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Tamara Fraser Sep 2016
Cold hands warm heart they say.
Always clutching cold hands on warm nights;
being together yet feeling alone;
aroused, stimulated, distracted, absent-minded,
lost, perplexed,
all at the same time as focused,
like steel blades and the precision of knives.
You know what this is.
But you can’t ever outrun its fingers.
Can’t pull your throat out from under a choking hold.

Hiding is like allowing the wolf to catch your scent;
fighting is like battling a wave;
accepting is like russian roulette.
Are you daring enough to play?

‘Why are you crying over that?’
People said to me
in scolding tones and glacier eyes.

I can’t be this vulnerable; it’s spiky
and stinging and
rolling over hurdles backward.
Condense, squeeze it down so
you don’t have to swallow too hard.

Emotional vulnerability is feeling all those
spikes of emotions, all those acute,
mount everest’s climbed without warm clothes
allowing them to hit you full in the face,
being driven under the pull of a wave.

We feel these rides of our lives,
micro moments in days of episodes.
There is nothing like intimacy to completely throw you
off everything;
the superficial cover to fill out the empty spot.

We roll onwards in our spirals;
our cycles and roundabouts of fear and self-pity;
contempt follows us whilst
dusty, aged hope drives us.
I know my triggers.
I know the cycle I feed, I bleed into,
I run chased by myself,
branching into more cycles,
looping on each other in
disgusting order;
concentric whirls,
at alarming speed,
facing walled obstacles,
tackling nightmares hands bound up
waiting to see if someone can pull you up and out
or make you draw
the ugly patterns
of your own mind games
out in circles, broken lines
and scratches.

I was emotionally abandoned.
In a realm of angry, biting storms and
numbing head spins.
Knocked around by severe internal seasons,
wearing sweaters under hot sun,
or drowning in half-shirts under icy rain,
I can keep it away.
Don’t look.
Suppress.
Bite down on something hard
before you scream.

And then they burst in bright beautiful sparks;
feeling swept in delicious tastes,
explosive episodes,
rapturous warmth and synchronised heartbeats.
Painful glows and inspiring tornadoes;
destruction and recreation,
a chaotic peace and warm sweats,
stinging burns and hot tears
mixed with not-so-equal parts
of silken nights and glorious
wakeful dreaming.

'Of course you may hurt, of course you may cry.
Of course you can sing and laugh and ache, anything
you want to try.'

And this is why we feel.
Why we need to feel.
Why we love the slow smoulder of being caught up.
Caught up in emotions and their separate rides;
shifting speeds and tracks each new time
they crawl to our surface again.
Holding back is wasting precious passions;
it’s exhaustion you crave when everything else is
flat, blank, rigorous rigid routine and ripping open
empty boxes.

So you say I always have cold hands.
Cold hands warm heart they say.
This is the reason I love you.
This is the reason I wait for you,
to realise you love me too.
This is the reason I can only
hope
you make the right choice.
Not for me, for them, for anyone.
For you.
I don’t have a say anymore.
I never did.
I can’t speak, or help, or keep you warm anymore.
I can’t be your escapism.
I can’t be crack, dope, speed or any of your illicit nonsense.
I can’t be your forbidden fruit
in your late night feast;
creeping around, undercover lover,
giving you pleasure and happiness and smiles
locked under secrets and
silent words.
I’ll seethe and brood
underneath you, caged in the dark
shadow of your body
dreaming up it’s presence before I fall to sleep.

Cold hands warm heart they say.
Fuel my fire.
Keep my hands cold.
Molly Hughes Dec 2013
When you kiss me,
I don't think you realise,
but my lips turn into an explosion of electricity
on your dead circuit board mouth.

Let me revive you.
Let me shock you into submission.
Let me make your hair stand on end,
your knees tremble.

Either that, or just smash my bulb.
My light flickers when I see you with somebody else,
and what use is a dim light to anybody?
Apart from the little extra illumination it shines on you.

Maybe I could rewire you.
Maybe I could flip a switch.
Maybe I could turn on your lips and you could kiss me,
kiss
me,
under a streetlamp.
Maybe you could be my light in the dark.

I think there's been a power cut.
I can't see.
My eyes are under a blanket of darkness,
and your light has gone out.
I guess I'll just have to switch on mine
whilst you smoulder for another
brighter,
more beautiful light.

Time to pull the plug.
Does anybody else ever get the urge to show their poems to the people they're about? Imagine their face.
Matt Revans Oct 2015
My autism's a part of me,

But it is apart, you see.

...

Who are you?

With your ‘normal’ view.

Are you just one thing, or are you a person

With thoughts & feelings, that are your own unique version.

Preferences, ideas, talents, and dreams?

That are bound by senses that meet at their seams.

Are you fat, short sighted or visually impaired?

Are you ever wondering why I just stood and stared.

Those may be the things that I saw the first time I meet you,

But you’re more than just your ‘normal’ diagnosis…. True?

As an adult, you have control over how you’re defined.

Your normality means your perceptions are refined.

So why would you single out one characteristic of mine that you can make known.

As a child, I am still unfolding, I’m not fully grown.

Neither you nor I yet know of what I am capable.

If you think of me as just one thing, then one thing’s inescapable.

You run the danger of assuming I have no chance of achieving.

And my heightened senses know this, it’s only you you’re deceiving

For I am not endowed with any ordinary sense.

You need to know this before I commence.

You take for granted sight, sound, taste, touch and smell.

Never once realising that these things can be as painful as hell

For me.

You see.

My world often feels hostile, and makes me so fearful.

I may appear withdrawn or belligerent, whilst others are cheerful.

Or mean to you, or antagonistic,

Defending myself, then going ballistic.

You tell me we’re going on a trip to the shops

And out of the world my safety net instantly drops.

My hearing, you see, is hyper acute.

But I’m put in the car, though I loudly refute.

At the shops, walls of people jabber and whoop.

The loudspeaker booms and adds to the soup.

Music blares and lashes and whooshes.

Tills beep and cough, a coffee grinder swooshes.

The meat cutter screeches, a baby starts wailing,

I’m starting to malfunction and am rapidly flailing

As trolleys pass creaking, and fluorescent lights hum.

