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Valentine Mbagu Sep 2016
Honour to thee, thou goddess of succulent scrumptious beauty,
Before thee, I bow to worship thy spotless enticing purity;
At the aroma of thy fragrance, I breathe an immense sagacity,
My Arabian goddess, thy prowess I honor with my whole creativity.

Thy beauty have ne'er been seen on the face of any woman
Neither the origin of thy irresistible smiles traced to any human,
The radiance of thy smiles outshines the shining pride of the sun;
Thy refin'd personality a rare gem causes every imagination to run.

A fountain of beauty upon whose elegance the sun refuses to shine,
There canne'er be found any symbol of priceless beauty aside thee;
Of a truth, thou art a rare treasure for whose heart I'll go extra mile;
My Arabian goddess, for thy sake I'll forsake the world to be with thee.

Thy beauty is second to none for thou art more beautiful than the universe,
I'll treasure thee until the ocean dries up, for with thee I'll grow old;
My Arabian goddess, for thy smiles I'll cause time to make a reverse,
Until my dying breathe, I'll treasure thy person, till the ocean folds.

Thou art so precious a treasure, whose beauty glows with honour and pride,
An epitome of beauty, whose beauty is without comparison a rare Berry,
Thy rhythmic voice a sonorous lyric makes me glued to thy side
For thou art sweeter than honey and more succulent than berry.

My Arabian goddess, until the end of time, I'll forever love you best,
I'll love thee, till the river jumps over the mountains, with thee I'll boast my Pride;
Ne'er will I stop loving thee, for I'll be sure to love thee to thy taste,
Of a truth, thy beauty glitters more than gold, with thee I'll make my Bride.

©Vabec
RAJ NANDY Feb 2015
AN INTRODUCTION TO INDIAN ART IN VERSE  
By Raj Nandy : Part One

INTRODUCTION
Background :
The India subcontinent and her diverse physical features,
influenced her dynamic history, religion, and culture!
The fertile basin of the Sapta-Sindu Rivers* cradled one of
world’s most ancient civilization, (seven rivers)
Contemporary to the Sumerians and the Egyptians, popularly
known as the Indus Valley Civilization!
The Sindu (Indus), Jhelum, Chenab, Ravi, Sutlej, Bias, along
with the sacred river Saraswati, shaped India’s early History;
Where once flourished the urban settlements of Harappa and
Mohenjodaro, which lay buried for several centuries;
For our archaeologists and scholars to unravel their many
secrets and hidden mysteries!
Modern scholars refer to it as ‘Indus-Saraswati Civilization’;
By interpreting the text of the Rig Veda which mentions
eclipses, equinoxes, and other astronomical conjunctions,
They date the origin of the Vedas as earlier as 3000 BC;
Thereby lifting the fog which shrouds Ancient History! +
(+ Two broad schools of thoughts prevail; Max Mullar refers
to 1500 BC as the date for origin of the Vedas, but modern scientific findings point to a much earlier date for their Oral composition and
their long oral tradition!)

On the banks of the sacred Saraswati River the holy sages
did once meditate, *
When their third eye opened, as all earthly bonds they did
transcend !
From their lips flowed the sacred chants of the Vedas, as
they sang the creator Brahma’s unending praise!
These Vedic chants and incantations survived many
centuries of an oral tradition,
When Indian Art began to blossom into exotic flowers like
Brahma’s divine manifestations;
With all subsequent art forms following the model of
Brahma’s manifold creations!
The Vedas got written down during the later Vedic Age
with commentaries and interpolations,
And remain as India’s indigenous composition, forming a
part of her sacred religious tradition! *
(
Rig Veda the oldest, had hymns in praise of the creator;
Yajur Veda spelled the ritual procedures; Sama Veda sets
the hymns for melodious chanting, & is the source of seven
notes of music; Artha Veda had hymns for warding off evil
& hardship, giving us a glimpse of early Vedic life.)

IMPACT OF FOREIGN INVASIONS:
Through the winding Khyber Pass cutting through the rugged
Hindu Kush Range,
Came the Persians, Greeks, Muslims, the Moguls, and many
bounty hunters storming through north-western frontier gate;
Consisting of varied racial groups and cultures, they entered
India’s fertile alluvial plains!
Therefore, while tracing 5000 years of Art Story, one cannot
divorce Art from India’s exotic cultural history.
From the Cave Art of Bhimbetka, to the dancing girl of Harappa,
To the frescoes and the evocative figures of Ajanta and Ellora;
Many marvelous and exquisitely carved temples of the South,
And Muslim and Mogul architecture and frescoes along with
India’s rich Folk Art, enriched her artistic heritage no doubt!
Yet for a long time Indian Art had been the least known of
the Oriental Arts,
Perhaps because from Western point of view it was difficult
to understand the spirit behind Indian Art!
For Indian Art is at once aesthetic and sensual, also passionate,
symbolic, and spiritual !
It both celebrates and denies the individual’s love of life,
where free instinct with rigid reason combine !
These contradictory elements are found side by side due to
her culturally mixed conditions, as I had earlier mentioned!
Now, if we add to this the constant religious exaltation,
With the extensive use of symbolic presentation, from the
early days of Indian civilization;
We have the basic elements of an Art, which has gradually
aroused the interest of Western Civilization!

The further we get back in time, we only begin to find,
That religion, philosophy, art and architecture,
Had all merged into an unified whole to form India’s
composite culture!
But while moving forward in time, we once again find,
That art, architecture, music, poetry and dance, all begin to
gradually emerge, with their separate identities,
Where Indian Art is seen as a rich mosaic of cultural diversity!

(NOTES:-In the ancient days, the Saraswati River flowed from the Siwalik Range of Hills (foothills of the Himalayas) between Sutlej & the Yamuna rivers, through the present day Rann of Kutch into the Arabian Sea, when Rajasthan was a fertile place! Indus settlements like Kalibangan, Banawalli, Ganwaiwala, were situated on the banks of Sarsawati River, which was longer than the Indus & ran parallel, and is mentioned around50 times in the Rig Veda! Scientists say that due to tectonic plate movements, and climatic changes, Saraswati dried up around 1700BC ! The people settled there shifted east and the south, during the course of history! Some of those Indo-Aryan speaking people were already settled there, & others joined later. Max Muller’s theory of an Aryan Invasion which destroyed the Indus Valley Civilization during 1500BC, supported by Colonial Rulers, was subsequently proved wrong ! Indo-Aryans were a Language group of the Indo- European
Language Family, & not a racial group as mistaken by Max Mullar! Therefore Dr.Romila Thapar calls it a gradual migration, & not an invasion! The Vedas were indigenous composition of India. However, they got compiled & written down for the first time with commentaries, at a much later date! I have maintained this position since it has been proved by modern scholars scientifically!)

SYMBOLISM IN INDIAN ART
From the ancient Egyptian hieroglyphic to the Cretan Bull
of Greece,
Symbols have conveyed ideas and messages, fulfilling
artistic needs.
The ‘Da Vinci Code’ speaks of Leonardo’s art works as
symbolic subterfuge with encrypted messages for a secret
society!
While Indian art is replete with many sacred symbols to
attract good fortune, for the benefit of the community!
The symbols of the Dot or ‘Bindu’, the Lotus, the Trident,
the Conch shell, the sign and chant of ‘OM’, are all sacred
and divine;
For at the root of Indian artistic symbolism lies the Indian
concept of Time!
The West tends to think of time as a dynamic process which
is forward moving and linear;
Commencing with the ‘Big Bang’, moving towards a ‘Big
Crunch’, when ‘there shall be no more time’, or a state of
total inertia !
Indian art and sculpture is influenced by the cyclic concept
of time unfolding a series of ages or ‘yugas’;
Where creation, destruction and recreation, becomes a
dynamic and an unending phenomena!
This has been artistically and symbolically expressed in the
figure of Shiva-Nataraja’s cosmic dance,
Which portrays the entire kinetic universe in a state of
eternal flux!
The hour-glass drum in Nataraja’s right hand symbolizes
all creation;
Fire in his left hand the cyclic time frame of destruction!
The raised third hand is in a gesture of infinite benediction;
And the fourth hand pointing to his upraised foot shows the
path of liberation!

It was easier to teach the vast untutored population through
symbols, images, and paintings in the form of Art;
For a picture is more effective than a thousand words!
The Dot or ‘bindu’ becomes the focus for meditation,
Where the mental energies are focused on a single point of
creation,
As seen in the cotemporary art works of SH Raza’s
artistic representations!
Yet the same dot when expanded as a circle becomes
wholeness and infinity;
The shape of celestial bodies of the cyclic universe in its
creativity!
The Lotus seen in many sculptures, on temple walls, and
majestic columns, denotes purity;
A symbol of non-attachment rising above the muddy waters,
retaining its pristine color and beauty!
The Lotus is a powerful and transformational symbol in
Buddhist Art,
Where pink lotus is for height of enlightenment, blue for
wisdom, white for spiritual perfection, and the red lotus
symbolizing the heart!
This Lotus symbol also finds a place in Mughal sculptural
carvings and miniatures;
The inverted lotus dome resting on its petals, forms the
crown of Taj Mahal’s white marble architecture!
The trident or ‘trishul’ symbolizes the three god-heads
Brahma, Vishnu and Shiva;
As the Creator, Preserver and Destroyer, in that cyclic
chain which goes on forever!
The ***** stone of Shiva-lingam surrounded by the oval
female yoni symbolizes fertility and creation,
Usually found in the inner sanctuary of Hindu temples!
Finally, the symbol of ‘OM’ and its vibrating sound,
Echoes the primordial vibrations with which space and
time abounds!
All matter comes from energy vibrations manifesting
cosmic creation;
Also symbolized in Einstein’s famous matter-energy equation!
The Conch Shell a gift of the sea when blown, sounds the
ancient primordial vibration of ‘OM’!
It’s hallowed auspicious sound accompanies marriage
ceremonies and rituals whenever occasion demands;
And pacifies mother earth during Shiva-Nataraja’s sudden
seismic dance! (earthquakes)
Dear readers the symbols mentioned here are very few,
Mainly to curb the length, while I pay Indian Art my
artistic due!

A BRIEF COMPARISON OF ART:
Despite the many foreign influences which entered India
through the Khyber and Bholan pass,
India displayed marvelous adaptability and resilience, in
the development of her indigenous Art!
The aesthetic objectivity of Western Art was replaced by
the Indian vision of spiritual subjectivity,
For the transitory world around was only a ‘Maya’ or an
Illusion,- lacking material reality!
Therefore life-like representation was not always the aim
of Indian art,
But to lift that veil and reveal the life of the spirit, - was
the objective from the very start!
Egyptian funerary art was more occupied with after-life
and death;
While the Greeks portrayed youthful vigor and idealized
beauty, celebrating the joys of life instead!
The proud Roman Emperors to outshine their predecessors
erected even bigger statues, monuments, and columns
draped in glory;
Only in the long run to drain the Roman treasury, - a sad
downfall story!
Indian art gradually evolved over centuries with elements
both religious and secular,
As seen from the period of King Chandragupta Maurya,
Who defeated the Greek Seleucus, to carve out the first
united Indian Empire ! (app. 322 BC)

SECULAR AND SPIRITUAL FUSION IN ART:
Ancient Indian ‘stupas’
and temples were not like churches
or synagogues purely spiritual and religious,
But were cultural centers depicting secular images which
were also non-religious!
The Buddhist ‘stupa’ at Amravati (1stcentury BC), and the
gateways at Sanchi (1stcentury AD), display wealth of carvings
from the life of Buddha;
Also warriors on horseback, royal procession, trader’s caravans,
farmers with produce, - all secular by far!
Indian temples from the 8th Century AD onwards depicted
images of musicians, dancers, acrobats and romantic couples,
along with a variety of Deities;
But after 10th Century ****** themes began to make their mark
with depiction of sensuality!
Sensuality and ****** interaction in temples of Khajuraho and
Konarak has been displayed without inhibition;
As Tantric ideas on compatibility of human sexuality with
human spirituality, fused into artistic depictions!
Religion got based on a healthy and egalitarian acceptance
of all activities without ****** starvation;
For the emotional health and well-being of society, without
hypocritical denial or inhibition!
(’Stupas’= originated from ancient burial mounds, later became devotional Buddhist sites with holy relics, & external decorative gateways and carvings!)

KHJURAHO TEMPLE COMPLEX (950 - 1040 AD) :
Was built by the Chandela Rajputs in Central India,
When Khajuraho, the land of the moon gods, was the first
capital city of the Chandelas!
****** art covers ten percent of the temple sculptures,
Where both Hindu and Jain temples were built in the north-Indian
Nagara style of Architecture.
Out of the 85 temples only 22 have stood the vagaries of time,
Where a perfect fusion of aesthetic elegance and evocative
Kama-Sutra like ****** sculptural brilliance, - dazzle the eyes!

KONARAK SUN TEMPLE OF ORISSA - EAST COAST:
From the Khajuraho temple of love, we now move to the
Konark temple of *** in stones - as art!
Built around 1250 AD in the form of a temple mounted on
a huge cosmic chariot for the Sun God;
With twelve pairs of stone-carved wheels pulled by seven
galloping horses, symbolizing the passage of time under
the Solar God !
Seven horses for each day of the week, pulls the chariot
east wards towards dawn;
With twelve pairs of wheels representing the twelve calendar
months, as each cyclic day ushers in a new morn !
The friezes above and below the chariot wheels show military
processions, with elephants and hunting scenes;
Celebrating the victory of King Narasimhadeva-I over the
invading Muslims!
The ****** art and voluptuous carvings symbolizes aesthetic
bliss when uniting with the divine;
Following yogic postures and breathing techniques, which
Tantric Art alone defines!
(
Both Khjuraho & Konark temples were re-discovered by the
British, & are now World Heritage Sites!)

