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Parsimony Antipathy or Prudent Hostility

                     Locked-up Cuspid Of the One Celled Organism

                     As the Augury tends to its Auspices oddities

                    One Weak Ordeal and your reward will be handsome

  

                     Ceteris paribus when Ockham’s blade gets dull

                     Get a loan from your Karma or come back as amoebae

                     Hearts won’t be practical until they’re unbreakable.

                     But if you hear hoofbeats, think horses, not zebras.

                    

              Sometime this week I’ll hang from the gallows

              Every drip of the tallow brings closer the end

              But I’ve got this imp secured in this bottle

              And you can have him for a price less than a penny



              Yeah, I’ve got a genie who’ll grant all your wishes

              Just pay for this bottle and your family gets fed

              But act fast, for soon I **** my last twitches

              By this time tomorrow I could very well be dead



                     Salivating tadpoles for Hegemony crickets

                     All imprisoned here with this repressionist peasant

                     By a singular stroke into Jove’s black booklet

                     Lucidly errant, who hasn’t been flippant?



                     Clever Arachne, my love, oh thou immodest spider

                     All I ever wanted, she picked a fine time to leave us

                     My days squandered eavesdropping Apocalypse riders

                     But if you hear hoofbeats, think horses, not zebras.



              Sometime this week I’ll hang from the gallows

              Every drip of the tallow brings closer the end

              But I’ve got this imp secured in this bottle

              And you can have him for a price less than a penny



              Yeah, I’ve got a genie who’ll grant all your wishes

              Just pay for this bottle and your family gets fed

              But act fast, for soon I **** my last twitches

              By this time tomorrow I could very well be dead
ZacharyBaca Jun 2017
I'm alone and I'm feeling stuck I feel the weight of an elephant sitting on my chest and  the pressure is unbearable. I'm in a different place but I feel like I see the same faces. I feel like somebody is after me and wants to **** me but I feel like that person lives inside of me. My stomach hurts because the pressure is building so I let out a yell from the very bottom of it. I can feel a hot rush to my eyeballs as my brain decompresses. I can feel the pressure agai Yelling is the only thing that helps. Still, I grab the first thing that I see and I throw it, it just happened to be a backpack through a windshield with a laptop in it. I want to hurt everyone who's ever hurt me and then I realize it was me hurting myself this whole time so I inflict another wound upon myself.



How did I wake up in prison again today when in last nights dream I got so far away. I love running away in my dreams because though I know I should be tired I never run out of breath so I'm able to cover quite a bit of ground when I run away from this place in my dreams. I also like to  breathe underwater. Right before I went to prison I was still flying freely in my dreams I could literally run and jump and fly from place to place but after three years in, I can't seem to get off of the ground. I'm wondering if it's some subconscious thing going on.



The guards yells "stand by for chow!" With elongated syllables and his voice travels down the run with purpose. This old prison has the classic looking Steele prison bars you see in cartoons and movies growing up, it's actually quite eerie. I throw my sheet over my bed and tuck the blanket into the edges so it sits tightly around the mattress and fits snugly in the 6 foot steel soap container type mattress frame that is attached to the wall in a way that you can for this frame up and ******* to make your 6' x 9' space a little bit bigger . I only do this after I put my books in a stack at the end of it because they were spread out with no organization like sub group of war refugees. I turn off the TV, click the desk lamp,  press stop on my tape player, but I let the fan still run. I fold up the drawing I was working on into my dictionary of symbols along with a couple of the poems that were simultaneously being worked on - it's like I have to work on 10 different things at a time to keep my mind occupied. I'm stuck in the cell 23-24 hours a day with ADHD and I was the type of kid to wonder the city for 16 hours on my bike.  I like it because I feel like I'm getting good at 10 different things at once and though I know i it's pretty much impossible to focus on more than one thing at a time I set aside small focuses for each thing in bits and pieces and then go to the next thing, it's quite refreshing to be honest.



