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howard brace Feb 2012
Inconspicuous, his presence noted only by the obscurity and the ever growing number of spent cigarette stubs that littered the ground.  It had been a long day and the rain, relentless in its tenacity had little intention of stopping, baleful clouds still  hung heavy, dominating the lateness of the afternoon sky, a rain laden skyline broken only by smoke filled chimney pots and the tangled snarl of corroded television aerials.

     The once busy street was fast emptying now, the lure of shop windows no longer enticed the casual browser as local traders closed their premises to the oncoming night, solitary lampposts curved hazily into the distance, casting little more than insipid pools mirrored in the gutter below, only the occasional stranger scurrying home on a bleak, rain swept afternoon, the hurried slap of wet leather soles on the pavement, the sightless umbrellas, the infrequent rumble of a half filled bus, hell-bent on its way to oblivion.

     In the near distance as the working day ended, a sudden emergence of factory workers told Beamish it was 5-o'clock, most would be hurrying home to a hot meal, while others, for a quick drink perhaps before making the same old sorry excuse... for Jack, the greasy spoon would be closing about now, denying him the comfort of a badly needed cuppa' and stale cheese sandwich.  A subtle legacy of lunchtime fish and chips still lingered in the air, Jack's stomach rumbled, there was little chance of a fish supper for Beamish tonight, it protested again... louder.

     From beneath the eaves of the building opposite several pigeons broke cover, startled by the rattle as a shopkeeper struggled to close the canvas awning above his shop window.  Narrowly missing Beamish they flew anxiously over the rooftops, memories of the blitz sprang to mind as Jack stepped smartly to one side, he stamped his feet... it dashed a little of the weather from his raincoat, just as the rain dashed a little of the pigeons' anxiety from the pavement... the day couldn't get much worse if it tried.  Shielding his face, Jack struck the Ronson one more time and cupped the freshly lit cigarette between his hands, it was the only source of heat to be had that day... and still it rained.

     'By Appointment to Certain Personages...' the letter heading rang out loudly... 'Jack Beamish ~ Private Investigator...' a throat choking mouthful by any stretch of the imagination, thought Jack and shot every vestige of credulity plummeting straight through the office window and amidst a fanfare of trumpet voluntary, nominate itself for a prodigious award in the New Year Honours list.   Having formally served in a professional capacity for a well known purveyor of pickled condiments, who  incidentally, brandished the same patronage emblazoned upon their extensive range of relish as the one Jack had more recently purloined from them... a paid commission no less, which by Jack's certain understanding had made him, albeit fleeting in nature, a professional consultant of said company... and consequently, if they could flaunt the auspicious emblem, then according to Jack's infallible logic, so could Jack.  

     The recently appropriated letterhead possessed certain distinction... in much the same way, Jack reasoned, that a blank piece of paper did not... and whereas correspondence bearing the heading 'By Appointment' may not exactly strike terror into the hearts of man... unlike a really strong pickled onion, it nevertheless made people think twice before playing him for the fool, which sadly, Jack had to concede, they still invariably did... and he would often catch them wagging an accusing finger or two in his direction with such platitudes as... "watch where you put your foot", they'd whisper, "that Jack's a right Shamus...", and when you'd misplaced your footing as many times as Jack had, then he reasoned, that by default the celebrated Shamus must have landed himself in more piles of indiscretion than he would readily care to admit, but that wouldn't be quite accurate either, in Jack's line of work it was the malefactor that actually dropped him in them more often than not.

     A cold shiver suddenly ran down his spine, another quickly followed as a spurt of icy water from a broken rain spout spattered across the back of his neck, he grimaced... Jack's expression spoke volumes as he took one final pull from his half soaked cigarette and flicked it, amid an eruption of sparks against the adjacent brick wall.  Sinking further into the shadow he tipped his fedora against the oncoming rain, then, digging both hands deep within his pockets, he huddled behind the upturned collar of his gabardine... watching.

     It was times such as these when Jack's mind would slip back, in much the same way you might slip back on a discarded banana peel, when a matter of some consequence, or in particular this case the pavement, would suddenly leap up from behind and give the back of Jack's head a resoundingly good slapping and tell him to "stop loafing around in office hours... or else", then drag him, albeit kicking and screaming back into the 20th century.  This intellectual assault and battery re-focused Jack's mind wonderfully as he whiled away the long weary hours until his next cigarette; cup of tea, or the last bus home, his capacity to endure such mind boggling tedium called for nothing less than sheer ******-mindedness and very little else... Beamish had long suspected that he possessed all the necessary qualifications.  

     Jack had come a long way since the early days, it had been a long haul but he'd finally arrived there in the end... and managed to pick up quite a few ***** looks along the way.  Whilst he was with the Police Constabulary... and it was only fair to stress the word 'with', as opposed to the word 'in'... although the more Jack considered, he had been 'with' the arresting officer, held 'in' the local Bridewell... detained at Her Majesties pleasure while assisting the boys in blue with their enquiries over a minor infringement of some local by-law that currently had quite slipped his mind at that moment.  Throughout this enforced leisure period he'd managed to read the entire abridged editions of Kilroy and other expansive works of graffiti exhibited in what passed locally as the next best thing to the Tate Gallery, whereupon it hadn't taken Jack very long to realise that it was always a good place to start if you wanted free breakfast, in fact the weeks bill of fare was tastefully displayed in vivid, polychromatic colour on the wall opposite... you just had to be au-fait with braille.
                            
     No matter how industrious Beamish laboured to rake the dirt there always appeared to be a dire shortage of gullible clients for Jack to squeeze, what would roughly translate as an honest crust out of, and although his financial retainer was highly competitive he understood that potential clients found it bewildering when grappling with the unplumbed depths of his monthly expense account, which would tend to fluctuate with the same unpredictability as the British weather, the rest of Jack's agenda revolved around a little shady moonlighting... in fact he'd happily consider anything to offset the remotest possibility of financial delinquency... short of extortion... which by the strangest twist was the very word prospective clients would cry while Jack beavered around the office with dust-pan and brush sweeping any concerns they may have had frantically under the carpet regarding all culpability of his extra-curricular monthly stipend... and they should remain assured at all times... as they dug deep and fished for their cheque books, and simply look upon it as kneading dough, which eerily enough was exactly the thick wedge of buttered granary that Jack had every intention of carving.

     Were there ever the slightest possibility that a day could be so utterly wretched, then today was that day, Jack felt a certain empathy as he merged with his surroundings... at one with nature as it were.  The rain, a timpani on the metal dustbin lids, by the side of which Beamish had taken up vigil, also taking up vigil and in search of a morsel was the stray mongrel, this was the third time now that he'd returned, the same apprehensive wag, yet still the same hopeful look of expectation in his eyes, a brief but friendly companion who paid more attention to Jack's left trouser leg than anything that could be had from nosing around the dustbins that day... some days you're the dog, scowled Beamish as he shook his trouser leg... and some days the lamppost, Jack's foot swung out playfully, keeping his new friend's incontinence at a safe distance, feigning indignance  the scruffy mongrel shook himself defiantly from nose to tail, a distinct odour of wet dog filled the air as an abundance of spent rainwater flew in all directions.   Pricking one ear he looked accusingly at Jack before turning and snuffled off, his nose resolutely to the pavement and diligently, picking out the few diluted scents still remaining, the poor little stalwart renewed its search for scraps, or making his way perhaps to some dry seclusion known only to itself.
  
     Two hours later and... SPLOSH, a puddle poured itself through the front door of the nearest Public House... SPLOSH, the puddle squelched over to the payphone... SPLOSH, then, fumbling for small change dialled and pressed button 'A'..., then button 'B'... then started all over again amid a flurry of precipitation... SPLASH.  The puddle floundered to the bar and ordered itself a drink, then ebbed back to the payphone again... the local taxi company doggedly refused to answer... finally, wallowing over to the window the puddle drifted up against a warm radiator amidst a cloud of humidity and came to rest... flotsam, cast upon the shore of contentment, the puddle sighed contentedly... the Landlady watched this anomaly... suspiciously.

     The puddle's finely tuned perception soon got to grips with the unhurried banter and muffled gossip drifting along the bar, having little else to loose, other than what could still be wrung from his clothing... Beamish, working on the principle that a little eavesdropping was his stock-in-trade engaged instinct into overdrive and casually rippled in their general direction...  They were clearly regulars by the way one of them belched in a well rehearsed, taken-a-back sort of way as Jack took stock of the situation and was now at some pains to ingratiate himself into their exclusive midst and attempt several friendly, yet relevant questions pertinent to his enquiries... all of which were skillfully deflected with more than friendly, yet totally irrelevant answers pertinent to theirs'... and would Jack care for a game of dominoes', they enquired... if so, would he be good enough to pay the refundable deposit, as by common consent it just so happened to be his turn...  Jack graciously declined this generous offer, as the obliging Landlady, just as graciously, cancelled the one shilling returnable deposit from the cash register, such was the flow of light conversation that evening... they didn't call him Lucky Jack for nothing... discouraged, Beamish turned back to the bar and reached for his glass... to which one of his recent companions, and yet again just as graciously, had taken the trouble to drink for him... the Landlady gave Jack a knowing look, Beamish returned the heartfelt sentiment and ordered one more pint.

     From the licenced premises opposite, a myriad of jostling customers plied through the door, business was picking up... the sudden influx of punters rapidly persuaded Beamish to retire from the bar and find a vacant table.  Sitting, he removed several discarded crisp packets from the centre of the table only to discover a freshly vacated ashtray below... by sleight of hand Jack's Ronson appeared... as he lit the cigarette the fragile smoke curled blue as it rose... influenced by subtle caprice, it joined others and formed a horizontal curtain dividing the room, a delicate, undulating layer held between two conflicting forces.

     The possibility of a free drink soon attracted the attention of a local bar fly, who, hovering in the near vicinity promptly landed in Jack's beer, Beamish declined this generous offer as being far too nutritious and with the corner of yesterdays beer mat, flipped the offending organism from the top of his glass, carefully inspecting his drink for debris as he did so.

     A sudden draught and clip of stiletto heels as the side door opened caused Beamish to turn as a double shadow slipped discreetly into the friendly Snug... a little adulterous intimacy on an otherwise cheerless evening.  The faceless man, concealed beneath a fedora and the upturned collar of his overcoat, the surreptitious lady friend, decked out in damp cony, cheap perfume and a surfeit of bling proclaimed a not too infrequent assignation, he'd seen it all before... the over attentive manner and the band of white, Sun-starved skin recently hidden behind a now absent wedding token, ordinarily it was the sort of assignment Jack didn't much care for... the discreet tail, the candid snapshot through half drawn curtains... and the all too familiar steak tartare... for the all too familiar black eye.

     To the untrained eye, the prospect of Jack's long anticipated supper was rapidly dwindling, when it suddenly focused with renewed vigour upon the contents of a pickled egg jar he'd observed earlier that evening, lurking on the back counter, his enthusiasm swiftly diminished however as the belching customer procured the final two specimens from the jar and proceeded to demolish them.  Who, Jack reflected, after being stood out in the rain all day, had egg all over his face now... and who, he reflected deeper, still had an empty stomach.  Disillusioned, Jack tipped back his glass and considered a further sortie with the taxicab company.

     "FIVE-BOB"!!! Jack screamed... you could have shredded the air with a cheese grater... hurtling into the kerb like a fairground attraction came flying past the chequered flag at a record breaking 99 in Jack's top 100 most not wanted list of things to do that day... and that the cabby should think himself fortunate they weren't both stretched flat on a marble slab, "exploding tyres" Jack spluttered, dribbling down his chin, were enough to give anyone a coronary... further broadsides of neurotic ambiance filled the cab as the driver, miffed at the prospect of missing snooker night out with the lads, considered charging extra for the additional space Jack's profanity was taking...

     And what part of 'Drive-Carefully', fumed Beamish, did the cabby simply not understand, that pavements were there to be bypassed, 'Nay Circumvented', preferably on the left... and not veered into, wildly on the front axle... an eerie premonition of 'jemais-vu' perched and ready to strike like a disembodied Jiminy Cricket on Jack's left shoulder, looking to stick its own two-penny worth in at the 'Standing-Room-Only' arrangements in the overcrowded cab... and at what further point, Jack shrieked, eyes leaping from his head as he lurched forward, shaking his fist through the sliding glass partition, had the cabbie failed to grasp the importance of the word 'Steering-Wheel...' someone wanted horse whipping, and as far as Beamish was concerned the sole contender was the cab driver...

     In having a somewhat sedate and unruffled disposition it had fallen to Beamish... as befalls all great leaders in times of adversity, to single handedly take the bull by the horns, so to speak and at great personal cost, alert the unwary passing motorist...  Waving his arms about like a man possessed whilst performing acrobatic evolutions in the centre of the road as the cabby changed the wheel came whizzing around the corner at a back breaking 98 on Jack's ever growing list... and why, Jack puzzled, why had they all lowered their side windows and gestured back at him in semaphore..?  Rallying to its aid, Jack's head and shoulders now joined his shaking fist through the sliding glass partition and into the cabby's face, "Who" Beamish screeched with renewed vigour ,"Who Was The Man", Jack wanted to know... *"a
Shofi Ahmed Apr 2017
Just a dew drop, let alone the sea,
and a handful of earth, not the Planet Ge.
Not a shade of blue, save the rose for bee
Purely a clear drop didn’t spill in the core,
because the whole sphere feels the pinch.

Singing chorus rains down, bouncing back
to earth the only open-through planet.
No black hole is as deep as the sun jumps,
dives in the dew on every flower they wet.
Every bird in the trees sings and tweets,
yet one is stone quiet, shouldn’t even hiss.
Shh! shh, the sleeping beauty is sleeping!

Cut above the rest, the unique earth
brimming with the infinite finishing line
by design pans out to the transcended pi.
Pure spring, the waterfront by the Moon,
untouched, unspoiled is her swimming pool.

How she goes by, wetting her ****** toe
Only to bubble high up the transcended circle
If only the sun could rise high in that pole,
for the rest of species could sneak a peek.
She’s there with the capstone of the pyramid!

Shots beyond the fixed circle, netting the eyeballs.
The stars, the Moon on the move for pure freedom.
The thrilled earth did come out, smelling of roses
Off the golden cut pi-decimal-abyss digital spring.
With a handful of earth and a drop of water dew
This is a pure mirroring thanks to the original, you!

At the end of the string apt you lovely took her by hand
and she took it in emptying her heart and soul.
Earth is now too thin on stock, she is no more
Just a shadow, a 360-degree hollow flute!
Oh light at the end of the tunnel shine and show
Play in like in the Night of Ascension once more!
This is a poem from my book Zero and One available on Amazon.
n)Ethno-spirit and Biodiversity (Diogiversity)

Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, features, colors, and textures of neutrality, focused on a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, whose diversity of genetic seizures, will adopt natural and compound patterns, but always predominant in the biological pattern and organic. Wandering the world in desert places, in alloys and classified plant compounds, emptying their species through the hollow of the atmosphere and through the green grasslands in the reviving surviving evolution of organisms and species that for the first time see each other as a biotype between rocks and plantations, reciprocally among themselves, and extemporaneously generating mythological genetics heritages. Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of, and inter-procedural reality of carbon, that factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon. encompassing all mythological species where the Life expectancy and Super life unfolds.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving the extinction of plagues or flagrant excesses not converted, Hyperdisis has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No. Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and tell transportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic diseases and endogenous. Forests and parks of Hyperdisis in the symbiotic open air, for more airs in microbiological space, in the intimate portion from greatest to least challenge of elements exclusive of antinomies of hieratic human bio culturalization, in a showcase of communities with an interest in technologies and renewable empirical usability, each part doing its scientific role and biodiversity in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existing, although it passes before our eyes without a Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super-appraisal measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and approving biological elements. The wealth and abundance of this item are delegated to Leiak, in all the revolutionary processes of the oak forests and the high mountains,

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects. Claiming innocent beings with greater attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. Feedback quantifies offset options in carbon circulation, offsetting multipurpose CO₂ inventory. Through the darkness Zefián and Vernarth traveled in the streets of Rhodes, and in Tsambika looking for the distilled portions of the carbon and sulfur emanated by the Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Helleniká and the souls that wandered were ringed under crescent-encrusted rings, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Helleniká, In the myth of the dustbin woodworm of the frieze where Etréstles perched next to Zefián's strap, who would manipulate the gold and alabaster chain, to pull its ascetic and rubies from it, approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn, and the mountainous temple of the one that follows the equinox in the meridian of seven days towards the southern and northern hemisphere. in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn. They enter the Necropolis of Helleniká, by upper and lower trays, cordoned off by obelisks in a series of petrified labels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intra-bodies of petrified breaths, expanding in the segments of frenetic life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shade. It was already dawn, Etréstles and the Archpriest broke the loaves to deposit them in the bowl of the Day, stretching in the arms of heaven under the gargle of the god Vertumnus who forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Citarista yawning on the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Helleniká, from the lair of his rib one, sees Diogenes of Sinope emerge, splitting with his doctrinal staff all the Isthmian paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander the Great asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me, and the bad ones I bite." Again, more murmurs, but Alejandro was not moved by those answers and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me"..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean ossuary seed, without heat or memory here in Corinth and its Diogiversity ".

o)Reflection space length (π)

The hemispheres were out of proportion, one another was modified in the air, leaving the horizon exorbitant and the poles out of square. Coastal the lengths of the sun around areas that some Helleniká countrymen had never put on the crowns of their consciousness. Certain pressure changes dislocated other modules in the filaments that had rudimentary inaccuracies, creating reflection space failures in the installation of the Duoverso, due to the due calculation defect. The observations of Hyperdisis, generated superpositions of the Zigzag Universe, before the crescent moon, after the full moon, again de-calculating the sphere of Hyperdisis in relation to the ecstatic length of itself in the hands of a third of a second a day, to overflow in impositions that They revealed Dekas Cove in Kimonos(π).

The value of the opinion of reflections will be the originality of breaking of statics, of the motors of the verb and the conscience of the flushed being, and of erudition of the naive contrast when decanting the perceived morality. They concur with the moral value in every sub-mythology of an ambivalent being of supernatural human co-belonging, not dependent on gnoseological reflections, rather spontaneous under the embankment of reason. The latter being absent in the shadow of its shadow, no reflection can take hold of anti-values, self-valorized in contingencies under the effects of the drug of lies or truth, in a difficult equation to refer to in gnosis treatises, declaring the absence of consciousness to species without reflection or length of their molecular evolution, in evidence of mythological humans. The triangle Patmos, Rhodes, and Kímolos, make up a Venusian adonis, of stimuli in the nostrils of Aion, which sneezed on the integrity of the reflex arc at high speed superseded in the tremors of Athens until Hyperdisis, flashing anatomical and pejorative on the optic nerve of the Colossus Rodino, and the twisting of the multi-personal muscles..., but already depersonalized..., with little telluric reaction in the core of the symmetry of his legs, dodging as he thrashed on his frowned arms, behind the legs of the lycaons..., digging his jaws in reflex arches, for ages that only an immemorial one would enchant him, and be it the throbbing of the earth in the crust and seams of the calcined Colossus. Existing like this their reflection of attenuated light, they shook through the sea full of sinewy pieces of precise length. Frequently in the hydronium cations, undermining the temporality of Tsambika in random stones in the humid, and dark narrowness of the anthropic reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. In Helleniká, everything that is expected, flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas it flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas from Devonian to Cretaceous, escaping from the ferocities of the Etesios and these same escaping from the roars of Vernarth.

p) One-Dimensional Beams II

When their ears fell in love with the Orthoptera or Grylloideas before Joshua, the night became restless, abandoning them from their shelters, they brushed the seeds of the thistle that trembled with the new millennium of the Duoverse. Levitating their ailerons in the tenors of their birth and dilettante sounds, before an ovipositing candor of the remains of the abdomen that remained in their jaws, always being from one of the Beams, for the largest Enciphers that hung from their antennas in search of Joshua's telepathic messages in the manger. Sappho of Mytilene, also known as Sappho of ****** or simply Sappho, pretended to be a marigold proliferating in the twenty corridors of the Greek poet, and also as the tenth poet in the other ten that was reflected with transparent wings of the dew that stuck, phenomenal of physique -Saphonic and in the recent rain of wind and condensed air, in the form of drops due to the sudden decrease in temperature in contact with cold surfaces. Sappho's dew was talked about in Kafersesuh, usually when it comes to condensation on a Poetic Grylloidae surface, naturally on the ground cover or artificially in a dull cloudy crystalline, in the amount of supernatural tradition, heroes, superheroes, and anti-heroes conspiring with the territorialities of hexagonality.

The Aramaic message comes forward with vigor from the orthopterans and birds that piled up on the journey, going back and forth. The Beams shone from the celestial kingdom holding on to the Cherubim and the Archangels, through the paths of conversion and the support of the bizarre Christian time, in implacable hegemony for the propaedeutic of phylogeny, but more than perfumers chemistry and the same creation. carrying Lepidoptera winged tetra and Sand Crickets, on the interlocking and obfuscated pheromones from a nascent-elemental child, in his own evangelical philosophy, from a winged dimensionality and in the gloom of Manger shouted and aligned, before the compendiums of double pyramidal landmarks and of inflection, of his word in the Grylloids and panaceas created in the affinities of the world and Animalia, stylizing muleteers carriers, phrasing acronyms and parabolizing the polygonic nomenclature of the child made a territorial man on the wings of a Cricket, already being it !, but representing himself as a lifeless man in the entirety of an advantageous canon child, from a sudden bi-dimensionality of Grylloideos. A great Zohar light gathered all towards a whole in those vantage points of terrestrial columns and orthopterans that Joshua felt in advance in his resined ears, like irreversible entropy giving back his wise existence to prepare them for the day of his holocaust. Pre Existing in catharsis and busilis substance of divinity connected with the Grylloid phylogenetic species, classifying until the Aramaic crackle, pontifying pheromones settled in the lithosphere site of Gethsemane, coincidence in the wading of a Libraco period, or in the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in the characters of the vibrational timbre of the Beams and the atavistic pedestal, readapting in the evolutionary ellipticals of tetra-winged species, allowing to change the ancestral linguistic accouterments in processes of redesigning the genetic historical tree..., divine and increasing.

Inter-Duoverse, in space demography, has been frequented since today in a nuptiality between the Sun and Earth, wrapping the inter-generational homes that have prostrated themselves to the One-dimensional Beams, evolving millions of years between links of angels from the north and the south., for each year between half years and decades that the ancestors are passionate about, unleashing in what they aged in their youthful lives and eternal ideals, as an atom not guaranteed in families that did not get to know their Duoverse. When they walk through the urbanized farm of their parents they go in their shoes and in the paternal and inter-parental sun barefoot, the children travel far from the monographic patriarchy, declaring themselves between psychic families and unstable plots of core conformity and procreation.

