
wondering what went wrong

stalled by a riverside
frozen in time ;
walking on slippery rocks
and fallen stars,
searching for peace
along the meandering shoreline

the waterfall surrenders
a river's silent lament ;
the storm gales' surge stirs
the urge for moving on

a heart broken knows
how fickle tides change
which way the wind blows ,..

which way the rain
     comes falling down ―

watershed moments
undulating
serpentine rivers,

unbridled terrain waters
veritably cascading  beyond
blurred latitudes,
uninhibitedly drifting
     in shapeless symmetry ―

a deep ocean rises
with the calling tide's
murmur,

  the shorebirds linger ;
hole up with the peace
of the unsullied sands
at the sea stained
      tide-mark ―

barnacles cling
to the pulse
of the tidal sway
where starfish hold on to
   slippery rocks ,..

being enough
to while away
just a little bit longer ―

to simply let it all be
and wholly wash out
in the water
waiting for the tide change,

to swallow whole
the rivers stagnant flow,
immersing
    the stars in swirling silence ―

in the unrestrained
    rhythm and the sea ...
mazy rivers ...October 25, 2017
thank you for reading

just be you
no matter wherever you feel
the earth move under your feet;
no matter which way
the wind blows ―

"Slip Slidin' Away": song title by Writer(s): Paul Simon 1977
https://youtu.be/U7PBjKzaQEw
Patricia Drake Mar 2013
I took it
Eagerly
ate it up
from your hand
persuasive
treacherous
hand
You sold me
more
Saw the budding
addiction
the yearning
for more
access
to another me
adventure
ecstasy
I fell
plummeted into abstinence

Fear

I needed more
of it of
the other me

You stalled
me
Tricked
Pleased
Disoriented
me
I
got
lost

ad
dict
ed
Mateuš Conrad Jun 2017
from a point of ignorance, or perhaps from
a point of common sense...
  listening to
                  jan lamprecht talking
about apartheid in south africa, and how,
apparently, the idea was to create
      a poly-state solution, or what would
have been a federation, akin to u.s.a.,
   now, i already said, from the point of
ignorance, or perhaps from a common sense...
let's not read too much at this point
for the sake of argument...
           if that was really going to happen?
that there were white states, and there were
black states,
       but somehow, they managed to work
together...
         i'm looking at the map of south africa
right now...
          now...
            in europe, you have countries
that are land-locked, and we just call them that...
but i'm looking at the map...
    and the apartheid beginnings, which
would rather seem obvious to the eye...
    wouldn't apartheid have been stalled
             once lesotho & suazi emerged?
surely these areas weren't the spartan 300
akin and never being colonised...
     it's a "poem", it's not a history book,
                   i don't feel like i need to be right
or wrong, or need to constantly rely
on precision of facts to write, constantly making
references...
            i'm working from: word of mouth,
from someone who was there...
     but i can't really imagine either lesotho
or suazi being so ****** resistent to british
rule...
           to me, they were the beginning results
of the apartheid project to create
      the s.a.f.      the south african federation,
federation meaning: there's already a whole,
now we need to cut it up, but retain the original
whole...
         united states?
                                 how would you establish
that, if not through a civil war?
                     it's still a federation,
the f.s.a.         ha ha, imagine the chants...
    f.s.a.!                f.s.a.!      no ring to it without
   there's a federal bank, right?
                    federal this that and, of course,
x-files & federal bureau of investivgation.
            like i already said, i'm not going to look
into the origins of lesotho & suazi,
       as other than from the project apartheid...
and i'll only cite one realiable source:
  jan lamprecht...
          it's the tongue on the ground (boots too),
         and if he doesn't know what he's talking,
how can some historian, in a stuffy library in
england tell me what is and what isn't true?
Emily Rene Nov 2013
When I was a kid
I used to think that pork chops & karate chops
were the same thing
I thought they were both pork chops
& because my grandmother thought it was cute
& because they were my favorite,
she let me keep doing it

Not really a big deal

One day,
before I realized fat kids are not designed to climb trees
I fell out of a tree
& bruised the right side of my body

I didn't want to tell my grandmother about it
because I was afraid I'd get in trouble
for playing somewhere that I shouldn't have been

A few days later,
the gym teacher noticed the bruise
& I got sent to the principals office
From there I was sent to another small room
with a really nice lady
who asked me all kinds of questions
about my life at home

I saw no reason to lie
As far as I was concerned,
life was pretty good
I told her, "Whenever I'm sad,
my grandmother gives me karate chops!"