I’m starting to panic, but also turn numb.

My brain can’t filter the input, the voltage is massive

I’m in overload with no chance of staying passive.

My sense of smell is stratospheric.

That fish on the counter is NOT atmospheric.

The man in front hasn’t showered today,

That Stilton cheese – someone take it away!

A baby goes past, it’s ***** needs changing.

Things are going faster and turning deranging

They’re mopping up pickles on aisle two with some bleach and a rag.

My stomach is churning, and I’m starting to gag..

And there’s so much hitting my eyes!

This trip has turned into the world's worst surprise.

The fluorescent light

Is not only too bright,

it’s that flicker.

The space seems to be moving, getting quicker and quicker.

The pulsating light bounces off everything and distorts what I am seeing.

I don’t know what I’m doing, or saying, or being.

There are too many items for me to be able to focus.

The world starts to drain me of my internal locus.

My eyes try to compensate by tunnelling my vision

Fans on the ceiling, twist my senses into nuclear fission.

All this affects how I feel just standing there,

and I can’t even tell where my body is in space, do I care?

You’re yelling at me now, and shaking my shoulder

But the fiery fog is down and is starting to smoulder

It isn’t that I don’t want to hear your instruction.

I just can’t understand, due to mass self-destruction.

You're shouting now, but what does "£$%^&&% NOW! !£$%^&*" mean?

My senses will **** me in a collusion so obscene.

Once we’re back at the kids home, it all feels less absurd.

And now when you speak, I can hear every word.

Simple instructions, that I know off by heart.

And I cling onto these so I won’t fall apart.

You tell me what you want me to do next and I’m able to reply.

Now I’m happy and it’s easy for me to comply.

Now I’m OK and I’m running about

And performing my ritualised songs, which I shout.

Then a visitor grabs me saying, “Hold your horses, cowboy!” – This means danger!

I can’t stop the horses, I’m me, not the Lone Ranger!

And I’m thrown into panic when what you mean is, “Stop running.”

But I don’t know that! Those stampeding horses are coming!!

That’s my life, you see, it’s not “a piece of cake”

When there’s no dessert in sight and you’ve made a mistake.

When you say, “its pouring cats and dogs,” I see pets flooding from the sky.

Tell me, “It’s raining hard,” so I won’t fear the animals will die.

Puns, sarcasm and allusion

Simply generate confusion.

Tell me facts and keep things clear

So I can live, yet not in fear.

It’s hard for me to tell you what I need when my senses are reeling

When I don’t have a way to describe what I’m feeling.

I may be hungry, frustrated, frightened, or perplexed.

But I can’t find the words, and lash out, angry and vexed.

Be alert for my body language, or my gestures and obsessions

Then you’ll handle my feelings like your own treasured possessions.

Watch out for me compensating for not knowing the right word

By mimicking my favourite film star, or something just as absurd.

Rattling off words or whole scripts, which will leave you confounded

That I’ve memorised from Disney, because they make me feel grounded.

They may come from the TV, or speeches, or a book

And though they make people give a funny look

I just know that saying them gets me off the hook.

Show me, show me! I’m visual, you see.

And I’ll understand rather than you just telling me.

And be prepared to show countless times.

I’m listening, despite my ritualised rhymes.

Visual supports help me move through my day.

They relieve me of the stress and I feel OK.

I don’t have to remember what’s happening next

For I operate on a visual text.

This makes for smooth transitions in my life

And we’ll finally progress without anger or strife.

I need to see something to learn it, because spoken words are like steam to me;

They evaporate before my mind's eye, and are gone instantly,

Before I even have a chance to make sense of them,

They've died in the ether, leaving me in mayhem.

I don’t have instant-processing skills.

Instructions and information are my life giving pills

Images can stay in front of me for as long as I need,

and will be just the same in years, for they'll never recede.

Without visual help, I live the constant frustration

of knowing that I’m missing big blocks of information,

Not to mention falling short, by being a misfit

And I'm helpless to do anything about it.

Unlike other people, I'm unable to learn

If it's normal interaction for which you do yearn.

I’m constantly made to feel that I’m not good enough

And people are stern and people are tough.

They think I need taking in hand and need fixing.

Never knowing the world and my brain are tranfixing

I avoid trying any new things, for I'm sure I'll get 'dissed'

And another grown up will be angry and get 'real ******'.

But no matter how “constructive” you think you’re being.

Look for my strengths, though they're hard for the seeing.

There is more than one right way to do most things.

It may look like I don’t want to play with the other kids on the swings

But it may be that I simply do not know how to start

They just think I'm weird, and set me apart.

Teach me how to play with others.

Remove my autistic shrouded covers.

Encourage other children to invite me along.

They might learn something of value from my life's different song.

And rather than spend my day as separate, secluded.

I might show an ethereal delight at being included.

I do best in games that have a clear beginning and end.

Random play is something my fears won't transcend.

And just one other thing, a sort of confession

I cannot interpret a ****** expression

Or body language, or other peoples' emotion

So in group situations I'm resigned to demotion.

I want to learn, I want you to teach me.

Reach into my mind and help me to see.

If I laugh when Tommy falls off the climbing frame,

It’s that I don’t know what to say, nastiness isn't to blame

Talk to me about Tommy’s feelings and teach me to say,

“Are you hurt, Tommy, I'll get teacher, then you'll be okay?”

If you don't I'll meltdown or blow-up, and get in a stew

And this is a thousand times worse for me than for you.

For my mind will go into overload

My sense of equilibrium will start to off-road.

For I'm well past the limit of my social ability.

As those off road lights glare at my own disability.

If you can figure out why my meltdowns occur, they can be prevented

And my behaviours will abate, less frequently lamented.

Keep notes about me and a pattern may emerge.

As your understanding of me will gradually converge.

Remember that everything I do is a form of communication.

It tells you, when my words cannot, how I’m reacting to each situation.

My behavior may have a physical cause.

Think for a moment, just have a pause.

Food allergies and sleep problems can affect my behaviour.

Just look for signs, for you might be my Saviour.

Because I may not be able to tell you about these things.

That blunt my affect and cause my mood swings.

Throw away thoughts like, “If you would just—” and “Why can’t you—?”