The line of supra healthy cerebral is born from the Beams of deforested family trees and treasured in the Trunk of the seventh ascending generation, towards a nefarious tribal of industrious and vegetating regressive parapsychology, bringing zombie societies, to great lethargy that disorganizes the parallel emotion of the Being descended from a Messiah, with the prophetic organization. There in the Koumeterium of Messolonghi, in past generations, the "IO" was omitted to limit them from the spellings like Ghost Cemetery lost in other lost sacramental ancestors. The inappropriate location of our ancestral duties has guided us in the axis of the pabulum, before the second coming of Messiah Parousia, to continue the re-sprouting foliage of the Universal theological tree. The children of the seven intergeneration generations, will be from the endearing of a patriarchal family, and those of Exo family lineage will be from outside the non-generational family, where everything flourishes according to the requiems of ******-domestic economies, and in the new chimera from new shocks and reprimands, already being spouses the Sun and the Earth after being divorced from a deluge of immolations and inter-millennia and rotations, further than those of any prophet wandering without advancing or rotating, enlisting and expiring in succumbed and pre-historicized generations of other prehistoric ones. Pre and post Flood; not presenting itself as the object of linking a thousand decades where not even a holy chirp from the Thrush, praises on the windows of the world bringing us babies that are born without past or future quantum generations. Ready to the hint of Duality and its nuptiality with the Sun and the Earth, They will make us magical creditors of the increase in demography and of unions that will marry in inter generations, not seeing passions in exhaustion, under the grass of the allegory of defeated love. Giving ourselves conjugal virtuosity, but of immanent dogma for the purposes of multi-figurative coexistence, under the Yoke of an individualized Faith, in the passing of millennia, we continue to crawl on the floor of the nebulae, and we do not rise to establish ourselves as masters of ecstasy, and the pendulum of the stars, creating us more in the orthogonal egalitarian of the cosmos and its Vernarthian architecture, of poly productivity, of Sun-Earth and its post-genetics, of high-grade clay, expanding with halberds on the self-insolated Suns, and highly calorific inherited towards a rupture of Solar freedom leaving us in the horizontal, not having ascendants of sin enriching their illicit chromosome. Made a beast, from the inertia of a paradise full of hidden public and private exchanges, but not secular, for those who pay tributes of ecstasy in a reborn and weakened state. This is how Diogiversality is verticalized (Diogenes's anthological action), concluding the variants that weaken the nexus of the denatured society of its atavistic social nuclear concomitant, extending eco-life gaps, but eco-unstructured and crucial inter-generational nature, being of arbitrary passion and of seismological doctrines, of haughty morality and of sociology fabrics without body or motor, with frail of castes and generations evolved age in a retrograde and elemental psychic sense, but biologically and reversibly to their boomerang lineage.

q)Amphibology Cosmogonic, Sub-Mythological root

The threshold, as a minimum rubric, must be in force from the Constellation of Orion, with barely a hundred millionths under the same eye of Orion and his psychophysical space, sensitive to the falcado charioteers and the water vessels on the backs of the probable Barnard Loop., and its nebula presence. The icy impulsiveness brought her under her right shoulder and the lean hollow under her arm unraveling from a staircase, at the entrance point of Betelgeuse coming from the cosmogony of Eridanus and in tune with Ptolemaic astrology. In the Sibyl and with a hint of a metric brilliant mass triplet, Betelgeuse Orionis, is the scale of the Aulos and piccolos expelling hydrogen as an Ace in 240 scales of harmonies and in sounds of light, for cycles and years of Light. The binary of Orion, is pre-born of the sub-mythological root, with binaries of Poetic Parapsychology, or Para-poetical; which is the trapezoid and the kinetics of the hunter Orion arrowing the Pleiades and its nebulous plains, with diametrical diarthrosis in his synovial joints, with the third militarizing joints already formed by the hyaline cartilage, which joins the two bones with the synovial fluid, before reaching the deltoid of Hunter Aurion, to awaken the Asleep world.

Vernarth in one of his adventures in Pella, scapula with his arms the force of the friction discs of the Olympics and corrected his hands and shoulders, for this purpose of Aurion and his dilettante Astro Betelgeuse, with giant arrows against matters towards the sky of its Constellation, embedded in beaten Odyssey and turpentine in the sullen Hellenistic, being for May its amber trapeze of trunk and arm, in each hand a Xifos and Dorus, always in right-handed hemispheric pathologies of their shrewd hands in Kopis swords, and in the memories of the wind that throws pain to the whistle of the combatant, when the meteorites decay in the Tyrrhenian Sea. With his brass-bronze club and Vernarth's corrosive breath, he proceeded to file odyssey on Eos's ******* and peduncles; Goddess of the Dawn, in Dionysian beauty in bulk, Mintaka, Alnitak, Alnilam, (The Three Mariah), For the twelfth lunation of the Celestial Vault, together with Pleione, in its bolometric Oceanid matrix; against borderline stellar magnitude in the major and minor dogs, and in there a priori waves of misdeeds lending measurements in the eyes of Aurion, always henchmen on their Pleiades.

From this intricacy, Cosmo-is born the Vernarth Duoverso incited towards the Horcondising, so that it is mythical co-property at the origin of the universality of the Duoverse in the Vernarth scapulae, bleeding towards the cosmos that was born from his stellar blood, conjuring chaos and uncertainty in messenger Gonies, facilitating community life free of ethnocentric, psychic, intersubjective life, the metaphor of myth and dogmatic, by the imaginary struggle that leads its bleeding back over the Cosmos, and its demiurgic brilliance over the atmosphere of the earth like bronzes that twist in the necks of oxen, that urinate on the officers of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles, like flagrant Amphibology.

The Kanti Steed and the Aurion nebula, to the beat of a waltz ionize, lavish chemical ions free of electrons, on the neutral molecules of Betelgeuse, to proclaim in the nerves of the shoulders and its bronze club, as musical praxis and harmony net, giving way to the nebula and the art of the Duoverso, which shows the pristine astral days, how his alchemical arm sprouting in chemo-astralities of the pectoral, and his armpit that joined in its maximum stick, cutting down roots of Olive Bernar, behind Barnard's Loops, in the midst of runaway stars that are systematized in their ionized bleeding esplanade, such as Stellae Novae, who retrograded the astronomical ritual into cosmogony, and in her escape by going at night to sleep near her father Poseidon and Euryale, who cheered him near the grassy fields to paste explosive clay on the sheet of his drunken smiley face with Ionic wine, in advance of spreading the nascent Duoverso throughout the new world.

r) Hyperdisis

Sitting on the edge of Andromeda, in his planetary chamber Zefián; The Duoverso computer separated the parasitic inter-chamber from the Duoverso, which would be born from the Auriga, which in his buggy would unleash the senses of structures and luminosity between this colossal interplanetary chamber. Being between points that venture through the axon of time infinitesimal and longitudinally for light-years, which even so, will intervene from the Duoverse, for thermal purposes and other changes of the remnants, when especially the luminosity will speak of the destruction of the darkness inherent in the eyes of the universe, which can only stabilize areas that have not been fused in the discs of the Universe-Duoverse spatiality, long before the initial explosive between the Constellation of Orion and Andromeda. Globular clusters that will make up the perfect delay of transfusing the blood and no other, which makes the character Hyper naming and hyper-pectoral blood, which flows from this tri-astral polynomial, compromising the method of area, shape, and refinement of the sagittal profile of Hyperdisis in the Duoverse in the reversible intergalactic plane. Going from lenticular to irregular over the keystone of the trapezoid, towards the right arm of Orion, where its radius becomes hypocentral sequentially, but it takes advantage of interstellar matter, to generate its own light. Some explicit explosive arms of Andromeda were expelled from their center towards the right arm of Orion, for the purpose of implosions in the effect of the clubs or snails, as a sublime effusion on other stars, which lost essential stellar mass, to differ from one another.

Radio-Patmos, or galactic energies of Andromedian origin, would arrive as devout prayers at the border of Skalá, such astro-omegas and Invisible Universes, which inhabit the flaccidity of the Universe of Consciousness of the pole contact with the Xifos or Kopis, when Andromeda contacts the spur of the clubs or snails, inciting the capos of Astro-Omegas spaces, which would begin to take the front and front, after having been the atrium of invisible stars, only visible in the spurs of the swords, which were only moistened with the viscous blood draining from Orion, towards Hellenic lands as Omega age, for Vernarth early when he carries the keys of the Omega World, towards the shadowy proto galaxies, knowing that the Milky Way and Andromeda come so close in their stellar mass, being able to collide in a few million of light years, in advance, since the Duoverse of Hyperdisis will be formed as a Galaxy of change, to interact with each other, dismembering, but re-transforming into the new speculative nucleus of the Duoverse as a great Black Hole, embedded in the Kardiá of Patmos.

Hyperdisis, navigates from the most ancient confines, from the origin of nothingness itself on the threshold of the Universe, but now it is already converted into the Duoverse, re-implanting itself in helical polarity, and in bifurcations of luminosity, of colorful reincarnations or astral, to consent to the cessation of darkness and valuing luminance, possessing colorimetry and chromatic steps of childish tales in infant galaxies, which in all the lives of Greece and Vernarth delivered for their ancestors, articulating the iconology of Orion, in candlesticks per square meter, in vigils of:

LV is the luminance, measured in Nits or candela per square meter (cd / m²).

• F is the luminous flux, in lumens for the Andromeda triad, Milky Way e Hyperdisis in conjunction with Orion.
• dS is the surface element considered in the triad of Kímolos, Rhodes, and Patmos.
• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse.
• θ is the angle between the diameter of Andromeda and the Milky Way (2.5 million light-years)

The luminance can be defined from the radiometric magnitude and the radiance without more than weighting each wavelength by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of the Vernath's eye of the Betelgeuse area below, dumping plasma and bruises on the galaxies and the Orion Eyes.

s) Zigzag Universe

The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when Our life searched the earth, being able to see how cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from another type of self-observation, seeing ourselves in the face of Horcondising anti-material and Universal Biomass. We preexist under science that models the system of energy and matter in causes of ancestors, with whom their vital and ours sneakily crashed. Gravity made great paternity in the Vernarth Biomass, being in the Dodecanese, being cosmos in its arcuate curvature, which makes us screen with the moon in its romantic astrophysical swings, and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also time2-space2, which has not been troubled by the origin or abscess of the stars that move irregularly in zigzag, for the fractality of its component, which is clearly Aramaic blue light, in circuits of clusters and movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young of its gratitude's ".The distribution of nearby galaxies are keys to the paleo universe already arranged in macro waves, which are percentages of spaces in the Trisolate energy fields, which interact with the Mashiach of Gethsemane phylogeny, now tending to a stagnant decomposed future, towards a specific frozen present. Its final station is to bet the Zig Zag Universe on the re-expanding temporal Medieval chrestomathy, in gregarious qualities of Sub-mythology, already conformed here in Archangelos. The implosion of gravity has created worlds of visibility in great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring the hexagonality of the birthright in the passage, Here the Mashiach emerged and died in its abstraction in the One-dimensional Beams and in the foreign eyes, eroding those who are mortal and do not see with divine eyes in the self-resemblance, of our hypochondria and of the failed plan to amplify the size of the unknown analytic, of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in the natural infinity, here the privileged new world was envisioned, for self-similarity in the speculative and cosmogonic functions of Vertnarth, at intervals in each space of the shadowy walls, bringing accelerated courier bombs from Gethsemane among mutated olive trees to other humans. "Its correlation is an infinite fractal with reversible observable time.

Finite is the curvature, between the time that walks between the grove of the Duo-Universe as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, which is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had, before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change from arduous colors to the gradient in Avant-Garde, for the confines of perspectives and verbality, in amendments of physical fields, interwoven by an external gravitational means. The macro waves, are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in reaction disturbances and recreation of multiform plasma saviors of Christian cosmic. The double expression of macro waves and the equation of them over the axial of the universe turned into the universe Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion energy with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all being more than time... !, remaining at the expense of the wick of all electro-matter " The double examination of the macro waves and the equation of them on the axial of the universe turned into Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all of them being more than time... !, remaining at the expense of the wick of all electro-matter. The sub-mythology having already been constituted, Hestia appears, having slept a great slumber. When he appeared before Vernarth in Tsambika, he was seen changing in size, when he was six meters away he looked dwarf and when he was already two meters from him he looked monumentally huge, but in a versatile physiognomy, therefore he was already appreciated in his last steps, with her domestic Goddess figure that emanated light-years from the chimneys of the habitable galaxies. The critical immanence will happen, pre-existing of the perfectible plan for the Universe Zig Zag and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in the great ratio of the proscenium in the vicinity of Tsambika, between Mind / Meditation for constant mechanisms of Wisdom / Meditate, according to the cosmological constant, taking them perhaps to the beginning of a decade and the third universe called Traverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated, and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which moves backward. among the dizzying lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, from the prytaneion, igniting with the flames of the Kardiá on fire and the passion of consanguineous love, "Prytaneum", the omphalos stone, marking the navel of the world with the boast of wandering towards the island of Delos, in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house and full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between the distances that discount minutes of the Hestian space, for such a corollary by approaching its finitude, and inaugurating the sub-finite, that it will never be the source of the end of a disconcerting end of time, neither equationally consummated nor physical. "This consolidates the Duoverse into Duo-Universe, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-infinity)

t) Vernarth Omega (Ω) - Preface

before facing the Achaemenides. Being Omega and Micron in the warlike primer of their cause, within the prophetic in all necropolises of tiny omega (ω), towards an Omega that reaffirmed the good hand in Saint John the Apostle by rewriting the Apocalypse twice, coexisting the same but with the voice of Vernarth commanding the ten thousand Falangists, who made up inter-generational gaps, of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride of chlorine, at solid angles of Ω, in what was Virgo institutionum / Aurion-entity that interfered by projections and leaks, which converged on the strut of the omphalos of his heavenly father dealing frequently and bled his immortality, constituting from a helper being to the planes of subconscious reprogramming and perspective. With his arms raised, in each hand a raised sword to pierce the vanishing point, between the spaces that were ascribed, under the solid projection, from an observer that inhibits ad limits the biomass in all the masses of aqueous filter and lumen flow, towards the throne of the angelic guardian of Avant-guard by the stereotype and sclerosis of Zeus in his dissociated physicality, even though he is an amorphous entity with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in the humanoid apocalypse was transfigured from a solid point in Hyperdisis, as a direct escape settlement to Aurion, towards a surface of conical vestige in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse,

Vernarth distracted the emeritus stars in the corner of his room and in the convex the points of his celestial patriarchs in the conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from their common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions in the culmination of imagination and apparent angles, seen from any point of the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth solfying together with Sophocles in orpheons after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing with his own blood hematology verses, which traveled meters and that they shrunk from the anti-verses scarring their declaimed intra-breath, in corals that only the wind clarifies of what precedes and happens towards the suffering, in the metrics of the Areimos chorus that were lectured anti-verses, and that they tried to ****** him from the hands to Sophocles, in immortality that refined him by abandoning him in sub-units. With masks and mythical cycles, he mixed the metaphorical facsimile of momentum and the separation of friendship with him, seeing him in an episode of his works, and instead of Vernarth's transcript sheltering him in the origins of the volatilizations of his orpheons, converted into physical waves of a dramatic-oracular order. Gods re-transformed into divination and futuristic germination, they were hidden dormant and forgotten in times of subconsciousness in the Selenite collection, felt in the Colossi signs of parliamentary, where the oracle leans on the lines of vibrational words and how they cough their " páthis "in the place where the language dissociated from the heart nucleus speaks. In misguided divination, the oracular mantic brought the cold of loneliness and the fiery heat that guesses in the laurel forests in oracular daphnomancy, Vernarth omega self-erects as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein or the alert regret of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography, in ancients transiting in disintegrated emotionality and ****** Hellenic neurotransmission, "Two omega men or omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure, for tripartite meson form of routine grinding in Alzheimer's lost, lost in sympathetic and para-sympathetic routines, with probability of Hellenic gray matter; That is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours of vehemence, the dangers will brighten when reliving nth times in the twilight of omega, Vernarth, was already narrowing on the tracontero Eurydice, to save his pains, deposed in terms that would renew anti-economies by supplying unsustainable in liquefactions and in synaptic melts, extra energetic vesicle of pure natural law of the eyebrows, of lunation that rests in the inter millennium, beating with ecstasy in the Buddhist suttas, and in the adaptation of the flesh of the hypersonic fissures of the Meltemi, and attachments that still beat over the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and he cuts on the Sutta or sermon that mimicked him at the time of the lunation, doing sabotage of redemption of the anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overvaluing the wiles of the same utilitarian tragedy, conquering in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of jubilation. From here Vernarth, opens the gates of hell, eight hundred times going mad with omega value, by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and a body only asleep of concave omega, overlapping in golden transfinite chests, which reorder the natural numerals with the ordinal transfinite omega, but on frictionless wheels of other omegas that break in recirculation rules on alpha, in supra omega levels such as parades, stamens, episodes, and Vernarth-omega paradigmatic exodus.

Omega I Prologue: "Once upon a time, amidst a rain of clouds full of drama, in a time that was oriented regime of the armpit of Betelgeuse and Aurion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternate event of imprisoning past and next in an episode of the present act. The expectant was curious about the retouched makeup of the drama's superlative consonant, in a disembodied place, but with a good narrative source when it came to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Ismo "

Parod I: "For the submissive words on the stage of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames and by unequal numbers, pawned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers and Dionysian dances holding on to the Pufios; in Baquian and ceremonial liturgy near Vernarth, taking a glass every seven minutes in animosity, in cages of his stuck little finger, whistling from organic pimping, next to dancers raising an arm and directing the palm towards the heaven, while the other remained down with the palm towards the earth; in this position, since he was like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter, and from autumn to winter in fifteen times agreed with Sophocles, hanging from the penultimate to the entrance with his trembling voice desalted..., tolerating himself in his own tragedy)

This is I: "Through the right hemi-body, Vernarth intoned his laterality exposed in harsh penumbras, while Hera brandished over his existentialism clouds of oatmeal and candies in a liturgy, a homily that personified the Stasis, in the choral intermission resisting his angry hands in tragic passion and frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes when it was stoked "

(Vernarth says: "submitted in parts that are not its parts, my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as a public cheer are anointed, sentencing the opposition of other lesser stars who cheer what that does not shine. The principle of the voice violates the normal parenthesis, which is governed by itself in the omega voice, mocking the modal in four magistrates, in martyrdoms of an ideal of the procession, each one being with his super-private toga, before me It must not be who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of his judgment, which override the first, the coryphaeus directs his promenade from the countryside on his Horse Alikantus"

(Vernarth says: "I have instantiated the steps that my chestnut crossed with you in the future if I am to sing with a sorrowful voice, no choir will be able to follow me when you are gone. However, I have to define what personifies who, more than a thousand miles away, carries with him the lamp that opens the light of your roguish contemplation... "
Alikantus wailing says: "From the luster of your heartbeat, I obfuscated the jailer from your ribs, for the preference of the one who takes you even further in tempestuous pro-hedonistic prose "

Exodus I: "Sometimes the endings smell like fields of lavender, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the dialogues in the afternoon with its twilight, as well as stanzas that smell of lavender anointing, separated in syllables and tonic that flex my charm, not to say that I was anointed with Lavender when I was prepubescent "

(In fifteen times, in syllables and rakes, the sentences of its paragraphs are sterilized, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the Stasis that never purged the omission of the syllable that is not of proscenium nor trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)

With few and precise changes of consciousness, Vernarth approaches his Omega Point, as the end of his self is identical to his consciousness. He was leaving Tsambika and Kímolos, diligent towards Theoskepatis, warning Etréstles for defiance goods in the aftermath of the Eschaton. His spiritual cerebellum faded identically when he wandered through the distances of the entities that competed and are prominent, transforming his Hetairoi reliquary, here his tendentious impulse begins and dehumanizes him by becoming a Celestial entity, but with Noosphere endowment. The tendencies are established hyper-connected, with him Tsambika, Theoskepatis, and Patmos were triangulated for consummations and finality from the rudiment of Universal deity, reprogramming the end of restricted humanity to a mere boundary of dogmatic morality declared existential.

Within the Omega points, his unfolding acted as a disembodied statue and redemption of similarity and humanity, leading him to a self-conspiracy, by abandoning himself to his own equal, for the duration of the final sulfurous sublimation of the Cinnabar's margin of abstraction, after joining in all the quantum, physical and biological lines, making the Duoverse an inter chamber of the prior Master in a process of change, to sensitize his image of physical-chemical Man, but of God in his rigid powers. Cataloged as hommo sapiens who expresses himself in fallen beings under the arms of his sword in a limpid target, rather than in his own pointed tongue, and steely towards the point of unification in the hyper-dimensional of good achieve spatiality and volume, only contacted by his devoid of a Xifos hand. Consciousness rarely loomed in its compendium in nth bytes and data, much more than those recirculated in astrobiological quantum, creating blind exclusive and patrimonial universes, on the basis of nth bytes, which kept reorganizing itself in the personality of the unknown, fewer than four bridges of consciousness united in their own gregarious universe. The transcendence of the basic data of consciousness will lie in the Maenads, and their deliberate acre magic, extending through the limbs of the Nymphs, to re-possess it and take them to the confines of mystical paranoia, perhaps towards the embodied Vestal Virgins, purging their paths that they notice a variant of licentious departure in the stanzas when seeking final swings, which are not for the sake of shedding everything before the Universe rescinds its intellectual limitations, contracted in an orgiastic Imaginary Universe, and the precariousness of the concept transporting us to the origins of the species and its behavioral rapture of loss of sensation, and reason, for this reason, Vernarth takes them with him for his ******* and alienated perceiving of inherent reality and its opposite sunset. The ministry of the sacramental mystery is the consciousness of the Dionysian being in gestation, wanting to be the paroxysm of its equivalent, in an eternal Omega effect, for the purposes of omeganymy of conscious chaos, being the same portion of omega ad limit of its secondary reluctant personality of being, to found the hermit solitude on his revived empty ego, residing in his being by bilocating with two idiosyncrasies for a Venarthian Thiasoi, succumbing to weightlessness over all the Maenads and the intoxication of community in its opacity,

The madness was a transcript of reasons lost by the Vernarthian Omeganymy, sometimes the disproportionate of his steps by more than what should be generated was objected to in the circles of the Tsambika monastery. The unification of blood was confused by the viscous wine of the mysterious foliage of the Diospyros tree that led them through the enigmatic unaware, in primary practices that tore apart some somatized ones of the order of a third body, which still transmitted the last organic matter, refusing to spread at the omeganimic points. The consciousness of replicated beings of themselves challenged themselves towards the perfect copy of their transcendent alter ego, in an understanding of the present-future elucidating for whom or those who demystify the visions of an arbitrary creation, allied to the evolutionary myth-truth, in the face of any real and human maturity gap, the conclave of the near pious Christ, bequeathed in us and in the venerated hominization, at his sole and directional will. Now we are all in the aqueducts of Christian Science, for specimens of eternal categorization and frontally in view of a God-Mashiach, as ordinal inclusion and in greater ecumenical diversity, with variables of independence range, for staggering motor skills, retaining the attention of all the powers of the Christian world at an Omega point that seemed to be Alpha. The sense of the Duoverse in Vernarth Omega makes us rethink the central phenomenon of thought and frustrations, by the socialization of distant species from prudent dogmatic ostracism, towards refractory empathic and ultra-rational reasoning.

The supra intelligence has to become in them and those, the pre-existing point of duality, to reunify them in Patmos, as the only spirited meaning, and biomass evolving on the super-dimensioned materiality, in a greater radius where it will have to be delivered to whoever speaks with words. of living energy, and not complex towards all processes of emancipatory concord of personal authorship, on levels of relative lust in the absolution of medium integrity, and towards an elemental unitary totality of animal instinct guarded by the instinct of Being, that from its similar awakened rebirth of the sleeping mass matter, and in the animal purifying multiplicity. The man stands in his memorandum bend, like a haughty memorial, evolving in the cosmic expiration of the molecular transverse, admitting us in its vestige of complex extinction, but not in human slip, nor in acid and self-instituting scenery, on the real creation of its DNA, which reverts from the formality of helical reiterative rings, by heights of whoever oscillates in their coupled pairings, and their silent probable associations, in the nature of real origin and their structural perfection. The acceptability scenarios derive from the feasible concretion, and the approval of their tendencies and mobilizations of the structure of life, and codes greater than those that limit them to reside, to more than one body, residing from an incorporeal body, capable of its quantitative life and the extension of existence, super existing in the heights of the helical rings, which may vary more than they are, and which could be, without being seen under a scientific gaze. "Becoming a mechanics of maturation and prayer, which the energy from the material world to the spiritual, as a moving particle of inert matter in parasitized free radicals, which are re-energized by the mystery of the helical trans-threshold of the Aramaic mystery of the Olives Bern. "Vernarth disintegrates in omeganymy in laxity towards Aurion, descending pro-tenebrosity towards the profanity of Patmos, engulfed by Love in a dark summer, brushing the silos of DNA in the will of the automated world"
DUOVERSE
guy scutellaro Oct 2019
The rain ****** through a darkening sky.