I throw some water on my face brush my teeth and I comb my hair back  after I put on a fresh T-shirt, some new pants and my new shoes . Even though I'm wearing all orange I want to look the best I can because it makes me feel good. On the walk to the chow hall we have to go down the stairs and central unit in Florence, Arizona. We all squeeze shoulder to shoulder on the tight run of cells and have to walk Down five flights of stairs and everybody is in a rush but still acting like there just walking casual it's pretty funny to see people do casual speed walks. Everybody's cracking jokes and excited because   Tonight we get pizza and we only get it a couple times every six weeks for they have the menu on a six week schedule. It might taste a little bit cardboardy but who cares it's been years since we've actually had a real slice.  And if you bring some salsa with a little bit of your own cheese you can actually fix the pizza up to where it's quite delectable.  



We pass through the old metal doors and you could fill the air blow from above where the door fan is. As I walk into the chow hall, I can feel tension among the other inmates - it feels like when the lowest frequency on a sound scale with a bass comes in really deep at the bottom of your stomach and a high pitch of the top of your ear that is out of tune and doesn't sit well. You can always tell when something is about to happen because everybody gets quiet and you can feel it in your stomach it's almost like the same feeling of fear and anxiety because the guy who's going to get gotten never knows it's him. I give the guard my last name and I get in line to get my pizza. The food trays come out of the hole in the wall  pretty fast -  inmates that work inside of the kitchen have this down to a science and their muscle memory and pattern recognition is that of an expert sous chef.   Pizza corn jello and a cup for the potent artificially sweetened juice they give us. I'm going to sit down in the middle tables because they have the tables sectioned off for people of different color the white boys sit with them white boys the black people sit with the black people usually closest to the door. The paisas (Mexican national)  sit with each other, the Chiefs have their own tables among  the Mexican Americans. I never sit closest to the wall because if you sit at the back table closest to the wall that means you're striving to have prison political ties and that is something that never interested me because though I am doing five years that is still a temporary stay and I did not want to join a prison gang. But when you're on the higher yards like central unit everybody is pretty much down for the cause so sometimes I will sit back there with homies. Once seated I grab my squeeze cheese from my right pocket, bite a  small piece of the corner off the packet and and squeeze it onto my pizza. I  also apply  some hot sauce and I get o have my friends pizza because he owed me from last nights 49ers game with a bet he lost. This story was probably believable up until the point I said the 49ers won.



while all this is happening in the back of my mind I know something is about to pop off because I could feel it in my stomach. once you know you're good then you're good as far as not being the one about to get stabbed or stomped on but there is always a lingering thought in the back of my head like I hope it's not me that they're about to get. I know it wasn't going to be a prison riot because we all would have known we all would've been prepared with knives ready.



I started eating. Yup cardboardy. Now a little bit faster because my gut told me something was about to pop off and about 3/4 through my second piece of pizza I heard it.



Attacks are usually really quiet in prison usually you hear the stomping of feet, grunting and groaning or slamming against walls so you can feel the wall shake. unless the person that is getting attacked by anywhere from 1 to 4 people starts screaming for his life and begging the guards for help.



This particular attack started with hoofbeats feet on the ground and punches landing and struggling breathing heavy and grunting. You never really want to look directly at what's going down because you don't want to draw attention to the situation or yourself if the guards aren't  paying attention. Attacks like this committed in the middle of a chow hall typically indicate that the person being attacked has to go and is no longer allowed to stay in the general population with us.



I'm Going to say which particular race or who was attacking who because specifics can get a little bit sticky if you are journaling your experience I would hate to offend any particular race or be considered a snitch. three men were stopping another man and it happened really quick. I didn't realize that they had knocked him unconscious and he was breathing really heavy and snoring as if he were dreaming of a beautiful place and had a stuffy nose at the same time.



In what seems like is forever or at least a really long time only just a few seconds have gone by before you hear the guards rushing in. four now eight now twelve guards with fire extinguisher sizes Mace cans, Spraying the men on the face both attackers and victim.