You didn’t fulfill every expectation your parents had either, that's true.

And would you like to witness a constant rewind.

Of the traumatic deficits by which you're defined?

I didn’t choose to have autism.

Or to live with this division

Remember that it’s happening to me, not to you.

But without understanding, my chances remain few.

With love and support, my horizons are broader

But I can't live my life by other peoples order.

Patience. Patience. Patience, are the three words we need to live by

For my dreams to be reached, and my confidence fly.

View my autism as a different ability

Rather than as a freak show disability.

Look past what you may see as limitations and feel for my strength

I may not be good at eye contact or conversations of length

But have you noticed that I don’t lie, or cheat at a game

Or pass judgment on people, and make them to blame?

I rely on you, if you can make me your personal vocation

All that I might become won’t happen without you as my foundation.

Be my advocate, be my guide

Be my strength, stand at my side.

Love me for who I am, and not what you know

And we’ll see just how far I can go.

Matt Revans 2014
©Copyright
Saurabh Tak Jul 2017
Tumble down, fall part, fragment,
Become the figment of the imagination,
that enchanted your dreams.

Create the spell,
Beautiful and powerful, like the whispers of Merlin
Torch that dark sky.

Scorch, blacken and smoulder,
Mold thou from the ashes,
The Fortune of a Moghul.

Hold your head high,
Become that figment of your imagination,
Jiggery pokery your spell;

Roar like a Dragon,
that wit and intelligence,
The world shall bow to you.

Saurabh.
Hayleigh Apr 2014
Raindrops dance on my shoulders
as the fires inside of me
begin to smoulder.

Distraction is an amazing thing.
Jade Jul 2018
There goes Lady Fate,
donned in solar sparks
and her lace corset
whose  overt promiscuity
catches the attention of
one unsuspecting astronaut–
his helm fogs as he exhales,
his breath crude and lascivious.
Even Neptune’s eyes themselves
glitter wetly with passion
as she struts towards Polaris in
her pinprick stilettos.

She adjusts her stance accordingly:

I. Purse lips into a smoulder
(might as well look
pretty while ya get the job done.)

II. Aim for the desired target
(that there’s the bull’s eye.)

III. Wreak havoc
just as any Fate is meant to do.
(But, of course.)

She picks up her staff and fires.

The universe tremors
in an unbridled spiral
of colour and chaos
as the planets
d    a    r    t
about like billiards,                                    
                          colliding/|\with/|\ the/|\ stars

who,  in the midst of the madness,
d i v e r g e and c
r* o* s s
for fear of being vanquished.

A cluster of mismatched constellations
and forsaken cosmic particles
settle into a state of
mutual negligence and destruction.
And, together, they liquefy into
a festering pool of molten silver.

Lady Fate grins–
yes, she has the stars right
where she wants them now–
and, in a final act of defiance,
she strikes against the earth
and watches with satisfaction as
it hurtles towards the silver
and sinks down into the molten
like an eight ball.
(And everyone knows it’s
Game Over
once you’ve sunk the eight ball).

From where she stands–
bent over Polaris
in seductive pretentiousness —
she relishes
in the screams
of some wretched lover–
the first to ever be
betrayed by the stars.
BEK Apr 2022
deep in a stargazing trance
i stumble through the night
in the darkest hour
a star-crossed lover's stupor
bewitched by constellation filled eyes

tangled in star studded netting
and silently screaming
- i am not a frightful nightmare
- nor a heavenly dream
- merely flesh, bones, lungs, heart...

the closing of night
still woven in intricate webbing
the rising sun's warmth
'tis but the scorch of fate's kiss
i shall smoulder and disappear

with perspiring flesh
shivering bones
panting lungs
pounding heart...
jolted awake

'twas but a dream?
Your eyes smoulder with an imagination that is even bolder than I could have dreamed and colder than this toxic air we've been forced to breathe.

You write poetry across your face to form a Gas mask of rythym, blocking out the hate yet sealing in ideas that might frustrate you.

You hear the birds in the trees and you read the articles in every magazine, you take in information like the bees to the Queen.

Your thoughts radiate an aura surrounding your entire body, you bleed history and pop culture facts, you need the written word like an addict needs their cigarette packs.

You're empathetic to your core, you feel what everyone else does so you hide yourself in your mind until you can categorize the emotions from the lies.

I know you can feel the love in your heart even through all the cracks, like a weathered and torn apart roadmap but you're taped together perfectly and even with a few wrong turns you always find your way back to me.
You are beautiful and faded
Like an old opera tune
Played upon a harpsichord;
Or like the sun-flooded silks
Of an eighteenth-century boudoir.
In your eyes
Smoulder the fallen roses of out-lived minutes,
And the perfume of your soul
Is vague and suffusing,
With the pungence of sealed spice-jars.
Your half-tones delight me,
And I grow mad with gazing
At your blent colours.

My vigour is a new-minted penny,
Which I cast at your feet.
Gather it up from the dust,
That its sparkle may amuse you.
Paul Hansford Aug 2018
When we first stood, those fifty years ago,
outside the church together, man and wife,
we had no way of knowing if our life
was bound for sun and smiles or tears and snow.
In the event, we had our share of each.
When children came, as we continued longer,
the highs and lows made our love all the stronger,
and happiness was never out of reach.
Together, then, we've weathered many a storm,
and having lasted now for half a century
I think we're justified to call it victory
to know our love continues just as warm.
(Although age may reduce youth's fiery passion,
a long, slow smoulder's never out of fashion.)
The sea is mighty, but a mightier sways
His restless billows. Thou, whose hands have scooped
His boundless gulfs and built his shore, thy breath,
That moved in the beginning o'er his face,
Moves o'er it evermore. The obedient waves
To its strong motion roll, and rise and fall.
Still from that realm of rain thy cloud goes up,
As at the first, to water the great earth,
And keep her valleys green. A hundred realms
Watch its broad shadow warping on the wind,
And in the dropping shower, with gladness hear
Thy promise of the harvest. I look forth
Over the boundless blue, where joyously
The bright crests of innumerable waves
Glance to the sun at once, as when the hands
Of a great multitude are upward flung
In acclamation. I behold the ships
Gliding from cape to cape, from isle to isle,
Or stemming toward far lands, or hastening home
From the old world. It is thy friendly breeze
That bears them, with the riches of the land,
And treasure of dear lives, till, in the port,
The shouting ****** climbs and furls the sail.