The man's eyes grow bright and he smiles. Softly, he whispers, " Man, you're the biggest, whitest, what hell are you anyway?"

The pup sits up and Jack Delleto caresses her neck, but much to the mutt's chagrin the man stands up and walks away.

Jack has his hand on the door about to go into the bar. The pup issues an interrogatory, "Woof?"

The rain turns to snow.

The man's eyes grow bright and he smiles, "My grandma used to say that when it snows the angels are sweeping heaven. I'll be back for you, Snowflake."

Jack shivers. His smile fading, the night jumps back into his eyes.

Snowflake chuffs once, twice.

The man is gone.



The room would have been a cold, dark place except the bodies who sit on the barstools or stand on the ***** linoleum floor produce heat. The cigarette smoke burns his eyes. Jack Delleto looks down the length of the bar to the boarded shut fire place and although the faces are shadows, he knows them all.

The old man who always sits at the second barstool from the dart board is sitting at the second bar stool. His fist clenched tightly around the beer mug, he stares at his own reflection in the mirror.

The aging barmaid, who often weeps from her apartment window on a hot summer night or a cold winter evening, is coming on to a man half her age. She is going to slip her arm around his bicep at any moment.

"Yeah," Jack smiles, "there she goes."

Jack Delleto knows where the regulars sit night after night clutching the bar with desperation, the wood rail is worn smooth.

In the mirror that runs the length of the bar Jack Delleto sees himself with clarity. Brown hair and brown eyes. Just an ordinary 29 year old man.

"Old Fred is right," he thinks to himself, "If you stare at shadows long enough, they stare back." Jack smiles and the red head returns his smile crossing her long legs that protrude beneath a too short skirt.

The bartender recognizes the man smiling at the redhead.

"Well,  Jack Delleto, Dell, I heard you were dead. " The six foot, two hundred pound bartender tells him as Dell is walking over to the bar.

"Who told you that?"

"Crazy George, while he was swinging from the wagon wheel lamp." Bob O'Malley says as he points to the wagon wheel lamp hanging from the ceiling.

"George, I heard, HE was dead."

The bartender reaches over the bar resting the palms of his big hands on the edge of the bar and flashes a smile of white, uneven teeth. Bob extends his hand. "Where the hell have you been?"

They shake hands.

Dell looks up at the Irishman. "I ve been at Harry's Bar in Venice drinking ****** Marys with Elvis and Ernest."

Bob O'Malley grins, puts two shot glasses on the bar, and reaches under the bar to grab a bottle of bourbon. After filling the glasses with Wild Turkey, he hands one glass to Dell. They touch glasses and throw down the shots.

"Gobble, gobble," O Malley smiles.


The front door of the bar swings open and a cold wind drifts through the bar. Paul Keater takes off his Giants baseball cap and with the back of his hand wipes the snow off of his face.

"Keater," Bob O'Malley calls to the Blackman standing in the doorway.

Keater freezes, his eyes moving side to side in short, quick movements. He points a long slim finger at O'Malley, "I don't owe you any money," Paul Keater shouts.

The people sitting the barstools do not turn to look.

"You're always pulling that **** on me." Keater rushes to the bar, "I PPPAID YOU."

As Delleto watches Keater arguing with O'Malley, the anger grows into the loathing Dell feels for Keater. The suave, sophisticated Paul Keater living in a room above the bar. The man is disgusting. His belly hangs pregnant over his belt. His jeans have fallen exposing the crack of his ***, and Keater just doesn't give a ****. And that ragged, faded, baseball cap, ****, he never takes it off.

When Keater glances down, he realizes he is standing next to Jack Delleto. Usually, Paul Keater would have at least considered punching Delleto in his face. "The **** wasn't any good," Paul feining anger tells O'Malley. "Everybody said it was, ****."

The bartender finishes rinsing a glass in the soapy sink water and then places it on a towel. "*******."

Keater slides the Giant baseball cap back and forth across his flat forehead. "**** it," he turns and storms out of the bar.

"Can I get a beer?" Dell asks but O"Malley is already reaching into the beer box. Twisting the cap off, he puts it on the bar. "It's not that Keater owes me a few bucks, "he tells Dell, "if I didn't cut him off he'd do the stuff until he died." Bob grabs a towel and dries his hands.

"But the smartest rats always get out of the maze first," Jack tells Bob.


Cigarette butts, candy wrappers, and losing lottery tickets litter the linoleum floor. Jack Delleto grabs the bottle of beer off the bar and crosses the specter of unfulfilled wishes.

In the adjacent room he sits at a table next to the pinball machine to watch a disfigured man with an anorexic women shoot pool. Sometimes he listens to them talk, whisper, laugh. Sometimes he just stares at the wall.

"We have a winner, "the pinball machine announces, "come ride the Ferris wheel."



"I'm part Indian. "

Jack looks up from his beer. The Indian has straight black hair that hangs a few inches above her shoulders, a thin face, a cigarette dangling from her too red lips.

"My Mom was one third Souix, " the drunken women tells Jack Delleto.

The Indian exhales smoke from her petite nose waiting for a come on from the man with the sad face. And he just stares, stares at the wall.

Her bushy eyebrows come together forming a delicate frown.

Jack turns to watch a brunette shoot pool. The woman leans over the pool table about to shoot the nine ball into the side pocket. It is an easy shot.

The brunette looks across the pool table at Jack Delleto, "What the **** are you starin at?" She jams the pool stick and miscues. The cue ball runs along the rail and taps the eight ball into the corner pocket. "AH ****," she says.

And Jack smiles.

The Indian thinks Jack is smiling at her, so she sits down.

"In the shadows I couldn't see your eyes," he tells her, "but when you leaned forward to light that cigarette, you have the prettiest green eyes."

She smiles.

" I'm Kathleen," her eyes sparkling like broken glass in an alley.

Delleto tries to speak.

"I don't want to know your name," she tells Jack Delleto, the smile disappearing from her face. "I just want to talk for a few minutes like we're friends," she takes a drag off the cigarette, exhales the smoke across the room.

Jack recognizes the look on her face. Bad dreams.

"I'll be your friend," he tells her.

"We're not going to have ***." The Indian slowly grinds out the cigarette into the ashtray, looks up at the man with the sad face.

"Do you have family?"

"Family?" Delleto gives her a sad smile.

She didn't want an answer and then she gets right into it.

"I met my older sister in Baltimore yesterday." She tells the man with sad eyes.' Hadn't seen her since I was nine, since Mom died. I wanted to know why Dad put me in foster homes. Why?

"She called me Little Sister. I felt nothin. I had so many questions and you know what? I didn't ask one."

Jack is finishing his beer.

"If you knew the reasons, now, what would it matter, anyway."

The man with the black eye just doesn't get it. She lived with them long enough. Long enough to love them.

She stands up, stares at Jack Delleto.

And walks away.


It's the fat blondes turn to shoot pool. She leans her great body ever so gently across the green felt of the pool table, shoots and misses. When she tries to raise herself up off the pool table, the tip of the pool cue hits the Miller Lite sign above the pool table sending the lamb rocking violently back and forth. In flashes of light like the frames from and old Chaplin movie the sad and grotesque appear and disappear.

"What the **** are you starin at?" The skinny brunette asks.

Jack pretends to think for a moment. "An unhappy childhood."

Suddenly, she stands up, looking like death wearing a Harley Davidson T-shirt.

"Dove sta amore?" Jack Delleto wonders.

Death is angry, steps closer.

"Must be that time of the month, huh," Jack grins.

With her two tiny fists clenched tightly at her side, the brunette stares down into Delleto's eyes. Suddenly, she punches Jack in the eye.

Jack stands up bringing his forearm up to protect his face. At the same time Death steps closer. His forearm catches her under the chin. The bony ***** goes down.

Women rush from the shadows. They pull Jack to the ***** floor, punch and kick him.

In the blinking of the Miller Light Jack Delleto exclaims," I'm being smother by fat lesbians in soft satin pants."  But then someone is pulling the women off of him.

The Miller Lite gently rocks and then it stops.

Jack stands up, shakes his head and smiles.

"Nice punch, Dell," Bob O' Malley says, "I saw from the bar."

Jack hits the dust off of his pants, grabs the beer bottle off of the table, takes a swallow. Smiling, he says, "I box a little."

"I can tell by your black eye." O'Malley puts his hand on his friends shoulder. "Come on I'll buy you a shot. What caused this spontaneous expression of love?"

"They thought I was a ******."


2 a.m.

Jack Delleto walks out the door of the bar into the wind swept gloom. The gray desolation of boarded shut downtown is gone.

The rain has finally turn to snow.

His eyes follow the blue rope from the parking meter pole to its frayed end buried in the plowed hill of snow at the corner of Cookman Avenue.

The dog, Snowflake, dead, Jack thinks.


The snow covers everything. It covers the abandon cars and the abandon buildings, the sidewalk and its cracks. The city, Delleto imagines, is an adjectiveless word, a book of white pages. He steps off the curb into the gutter and the street is empty for as far as he can see. He starts walking.

Jack disappears into empty pages.


Chapter 2


Paul Keater has a room above Wagon Wheel Bar where the loud rock music shakes the rats in the walls til 2a.m. The vibrations travel through the concrete floor, up the bed posts, and into the matress.

Slowly Paul's eyes open. Who the hell is he fooling. Even without the loud music, he would not be able to sleep, anyway.

Soft red neon from the Wagon Wheel Bar sign blinks into his room.

Paul Keater sits up, sighs, resigns himself to another sleepless night, swings his legs off the bed. His x-wife. He thinks about her frequently. He went to a phycologist because he loved her.

Dump the *****, the doctor said.

"I paid him eighty bucks and all he had to say was dump the *****." He laughs, shakes his head.

Paul thinks about *******, looks around the tiny room, and spots a clear plastic case containing the baseball cards he had collected when he was a boy.

He walks to the dresser and puts on his Giant's baseball cap. Paul sits down on the wooden chair by the sink. Turns on the lamp. The card on top is ***** Mays. Holding it in his hand, it is perfect. The edges are not worn like the other cards.

It was his tenth birthday and his dad had taken him to his first baseball game and his father had bought the card from a dealer.

Oblivious to the loud rock music filtering into his room, he stares at the card.

Fondly, he remembers.

Dad.


                                     *     

It arrives unobtrusively. His heart begins to race faster.
Jack Delleto rolls away from the cracked wall. He sits up and drops his legs off the bed.

Jack Delleto thinks about mountains.

When he cannot sleep he thinks about climbing up through the fog that makes the day obscure, passing where the stunted spruce and fir tees are twisted by the wind, into cold brilliant light. Once as he climbed through the fog he saw his shadow stretching a half a mile across a cloud and the world was small. Far down to the east laid cliffs and gullies, glaciated mountains and to the west were the plains and cities of everyday life.

The army coat is draped over the back of the chair. In the pocket is his notebook. Jack stands and takes the notebook from the pocket. When he sits in the wooden chair he opens the book and slides the pen from the binder.

When he finishes his story he makes the end into the beginning.



                                           Chapter 3


"I want a captain in a truck." The 10 year old boy with the brown hair tells his mom. "I want it NOW."

His blonde haired mom wearing the gold diamond bracelet nods her head at Jack Delleto. Jack looks up at the clock on the wall. It is only 9a.m. After four years of college Jack has a part time job at K.B. Toy store. "We're all out of them," he tells her for the second time.

"Honey," Blondie tells her boy, "they're all out of them."

"YOU PROMISED."

"How about a sargeant in a jeep?

"OK, but I want a missile firing truck , too."

Delleto turns to the display case behind the counter. Briefly, he studies his black eye in the display case mirror and then begins searching the four shelves and twenty rows of 3 inch plastic toys. He finds the truck. His head is aching. He finds the truck and puts it on the counter in front of the boy.

"Sorry, we're all out of the sargeant," Jack tells the pretty lady. The aching in his head just won't go away.

"Mommy, mommy, I want an ATTACK HELIOCOPTER, MOMMMEEE, I WANTAH TTTAAANNNK..."

Jack Delleto leans over the counter resting his elbows on the glass top. The boy is staring at the man with the black eye, at his bruised, unshaven face.

"Well, we haven't got any, GODDAMED TANKS. How about a , KICKINTHE ***."

Finally the boy and his mother are quiet.

"My husband will have you fired."

She grabs the boy by the hand. Turns to rush out of the store.

Jack mutters something.

"MMOOOMEEE,  what does..."

"Oh, shut the hell up," the pretty lady tells her son


                              
     

The assistant manager takes a deep drag on her cigarette, exhales, and crosses her arms to hold the cigarette in front of her. Susan looks down at Jack sitting on the stool behind the counter. He stands up. "Did you tell some lady to blow you?" She crushes the cigarette out in the ashtray on the shelf below the counter. "Maybe you don't need this job but I do."

"Sue, there's no smoking in the mall."

"Jack, you look tired," the cubby teenager tells him, "and your eye. Another black eye."

"I was attacked by five women."

'Oh, I see, in your dreams maybe. I see, it's one of those male fantasies I'm always reading about in Cosmo. You're not boxing again, are you Dell?" Sue likes to call him Dell.

"I go down to the gym to work out. Felix says I've got something."

"Yeah, a black eye." Susan laughs, opens the big vanilla envelope, and hands Jack his check.

She turns and takes a pair of sunglasses from the display stand. "You 're scaring the children, Dell ." Susan steps closer looks into Dell's brown eyes and the slips the sunglasses on his face. "Why don't you go to lunch."

                                        
     

It's noon and the mall is crowded at the food court area. Jack gets a 20oz cup of coffee, finds a table and sits down.

"Go over and talk to him. " Susan says. Jack turns his head , looks back, sees the Indian walking towards his table.

"Hello, Kathrine," says Jack Delleto.

"My names not Kathrine, it's Kathleen."

Jack pulls the chair away from the table, "Have a seat Kate."

Her eyebrows form that delicate frown. "My names Kathleen." As soon as she sits down she takes a cigarette from the pack sticking out of her pocketbook. "I had to leave. I told the baby sitter I'd only be gone an hour. Anyway you weren't much help."

"So why did you come over to talk to me?"

"You were alone, the bar full of people and you're alone. Why?"

"I like it that way. You've seen me there before?"

"Yeah, sitting by the pin ball machine staring at the wall, and sometimes, you'd take out your blue note pad and write in it.
What do you write about?  Are you goin to write about me..."

"Maybe. How many kids do you have?"

"Just one. A boy, and believe me one is enough. He'll be four in June," Kathleen smiles but then she remembers and abruptly the smile disappears from her face. "Sometimes I see Anthony's father in the mall and I ask him if he'd like to meet his son, but he doesn't.

Kathleen draws the cigarette smoke deep into her lungs, tilts her head back, and blows the smoke towards the skylight. Suddenly caught in the sunlight the smoke becomes a gray cloud. " I didn't want to marry him anyway, I don't know why he thought that."

She hears the scars as Delleto talks, something sad about the man, something like old newspapers blowing across a deserted street. She hears the scars and knows never, never ask where the scars came from.


                              
     

As Jack walks towards the bank to cash his check, he glances out the front entrance to the mall. It is a bright, cold day and the snowplows are finishing up the parking lot plowing the snow into big white hills. That is the fate of the big white pup plowed to the corner of Cookman and Main buried deep in ***** snow. At that street corner when the school is over the children will play on the hill never realizing what lay beneath there feet.

The snow must melt; spring is inevitable.

His pup will be back.



                                           Chapter 4


The 19 year old light heavyweight leans his muscular body forward to rest his gloved hands on the tope rope of the ring. He bows his head waiting to regain his breath as his lungs fight to force air deep into his chest. Bill Wain has finished boxing 4 rounds with Red.

Harry the trainer, gently pulls the untied boxing gloves from Red's hands. "Good fight, he says, patting Red on the back as the fighter climbs through the ropes and heads to the showers. Harry hands the sweat soaked gloves to Felix who puts one glove under his arm while he loosens the laces on the other 12ounce glove. He makes the sleeve wider.

"Do you want the head gear?" Felix asks.

Jack Delleto shakes his head and pushes his taped hand deep into the glove.

The old man takes the other glove from under his arm, pulls the laces out, and holds it open. Without turning his head to look at him, Felix tells Harry, "Make sure Bill doesn't cool down. Tell him to shadow box. Harry walks over to Bill and Bill starts shadow boxing.

Jack pushes his hand into the glove. "Make a fist." Jack does. Felix pulls the laces and ties it into a bow.

Felix looks intently into Delleto's eyes. "How does that feel?"

"About right."

"You look tired."

"I am a little."

"Are you sick or is it a woman."

"I'm not sick."

A big smile forms across the face of the former welterweight champion of Nevada. The face of the 68 year old Blackman is lined and cracked like the old boxing gloves that Jack is wearing but his tall body is youthful and athletic in appearance. Above Felix's eyebrows Jack sees the effect of 20 years as a professional fighter. He sees the thick scar tissue and the thin white lines where the old man's skin has been stitched and re-stitched many times. As he gives instructions to Jack, Felix's brown eyes seem to be staring at something distant and Jack wonders if Felix has chased around the ring one time too often his dream.

"And get off first. Don't stop punching until he goes down. You've got it kid and not every fighter does."

Jack and Felix start walking over to the ring.

"What is it I've got?" Jack Deletto wonders.

Felix puts his foot on the fourth strand of the rings rope and with his hand pulls up the top strand and as Jack steps into the ring, "You've got, HEART."

In the opposite corner Bill Wain waits.

"Will he be alright?" Harry asks.

"Bill's tired, " Felix replies, then he tries to explain. "It's not about money. I'm almost 70 and I want to go out a winner." Felix pauses and the offers, he can hit hard with either hand."

"Yeah, but at best he's a small middleweight and he only moves in one direction, straight ahead."

"Harry, I love the guy," Felix puts his hand on Harry's shoulder, he's like Tyson at the end of his career. He'd fight you to the death but he's not fighting to win anymore."

Harry puts his hands in his pocket and stares at the floor. "Do you want me to tell him to go easy." Harry looks up at Felix waiting for an answer.

"I'm tired of sweeping dirt from behind the boxes of wax beans and tuna fish. I'm sick of collecting shopping carts in the rain. A half way decent white heavyweight can make a lot of money. It's stupid for a fighter to practice holding back. Bill's a winner. Jack'll be alright."

Felix hands the pocket watch to Harry so he can time the rounds.

Bill Wain comes out of his corner circling left.

Jack rushes straight ahead.

Felix winks at Jack Delleto and whispers, "The Jack of hearts."



                                           Chapter 5


The front door of the Wagon Wheel bar explodes open to Ziggy Pop's, "YOU'VE GOT A LUST FOR LIFE." Jack Delleto steps over the curb and vanishes into the dark doorway.

"HEY, JACK, JACK DELLETO," The lanky bartender shouts over the din.

Delleto makes his way through the crowd over to bar. How the hell have you been Snake?" Jack asks.

"Just great," says Snake. "You're lookin pretty ****** good for a dead man."

"Who told you that? Crazy George?"

The bartender points across the room to where a man in a pin stripe suit is swinging to and fro from a wagon wheel lamp attached to the ceiling.

"Yeah, I thought so. Haven't seen Crazy George in a year and he's been telling everyone I'm dead. I'm gonna have to have a long talk with that man."

Snake hands Jack a shot of tequila. The men touch glasses and throw down the shots.

How's the other George? Dell asks.

"AA."

"How's Tommy? You see him anymore?"

"Rehab."

"What about Robbie?"

Snake refills the glasses. "He's livin in a nudist colony in Florida, he has two wives and 6 children."


Jack looks across the room and sees Bob O'Malley trying to adjust the rose in the lapel of his tuxedo. Satisfied it won't fall out O'Malley looks up at the man swinging from the lamp. "Quick, name man's three greatest inventions."

"Alcohol, tobacco, and the wheel," Crazy George shoots back.

O'Malley smiles and then jumps up on the top of the bar and although he is over six feet and weighs two hundred pounds, he has the dexterity and grace of a ballerina as he pirouttes around and jumps over the shot glasses and beer bottles that litter the bar.

Wedding guests lean back in their chairs as strangers fearful of his gyrations ****** their drinks off the bar. Bob fakes a slip as he prances along but he is always in control and never falters. Forty three year old Bob O'Malley is Jim Brown who dodges danger to score the winning touch down.

When Bob reaches the end of the bar he jumps to the floor, pulls two aluminum lids from the beer box, and with one in each hand he smacks them together like cymbals.

Some guests clap. The bemused just stare.

In the back of the room sitting at the wedding table the father of the bride leans over, whispers into the ear of his crying wife, "If I had a gun I'd shoot Bob."

The bride raises a glass of champagne into the smoke filled air and Bob takes a bow but then heads towards the kitchen at the other end of the room.

" Hey, Bob," Jack Delleto shouts to the groom.

O'Malley stops under the wagon wheel lamp and turns as Delleto steps into the  circle of light cast onto the floor.

"Congratulations, I know Theresa and you are goin to be happy. I mean that." Delleto offers his hand and they shake hands.

"Thanks, Mr. Cool."

Jack takes off the sunglasses.

"TWO black eyes. Your nose is bleeding. What happened?"

Dell takes the handkerchief from his back pocket, wipes the blood dripping down his face. "It's broken."

"What happened?" O'Malley asks again.

"Bill Wain."

"He turned pro."

"Yeah, but he's nothing special. Hell, he couldn't even knock me down."

O'Malley shakes his head. "Dell, why do you do it? You always lose."

"If you don't fight you've already lost."

"Put the sunglasses back on, you look like a friggin raccoon."

Dell smiles. The blood running down his lips."Thersa's beautiful, Bob, you're a lucky guy."

"Thanks Dell." O'Malley puts his hand on Dell's shoulder and squeezes affectionately. Bob looks across the room at Theresa. "Yeah, she is beautiful." Theresa's mother has stopped crying. Her father drinks whiskey and stares at the wall.

O'Malley looks away from his bride and passed the archway that divides the poolroom from the bar and into the corner. With the lamp light above his head gleaming in his eyes Bob seems to see a ghost fleeting in the far distant, dark corner. Slowly, a peculiar half smile forms uneven, white, tombstone teeth.  A pensive smile.

Curious, Dell turns his head to look into the darkness of the poolroom, too.

At night in July the moths were everywhere. When Dell was a boy he would sit on his porch and try to count them. The moths appeared as faint splashes of whiteness scattered throughout the nighttime sky, odd circles of white that moved haphazardly, forward and then sideways, sometimes up and then down.

Sometimes the patches of moths flew higher and higher and Dell imagined the lights those creatures were seeking were the stars themselves; Orion, the Big Dipper, and even the milky hue of the Milkyway.

One night as the moths pursued starlight he saw shadows dropping one by one from the branches at the tops of the trees. The swallows were soundless and when he caught a glimpse of sudden darkness, blacker than the night, he knew the shadows had erased the dreamer and its dream.

His imagination gave definition to form. There was a sound to the shadows of the swallows in his thoughts, the melody and the song played over and over. Wings of shadow furled and unfurled. Perhaps he saw his reflection in the night. Perhaps there are shadows where nothing exists to cast them.

"Do you hear them, Bob?"

"Hear what?" Bob asks.

"All of them."

"All of what?"

"Shadows," Delleto candidly tells his friend, then, "Ah, Nothin."

O'Malley doesn't understand but it does not matter. The two men have shared the same corner of darkness.

Bob calls to Paul Keater. Keater smiles broadly, slides the brim of his Giant baseball cap to the side of his forehead. The two men disappear through the swinging kitchen door.


                                          Chapter 6


"Hello Kate." Jack Delleto says and sits down. She has a blue bow in her hair and make up on.

"My names Kathleen."

She fondles the whiskey glass in her slim fingers. "Hello, Dell, Sue thinks Dell is such a **** name. Kathleen takes a last drag on her cigarette, rubs it out in the ashtray, looks up at him, "What should I call you?"

"How about, Darlin?"