It's crazy because when you're in a room and they use those mace canisters on one person in the whole entire room gets clouded with Mace or Pepper spray  and everybody goes down on the ground and  starts clinching their throats and gasping for breath. some men cannot bear it,  though they typically don't die it seems like they're right on the edge of their last ****** breath.



I just felt bad for the person who didn't get their pizza in time because they're  going to be hungry while we're  all locked down until  the situation re-centers itself. then again the other part of me was a bit jealous because I'm sure the Mace served as a hot sauce and they got to enjoy a little bit of that.  



As I lay dying, I put my face in the ground in my arms and take the smallest breaths possible because it feels like I can survive these breaths and when you breathe deep it stings so bad that you can't help but to gasp for air and cough and perpetuate the struggle.



  I drift off to the beach... Here I am with my feet in the sand at the ocean. I hear seagulls flying above overhead and their calls are panning from left to right like the cleanest headphones you've ever heard. I can hear the waves crashing in and I can feel the sea breeze on my face.  it's one of those days when it's not too hot out but you feel good in the sun with the cool wind on your skin just enough to add A balance. Kind a like a sweet and salty sensation. I love this.



I'm really thankful because last time they maced the whole group it was inside of our living space and we had to sit there for 2 hours and cough but it was only the first 45 minutes or so that felt unbearable. The first time I got maced or actually experienced mace in a really bad way it was when they maced my neighbor inside of the shower because he didn't want to get out of the shower and I thought I could be tough and not feel the effects that much and I was eating crackers while I could smell the mace entering my nostrils. A few seconds later I was on the ground holding my throat because I felt like I was going to die and I couldn't even swallow the crackers I was gasping for air and hating God for this pains existence.



Now again we rise  up on our feet moving back to the run  where our cells are located and I can tell that a lot of the people who have been in prison for a long time who are not in the political movement Are really upset by this because they just want to do the rest of their life inside of these bars at peace.
‘Be waiting up at the window,’ said
The note he sent by hand,
‘I’ll come and collect you at midnight,’
Said the note, ‘the way we planned.’
She heard the clatter of hoofbeats in
The courtyard down below,
And waved to him from the window
As she seized her portmanteau.

She quickly skipped down the staircase
Holding both her shoes in hand,
Trying to avoid the clatter as
She raced down to her man,
It only took but a moment then
To seat her on his horse,
And gallop out of the courtyard on
Their way to the watercourse.

A light appeared in an upper room
And they heard her father roar,
‘By God, you’ll pay for your insolence,
I told you once before.’
He’d promised her to a Banker’s clerk
Who had paid him for her hand,
Though she had said that it wouldn’t work,
She had bowed to his command.

But then the couple had plotted,
He was sworn to break her free,
‘If anyone is to marry, it
Will just be you to me.’
They headed down to the water where
The sloop, ‘The Esperance’,
Was waiting for their arrival
Before sailing off to France.

It took an hour to set the sails
And wait for the tide to turn,
They hid themselves below the deck
In a cabin at the stern,
But soon the thunder of hoofbeats said
They must have been found out,
For then they heard her father’s call,
‘It’s best that you come out,’

He ventured slowly out on the deck
To reason with the man,
Then saw the flash of the powder that
Was loaded in the pan,
The ball cut straight through his windpipe,
Left him sprawling on the deck,
While she was dragged from below, and screamed
‘All curses on your neck.’

He locked her into an attic room
And he wouldn’t let her out,
Though she would wail, and would scream at him,
And curse and yell, and shout,
She waited up till the early hours
Then she set her room alight,
The fire spread till they all were dead
From that single candlelight.

It sits as a blackened ruin now
With soot on the standing walls,
A testament to a daughter who
Refused to be overruled,
And still some nights when the moon is bright
There’s a whisper, close at hand,
‘I’ll come and collect you at midnight,
And we’ll leave, the way we planned.’