  But who shall bide thy tempest, who shall face
The blast that wakes the fury of the sea?
Oh God! thy justice makes the world turn pale,
When on the armed fleet, that royally
Bears down the surges, carrying war, to smite
Some city, or invade some thoughtless realm,
Descends the fierce tornado. The vast hulks
Are whirled like chaff upon the waves; the sails
Fly, rent like webs of gossamer; the masts
Are snapped asunder; downward from the decks,
Downward are slung, into the fathomless gulf,
Their cruel engines; and their hosts, arrayed
In trappings of the battle-field, are whelmed
By whirlpools, or dashed dead upon the rocks.
Then stand the nations still with awe, and pause,
A moment, from the ****** work of war.

  These restless surges eat away the shores
Of earth's old continents; the fertile plain
Welters in shallows, headlands crumble down,
And the tide drifts the sea-sand in the streets
Of the drowned city. Thou, meanwhile, afar
In the green chambers of the middle sea,
Where broadest spread the waters and the line
Sinks deepest, while no eye beholds thy work,
Creator! thou dost teach the coral worm
To lay his mighty reefs. From age to age,
He builds beneath the waters, till, at last,
His bulwarks overtop the brine, and check
The long wave rolling from the southern pole
To break upon Japan. Thou bid'st the fires,
That smoulder under ocean, heave on high
The new-made mountains, and uplift their peaks,
A place of refuge for the storm-driven bird.
The birds and wafting billows plant the rifts
With herb and tree; sweet fountains gush; sweet airs
Ripple the living lakes that, fringed with flowers,
Are gathered in the hollows. Thou dost look
On thy creation and pronounce it good.
Its valleys, glorious with their summer green,
Praise thee in silent beauty, and its woods,
Swept by the murmuring winds of ocean, join
The murmuring shores in a perpetual hymn.
Sawyer Gowans Jun 2015
Our love still holds it's old spark
It glows and flickers inside my heart

May oceans distance wind and waves
Do their worst my heart to tame

Come cold come storm come longing days
Our little spark will grow to flame

Then one day perchance we'll meet
And your warm smile my lips will greet

Layed down with me in old desire
Our little flame may grow to fire
And
In that moment I will see
The ember that you gave to me

So long ago in years gone by
When you still sat right by my side
On
Our little bench that we once shared
Where friends knew not how much we cared

But worry I most every night
That I'm to late to join your fight

So as I close my eyes to sleep
I pray the image of you to keep

for even as it's hurts me now
to see you with him to myself vow

One day be yours to be your knight
and evermore keep our flames bright
Jack Jenkins Jan 2018
Take my silence one step too far
Take my violence and tear me apart
Your words are the cure I need
Your love is where my heart will feed

Indiscriminate demons fill my head
They try to tie my to my bed

The flame in my heart
                              is a smoulder
The only blame falls
                            on my shoulders

Help me find my way out
My eyes show only doubt
Help me find my way out
My eyes show only doubt

I'm pushing back the battle lines
Trying to capture all the lost time
This is just a forlorn endeavor
Forever severed whenever I fall

Help me find my way out
My eyes show only doubt
Help me find my way out
My eyes show only doubt

The flame
is a smoulder
The blame
on my shoulders
I don't surrender
I don't surrender
I don't surrender
I DON'T SURRENDER

Help me find my way out
I don't surrender
My eyes show only doubt
I don't surrender
Help me find my way out
I don't surrender
My eyes show only doubt
*I don't surrender
This is my first song. Of course since I don't write music there are no chords to it, but I intend for it to be played to hard rock with a lot of drums.
Omar Kawash Jul 2014
Two villages coexisted peacefully, no interactions
maybe some discussion on boundaries, treaties for peace and trade.
An extraneous rumor appeared in one of these villages.
No one was sure where it had started.
Someone mentioned they had seen beastly faces emerge in the night horizon.
The whispers made its way through
soon the town was mortified.

The others, they were observing us.
What could they want that they could not communicate overtly?
The villagers made a decision to protect themselves,
their lives,
their happiness –their status quo
that had been so well kept; now jeopardized by fear.  

Traders continued their interactions,
sharing goods and language.
The ignorant village heard the small-talk,
the covert operations the coinciding people had been ruminating about.

The newly-informed town magnified and mutated
the gossip;
the folk were riddled with anxiety.
If their neighbors were under threat,
what was stopping them from being the next target?  
This xenophobia was to destroy them.

The two ostracized each other;
initial misperception grew
to a common hallucination amongst the people,
they prepared for the worst scenario.

As humanity goes,
somewhere a zero-sum game emerged.

A council was held,
all that they had known was their own home
and the adjacent peoples.
There was nothing else in the known world,
it must be the others.
They are planning on something villainous,
why else the secrecy?

Cut trade, be vigilant, ostracize.
The other village noticed something amiss
Calamity must be in path.
Taking up arms, arranging a force to handle any offenses, and establishing a wall;
they would not fall.

Feud was conceived.
This is the drive of a mind
who incessantly wonders why and how
a devouring morality.

I digress from the story: the villages, armed and defense ready,
see the village that they once knew as peaceful neutrals
once tranquilly existed transformed to potential threats
for they could overthrow the opposing village.
I should be unconquerable
but I know the kisses stealing my breath come with every
inhale,
exhale; my kryptonite is facing life.

I choose to face that fiend
which wouldn’t let me actually give up when there is so much unknown out there.
It’ll haunt me with the damages that I dealt to the allure yet provocation preserves me.

The two villages are within me.
One is the soul depleting, ego-hunting energy ****,
the other is the false hope that I
can change things-
that things are within my control-
that I’ll fake a smile and a real one will appear.

Two hemispheres connected in a skull,
failing to synchronize
a miscalculating rational with a quixotic imaginative vision.