"Hello, Jack, DARLIN," her soft, deep voice whispers. Kathleen crosses her legs and the black dress rides up to the middle of her thigh.

Jack glances at the milky white flesh between the blue ***** hose and the hem of her dress. Kate is drunk and Dell does not care. He leans closer, "Do you wanna dance?"

"But no one else is dancing."

"Well, we can go down to the beach, take a walk along the sand."

"It's twenty degrees out there."

"I'll keep you warm."

"All right, lets dance."

Jack stands up takes her by the hand. As Kathleen rises Jack draws her close to him. Her ******* flatten against his chest. He feels her heart thumping.

The Elvis impersonator that almost played Las Vegas; the hairdresser that wanted to be a race car driver; the insurance salesman with a Porche and a wife.  Her men talked about what they owned or what they could do well.

And Kathleen was impressed.

But Dell wasn't like them. Dell never talked about himself. Did he have a dream? Was there something he wanted more than anything?

Kathleen had never meant anyone quite like Dell.

She rests her head on his shoulder. "What do you what more than anything? What do you dream about at night?"

"Nothing."

"Come on," she says," what do you want more than anything? Tell me your dreams."

Jack smiles, "Just to make it through another day."  He smiles that sad smile that she saw the first time they met. "Tell me what you want."

Kate lifts her head off of his shoulder and looks into his eyes. "I don't want to be on welfare the rest of my life and I want to be able to send my son to college." She rests her cheek against his, "I've lived in foster homes all my life and every time I knew that one day I'd have to leave, what I want most is a home. Do you know the difference between a house and a home?"

"No. not at all"

Her voice is a roaring whisper in his ear, "LOVE."

The song comes to an end and they leave the circle of light and sit down. Kate takes a cigarette from the pack.

Dell strikes a match. The flame flickering in her eyes. "Maybe someday you'll have your home."

"Do you want me to?"

"Yeah."

Kate blows out the match.


                                  
     


"Can you take me home?" Kate asks slurring her words.

Kathleen and Jack walk over to where the bride and groom are standing near the big glass refrigerator door with Paul Keater. When Paul realizes he is standing next to Jack Delleto he rocks back and forth on the heals of his worn shoes, slides his Giants baseball cap back and forth across his forehead and walks away.

O'Malley bends down and kisses Kathleen on the cheek and turns to shake hands with Dell. "Good luck," says Dell. Kathleen embraces the bride.

Outside the bar the sun is setting behind the boarded shut Delleto store.

"That was my Dad's store, " Jack tells Kate and then Jack whispers to to himself as he reads the graffiti spray painted on the front wall.
"TELL YOUR DREAMS TO ME, TELL ME YOU LOVE ME, IF YOU LOVE ME, TELL ALL YOUR DREAMS TO ME."


                                         Chapter 7


An old man comes shuffling down the street, "Hello Mr. Martin, " Jack says, "How are you?"

"I'm an old man Jack, how could I be," and then he smiles, "ah, I can't complain. How are you?"

"Still alive and well."

"Who is this pretty young lady?"

"This is Kate."

Joesph Martin takes Kathleen by the arm and gently squeezes, "Hello Kate, such a pretty women, ah, if I was only sixty," and the old man smiles.

Kathleen forces a smile.

The thick eyeglasses that Mr. Martin wears magnifies his eyes as he looks from Kathleen to Jack, "Have fun now, because when you're dead, you're going to be dead a long, long time." And Martin smiles.

"How long?  Delleto inquires.

The old man smirks and waves as he continues up the street to the door leading to the rooms above the bar. He turns to face the door. The small window is broken and the shards of glass catch the twilight.

Joesph Martin turns back looking at the man and young woman who are about to get into the car. He is not certain what he wants to say to them. Perhaps he wants to tell them that it ***** being an old man and the upstairs hallway always smells of ****.

Joesph Martin wants to tell someone that although Anna died seven years ago his love endures and he misses her everyday. Joesph recalls that Plato in Tamaeus believed that the soul is a stranger to the Earth and has fallen into matter because of sin.

A faint smile appears on the wrinkled face of the old man as he heeds the resignation he hears in his own thoughts.

Jack waves to Mr. Martin.  Joesph waves back. The mustang drives off.

Earth, O island Earth.


                                               Chapter 8


Joseph pushes open the door and goes into the hallway. The fragments of glass scattered across the foyer crunch and clink under his shoes. The cold wind blowing through the broken window touches his warm neck. He shivers and walks up the stairs. There is only enough light to see the wall and his own warm breathing. There is just enough light like when he has awaken from a  bad dream, enough to remember who he is and to separate the horror of what is real from the horror of what is dreamt.

The old man continues climbing the stairs following the familiar shadow of the wall cast onto the stairs. If he crosses the vague line of shadow and light he will disappear like a brown trout in the deepest hole in a creek.

By the time he reaches the second floor he is out of breath. Joseph pauses and with the handkerchief he has taken from his back pocket he wipes the fog from the lenses of his eyeglasses and the sweat from his forehead.

A couple of doors are standing open and the old man looks cautiously into each room as he hurries passed. One forty watt bulb hangs from a frayed wire in the center of the hallway. The wiring is old and the bulb in the white porcelain socket flickers like the blinking of an eye or the fearful beating of the heart of an old man.

When he opens the door to his room it sags on ruined hinges.

Joesph searches with his hand for the light switch.  Several seconds linger. Can't find it.

Finds it and quickly pushes the door shut. He sits down on the bed, doesn't take his coat off, reaches for the radio. It is gone.

Joseph looks around the room. A small dresser, the sink with a mirror above it. He takes off his coat and above the mirror hangs the coat on the nail he has put there.

Hard soled boots echo hollowly off the hallway walls. The echoes are overlapping and he cannot determine if the footsteps are leaving or approaching.

The crowbar is under his pillow.

He grabs it. Holds it until there is silence.

He lays back on the bed. Another night without sleep. Joseph rolls onto his side and faces the wall.

Earth, O island Earth.



                                           Chapter 9


Tangled in the tree tops a rising moon hangs above the roofs of identical Cape Cod houses.

Jack pulls the red mustang behind a station wagon. Kathleen is looking at Dell. His face is a faint shadow on the other side of the car. "Do you want to come up?" she asks.

Kathleen steps out of the car, breathes the cold air deep into her lungs. It is fresh and sweet. Jack comes around the side of the car just as she knew he would. He takes her into his arms. She can feel his lips on hers and his warm breath as the kiss ends.

They walk beneath the old oak tree and the roots have raised and crack the sidewalk and in the spring tiny blue flowers will bloom. The flowers remind Jack of the columbines that bloom in high mountain meadows above tree line heralding a brief season of sun and warmth.

"Did you win?" Kathleen asks as she fits the key into the upstairs apartment door. The door swings open into the brightly lit kitchen.

Dell, leaning in the doorway, two black eyes, looking like the Jack of Hearts. "It doesn't matter."

"You lost?"

"Yeah."

Crossing the room she takes off her coat and places it on the back of the kitchen chair. When Kate leans across the kitchen table to turn on the radio the mini dress rides up her thigh, tugs tightly around her buttocks.

The radio plays softly.

Jack stands and as Kathleen turns he slips his arms around her waist and she is staring into his eyes like a cat into a fire. His body gently presses against the table and when he lifts her onto the table her legs wrap around his waist.

Kathleen sighs.

Jack kisses her. Her lips are cold like the rain. His hand reaches. There is a faint click. The room slips into darkness. It is Eddie Money on the radio, now, with Ronnie Specter singing the back up vocals. Eddie belts out, "TAKE ME HOME TONIGHT, I WON"T LET YOU LEAVE TIL..."

When Jack withdraws from the kiss her eyes are shining like diamonds in moonlight.

The buttons of her dress are unfastened.  Her arms circle his neck and pull him to her *******. "Don't Jack. You mustn't. I just want a friend."

His hands slide up her thighs. "I'll be your friend, " says Jack.

Her voice is a roaring whisper in his ear. "*** always ruins everything," He pulls her to the edge of the table as Ronnie sings, "O DARLIN, O MY DARLIN, WON'T YOU BE MY LITTLE BAABBBY NOOWWW."


They are sitting on a couch in the room that at one time had been a sun porch.

Now that they have gotten *** out of the way, maybe they can talk. Sliding her hands around his face she pulls him closer.

"Jack, what do you dream about? You know what I mean, tell your dreams to me."

"How did you get those round scars on your arm?" Dell wonders.

"Don't ask. I don't talk about it. Do you have family?"

"Yeah. A brother. Tell me about those scars."

My ****** foster dad. He burned me with his cigarette. That's how I got these ****** scars.

And when I knew he was coming home, I'd get sick to my stomach, and when I heard his key in the door, I'd *** myself. And I got a beating.

But that wasn't the worst of it.

When they didn't beat me or burn me, they ignored me, like I didn't exist, like I wasn't even there. And you know what, I didn't hate him. I hated my father who put in all those foster homes."



                                             Chapter 10



Spring. All the windows in the apartment are open. The cool breeze flows through her brown hair. "You're getting too serious, Jack, and I don't want to need you."

"That's because I care for you."

The rain pounds the roof.

Jack Delleto sits down on the bed, caresses her shoulder. "I hate the rain. Come on, give me a smile. "Kathleen pulls away and faces the wall.

"Well, I don't need anyone."

"People need people."

"Yeah, but I don't need you." There is silence, then, "I only care about my son and Father Anthony."

"What is it with you and the priest?" You named your son Anthony is that because he's the father."

"You're an *******. Get out of here. I don't love you." And then, "I've been hurt by people and you'll get over it."

Then silence. Jack gets up from the bed, stares at her dark form facing the wall. "Isn't this how it always ends for you?"

The room is quiet and grows hot. When the silence numbs his racing heart, he goes into the kitchen, opens the front door and walks down the steps into the cold rain.


"Anthony," Kathleen calls to her son to come to her from the other bedroom and he climbs into the bed, and she holds him close. The ghost of relationships past haunt her and although they are all sad, she clings to them.


On the sidewalk below the apartment window Jack stops. He thinks he hears his name being called but whatever he has heard is carried off by the wind. He continues up the dark street to his Harley.

High in reach less branches of the old oak tree a mockingbird is singing. The leaves twist in the wind and the singing goes on and on.



                                            
     



The ringing phone. The clock on the dresser says 5 a.m.

"Who the hell is this?"

"Jack, I'm scared."

"Kate? Is that you?"

"Someone broke into my apartment."

"Is he still there?"

"No, he ran out the door when I screamed. It was hot and I had the window open. He slit the screen."

"I'll be right over."



                                         Chapter11


"How hot is it?" Kathleen asks.

The bar is empty except for O'Malley, Keater, a man and a woman.

"98.6," says Jack. The sweat rolls down his cheeks.

"Let's go to the boardwalk."

"When it's hot like this, it's hot all over."

"We could go on the rides."

"I've got the next pool game, then we'll go."

"It's my birthday."

"I bought you flowers."

"Yeah, carnations."

Laughing, Paul Keater slides the brim of his baseball cap back and forth across his forehead.

Jack eyes narrow. He starts for Keater, Katheen steps in front of Jack, puts her hands on his shoulders. She looks into his eyes.

"Who are you Jack Delletto? What is it with you two? But as always you'll say nothing, nothing." As Jack tries to speak she walks over to the bar and sits on the barstool.

"It's my birthday," she tells O'Malley.

When Bob turns from the horse races on the T.V., he notices her long legs and the short skirt. "Hey, happy birthday, Kate, Jack Daniels?"

"Fine."

Filling the glasses O'Malley hands one to Kathleen, "You look great," he tells her.

"Jack doesn't think so. Thanks, at least someone thinks so."

"Hope Jack won't mind," and he leans over the bar and kisses her.

Kathleen looks over her shoulder at Delleto. Jack is playing pool with a woman wearing a black tight halter top. The woman comes over to Jack, stands too close, smiles, and Jack smiles back.

The boyfriend stares angrily at Jack.

When Kathleen turns back O'Malley is filling her shot glass.

Jack wins that game, too.



                                                 Chapter 12



"Daddy," the little girl with her hands folded in her lap is looking up at her father. "When will the ride stop? I want to go on."

"Soon, Darling, "her father assures her.

"I don't think it will ever stop."

"The ride always stops, Sweetie." Daddy takes her by the hand, gently squeezes.


When the carousel begins to slow down but has not quite stopped Kathleen steps onto the platform, grabs the brass support pole. The momentum of the machine grabs her with a **** onto the ride, into a white horse with big blue eyes. Dropping her cigarette she takes hold of the pole that goes through the center of the horse. She struggles to put her foot in the stirrup, finds it, and throws her leg over the horse. The carousel music begins to play. With a tremble and a jolt, the ride starts.

Sitting on the pony has made her skirt ride well up her legs. The ticket man is staring at her but she is too drunk to care. She hands him the ticket, gives him the finger.

The ticket man goes over to the little girl and her father who are sitting in a golden chariot pulled by to black horses.

"Ooooh, Daddy, I love this."

"So do I," The father smiles and strokes his daughter's hair.

The heat makes the dizziness grow and as the ride picks up speed she sees two of everything. There are two rows of pin ball machines, eight flashing signs, six prize machines. All the red, blue and green lights from the ride blend together like when a car drives at night down a rain-soaked street.

Kathleen feels the impulse to *****.

"Can we go on again?" The little girl asks.

"But the ride isn't over, yet."


Kathleen concentrates on the rain-soaked street and the dizziness and nausea lessens. She perceives the images as a montage like the elements that make up a painting or a life. She has become accustom to the machine and its movement. The circling ride creates a cooling breeze that becomes a tranquil, flowing waterfall.

The ponies in front are always becoming the ponies in the back and the ponies in back are becoming the ponies in the front. Around and around. All the ponies galloping. Settling back into the saddle she rides the pony into the ever-present receding waterfall.

You can lose all sense of the clock staring into the waterfall of blue, red and green. Kathleen leans forward to embrace the ride for a long as it lasts.

Just as suddenly as it started, the ride is slowly stopping, the music stops playing.

Coming down off the pony she does not wait for the ride to stop, stumbles off the platform and out the Casino amusement park door. "****, *******," she yells careening into the railing almost falling into Wesley Lake.

She staggers a few steps, sits down on the grass by the curb, hears the carousel music playing and knows the ride is beginning again, and all of her dreams crawls into her like a dying animal from its hidden hole.

And it all comes up from her throat taking her breath away. A distant yet familiar wind so she lies down on the grass facing the street of broken buildings filled with broken people. From the emptying lot of scattering thoughts the mockingbird is singing and the images shoot off into a darkening landscape, exploding, illuminating for a brief moment, only to grow dimmer, light and warmth fading into cold and darkness.




                                      
     

"Your girlfriend is flirting with me," Jack Delleto tells the man. "It's my game."

The man stands up, takes a pool stick from the rack, as he comes towards Jack Delleto the man turns the pool stick around holding the heavy part with two hands.

There is an explosion of light inside his head, Delleto sees two spinning lizards playing trumpets, 3 dwarfs with purple hair running to and fro, intuitively he knows he has to get up off the floor, and when he does he catches the bigger man with a left hook, throws the overhand right. The man stumbles back.

His girlfriend in the tight black halter top is jumping up and down, screaming at, screaming at Jack Delleto to stop, but Jack, does not. Stepping forward, a left hook to the midsection, hook to the head, spins right, throws the overhand right.

The man goes down. Jack looks at him.

"You lose, I win," and Delleto's smile is a sad, knowing one.



                                                  CHAPTER­ 13

"It's too much," and Jack looks up from the two lines of white powder at Bob O'Malley. "I'll never be able to fall asleep and I hate not being able to sleep."

" Here," Bob takes a big white pill from his shirt pocket.

Jack drops the pill into his shirt pocket and says, "No more." He hands the rolled-up dollar bill to Bob who bends over the powder.

"Tom sold the house so you're upstairs? O Malley asks, and like a magician the two lines of white powder disappear.

"Till i find another place," Jack whispers.

Straightening up, O'Malley looks at Dell, "I know you 're hurting Dell, I'm sorry, I'm sad about Kate, too."

"Kate had a kid. A boy, four years old."

Jack becomes quiet, walks through the darkened room over to the bar. Leaning over the bar he grabs two shot glasses and a bottle of Wild Turkey, walks back into the poolroom. He puts the shot glasses on top of the pin ball machine. "We have a winner, " the pin ball machine announces. Dell fills the glasses.

"Felix came in the other day, he's taken it hard," Bob tells him.
Bill Wain knock down four times in the sixth round, he lost consciousness in the dressing room, and died at the hospital."

"I heard. What's the longest you went without sleep? Jack asks.

"Oooohhh, five, six days, who knows, after awhile you lose all track of time."

They take the shots and throw them down.

"I wonder if animals dream," Jack wants to know. "I wonder if dogs dream."

"Sure, they do, " O'Malley assures him, nodding his head up and down, "dogs, cats, squirrels, birds."

"Probably not insects."

"Why not? June bugs, fleas, even moths, it's all biochemical, dreams are biochemical, mix the right combination of certain chemicals, electric impulses, and you'll produce love and dreams."

                                          
     

Jack Delleto goes into his room above the bar, studies it. The light from the unshaded lamp on the nightstand casts a huge shadow of him onto the adjacent wall. Not much to the room, a sink with a mirror above it next to a dresser, a bed against the wall, a wooden chair in front of a narrow window.

The rain pounds the roof.

The apprehension grows. The panic turns into anger. Jack rushes the white wall, meets his shadow, explodes with a left hook. He throws the right uppercut, the overhand right, three left hooks. He punches the wall and his knuckles bleed. He punches and kicks the blood-stained wall.

At last exhausted, he collapses into the chair in front of the open window. Fist sized holes in the plaster revel the bones of the building. The room has been punched and kicked without mercy.

The austere room has won.

The yellow note pad, he needs the yellow note pad, finds it, takes the pencil from the binder but no words will come so he writes, "insomnia, the absence of dream." He reaches for the lamp on the nightstand, finds it, and turns off the light. Red and blue, blue and red, the neon from the Wagon Wheel Bar sign blinks soft neon into his room. The sign seems to pulsate to the cadence of the rock music coming from the bar.

Taking the big white pill from his shirt pocket, he swallows it, leans back into the chair watching the shadows of rain bleed down the wall. The darkness intensifies. Jack slides into the night.



                                           Chapter 14


The rain turns to snow.

With each step he takes the pain throbs in his arm and shoulder socket. His raw throat aches from the drafts of cold air he is ******* through his gaping mouth and although his legs ache he does not turn to look back. Jack must keep punching holes with his ice axe, probing the snow to avoid a fall into an abyss.

The pole of the ice axe falls effortlessly into the snow, "**** it, another one."

Moonlight coats the glacier in an irridecent glow and the mountain looms over him. It is four in the mourning and Jack knows he needs to be high on the mountain before the mourning sun softens the snow. He moves carefully, quietly, humbly to avoid a fall into a crevasse. When he reaches the top of the couloir the wind begins to howl.

"DA DA DUN, DA DA DUN, HEY PURPLE HAZE ALL AROUND MY BRAIN..."

Jack thinks the song is in his head but the electric guitar notes float down through the huge blocks of ice that litter the glacier and there standing on the arête is Jimi, his long dexterous fingers flying over the guitar strings at 741 mph.

"Wait a minute, " Jack wonders, stopping dead in his tracks. The sun is hitting the distant, wind-blown peaks. "Ah, what the hell," and Jack jumps in strumming his ice axe like an air guitar, singing, shouting, "LATELY THINGS DON'T SEEM THE SAME, IS THIS A DREAM, WHATEVER IT IS THAT GIRL PUT A SPELL ON MEEEE, PURRPPLLE HAZZEEE."


                                        
     


Slowly the door moans open.

"Jack, are you awake?" her voice startles him.

"Yeah, I'm awake."

"What's the matter, can't sleep?"

Jack sifts position on the chair. "Oh, I can sleep all right." He recognizes the voice of the shadow. "I want to climb to a high mountain through ice and snow and never be found."

"A heart that's empty hurts, I miss you, Jack Delleto."

"I'm glad someone does, I miss you, too, Kate."

There is silence for several minutes and the voice comes out of the darkness again.

"Jack, you forgot something that night."

"What?" The dark shape moves towards him. When it is in front of him, Jack stands, slips his arms around her waist.

"You didn't kiss me goodbye."

Her lips are soft and warm. Her arms tighten around his neck and the warmth of her body comes to him through the cold night.

"Jack, what's the matter?" She raises her head to look at him, "Why, you're crying."

"Yeah, I'm crying."

"Don't cry Darlin," her lips are soft against his ear. "I can't bear to see you unhappy, if you love me, tell me you love me."

"I love you, I do," he whispers softly.

"Hold me, Jack, hold me tighter."

"I'll never let you go." He tries to hug the shadow.


                                          
      *


The dread grows into an explosion of consciousness. Suddenly, he sits up ******* in the cold drafts of air coming into the room from the open window. Jack Delleto gets up off the chair and walks over to the sink. He turns on the cold water and bending forward splashes water onto his face. Water dripping, he leans against the sink, staring into the mirror, into his eyes that lately seem alien to him.



                                            Chapter 15


Someone approaches, Jacks turns, looks out the open door, sees Joesph Martin go shuffling by wearing a faded bathrobe and one red slipper. Jack hears Martin 's door slam shut and for thirty seconds the old man screams, "AAHHH, AAAHHH, AAAHH."
Then the building is silent and Jack listens to his own labored breathing.

A glance at the clock. It is a few minutes to 7 a.m. Jack hurries from his room into the hallway.  They pass each other on the stairs. The big man is coming up the stairs and Jack is going down to see O'Malley.

Jack has committed a trespass.

When the big man reaches the top of the stairs, the red exit light flickers like a votive candle above his head. The man slides the brim of his Giants baseball cap back and forth across his forehead, he turns and looks down, "Hello, Jack, brother. Dad loved you, too, you know." An instant later the sound of a door closing echoes down the hallway steps.


Jack Delleto is standing in the doorway at the bottom of the steps looking out onto the wet, bright street.

"Hey, Jack, man it's good to see you, glad to see you're still alive."

Jack turns, looks over his shoulder, "Felix, how the hell are you?"
The two men shake hands, then embrace momentarily.

"Ah, things don't get any better and they don't get any worse," shrugs the old man and then he smiles but his brown eyes are dull, and Jack can smell the cheap wine on the breath of the old boxer. "When are comin back? Man, you've got something, Kid, and we're going places."

"Yeah, Felix, I'll be coming back."  Jack extends his hand. The old fighter smiles and they shake hands. Suddenly, Felix takes off down Main Street towards Foodtown as if he has some important place to go.

Jack is curious. He sees the rope when he starts walking towards the Wagon Wheel Bar. One end of the rope is tied around the parking meter pole. The rest of the rope extends across the sidewalk disappearing into the entrance to the bar. The rattling of a chain catches his attention and when the huge white head of the dog pops out of the doorway Jack is startled. He stops dead in his tracks and as he spins around to run, he slips falling to the wet pavement.

The big, white mutt is curious, growls, woofs once and comes charging down the sidewalk at him. The rope is quickly growing shorter, stretches till it meets it end, tightens, and then snaps. Now, unimpeded by the tension of the rope the mutt comes charging down the sidewalk at Delleto. Jack's body grows tense anticipating the attack. He tries to stand up, makes it to his knees just as the dog bowls into him knocking him to the cement. The huge mutt has him pinned down, goes for his face.

And begins licking him.

Jack Delleto struggles to his knees, hugs her tightly to him. Looking over her shoulder, across Main Street to the graffiti painted on the boarded shut Delleto Market...

                               FANTASY WILL SET YOU FREE

                                                 The End

To Tommy, Crazy George and Snake, we all enjoyed a little madness for a while.