David Lewis Paget
vircapio gale Oct 2013
awakened cows chewing
a mountain pass
dawn warms their massive eyelash rows
clinging drops of dew
spark in rhythm with the cud

darkness rumbles distant now
clouds dispersed to other nights
while metaphoric bull unhinged resounds
the cosmic rut

must i hide my love for this
unweave my judgment from my sight?
what in me defies all sacred holiness forever sung?
bees will ravish even newly opened buds
who am i to battle with the lightning's surge?

presumtuous coverings
can net me willing lustful
stars i see a field i open fertile
ecstaticly unblessed enough

lost heroic i had thought to know
pretends a second thrum
i see in random eyes the breaking sky
and lightning branches over snaking crevices
a sound of faultlines folding free
tectonic sexplay deep
in lava belly
far behind the summit mount--
there i see the sun a base as well
earthen seedbeds heating heights of life

space is cracked!
vast width enwombs the narrowness i preen
in nervure's shine,
a sponge mycelial with soak of raining
carbon underground
the drumming hoofbeats shake and settle
days dehiscing spinning sun
to somber eve in active rest
dreaming pasture real
within a trailing effort's ease
based on a translation of the hymn "To Indra [primarily a deity of the thunderstorm]", x.89; from R.T.H. Griffith, "The Hymns of the Rigveda, 2 vols. (Benares: E.J. Lazarus and Co., 3rd ed., 1920-6)
Lauren spooner Mar 2013
You are the amplified heartbeat
Pounding through my head
Like hoofbeats, predicting a stampede
A wild thing, just tamed
Baring teeth at the hand that feeds
and slowly forgetting
That the blood singing in your veins
Was meant for more than cages.
At midnight, out on the cobblestones
There’s the sound of rolling wheels,
And a shadow cast on a window pane
From the road outside, it steals,
A wagon, black in its livery,
And pulled by a single horse,
As black as the heart of the man that steers,
Whipped up from the watercourse.

From down in a tiny inlet, deep
Enough for a man of war,
A French corvette is lying, waiting,
Just metres away from shore,
It carried a cargo of brandy, wine,
And cases full of tea,
Smuggled into the tiny cove
Its goods all duty free.

Now it’s waiting upon the tide
To turn the ship around,
Its cargo gone in the wagon now,
Headed for higher ground,
And then the galloping hoofbeats echo
Over the cobblestones,
The crack of a couple of pistols and
The air is filled with groans.

The horse breaks free of its halter and
The wagon rolls back down,
It’s shadow passing my window pane
A second time around,
It rolls back into the harbour while
I hear the boom of guns,
Firing from the French Corvette
As it hoists its sail, and runs.

Once a year on the fifth of June
And late into the night,
Whenever the moon is lying low
And casting down its light,
I see the shadows and hear the sounds
From that deadly time of yore,
As the ghostly French Corvette departs
And sails from the ghostly shore.

And glistening out on the cobblestones
There’s a dampness, looks like mud,
That dissipates in an hour or two,
A pool of the smuggler’s blood,
I dare not go to the window, look,
Or even open the door,
In case I’m carried away by them
From two hundred years before.

David Lewis Paget
The news came rustling through the trees
As I tethered the horse’s head,
It came with a gentle sigh on the breeze,
‘The Lady Mulcrave is dead!
She waits for you to attend her now,’
I shook in a craven fear,
‘Her arms are crossed in eternal rest
As she lies on her oak wood bier.’

I stared in horror about me then
For the voice I heard in the glade,
Though nothing moved in the gloom out there
But the shadows the fire made.
‘You lie,’ I cried, as I saddled the horse,
Buckled and fastened the bit,
Then spun around by the river’s course,
‘I’ll not hear a word of it!’

We galloped over the rickety bridge
And the hoofbeats rang in the air,
They seemed to echo the one refrain
That desperate word, ‘Despair!’
The moon hung over the distant hill
With the Motte and Bailey Hall,
Where I’d left Milady an hour before
At Sir John FitzAlan’s Ball.

She’d said, ‘Be certain to call for me
When it strikes the midnight hour,
I wouldn’t like to be left in there
Bereft, in FitzAlan’s power,
I’ve fended off the proposals that
He’s made, in the times before,
Be sure to wait at the Bailey’s gate
With my father’s coach and four.’