These two villages smoulder;
the clashes zigzag my intentions.
I just wish I knew
what that fictitious, fruit of the grapevine generated monster even was.
It’s been ages since this conflict ignited,
I don’t think any villager knows why they fight each other perpetually,
other than survival.
LJ Chaplin Apr 2014
The cold side of the bed seems so far away,
Wrapped in the sheets are the sounds of breathing,
Pieces of you and I still smoulder in the ashtray,
Tobacco kisses and shots of *** in the evening.
Exorcisms couldn't even lift the haunting presence
Of a heavy heart which carries the weight of worlds.
Short and sweet. Struggling for inspiration recently.
Enter thy come and take your place
No blade will forsaken your face
When the moon has bled
The sun has fled

The father shall bleed
While the son shall flee
Stand on and keep thy paste
Stop moving and thoust be erased

Steel, Fire, Ice, Thunder
This sword been built for smoulder
Hands crumble of blisters
Soul full of cleansers

Thy crafted blade made whole
Thy blade legend be in scroll
Blade coated within strychnine
Behold thy master design  

This blade crafted for revenge
Thy uses it for only purifying
No need for revenge
For karma has been healing!
Oh Jen I want you to be Mine

I don't know Jack it is all so fast

No, dearest not fast just right

We just met Jack, not a day ago

I know Jen but I love You so

How can you Jack you know nothing about me

I do Jen, you fill my heart and make it complete

Oh Jack I want to believe you, but

No buts my love I want you, as you are

Don't hurt me Jack my heart is fragile

Jen how could I hurt the most beautiful angel?

No! You don't mean that, you can't possibly

Yes Jen I mean it now lay with me Lovely

Oh Jack that is it, that is what you want

No dear can't you hear how much I care?

I want to believe you Jack but I can't bare another heartbreak

I promise I won't hurt you Jen, My Jen.

Really Jack?  I am yours?

Yes Mine all Mine, feel what you do to me

(Jack presses his phallus against her thigh as he lays her back)

Ohh Jack I bet you are that way with all the girls

Only you dearest, please make me the happiest man around

(Jack's hand grazes Jen's breast just enough to tease her)
(Jen already hot but resists not wanting to be a number)

Jack please tell me if all you want is *** I beg you

No how could you think such awful things of me

(Meanwhile Jack is about to pop the things He wants to do to this woman would make a well ridden girl blush)
(Jen can be a hellcat in bed but so doesn't want to be lied to before)

Kiss Me Jack tell me how  you really feel

(Jack pulls her into his arms pressing hard against her hips as lips press to hers in a lingering kiss)
(Jen's green eyes smoulder like a banked fire)

I love you Jen please let me make love to you

Yes Jack oh yes please make love to me

(Jack takes Jen to heights of soaring delight, they explore each other teasing and stroking.  The earth shatters and the windows fog.  They lay together for what seems like eternity.  Finishing He has explored and used every oriface, tied, spanked, torturously played and left her a quivering mass of well used flesh.)
(Jen was insatiable, no holding back.  She gave everything of herself out of love.  Trusting him completely.  Opening up her heart and body to the man that loved her for a change.  She let him do unspeakable acts to her body.  After it all she lay there thinking oh my how will I ever look at him again.)

Did you enjoy it my love? asked Jack

Jen's voice quivers oh yes Jack I did

I am glad you did Jen, I have never had a woman so pliant in my hands

Well there will be plenty more times Jack

Oh Jen I am so sorry but I won't be able to see you again

Why not Jack?  I thought you loved me?

I do love you Jen, I do I do

Then what is it Jack what did I do wrong?

Nothing my precious girl it is I that has done wrong

How Jack please? (tears fall freely over her cheeks)

I could not resist that sweet innocence on your face

I had to have you no matter the consequences you would face

Whatever do you mean Jack?

I am a disgrace Jen, You see I love you but but I am married.

YOU ARE WHAT?

Married dearest

You LOVE me but you are MARRIED?

How could You Jack, deceive me like that?

I am sorry Jen I just couldn't hold back

You lied to me Jack, said You loved me

I know and I do

You don't love me you lying ****

Oh don't say that Jen I do love you

You loved me long enough to **** ME!!!

I DARE You to deny it, you are a disgrace, knowing I was hurt

(Jack just stood there letting her rant.  Nothing He could do as her words were so true.  He thought he loved her and perhaps he did but nothing would stray him from his wife's bed)

I am sorry dear Jen

Save it for another Jack, When I am dead it is on your head

(Jack looked like he had been hit by a truck, Never had he thought she would do something like this.)

Get out Jack, You have done enough, Never speak my name again

Jen please we just shared incredible ***, don't let it end it was such bliss

You are just like every other man I have met

All *
YOU ever think of  is *** *** ***

(Jen looked at Jack once more and said why didn't you just tell the truth perhaps then I wouldn't feel like a used ***** *****)
Written by Jennifer Humphrey/Niyahlove All rights reserved
Thanks to my friend Jack for the inspiration.
Steele Feb 2015
The Captain and I are shipmates tonight.
We ride out the storm together till morning light.
A glass full of his wisdom by my side in repose,
where his torrent of words will take me, who knows?
But a sentence reaches me by the bedside lamp's glow.
The truth of it kills
and I wish it unsaid.
"***," He whispers "won't fill
an empty bed,"
"Yes..." I sadly opine.
"But it dulls the pain...
fills my senses just fine."
The Captain nods, satisfied, and the ship rumbles
as it is tossed about by wind and rain.
He motions in the cabin boy, who tumbles
inside, and pours me another glass of pain.

Red like her lips.
Dark like her eyes.
Heady like her scent.
Fluid like her hips...
The Captain grabs my shoulder.
"Forget her." His eyes smoulder
louder than hers...