"Conversations With a Dead Dog..."
JJ Hutton Nov 2012
skyscraper man on seattle time
looms in the corner of swan lake and fry
untouchable denim untouchable blueblack plaid jacket
     he's put together with clothespins
     he's put together with stipends
     he's crammed between taxi cab book ends
skyscraper man on seattle time
stoic as the jet engines roar by
all his friends are magazines all his friends currentbrief
     he's got a little future
     he's got a few dimes
     he's got no father to call out the lies
skyscraper man on seattle time
watches smog children kick ***** on concrete
vulnerable under trees writes his novels in purpleink
     he's married once before
     he's read crucifixion lore
     he's returned his money to the store
skyscraper man on seattle time
looking through spectacles of ***** and brine
the rain falls hard the breeze sweet on the leaves
     he's emptying the soul of modern rock n' roll
     he's emptying the tray of ashed thought
     he's emptying the bank account cold
skyscraper man on seattle time
sheds crinkled skinmemory like the cicada
a twin-sized deathbed deathbed in apt. 203
     he's nothing.
     he's ever.
     he's happened.
skyscraper man on seattle time
carbon copied and eternal as saltwater as rust
invisible and tapping at the runrain window
     he's nothing.
     he's ever.
     he's happened.
skyscraper man on seattle time
climbs himself to the cosmos lightheaded perfection
ethereal visions of fullbloom love and legacy with measure
     he's nothing.
     he's ever.
     he's happened.
alexis Mar 2015
Representative of the Ocean;
The under side of galaxies -
depths that man will never come to know,
But will foolishly never cease to search to for.
The tips of waves
Caressing the shore line to meet man once again,
Though it draws its feeble hand back often.
The color blue is
The moment after grieving,
The emptying of great seas.
Temporary peace.
idk what this is
Kuzhur Wilson Aug 2014
Around 4 in the evening, I proceeded to Karaikkal, a Union Territory.

By the time we reached Nagapattinam, I noticed that the driver was tired and asked him to have a strong cup of tea. When he was gulping it reluctantly, I, who did not like strong tea, watched the cows walking along the narrow ways. But, the cows did not look at me. The cows I watched. The cows that did not pay any attention to me. I was a bit out of breath realizing how quickly nonexistent relationships were formed in an unknown Tamil village.  I lit up one more cigarette. I remembered the doctor in Britain, a stunning beauty, who prescribed that as soon as I found it difficult to breathe I should light up a cigarette. ****! When it is hard to breathe because of nonexistent relationships and when I light up a cigarette as an antidote to that, there appear row upon row of relationships of some sort or other.  

I began to detest bitter strong tea. I was irked by the cows that went along the narrow ways. I felt hatred towards their not so small udders. An afternoon dawned one day when I felt the same kind of vengeance towards udders. The blood stains from the udders that were slashed down emerged on my hands, legs, back and under belly.

Once again I felt revulsion for bitter strong tea. The driver sipped the hot bitter tea. I hated the moment when I asked him to have tea. I loathed the words that I used to say that. I despised even the words that I had kept in reserve to say that.

Then, I watched the people etching tattoos by the roadside. I wondered how it will be if I got a tattoo for myself.  I tried to recall how deep I was to get a tattoo done.

A person I liked.
A name I liked.
A place I liked.
A digit I liked.
A syllable I liked.
A memory I liked.

I felt a lot of aversion. Wondered if I should tattoo my mother’s name on my shoulder. I found it amusing that when I die people may identify me by my mother’s name. But, I felt sad when I thought that stranger women may plant their kisses on it. ****! I felt so sad.  I abhorred those bitter cups of tea and narrow ways. I lit up one more cigarette.  Then, I, who tattooed my mother’s name on my shoulder, started decaying on the spot.  Rotting with a terrible stench. The people, the cows and the goats that I did not mention before bolted.  Abruptly, the driver came and told me that we could move from there.  I felt so bitter towards even the bitter tea that was inside him.

Somehow, we reached Karaikkal. Yes, at 630 in the evening. Even though I had never been to Karaikkal, a Union Territory, I sat on the same chair in the same corner of the same bar. The bearer poured me the wine.

He kept pouring the wine.
He kept pouring the wine.
The wine kept emptying.
The wine kept emptying.
The wine kept unraveling.
The wine kept unraveling.

It was a Dutch woman who gathered me up and took me with her when I got totally unraveled. She was older than me. There was no power in her room. The way she washed my body in lukewarm water could have put to shame even the midwives giving a bath to babies. When I rose up sometimes and asked her name, she sealed my lips with hers. When it was repeated many times, I thought that her name must mean something like a kiss. And, she never spoke a word except with lips.

Unraveling wine, lukewarm water, the nonstop conversation by lips. Though lips got tired, I heard the murmur from my pelvis. She too must have heard that. She touched my *****. Quite a guy she exclaimed cracking a joke. Told her I salvaged it from the sea at Tanjore and it was some temple mast some sculptor abandoned. If it’s a temple mast, let the festival begin she said.

It was some festival.
Festival of festivals.
Black lacquer bangles, vermilion, ribbons
Hydrogen balloons
Spinning tops
It was some festival.
Festival of festivals.

A simile as washed out as a festival ground emptied of crowds. For the lack of a better one.  Returned from Karaikkal, a Union Territory, at some hour.  I dumped that taxi driver on the way. Not only because I was disgusted with bitter tea, but also because his name was not Thintharoo.

I can never again put up with a driver whose name is not Thintharoo.




**(trans by Ra Sh)
Thintharoo - it is also my poetry collection name. will come soon
Fanfare of northwest wind, a bluejay wind
announces autumn, and the equinox
rolls back blue bays to a far afternoon.
Somewhere beyond the Gorge Li Po is gone,
looking for friendship or an old love's sleeve
or writing letters to his children, lost,
and to his children's children, and to us.
What was his light? of lamp or moon or sun?
Say that it changed, for better or for worse,
sifted by leaves, sifted by snow; on mulberry silk
a slant of witch-light; on the pure text
a slant of genius; emptying mind and heart
for winecups and more winecups and more words.
What was his time? Say that it was a change,
but constant as a changing thing may be,
from chicory's moon-dark blue down the taut scale
to chicory's tenderest pink, in a pink field
such as imagination dreams of thought.
But of the heart beneath the winecup moon
the tears that fell beneath the winecup moon
for children lost, lost lovers, and lost friends,
what can we say but that it never ends?
Even for us it never ends, only begins.
Yet to spell down the poem on her page,
margining her phrases, parsing forth
the sevenfold prism of meaning, up the scale
from chicory pink to blue, is to assume
Li Po himself: as he before assumed
the poets and the sages who were his.
Like him, we too have eaten of the word:
with him are somewhere lost beyond the Gorge:
and write, in rain, a letter to lost children,
a letter long as time and brief as love.

II

And yet not love, not only love. Not caritas
or only that. Nor the pink chicory love,
deep as it may be, even to moon-dark blue,
in which the dragon of his meaning flew
for friends or children lost, or even
for the beloved horse, for Li Po's horse:
not these, in the self's circle so embraced:
too near, too dear, for pure assessment: no,
a letter crammed and creviced, crannied full,
storied and stored as the ripe honeycomb
with other faith than this. As of sole pride
and holy loneliness, the intrinsic face
worn by the always changing shape between
end and beginning, birth and death.
How moves that line of daring on the map?
Where was it yesterday, or where this morning
when thunder struck at seven, and in the bay
the meteor made its dive, and shed its wings,
and with them one more Icarus? Where struck
that lightning-stroke which in your sleep you saw
wrinkling across the eyelid? Somewhere else?
But somewhere else is always here and now.
Each moment crawls that lightning on your eyelid:
each moment you must die. It was a tree
that this time died for you: it was a rock
and with it all its local web of love:
a chimney, spilling down historic bricks:
perhaps a skyful of Ben Franklin's kites.
And with them, us. For we must hear and bear
the news from everywhere: the hourly news,
infinitesimal or vast, from everywhere.

III

Sole pride and loneliness: it is the state
the kingdom rather of all things: we hear
news of the heart in weather of the Bear,
slide down the rungs of Cassiopeia's Chair,
still on the nursery floor, the Milky Way;
and, if we question one, must question all.
What is this 'man'? How far from him is 'me'?
Who, in this conch-shell, locked the sound of sea?
We are the tree, yet sit beneath the tree,
among the leaves we are the hidden bird,
we are the singer and are what is heard.
What is this 'world'? Not Li Po's Gorge alone,
and yet, this too might be. 'The wind was high
north of the White King City, by the fields
of whistling barley under cuckoo sky,'
where, as the silkworm drew her silk, Li Po
spun out his thoughts of us. 'Endless as silk'
(he said) 'these poems for lost loves, and us,'
and, 'for the peachtree, blooming in the ditch.'
Here is the divine loneliness in which
we greet, only to doubt, a voice, a word,
the smoke of a sweetfern after frost, a face
touched, and loved, but still unknown, and then
a body, still mysterious in embrace.
Taste lost as touch is lost, only to leave
dust on the doorsill or an ink-stained sleeve:
and yet, for the inadmissible, to grieve.
Of leaf and love, at last, only to doubt:
from world within or world without, kept out.
  
IV

Caucus of robins on an alien shore
as of the **-** birds at Jewel Gate
southward bound and who knows where and never late
or lost in a roar at sea. Rovers of chaos
each one the 'Rover of Chao,' whose slight bones
shall put to shame the swords. We fly with these,
have always flown, and they
stay with us here, stand still and stay,
while, exiled in the Land of Pa, Li Po
still at the Wine Spring stoops to drink the moon.
And northward now, for fall gives way to spring,
from Sandy Hook and Kitty Hawk they wing,
and he remembers, with the pipes and flutes,
drunk with joy, bewildered by the chance
that brought a friend, and friendship, how, in vain,
he strove to speak, 'and in long sentences,' his pain.
Exiled are we. Were exiles born. The 'far away,'
language of desert, language of ocean, language of sky,
as of the unfathomable worlds that lie
between the apple and the eye,
these are the only words we learn to say.
Each morning we devour the unknown. Each day
we find, and take, and spill, or spend, or lose,
a sunflower splendor of which none knows the source.
This cornucopia of air! This very heaven
of simple day! We do not know, can never know,
the alphabet to find us entrance there.
So, in the street, we stand and stare,
to greet a friend, and shake his hand,
yet know him beyond knowledge, like ourselves;
ocean unknowable by unknowable sand.

V

The locust tree spills sequins of pale gold
in spiral nebulae, borne on the Invisible
earthward and deathward, but in change to find
the cycles to new birth, new life. Li Po
allowed his autumn thoughts like these to flow,
and, from the Gorge, sends word of Chouang's dream.
Did Chouang dream he was a butterfly?
Or did the butterfly dream Chouang? If so,
why then all things can change, and change again,
the sea to brook, the brook to sea, and we
from man to butterfly; and back to man.
This 'I,' this moving 'I,' this focal 'I,'
which changes, when it dreams the butterfly,
into the thing it dreams of; liquid eye
in which the thing takes shape, but from within
as well as from without: this liquid 'I':
how many guises, and disguises, this
nimblest of actors takes, how many names
puts on and off, the costumes worn but once,
the player queen, the lover, or the dunce,
hero or poet, father or friend,
suiting the eloquence to the moment's end;
childlike, or *******; the language of the kiss
sensual or simple; and the gestures, too,
as slight as that with which an empire falls,
or a great love's abjured; these feignings, sleights,
savants, or saints, or fly-by-nights,
the novice in her cell, or wearing tights
on the high wire above a hell of lights:
what's true in these, or false? which is the 'I'
of 'I's'? Is it the master of the cadence, who
transforms all things to a hoop of flame, where through
tigers of meaning leap? And are these true,
the language never old and never new,
such as the world wears on its wedding day,
the something borrowed with something chicory blue?
In every part we play, we play ourselves;
even the secret doubt to which we come
beneath the changing shapes of self and thing,
yes, even this, at last, if we should call
and dare to name it, we would find
the only voice that answers is our own.
We are once more defrauded by the mind.

Defrauded? No. It is the alchemy by which we grow.
It is the self becoming word, the word
becoming world. And with each part we play
we add to cosmic Sum and cosmic sum.
Who knows but one day we shall find,
hidden in the prism at the rainbow's foot,
the square root of the eccentric absolute,
and the concentric absolute to come.

VI

The thousand eyes, the Argus 'I's' of love,
of these it was, in verse, that Li Po wove
the magic cloak for his last going forth,
into the Gorge for his adventure north.
What is not seen or said? The cloak of words
loves all, says all, sends back the word
whether from Green Spring, and the yellow bird
'that sings unceasing on the banks of Kiang,'
or 'from the Green Moss Path, that winds and winds,
nine turns for every hundred steps it winds,
up the Sword Parapet on the road to Shuh.'
'Dead pinetrees hang head-foremost from the cliff.
The cataract roars downward. Boulders fall
Splitting the echoes from the mountain wall.
No voice, save when the nameless birds complain,
in stunted trees, female echoing male;
or, in the moonlight, the lost cuckoo's cry,
piercing the traveller's heart. Wayfarer from afar,
why are you here? what brings you here? why here?'

VII

Why here. Nor can we say why here. The peachtree bough
scrapes on the wall at midnight, the west wind
sculptures the wall of fog that slides
seaward, over the Gulf Stream.
                                                       The rat
comes through the wainscot, brings to his larder
the twinned acorn and chestnut burr. Our sleep
lights for a moment into dream, the eyes
turn under eyelids for a scene, a scene,
o and the music, too, of landscape lost.
And yet, not lost. For here savannahs wave
cressets of pampas, and the kingfisher
binds all that gold with blue.
                                                  Why here? why here?
Why does the dream keep only this, just this C?
Yes, as the poem or the music do?

The timelessness of time takes form in rhyme:
the lotus and the locust tree rehearse
a four-form song, the quatrain of the year:
not in the clock's chime only do we hear
the passing of the Now into the past,
the passing into future of the Now:
hut in the alteration of the bough
time becomes visible, becomes audible,
becomes the poem and the music too:
time becomes still, time becomes time, in rhyme.
Thus, in the Court of Aloes, Lady Yang
called the musicians from the Pear Tree Garden,
called for Li Po, in order that the spring,
tree-peony spring, might so be made immortal.
Li Po, brought drunk to court, took up his brush,
but washed his face among the lilies first,
then wrote the song of Lady Flying Swallow:
which Hsuang Sung, the emperor, forthwith played,
moving quick fingers on a flute of jade.
Who will forget that afternoon? Still, still,
the singer holds his phrase, the rising moon
remains unrisen. Even the fountain's falling blade
hangs in the air unbroken, and says: Wait!

VIII

Text into text, text out of text. Pretext
for scholars or for scholiasts. The living word
springs from the dying, as leaves in spring
spring from dead leaves, our birth from death.
And all is text, is holy text. Sheepfold Hill
becomes its name for us, anti yet is still
unnamed, unnamable, a book of trees
before it was a book for men or sheep,
before it was a book for words. Words, words,
for it is scarlet now, and brown, and red,
and yellow where the birches have not shed,
where, in another week, the rocks will show.
And in this marriage of text and thing how can we know
where most the meaning lies? We climb the hill
through bullbriar thicket and the wild rose, climb
past poverty-grass and the sweet-scented bay
scaring the pheasant from his wall, but can we say
that it is only these, through these, we climb,
or through the words, the cadence, and the rhyme?
Chang Hsu, calligrapher of great renown,
needed to put but his three cupfuls down
to tip his brush with lightning. On the scroll,
wreaths of cloud rolled left and right, the sky
opened upon Forever. Which is which?
The poem? Or the peachtree in the ditch?
Or is all one? Yes, all is text, the immortal text,
Sheepfold Hill the poem, the poem Sheepfold Hill,
and we, Li Po, the man who sings, sings as he climbs,
transposing rhymes to rocks and rocks to rhymes.
The man who sings. What is this man who sings?
And finds this dedicated use for breath
for phrase and periphrase of praise between
the twin indignities of birth and death?
Li Yung, the master of the epitaph,
forgetting about meaning, who himself
had added 'meaning' to the book of >things,'
lies who knows where, himself sans epitaph,
his text, too, lost, forever lost ...
                                                         And yet, no,
text lost and poet lost, these only flow
into that other text that knows no year.
The peachtree in the poem is still here.
The song is in the peachtree and the ear.

IX

The winds of doctrine blow both ways at once.
The wetted finger feels the wind each way,
presaging plums from north, and snow from south.
The dust-wind whistles from the eastern sea
to dry the nectarine and parch the mouth.
The west wind from the desert wreathes the rain
too late to fill our wells, but soon enough,
the four-day rain that bears the leaves away.
Song with the wind will change, but is still song
and pierces to the rightness in the wrong
or makes the wrong a rightness, a delight.
Where are the eager guests that yesterday
thronged at the gate? Like leaves, they could not stay,
the winds of doctrine blew their minds away,
and we shall have no loving-cup tonight.
No loving-cup: for not ourselves are here
to entertain us in that outer year,
where, so they say, we see the Greater Earth.
The winds of doctrine blow our minds away,
and we are absent till another birth.

X

Beyond the Sugar Loaf, in the far wood,
under the four-day rain, gunshot is heard
and with the falling leaf the falling bird
flutters her crimson at the huntsman's foot.
Life looks down at death, death looks up at life,
the eyes exchange the secret under rain,
rain all the way from heaven: and all three
know and are known, share and are shared, a silent
moment of union and communion.
Have we come
this way before, and at some other time?
Is it the Wind Wheel Circle we have come?
We know the eye of death, and in it too
the eye of god, that closes as in sleep,
giving its light, giving its life, away:
clouding itself as consciousness from pain,
clouding itself, and then, the shutter shut.
And will this eye of god awake again?
Or is this what he loses, loses once,
but always loses, and forever lost?
It is the always and unredeemable cost
of his invention, his fatigue. The eye
closes, and no other takes its place.
It is the end of god, each time, each time.

Yet, though the leaves must fall, the galaxies
rattle, detach, and fall, each to his own
perplexed and individual death, Lady Yang
gone with the inkberry's vermilion stalk,
the peony face behind a fan of frost,
the blue-moon eyebrow behind a fan of rain,
beyond recall by any alchemist
or incantation from the Book of Change:
unresumable, as, on Sheepfold Hill,
the fir cone of a thousand years ago:
still, in the loving, and the saying so,
as when we name the hill, and, with the name,
bestow an essence, and a meaning, too:
do we endow them with our lives?
They move
into another orbit: into a time
not theirs: and we become the bell to speak
this time: as we become new eyes
with which they see, the voice
in which they find duration, short or long,
the chthonic and hermetic song.
Beyond Sheepfold Hill,
gunshot again, the bird flies forth to meet
predestined death, to look with conscious sight
into the eye of light
the light unflinching that understands and loves.
And Sheepfold Hill accepts them, and is still.

XI

The landscape and the language are the same.
And we ourselves are language and are land,
together grew with Sheepfold Hill, rock, and hand,
and mind, all taking substance in a thought
wrought out of mystery: birdflight and air
predestined from the first to be a pair:
as, in the atom, the living rhyme
invented her divisions, which in time,
and in the terms of time, would make and break
the text, the texture, and then all remake.
This powerful mind that can by thinking take
the order of the world and all remake,
w
Sunny Oct 2018
Every day is the same.
Wake up late. Procrastinate.
Rush to get ready, board a bus.
Go to school. And wait.

I’ve never understood
Why people are so heartless.
People swearing and shouting and arguing at each other.
I just walk down the halls, trying to block out all the sound.

People ask me questions a lot.
“Why don’t you talk? Can you even speak?”
Yes I can, but it’s not like I don’t want to talk.
I can’t, because there’s no point in it.

You don’t know what it’s like to hate your own voice.
To feel like you won’t be understood
‘Cause your voice is too soft and deep and quiet
And you have a stupid lisp that impedes with everything.

You don’t know what it’s like to have people talk about you.
“He only talks to one person,” they say.
It makes me feel like ****.
But nobody cares how I feel.

Every day is the same.
I try my best to hide my feelings.
But sometimes things slip out
When I don’t want them to.

I cried once in class.
Put my head down on the desk.
After I was called a name by someone.
After no one would let me sit down on the bus.

I’m exhausted all the time.
I don’t want to do anything.
I just want to sleep all day.
It’s not like I’ll do anything else with my time.

I want to connect with people.
Even if I don’t understand them.
But it’s so difficult
When you face roadblocks every day.

Every day is the same.
My mind races with thoughts
“You’re going to ***** up. You’re an idiot. A loser.”
“A worthless waste of space in this world.”

“Don’t answer that question, he won’t hear you.”
They tell me to speak up, but I can’t.
It’s like something’s constricting me.
It’s the anxiety, and all those stupid thoughts.

I’m not happy anymore. I forgot the last time I was.
Can’t do anything anymore. The spark I had is gone.
It faded away with all my passions and desires.
I don’t see the point in doing anything.

Sometimes I think about the end.
I know nobody would care if I’m gone.
But then again, I can’t do that to her.
Not when all I want is to spend time with my girl.

I wish she was here. I wish we could talk.
One day isn’t enough for everything I want to say.
It’s irritating, frustrating, this distance is killing me.
But I know it’s not her fault, and I’m not mad.

If it wasn’t for her, I don’t know where I’d be.
If it wasn’t for me, she wouldn’t be the person she is now.
It’s amazing, how she’s able to survive with those parents of hers.
While I’m just a speck in a vast void of nothingness.

I hate them. I hate them so much.
They call her names, they insult who she is.
She’s just trying to be who she wants to be.
Why would you try and strip that from her?

She’s precious to me, can’t you see?
I tried so hard to get you to understand.
But you ignored it all, you never believed me.
So I’m done trying. There’s no point.

She’s the only one that makes me happy.
When I’m around her, everything just fades away.
My fears, my sorrow, my stupid thoughts.
I wish I could be by her side forever.

I miss her so much.
It’s like my heart is breaking when we’re apart.
I know, somehow, we’ll get through this.
And it will all be worth it.

Someday, I’ll be by your side.
Someday, your lips will touch mine.
I know one day, we’ll finally be together.
And we’ll never be apart from that point on.
Definitely the longest poem I've written in general.
Things have been hard the last couple weeks. I wanted to touch on that.
Depression is why I haven't written as much as I'd like. I don't see a point in it sometimes.
But a few minutes ago, I felt that spark return. And I embraced it as I let the words flow.
L B Jun 2018
I don't think about it any more
I take out the trash
noting
Sticks caught in the crotch of a tree
The wind does what the wind does
breaks weaker branches down
does not care where
it leaves
them
on its invisible way

Days do what the days do
they don't count themselves
worthy as they go
to release
the afternoon
to evening—
an artless
emptying
to a low spot
where tears tend to pool
if I'd let them down

“You know,
in that low spot
out there...?”
Where it's hard to see
Where its hard to care?

They take heart
out
divide it by energy
for sadness—
I haven't got

Watched the clock go round
wipe out my little plans
with relentless hands

...and I never got dressed today
6-12-18
John Dodson Oct 2014
running
not for or from
not to or fro
just one foot in front of the other.
not really counting
not steps
not miles
not minutes, seconds, or calories
just a rhythm
pounding
pacing
pulse quickening
breathing deeply
settling steadily to the sound of my footfalls
the mindless carrying on of my legs
a welcome counter to the emptying of my head
ottaross Aug 2013
Once it was garbage, refuse, trash.
A jumble of foul-smelling detritus hauled to the curb
And removed by sinewy men
Contributing a harder day's work
Than anyone else in the city.

Our energy now removes its entropy.
Sorted and classified into coloured bins,
We add order to our rejected matter.

Specialized trucks arrive to collect
The date-synchronized bins
Emptying them into functionally compatible mechanisms.

Most desolate is the black box of paper and cardboard.
Brochures and flyers, old magazines and letters.
Annual reports and cereal boxes.
Once these were enameled with crafted sentences,
Painstakingly typed, edited and debated,
On the monitors of copywriters.

Now they are just millions of words printed on flattened fibre substrates,
Jumbled into the bruised and scarred black box,
Entering into the recycling stream.

The nouns and adjectives,
Prepositions and gerunds,
All jumble together.