I’d left her there with a merry throng
In their masques and gowns and lace,
The gentlemen with their tricorn hats
And coats, cut high at the waist,
I’d ridden off to the distant wood
To sit out the time before
I’d ride alone to her father’s home
And collect the coach and four.

But now, I hurried on back in fear
That Milady was taken ill,
I prayed to God on my foam fleck’d ride
As we crested, over the hill.
The Motte and Bailey was dark outside,
Not a lantern at the door,
And not a guest to be seen out there
Where they’d thronged, an hour before.

I rode on into the courtyard where
The coaches had wedged in tight,
There wasn’t a single coach or horse
To be seen in the pale moonlight,
I called, ‘Is anyone left in there
I’ve come for Lady Mulcrave!’
There wasn’t a sound in the silence there,
A silence, deep as the grave.

I beat on the heavy oaken door
It echoed on through the hall,
I thought that I heard some breathing, breathing
Whispering through the wall,
‘Open the door and let me in,
I know you were here before,’
The hinges creaked and the door gave way,
Into an empty hall.

The air was rank and the walls were damp
And a moss grew on the floor,
There hadn’t been anyone living there
For fifty years or more,
And standing near the ancient hearth
Was a shape that brought a tear,
For stood in the gloom of that ancient room
The remains of an oak wood bier.

I sit in my cabin, deep in the woods
And avoid the world outside,
Something that happened late that night
Disturbed my time and tide,
The Lady Mulcrave died that day
In that Motte and Bailey Hall,
On the same day I was born, they say
As Sir John FitzAlan’s Ball.

David Lewis Paget
Kerry Peterson Apr 2013
Look.

Revelation underfoot

And overhead,

Within

And without,

Cycle

And system,

Adaptation and

Resolute resistance,

Wind-whipped ocean

And aspen dance.

Listen.

Lightning

And thunder,

Sizzling fire

Of new earth,

Blue whale

And bird song,

Thundering hoofbeats

and hail from the sky,

Water spilling

past rocks and high places.

Breathe

Night blooming jasmine

and lavender lilac,

Cinnamon stick

And orange blossom,

Rain soaked air

And nighttime heat.

Puppies

and children at play,

Crisp air

Of mountain pass,

Salt spray

and desert dryness,

Oak fire

and incense cedar.

These illuminate,

Speak,

And carry the scent

Of something far bigger,

Much grander,

Ever richer.

Indeed,

We see the broken,

Hear the hard,

Inhale the bitter,

But to say that these define our world,

And shape the edges of existence...

No.

No, we must not let our senses dull

And fail to notice,

Interpret,

Give thanks for

the sight, sounds, and taste of all that is good.
A little late for Earth Day...but what is a few days to the earth?  Feedback welcome on poem.
Keith W Fletcher Oct 2016
Keith W Fletcher
July 28 2016


In spirit I'm  the Dark Horse
Fading into shadows of doubts
Optimism rides upon my back
Yet it's not enough to turn me
From those obscure routes
Where I too often find my solace
In the echoes of my silent world
As I run from my own hoofbeats
That I have been chasing
  None hears  the distant thud
From far below those lofty heights
Where I so often find
Myself  being hurled

In absence I'm an empty space
Where once a possibility had existed
Like those gentle summer winds
That moves along  unnoticed
Until dust or debris swirls around Acknowledging the air
That in my passing through...
... has just been twisted

In memory I am a faded color
Where no reference of what was... .....allows comparison
So no photograph
Or artistic rendering
Can ever capture the true identity...
....Of a shadow lost in shadow
Once the fading out has begun

In legacy I left a trail
Well worn and beaten wide
As I never took
The straight and narrow
I've always  preferred...
... to move from side to side

So  please...do not illuminate
The beloved shadows zones
Along the trail
For  these are the places to take more time
Feeling the presence of all the ghosts
Those reminders of my dead dreams
I've left along there
To haunt me
Reminders of those times I fail

But that cliff edge
Where I  so often  hurled myself
To crash below
In muted
And too often painful
Solitaire Evolutions