I reach for the wine.
CA Guilfoyle Oct 2015
Winter's amber fire
the ashen woods we burned
wet smoulder of mire
the water and the fire.
Dark ancestral home
nights moon shivering cold
stars fixed or falling
beyond the skies fiery yields
only dying embers
lost in oblivion's field.
The gravity of this reality is holding me down
This life is too heavy to hold on my weak shoulder
I cannot stand, I fall to my knees on the ground
Surrounded by my dreams as they slowly begin to smoulder
Anderson M May 2013
She quintessentially embodied the phrase
‘Paragon of beauty’
Perfectly chiselled face
Symmetrical features and a smile that could
Smoulder one’s heart in a millisecond
She had an aura of nonchalance around her
And an umbrella delicately balanced over her head
Despite it being scorching hot
She walked as if in fear of hurting
The very ground she trod on
Attracting surreptitious glances from passers-by.
I stood rooted to the exact spot I had stood ages before
In utter awe and wonderment at the breath taking sight I beheld
Then out of the blue she appeared to be on the verge of kissing the ground
I instantaneously lurched forward to her rescue
She, landing appropriately in mine outstretched arms
The look on her face * priceless*
Discomfiture and fear apparently evident on her face
Soothingly I assured her all was indeed well
Whilst revelling in the idea that I had come to the rescue
Of the exceedingly beautiful lady.
Hayleigh Jul 2014
When we were younger
We'd sit and play for hours
With dolls and beads and flowers
With toy cars and train tracks
And at the end of the day
We'd pack them away and put them all back.
We'd go down by the river
And laugh and shiver
And joke about growing old
Little did we know
What was about to unfold

As we grew older, the fires inside of us, began to smoulder,
The shoulders we'd come to rely on
Started to decay
As we made our way, into the world
Suddenly the dolls came to life
As our dreams of becoming a husband, a wife
Started to sour.
The beads formed nooses around our necks
As we began to lose our innocence
To drugs and ***.
The flowers shrivelled up and died
As we sat and cried our own rivers to drown in.
And those pretty little halos and silver tin crows
That used to iron out our frowns
S
   l
      i
        p
           p
             e
               d,
as we d i p p e d our toes into adulthood.
The toy cars crashed,
As we smashed head on, in a collision with reality.
And there was so need to plead
For the box with our train track toys
Because the little girls and boys inside us
Had died long ago.

And besides
We drew our own tracks up and down our wrists
And straight through our hearts.
As we began to realise
We were running out of
Fresh starts and new beginnings.
Hal Loyd Denton Sep 2012
A southern blend of jasmine and magonolia waft across the grounds an in it is a mixture of tell
Tale knowing a little smoulder lies in her eyes it causes you to anticapate a well spoken word
First it has a different sound than the rest of the country it has a bluesy age to it like it has come
From the delta it took its on sweet time in doing so it is bold just with enough southen sass to
Keep you alert you can’t take for granted that which is explosive and vibrant you don’t live in
The rise and fall of such rich history and not carry a mystery and confidence that is allureing
Tressels and verandas build the tender mood of gentel beckoning that is adorded as seasoned
Fashion spell binding unabashed qaulity is seen in modest means that streams like blue bells that
Have been turned to liquid by charms power and it lays like a long lasy haze that reaches the
Far horizion with a sigh you stop and deeply meditate this creates strong thoughts that go out
From your inner self like a suden strong wind that list and goes where you no not but
refreshment Is left in its wake like an old winding road it not the arriving but the going that is
awsome it delivers Many sights like the night it holds wonders of compassion as an old man you
see in his eyes That knowing that shows care you feel a welcome embracing toucing you for
Dixie makes a Speacial brew it takes long long southern days and paitennce here is derived like
no other place you get that taste of grace speaking slowly it is a trait of the wise that came by
it not by racing To it but by a slow assurance that only grows when you give it time it gives life
a higher qaulity that Is rare in our modern world why would you take a speed boat when you can
go by paddle wheel and go to a place called Natchez eithier real or imagined gentel thoughts
invade and they are a gloroious parade with all sorts of colors and floats that portray geenteel
sentiments some of it is the feeling of loss that great and real times that held such sway are truly
gone with the wind bedeviled by a women she wears a oversized hat that frames her and in many
ways explains her the showing of a well spring of love to be bathed in her voice it trully is the
finding of that memory and grand glory of a true sothern bell walk softly in this spell created
over many treasured moments in southern rays and moonlight kissed by a protective certiny of
woman hood found in no other place cover me God in sothern primose dreams until I walk again
on the great southern soil
Sandra Sep 2013
Rondeau

With not a sigh a tear or care
In gentle arms of midnight dare
Where dreams of wildest breeze elope
Roams twilight’s bless of softly hope
Toward an acquiesce of share

Warm snuggle now in cashmere bare
Suggestive of their sweet affair
A passion dance of thrill devote

With not a sigh

Tho drawn a more attentive pair
His smoulder deep, her raven hair
A love explored of wordly cope
For love there is no antidote
In mingle destiny’s somewhere

With not a sigh
The rondeau consists of thirteen lines of eight syllables, plus two refrains (which are half lines, each of four syllables), employing, altogether, only three rhymes. It has three stanzas and its rhyme scheme is as follows: (1) A A B B A (2) A A B with refrain: C (3) A A B B A with concluding refrain C. The refrain must be identical with the beginning of the first line.

Writing a Rondeau, in fact any style of poem that follows strict poetic rule, has proven a challenge, (that I am up for :) for me.
I have included the rules to follow, if anyone here is interested in penning their own Rondeau
Hayleigh Apr 2014
When we were younger
We'd sit and play for hours
With dolls and beads and flowers
With toy cars and train tracks
And at the end of the day
We'd pack them away and put them all back.
We'd go down by the river
And laugh and shiver
And joke about growing old
Little did we know
What was about to unfold

As we grew older, the fires inside of us, began to smoulder,
The shoulders we'd come to rely on
Started to decay
As we made our way, into the world
Suddenly the dolls came to life
As our dreams of becoming a husband, a wife
Started to sour.
The beads formed nooses around our necks
As we began to lose our innocence
To drugs and ***.
The flowers shrivelled up and died
As we sat and cried our own rivers to drown in.
And those pretty little halos and silver tin crows
That used to iron out our frowns
S
   l
      i
        p
           p
             e
               d,
as we d i p p e d our toes into adulthood.
The toy cars crashed,
As we smashed head on, in a collision with reality.
And there was so need to plead
For the box with our train track toys
Because the little girls and boys inside us
Had died long ago.