Fragments of precisely-crafted sentences and paragraphs
Are gradually broken, shredded and pulped.
Incomplete thoughts, broken phrases
Like those of a rejected stranger
In an lonely, unknown country.
Then words without context.
Then just disparate letters
Are all that remain.
Their  M  ea  N inG
G  r a Du all y
is re mov
e d
.
Premji Dec 2011
Who cares for her shattered dreams when she is
Brutally ***** on the very first night?
Who cares for her preconception health when,
For him, the only activity is making her pregnant?

Who cares for her repeated abortions
Which results in cervical damage,
Which in turn makes her unable to carry
The weight of a later pregnancy?

Who cares for not to satiate his excessive lust
When she is pregnant, which can cause
Abortion and maternal mortality?

Who cares for prenatal care that can keep
Her unborn baby and herself
Healthy during pregnancy?

Who cares to relieve her excessive work load at home
And her ever expanding stress to provide
High-quality child care for her five or six other children,
From earlier pregnancies?

Who cares for her signs and symptoms of anemia,
Her fatigue, increased heart beat or palpitations
Paleness of inside of eyelids, gums and nail beds
Desire to eat indigestible or peculiar foods?

Who cares for her backache, increasing weight,
Change in her centre of gravity and powerlessness?

Who cares for her malnutrition, poor health,
Lack of education, overwork, mistreatment?

Who cares for her dental hygiene, her broken teeth,
For the baby grows within is another tyrant
Who grabs Calcium, even from her teeth and bones?

Who cares for her cramps and muscle spasm,
Heartburn and indigestion , insomnia?

Who cares for her needs to go to the toilet frequently,
As the growing baby reduces her bladder capacity?

Who cares her inability to get comfortable
When she has neither clean water nor safe sanitation,
And necessary support either from health services?

Who cares not to tense her,
Already she is suffering from all sort of
Tension and high blood pressure?
And her mother-in-law terrifies her again
The consequences if the newborn could be of a girl!
Sad, woman is the greatest enemy of
Another woman, in the most needed times!
If she dies, none is worried...
For he can marry once again!
More dowries, more *** and more kids!

Who cares for her post natal depression ,
As none to take care of the newborn and other kids,
She has to run for office and other workplaces
With heavy *******, pain and bladder infections?

Who cares that every pregnancy weakens her a lot
As she need some time to recover her health...
And on the very day she can spread her legs,
By force, he starts his activities again!
He knows how how to starve the newborn
Just by emptying her *******!

When things are like this,
Every religious clergy flays
The limiting of the family size by birth control!
Christians wish for a Christian world
Muslims dream for a new world under Islam
Hindus, Buddhists, Jews and
Every religious fanatic dreams of the same!
They offer gifts for women for bearing
More and more children
For more children is their cheapest weapon!

When will they dream for a HUMANE WORLD?

Healthy children need healthy mothers.
Healthy mothers need healthy food,
Loving husbands (optional!) and caring society
For true world is made of love!
Francie Lynch Mar 2015
Start and stop
Up the street,
Turn 180,
Repeat the beat.
The gurus on
Confessional wheels,
Absolve our sins,
Emptying bins.
I swear
They swear
A solemn oath
Never to
Disclose the truth
Found in our garbage
By the brethern,
Garbage stinking
To high heaven.
Bottles, syringes,
Boxes, bones,
Peelings, plastics,
Old cell phones,
Discarded trash
From our homes.
Wrappings bleeding
Seeping ****:
*By our garbage
Ye shall know us.
Dark Smile Jul 2014
Fat
You may think it's funny.
Plain teasing.
Just girls having fun but you don't know.
You don't know what I've struggled with.
You weren't there all those nights when I cried myself to sleep because I was not thin like them.
All the times I would skip meals and tell my mom I had eaten elsewhere.
All the times I survived on water for the whole day.
All the times I came this close to sticking a finger down my throat and emptying the contents in my stomach.
It took me so long to feel okay and comfortable with myself.
Until you said that word.
It's funny how one word could have such an impact on me but you don't know my struggle.
When I got home after that, all I could see in the mirror was fats.
I had begun to determine my self worth by my calorie intake and the size of my waist.
I hated myself once again.
Ooolywoo Jul 2018
i starve myself for this moment
gifting you my delicate sensibility emptying my body for you
bearing my scars wide open
let you touch my vulnerabilities
you swim through my body back and forth
cut my skin layer, after layer, after layer
no corner is unknown to your touch
your firm hands exploring my every parts
you grab me, lift me, toss me
******* honesty and fears
fill my body from the tip of my hair to my toes
break the wall in me as you penetrate my soul
pull the innocence from between my legs like silk
conjure beauty in me
make the bitterness in me disapear
you break me, brick, by brick, by brick, by brick
pull my hair, tilt my head
drain every muscle in me
we break walls that leads to others, that leads to trap doors, that leads to infinities
the past and the future merge into one to meet us in our present
we breathe as one, form a unity
one body, one soul, one purpose
we connect, interlock, intertwine
we levitate to an infinity of desire
reach the line between reality and transcendance
the moon and the sun both witnessing the beauty we're creating
we ****** and create an explosion of billions and trillions of blooming flowers
piece by piece, you build me back up
bit by bit, we emerge from the magic we made
from caterpillar to a butterfly
We are born again!
Inspired by Beyoncé Lemonade
D Conors Oct 2010
If you overesteem great men,
people become powerless.
If you overvalue possessions,
people begin to steal.

The Master leads
by emptying people's minds
and filling their cores,
by weakening their ambition
and toughening their resolve.
He helps people lose everything
they know, everything they desire,
and creates confusion
in those who think that they know.

Practice not-doing,
and everything will fall into place.

_
"Lao Tzu is believed to have been a Chinese philosopher (a person who seeks to answer questions about humans and their place in the universe) and the accepted author of the  Tao te ching,  the main text of Taoist thought. He is considered the father of Chinese Taoism (a philosophy that advocates living a simple life).

Read more: Lao Tzu Biography - life, name, death, school, book, old, information, born, time http://www.notablebiographies.com/Ki-Lo/Lao-Tzu.html
Written by Lao Tzu
LDuler Dec 2012
You tell me that I am young
That life has merely licked me, not stung
That I do not understand, that I have not yet lived
Enough to grasp the substance

I have known disease
Slow tears, muted pleas
Pain that nothing could appease
I have known the smell of hospitals for summers
The beeping and slurping of machine in massive numbers

I have spoken to voiceless loved ones,
Loved ones with teethless mouths and twisted tongues
Distorted jaws and wheezing lungs.
We have spoken with little green charts
And broken hearts
From the inability to connect the mouth to the thoughts in the head
And I left without understanding,
What they had said
Because I eventually had to let it go
(I still don't know)

I have spent countless summer nights
In nature’s garb, floating silently in a river
So warm that my limbs, skimming the surface, didn't shiver
Under a clear sky, the stars like paradisiac lights
Without anyone ever finding out
About these wild and primal escapades

I've drank, I've smoked
I have burned my throat
With coarse lemon gin
Until I could no longer feel my skin.

I have been frightened
Yes I have felt fear, like a noose around my throat being tightened
Like a gruesome black crow, perched on my shoulder
I have often awoken affright at night,
Longing, praying, for the morning light
I have felt fear, wild, fierce and turbulent fear
More than anyone will everyone will ever know
By men, by life, by myself
Desolate under the sheets, like a forsaken toy
All by myself

I have seen Paris in the rain
Traveled the French countryside by train
I've woken up to New York window views
And seen New Orleans afternoons, filled with heat and blues.
I've swam the Mexican Baja waters, turquoise and clear
With snakes as sharp as spears

I have known humiliation
Causing my cheeks to turn carnation
A spoon, emptying my insides out
Like a gourd

I have loved
I have known the aching pain of a swelled heart
And the way it can tear you apart
I have gushed torrents upon my pillows and sleeves
Tears running down my chin like guilty thieves
From a lit-up house

I have known death, and grief
The meaning of "never"
Whimpering in the school bathroom
And cold, lonely nights

I have seen the works of Van Gogh, Mondrian, and Miro,
Modigliani, Cezanne, and Frida Kahlo
Of Monet, Gauguin, Matisse, Magritte, and Picasso
I have wandered through hallways of masterpieces
Holding tight to my grandmother's hand
And I have wept shamelessly for joy
Before Degas's La classe de danse

I have been diagnosed
I have undergone computer programs designed to shift my brain, to better it
To get me to be normal, to submit
I have had brain-altering medicine shoved down my throat,
Like stuffing a goose,
To make my brain run a little less loose
And I have submitted and gotten use to my brain being altered.

I have had kisses that were mere trifles
Frivolous, yet fierce and acute like shots from a rifle
Lips of mere flesh, not sweet godly nectar
And gazes that meant everything
That seemed to connect with an invisible yet indestructible string
Iris like distant galaxies and pupils twinkling like black jewels
Eyes that seemed enkindled by some ethereal fuel
Speaking of emotions far too secluded, cryptic and cluttered
To be worded and uttered

I know the way in which violence resides
Not in commotion, brusqueness, nor physical harm
But in silence
In the time that covers pain and secrets
In the slow impossibility of trust
In the way that some secrets become inconceivable to tell, time has so covered them in rust
In that dull, dismal ache
In all that is doomed to remain forever opaque.

I have read, for pleasure,
The works of Balzac, Fitzgerald, Steinbeck, and Voltaire
Of Bobin, Gaude, and Baudelaire
Of Flaubert, Hemingway
and good old Bradbury, Ray
Émile Zola,  Primo Levi
Moliere, Rousseau, and Bukowski
I have read, and loved, and understood

I have known insomnia
The way a beach knows the tides
Sleepless nights of convulsive, feverish panic, of clutching my sides,
Of silent hysteria and salty terror.
I know what happens at night, when sweet slumber seems so far away
The worries and woes seem to multiply and swell in hopeless disarray
My lips grow pale, my eye grow sunken
As a time ticks by, tomorrow darkens




I have witnessed horror
In the form of a blue body bag
Being rolled out with a squeaking drag
By two yellow-vested men
With apologetic eyes
That seemed to say "Oh god
We're so sorry you had to see that
Please, please
Go home
And try to forget
"

But you are right
I am still just a child
Naive, innocent, and pure
I have known nothing dark or obscure
I have not yet lived.
L B Aug 2018
Katydids and fireflies have the levee tonight
Swat team held the day

There is peace now
and peeping neighbors
emptying horror
among themselves in whispers
left to wonder
‘bout the screaming and the barking
of earlier that day

“Put down your weapon and come out
with your hands up”

Again and again
the demand of surrender
Total
There is no other way

“Let them go!
Come out! come out with your hands up!
It will be okay”

…and he argues in his mind with the shame and loss
…and the shame and "No…it will not be okay"
He had hit her! Hit her with the Gun
again and again…with the gun
Of his demands
The gun of his power
to make her!
The gun of his despair
He had hit her
the dog is barking
His children scream!

“Put down the gun and come out
with your hands up!”

How many more times will they say it!
for all the neighbors to hear
on a loud speaker
Surrender!
in front of his children
Had she cheated?
Had he lost his job?
Could he lose any more to the screaming?
to the "junk"?
to the flashing lights?
to the window's smashing?
Fence run down?
Lobbing
canisters of tear gas
into the room's stinging eyes
where there is no room
where there is no time

"I would never hurt them!
You!
You know!"
"Let them go!"
"You left me!"

“Put down your weapon and come out
with your hands up!”

It is all too loud
It is all too much
as you put the gun against your temple and…
pull the trigger
This happened today-- two houses away.  I could hear it all and sometimes I feel this way.
Mortuus Odio Jan 2014
Every story has a criminal
The one after the treasure
The one set on destruction
Reaping chaos among the land
If this life was a Fairytale I'd be the villain
Set on making your world incomplete
I'd be the one trying to steal the treasure
Out of your locked down chest
Stripping you of a life of happiness
I'd be the one who failed to overcome
The tragedy of my past
Failed in mastering the art of love
I'm the nobody
Trying to make myself a god
If this was a fairytale I'd be the villain
I'd be the one always losing
I'd be the one to die in the end
I'd be the one you save
As you accidently plunge a blade through my emptying chest
As we lay there realizing the faults
We both made in this not so happy ending fairytale
We both don't get to live happily ever after
The main point of it was to see good and evil side by side
Happily joining forces to finally see the peace of mind
Yet death always is the price a villain must pay
When his goal is ending the world
Bringing new color into a faded world lost in chaos
The villain was the hero
The hero was the villain
Happiness was prevented
By the one they all gave the flag to wave in their name
I

Time present and time past
Are both perhaps present in time future,
And time future contained in time past.
If all time is eternally present
All time is unredeemable.
What might have been is an abstraction
Remaining a perpetual possibility
Only in a world of speculation.
What might have been and what has been
Point to one end, which is always present.
Footfalls echo in the memory
Down the passage which we did not take
Towards the door we never opened
Into the rose-garden. My words echo
Thus, in your mind.
                              But to what purpose
Disturbing the dust on a bowl of rose-leaves
I do not know.
                        Other echoes
Inhabit the garden. Shall we follow?
Quick, said the bird, find them, find them,
Round the corner. Through the first gate,
Into our first world, shall we follow
The deception of the thrush? Into our first world.
There they were, dignified, invisible,
Moving without pressure, over the dead leaves,
In the autumn heat, through the vibrant air,
And the bird called, in response to
The unheard music hidden in the shrubbery,
And the unseen eyebeam crossed, for the roses
Had the look of flowers that are looked at.
There they were as our guests, accepted and accepting.
So we moved, and they, in a formal pattern,
Along the empty alley, into the box circle,
To look down into the drained pool.
Dry the pool, dry concrete, brown edged,
And the pool was filled with water out of sunlight,
And the lotos rose, quietly, quietly,
The surface glittered out of heart of light,
And they were behind us, reflected in the pool.
Then a cloud passed, and the pool was empty.
Go, said the bird, for the leaves were full of children,
Hidden excitedly, containing laughter.
Go, go, go, said the bird: human kind
Cannot bear very much reality.
Time past and time future
What might have been and what has been
Point to one end, which is always present.

II

Garlic and sapphires in the mud
Clot the bedded axle-tree.
The trilling wire in the blood
Sings below inveterate scars
Appeasing long forgotten wars.
The dance along the artery
The circulation of the lymph
Are figured in the drift of stars
Ascend to summer in the tree
We move above the moving tree
In light upon the figured leaf
And hear upon the sodden floor
Below, the boarhound and the boar
Pursue their pattern as before
But reconciled among the stars.

At the still point of the turning world. Neither flesh nor fleshless;
Neither from nor towards; at the still point, there the dance is,
But neither arrest nor movement. And do not call it fixity,
Where past and future are gathered. Neither movement from nor towards,
Neither ascent nor decline. Except for the point, the still point,
There would be no dance, and there is only the dance.
I can only say, there we have been: but I cannot say where.
And I cannot say, how long, for that is to place it in time.
The inner freedom from the practical desire,
The release from action and suffering, release from the inner
And the outer compulsion, yet surrounded
By a grace of sense, a white light still and moving,
Erhebung without motion, concentration
Without elimination, both a new world
And the old made explicit, understood
In the completion of its partial ecstasy,
The resolution of its partial horror.
Yet the enchainment of past and future
Woven in the weakness of the changing body,
Protects mankind from heaven and damnation
Which flesh cannot endure.
                                          Time past and time future
Allow but a little consciousness.
To be conscious is not to be in time
But only in time can the moment in the rose-garden,
The moment in the arbour where the rain beat,
The moment in the draughty church at smokefall
Be remembered; involved with past and future.
Only through time time is conquered.

III

Here is a place of disaffection
Time before and time after
In a dim light: neither daylight
Investing form with lucid stillness
Turning shadow into transient beauty
With slow rotation suggesting permanence
Nor darkness to purify the soul
Emptying the sensual with deprivation
Cleansing affection from the temporal.
Neither plenitude nor vacancy. Only a flicker
Over the strained time-ridden faces
Distracted from distraction by distraction
Filled with fancies and empty of meaning
Tumid apathy with no concentration
Men and bits of paper, whirled by the cold wind
That blows before and after time,
Wind in and out of unwholesome lungs
Time before and time after.
Eructation of unhealthy souls
Into the faded air, the torpid
Driven on the wind that sweeps the gloomy hills of London,
Hampstead and Clerkenwell, Campden and Putney,
Highgate, Primrose and Ludgate. Not here
Not here the darkness, in this twittering world.

Descend lower, descend only
Into the world of perpetual solitude,
World not world, but that which is not world,
Internal darkness, deprivation
And destitution of all property,
Desiccation of the world of sense,
Evacuation of the world of fancy,
Inoperancy of the world of spirit;
This is the one way, and the other
Is the same, not in movement
But abstention from movement; while the world moves
In appetency, on its metalled ways
Of time past and time future.

IV

Time and the bell have buried the day,
The black cloud carries the sun away.
Will the sunflower turn to us, will the clematis
Stray down, bend to us; tendril and spray
Clutch and cling?
Chill
Fingers of yew be curled
Down on us? After the kingfisher’s wing
Has answered light to light, and is silent, the light is still
At the still point of the turning world.

V

Words move, music moves
Only in time; but that which is only living
Can only die. Words, after speech, reach
Into the silence. Only by the form, the pattern,
Can words or music reach
The stillness, as a Chinese jar still
Moves perpetually in its stillness.
Not the stillness of the violin, while the note lasts,
Not that only, but the co-existence,
Or say that the end precedes the beginning,
And the end and the beginning were always there
Before the beginning and after the end.
And all is always now. Words strain,
Crack and sometimes break, under the burden,
Under the tension, slip, slide, perish,
Decay with imprecision, will not stay in place,
Will not stay still. Shrieking voices
Scolding, mocking, or merely chattering,
Always assail them. The Word in the desert
Is most attacked by voices of temptation,
The crying shadow in the funeral dance,
The loud lament of the disconsolate chimera.

    The detail of the pattern is movement,
As in the figure of the ten stairs.
Desire itself is movement
Not in itself desirable;
Love is itself unmoving,
Only the cause and end of movement,
Timeless, and undesiring
Except in the aspect of time
Caught in the form of limitation
Between un-being and being.
Sudden in a shaft of sunlight
Even while the dust moves
There rises the hidden laughter
Of children in the foliage
Quick now, here, now, always—
Ridiculous the waste sad time
Stretching before and after.
Ryan P Kinney Dec 2015
The Phoenix
(To Love and Lose Part 2)
by Ryan Kinney

It started with a broken heart. Through the crack seeped liquid fire. It engulfed me, burning away all that I was. The flames shall purify me. Boil me down to my base components, and then rebuild me. From the ashes will rise a new entity.

Who am I?

Following my divorce I began an identity quest dubbed The Phoenix. It is my own personal trial by fire. Fire is the essence of life itself. As it destroys it also creates. I will create a new life from the remnants of my former, a persona not defined by another.

Chapter 1-The Quest

Depression and Suicide
“…my life before you was very chaotic and unstable. You were the stability I needed and the foundation on which I built my life.  I never doubted that you would always be there for me. You were my rock. Of all the people that had disappointed me you never let me down. Yet you did, You pulled the rug out from under me without warning and the foundation upon which I built my entire life crumbled…” –email correspondence to Lisa; Nov. 21, 2008

It took four months to undo ten years of my life. A debilitating depression overwhelmed me. I never saw anything in my life, but Lisa. What did I have left without her? What would I do? Darkness clouded my heart.

A rusty blade in my hand. A message in blood written on the broken mirror.
I lay in the tub, leaking crimson life. In my haze I barely make out the words.
What does my final message to the world say? I cannot remember why it hurt so much.
In a few minutes it won’t matter anymore. What the hell did I write?
I can only think of one thing that torments me enough to drive me to this darkness.
Trailing down in letters, clotting on the wall…
“I loved you.”

This revolving drama played on a loop in my mind. I was lost, a walking corpse. All I felt was cold hollowness.
“All that is left is emptiness, an empty house, an empty soul.”-journal excerpt; Oct. 6, 2008
I so badly just wanted the hurt to stop. In my tunnel vision existence I was oblivious to those whose hearts bled for mine. All my substance and passion was gone. Lisa took my heart with her and left nothing inside. Without her my existence seemed meaningless. The cloaked figure smiled, offering me the almost irresistible temptation of sweet release.
“Do I give in to the darkness? Let it consume me”-journal excerpt
Ultimately, though, there came a day when I awoke from the fog. I was living outside myself watching this unknown drone on a worthless trek. One phrase finally broke through the shell.
“What a waste!”
The Phoenix was born in that moment. The match was struck to light the way on the difficult road to recovery.
“The pieces of my soul are on the floor for everyone to trample on.”-journal excerpt; Oct. 6, 2008
I was in over my head. I needed help. A therapist helped at first, but the relationship quickly cheapened because I was essentially paying for a friendship. Antidepressants proved to work too well. I have a manic level of natural intensity. Lexapro ignited fireworks inside my brain. Both, however, gave me the nudge I needed to help myself. Eventually, I grew beyond the need for crutches. A previously unrecognized army of supporters each lent their kindling to the fires. One day at a time I battled my inner demons until I was ready to accept happiness again.
“You will be amazed on how much of the original Ryan is back. Why? Because I'm over my depression about change because something I feared more came to fruition.  I lost you.  I'm doing my best to survive from that, but my past fears now seems trivial and meaningless in comparison.”-email correspondence to Lisa; Sept. 8, 2009

Denial and Desperation
“Run, Run away Ryan. Open another book, turn on the TV, surf the Net. Delve into your fantasies and escape reality. It’s how you survived your childhood…”-journal excerpt; Oct. 2, 2008
The cracks in my facade were beginning to show. I shielded myself in delusions. I lied to myself to soften the full scope of Lisa’s betrayal. I more than lied. I was absolutely sure. I trusted her with my life. I trusted a lie. I was living a lie. I betrayed myself more than she ever did. The realizations came in shards, each piece punching holes in my heart.
I wallowed in self-pity and desolation.
I yearned so badly to feel some warmth, anybody’s warmth.

The New Girls
Upon Lisa’s departure I sought to quench my loneliness in the convenient woman around me. For a moment’s time, they took pity on me.
Rebound-I immediately sought solace in the arms of a good friend. She’s always shown me nothing but love and idolization. I was ashamed for disrespecting her and our friendship. I knew full well that our brief encounters were all that would ever be between us.
Crazy Chick-She was a brute of a woman, yet conversely, very maternal and comforting. She had a unique talent for forcefully ripping out my raw emotions, breaking through the masks. As she said, though, “I’m not Lisa.” Pathetically, that’s exactly what I wanted.
One Night Stand-ups-Several brief encounters fed my addiction for attention. Like a ****** with a needle, my appetite grew. Desperation was becoming my scarlet letter.
“…but it did seem that the thing we are most proud of and the thing we are most ashamed of are but the front and the back of the same coin. They torture and thrill all at once.”-Grotesque; Natsuo Kirino
I felt guilty and *****, yet loved for but an instant. These experiences were very cathartic. I had completely lost the ability to cry, feel pain, rage, or joy. They were the prefect drug, just so that I may feel again. Without these women to reopen the wounds, the numbness would have consumed me.
“Every angel has a little devil inside them.”-Manda; 2009
What attracted me to these women was mock chivalry. Each had their own “hard luck” story. So ingrained in me is the comic book ideal of heroism that I constantly seek to rescue the damsel in distress. Women will always be my kryptonite. However, as Crazy Chick put it, “ When is it time for you to be rescued?” The divine irony is, it was they who saved me.
It too, was not to last. A long period of isolation followed, as the women grew tired of babysitting me. Another lie to myself, a band-aid on a wound desperately needing stitches.