That step off spot
Where my tracks end
That is mine and mine alone
Just as is ...
That Hallowed Ground...
... where  I land
And where I lay... until I stand
To dust myself off.. or weep
So should I choose to curse my soul
I want no one else around
Catie Lien May 2010
I've got an invitation to the Boston Tea Party
I'm letting you know in case you want to come with me
I heard from some friends that it's going down in history
Don't think about it twice
Just say yes

Whoa! Uh oh!
No taxation without representation
Whoa! Uh oh!
These patriot's they know how to show a good time.
Whoa! Uh oh!
What Georgie gonna think when he wakes up in the morning?
Pass me the quill, dear Hancock.

Thomas Jefferson, he has got a way with words
He really makes you believe that this dream's gonna work
(Maybe if you forget that these Brits rule the world)
I'll sign the declaration
It's all I have left to believe in

Whoa! Uh oh!
Paul Revere he says the British are coming!
Whoa! Uh oh!
Can't you hear, the belfry's bells are ringing
Whoa! Uh oh!
Pick up guns we're off to Lexington
Hoofbeats are flying out to the night.

Wait.
Here I stand.
At this Battle of Bunker Hill.
Stop.
Close your eyes.

What happend to our sanity?
Civility?
Humanity?

(It went out the door with our freedom.)

Whoa! Uh oh!
We don't need a King we have our own voices
Whoa! Uh oh!
Life and Liberty and the Pursuit of Happiness
Whoa! Uh oh!
Save the date, July 4th 1776
US of A, it's independence.
I wrote these intentionally as lyrics to a rock song, but I felt that they were clever enough to be also considered as a poem.  I wrote this during the Revolutionary War portion of my history class.  I'm a real history nerd :D
Laughing Wolf Feb 2016
Autumn
windmills churning
apple cider, hayrides/
leaves crunching under lithe hoofbeats
pumpkins peep from drab earth; sun in slate sky
breath to view with the naked eye
burnt pine flickers linger
in requiem
autumn.
Joyce Savage Nov 2015
Racing across the hilly meadows,
Racing across the dusty plains,
Scorching sun up high above them,
Their bodies drenched with cooling rains.

Not caged in with wooden fences,
Land as far as the eye can see,
Independent of man’s ways,
They are free.

Hoofbeats pounding the Earth,
Thundering through the sky,
Not held back by man’s contraptions,
This is where they live and die.
John R Apr 2014
When Princess Lemon went to bed that night
she knew for sure that everything had changed.
She knew the pounding hoofbeats would pursue
the quivering night-time body of her dreams,
would shake her upside-down and inside-out,
would set the tempo of her shuddering sleep.

The horseman spurs the horseflesh to obey
his strict command: "Up now, and clear the hedge!"
Together, man and beast perform as one,
combining will and power; and at speed.

The huntsman and the Princess are a pair.
They dance to Pan as only lovers can
and twine their bodies in the open air.
matt d mattson Mar 2010
When I first met you in the wood
T'was like the hunter found his hart

I searched for you my swimmer pale
Like Ahab searched for his white whale

I walked for long with bow in hand
And quiver full of cupids arrows

Like the hind you were so quick
And I lost you in the forest thick

But sometimes I would see a hint
The sound of footfalls in dead sprint

Then I would try to catch and run
Thinking that my prize was won

But always you had come and gone
The most elusive adult faun

I never could quite shoot my dart
And never could quite hit your heart

In sadness I left to go
And heard your gentle hoofbeats slow

I turned and looked beyond the snow
And I saw you there my lovely doe

So timidly you looked at me
Simply wanting to be free

So I stayed my hand and bow
And waited in the cold white snow

For now I know that if you chase
The hunted will seek out more space

An eternity it seemed
While my breath in cold air steamed

And then you took a step towards me
But still I waited by the tree

And then you were by my side
Affection for you I could not hide

Finally I have got you deer
Now please will you forget your fear

For I will always be right here
If you my love will be my dear
Matt D. Mattson    Feb 28, 2010
xmxrgxncy Jul 2016
I want to manipulate feelings, he says