This led to a full scale investigation
& I was removed from the house for three days
until they finally decided to ask how I got the bruise

News of this silly little story quickly spread through the school
& I earned my first nickname

Pork Chop

To this day
I hate pork chops

I'm not the only kid
who grew up this way
Surrounded by people who used to say
that rhyme about sticks & stones
as if broken bones
hurt more than the names we got called
& we got called them all
So we grew up believing no one
would ever fall in love with us
That we'd be lonely forever
That we'd never meet someone
to make us feel like the sun
was something they built for us
in their tool shed
so broken heart strings bled the blues
as we tried to empty ourselves
so we would feel nothing
Don't tell me that hurts less than a broken bone
That an ingrown life
is something surgeons can cut away
That there's no way for it to metastasize

It does

She was eight years old
our first day of grade three
when she got called ugly
We both got moved to the back of the class
so we would stop getting bombarded by spit *****
but the school halls were a battleground
where we found ourselves outnumbered day after wretched day
We used to stay inside for recess
because outside was worse
Outside we'd have to rehearse running away
or learn to stay still like statues giving no clues that we were there
In grade five,
they taped a sign to her desk that read
Beware Of Dog

To this day,
despite a loving husband,
she doesn't think she's beautiful
because of a birthmark
that takes up a little less than half of her face
Kids used to say she looks like a wrong answer
that someone tried to erase
but couldn't quite get the job done
& they'll never understand
that she's raising two kids
whose definition of beauty
begins with the word mom
because they see her heart
before they see her skin
because she's only ever always been amazing

He
was a broken branch
grafted onto a different family tree
Adopted
Not because his parents opted for a different destiny
He was three when he became a mixed drink
of one part left alone
& two parts tragedy
Started therapy in 8th grade
Had a personality made up of tests & pills.
Lived like the uphills were moutains
& the downhills were cliffs
Four fifths suicidal
A tidal wave of anti depressants
& an adolescence of being called Popper
One part because of the pills,
ninety nine parts because of the cruelty
He tried to **** himself in grade ten
when a kid who could still go home to mom & dad
had the audacity to tell him "Get over it," as if depression
is something that can be remedied
by any of the contents fround in a first aid kit

To this day
he is a stick of TNT lit from both ends
Could describe to you in detail the way the sky bends
in the moments before it's about to fall
& despite an army of friends
who all call him an inspiration,
he remains a conversation piece between people
who can't understand
Sometimes becoming drug free
has less to do with addiction
& more to do with sanity

We weren't the only kids who grew up this way

To this day
kids are still being called names
The classics were
hey stupid
hey spaz
Seems like each school has an arsenal of names
getting updated every year
& if a kid breaks in a school
& no one around chooses to hear,
do they make a sound?
Are they just the background noise
of a soundtrack stuck on repeat
when people say things like
kids can be cruel?
Every school was a big top circus tent
& the pecking order went
from acrobats to lion tamers
from clowns to carnies
All of these were miles ahead of who we were
We were freaks
Lobster claw boys & bearded ladies
Oddities
juggling depression & loneliness playing solitaire, spin the bottle
trying to kiss the wounded parts of ourselves & heal
But at night
while the others slept
we kept walking the tightrope
It was practice
& yes
some of us fell

But I want to tell them
that all of this ****
is just debris
leftover when we finally decide to smash all the things we thought
we used to be
& if you can't see anything beautiful about yourself,
get a better mirror
look a little closer
stare a little longer
because there's something inside you
that made you keep trying
Despite everyone who told you to quit
you built a cast around your broken heart
& signed it yourself
You signed it,
"They were wrong!"
because maybe you didn't belong to a group or a clique
Maybe they decided to pick you last for basketball or everything
Maybe you used to bring bruises & broken teeth
to show & tell but never told
because how can you hold your ground
if everyone around you wants to bury you beneath it
You have to believe that they were wrong