Artistic invention followed the model of cosmic creation;
Ancient Vedic tradition visualized the spirit of a joyous
self-offering with chants and incantations!
The world was understood to be a structured arrangement
of five elements of earth, water, fire, air, and ethereal space;
Where each element brought forth a distinct art-expression
with artistic grace!
Element of Sculpture was earth, Painting the fluidity of water,
Dance was transformative fire, Music flowed through the air,
and Poetry vibrated in ethereal space!

CONCLUDING INTRODUCTION TO INDIAN ART:

Indian Art is like a prism with many dazzling facets,
I have only introduced the subject with its symbolism,
- without covering its complete assets!
After my Part Three on ‘Etruscan and Roman Art’,
Christian and Byzantine Art was to follow;
But following request from my few poet friends I have
postponed it for the morrow!
Traditional Indian Art survives through its sculptures,
architecture, paintings and folk art, ever evolving with
the passing of time and age;
Influenced by Buddhist, Jain, Muslim, Mogul, and many
indigenous art forms, enriching India’s cultural heritage!
While the art of our modern times constitutes a separate
Contemporary phase !
The juxtaposition of certain concepts and forms might
have appeared a bit intriguing,
But the spiritual content and symbolism in art answers
our basic artistic seeking!
The other aspects of Indian Art I plan to cover at a later
date,
Hope you liked my Introduction, being posted after
almost forty days!
ALL COPY RIGHTS ARE WITH RAJ NANDY
E-Mail: rajnandy21@yahoo.
    FEW COMMENTS BY POETS ON 'POETFREAK.COM' :-
I have a vicarious pleasure going through your historical journey of Indian art! Thanks for sharing this here! 2 Mar 2013 by Ramesh T A | Reply

The prism of Indian Art is indeed has myriads of facets and is an awesome mixture of many influences some of which you list here so clearly - a very understandable presentation of symbolism too - -thank you for your fine effort Raj. 2 Mar 2013 by Fay Slimm | Reply

Oh what an interesting read with immense information capturing every single detail. You painted this piece of art with utmost care. Truly, it's works Raj…tfs 2 Mar 2013 by John Thomas Tharayil | Reply

First, I have to say, the part about the lotus symbolism reminds me – My name ‘NILOTPAL’ can be split into ‘NIL’ meaning BLUE and ‘UTPAL’ meaning LOTUS. So my name represents wisdom (although it contradicts ME.. LOL). A lot of things were mentioned in the veda and other ancient Indian texts that were way ahead of the time Like the idea of ‘velocity of light’ got considerable mention in the rig veda-Sahan bhasya, ‘Elliptical order of planets, ‘Black holes’ , although these are the scientific aspects. The emphasis on contradictory elements or even the idea of opposites in Indian art is interesting because India developed the mathematical concept of ‘Zero’ and ‘infinity’. Hard to believe Rajasthan was a fertile place but now it possesses its own beauty. It was great to read about the Natraja, ‘OM’ and the trident(Trishul). Among symbolisms, Lord Ganseha is my favorite because a lot is portrayed in that one image like the MOOSHIK representing
When I composed the History of Western Art in Verse & posted the series on 'Poetfreak.com', few Indian poet friends requested me to compose on Indian Art separately. I am posting part one of my composition here for those who may like to know about Indian Art. Thanks & best wishes, -Raj
Mateuš Conrad Feb 2017
apologies, but i will not be abstracting people
as mere pronoun users,
i know i should, but i kinda like "painting"
and giving peoeple race, and differences,
i can't really establish what pronoun-bleaching
would do to, oh i don't know,
perhaps i'd be writing this...

back when i still worked as a roofer and was doing
a project in Greenwich,
  nice try, construction industry men don't
go to the gym... what a joy to remember my roots...
anyway...
    what was i saying?
   so i commuted from north east london
this this little village...
and it really has a feel about it that it is a village...
i went into the Greenwich waterstones
bookshop and spotted something interesting...
    a j. k. huysmans trilogy (beginning with la bas)
and ending with *cathedral
, or something like that,
if i knew what the internet was saying,
i'd buy all three books...
     but i did the dumb thing of buying
the first book of the trilogy, that's always in print...
anyway, no small loss...
   and there stood sideways joseph roth's
the antichrist...
              i can't compare it to nietzsche work,
even though i should, given roth was jewish...
and i figured: if the concept is not originally
jewish and greek, and anti- is a prefix much
more easily understood these days with
the existence of anti-matter...
            than say... armilus...
    well... so i was commuting day to day,
and over the course of the project probably read
two of three books, roth's was one of them,
alongside nikos kazantzakis' blockbuster...
but something weird happened when i read roth
for the first time...
     sitting in this dockland train heading south
of the thames, a group of muslim "women"
spotted that i was literate,
     they sat, about 10 metres away from me...
but the word antichrist must have prompted them,
one just said out-loud: you're satan's *****...
huh?
   there i am, reading my own book not raving
mad reading it aloud, and there she has the prank
of associating a book to a very mysterious person
who riddles the bible being completed...
      mein gott: two world wars ever since nietzsche
wrote he was the person with the title kept
sorta on a whim for nearly 2000 years...
     and then two days ago my father has a car accident
and this hijab clad woman is driving,
  but she does a Pilate and doesn't take responsibility,
the passenger that's with her jumps out
   and gives my father his details
and the woman is pristine...
     a *******, what do you call it: sacred cow?
most pedestrians in england are treated as such...
  so she phones her son and gives the phone to my father
and her son says to my father: it's against
the law to phone the police, you can't phone them...
well... hey presto! we're in Saudi Arabia!
and this is what's worrying me...
no... nope... this is what pains me...
    i had to take my ego for a walk tonight...
i had to think a lot of ******* out,
how the ego would whimper and whine like a dog...
there's your "janus" / "contronym"...
ego... dog...
   the leash? i'm thinking with it...
and suddenly, clarifty, i can pierce it's *******
narrative and think about it... as any id might...
what i experienced was an ego-dispossesion...
   i lost it, it turned into an automaton,
robotic misery... hardly the angry Frankenstein monster...
i lost the care for an ego-embodiment...
i was dispossessed by it, robbed, thief! thief!
i needed to come back home and read
heidegger's aphorisms 174 through to 178 from
the ponderings (it would help that you read the
ponderings... after reading being & time)...
the pain i felt was very much akin to being British,
even though it's something i assimilated into...
which could mean that's it's the odd bit...
should i, shouldn't i feel some sentiment for my host
culture?
word are flying around the place,
they're calling it cultural marxism...
well... i come from a culture that had stated
marxism, period, i.e. supported by an economic model,
that worked, and would have worked,
had capitalism not done what capitalism does
naturally: compete!
   i'm watching these cultural marxists and, i think,
i'm watching penguins in a zoo...
  i don't know what to make of these marxists,
who aren't even leninists...
            where's the economic model?!
  
that's the problem of going to a catholic school
in england, attempting to stress multi-culturalism,
i even ojected to being confirmed ritually,
with a bishop from Brentwood,
sorry, too much Irish around the place....
i too thought i was about to say something in Gaelic...
outer-east london: a complete ******* jungle
of biodiversity...
     so did i misplace my allegiences?
to the tongue? to faking an ethnicity?
    of course i'm pisssed off, i spent the past 2 hours
walking the most mundane of walks,
bewildered why this woman in a hijab wouldn't
own up to causing a traffic accident...
i helped him will out the police forms,
and there she is, on paper, smug like some ****** mary
because i'm the one that really doesn't think
that Islam got Project Hair wrong,
me? personally? i think that woman's hands ought to
be covered,
     in thinking terms, a woman's hands could
get me more excited than a woman's foot...
but sure... hell... why not hair?!
              the last time i checked, normal people
have an aversion toward hair...
ever see that person almost vomiting when they found
a stranger's hair in their soup?
  that **** that grows on your hair is the only silk
you've got... how about a few toenail clippings
to boot? first thing a sane would think: ****! ****!
oh, we're going to get on... just fine, just fine...
   the next time i think about encouraging
an **** ******* position's worth of prayer
i'll be a ******* cardinal.
   what's wrong with taking responsibility?
why are Islamic women so immune to the tractātus
of law? where's the jurisprudence?
   i'd call it something more than diabolical...
you can really become a vampire when you're told
the lesson: those that thirst for justice...
  lesser leech...
            who gives a **** whether it was: "but a scratch"?
woman! take responsibility!
  pampered little coconut jugglers...
   now to think of it... leave those curtains,
and this one time: she was walking with a buggy
and a small child and she unveiled herself from
a niqab before me...
           the perfect arabian nightmare i could
have ever witnessed...
             i had long hair back then...
what she revealed from under that niqab?
wait... am i writing this in the times
when the French occupied the Holy Land and had
the first thirst / idea of a colony?
  
this is me, imitating punching a brick wall...
this is me... in a boxing ring...
bashing myself...
            this is me thinking about how man
has no capacity to usher in karma,
how man's concept of law is hardly cosmic,
how man is a kniving ******* that
deserves something beyond a heaven and a hell:
rather: a return to his self...
that's what i keep telling myself:
i don't want heaven, i don't want hell...
i, just, want, to, return, to, my, self...
    yes, that's a reflection,
hence the pronoun has no compound, i.e. isn't
a reflexive understanding for the fluidity of language
expressed by the concerning compound: myself.
perhaps that's just the beginning of understanding
the noumenon / thing in itself, or rather to counter
the fluidity of the word itself, since, evidently
it self makes no sense that could ever produce
a concept akin to the noumenon...

why wouldn't this woman care to give an inkling into
her concept of right and wrong...
she's driving the ******* car, she makes a doo doo...
pauper... **** up!
            i still don't know why it was about hair...
you like a stranger's **** in a soup?
   what's with this middle eastern fetish for covering it?
hey! beginning from 1986, am i sorta automatically
involved in a cult that has a vintage of ageing from
a **** of a camel a long time ago?
  no wonder the knighthood ceremony was initiated
by slapping a newly initiated knight across the cheek,
like i said, a woman's hand is more ******
than her hair...
      i'd say: take up ye care to don gloves!
and that, i'm sure, will never happen.

it's probably the most delicate thing a woman can possess...
a hand...
the rest is what darwinism cared to provide us with:
a black widow, a mantis;
and that's talking pure earnest about the matter...

listen, i spent the past two hours having the ordeal of
an ego... which i had to anti-narrate into theory...
yes, the id was helpful, is actually told me, or rather,
interrupted the ego from the narrative
to give me this *******'s worth of profanity
(and yes, with due reason; ever fill out a police form
concerning some accident? do that, then you'll be equipped
to read Tolstoy)...

so it was ego-possessiveness,
      the ego already thinks its eternally subject...
that's one of the implants...
eternity and god are inherent in ego,
   your heart means absolutely nothing when the ego
has been given certainity that it can't shake off...
what the ego isn't given is a unit of reason
that sees past it... the id...
in relation to dualism and the much active dichotomy
as alternative to an equilibrium of dualism
i will outrightly exclude the superego
  as nothing but antithesis to the ubermann theory
of overcoming man...
  and on their shoulder they once had
the epitomes of cartoon conscience, an angel and a demon...
but thanks to the superego: they had mama
on their left shoulder, and papa on their right shoulder...

just the mere act of shutting that thing up
was enough, and it was apparent,
that writing fiction could be to blame,
   writing fiction can be rightly guessed at
for levitating a condition of medical proportion
into the realm of mythology,
    we have already depersonalised the unit
of ego to the extent that it has become polarised,
bipolar, e.g., comes from a depersonalised
gravity of ego,
we're no longer in need to write books,
we're in a dire need to write our own psyches...
and it all stems from making the basic human unit,
bound to the privacy of thought,
as needing a system that outweighs the moral
stratum,
           what can a person actually be or become
to even dream about asserting that there is
a da-sein (i.e. something, somethingness)
          "happening"?
i feel that there's something worse than a second
nakedness emerging,
         it's this incapacity to move on,
it's a mental nakedness, i am more easily prone
to dress my body in clothes
than i am able to dress my ego in thoughts,
than can correlate adequately, and peacefully...
toward something akin to a symbiosis
that can reach a = status, rather than an
   ≠ or an ≈ status... ****! Aquarius!
isn't the ≈ symbol the basis for it?
oh hell, back into the zodiac...
              
     i know my ego can be a downer,
but at least that's who i am talking about...
aphorisms no. 174 through to 178?
i do odd experiments with books,
     this is the first of its kind,
i'm actually going to rattle-******* this book out
till it feels like having wanked it 20 times
in a single day... i'll write what i "feel",
funny word, that word feel...
you never get to use it these days,
man is more about hammering in nails than
saying: ooh... that hurts...
and we all know what happened to Jesus'
teaching... forgive strangers...
     make sure your former friends are
crucified up-side down...
                 that really went far...
                      i can just see him...
an oasis of bullet-proof clauses...
              about how to handle people...
give them l.s.d. unconsciously!
         then wait for actual l.s.d. to arrive
and then worry...
when they took to their Swiss bicycles...
and writing poetry... and eating a soft-boiled
egg... given the concern for cholesterol:
a hard concept to fathom: that runny yoke...
     never ate mine with salt, i always like
that idea of legalised abortion...
                and we can be just that...
so imaginative to consolidate being mammal
that we can fathom eating chicken eggs
as easily as abortions... runny yokes have no basis
for a morality, or a compass...
they just are... runny... yummy...
             i call yokes the male version of
a woman's fascination with chocolate...
  i think egg yokes are the equivalent of cholocate
for men as chocolate is for women...
or so the advert said...

aphorism 174: as language...

          aphorism 175:
              philosophy catching up to science,
akin to theology catching up to philosophy,
both condescending extracts
that end up with both of the extreme parties
dressing up funny.

aphorism 176: such that newspapers are
the natural preservers? i.e. the idea of historical
escapism.