The Crush
Hers was the first light I allowed to pierce the darkness. She did more to heal me than any who said, “Yes.” Her secret, she said, “No.”
It has always been my curse to be eternally misunderstood and underestimated. I could see her scars bled the same as mine, although hers had begun to clot long ago. I am attracted to those who have a depth chiseled by adversity.
I identified with her. Her intelligence far exceeded my own, an Einstein in a circus. My eyes saw straight to her soul, seeing only the gorgeous woman she was on the inside. My friends would point out my eyes would sparkle whenever I spoke of her.
Yes, I loved her, but only in transition. We came from different worlds, but met as wounded soldiers on the battlefield. She was the catalyst to open my eyes. A sweet smile for my shredded soul.
“A worn beaten heart trapped in by bars.” From “Painless” by Tracy Reed
She held the key to my self-imposed imprisonment. My growing frustration with her opened the door for my transformation. For all her grace, all her amazing potential, she was wasting away in the same feeding trough as me.
“You can do better.”
Then it hit me…
“I can do better!”
I began to rebuild my empire. My never-queen rejected me…
I wouldn’t have had it any other way.

The Emotional Spectrum
“Stuck in a prison of abstract ideas and overpowering emotions.”-Zach; mypsace blog
Shock
1) ‘I don’t love you anymore.”
2) Letter…”I can’t wait until my divorce is over!”
3) Ryan-“So I guess this means we’re getting a divorce.”
Lisa-“Well, yeah. You knew that.”
4) “Ryan, they’re together, and have been.”
5) “I’m moving out.”
6) “By the State of Ohio, I hereby grant this dissolution.”-Judge; Dec. 30, 2008

Six bullets to my heart, six separate, devastating phrases that brought about Armageddon. I gave her a decade of my meager existence, nearly half my life. She threw me away like garbage, and couldn’t have been happier.

Fear
As the gun smoke drifted, I clutched my breast. I was frozen in horror that I’d lose myself along with her. Fear, you see, was the beginning of the end for our marriage.
I never dealt well with change. When we bought our house, the combat that ensued left me crippled. I ultimately built myself into a comfort zone again. “I don’t know what I want to do” was always an excuse for me. I lay stagnant and complacent with no true purpose or direction.
It was Lisa that first took action. She sought to elevate us from the ranks of lower middle class into which we were born. I fought her, determined to lay docked in the doldrums. “Leave me alone in my bubble.” I made attempts, but with each failure became depressed. She became frustrated and took matters into her own hands. It is obvious she loved me then. She worked effortlessly to give us a better life.
I was blind to the truth and in time Lisa lost sight of her motives. She plodded on, mechanically, no longer sure of why. She drove herself to extreme exhaustion, afraid, that if she stopped, for even a moment, she’d realize it was all for naught. She lost faith in our combined, bright vision.
So, she did the only thing she knew how. She ran away, straight to another as miserable as her. She kept running, further and further, taking greater risks. All just to not have to feel her own hollowness.
She left and my phobia ended there. What followed was a newfound fear. “I don’t know what I want to do” became “What the hell do I do?” I was afraid I was doomed to be alone the rest of my life.

Sadness
“Are you ok?”
“We’re worried about you.”
“How are you, Ryan?”…

“MISERABLE!”-Ryan

I always speak the truth. I’ve never felt so surrounded and alone in all my life.

Anger
“Like koi in a ***** pond, you can see your rage barely hiding below the surface.”-Erin Kompik
The most intense rage fueled The Phoenix. I lashed out at everything. Everyone was burned. I was ******* and the world would pay. The spectacle burned so bright it threatened to eradicate all that I was.
“I can feel bitterness and anger coming. I am fighting for control over the anger”-journal excerpt; Oct. 1, 2008
“The seams in my heart leak nothing, but hostility.”-journal excerpt; Oct. 6, 2008
“I’ve become a monster. I once loved someone so hard I would die for her. Now all I can feel is scorn and hate. My heart is twisted and black. I fear I will become the bitter man my father is. I hate myself for being so.”-journal excerpt; Sept. 30, 2008
Who was I so angry with? For all the hurt I felt from Lisa, I was most angry at myself. How could I let this happen? How could I have been so blind? My blood boiled as I berated myself. The loss I suffered left my heart festering with hatred, as nothing but fire and volatility overtook it.
“The red light of rage is violent action without consideration of consequence. It is uncontrollable. So I will unleash it.”-Final Crisis, Rage of the Red Lanterns
Then, the root of another anger broke through the fury.
“I know that you may not see it now, but time really will heal these wounds.”-Michelle Kinney
She was right. I had absolved myself of my original rage. I had forgiven her. I could forgive myself. I couldn’t be held responsible for another’s irresponsibility. The anger dissipated into the smoke. It left behind a few flickers, but I’ll not extinguish them yet. I still have a use for that rage.
“Do not be afraid to expose the darkness. Only by bringing it to the light can it ever truly be resolved.”-audio journal excerpt; Aug. 16, 2009

Love and Happiness
During my marriage, hers was the only love I let myself feel. Then, she took it with her when she left. I felt scorned and unwanted, a refuse of human waste.
I was wrong. I am a man that seeks love as an end all for my existence. Lisa unlocked my caged heart. Over the next decade I cultivated relationships with countless individuals. There was more love in my life than I ever realized. They were there when she wasn’t. My parents sacrificed everything to give me a life and family they never had. Lisa’s family had become my permanent family. She divorced me. I did not divorce them. All my friends gave all they could. Even my harsh enemies stepped off the battlefield, for they understood the casualties of this war. All of them, a shining sea of compassion, poured their hearts into mine. Their light overcame the darkness. When I finally crawled out of the pit, they got me to my feet.
“For them, I must continue.”-Naoko Takeuchi
I had to be strong. I owed it to them to survive. They gave me their love to fill in my missing pieces. For all I had been given, I could never give up or give in.
“I am meant for greatness. I am meant for happiness, for joy, for me.”-Zach; myspace blog

Chapter 2-Evolution

Picking up the Pieces
“I need to be out there.
Living.
Looking for my own life…
I need to open my mouth.
I need to be heard.
I need to live.
You’re gone…
I’m not.”
-Goth Girl Rising; Barry Lyga.
It was time to rebuild that which had been broken. My life was fragmented chaos. I needed an order to the chaos, or more to my tastes, organized chaos; anarchy with purpose. I learned to become a master strategist. The civil war I waged on myself demanded a general.
STEP 1-Stabalize finances.
My pact with the devil to keep my beloved home required emptying the coffers completely. How delicious the irony that I wound up working the same long weeks as Lisa.  Hard work and sacrifice were absolute necessities if I was ever to afford to live again. It was Lisa that taught me that. The only difference, I must never lose sight of why. Money is not the reason for existence. I simply needed enough to achieve my goals.
“Money is nothing.  It is an imaginary concept.  Its only value is what we put into it.  While often a necessary evil to survive, it is not important.  The only possession of true value is time.”- The Most Valuable Possession; 2009
STEP 2-Tear down the Mausoleum.
My home had become a testament to a dead marriage. Lisa’s five day moving notice threw a grenade into my living space. It was disheveled and disorganized. It was no longer Ryan and Lisa’s. I had to reclaim it as my own. Out of respect for our past, I kept a few pieces of Lisa as a constant reminder. I will never forget where I’ve been.
“Your spirit helped build this place and it still flows through its walls.”-email correspondence to Lisa; Nov. 21, 2008
Physically putting my environment in order likewise put my mind into an order. As I rebuilt my home, it became the new foundation for my life. The Phoenix had a place to perch.
STEP 3-Know Happiness again.
“I seem to find that my great periods of change, evolution, and growth precede an ultimate betrayal from someone I’ve let close to my heart. Is survival mode the only way I can fuel my passion? Where do I find the love that ignites my will, yet does not drive me to complacency?”-audio journal; Aug 13, 2009
The answer, I needed to love myself again. I could not rely on someone else to complete me. I had to become independent, to be ok with being alone. I deserved to be happy, to be loved, above all, by myself.
This was going to be hard.

Breaking Codependency
Not having another physical body in the house left a void. Without another heartbeat close to mine, I stopped sleeping at night. My appetite was lost and I started shedding pounds. With my depression receding, I awoke to find I was living in a desolate wasteland. What would I do in this solitary confinement?
Utilizing survival skills my mother taught me, I used it. Ever the artist, I took the pieces and created an existence. Then I improved it, again and again. Loneliness is a disease that attacks only if you let it. I had to learn to accept myself, before I could expect anyone else to. I used the loneliness to redefine and rediscover myself. I would not rely on anyone to do for me. My honor and respect for my loved ones demanded I do for myself. The stifling quiet, the sleepless nights taught independence. The silence used to frustrate and anger me. Now, I use it for peaceful reflection and meditation. Th
Mary Catherine Mar 2011
Excuse me Miss, the test results are back.
We’ve spoken to your family, and we are
Sad to say that you are numb.
You will start your treatment tomorrow.

I’m


                  So


                                   Sorry


I’ve been numb for some weeks now

It started at my toes

It nibbled on my legs

It flirted with my head

Slowly but surely tiptoeing in

Numbness is a silent killer

It plays nice and deceives you

Creeping through my body

Then it took my heart

For numbness is a backstabber

It is not what it seems

It uses other emotions to find you

It is covered by fear, for they are good friends

It hides under sadness’s billowing cloak.

And it is smuggled through the heart’s border by anger

But now it’s in my heart

For the soldiers have come out of the Trojan horse

They pillage and take

For numbness is greedy

They start at interests and the hobbies

It makes them seem boring and not worth while

See numbness is tactful, precise, and deadly

It plays with your mind, and slowly eats away at your heart

Hallowing it out, emptying you

Numbness is always hungry

And now I don’t know what I have left that it could take.






Do not worry, for this illness you have, this plague, it is not deadly

And while the treatment we have prepared for you will not change you back

Because once numbness steals, It does not give back easily

It taints your mind, and like wine on a white tablecloth

It does not fade easily

Numbness scars the mind

It leaves its signature with a heart

You will not be who you used to be

You will be faded version of yourself

And a talkative young girl like your self should not be worried

For those who come into our hospital as vibrant and colorful as you

Don’t fade as much as the quieter ones

See you were stronger than them

Your mind did not give up as easily as theirs

But we are treating you early

And you will be fixed, not to worry

Our results of this treatment are stellar

See you will not be fully put back together

Just a little shattered

Not as broken
Suzy Hazelwood Nov 2014
Writing the words
the emptying
of my emotional recycle bin

I pour them out
with intent to demolish
to remove the evidence
the unwanted remembrance
the devastation
that threatens to unravel my sanity
Mateuš Conrad Mar 2021
beginning with a title... the transcendent bicycle...
because it really is just that...
if you have walked as much as i have:
a marathon from Romford
to St. Paul's and back...
a marathon from Romford to Epping
and back...
       i don't know but i do know that
i might have been aiming for: flesh of my flesh...
aged 34... but i'm still "trapped" inside
the dimension of the bicycle like
i'm ******* quicksilver / the flash...
i haven't ridden a bicycle in well over a decade...
today i found out i have ghost muscles...
the bicycle became the antithesis of
prosthetic limbs...
   it's hardly a Descartes contemplating
a desk and / or van Gogh's chair...
beauty in pickling... depths of thought in:
picking, juices...
how a second birth happens with
the advent of thought...
when... penetrating inanimate things...
to think about objects is to...
become more objective?
         it's not like i'll summon...
a Freudian complex...
using a bicycle... as a Deleuze
did when ushering in the bicycle from
a Beckett's perspective...
  beside the "village bicycle" i hardly
want to give sway to some ******* metaphor...

the bicycle is more than a chair
a chair is such a fermentation process
since you can sit on it...
but can hardly concern yourself
with making a ******* gallop on it...
but a bicycle is not a horse...
but a bicycle is not a horse...
writes the man that...
yes... i have ridden horses...
all the equestrian clubs in Essex can shy away
from the detail of...
i have allowed myself to ride a horse
to a gallop... neck, sore... entangled in:
want of massage... yes...
but a bicycle is not a horse!
it's a dog... at best... it goes where you want
it to go...
the leash of gears the muzzle of the breaks...

the **** i need a car for?
in London... even if it's outskirts /
kilt Loon'don?
     ha ha FARKER TARTAN WILLIAMSSON...
blah!
enriched with hidden energies of
newly discovered... otherwise plainly
shelved sensations of motion...
there's nothing new about a bicycle...
said the man who withheld a smirk
when attesting...
a gap... the same centre of gravity... though...
almost like the buoyancy arrived at
when swimming...

oh how my father tried to teach me...
how peer pressure taught me instead...
it's this exasperating O oh and ah...
that's not really becoming of adding any more
detail to a rekindled love for life...

notably concerning England...
and outer-suburbia...
- when you have been walking these
labyrinth streets for months...
to be suddenly injected with
a very new, but at the same time:
a very old concept... dimension: which sharpens
the genesis of thinking about the sentence...
a new dimension of... speed...
time, space are their own affairs...
invoked for a day by a day...
walking is merely movement...
cycling? that's not merely movement...
that's...             speed...
because... there's a whole chi focus
of X yes precisely X...
        only half an hour's worth of cycling
and i covered the whole peninsula of the area...
unbelievable the detail of acquiring
traffic coordination...
a shared responsibility that a mere
pedestrian might take for granted...
      
tomorrow's a Sunday and i'm supposing
come circa 7am the
traffic should be "slim"...
having tested the breaks and the gears
somewhat proper...

bicycle bicycle... where have you been
all my past decade...
bicycle: grandfather Joseph...
death toll murk... fill the bells!
let them not resound in the night
while i reclaim the wind for my own...

- that i sometimes drift in and out
of solipsism...
yes... that solipsism is
laboratory minded experimentation
with states of autism...
but you're given the excuse
of riding a bicycle...

i wonder what wings might feel like....
a bicycle is not a horse...
a bicycle is more or less a dog...
it's certainly not a cat... meow...
if there was an advent of wind to harness...
but there's me... merely pulverising forward...
the leash the muzzle
all that's frame and the breaks:
downhill...

the lullaby of emotions intrinsic in:
blocking all rancid thinking... all thinking
like so...
Zen by ***... it's not that i know more...
i know... different... but first you have to walk
said distances... before loopholes...
wormholes appear gesticulating the mind
with a provided for, otherwise...

i'm 34 and i feel like i've just...
accomplished more than
having shed feather of my virginity...
never make me feel so entrusting...
never make me feel so demanding "x"...
peddle ******* peddle...
tread-water.... in your pyjamas...
i do remember, like an elephant's cranium
might... details of a historical tattoo...

philosophy books are...
paupers of metaphor...
language is ever hardly elevated into
a bouquet...
i don't want to be in love again...
i don't want to be such an...
undemanding... lack of ambition...
lack of sacrifice...

take me into the woods
and shoot me in the back of the head...
but before you do...
i'll merely ask...
take me into the sort of woods
where the deed be done...
but appreciate walking me so far
off the well trodden path
that you might not remember
how to retrieve a safe-footing back...
take me into the woods of no known
horizon...

guarded by a strict wall of a mile of trees
that block out the otherwise pleasant
azure of the sky come hiding the sun
at sunset... or sunrise...
in that zenith of immobile grey
between the hours of commotion
when nothing is to be salvaged as one's
own... but... abhorred as it too must be...
somehow... shared...

some privy in on England... a land
of fertile imaginings...
when Descartes had his table, and chair...
to fist & fester on...
i'll lay clamour to the debris of alt...

yes: an overbearing load of sensation:
delusional.. let's put him in his "right"
place... let him believe the sole provided
the psychiatric source of angst
no purpose = no posit of transcendence...
no bicycle...
   custard... pie-load...
angst...
               jerking off from "excess" libido...
well... exercise the "excesses" of libido elsewhere...
exert well squid parallels
and more: firm grasp... "tentacles"...
see the same within the confines
of an "elsewhere"...

how ***** i became being so...
muscular abiding... simultaneously... docile... too...
it's not a Lamborghini it's not
a British T... triumph motorcycle...
it's a peddling ingenuity of
somewhat self-origin...

i could have eaten up a Solomon's share
of ****** and *******
that same of wisdom...
should i, could i, would i have
demanded less than was already left available
from the Tetragrammaton...

how did "we" ever learn to laugh...
how was HA... the hebrew definite article spawned
those biggest,
no... those grieving questions...
how a monotheistic deity might be all
good... yet somehow not all powerful...
yet all powerful but not all good...
bling alley... cul-de-sac view:

the algebra not solved: attempted by
numbers...
letters later sieved...
and more letters sieved...
played the party pooper with membrane knowledge
of katakana and Hangul...
because... Latin script does slip...

chi-focus?
the multiplication ascend of:
what was walked prior...
can now be cycled... shortened because no
"lost" time was ever to be grieved...
although... the front suspension is...
an unwelcome addition...
ha ha... privy me on details
like... excesses that are there...
21 gears and when there was a rigid frame
throughout and rising up from
a sitting position is not necessary...

no... i'm not gearing up for motorcycles...
i like the idea...
but also... subsequently... the experience...
of a double-decker... bus...
of a bus of being the transit mahjong skeleton...
pieces... mein alles!

mein alles!             gott, mit... uns!

yes... unbelievable... the demands for yachts...
for ******... diminished into a fizzle....
when a Beijing demand for bicycles
skyrocketed... and all that was left to salvage
was... promises of a Sunday,
circa 7am...

hidden gems of plied-play-dough-esque:
sort of truths...
sort of beefing up... doubting pork...
within the confines of chops...
between me and a prisoner...
between me an a prisoner...
it's hardly the yacht...
the hardly any nuance of bother...
believe the existence of hierarchy...
because the Bolsheviks didn't
come about the first time around...
second try...
escape the English cwown they said...
escape the litany of squares
they-void-thought... "said"...
herr omar bin sa-id...
conquest of the Hey-Brews... "said"...

don't undermine the intricate
tribal workings of...
half-possessed...
half truant... thereby almost totally... true...
associates of Casimir the Great...
there be a god of wisdom
and there be a god of fire...
there be a god of letters...
if so...

the same god will be inclined
to mind...
an apostrophe as much as a surd (letter)
in Ęgli-sh...
when not minding... "it"..
lay an Ę to the side to wreck havoc with...
ha ha!    Щ...

  Ę / Щ... the **** are you looking
at me... like i were the one
who killed your mother with a *******
harmonica / what have these galoshes to do with
"these" galoshes...
what has this pumpernickel to do with
this windmill... "this" is an obstruction...
the proverb states...
what has a pumpernickel to do with
a windmill?

exactly... ****-all!

two-riddle *******' worth... worth of...
newly ******* jargon... and crust of...
for the load that might be minded
invigorating life... as life in prospect...
re-orientating man toward the clamour
of detailing sky...
not on foot...
not on horse...
not via car... will you...
to hell with running down...
a stampede of perspective...

planet... luancy? is that where we are all,
from?
i am born of madness...
i am this salty precursor of i think...
clearly i first arrived...
later... i somehow managed to "think"...
i didn't think first
but i certainly didn't either:
i think therefore i am therefore i think...

i was more on the lines of...
from the lineage of:
trouble...
i am therefore i think therefore i am...
i am not a spider i'm not all emptying and detailing
the filling of gob-***** with
i am hungry i am vector...
i am therefore i think therefore i am...
but this... ****** of french...
premature *******....
of i think therefore i am... therefore i think:

honestly? thinking is sometimes not...
necessary...
sometimes water needs no... glue, metaphor...

Amsterdam's open mouth darkseid
apocalypse abode...
le trio joubran - masar.... a finite quest...
primo.... detailing conquest...
handling crux....

            the cat's in the riddle...
the yard is in a mile...
scrutiny of the Levant...
           leverage of hark... -ing
denote: closure... of "ambition":
this lesser "king"...
brow of the most dignified...

                   keeping with allowance
(an)
  justly, met...
  
give me wind:
   give me... air...
not... hair... i laugh... i laugh too little...
i chisel my teeth...
i scream: nothing primo!
my life but q.
there are more lived importances
that matter, thus...
cradle... diamonds...

"the end".
Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, traits, colors, and neutrality, focused towards a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, in whose diversity of genetic seizure, they will adopt natural and compound patterns, but always predominant in the pattern biological and organic. Wandering around the world in desert places, in alloys and compounds of classified plants, emptying their species through the hollow of the atmosphere and through the green shoots of grasslands in the reviving surviving evolution of organisms and species that for the first time take a look as a biotype among rocks and plantations, reciprocally among themselves and extemporaneously generating heritages of mythological genetics.  Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause in the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of and interprocedural reality of carbon, factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair of the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving extinction of plagues or flagrant excesses not reconverted, for compliance with the exercise of light beings as a parallel systematic contribution and ******-transmission of applicable inputs of quality of life and deflation of risk of biological cyclical deterioration.

Hyperdisis, has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No.  Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and teleportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic and endogenous diseases. Forests and parks of Hyperdisis in the open and symbiotic, for more airs in microbiological space, in the intimate portion from highest to lowest challenge of proprietary elements and antinomies of hieratic human bioculturation in a showcase of communities with interest in technologies and empirical usability and renewable, each part doing its scientific and biodiversity role in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existent, although it passes before our eyes without the Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super valuation measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and biological approval elements. The richness and abundance of this item is delegated to Leiak, in all the revolutionary processes of the oak forests and of the high mountains, where Vernarth directs him and is condescending of his dynamics, from countless temporary revolutions of other species.

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects.  Claiming innocent living beings with higher attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. The feedback quantifies carbon circulation offset options, offsetting the multipurpose CO₂ inventory. At night Zefián and Vernarth roamed the streets of Rhodes, in Tsambika, looking for the distilled portions of the carbon and sulfur emanated by Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Hellenika and the souls that were hanging around were ringed under the encrusted crescents, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Hellenika, in the myth of the woodworm of the dustbin of the frieze where Etréstles perched next to the strap that Zefián, who would manipulate the gold and alabaster chain, to pull it and its ruby ascetics approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Hellenika friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar the epithet of heraldry in the noble metals and woods of the autumn and mountainous temple of the one that follows the equinox in the meridian of seven days to the southern and northern hemisphere.

They enter the Hellenika Necropolis, through the upper and lower trays, cordoned off by obelisks in series of petrified ebels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intrabodies of petrified breaths, expanding in the segments of trepidating life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shadow. It was already dawn; Etréstles and the Archpriest were breaking the loaves to deposit them in the bowl of the Day, stretched out in the arms of heaven under the gargle of the god Vertumnus that he forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Yawning Citarist in the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Hellenika, Diogenes of Sinope is seen coming out from the lair of his rib, splitting with his doctrinal staff all the isthmic paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me and I bite the bad guys." Again, more murmurs, but Alejandro was undaunted by those responses and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me" ..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean skeleton seed, without heat or memory here in Corinth and its Diogiversity ”. Everyone is silent and fear takes hold of everyone in the sybarite contemplation of Alexander the Great ..., expropriating his speed more than a contempt for the cranium that is advocated for Vernarth "
Ethno-spirit and Biodiversity (Diogiversity) / part 14
Lost in dreams Mar 2014
I don't know how or when you became so important to me, so much that you've changed me without asking me to. For good or bad, I changed who I was because I was afraid you wouldn't like me for me, so I tried to be someone you'd love, and the fact that it didn't work isn't the worst part, the worst part is that I didn't realize I had changed until you fell in love with someone else, someone who reminded me of someone that I used to know, someone who was not afraid to speak, to be herself, someone who brought joy into your life instead of letting you bring bitterness into theirs. I used to be a lot like her, maybe if I'd been a little more myself you would have liked me, but now I'll never know that because I didn't stay true to myself.

Now that I think about it, if I had been 100% who I was when I meet you I wouldn't have changed, I don't know exactly when I stared letting society tell me how to be and how not to be, what to say and what not to say, what to upload and what not to upload because it wouldn't get a lot of likes.

I keep telling myself that I'm strong and that I don't need anyone and that no one can hurt me, but if I really were strong I wouldn't let society affect me so much it'd changed me completely, I wouldn't be so afraid to love and get hurt cause I'd know I would be able to get back on my feet and keep going and keep trying, and I would be able to go trough life leaving pieces of me behind but without emptying myself, filling others and making them better without getting worst, without getting lost, because that's what I've done, I've lost myself somewhere on the way and I don't even know where to find me, I've given myself to others who didn't even want me and didn't give anything back, so now I'm almost empty, because I told myself I was strong enough and I wasn't.