They have to be wrong

Why else would we still be here?
We grew up learning to cheer on the underdog
because we see ourselves in them
We stem from a root planted in the belief
that we are not what we were called
We are not abandoned cars stalled out &
sitting empty on a highway
& if in some way we are
don't worry
We only got out to walk & get gas
We are graduating members from the class of
we made it
Not the faded echoes of voices crying out
Names will never hurt me

Of course
they did

But our lives will only ever always
continue to be
a balancing act
that has less to do with pain
& more to do with *beauty
To This Day , I continue reading this poem to myself every time I feel used or unworthy.
John F McCullagh Feb 2015
That day was brutally hot, and the cannon incessantly roared
It was the twenty eighth of June in the third year of the war.
Mary Hays was with her soldier, John, as he fought against the King.
Men would call out “Molly Pitcher” and she brought water from a spring.

The action began badly; Cornwallis pushing back Charles Lee.
Who’d have bet a continental that this would be a victory?
Then Washington brought up fresh troops and held Cornwallis back
Rebel cannon from Hays’ battery stalled Cornwallis’ attack.

John Hays , at his cannon, had succumbed to wounds and heat.
But his gun must not go silent or we would go down to defeat.
That was when Mary Hays decided she would take her husband’s place.
She ran to serve his cannon and kept up the firing pace.
She narrowly avoided death when the Redcoats returned fire
But bravely stood her ground and fought, and a legend was inspired.

Mary Hays survived the war and lived a ripe old age.
She was honored for her service and a State pension was paid.
That day at Monmouth Court House, we proved we could stand and fight.
The British army left the field in the darkness of that night.
The date is 06/28/1778, the place is Monmouth Court House and Mary Hays, one of several "Molly Pitchers" bringing water to the Embattled Americans mans her fallen Husband's cannon and fires a shot in the cause of Liberty.
Carlo C Gomez Mar 2023
~
Ragged mist of stalled horizon,
from dry dock
to disadvantage point

second hand shops
of sackcloth and ash,
they contain multitudes

treading the outside edge
of perception,
rehearsing disaster
in fistfuls of earth,
and the immaterial:
the stuff of pure shadow

a bevy of dead buildings
resemble a fallen actress
in the throes of dance,
with emaciated figurines leaning
forward in the temple,
listening for clues
too far to whisper

work will never resume
on the tower,
and it will remain painfully scanty,
a place to bury strangers
or raise up cholera

the third world summer
sun on sacred walls,
red before orange,
let the rays burn away our sins,
we contain multitudes

but one step inside doesn't mean
we understand anything

~
Another sleepless night spent
messing with synthesizers, drum
machines and groove-boxes. Music
may have stalled my flow of words
but I dream of joining them together
and spinning songs out into the world.
I wonder when this penchant for insomnia
will create something worthy.
The storm outside is howling
and my mind drifts towards
philosophy, a thought of
pharmacophenomenology.

What of a philosophy
of psychoactivity?
What does a philosophy of drugs entail
if we are to do it justice?
Will it help us better assess the cognitive
component of substances, their suitability
for patients? Is there more to psychology
than cognition? Will it help us appraise
those supposedly ineffable qualities
of mind? Will it help us understand
the patterns humans engage themselves in?
Will it help one follow the string, the thread,
The knots and narratives that we are composed of.
These are valuable enough questions for me to justify
developing the pharmacophenomenological method.
The mysteries of electronic and chemical synthesis,
The production and consumption of music and drugs
are wonderfully complex phenomena to commit to know.

Stay with me, dear reader, we are at the beginning of a saga;
We'll bind the empyrean to academia.
Tryst Jan 2015
Dashing hither, dashing thither,
Dashing in the winter weather,
John the dashing haberdasher
Dashed a hat upon his head

Not some lace cap fit for ladies,
Nor a bonnet stitched for babies,
John the dashing haberdasher
Dashed a top hat there instead!

Never had a hat so fine,
So tall and silken, so refined,
Regaled upon the daily grind
Of prince or pauper in the Strand

Ladies stalled to see it's lustre,
Swooned and swayed before it's bluster,
Fell and fainted in a fluster,
Startled by a hat so grand!

Children screamed in dreadful fright
And yelping dogs began to bite
As crowds began to brawl and fight
And riots claimed the London street

In the chaos thus ensuing,
Folks began to run, pursuing
John the dashing haberdasher
Chasing him from Strand to Fleet!