And besides
We drew our own tracks up and down our wrists
And straight through our hearts.
As we began to realise
We were running out of
Fresh starts and new beginnings.
Daisy Chain Dec 2012
Taste this sugar that i've melted onto your eyes
let me peel away and smoulder past my disguise

lets drop all our luggage and shoes at the door
we don't need our baggage or to run any more

The bed of possibility lays forever warm and sweet
the blankets, but a doorway, the pillow, the street

lets walk along the banks of our imagination sea
discussing hypothetical should would could be's

then turn them around and laugh in the moment's charm
none of it matters, thread your arm through my arm

we can stroll together, in this timeless shore
Fill my bones with your horizon and let me explore
all that makes you smile,
in this moment's core.
Hal Loyd Denton Jun 2013
A southern blend of jasmine and magonolia waft across the grounds an in it is a mixture of tell
Tale knowing a little smoulder lies in her eyes it causes you to anticapate a well spoken word
First it has a different sound than the rest of the country it has a bluesy age to it like it has come
From the delta it took its on sweet time in doing so it is bold just with enough southen sass to
Keep you alert you can’t take for granted that which is explosive and vibrant you don’t live in
The rise and fall of such rich history and not carry a mystery and confidence that is allureing
Tressels and verandas build the tender mood of gentel beckoning that is adorded as seasoned
Fashion spell binding unabashed qaulity is seen in modest means that streams like blue bells that
Have been turned to liquid by charms power and it lays like a long lasy haze that reaches the
Far horizion with a sigh you stop and deeply meditate this creates strong thoughts that go out
From your inner self like a suden strong wind that list and goes where you no not but
refreshment Is left in its wake like an old winding road it not the arriving but the going that is
awsome it delivers Many sights like the night it holds wonders of compassion as an old man you
see in his eyes That knowing that shows care you feel a welcome embracing toucing you for
Dixie makes a Speacial brew it takes long long southern days and paitennce here is derived like
no other place you get that taste of grace speaking slowly it is a trait of the wise that came by
it not by racing To it but by a slow assurance that only grows when you give it time it gives life
a higher qaulity that Is rare in our modern world why would you take a speed boat when you can
go by paddle wheel and go to a place called Natchez eithier real or imagined gentel thoughts
invade and they are a gloroious parade with all sorts of colors and floats that portray geenteel
sentiments some of it is the feeling of loss that great and real times that held such sway are truly
gone with the wind bedeviled by a women she wears a oversized hat that frames her and in many
ways explains her the showing of a well spring of love to be bathed in her voice it trully is the
finding of that memory and grand glory of a true sothern bell walk softly in this spell created
over many treasured moments in southern rays and moonlight kissed by a protective certiny of
woman hood found in no other place cover me God in sothern primose dreams until I walk again
on the great southern soil
Hal Loyd Denton Mar 2012
Southern style

A southern blend of jasmine and magonolia waft across the grounds an in it is a mixture of tell
Tale knowing a little smoulder lies in her eyes it causes you to anticapate a well spoken word

First it has a different sound than the rest of the country it has a bluesy age to it like it has come
From the delta it took its on sweet time in doing so it is bold just with enough southen sass to

Keep you alert you can’t take for granted that which is explosive and vibrant you don’t live in
The rise and fall of such rich history and not carry a mystery and confidence that is allureing

Tressels and verandas build the tender mood of gentel beconing that is adorded as seasoned
Fashion spell binding unabashed qaulity is seen in modest means that streams like blue bells that

Have been turned to liquid by charms power and it lays like a long lasy haze that reaches the
Far horizion with a sigh you stop and deeply meditate this creates strong thoughts that go out

From your inner self like a suden strong wind that list and goes where you no not but
refreshment Is left in its wake like an old winding road it not the arriving but the going that is

awsome it delivers Many sights like the night it holds wonders of compassion as an old man you
see in his eyes That knowing that shows care you feel a welcome embracing toucing you for

Dixie makes a Speacial brew it takes long long southern days and paitennce here is derived like
no other place you get that taste of grace speaking slowly it is a trait of the wise that came by  

it  not by racing To it but by a slow assurance that only grows when you give it time it gives life
a higher qaulity that Is rare in our modern world why would you take a speed boat when you can

go by paddle wheel and go to a place called Natchez eithier real or imagined gentel thoughts
invade and they are a gloroious parade with all sorts of colors and floats that portray geenteel

sentiments some of it is the feeling of loss that great and real times that held such sway are truly
gone with the wind bedeviled by a women she wears a oversized hat that frames her and in many

ways explains her the showing of a well spring of love to be bathed in her voice it trully is the
finding of that memory and grand glory of a true sothern bell walk softly in this spell created

over many treasured moments in southern rays and moonlight kissed by a protective certiny of
woman hood found in no other place  cover me God in sothern primose dreams until I walk again

on the great southern soil
David Watt Jul 2010
Splattered like my fractured heart,
Upon the sky like sensual art.
Blood red and dazzling with sequins.
Her dress drags out my desire,
Her lips smoulder the inner hate filled fire.

The sun is her bloodstain,
Drawing from the blues that wane
Her body was her rapture.
In this dirtiest of endeavours,
My pain weathers.

Even in your death people see only you.
Which is a gift to those that hate you.
For your death is easier to cover,
If no one suspects the lover.
Hal Loyd Denton Feb 2013
Southern Style


A southern blend of jasmine and magonolia waft across the grounds an in it is a mixture of tell
Tale knowing a little smoulder lies in her eyes it causes you to anticapate a well spoken word
First it has a different sound than the rest of the country it has a bluesy age to it like it has come
From the delta it took its on sweet time in doing so it is bold just with enough southen sass to
Keep you alert you can’t take for granted that which is explosive and vibrant you don’t live in
The rise and fall of such rich history and not carry a mystery and confidence that is allureing
Tressels and verandas build the tender mood of gentel beckoning that is adorded as seasoned
Fashion spell binding unabashed qaulity is seen in modest means that streams like blue bells that
Have been turned to liquid by charms power and it lays like a long lasy haze that reaches the
Far horizion with a sigh you stop and deeply meditate this creates strong thoughts that go out
From your inner self like a suden strong wind that list and goes where you no not but
refreshment Is left in its wake like an old winding road it not the arriving but the going that is
awsome it delivers Many sights like the night it holds wonders of compassion as an old man you
see in his eyes That knowing that shows care you feel a welcome embracing toucing you for
Dixie makes a Speacial brew it takes long long southern days and paitennce here is derived like
no other place you get that taste of grace speaking slowly it is a trait of the wise that came by
it not by racing To it but by a slow assurance that only grows when you give it time it gives life
a higher qaulity that Is rare in our modern world why would you take a speed boat when you can
go by paddle wheel and go to a place called Natchez eithier real or imagined gentel thoughts
invade and they are a gloroious parade with all sorts of colors and floats that portray geenteel
sentiments some of it is the feeling of loss that great and real times that held such sway are truly
gone with the wind bedeviled by a women she wears a oversized hat that frames her and in many
ways explains her the showing of a well spring of love to be bathed in her voice it trully is the
finding of that memory and grand glory of a true sothern bell walk softly in this spell created
over many treasured moments in southern rays and moonlight kissed by a protective certiny of
woman hood found in no other place cover me God in sothern primose dreams until I walk again
on the great southern soil
I got goosebumbs on my shoulders
Dont gradate, you better smoulder
I said “I’ll tell you when you’re older”
Tie your noose with a game controller