      (toilet paper does, much much more,
than a newspaper actually provides,
   press freedom is a bit boring to be honest,
beginning with the need for a moral agent
that's less and less moral, and more prone to
darwinism, i.e. selective, which is also said via:
what's natural, in a more and more techno-savvy culture?)

aphorism 177: only as, a rural thinker unto
a rural thinker... a case of describing a perfume
of those thinking about a day after tomorrow,
   but more precisely:
  the day before yesterday that didn't involve them...
say, on the ethnicity basis,
  the talk of being inheriting from the form
of ancestry... how we cultivate cucumbers,
tomatoes, prejudices...
   which is why i'm a slav happily talking a tongue
that's germanic, an off-shoot saxon,
and hopefuly defending it.

aphorism 178:
         "everything great wavers and wobbles,
stands in a storm. the beautiful is difficult."
   Ezra too, with the last, alas.
     but it's true... what happened in england in the second
part of the 20th century was great,
  and it did indeed wobble past the storm into
a desert of retirement...
            a peaceful coming toward terms of
a natural agreement...
   the generation preceding mine enshrined in their
psyche an england they heard over the radio...
king crimson... all such artistic expressions
found a case to take root...
     how parasites never attack a feeble creature
and only take roost in a strong symbiotic partner...
once it was said england could resemble ancient greece,
and it did, from the second part of the 20th century...
but that ended...
               it's gone, i have inherited a communist
past, a marxism with a concept of money,
and economic policy that wasn't inherently competitive,
but it also wasn't a welfare policy of the Marshall Plan,
and all i get is this freakish counter-movement
known as marxism in culture...
   that's worse than marxism in economy!

it should be heartbreaking to say this,
but coming from a monochromatic society,
watching the death of communism...
     i could say it was perfect... but then i can't
given my grandparents have a secure pension plan
that the state provides... i like that joke,
i just said it, and it makes perfect sense...
there is much more of Pilate in the history
of the peoples than there is of Jesus...
washing my hands clean, the companies said,
meaning self-employment...
     unless you have a really hungry libido
you actually do start worrying about keeping up
the numbers...
  companies don't...
      it's a bit of a bollocking...
i come from what could be imagined as a safety
economics of marxism into a marxism of culture
that i simply can't comprehend...
              well: it did give "us" a sense of pride,
and a will to rebuild warsaw without any american
money...
        the russians just said: where's your pride?
do you want to take their money and have it easy?
and when i ask that question:
i just start thinking about arabs without their oily diapers...
oil diaper... not exactly black gold:
oil diapers...
             Ahmed gonna poo poo?
              &nbsp
David Barr Dec 2013
The Kingdom of Morocco has a rugged mountain interior which reminds me of the British meal of mince and potatoes. But hold that thought, and examine our seemingly superior Western legislation. Just like the pickle, the dynasty of death is a brazen festival percussionist who is celebratory in her bitter and gustatory inevitability. Jizyah is that taxation which is imposed upon those who fail to conform to those expected societal norms. Although we have the status quo, one cannot help but wonder what happened to the rectitudes of individuality and paradoxical equality? So, where do we go, oh navigator of the great and mighty West? Marrakech or Rabat? I have no concrete awareness of where solace is to be found. I am lost! Therefore, I can only offer the following direction: Contemplate the ever-changing intricacy of the dunes in anthropological amazement and acknowledge the sky at night. Allow the celestial pole of the North Star to speak to your deep uncertainty. Our purpose is openly displayed if we simply open our heart in the midst of our Bedouin oasis. That, my friend, is the essence of being psychosocial.
--To Elizabeth Robins Pennell


'O mes cheres Mille et Une Nuits!'--Fantasio.

Once on a time
There was a little boy:  a master-mage
By virtue of a Book
Of magic--O, so magical it filled
His life with visionary pomps
Processional!  And Powers
Passed with him where he passed.  And Thrones
And Dominations, glaived and plumed and mailed,
Thronged in the criss-cross streets,
The palaces pell-mell with playing-fields,
Domes, cloisters, dungeons, caverns, tents, arcades,
Of the unseen, silent City, in his soul
Pavilioned jealously, and hid
As in the dusk, profound,
Green stillnesses of some enchanted mere.--

I shut mine eyes . . . And lo!
A flickering ****** of memory that floats
Upon the face of a pool of darkness five
And thirty dead years deep,
Antic in girlish broideries
And skirts and silly shoes with straps
And a broad-ribanded leghorn, he walks
Plain in the shadow of a church
(St. Michael's:  in whose brazen call
To curfew his first wails of wrath were whelmed),
Sedate for all his haste
To be at home; and, nestled in his arm,
Inciting still to quiet and solitude,
Boarded in sober drab,
With small, square, agitating cuts
Let in a-top of the double-columned, close,
Quakerlike print, a Book! . . .
What but that blessed brief
Of what is gallantest and best
In all the full-shelved Libraries of Romance?
The Book of rocs,
Sandalwood, ivory, turbans, ambergris,
Cream-tarts, and lettered apes, and calendars,
And ghouls, and genies--O, so huge
They might have overed the tall Minster Tower
Hands down, as schoolboys take a post!
In truth, the Book of Camaralzaman,
Schemselnihar and Sindbad, Scheherezade
The peerless, Bedreddin, Badroulbadour,
Cairo and Serendib and Candahar,
And Caspian, and the dim, terrific bulk--
Ice-ribbed, fiend-visited, isled in spells and storms--
Of Kaf! . . . That centre of miracles,
The sole, unparalleled Arabian Nights!

Old friends I had a-many--kindly and grim
Familiars, cronies quaint
And goblin!  Never a Wood but housed
Some morrice of dainty dapperlings.  No Brook
But had his nunnery
Of green-haired, silvry-curving sprites,
To cabin in his grots, and pace
His lilied margents.  Every lone Hillside
Might open upon Elf-Land.  Every Stalk
That curled about a Bean-stick was of the breed
Of that live ladder by whose delicate rungs
You climbed beyond the clouds, and found
The Farm-House where the Ogre, gorged
And drowsy, from his great oak chair,
Among the flitches and pewters at the fire,
Called for his Faery Harp.  And in it flew,
And, perching on the kitchen table, sang
Jocund and jubilant, with a sound
Of those gay, golden-vowered madrigals
The shy thrush at mid-May
Flutes from wet orchards flushed with the triumphing dawn;
Or blackbirds rioting as they listened still,
In old-world woodlands rapt with an old-world spring,
For Pan's own whistle, savage and rich and lewd,
And mocked him call for call!

I could not pass
The half-door where the cobbler sat in view
Nor figure me the wizen Leprechaun,
In square-cut, faded reds and buckle-shoes,
Bent at his work in the hedge-side, and know
Just how he tapped his brogue, and twitched
His wax-end this and that way, both with wrists
And elbows.  In the rich June fields,
Where the ripe clover drew the bees,
And the tall quakers trembled, and the West Wind
Lolled his half-holiday away
Beside me lolling and lounging through my own,
'Twas good to follow the Miller's Youngest Son
On his white horse along the leafy lanes;
For at his stirrup linked and ran,
Not cynical and trapesing, as he loped
From wall to wall above the espaliers,
But in the bravest tops
That market-town, a town of tops, could show:
Bold, subtle, adventurous, his tail
A banner flaunted in disdain
Of human stratagems and shifts:
King over All the Catlands, present and past
And future, that moustached
Artificer of fortunes, ****-in-Boots!
Or Bluebeard's Closet, with its plenishing
Of meat-hooks, sawdust, blood,
And wives that hung like fresh-dressed carcases--
Odd-fangled, most a butcher's, part
A faery chamber hazily seen
And hazily figured--on dark afternoons
And windy nights was visiting of the best.
Then, too, the pelt of hoofs
Out in the roaring darkness told
Of Herne the Hunter in his antlered helm
Galloping, as with despatches from the Pit,
Between his hell-born Hounds.
And Rip Van Winkle . . . often I lurked to hear,
Outside the long, low timbered, tarry wall,
The mutter and rumble of the trolling bowls
Down the lean plank, before they fluttered the pins;
For, listening, I could help him play
His wonderful game,
In those blue, booming hills, with Mariners
Refreshed from kegs not coopered in this our world.

But what were these so near,
So neighbourly fancies to the spell that brought
The run of Ali Baba's Cave
Just for the saying 'Open Sesame,'
With gold to measure, peck by peck,
In round, brown wooden stoups
You borrowed at the chandler's? . . . Or one time
Made you Aladdin's friend at school,
Free of his Garden of Jewels, Ring and Lamp
In perfect trim? . . . Or Ladies, fair
For all the embrowning scars in their white *******
Went labouring under some dread ordinance,
Which made them whip, and bitterly cry the while,
Strange Curs that cried as they,
Till there was never a Black ***** of all
Your consorting but might have gone
Spell-driven miserably for crimes
Done in the pride of womanhood and desire . . .
Or at the ghostliest altitudes of night,
While you lay wondering and acold,
Your sense was fearfully purged; and soon
Queen Labe, abominable and dear,
Rose from your side, opened the Box of Doom,
Scattered the yellow powder (which I saw
Like sulphur at the Docks in bulk),
And muttered certain words you could not hear;
And there! a living stream,
The brook you bathed in, with its weeds and flags
And cresses, glittered and sang
Out of the hearthrug over the nakedness,
Fair-scrubbed and decent, of your bedroom floor! . . .

I was--how many a time!--
That Second Calendar, Son of a King,
On whom 'twas vehemently enjoined,
Pausing at one mysterious door,
To pry no closer, but content his soul
With his kind Forty.  Yet I could not rest
For idleness and ungovernable Fate.
And the Black Horse, which fed on sesame
(That wonder-working word!),
Vouchsafed his back to me, and spread his vans,
And soaring, soaring on
From air to air, came charging to the ground
Sheer, like a lark from the midsummer clouds,
And, shaking me out of the saddle, where I sprawled
Flicked at me with his tail,
And left me blinded, miserable, distraught
(Even as I was in deed,
When doctors came, and odious things were done
On my poor tortured eyes
With lancets; or some evil acid stung
And wrung them like hot sand,
And desperately from room to room
Fumble I must my dark, disconsolate way),
To get to Bagdad how I might.  But there
I met with Merry Ladies.  O you three--
Safie, Amine, Zobeide--when my heart
Forgets you all shall be forgot!
And so we supped, we and the rest,
On wine and roasted lamb, rose-water, dates,
Almonds, pistachios, citrons.  And Haroun
Laughed out of his lordly beard
On Giaffar and Mesrour (I knew the Three
For all their Mossoul habits).  And outside
The Tigris, flowing swift
Like Severn bend for bend, twinkled and gleamed
With broken and wavering shapes of stranger stars;
The vast, blue night
Was murmurous with peris' plumes
And the leathern wings of genies; words of power
Were whispering; and old fishermen,
Casting their nets with prayer, might draw to shore
Dead loveliness:  or a prodigy in scales
Worth in the Caliph's Kitchen pieces of gold:
Or copper vessels, stopped with lead,
Wherein some Squire of Eblis watched and railed,
In durance under potent charactry
Graven by the seal of Solomon the King . . .

Then, as the Book was glassed
In Life as in some olden mirror's quaint,
Bewildering angles, so would Life
Flash light on light back on the Book; and both
Were changed.  Once in a house decayed
From better days, harbouring an errant show
(For all its stories of dry-rot
Were filled with gruesome visitants in wax,
Inhuman, hushed, ghastly with Painted Eyes),
I wandered; and no living soul
Was nearer than the pay-box; and I stared
Upon them staring--staring.  Till at last,
Three sets of rafters from the streets,
I strayed upon a mildewed, rat-run room,
With the two Dancers, horrible and obscene,
Guarding the door:  and there, in a bedroom-set,
Behind a fence of faded crimson cords,
With an aspect of frills
And dimities and dishonoured privacy
That made you hanker and hesitate to look,
A Woman with her litter of Babes--all slain,
All in their nightgowns, all with Painted Eyes
Staring--still staring; so that I turned and ran
As for my neck, but in the street
Took breath.  The same, it seemed,
And yet not all the same, I was to find,
As I went up!  For afterwards,
Whenas I went my round alone--
All day alone--in long, stern, silent streets,
Where I might stretch my hand and take
Whatever I would:  still there were Shapes of Stone,
Motionless, lifelike, frightening--for the Wrath
Had smitten them; but they watched,
This by her melons and figs, that by his rings
And chains and watches, with the hideous gaze,
The Painted Eyes insufferable,
Now, of those grisly images; and I
Pursued my best-beloved quest,
Thrilled with a novel and delicious fear.
So the night fell--with never a lamplighter;
And through the Palace of the King
I groped among the echoes, and I felt
That they were there,
Dreadfully there, the Painted staring Eyes,
Hall after hall . . . Till lo! from far
A Voice!  And in a little while
Two tapers burning!  And the Voice,
Heard in the wondrous Word of God, was--whose?
Whose but Zobeide's,
The lady of my heart, like me
A True Believer, and like me
An outcast thousands of leagues beyond the pale! . . .