I want to make them feel things, to make them cry, to make them die*, he says

He wants to make scenes in front of fire hydrants and dance to the sound of wild hoofbeats

He wants to make them cry, in awe of the beauty screened before them, the sunset awash in an inhuman glow

He wants to make them die inside as the heroine is killed, but dramatically makes her comeback all through the means of a tilted lens

He wants to make them feel things

And he, of all people, alone, has the power.
Wady:)
Julie Grace Jul 2018
we were still, quiet things,
twin drumbeats
among hoofbeats,
background noise against
a steady foreground.
we measured our brokenness
like flour in measuring cups
pure and white,
skimmed and leveled off at the top.
some things aren’t supposed to overflow;
blessings are, but we weren’t blessed,
not in the ways we thought we wanted.
so we found a new covenant in each other
in soft words and soft lips
and soft promises broken against skin made soft.
still. silent.
but the cacophony grew too loud,
discordant, dissonant,
our drumbeats discrepant.
distance. disaster.
we were still, quiet things,
two drumbeats among hoofbeats,
background noise against a sporadic foreground
4.11.2016
Jared Eli Dec 2013
I can speak the words of another
With the conviction
Of a thousand horsemen
Riding into battle
But my own words I say soft
And they are lost in the thunderous
Hoofbeats
Brent Kincaid Jun 2018
Dream horses
Come to me tonight.
Take me away from here
And show me sights.
Show me the cloud valleys
And canyons of thunder
While I pull up the covers
And hide deep under.

Dream horses
Let me ride with you tonight.
If we ride out together
I know everything will be all right.
I’ll laugh and call out to you
And all the worries I had today
Will fall behind our happy pace
And the world will go away.

Dream horses
Give me memories I can take
Into the dawn and cherish them
When I up and I am awake.
I will gather those memories
And I will play them again
As I wait for those nighttime
Hoofbeats and neighing to begin.

Dream horses
Come to me tonight.
Take me away from here
And show me sights.
Show me the cloud valleys
And canyons of thunder
While I pull up the covers
And hide deep under.
All about me I remember,
The warrior, the wise teacher,
The prophets gazing at the stars,
The reddish vivid glow of Mars -
And I'm reminded of their muscular form;
Thick-skinned and proud, one born
To the region of Magnesia or Mount Pelion,
An army of spears sharp and long.

From every side they came,
The longbow with steady aim,
The warriors pointed silver swords,
The hoofbeats pounding came towards.
Then, I closed my eyes and awaited death,
Icy-cold and dark, the breath
Of my lungs heavy in my chest,
A befitting end to a perilous quest.
Published by One To a Thousand/Liminis in 'Creatures'
Copyright ©️ Joshua Reece Wylie 2022
The hoofbeats come through the mist at night
And the sound of clattering wheels,
While Ursula sits at the Inn in fright,
And we all know how that feels,
There’s not been a coach for a hundred years
On these cobblestones, lining the lanes,
Not since the smugglers used a hearse
To carry their ill-gotten gains.

And though she may peer through the pebble glass
When the mist lies thick in the night,
She hopes that she’ll see the phantom pass
But it’s always out of sight,
A little beyond the light that beams
From the lamp that filters in,
To the darkened room in its haze of gloom
That they call the Smugglers Inn.

There’s a story told from the days of old
When the customs lay in wait,
Their pistols drawn just before the dawn
When the hearse would meet its fate,
And Captain Sly with his one good eye
Was shot as he hit the ground,
While Ursula hears his cry of fear
As the customs gather round.

She only hears the scuffle of feet
And the neigh of a frightened horse,
That echoes out of the distant past
While the mist obscures its course,
But out, like a smear on the cobblestones,
And just where the Captain stood,
It takes a day just to fade away,
A pool of the Captain’s blood.

It’s only whenever a mist appears
That she hears the clattering wheels,
And thinks of death as she holds her breath
To know what the mist reveals,
For after the Captain has hit the ground
In front of the Smugglers Inn,
The door will open without a sound
For that’s when the ghosts come in.