John was taken to the prison,
Chided by the crowds derision,
There to wait the Mayor's decision
On his wanton heinous crime

Charged with breaching lawful peace,
He paid a fine for his release
And ordered to desist and cease,
He left his top hat well behind

Thus is told the tale of John
Who dared to bravely dash and don
A silken top hat high upon
His noble head in London town

Heed his tale and take this warning,
When you wake one winter morning
With desire to be less boring,
Careful how you dress that crown!
Poem based on an event that occurred this day in history.
John Hetherington, a London haberdasher, is reported to be the first person to wear a top hat, this event occurring on the 15th January 1797.  The event caused a riot with women fainting at the sight, children screaming and dogs yelping.  He was forced to pay a £500 bond for breach of the peace.

First published 15th January 2015, 06:20 AEST.
How Sweet yet Sorted your Flavours that Are
Branding each ****** where Lust is the Key
Keeping their Thoughts stalled in Wonder that far
Beheld the Heart's Choice you picked out to be
Now in my Learning from Elders since Time
That People regardless are not Hors d'Oeuvres
Nipping that Spread to where Souls are defined
And acknowledge the Praise they so deserve
These are your Customers; Satisfy them
Yet still keep your Person well and maintained
None do they ask for much Sterlings and Sense
Just that Spark to which your Truth is retained.
That Day will come when no Fish will swim by,
Stressed on their Fins with the Bubbles you cry.
#tomdaleytv #tomdaley1994
traces of being Nov 2016
back from the brink
of blindly falling;
back alone again
in a crowded room

there is no bridge
over troubled waters,
no way to purge
vast oceans
when deep rivers foment
pitch black
swallowed by an insatiable sea

no good shepherd to gather
an abandoned black sheep
cast heedlessly away
from the fold

unbefriended
like a dogless bone

a stain on impeccable sublime
a hopeless wanderer
stalled on the brink
of a threshold lost in time

purge me from your poetry
so I won’t remember
the insatiable  ache
of inerasable words
left unsaid

you lured me out
from the cold & darkness
to freeze my heart
in naked light of day

purge me from your poetry
like you spilled me
from your heart;
don’t come back here
to this slippery, lonely edge,
just to bid adieu

as if I didn't notice you were gone

purge me from your poetry
so I can accept without
sorrow's ache so deep;
in unbroken silence
a heart silent  atones not pretense,

and yet,

the only lie you whispered was "friend"



November 2016  ... wild is the wind
ConnectHook Sep 2015
Bright child of the Tarot, a new age awaits you –

but not through the mazes you’re wandering in.

Your gypsy desire and clairvoyant excursions

are setting your beautiful brain all a-spin.

The dog at the precipice barks out a warning:

the FOOL, the MAGICIAN and PRIESTESS are wrong

Pay no heed to their signs and the omens around you –

let faith be your shield when the DEVIL seems strong.

JUSTICE, as blind as the HERMIT is *****,

has seen that our TOWER is stricken and doomed.

The SUN, MOON and STARS in their orbits bear witness

as LOVERS  in ******* to DEATH are consumed…

Egypt can’t help you – the CHARIOT‘s  stalled

While the TEMPERANCE angel was mixing the drinks.

The EMPRESS (a tedious feminist) preaches

an upside down future, the HANGED MAN thinks…

Though the WHEEL almost crushes you turning this way

And the staff of correction has battered you hard

I am sure you will make it, if only you pray

to the sovereign elector who holds every card

for a ray of redemption to light up your way.

Let the major arcana now bow and acknowledge

as  JUDGMENT is sounded and shatters the sky

that righteous and just is the blessed Redeemer

who loves every lunatic card-addled dreamer

like you and like me. Therefore hear as I cry

that the WORLD in its fulness can’t harbor His love –

nor the heavens within nor without nor above…

May the HIEROPHANT‘s dynasty wither away

and the EMPEROR‘s  scepter be broken to shards

as the breath of God’s Spirit comes into our world

to reveal the true STRENGTH of your house made of cards.
http://perdurabo10.tripod.com/sitebuildercontent/sitebuilderpictures/carte.gif
Erin Melody Feb 2012
hundreds of minutes have passed
thousands of ticks from the second hand
photographs
empty glasses
empty classrooms
empty dreams

what happens after starting over?

— The End —