Or, sailing to the Isles
Of Khaledan, I spied one evenfall
A black blotch in the sunset; and it grew
Swiftly . . . and grew.  Tearing their beards,
The sailors wept and prayed; but the grave ship,
Deep laden with spiceries and pearls, went mad,
Wrenched the long tiller out of the steersman's hand,
And, turning broadside on,
As the most iron would, was haled and ******
Nearer, and nearer yet;
And, all awash, with horrible lurching leaps
Rushed at that Portent, casting a shadow now
That swallowed sea and sky; and then,
Anchors and nails and bolts
Flew screaming out of her, and with clang on clang,
A noise of fifty stithies, caught at the sides
Of the Magnetic Mountain; and she lay,
A broken bundle of firewood, strown piecemeal
About the waters; and her crew
Passed shrieking, one by one; and I was left
To drown.  All the long night I swam;
But in the morning, O, the smiling coast
Tufted with date-trees, meadowlike,
Skirted with shelving sands!  And a great wave
Cast me ashore; and I was saved alive.
So, giving thanks to God, I dried my clothes,
And, faring inland, in a desert place
I stumbled on an iron ring--
The fellow of fifty built into the Quays:
When, scenting a trap-door,
I dug, and dug; until my biggest blade
Stuck into wood.  And then,
The flight of smooth-hewn, easy-falling stairs,
Sunk in the naked rock!  The cool, clean vault,
So neat with niche on niche it might have been
Our beer-cellar but for the rows
Of brazen urns (like monstrous chemist's jars)
Full to the wide, squat throats
With gold-dust, but a-top
A layer of pickled-walnut-looking things
I knew for olives!  And far, O, far away,
The Princess of China languished!  Far away
Was marriage, with a Vizier and a Chief
Of Eunuchs and the privilege
Of going out at night
To play--unkenned, majestical, secure--
Where the old, brown, friendly river shaped
Like Tigris shore for shore!  Haply a Ghoul
Sat in the churchyard under a frightened moon,
A thighbone in his fist, and glared
At supper with a Lady:  she who took
Her rice with tweezers grain by grain.
Or you might stumble--there by the iron gates
Of the Pump Room--underneath the limes--
Upon Bedreddin in his shirt and drawers,
Just as the civil Genie laid him down.
Or those red-curtained panes,
Whence a tame cornet tenored it throatily
Of beer-pots and spittoons and new long pipes,
Might turn a caravansery's, wherein
You found Noureddin Ali, loftily drunk,
And that fair Persian, bathed in tears,
You'd not have given away
For all the diamonds in the Vale Perilous
You had that dark and disleaved afternoon
Escaped on a roc's claw,
Disguised like Sindbad--but in Christmas beef!
And all the blissful while
The schoolboy satchel at your hip
Was such a bulse of gems as should amaze
Grey-whiskered chapmen drawn
From over Caspian:  yea, the Chief Jewellers
Of Tartary and the bazaars,
Seething with traffic, of enormous Ind.--

Thus cried, thus called aloud, to the child heart
The magian East:  thus the child eyes
Spelled out the wizard message by the light
Of the sober, workaday hours
They saw, week in week out, pass, and still pass
In the sleepy Minster City, folded kind
In ancient Severn's arm,
Amongst her water-meadows and her docks,
Whose floating populace of ships--
Galliots and luggers, light-heeled brigantines,
Bluff barques and rake-hell fore-and-afters--brought
To her very doorsteps and geraniums
The scents of the World's End; the calls
That may not be gainsaid to rise and ride
Like fire on some high errand of the race;
The irresistible appeals
For comradeship that sound
Steadily from the irresistible sea.
Thus the East laughed and whispered, and the tale,
Telling itself anew
In terms of living, labouring life,
Took on the colours, busked it in the wear
Of life that lived and laboured; and Romance,
The Angel-Playmate, raining down
His golden influences
On all I saw, and all I dreamed and did,
Walked with me arm in arm,
Or left me, as one bediademed with straws
And bits of glass, to gladden at my heart
Who had the gift to seek and feel and find
His fiery-hearted presence everywhere.
Even so dear Hesper, bringer of all good things,
Sends the same silver dews
Of happiness down her dim, delighted skies
On some poor collier-hamlet--(mound on mound
Of sifted squalor; here a soot-throated stalk
Sullenly smoking over a row
Of flat-faced hovels; black in the gritty air
A web of rails and wheels and beams; with strings
Of hurtling, tipping trams)--
As on the amorous nightingales
And roses of Shiraz, or the walls and towers
Of Samarcand--the Ineffable--whence you espy
The splendour of Ginnistan's embattled spears,
Like listed lightnings.
Samarcand!
That name of names!  That star-vaned belvedere
Builded against the Chambers of the South!
That outpost on the Infinite!
And behold!
Questing therefrom, you knew not what wild tide
Might overtake you:  for one fringe,
One suburb, is stablished on firm earth; but one
Floats founded vague
In lubberlands delectable--isles of palm
And lotus, fortunate mains, far-shimmering seas,
The promise of wistful hills--
The shining, shifting Sovranties of Dream.
I. Song of the Beggars
"O for doors to be open and an invite with gilded edges
To dine with Lord Lobcock and Count Asthma on the platinum benches
With somersaults and fireworks, the roast and the smacking kisses"

Cried the cripples to the silent statue,
The six beggared cripples.
"And Garbo's and Cleopatra's wits to go astraying,
In a feather ocean with me to go fishing and playing,
Still jolly when the **** has burst himself with crowing"

Cried the cripples to the silent statue,
The six beggared cripples.
"And to stand on green turf among the craning yellow faces
Dependent on the chestnut, the sable, the Arabian horses,
And me with a magic crystal to foresee their places"

Cried the cripples to the silent statue,
The six beggared cripples.
"And this square to be a deck and these pigeons canvas to rig,
And to follow the delicious breeze like a tantony pig
To the shaded feverless islands where the melons are big"

Cried the cripples to the silent statue,
The six beggared cripples.
"And these shops to be turned to tulips in a garden bed,
And me with my crutch to thrash each merchant dead
As he pokes from a flower his bald and wicked head"

Cried the cripples to the silent statue,
The six beggared cripples.
"And a hole in the bottom of heaven, and Peter and Paul
And each smug surprised saint like parachutes to fall,
And every one-legged beggar to have no legs at all"

Cried the cripples to the silent statue,
The six beggared cripples.

Spring 1935

II.
O lurcher-loving collier, black as night,
Follow your love across the smokeless hill;
Your lamp is out, the cages are all still;
Course for heart and do not miss,
For Sunday soon is past and, Kate, fly not so fast,
For Monday comes when none may kiss:
Be marble to his soot, and to his black be white.

June 1935

III.
Let a florid music praise,
The flute and the trumpet,
Beauty's conquest of your face:
In that land of flesh and bone,
Where from citadels on high
Her imperial standards fly,
Let the hot sun
Shine on, shine on.

O but the unloved have had power,
The weeping and striking,
Always: time will bring their hour;
Their secretive children walk
Through your vigilance of breath
To unpardonable Death,
And my vows break
Before his look.

February 1936

IV.
Dear, though the night is gone,
Its dream still haunts today,
That brought us to a room
Cavernous, lofty as
A railway terminus,
And crowded in that gloom
Were beds, and we in one
In a far corner lay.

Our whisper woke no clocks,
We kissed and I was glad
At everything you did,
Indifferent to those
Who sat with hostile eyes
In pairs on every bed,
Arms round each other's necks
Inert and vaguely sad.

What hidden worm of guilt
Or what malignant doubt
Am I the victim of,
That you then, unabashed,
Did what I never wished,
Confessed another love;
And I, submissive, felt
Unwanted and went out.

March 1936

V.
Fish in the unruffled lakes
Their swarming colors wear,
Swans in the winter air
A white perfection have,
And the great lion walks
Through his innocent grove;
Lion, fish and swan
Act, and are gone
Upon Time's toppling wave.

We, till shadowed days are done,
We must weep and sing
Duty's conscious wrong,
The Devil in the clock,
The goodness carefully worn
For atonement or for luck;
We must lose our loves,
On each beast and bird that moves
Turn an envious look.

Sighs for folly done and said
Twist our narrow days,
But I must bless, I must praise
That you, my swan, who have
All the gifts that to the swan
Impulsive Nature gave,
The majesty and pride,
Last night should add
Your voluntary love.

March 1936

VI. Autumn Song
Now the leaves are falling fast,
Nurse's flowers will not last,
Nurses to their graves are gone,
But the prams go rolling on.

Whispering neighbors left and right
Daunt us from our true delight,
Able hands are forced to freeze
Derelict on lonely knees.

Close behind us on our track,
Dead in hundreds cry Alack,
Arms raised stiffly to reprove
In false attitudes of love.

Scrawny through a plundered wood,
Trolls run scolding for their food,
Owl and nightingale are dumb,
And the angel will not come.

Clear, unscalable, ahead
Rise the Mountains of Instead,
From whose cold, cascading streams
None may drink except in dreams.

March 1936

VII.
Underneath an abject willow,
Lover, sulk no more:
Act from thought should quickly follow.
What is thinking for?
Your unique and moping station
Proves you cold;
Stand up and fold
Your map of desolation.

Bells that toll across the meadows
From the sombre spire
Toll for these unloving shadows
Love does not require.
All that lives may love; why longer
Bow to loss
With arms across?
Strike and you shall conquer.

Geese in flocks above you flying.
Their direction know,
Icy brooks beneath you flowing,
To their ocean go.
Dark and dull is your distraction:
Walk then, come,
No longer numb
Into your satisfaction.

March 1936

VIII.
At last the secret is out, as it always must come in the end,
The delicious story is ripe to tell the intimate friend;
Over the tea-cups and in the square the tongue has its desire;
Still waters run deep, my friend, there's never smoke without fire.

Behind the corpse in the reservoir, behind the ghost on the links,
Behind the lady who dances and the man who madly drinks,
Under the look of fatigue, the attack of the migraine and the sigh
There is always another story, there is more than meets the eye.

For the clear voice suddenly singing, high up in the convent wall,
The scent of the elder bushes, the sporting prints in the hall,
The croquet matches in summer, the handshake, the cough, the kiss,
There is always a wicked secret, a private reason for this.

April 1936

IX.
Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.

Let aeroplanes circle moaning overhead
Scribbling on the sky the message He Is Dead,
Put crêpe bows round the white necks of the public doves,
Let the traffic policemen wear black cotton gloves.

He was my North, my South, my East and West,
My working week and Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last forever: I was wrong.

The stars are not wanted now: put out every one;
Pack up the moon and dismantle the sun;
Pour away the ocean and sweep up the wood;
For nothing now can ever come to any good.

April 1936

X.
O the valley in the summer where I and my John
Beside the deep river would walk on and on
While the flowers at our feet and the birds up above
Argued so sweetly on reciprocal love,
And I leaned on his shoulder; "O Johnny, let's play":
But he frowned like thunder and he went away.

O that Friday near Christmas as I well recall
When we went to the Matinee Charity Ball,
The floor was so smooth and the band was so loud
And Johnny so handsome I felt so proud;
"Squeeze me tighter, dear Johnny, let's dance till it's day":
But he frowned like thunder and he went away.

Shall I ever forget at the Grand Opera
When music poured out of each wonderful star?
Diamonds and pearls they hung dazzling down
Over each silver or golden silk gown;
"O John I'm in heaven," I whispered to say:
But he frowned like thunder and he went away.

O but he was fair as a garden in flower,
As slender and tall as the great Eiffel Tower,
When the waltz throbbed out on the long promenade
O his eyes and his smile they went straight to my heart;
"O marry me, Johnny, I'll love and obey":
But he frowned like thunder and he went away.

O last night I dreamed of you, Johnny, my lover,
You'd the sun on one arm and the moon on the other,
The sea it was blue and the grass it was green,
Every star rattled a round tambourine;
Ten thousand miles deep in a pit there I lay:
But you frowned like thunder and you went away.

April 1937

XI. Roman Wall Blues
Over the heather the wet wind blows,
I've lice in my tunic and a cold in my nose.

The rain comes pattering out of the sky,
I'm a Wall soldier, I don't know why.

The mist creeps over the hard grey stone,
My girl's in Tungria; I sleep alone.

Aulus goes hanging around her place,
I don't like his manners, I don't like his face.

Piso's a Christian, he worships a fish;
There'd be no kissing if he had his wish.

She gave me a ring but I diced it away;
I want my girl and I want my pay.

When I'm a veteran with only one eye
I shall do nothing but look at the sky.

October 1937

XII.
Some say that love's a little boy,
And some say it's a bird,
Some say it makes the world round,
And some say that's absurd,
And when I asked the man next-door,
Who looked as if he knew,
His wife got very cross indeed,
And said it wouldn't do.

