The Wyg burns the separate strands above a wooden pyre.
The Wyg ushers in The Line.

Mixing new colours with a robotnik slave-hand,
The Wyg manipulates The Line as no other in existence has done before or since—
Except, Exalted Ditko,
He who studied with
Exalted Paul Rubens.

The Wyg pays credence to the commeroration of Mars,
Watching over its distant skies and hallowed sand dunes,
Which burn as only fires can;
But those of us with eyes where eyes ought to be
Can only see the embers that scatter across the land
As hallowed, red Mars-dust.

In communication with the Mars Moth-Man,
On the nights where Earth-glow streaks across exalted Azuul,
The Wyg scrapes Mars Moth-Man's moth wings for the powder of the scales
And uses the powder for hallowed rites of manifestation.
Only in the temples of Azuul can one conjure The Line, and many materials are required.

No longer in that postition.
(No longer robotnik— the robotnik man-clock.)

No longer seated there— square—
Fantasisng about The Line.

We are no longer haunted by ******* imprints—
Let it be said.

Now control the ethereal days—
When they come to pass.
Now, manipulate The Line in new ways—
If it does not break.
The Line bends but it does not break because it bends for me now!
And, at the end, decide whether or not it shall be perceived as real,
Or merely perceived as a figment of the imagination.

So now, we are in that position even when there is nothing there:
We are peddling, or writing,
Or etching a single line.
And this is how we shall expand...
Cycling past ourselves...