I hate the fact that I'm writing this cause it makes me feel weak, if someone reads it, they'll know I'm weak and sad but the truth is I'll be weak and sad even if no one knows it, even if I don't admit it, I'll still be at home, watching movies not wanting to go out or do anything like I used to for no appearing reason, not wanting to do anything I used to cause that's when I realize how much I've changed and how lost I am and how hard it is to find me, how hard it is to try and act like I used to cause it doesn't feel natural anymore, so maybe just maybe if I tell myself that I'm weak I'll realize its time to get strong again, if I tell myself that it is okay to be sad I won't have to hide for myself and get even more lost, maybe I'll be able to make a new path for myself, keeping the new things I like and maybe that path will someday somewhere cross with the path where my old self got lost and maybe I'll be able to keep the new good things and the good old things in a new combined stronger path, and maybe I won't let anyone carry me out of my path again.

I don't blame you or society, I only blame myself for letting it affect me so much, but it is okay, I have to tell myself it's okay and that I forgive myself and that now is time for me to try and build those paths, but in order for me to do that I have to accept that I'm lost and I'm weak and I will get strong, not tomorrow but someday.
Druzzayne Rika Jul 2018
Colours mixing with each other
there is a new colour born
a new shade
taking the new shape
blinding the landscape

spiralling out of control
not in hold
spilling its content
without intent
ripping over
and under
unclear
emptying till it disappears
it is gone now.
Amelie May 2012
My brain's torn apart,
Full of the things you've said.
But I guess you don't really care anymore
About how much I'm hurt.
If you knew how I spent the few last nights,
Crying my eyes out, emptying my body
Now I'm empty.
I've given you everything ;
My trust, my passion, my heart, my love,
I had reorganised all my life
Depending on what you were doing
Or where you were going.

Oh I don't thing you realise
Or if you can even imagine,
The pain I'm going through right now.
Every time I hear a song, it reminds me of you
Every time I get a text,
I hope it's from you.
I wish I could call you when I miss you,
Like I used to do when we were together.

The hardest part in all of this,
is thinking that I will never be able to hold you
in my arms again,
Nor tell you I love you
and that I wish you were here with me.
I just want to taste your lips just one more time.
Spend the night with you, curled up in your arms,
My head would rest near your neck
Our fingers would be tangled,
again.

I can't stand to see you now,
I'm so hurt. If only you knew.
I can't believe you asked if we could stay friends,
Have your feelings for me died ?
I'm so sorry I ******* up everything
once again.
I keep talking to you inside my head,
I don't understand.
I must be going crazy.

Look at me now,
There's nothing left.
I still wish you would take me back.
I just want to crawl down at your knees,
Telling you how much I miss you
I'm so sorry I'm so weak,
I can't stop thinking about our moments together
Our first kiss is my best memory
But every second was source of joy.

Please forgive me for being so madly in love with you,
Now I'm just trying to pick up the pieces
of my broken heart.
Lunar Apr 2017
Seven years. It has been seven years since that day.

And now here they were in the alfresco of that overrated café, with the man sitting across the lady: he was sipping his black coffee and she, her jasmine tea. The scenario almost seemed impossible in the past, but for someone with her tenacious personality, something ‘impossible’ just meant ‘a little later’ than ‘never at all.’ This moment played by fate was comparable to the persistent rainstorm that forced them to stay together a little longer in the coffee shop than planned.

“I’ve been thinking,” he sighed into his coffee mug, “About leaving this place and heading to the States. Study more on film and acting from the professionals themselves. Get into showbiz of the global standard. Be a real director. What do you think?”

She straightened her posture and settled her cup down on the table, nodding in acquiescence at his idea of endeavors that appeared promising for his future.

“Well… Why not? I say go for it. I support you in that decision.”
He diverted his eyes to hers, trying to read the gaze behind those wide eyes. Though wide and nonchalant they may seem to be, only a few can notice and genuinely understand what swims in those dark depths. Their staring game ended as her voice surfaced once again through the sound of rainfall.

“I support you. If you’re ever wondering why, it’s because I had to make a decision just like that—seven years ago.”

This time it was his eyes that widened, and he placed his mug alongside hers.

“What kind of decision was it? You definitely weren’t aiming to be an actor like me, considering you’re a licensed interior designer, not to mention writer, right now,” he chuckled, leaning back onto his chair.

A soft smile of nostalgia emerged on her lips as she remembered what she wrote on the night of the sixteenth, a day before the significant seventeenth.

April 16, 2017; 11:15 P.M. — I’m satisfied of this unrequited love. I’m happy this is all one-sided. I’m glad everything is ending before it can even truly begin. It would be easier for me to leave him who doesn’t even have the slightest knowledge of my existence, who doesn’t even know my sentiments, who doesn’t even miss me, yet alone think of me. It’s all good; perfect, even. A broken heart is better than two. At least there will be some times when I might let him and his strong hands put my weak heart back together and restore it to me. I’d rather have that than us both losing and scattering the pieces of our mutually shattered hearts. He must never be broken; I need to protect him from being so—I will take myself away from him. I’ve never been any happier to be in a love that’s unknown and unreturned. He will be happy, and I will be too. In the end, his happiness will always be mine.

“I had to leave the places and people I love, to be where I am and who I am today,” she exhaled. “It was tough, but thinking of those moments and people I held onto and appreciated… all of that kept me going.”

“Was it a happy one? I mean, did you find the happiness or ending you were looking for?”

“If I were to be dead honest, yes. More than happy, actually. I’m not just relieved, or satisfied; I’m overwhelmingly grateful. I earned the careers and lifestyle I aimed for. I managed to travel all over the world and see the places and people I’ve wanted to see. My soul roams free, finding home in the many corners of this earth. I’ve finally come home, and this time I know I’m not alone.”

The man was a grown man in a smart-casual attire, but he sure maintained the curious eyes of the child that he furtively kept in himself. Being under his scrutinizing eyes, she reminisced of the same intensity he gave back when they were still twenty-one and on the verge of growing up.

“But what about ‘him’ whom you left behind? Did you come to know him this time, maybe love him too, again?”

She picked up her teacup, providing a little wall between them both, and swallowed the remaining aromatic drops along with the thoughts she wanted to tell him ever since then.

I came to know him—you—but I don’t love him ‘again’. The feelings, which I harbored for you for all these years, never left me even when I left you back then. I know I was told to reach for the moon that I may land among the stars even if I failed to reach it. But I realized I had to reach beyond the moon—the sun, the Milky Way, the entire universe—because I wanted and needed to be worthy of my existence. I wanted and needed to prove myself to myself, to you and to everyone else.

“I did. And I’m happy with how we are right now, even if it seems like we’re back to zero this time round.  Though I’m not sure how my feelings are for him now, if I seek him as a friend or as a potential love interest.”

He seemed doubtful of her response hence did he hesitantly express his last thoughts: “So you’re happy now because you left him previously. But what if he’s the one who leaves this time? Would you still be happy?”

The clouds were emptying now as the pouring rain concluded to a light shower; likewise the people they were surrounded with under the alfresco umbrellas. She knew that she was prepared to answer this question. For the past years, concerned individuals would ask her the very same thing, and for this was she thankful. She herself would recite the words to her reflection every day, much like a prayerful mantra.

He caught a faint twinkle in her eye, a proof of which her answer would be echoing with conviction and it made him realize that those particular words to be said would be one of those things that would remind him of her.

“It won’t matter if he learns how I feel then or now, and yet doesn’t feel the same way. If leaving me would direct him to his happiness, then so be it. Perhaps we aren’t meant to love each other in this lifetime, any other lifetime, or even in parallel worlds, but I still am and would be happy about it. What’s greater than this feeling of being able to love someone so much? Like I said: in the end, his happiness will always be mine.”
There's an angel called wjh I've let into my life, and I have to let him go now.
bonvkiller Oct 2018
he is not my lover
but yet i weep
he could never love a boy like me
he doesn’t see me the way i see myself
he sees right through me
he only sees me in black and white
and i still weep
For those among us who lived by the rules,
Lived frugal lives of *****-scratching desperation;
For those who sustained a zombie-like state for 30 or 40 years,
For these few, our lucky few—
We bequeath an interactive Life-Alert emergency dog tag,
Or better still a dog, a colossal pet beast,
A humongous Harlequin Dane to feed,
For that matter, why not buy a few new cars before you die?
Your home mortgage is, after all, dead and buried.
We gave you senior-citizen rates for water, gas & electricity—
“The Big 3,” as they are known in certain Gasoline Alley-retro
Neighborhoods among us,
Our parishes and boroughs.
All this and more, had you lived small,
Had you played by the rules for Smurfs & Serfs.

We leave you the chance to treat your grandkids
Like Santa’s A-List clientele,
“Good ‘ol Grampa,” they’ll recollect fondly,
“Sweet Grammy Strunzo, they will sigh.
What more could you want in retirement?

You’ve enabled another generation of deadbeat grandparents,
And now you’re next in line for the ice floe,
To be taken away while still alive,
Still hunched over and wheezing,
On a midnight sleigh ride,
Your son, pulling the proverbial Eskimo sled,
Down to some random Arctic shore,
Placing you gently on the ice floe.
Your son; your boy--
A true chip off the igloo, so to speak.
He leaves you on the ice floe,
Remembering not to leave the sled,
The proverbial Sled of Abbandono,
The one never left behind,
As it would be needed again,
Why not a home in storage while we wait?
The family will surely need it sometime down the line.

A dignified death?
Who can afford one these days?
The question answers itself:
You are John Goodman in “The Big Lebowski.”
You opt for an empty 2-lb can of Folgers.
You know: "The best part of waking up, is Folger's in your cup!"
That useless mnemonic taught us by “Mad Men.”
Slogans and theme songs imbibe us.

Zombie accouterments,
Provided by America’s Ruling Class.
Thank you Lewis H. Lapham for giving it to us straight.
Why not go with the aluminum Folgers can?
Rather than spend the $300.00 that mook funeral director
Tries to shame you into coughing up,
For the economy-class “Legacy Urn.”
An old seduction:  Madison Avenue’s Gift of Shame.
Does your **** smell?” asks a sultry voice,
Igniting a carpet bomb across the 20-45 female cohort,
2 billion pathetically insecure women,
Spending collectively $10 billion each year—
Still a lot of money, unless it’s a 2013
Variation on an early 1930s Germany theme;
The future we’ve created;
The future we deserve.

Now a wheelbarrow load of paper currency,
Scarcely buy a loaf of bread.
Even if you’re lucky enough to make it,
Back to your cave alive,
After shopping to survive.
Women spend $10 billion a year for worry-free *****.
I don’t read The Wall Street Journal either,
But I’m pretty **** sure,
That “The Feminine Hygiene Division”
Continues to hold a corner office, at
Fear of Shame Corporate Headquarters.
Eventually, FDS will go the way of the weekly ******.
Meanwhile, in God & vaginal deodorant we trust,
Something you buy just to make sure,
Just in case the *** Gods send you a gift.
Some 30-year old **** buddy,
Some linguistically gifted man or woman,
Some he or she who actually enjoys eating your junk:
“Oh Woman, thy name is frailty.”
“Oh Man, thou art a Woman.”
“Oh Art is for Carney in “Harry & Tonto,”
Popping the question: “Dignity in Old Age?”
Will it too, go the way of the weekly ******?
It is pointless to speculate.
Mouthwash--Roll-on antiperspirants--Depends.
Things our primitive ancestors did without,
Playing it safe on the dry savannah,
Where the last 3 drops evaporate in an instant,
Rather than go down your pants,
No matter how much you wiggle & dance.
Think about it!

Think cemeteries, my Geezer friends.
Of course, your first thought is
How nice it would be, laid to rest
In the Poets’ Corner at Westminster Abbey.
Born a ******. Died a ******. Laid in the grave?
Or Père Lachaise,
Within a stone’s throw of Jim Morrison--
Lying impudently,
Embraced, held close by loving soil,
Caressed, held close by a Jack Daniels-laced mud pie.
Or, with Ulysses S. Grant, giving new life to the quandary:
Who else is buried in the freaking tomb?
Bury my heart with Abraham in Springfield.
Enshrine my body in the Taj Mahal,
Build for me a pyramid, says Busta Cheops.

Something simple, perhaps, like yourself.
Or, like our old partner in crime:
Lee Harvey, in death, achieving the soul of brevity,
Like Cher and Madonna a one-name celebrity,
A simple yet obscure grave stone carving:  OSWALD.
Perhaps a burial at sea? All the old salts like to go there.
Your corpse wrapped in white duct/duck tape,
Still frozen after months of West Pac naval maneuvers,
The CO complying with the Department of the Navy Operations Manual,
Offering this service on « An operations-permitting basis, »
About as much latitude given any would-be Ahab,
Shortlisted for Command-at-sea.
So your body is literally frozen stiff,
Frozen solid for six months packed,
Spooned between 50-lb sacks of green beans & carrots.
Deep down in the deep freeze,
Within the Deep Freeze :
The ship’s storekeeper has a cryogenic *******
Deep down in his private sanctuary,
Privacy in the bowels of the ship.
While up on deck you slide smoothly down the pine plank,
Old Glory billowing in the sea breeze,
Emptying you out into the great abyss of
Some random forlorn ocean.

Perhaps you are a ******* lunatic?
Maybe you likee—Shut the **** up, Queequeg !
Perhaps you want a variation on the burial-at-sea option ?
Here’s mine, as presently set down in print,
Lawyer-prepared, notarized and filed at the Court of the Grand Vizier,
Copies of same in safe deposit boxes,
One of many benefits Chase offers free to disabled Vets,
Demonstrating, again, my zombie-like allegiance to the rules.
But I digress.
« The true measure of one’s life »
Said most often by those we leave behind,
Is the wealth—if any—we leave behind.
The fact that we cling to bank accounts,
Bank safe deposit boxes,
Legal aide & real estate,
Insurance, and/or cash . . .
Just emphasizes the foregone conclusion,
For those who followed the rules.
Those of us living frugally,
Sustaining the zombie trance all these years.
You can jazz it up—go ahead, call it your « Work Ethic. »
But you might want to hesitate before you celebrate
Your unimpeachable character & patriotism.

What is the root of Max Weber’s WORK ETHIC concept?
‘Tis one’s grossly misplaced, misguided, & misspent neurosis.
Unmasked, shown vulnerably pink & naked, at last.
Truth is: The harder we work, the more we lay bare
The Third World Hunger in our souls.
But again, I digress.  Variation on a Theme :
At death my body is quick-frozen.
Then dismembered, then ground down
To the consistency of water-injected hamburger,
Meat further frozen and Fedex-ed to San Diego,
Home of our beloved Pacific Fleet.
Stowed in a floating Deep Freeze where glazed storekeepers
Sate the lecherous Commissary Officer,
Aboard some soon-to-be underway—
Underway: The Only Way
Echo the Old Salts, a moribund Greek Chorus
Goofing still on the burial-at-sea concept.

Underway to that sacred specific spot,
Let's call it The Golden Shellback,
Where the Equator intersects,
Crosses perpendicular,
The International Dateline,
Where my defrosted corpse nuggets,
Are now sprinkled over the sea,
While Ray Charles sings his snarky
Child Support & Alimony
His voice blasting out the 1MC,
She’s eating steak.  I’m eating baloney.
Ray is the voice of disgruntlement,
Palpable and snide in the trade winds,
Perhaps the lost chord everyone has been looking for:
Laughing till we cry at ourselves,
Our small corpse kernels, chum for sharks.

In a nutshell—being the crazy *******’ve come to love-
Chop me up and feed me to the Orcas,
Just do it ! NIKE!
That’s right, a $commercial right in the middle of a ******* poem!
Do it where the Equator crosses the Dateline :
A sailors’ sacred vortex: isn’t it ?
Wouldn’t you say, Shipmates, one and all?
I’m talking Conrad’s Marlow, here, man!
Call me Ishmael or Queequeg.
Thor Heyerdahl or Tristan Jones,
Bogart’s Queeq & Ensign Pulver,
Wayward sailors, one and all.
And me, of course, aboard the one ride I could not miss,
Even if it means my Amusement Park pass expires.
Ceremony at sea ?
Absolutely vital, I suppose,
Given the monotony and routine,
Of the ship’s relentlessly vacant seascape.
« There is nothing so desperately monotonous as the sea,
And I no longer wonder at the cruelty of pirates. «
So said James Russell Lowell,
One of the so-called Fireside Poets,
With Longfellow and Bryant,
Whittier, the Quaker and Oliver Wendell Holmes, Sr.,
19th Century American hipsters, one and all.

Then there’s CREMATION,
A low-cost option unavailable to practicing Jews.
« Ashes to ashes »  remains its simplest definition.
LOW-COST remains its operant phrase & universal appeal.
No Deed to a 2by6by6 foot plot of real estate,
Paid for in advance for perpetuity—
Although I suggest reading the fine print—
Our grass--once maintained by Japanese gardeners--
Now a lost art in Southern California,
Now that little Tokyo's finest no longer
Cut, edge & manicure, transform our lawns
Into a Bonsai ornamental wonderland.
Today illegal/legal Mexicans employing
More of a subtropical slash & burn technique.

Cremation : no chunk of marble,
No sandstone, wood or cardboard marker,
Plus the cost of engraving and site installation.
Quoth the children: "****, you’re talking $30K to
Put the old ****** in the ground? Cheap **** never
Gave me $30K for college, let alone a house down payment.
What’s my low-cost, legitimate disposal going to run me?"

CREMATION : they burn your corpse in Auschwitz ovens.
You are reduced to a few pounds of cigar ash.
Now the funeral industry catches you with your **** out.
You must (1) pay to have your ashes stored,
Or (2) take them away in a gilded crate that,
Again, you must pay for.
So you slide into Walter Sobjak,
The Dude’s principal amigo,
And bowling partner in the
Brothers Coen masterpiece: The Big Lebowski.
You head to the nearest Safeway for a 2-lb can of Folgers.
And while we’re on the subject of cremation & the Jews,
Think for a moment on the horror of The Holocaust:
Dispossessed & utterly destroyed, one last indignity:
Corpses disposed of by cremation,
For Jews, an utterly unacceptable burial rite.
Now before we leave Mr. Sobjak,
Who is, as you know, a deeply disturbed Vietnam vet,
Who settles bowling alley protocol disputations,
By brandishing, by threatening the weak-minded,
With a loaded piece, the same piece John Turturro—
Stealing the movie as usual, this time as Jesus Quintana—
Bragging how he will stick it up Walter’s culo,
Pulling the trigger until it goes: Click-Click-Click!
Terrestrial burial or cremation?
For me:  Burial at Sea:
Slice me, dice me into shark food.

Or maybe something a la Werner von Braun:
Your dead meat shot out into space;
A personal space probe & voyager,
A trajectory of one’s own choosing?

Oh hell, why not skip right down to the nitty gritty bottom line?
Current technology: to wit, your entire life record,
Your body and history digitized & downloaded
To a Zip Drive the size of the average *******,
A data disc then Fedex-ed anywhere in the galaxy,
Including exotic burial alternatives,
Like some Martian Kilimanjaro,
Where the tiger stalks above the clouds,
Nary a one with a freaking clue that can explain
Just what the cat was doing up so high in the first place.
Or, better still, inside a Sherpa’s ***** pack,
A pocket imbued with the same Yak dung,
Tenzing Norgay massages daily into his *******,
Defending the Free World against Communism & crotch rot.
(Forgive me: I am a child of the Cold War.)
Why not? Your life & death moments
Zapped into a Zip Drive, bytes and bits,
Submicroscopic and sublime.
So easy to delete, should your genetic subgroup
Be targeted for elimination.
About now you begin to realize that
A two-pound aluminum Folgers can
Is not such a bad idea.
No matter; the future is unpersons,
The Ministry of Information will in charge.
The People of Fort Meade--those wacky surveillance folks--
Cloistered in the rolling hills of Anne Arundel County.
That’s who will be calling the shots,
Picking the spots from now on.
Welcome to Cyber Command.
Say hello to Big Brother.
Say “GOOD-BYE PRIVACY.”

Meanwhile, you’re spending most of your time
Fretting ‘bout your last rites--if any—
Burial plots on land and sea, & other options,
Such as whether or not to go with the
Concrete outer casket,
Whether or not you prefer a Joe Cocker,
Leon Russell or Ray Charles 3-D hologram
Singing at your memorial service.
While I am fish food for the Golden Shellbacks,
I am a fine young son of Neptune,
We are Old Salts, one and all,
Buried or burned or shot into space odysseys,
Or digitized on a data disc the size of
An average human *******.
Snap outta it, Einstein!
Like everyone else,
You’ve been fooled again.
Andrew Fahey Oct 2015
Walls close
Echoes burning
Writing unpleasant
Light flickering
Shadows jumping
Locks secure
Footsteps distant
Invitations lurid
Seat flipped
Room empty
Time still
Feeling calm
Adam Childs Feb 2014
I am cut by the shards
of my shattered dreams
My hard heart broken by
the fist of my own ambition
Spilt milk and empty cups
All karma now has gone
For the Lord now slips away
As his every favour, now has gone
Alone now I stand in the shadows
of my shattered dreams

Lured I was by the mermaid's smile
My dreams smash on the rocks of time
Broken am I
By the crashing waves of change
All parts scattered and spread
I find myself adrift
On the ocean of Oneness

The wolves of destruction
devour all hopes and dreams
And goddess Kali drinks the blood
from my decapitated head
I feel the force of my father's fury
I stand in a field of rubble
Where a castle of faith once stood

My tears of ambition now fall
emptying the seas of conquest
That enslaved my marooned self
on the island of desire
Eyes freed from desire
see the Love in Kali's eyes
And thank the wolves
for slaying my hopes and dreams
for freedom comes to open
A door to the deeper self
Written while feeling into some of my disappointments
By :Adam Childs
Kuzhur Wilson Aug 2014
Kamarul is going to his village
All of us are going home with him

Kamarul is bringing
A bangle for his sister
Rafeeq almost buys up a jewellery  shop

Kamarul takes as saree for his mother
Divakaran is busy searching for a clothes shop

While making tea
While emptying waste-baskets
While feeding new paper into the printer,

Kamarul sings his own song
All of us sing aloud privately

While going down in the lift,
He learns to count
4
3
2
1

All of us leap towards zero

Kamarul  goes home,
Taking our letters

To the plant on earth
To the wind that blows in the evening
To the friend who promised to come

To everyone, for everyone

We wave our hands, wondering
What would be the time on earth
translation: Anitha varma
Ann M Johnson Aug 2015
It is often said that the cup can be viewed as half full or half empty
The fact is we should be able to agree on is
    We all have a cup that can be filled
        If we All tried to build another person up
          Fill there cup
            Instead of putting others down
      which can drain ones own cup along with the other persons cup
If you meet another person who appears mean or insensitive or rude
perhaps their cup has been drained so much
They don't know how to fill it up again and are badly in need of having their cup refilled
A small compliment a little kindness, a smile could help fill up the cup again
A cup of friendship can go a long way and help  another person have a better day
The world is full of hurting people needing to have their cup refilled
Seeing things from someone else's perspective is a good start
Is the glass half empty or half full, you can decide?
Have  you raised your glass and tried to share a Cup of friendship
and filled another's cup today?
If not the present is a good time to start
If we all filled up the cup instead of emptying it
We would have a better world
Fill up the cup today
DJ Goodwin Jun 2012
He writes words on walls and
toilet doors.

Looping black texta with
measured precision.

Emptying out his importance in
tomes of acrid, sickly-sweet-smelling lapses
into hope.

Cascading the loneliness with litanies
of somewhere else
that pulses with a joy unfound.

Tales of intermittent dreams
and dalliance with beauty.

Strobing in translucent beams,
the light leaks through his
poorly-sewn seams

onto the toilet door.
copyright 2012, David J. Goodwin
Jun 16, 2012

— The End —