Does it look like a pair of pyjamas,
Or the ham in a temperance hotel?
Does its odour remind one of llamas,
Or has it a comforting smell?
Is it prickly to touch as a hedge is,
Or soft as eiderdown fluff?
Is it sharp or quite smooth at the edges?
O tell me the truth about love.

Our history books refer to it
In cryptic little notes,
It's quite a common topic on
The Transatlantic boats;
I've found the subject mentioned in
Accounts of suicides,
And even seen it scribbled on
The backs of railway-guides.

Does it howl like a hungry Alsatian,
Or boom like a military band?
Could one give a first-rate imitation
On a saw or a Steinway Grand?
Is its singing at parties a riot?
Does it only like classical stuff?
Does it stop when one wants to quiet?
O tell me the truth about love.

I looked inside the summer-house;
It wasn't ever there:
I tried the Thames at Maidenhead,
And Brighton's bracing air.
I don't know what the blackbird sang,
Or what the tulip said;
But it wasn' in the chicken-run,
Or underneath the bed.

Can it pull extraordinary faces?
Is it usually sick on a swing?
Does it spend all its time at the races,
Or fiddling with pieces of string?
Has it views of its own about money?
Does it think Patriotism enough?
Are its stories ****** but funny?
O tell me the truth about love.

When it comes, will it come without warning
Just as I'm picking my nose?
Will it knock on the door in the morning,
Or tread in the bus on my toes?
Will it come like a change in the weather?
Will its greeting be courteous or rough?
Will it alter my life altogether?
O tell me the truth about love.

January 1938
Micheal Wolf Feb 2013
Phoenician to  Aramaic 950 BC the start of modern writting for others to see
Then Hebrew to  Moabite then Phrygian as well around 800 BC
The written word was now afoot, oh Ammonite as well

Then a split as often comes between one arab and another
Old North Arabian and Old South Arabian argue with each other
So moving west Etruscan came at 700 BC
Then Umbrian and North Picene you heard of them today?

As Lepontic and Tartessian tried to talk to others
Now we start to get a grip and influence the modern
From Lydian to Carian,  Thracian to Venetic
All around the 6th century BC people started jotting

Old Persian came and went Latins still around
Then South Picene and Messapian to Gaulish
Language now ruled the world and all the ways we wrote it

Mixe–Zoque some say isnt really true
But Oscan and Iberian followed on through
So Meroitic,  Faliscan at 300 BC came next
Then Volscian and Middle Indo-Aryan or Prakrit the Ashoka calls it
Then one thats still around Tamil you might know it

Christianity was on its way as Galatian was used
Pahlavi and Celtiberian al cald pre antiquity
Lets move on till after Christ and language moves full on

Bactrian and Proto-Norse in northen europe common
Cham and Mayan, Gothic and Ge'ez and accepted Arabic
Christs been dead 300 yrs and language starts to flourish

Primitive Irish now exists and an odd one called Ekoi
Try to remember though its still only the 4th century

Georgian now is used in a  church in Bethlehem
A bible is written  in Armenian
Kannada in Halmidi
West Germanic to that becomes  Old High German
English now for the first time starts to rear its head

Old English to Korean  Tocharian to  Old Irish
In parts of southern England they even speak Cornish  
Centuries before Pol *** there is now Cambodian
Others speaking Udi, Telugu and Tibetan
Now language is getting modern

Old Malay in the far east to Welsh in my back yard
It wasnt long before the world was writting many forms
Mandarin and English now are common place
A miriad of people and language in their states

So venture forth to foreign lands and visit as a guest
Take a pen and paper to help you on your quest
If you can cross your legs or draw a beer you really cant go wrong
Remember you dont speak their tongue its you not them thats dumb!!!
Mateuš Conrad Sep 2018
oh right...

    back in h'america it's called
patriotism -

but 'ere, over, Here -
it's called nationalism...

back on the old continent
where and when all politics
is far-right mantra

and then you have
your Victoria and Abdul -
love the curry...
but like the **** said...
i'd prefer the aura and sauna
of the...

don't get me wrong:
i love the food...
but watching the Indian caste
system?
   of Indians employing slaves
to build their upper-middle-class homes?
more tanned?
oh, you mean the Sri Lankan
or the Bangladeshi poor *******?!

sorry... i thought all slave
owners were white...
      no?
              oh...
                          ­       alright...
******* then!

because?

next time you ask...
i'll do what the Nazis did to the *******...
i'll twist the star of David sideways...
exposing the prayer mat
and an opened book...

and, as far as i am concerned,
Islam is equivalent to the bubonic plague...
now...
   compare the geographic literature
and spot the quarantine areas on a map
that constitutes Europe.

i'd rather die...
than fiddle with a phallus for
a taste of the Arabian quasi
harem orchestra of... absolute...
*******!

  Arabian women?
fat hands...
their hands are too fat...
     they have to inter-breed to
get rid of their
        farmers' market of
fudge fingers and knuckles...
Arabian women expose
what is the most **** aspect
of a woman's body...
their hands...
Arab women have pork chops
for fingers...
and i'm not even sorry
making this observation...
    fatty extensions
that you wish could at least
succumb to the esteem
of a pork head terrine.

Arab women can wear their niqab,
or whatever the hell they wear...
   one problem...
FAT..... HANDS...
     FAT....   FINGERS...
hell, hide them...
these women are worth half the *******'s
worth in the ******* market of
feminine hands...
          
Arab women are no possessed with
geisha hands... porcelain architecture...
they're not tender... slight, polite...
        
    the hands of Arab women are
the hands of European women...
   who have a legitimate sway on arable
land, that is fertile with either
potatoes or cabbage;

well...
            fat fingers eager to harvest ginger
(roots) -
                what can i say...
no matter the diamond,
or the European *****...
          the hand is still looking
readily available to milk a ******* camel.
Jasraj Sangani Feb 2016
Mumbai is rich, Mumbai is poor.
Mumbai is fast, Mumbai is slower.
Little bit sweet, and little bit sour,
Sometimes it’s hot but not too more….

Mornings are energetic and evenings are electric.
Noons are lazy but Nights are crazy
And any one you ask he always say “M busy”
Dude, life in Mumbai is not so easy

There is lot of Masti with little bit of Maska
Welcome to the city that can’t live, without Bollywood Chaska

From cooker whistles to the traffic jam horns,
From steaming tea kettles to breaking nut-betels
From telephone rings and doorbell brings.
There are people connecting through Blackberry pings

Where there’s little time to spare for kids
People here spend their lives on bids
Here you actually pay your travel fare by meter
But milkman mixing water is not a cheater!

Sev puri and bhel puri are all Mumbai chaat
Relishing it with spicy chutney is no easy art
From pop-corn to ice-cream, all sold on cart
Mumbai o Mumbai, you’re always close to my heart

Where local trains usually run on time
And violently rushing for a seat is not a crime
Here 3 PM for lunch and 12 AM to dine
People face hardships, but still say “it’s fine”

From Mt Mary in Bandra to Mumba Devi in Town
And ISKCON in Juhu to Haji Ali in Mumbai’s Crown
Faith runs deep as the Arabian Sea
But people don’t hesitate to pay early darshan fee.

Marathi, Punjabi, Gujarati and Bengali
Everyone forgather celebrate Id and Diwali
Holi is colourful and Christmas is cheerful
Spend some time here and your life will be un-forgetful

Billionaire to baggers, all found in this city
Be careful dude, this place is a bit witty.
Overall this dream-world is huge but pretty
Mumbai o Mumbai you’re wonderful city.
softcomponent May 2014
Find the lighter, use it as a lighthouse on a walk below the wall you watch along the wave-formations. Who Wants a Cold One? a Coors Light ad corrects.. When it comes to your home, the little things matter.. an insurance ad blares.. my computer is infected with 3rd party applications unremovable to my meagre tech-ability.. there is a hero as Joseph Campbell once theorized.. in myself like a sick bastardly virus waiting for moments to prove to me "I AM THE SAVIOR, I AM THE CHRIST, I AM THE WARLORD, MICE, MAN, AND VICE".. the windows of opportunity close, I am left waiting the door

& the elevator.

Thirty-thousand years ago, there was nothing but a breeze.. a viscous breeze across chill-spined pterodactyls.. warm-under-the-jungle-brush tyrannosaurus rex, and to think one day I will be just a legend in bone..
Charlotte said she thinks of death and so did Jen. They sat next to the all-you-can-eat and discussed the inevitable. I was sour and playful with no-will-to-understand, just reminding my hair of breezy summer days of 10, thinking of strangeness, of place I was in.

When it's quiet sometimes, I think of old dreams.. dreams I sunk below drown-level as a child in bed and belief. Both mommy and daddy were arguing in the kitchen, this was 7 or 8.. they argued so often one could hear mom begin to cry sometimes, and dad I could see in minds-eye with a grimace so closed and so creased he was hurt and yet honest.. I did not understand so I hid under-stood-silhouettes, oh adulthood..

once in dream I was in pulsing green graveyard like crayon realism strobe lights, tombstones all-round and faint-buzz of outside and one of those strange balded henchmen of badguy Jafar from Disney's Aladdin came peaking outta nowhere with curled eyebrow and baggy one-thousand-one Arabian nightlives parachute pants, curled toes brown-beige moccasins to.. he let out conniving 'HEUHEE!' and slapped me right-side cheek and I JOLTED up bedwise in real time to feel actual physical sting for a few lingered seconds then the sobs of poor mother outside.. I never remembered a dream so clearly again.. they all come, Pro-Found, and dizzy away after hour or two for rest of eternity or perhaps to Place I Can Visit at Death to Review Every Vision and I wonder... when your life flashes before your eyes and the light is encroaching, scenes of mother, brother, father, son, daughter, best-friend, party, break-up, heartbreak, slip-fall, first-sip, first-drag, last-leg, first-kiss, first-hit, first-game, fear, love,  HATE, wait.. do the Dreams come to? Are they all flesh-ed before your eyes as you pass into Light? Are they brought to direct remembrance as you cross the border with Passport of Gods and a Goddess (and which Picture appears on the Page)..?

I remember the old eczema taking bits of skin to carpets round-town and round-lower-mainland to disgust of friends old and new-- this was era where confidence ate itself in mirrors, the sober reality of ugly-ness chiseling away at my Goodness Attempts.. All That Pointless Pain was no Exception nor a Rule, it just **** Happens every once-and-again to the sound of life farting. I used to miss school for feet so impossible to walk on, pussing and bleeding and staining the sheets, shoe soles, carpets, and soul.. limp thru the hallways of Brooks Secondary feeling like bad flavor additive to multicultural Planet Earth-- sleeping 'til the bell rang drinking coffee singing songs I said '**** the ******* educational system and **** me I'm so flatlined..' someday I felt things would really get better and lucky young me I was right.

A half-decade later, I am 21 and hoping, floating, free in the breeze as the wings I have grown keep on wishing the subsistence down. The girl, whoever-she-might-as-well-be, sits immediately vertical chatting frantically to boy with a bit of a cowlick slouching on-up over a bundle of colored paperwork. It seems late in the season for homework, and assume they may have some affiliation with a crazy-hep computer design group in the tradition of Nouevau Silicon Valley.... I sit at my laptop, inching a word a million cubic millimeters closer to God or Divinity or Crescendo or A Bunch More ******* You'll End Up Ignoring---

It's a sunny day, the rain having slathered-off into obscurity somewhere with the Monsoons when the Sun gave the Moon a Soft Slap and the poor purity white-kid went off whimpering, bleeding nose-- I sat, the other night, playing another Grand Strategy game as Tom divided his time between a vaulted and damaged lover, his labor, and his life (friends, food, video-games, vice)... Chai, old Chai the Thai Guy mentioned past his nose in previous iterations of Depictions sat and described his pins-and-needles upset at his bosses at one his three many jobs.. desperately firing text-messages into receiving-space-panel and reflect and back unto Tom's smartphone dash asking him to order a six-pack from a local delivery service cuz his adrenal was giving him heartpain with hurt, and Tom being Busy as All-Ways Tom Is wasn't able to decipher the scramble in-time to make contact before closure of the liquor stores.. poor not-so-poor Chai at first felt castrated at realization he would miss the 11 PM dot-time, but didn't mind as he rendezvoused with Tom and I at Willows Beach where Tom reminded him of a whiskey he'd bought sitting counter-wise at his place.. we kissed a few Mary Janes rightsideup, dragging our butts in the sand to discuss what was wrong (each of us had a problem that night, save for perhaps a less-vocal Tom, I describing my annoyance that a lazy consensus had erupted in my sorry-hometown between my sorta-friends and friends-of-friends that my writing and sharing my writing was arrogant and I an arrogant *** for sharing and I just confounded that they would find my passions so trivial-- perhaps jealousy, perhaps complacency and judgement-for-lack-of-anything-better-to-do and ah **** em all if they think like that, I'll write and be the arrogant me they think I am and share 'til I'm blue in the face and dead perhaps for outspoken intellectualism in their autocratic pointless-waste worldviews.. sad that I dislike them only on the basis they disliked me first..)