David Lewis Paget
William Marr Feb 2018
A dashing horse
is always one step
ahead
of the rolling dust

In the Year of the Horse
one ought to make
365
hoofbeats
Patti Sep 2017
I'm standing on the ledge,
somewhere between love and destitution.
You say you can handle being threatened,
But your eyes tell me something different.

I know what I'm up against,
I'm the jackal and she's the lion.
I carry you across the dry, barren landscape,
Feeding you bits of my heart
to sustain your essence.

My heart pounds like a thousand hoofbeats,
Echoing across the valley
of hatred and intolerance.

Like an old battle horse,
I move slowly and steadily,
Despite the wounds-- invisible to your eyes,
Causing fear throughout my body and soul:
Of losing you,
To a sea of vultures.
Jim Kirk Feb 2020
OrIginally published JANUARY 2017 -
The Leader
February 2020 - He Marches On.

Hoofbeats from a strange land,
As cascading Thunder roared,
upon the horse of prosperity,
     he rode purposely,

Many embraced him as disciples,
  Others laughed and jeered,
     A fool has come today,
   But his garments are fine,

Not a son of god nor prophet,
  But rain in a drought,
    For the thirsty,
Who had tasted sand,

  A destroyer for others,
ancient dams would fall,
Thunder, blessings, cursing’s,
For The Leader had come,


  A Time of fear for her,
  A Time of hope for him,
They danced in bitterness,
Why this volatile disunion,

The Leader on his day,
Shouted visions for disciples,
unbelievers swam in confusion,
Many cried and screamed,
              Alas,

James Kirk-Wiggins (c) 2017
Presidential election 2017
Victor D López Apr 2021
Hear their approaching hoofbeats,
See the destruction in their wake,
Know it is we who summoned them.

The poison of our hatred draws them,
As does the indifference in our hearts,
And the darkness in our souls.

As we've sown, so now we reap,
Division, acrimony, and ill will,
Harvests that nourish our inner demons.

War, famine, pestilence, and death
now march,
Trampling freedom, hope, and truth,
Co-opting and mocking God's grace.

The tipping point is visible on the horizon.
Soon there will be no turning back,
If we succumb to our collective madness..
You can hear my reading of this poem and many other samples of my published poetry, short fiction and new novel through my podcasts at https://open.spotify.com/show/1zgnkuAIVJaQ0Gb6pOfQOH
James Van Allen May 2019
Skittle rediddle in little women quibbles
Low below no you dont.
Bubbles are nice

Ha! Ascent. Hell bent your diddly dore
Nonesense. Askew. Masked. Stop
Caring. Please. Amazing. Wretched.

Echoes of forests passed by the offering of helheim.
Do you see them? Are they mellow or pleasing you say? Shant be gone today. The hoofbeats grow stronger yeah...cant take my eyes away. Hey. Blue goes the Elvin piece. Eh? No. What I want i shant. What I could I cant. Cant cant cant no cant. I can't. Why. Why. No! Why!!

Take this from me
Giuseppe Stokes Dec 2020
Beneath blue swept skies,
where the sunset dies,
and the black flocks score winds fall,

Where the orange red wings
of the dead birds singe,
and the gem stones scorch and call,

Mustered hoofbeats rise,
Scuttled whims devise,
banded battles broker ball,

Tiny steps
clipping skips of stones,
final breaths stripping
souls from thrones.
the one that's a riff on Ikue Azasaki OBOKORI
Brae Dec 2020
The moon’s a silver racehorse:
Quicker than the crier god,
And more clever on his feet.
From his horseshoes, I cleaved
Little spoons, to stir in sweets,
And set them near a lonely cup,
Dips bound by milk and honey.

Bedspread flung in crooked bents,
Drink steeped on the windowsill,
I laid his body beneath
Glass sheets, and heard—like hoofbeats—  
thudding stars, rushing along the east,
Setting bets on who will win:
The sun, or me, or sleep.
(this one's literally from high school)

— The End —