Eat my shorts when it gets colder
Pebble, pebble, broken boulder
She says “I hate your face,” you hold her
Got a sweet tooth, hollow molar
HTR Stevens Dec 2017
If I am Queen of Scotland and you are King
We will wander thro’ all the castles, you and I.
Who knows what the years ahead will bring?
One thing I know, we will see endless Skye.

We will feel so small but yet so free;
Mother Earth steady beneath our feet
On every blade of grass, to the highest tree
We can curl up and sink into sleep.

Scotland, O Scotland! Here we come whilst we are still at one,
Your pipers, bagpipes and drums tug at our heartstrings
When dusk falls and all is said and done,
Only the Gods know what the future brings.

My heart yearns for you, your passion and your fire;
Your world is strangely dark and deep.
Can a heart smoulder with such love and desire,
Mesmerised by your magic and mysteries, and secrets you keep.
Janette Sep 2012
Were my words....
the hands
that sculpted
the heartbeat
of your soul
into the breath
that passed
across my shoulders,
in places where
your fingertips
brushed back my
hair, exposing
the curve
of my neck...

Were my thoughts,
a bridge, I traveled
into a place where
time stood still,
save for the
moonlight whispers
of your...
Fantasy
cascading down
the passages
of my dreams,
turned the brightest
shade of scarlet
for the want of you,
burned
Monet to skin

I lay, undone

Longing to be
the Masterpiece
you create
with your touch,
aching to feel the
soul you paint
into my eyes
Glazed, windows
to the fire,
banked no more
let free,
to burn, cinders

Ash ascends,
quickens the breath
that become the
wings of crimson
glow, born of
inhalations of
distant blue...
graze the smoulder
that pierces the
horizon,
invisible heat,
seeking the
source with
eyes of touch,
requiring no
preordained
destination...

Let fall, the rain

Staccato,
to cleanse our
flesh, slick
with the wet
of salvations
thirst, strums
to move our
souls, to one
Twined
into frenzied limbs
I reach for
the fire in you
out of the ashes
let us rise, reborn
to worship
the heat of day
as you carve your
Absolution
into my palms
raised to the
glory of nights
inhaling sunrise

My words....
hands that sculpted
the heartbeat
of your soul
Moistened in
the reign,
fingerprints,
tracing the
press upon
skin, as they
tingle...
indulging
in a season,
somewhere in between
a winter without creed,
and the spring of our
confessions,
spilling over the banks
of our deliverance....
brea Mar 2014
Anything for a friend
Means not only petty favours
Or discounts on coffee.
Kindness, is it really?
At 3am, holding your hair back
Mouth waters, yearning for a taste
Of the promised land, so close.
Kindred matchstick kindle
Almost small enough to slip through the cracks.
"Malady, my lady, I have none."
Only silver strength and iron will.
Killing you with a smoulder, caressing lost lover
As surely as the nuMbing cOld finally maKes you feel anything at all.
mark alcock Mar 2013
If I couldst show to thee the measure of my love, wouldst thine eyes shine in radiant hues? Smoulder then in deepest lapis blues, that put to shame the very rainbow's best intent.

If I couldst share with thee, the hottest of my humors, wouldst not the boilings in that abyssal pit, pale and mediocre seem, as 'twere mine, in compare? It would melt old Vulcans's anvil, adamantine!

Take for thee, these my softest kisses, which, placed upon lips, seeming to mine own essence, as pillowed angels breath, yet, those godly messengers own sweetest puckerings, as granite, to those of my mistress.

If thou couldst pluck from my chest, a still beating heart, wouldst not the sanguine, boiling streams, scold the unforgiving stones, on which they splash?
The fiery vapours rending air, as heaven bound they rise to paint the sky, incarnadine!
And yet, merely moistening that beloved hand, which holds, the fleshy, ruby prize.

Canst thou now measure, that which knows no measure?
And like heavens starried twinkles, whose beacons point the way, know  this, infinite, is the measure of my love for thee, my mistress.
martin Apr 2014
Lottie lived in an old pebble-mashed cottage in the middle of nowhere, with a ***** muzzle tree in the garden. She always wore white glubbs on a Sunday, and going to mumble sales was her favourite pass-time.

  All year round a lyre would smoulder in the gate, as the house was not connected to the lucidity grid, which Lottie considered the work of the davel. She liked to recite Shakespeare to her clogs but as she got older would mix up her worms and get her lettuces in the wrong order. At times I was the only one who could stand on her.

   There was a lovely orchard out the back in which all kinds of baffles, tums, bears and cheeses grew. She made the best crum plumble you never tasted.

  She loved her macaroni wireless, the old type powered by molluscs, although in latter times she accepted my gift of an up to date transittor with a built-in bat pack.

  We would ***** away many an hour as she reminisced about her youth, when she had traveled far and wide in the grand old days of steam *****.
  
  Lottie kept all her marbles right up to the end in an old sweet jar, kindly leaving them to me when she passed. So now it's up to me to carry the mantelpiece.  Dear old Lottie was unusual, but I liked her concentricity.

There's no one quite like Lottie
I'm sure you will agree
To some she didn't make much sense
But she always did to me

— The End —