I had planned to stay late and leave early-morn (5 or 6 AM) to catch a first-off morning bus back home and sleep, hoping for most part to avoid the shattered-***-mess of a home I was living in.
About 2 days ago, give or take, a water-line for the laundry machine had erupted to soak our entirely-carpeted basement suite, forcing the poor new landlord (a sweetheart of a man named Ron having just taken possession of the house from previous owner on May 1st and, it seems, left 'holding the bag' as they'd call it in day-trading-investment-lingo) to tear out the entirely-soaked carpet and replace it with sensible laminate flooring and rendering the entire suite virtually unlivable for indefinite-few-days and so for me work and friends and especially writing become a welcome reprieve to I, a first world Refu-Jeez.. us, so terribly-off I sip a latte near sunny panorama windows-so-clear-they're-not-there overlooking the crosses of Yates and Blanshard with European church of Gothic architectural style poking heedlessly into empty-open blue.. ironically and strangely there is a liquor store quite literally right next door, and's one I shop at often for its decent prices (God is Dead or Just Drinking to Cope with Sartre and Kierkegaard's Ultimate Thesis) (Kierkegaard especially '*** Kierkegaard seems a good and long friend of God the Almighty) (...I talk with such Judaeo-Christian Catholic rhetoric it never ceases to amaze myself as it bleeds to page..) (stranger thing is, tho, there is no beginning, no middle, no end.. you read or you are bored and either/or is just fine..)

There is some hypothesized crescendo-bliss Tech Singularity on the way in the try-dition of Ray Kurzweil and William Burroughs.. Oscar Wilde to.. (see The Soul of Man Under Socialism in essay-collect book De Profundis).. one day we will all be eternal happiness expressed in song and dance and LED erected-projections of Imperfect Universe (Our Imperfect Earth) with lives stuck on infinite repeat.. our idea of Paradise.. and for those with ability to remain rushed to cortisol (stress-the-best hormone) it will be Hell on Earth, so DRAB and THE SAME all the TIME and it's READ and it's WRITE and it's RIGHT.. the world runs faster with every passing day so desperate to discover the Globe is Flat so we can Hop Off the Other Side into what one might assume to be The Better Place.. elusively picking-up speed thinking 'closer now definitely closer now' unaware (or, secretly aware and unwilling to admit for what will one do when one cannot run?) they are Running in Circles Over and Over and Over and Over and Over Again... cannot take the hint in the fact the Pacific (same Pacific) has been crossed a hugeillion times, nor the same McDonald's in the Azores of Atlantic Portugal is the Same ******* McDonald's stopped-thru on the then-trillionth time last year... and all whilst the International Space Station remains muted up-above crossing 'round and 'round 'til the Jehovah'n Day of Judgement (Chris Hadfield now below with advice for how to run a little faster even blinded in one eye..) then there are the dying Prophets Predicting Industrial Collapse who preach upon the Mount of Internet Sinai Eternal and state "the world is now unsalvageable and we are all about to die.. if ever you wished to find Buddhistic Nirvanic Peace, now is the time so start meditating and imagine Death as New Life and Geopolitics as Game".. forever and ever and ever and ever.

It is only natural to find existence to be 'weird..' layered with Who's That's and giant What The ***** everywhichway you turn.. did it start in a Big Bang, will it end in a Big Crunch, Big Freeze, Big Bang.. ? all questions once ignored for certain ignorance and resurrected as questions concerning the Nature of the What The ***** (also known as 'Science').. and if it did start in a Big Bang, did I start in a Big Bang..? and if it does end in a Big Crunch, will I end in a Big Crunch..? am I a sudden flash of REAL in a Universe that isn't me..? or am I an entire Universe.. perhaps even more than that...? the questions pulse in youth like bad words or bullets. I once stayed up all-night thinking of infinity with my head soaring space-wise forever and ever and ever and I stopped in sudden panic thinking: I could lie here up all night and all day 'til the towered age of 37 (I was 14 at the time) and still be no further on the Universal Map than from thumb-tip-middle to thumb-nail so I wrapped up the attempt with a mix of fear and incredulity, went to school next-day exhausted and tried to explain it all to friends.. they got it, I suppose, but we were all 14 and played basketball instead (I imagined infinite-spinning-basketball on thumb of Michael Jordan).

It's always best describing life in form of Disembodied Poetics.. sure some Philistines won't understand '*** their minds are made of Clockwork, Digits, and Blockthought.. but the general psychic underly implied in all with human faculty will ring-a-ding-ding! and remember all such ancient thoughts and feels as forgotten as a child, locked away until the Spirit rose-up from a rosey thorn prickle to flower straight-up into a Rose! or so I hope as a one-of-many writers-- all of which will write so-as to speak on your behalf.. all floaty and marking a purpose.
pat pakla Jun 2012
Fatima Latima**

I had wished I had no gift of sight
That the worst I could endure is hear you speak
And not snapshot the footfall of your gradation

You may not be a thief
Nor ****, daughter of the dayspring
But definitely my heart you stole

I speak of the daughter of Arabia  
Aesthetically, she rocks
The queen of the pilgrim sands
And aeonian desert stones

Beyond the hijab
Artistically knead with consummate craft
Like the relics of Mecca
Blest by the prophet’s bones
The blessed

I see torches
Beaming with intelligence
Within those mascaras
Exquisitely trimmed and vibrant
A lulu class botany

She fixes a searching gaze
As she saunters close
And the stride and tread
Beats a drum entrancing
Soothed in her solacing spell
I give in, to her lullaby

She halts her perambulation
Stands magniloquent and stupefy
Like some pop diva magazine pose
Or Victorian secret shot
A tactical derangement of her gluteals
As she rests her palm in its cleft
I feel contractions, my dartos muscles

The blew of summertime
Gently beats her exceptional form
Her belt submerge her thigh crevice
Cleft by the sundered rift of fleshy fat
Built by the dainties and delicacies
Seasoned by the finest Arabian chef
As her silken dress slithers and gowns
Under the breeze bulging and blooming
Like a rose blossom or sunflower fore

As she bends down
To assuage the burlesque
The sun specula lilts her sensational
Her smile apologetic bids me stillness
I am caught staring
Guzzling down her scent and
Feasting on empty imaginations
Of What If that accentuate the mind and
Speed a hormone
And I pray I sin no more
Next time we meet and I see her again

For I am but a writer
Learning to use my pen and paper
And hope you but forgive
My linguistic impotence
When I make my confession
Employing too plain a language
When I say thus;

Her smile is classical
Her walk magical
Her beauty celestial
Her stride sensational
Her religion ethical
Her character spotless
And that leaves me breathless

And forgive if I step on broken toe
And try speak of the unspoken
Her ****** is sacred
Her being a type that dresses up
In the milliards of brutes dressing down
And shamelessly style it fashion

I must see a priest
One confession I ought to utter
And even vociferate abroad
For once I had fallen in love
With an Arabian Beautie
A ****** of Mecca.
Amit Shroff Dec 2014
The relentless sea attempting to come closer,
The sands tediously taking it all deeper,
The gusty Arabian winds downed by the ghats,
Resulting in an endless rain and light spat.
I ride with sea to my left, hills to my right,
Constant hide and seek plays the sun,
I see him by day fall, outlining the waters.

Its a spectacle to watch Oliver Ridleys ashore,
A struggle to live, hope we see them more,
So much to see, sure you'll be in wonder,
What's to sit at home, go out and wander,
The rhythmic sound of the century old beast,
Chase yourself away, this you can do at least,
Remember to get lost before you can be found.
RAJ NANDY Nov 2014
Friends, in the Introductory portion we have seen how Herodotus
gave birth to the subject of 'History'. Now I conclude this true story
by quoting a poem by the English poet Edgar O' Shaughnessy, which
is very appropriate for my Story! Please take your time to read, there is no hurry! Thanks, -Raj Nandy.

        HISTORIANS  AFTER  HERODOTUS
Herodotus became the trail blazer with his narration
of History,
Inspiring several Greek and Roman chroniclers as  
we subsequently get to see!
There was Thucydides, Livy, Sallust, Xenophon, and
Polybius,
Not forgetting chroniclers like Julius Caesar, Tacitus,
and the oft quoted Plutarch!
The Roman scholar Cicero had called Herodotus the
‘Father of History’;
But later the Greek historian Plutarch criticized him
for his many hearsay inaccuracies!
Even though Herodotus had cautioned his readers in
his Historical narrations, -
About those hearsay accounts and doubtful portions!
Greek historian Thucydides, who was a junior and a
contemporary of Herodotus,
For his accurate historical rendering of ‘The
Peloponnesian War’ between Athens and Sparta, -
Was praised by later scholars very much!

CYCLIC AND LINEAR PATTERNS OF HISTORY:
Herodotus believed in Nemesis and a repetitive
pattern of History.
While Thucydides with his strict investigation drew
a line between myth and reality!
Thucydides viewed history as a political struggle
based on the nature of man;
And felt that since human nature does not change
often, -
The past events would reoccur once again !
The Greeks believed in this cyclic notion of History,
Also developed a prose style to narrate their stories!
Unlike the Greeks, Roman History did not begin in an
oral Homeric tradition,
But they had a ready-made Greek model for their
historical narrations!
Roman historiography began after the Second Punic
War against Hannibal of Carthage,
When Quintus Flavius Pictor wrote Rome’s History
in Greek, instead of Latin!     (around 200BC)
Cato the Elder, was the first to write in Latin Rome’s
History,
While the Roman Livy born in Padua in 59 BC, was
praised for introducing a ‘milky richness’ of style  
for narrating these true stories !
From Julius Caesar’s accounts we learn about the
Gallic Wars and events of those ancient days;
But he Romans had used History for propaganda
and self-praise !
Also to make the conquered world to look up to them
with wonder and admiration;
For the Romans were creating History with their
conquests in a steady progression!

CYCLIC VIEW OF TIME AND HISTORY
Perhaps the cyclic view of Time has influenced the
cyclic concept of History to a great extent,
Since this cyclic view was held by many of those
Ancients !
Ancient doctrine of 'eternal return' like the seasons
of Summer, Autumn, Winter and Spring, existed
in old Egypt, and the Hindu religion;
Also with the Greek Pythagoreans and Stoic
conceptions;
As well as in the Mayans and the Aztec Civilizations!
In the East, cyclic theory of History as succession of
dynastic rule developed in China,
While the Vedic Hindus developed their theory of
Cycles of Yugas!    (epoch or era)
Writing of Indian History had commenced with
the Colonial British initially,
Who had criticized India for its lack of a sense of
History and Historiography!
The ancient Hindus were more concerned with
religious philosophy, and the essence of existence,
Rather than getting absorbed with historical details!
The Hindus divide cosmic time into cyclic eras of
Satya, Tretra, Dwapara, and Kali Yugas;
With each era covering many thousands of our
human eras!
These Yugas or Cyclic segments of time is said to
repeat itself in a cyclic motion, -
Which had perhaps mystified their early views
of a clear Historical perception.
However, later Indian historians have corrected
the earlier British interpretations, -
By dividing Indian History into Ancient, Medieval
and Modern Periods,
Replacing the earlier Hindu, Muslim, and British
Periods as Colonial segregation!
And also by correcting the British Aryan Invasion
Theory as Aryan Migration;
Based on more accurate historical research and
better perception!

CHRISTIAN AND LATER VIEWS OF HISTORY:
St. Augustine during the 4th century AD, systematized
the Christian view of History, -
As a struggle between the City of God and the City
of Man, where the City of God gains victory, -
Establishing peace and prosperity!
The Christian view is therefore Linear with a
positive beginning and an end;
A providential view from the Creation of Adam
till the Day of Last Judgment!

THE RENAISSANCE: (14TH - 17TH CENTURIES):
During this period the theological view gradually
begun to fade, giving rise to the Cyclic concept of
History,
As illustrated by the decline and fall of the mighty
Roman Empire, immortalized by Edward Gibbons
in his narrated story!
This cyclic view was also maintained by Oswald
Spengler, Nikolai Danilevsky, and Paul Kennedy,
during the 19th and the 20th Centuries.

AGE OF ENLIGHTENMENT : THE 18TH CENTURY
This period advocated the use of reason to obtain
objective truth, when human beings made all the
difference freed from superstition and bigotry;
Which led to favoring a Linear and a progressive
view of History.
Voltaire symbolizing the spirit of this age had
supported human wit and education, -
Since only enlightened people could give History
a positive direction !
For Karl Marx Feudalism was followed by Capitalism,
and Capitalism by Communism.
History of existing Society as the History of Class
Struggle - was Karl Marx’s new concept!
For social material forces drove History, and this
‘historical materialism’ as a revolutionary view, -
many later Scholars did accept!

SOME MODERN CONCEPTS ABOUT HISTORY
Now I share the views of three of our renowned
Historians; the German Oswald Spengler, the
British Arnold Toynbee, and the American
Carroll Quigley,
To provide you with three different concepts
of History.
Oswald Spengler (1880-1936):
Spengler’s reputation rests on his work titled
‘Decline of the West’, considered as a major
contribution to social theory;
Where he rejects the ‘Linear’ view in favor of
definite, observable, and unrelated cycles of
History!
Rejecting the Eurocentric view of History and its
Linear division into ‘Ancient-Medieval-Modern’
Eras,
Spengler recognizes eight ‘high cultures’ which
evolve as organism, following the cycles of
growth, development, and decline;
And his views astonished the Western mind!
These high cultures were the Babylonian,
Egyptian, Chinese, Indian, Mexican ( Mayan&
Aztec), Classical (Greece& Rome), Arabian,
and Western or Euro-American!
Cultures have a life span of about a thousand
years each,
So the Western Civilization too shall decline one
day, - Spengler did teach!

Arnold Toynbee (1889-1975):
Toynbee’s 12 volumes on ‘A Study of History’
covers a wider spectrum of 23 Civilizations,
Where he rejects Spengler’s cynical theory of
growth and decline of Western Nations!
“Civilization is a movement and not a condition,
a voyage not a harbor”, Arnold said;
Like human beings Civilizations were free to chart
their own course with the capacity to ‘consciously’
choose its destiny, he had felt!
Arnold moves on to formulate his Theory of
‘Challenge and Response’, since by responding to
such challenges Civilizations could move on !
These challenges could be social or environmental
he had said;
The Greeks responded to their growing population
by taking to the seas and maritime trade,
And also prospered as their overseas colonies had
begun to spread!
Toynbee’s Civilization start to decay when they lose
their moral fiber,
He perhaps over emphasized the religious and
cultural aspects, ignoring those economic factors!
But his views were certainly more popular than
the cynical Spengler!

Carroll Quigley (1910-1977):
Quigley’s scientific trained mind could not accept
either of the above views,
So he created a synthesis of Spengler and Toynbee,
while paying History its dues!
Quigley laid down seven stages for the evolution
of Civilization;
Commencing with Mixture, Gestation, Expansion,
Conflict, Universal Empire, Decay, and Invasion!
His Civilizations are neither groups nor individuals,
But each is a system which share some common
traits.
In Quigley’s model each system come into being
adapted to their environment;
But since environment always changes, Quigley
states with some relish, -
Systems which cannot adapt themselves, must
necessarily perish!

WE ARE ALL LIVING PARTICIPANTS IN THE
  LONG UNFOLDING HUMAN STORY!
“Know Thy Self” said Socrates, and the Delphic
Oracle had pronounced that he was wisest of
the Greeks!
To know ourselves truly we must know about
our past,
For this evolutionary process shall continue as
long as the Human species last!
Today we remain as a living monument to the
past,
We continue to make History as long as humans
on this planet shall last!
Our planet earth is around 4.5 billion years old;
While the first ****-erectus emerged around
two million years hence - we are told!
By walking ***** the two hands became free to
develop,
With flexible fingers and the rotating thumb;
Which was crucial for shaping the destiny of
the Human species on earth!
Our Civilization proper dates back to about
five thousand BC,
Thus an emerging pattern we can easily see!
With the development of human consciousness
we have learned to delve inwards, -
To discovered within a vast macro world!
Now, I would love to conclude this narration by
quoting from the English poet Arthur William
Edgar O’Shaughnessy’s book ‘Music and
Moonlight’;       (1874)
Do try to follow the philosophical content relevant
to the Cyclic History of Mankind!

“We are the music makers,
And we are the dreamers of dreams,
Wandering by lone sea-brakers,
And sitting by desolate streams;
World losers and world forsakers,
On whom the pale moon gleams;
Yet we are the movers and shakers
Of the world for ever, it seems.

With wonderful deathless ditties,
We build up the world’s great cities,
And out of a fabulous story
We fashion an empire’s glory.
One man with a dream, at pleasure,
Shall go forth and conquer a crown;
And there with a new song’s measure
Can trample an empire down.

We, in the ages lying
In the buried past of the earth,
Built Nineveh with our sighing,
And Babel itself with our mirth;
And overthrew them with prophesying
To the old of the new world’s worth;
For Each Age Is a Dream That’s Dying,
Or One That Is Coming To Birth.”

Thanks my readers and poet friends,
Sincerely hope you will now appreciate
History better, and love its contents!
**ALL COPYRIGHTS ARE WITH THE AUTHOR
RAJ NANDY OF NEW DELHI
Friends, those who have read part one will find the concluding portion in this narration of mine, which I tried my best to simplify! Mentioned the two basic views of History, the Linear & the Cyclic views in my narrated Story! Hope you liked the poem quoted at the end by me ! Thanks, -Raj
Joe Cole Feb 2014
The blue Arabian sea, the towering Western Ghats
This then is Kerala the most beautiful Indian state
Lush green hill stations, lowland paddy fields
All are in Kerala between the mountains and the sea
Fourty four rivers flow so water here for all
Exotic plants in abundance beside the waterfalls
Enchanting emerald back waters put here for your delight
The days are never long enough to view each wonderous site
Kerala is called gods own country, the reasons very clear
Wildlife abounds, exotic birds and sika deer
Here you will live longer than in any other state
Fresh food in abundance and low mortality rate
Why don't you come and visit this paradise on earth
And take away the memories that you will always cherish
judy smith Aug 2015
Since a wedding is said to be the most important day of a woman's life, some brides-to-be are prepared to bring out whatever it takes to ensure that their big day is nothing short of spectacular.

A new documentary from the UK titled 'Now How The Rich Get Hitched', a provides a glimpse into some of the world's most lavish weddings.

The programme follows the glamorous goings-on at Knightsbridge bespoke wedding boutique Caroline Castigliano, where, for most customers, money is no object.

According to Daily Mail, bridal couture queen Caroline, who lives in Surrey, has been creating breathtaking intricate gowns for 24 years, cashing in on the £10 billion global bridal market.

But while the average UK bride is said to spend around £1,000 on her dress, Caroline revealed that one client, a Saudi Arabian bride-to-be is spending £40,000 on her dream gown - the same price as the Duchess of Cambridge's Alexander McQueen dress.

Despite the eye-watering prices, the 55-year-old designer claims that for most women this is one of the most important things they will ever buy.

She said: 'They buy into the overall power of the dress. I really truly believe that since they were very young they have dreamt of this day.'

Caroline's clientele aren't just drawn from the global elite, however. One of her clients, Jordan, 23, is a hotel heiress from Durham who has spent the past year travelling 300 miles with her family for fittings for her £9,000 dress.

Jordan's gown is made from one of the most expensive silks in the world, which costs hundreds of pounds a metre.

Jordan said: 'For a girl the dress is what everyone looks for. People would rather spend more money on the dress and look perfect on the day.'

Her mother Helen, who is helping to pick up the bill, added: 'I think once you see your daughter in something so beautiful and she's so happy you do stretch that extra mile.'

At around £9,000 Jordan's dress is almost half the average budget for UK weddings, which now comes in at an astonishing £21,000, but the day itself will set her family back far more than that.

The no-expenses-spared bash is being held at one of her family's hotels and costs include the £7,000 on importing 6,000 flowers from Holland, the hire of a 20-piece brass band and a Victorian carousel to entertain guests.

Gissa, 29, an Iranian socialite, who is planning a lavish ceremony in Turkey, journeyed to Caroline's boutique just to try on veils to go with her bespoke gown, which is embroidered with 200,000 sequins and 50,000 beads - and was one of the most expensive dresses in the shop.

The bride-to-be explained that her fiance was very amenable when it came to splashing out on her dress.

He said "I know this is the most important dress that a woman is going to wear in their lifetime so if you really like it and you love it, we'll get it."'

However, some brides look further afield for their dream wedding location and one of the boutique's clients, Katie, 29, was planning her ceremony in Southern Spain.

Katie admitted that she had fine-tuned every element of her wedding right down to her proposal.

She said: 'I'm a bit of a control freak, I think I emailed [my fiance] a picture of the ring after about three weeks of dating, so subtlety isn't my finest point but he's done really well.'

Katie visited Caroline for a bespoke wedding dress costing between five and six thousand pounds that has taken five seamstresses 200 hours of sewing and 250,000 beads to complete.

Another of Caroline's client, Kashmir, revealed that she took two years off work to get married and her husband is now determined to prolong the wedding celebrations with lavish gifts.

She and her husband also paid £75,000 to commission a portrait of Kashmir sitting in a chair in her strapless lace Caroline Castigliano dress, which was then unveiled at a party in the designer's boutique.

However, as any prospective bride will know a dress does not a wedding make and any ambitious bride-to-be will enlist the help of a wedding planner, with none more knowledgeable than luxury wedding planner Bruce Russell.

Bruce caters for the most ostentatious and demanding of weddings. He said: 'If it's physically possible, we'll make it happen - it might come at a cost.

'If you've got the money and you've got the budget to spend and you want to spend a million pounds why not spend it on a wedding it is the most magical day?'

Bruce's finely tuned expertise and impeccable taste come at a cost and he revealed on the show that he takes around 20 per cent of the wedding budget as commission, which rewards him with a £30,000 pay cheque for a £150,000 wedding.

The show followed him as he took one of Caroline's clients, Erina, on a tour of London's famous luxury five-star hotel, The Savoy, as a possible venue for her dream day.

Hosting 350 guests would set her back at least £70,000 and to stay in the Royal Suite, a further £10,000 a night - although it does come with its own butler.

But the documentary revealed that for women who want to up the 'wow' factor on their big day - and have the budget - couture jeweller Andrew Prince is the man to call.

But Andrew insisted that elegance is often confused with showiness: 'Glamour has changed. It became, at one point, very shiny and that's really not glamorous that's flashy. I like opulence.'

Andrew's creations may be an indulgence but for him there is no better way to spend your money.

He said: 'It's a celebration. We can be really sort of smug and factual about it, and say "oh no one should spend the money on something more practical", but what's more fun than just having a wonderful day?'

Many couples will argue that such extravagance is a waste of money and resources for just one day, however Caroline says that these are memories to last a lifetime.

She said: 'The most important people in your life have come to attend this day. It all comes down to the same thing, it's what you want to spend money on and what matters to you and how much money you have, it's all relative.'

read more:www.marieaustralia.com/long-formal-dresses

www.marieaustralia.com/formal-dresses-adelaide
KUSTA BEN LUKA is my name, I write
To Abd Al-Rabban; fellow-roysterer once,
Now the good Caliph's learned Treasurer,
And for no ear but his.
Carry this letter
Through the great gallery of the Treasure House
Where banners of the Caliphs hang, night-coloured
But brilliant as the night's embroidery,
And wait war's music; pass the little gallery;
Pass books of learning from Byzantium
Written in gold upon a purple stain,
And pause at last, I was about to say,
At the great book of Sappho's song; but no,
For should you leave my letter there, a boy's
Love-lorn, indifferent hands might come upon it
And let it fall unnoticed to the floor.
pause at the Treatise of parmenides
And hide it there, for Caiphs to world's end
Must keep that perfect, as they keep her song,
So great its fame.
When fitting time has passed
The parchment will disclose to some learned man
A mystery that else had found no chronicler
But the wild Bedouin.  Though I approve
Those wanderers that welcomed in their tents
What great Harun Al-Rashid, occupied
With Persian embassy or Grecian war,
Must needs neglect, I cannot hide the truth
That wandering in a desert, featureless
As air under a wing, can give birds' wit.
In after time they will speak much of me
And speak but fantasy.  Recall the year
When our beloved Caliph put to death
His Vizir Jaffer for an unknown reason:
"If but the shirt upon my body knew it
I'd tear it off and throw it in the fire.'
That speech was all that the town knew, but he
Seemed for a while to have grown young again;
Seemed so on purpose, muttered Jaffer's friends,
That none might know that he was conscience-struck --
But that s a traitor's thought.  Enough for me
That in the early summer of the year
The mightiest of the princes of the world
Came to the least considered of his courtiers;
Sat down upon the fountain's marble edge,
One hand amid the goldfish in the pool;
And thereupon a colloquy took place
That I commend to all the chroniclers
To show how violent great hearts can lose
Their bitterness and find the honeycomb.
"I have brought a slender bride into the house;
You know the saying, ""Change the bride with spring.''
And she and I, being sunk in happiness,
Cannot endure to think you tread these paths,
When evening stirs the jasmine bough, and yet
Are brideless.'
"I am falling into years.'
"But such as you and I do not seem old
Like men who live by habit.  Every day
I ride with falcon to the river's edge
Or carry the ringed mail upon my back,
Or court a woman; neither enemy,
Game-bird, nor woman does the same thing twice;
And so a hunter carries in the eye
A mimic of youth.  Can poet's thought
That springs from body and in body falls
Like this pure jet, now lost amid blue sky,
Now bathing lily leaf and fish's scale,
Be mimicry?'
"What matter if our souls
Are nearer to the surface of the body
Than souls that start no game and turn no rhyme!
The soul's own youth and not the body's youth
Shows through our lineaments.  My candle's bright,
My lantern is too loyal not to show
That it was made in your great father's reign,
And yet the jasmine season warms our blood.'
"Great prince, forgive the freedom of my speech:
You think that love has seasons, and you think
That if the spring bear off what the spring gave
The heart need suffer no defeat; but I
Who have accepted the Byzantine faith,
That seems unnatural to Arabian minds,
Think when I choose a bride I choose for ever;
And if her eye should not grow bright for mine
Or brighten only for some younger eye,
My heart could never turn from daily ruin,
Nor find a remedy.'
"But what if I
Have lit upon a woman who so shares
Your thirst for those old crabbed mysteries,
So strains to look beyond Our life, an eye
That never knew that strain would scarce seem bright,
And yet herself can seem youth's very fountain,
Being all brimmed with life?'
"Were it but true
I would have found the best that life can give,
Companionship in those mysterious things
That make a man's soul or a woman's soul
Itself and not some other soul.'
"That love
Must needs be in this life and in what follows
Unchanging and at peace, and it is right
Every philosopher should praise that love.
But I being none can praise its opposite.
It makes my passion stronger but to think
Like passion stirs the peacock and his mate,
The wild stag and the doe; that mouth to mouth
Is a man's mockery of the changeless soul.'
And thereupon his bounty gave what now
Can shake more blossom from autumnal chill
Than all my bursting springtime knew.  A girl
Perched in some window of her mother's housc
Had watched my daily passage to and fro;
Had heard impossible history of my past;
Imagined some impossible history
Lived at my side; thought time's disfiguring touch
Gave but more reason for a woman's care.
Yet was it love of me, or was it love
Of the stark mystery that has dazed my sight,
perplexed her fantasy and planned her care?
Or did the torchlight of that mystery
Pick out my features in such light and shade
Two contemplating passions chose one theme
Through sheer bewilderment? She had not paced
The garden paths, nor counted up the rooms,
Before she had spread a book upon her knees
And asked about the pictures or the text;
And often those first days I saw her stare
On old dry writing in a learned tongue,
On old dry ******* that could never please
The extravagance of spring; or move a hand
As if that writing or the figured page
Were some dear cheek.
Upon a moonless night
I sat where I could watch her sleeping form,
And wrote by candle-light; but her form moved.
And fearing that my light disturbed her sleep
I rose that I might screen it with a cloth.
I heard her voice, "Turn that I may expound
What's bowed your shoulder and made pale your cheek
And saw her sitting upright on the bed;
Or was it she that spoke or some great Djinn?
I say that a Djinn spoke.  A livelong hour
She seemed the learned man and I the child;
Truths without father came, truths that no book
Of all the uncounted books that I have read,
Nor thought out of her mind or mine begot,
Self-born, high-born, and solitary truths,
Those terrible implacable straight lines
Drawn through the wandering vegetative dream,
Even those truths that when my bones are dust
Must drive the Arabian host.
The voice grew still,
And she lay down upon her bed and slept,
But woke at the first gleam of day, rose up
And swept the house and sang about her work
In childish ignorance of all that passed.
A dozen nights of natural sleep, and then
When the full moon swam to its greatest height
She rose, and with her eyes shut fast in sleep
Walked through the house.  Unnoticed and unfelt
I wrapped her in a hooded cloak, and she,
Half running, dropped at the first ridge of the desert
And there marked out those emblems on the sand
That day by day I study and marvel at,
With her white finger.  I led her home asleep
And once again she rose and swept the house
In childish ignorance of all that passed.
Even to-day, after some seven years
When maybe thrice in every moon her mouth
Murmured the wisdom of the desert Djinns,
She keeps that ignorance, nor has she now
That first unnatural interest in my books.
It seems enough that I am there; and yet,
Old fellow-student, whose most patient ear
Heard all the anxiety of my passionate youth,
It seems I must buy knowledge with my peace.
What if she lose her ignorance and so
Dream that I love her only for the voice,
That every gift and every word of praise
Is but a payment for that midnight voice
That is to age what milk is to a child?
Were she to lose her love, because she had lost
Her confidence in mine, or even lose
Its first simplicity, love, voice and all,
All my fine feathers would be plucked away
And I left shivering.  The voice has drawn
A quality of wisdom from her love's
Particular quality.  The signs and shapes;
All those abstractions that you fancied were
From the great Treatise of parmenides;
All, all those gyres and cubes and midnight things
Are but a new expression of her body
Drunk with the bitter sweetness of her youth.
And now my utmost mystery is out.
A woman's beauty is a storm-tossed banner;
Under it wisdom stands, and I alone --
Of all Arabia's lovers I alone --
Nor dazzled by the embroidery, nor lost
In the confusion of its night-dark folds,
Can hear the armed man speak.
The Arabian Sea
A sprightly sight to behold
The cascading Sunbeams veil the sea in a platinum shimmer
The gusty wind blows
Sparkling diamonds roll up on the ocean waves
The golden Sun unravels the beauty of the bejewelled Sea

The picturesque Mumbai Skyline  
Gloriously, rises up in the evening Sky

The mellowed Sun ,beauteous as an orange Rose
Leisurely dips down at the horizon
The Sky cools down to Prussian blue
The stars glimmer across the sky in the dim lights
It's showtime

Bedazzled
I quietly sit and watch the magical scenes unfold
Thank you all for your support here.

It's IPL (Cricket) time and my sons were extremely happy to meet a few world class cricketers from across the world and country .
Couple of teams stayed in the same hotel as ours.

Had been on a small vacation with family!!
Robin Carretti May 2018
So grace me through
my colors
Let's Start

God Grace me

Someone was smart
To raise me
But the blaze
came and love
pursued me
He pushed me
Into his hot blaze

His ***** of fire
A big part of the script
Another lift in his
desire
But my lips
Got raised up
But couldn't.sustain
the fire
The glossy shimmer
Sky hug
He Aint nothing but
a hound dog goodbye
Raised me Orange
Red Robin fly

But how you
face me
Never to
disgrace me

You pick me up with
all my goods
Odds with the bad
Honorable Gods
And so many facets
of my moods
Watch out!!
Starburst

Or a war curse

We  evaporate
In fragments

Orange segments
Sliced and eaten

Love forbidden fruit
One hidden

Embrace the warm solitude

all over your face,
Someone is rude
Fresh Orange
told you
It's Fate

That brought us
together
Orange juicier sun

So many love forms
Whose terms? Just run
This world full of
germs
But to juice things up


How the colors of your
eyes came to an epical stop

But nursed me
orange juice hip hop

He dazed into me
After-life
They named her
Saucy before-life
See ablaze
orange zest
See me and fly me
At my very best

My breast was
so nicely raised


Lips so fruitful
he cannot
resist you know
the rest??

In the mix of orange
things
Pink rings
Butterfly eyes
winged

Was set so privately-----*

The red tail hawk
Was the talk of the 
 Orangey words flowy
Popsicle poppy eye town
No time to refresh
my colors

Free bird orange up
The ramp no lady
and tramps
Just (Gypsies Orange Vamp)
The rocks fall to thump
Trump orange fixtures
Towers Forestal Gump

The soothing smile of lights
He came to you pop features
All over my place
So cultural to the race
The colors of
Orange mellow
oh! no
Here comes yellow----

Creaming into his
creamsicle
Gelato
popsicle
My feeling divided
like politics

Been sliced by
the orange Super bowl
Erotics
Sunny California Kist
Rodeo drive what a
list
Satanic red
Orange Christ
But that orange
She Shh_ sheets
Had the most vibrant
juicy beats
Tomato vines Rome
Lend me your orange
No ears no other
color of tears

Villians of vineyards
Orange bowl of fruit
No Junkyards
The owl started to hoot
Towards the bad apple

My heart was galloping
Shrimp and scallop
Right in my western charm
boot he takes off

Another mix of paint
Orange isn't carrots and
pumpkins
Austin Power Mini-me
Munchkins

Or goblins spooked
Mandarin Orange lovely
Divinely licked
Gingerly lovely Cayenne
Sweet Pepper he looked at her
Lucky 7 Orange ring karat

Whats up Doc
_


Any cracks of his cravat
Orange Key-West lock
Doesn't turn get off
my block
I am going to
Bangkok
With Chuck

Having Orange Tang
He was holding me
777 karat ring
The  Mediterranian
party
Why so dead sea
Pink Smarty
Orange blosson tea
Orange Marquis
Louis and Diamonds
All clockwork
Orange movies

In the lounge of
Raymonds of ring
junkies
Pour OJ for me
**** a doodle doo

Flash of orange came at me
Do you want to?

The operation of heartless
surgery
The Showstopper emergency
Revived refreshing lady
of purity but no orange
The
((Orange Marquis))
Off to see the Wizardly
Orange field gorgeous
WC fields raise

Writer with the
lucky pen praise
Her editor was
the perfect color
ten

Miss coralline with
her coral rock
The mixed infusion

Next color comes up
Raise your brow reaction

Needing a follow-up

Orange rinds
Another call-up
Giddy Apps up
Orange glittering
passion fruit
paintbrush
Soap Opera beauty
and the beast
Another gulp the
pulp pretty in pink
psst
_

Orange-pink tropical
girl orange whirl
The orange-red ringlets
She curled inside him
Glass raise you cup trim
In your villa stucco orange
You were breastfeeding
his orange suited juice

No time to see another
color
Orangey wiz showbiz
Arabian sky sunset
burnt orange
The caramel bump
of the camel
Her favorite one
mural

Lips of tang so foreign
She is flaming like a
flamingo bed

Get his color out of
Cotton picking head
Your shampoo
The
"Orange Oddysey"

Hey, what do you say?

Just open your
eyeshadows
He shadows her in

Or a site for sore eyes got
puffy war of
orange bubbles begin

Feather me
orange wings
The fringe orange
suede
flops
you happy

The A+ diet of fruit
he was the
hotshot
Glass
You're at the
bake me
What do you know
he passed

The spa refreshing
orange peel
mystique

Long lace-lit
Unique
He was coming on too
bossy orangey burst
cheeks were falling
Rise up not down
Orange Julius raise
his price
Fed Ex orange truck
got closer to
Her alluring butterfly
Orange U glad
To catch her
To court her
Fast Orange perfume
She Sha shala
femme
Orange flames came
from his cleft

Still no time for your
spouse whoa he left
_

Now please let me know

what I left out
Orange you glad

this is the only color love
him madly
Orange so vibrant masterpiece the butterfly changes
like a wedding centerpiece
Hal Loyd Denton Jul 2013
Dedicated in part to Iva and Terry and their ever lasting love

First to describe what it is made from and then what it ultimately is and what it means
I will just be able to give description in part it is too great for any one person to do justice to it I choose
To use what some may call and object used in ceremony by unlearned superstitious people but you will
See this has none of that going on but I ‘am hunting big game in that regard maybe you are setting in a
Chair in your house apartment yes but also you are on a planet suspended in space a space that an
un manned space ship Voyager is on a trip of exploration one day it will pass from our galaxy the Milky
Way and go into many galaxies but it will never come to an end because its journey is carrying it into
Infinity one of the stars is a hundred times bigger than earth they are more numerous than the sand on
The sea shore but it is said that God knows them each and every one by name David said we are
Fearfully and wonderfully made my point is we are spirit and flesh the flesh perishes daily but the spirit
Is Renewed daily this all goes into the qualities and perfected ingredients that make up the amulet I’ am
Writing about here is a couple of human examples this is what can happen when you see the real truth
About the body and spirit Dr Albert Schweitzer was from High German society his credentials include
Theologian, Musician, Philosopher, Physician, and medical missionary and his home was in a safari tent
In the African jungle one of his many visitors was the actor Hugh O’Brian after this meeting Hugh went
Back home and sold his big pretentious car bought a used one and modeled his life after Schweitzer this
Great man came to realize what he really was not the outer that passes away but he was immortal and
Understood solidly what that meant our trouble with the Arabs is their identity problem they fret at
Deadly levels about the glories of the past and what as a nation they contributed in mathematics
Language now they reproach themselves and then the disgraceful aspect they are ruled by the west
Again they should take pride in their heritage and within the frame work of the given reality they could
Be great benefactors through the oil riches that were put in their hands and by changing their moral
Compass to the spirit they could amaze the modern world and the other human content in this amulet it
Can’t be discussed without bringing Lincoln into it from the humblest beginnings he became a towering
Giant his words blaze with grandeur significance and other worldly wisdom when it happened I don’t
Know while swinging an axe or while reading by candle light he fused his small life into the great current
That is flowing eternal his accomplishments superceded that of his backwoodsman’s life by eons I finish
With that part of the amulets fascinating qualities now if I follow what I discussed with my wife which
Was so painful several times I was interrupted by tears and was not able to be audible one of the things
Was widowhood I speak in particular about Iva recently certain influences have passed into my life it
Plays out here dreams joys love is unquestionably the most powerful force we can ever know I
Tried to lay the ground work that the flesh is limited but by the spirit we can now and in the future will
Override the sad state of affairs of living in this body that imprisons us restricts us because
We are now in this physical life there was a great quotation of course out of date now because of
Refrigeration but it said God gave us memories so we could have roses in December this I do know that
Spiritual connection does exist between us and our lost loved ones but that the flesh is so dense
And insensitive the connection is poorly or nonexistent my words speak of the beauty of the spirit
Nothing is impossible to it so we have to reconnect the broken by imagination my unaltered thought it
Will always be this truth what was will always be its Ida birthday this week the room only glows slightly
The music is soft and from eternal shadows Terry steps forth this magical moment is provided by purist
Love they join in tender embrace the flood of years together and apart breaks over them it’s like he only
Left moments ago Terry has lost little things that use to bug her but now there are new ones look at
Him not one thing has changed except all that is better but he got that way by divine aid on the other
Hand she has grown into this beautiful woman of grace and softness that glows with character it’s his
Time to be envious but she knows she got that way by doing it one day at a time love tumbles down a
Richer measure than the music can ever do new promise is born deep within each heart that was
Beating Stronger the longing ever so briefly was short circuited in powerful arms he seemed to carry her
On air as they swayed to other worldly rhythms there isn’t a clock where love is concerned because love
Is timeless it is placed on a steadfast but oh so flimsy when it comes to physical endurance if we were
Only able to see love as God sees it is it not the shimmering living picture that is from the bottom of the
Floor to the ceiling within is the telling vibrancy a currency more valuable than all others nothing else
Can take two very different lives and create one that streams bliss and longing a selflessness that stirs
And moves hearts to heights of appreciation a otherwise place of only rumor and place of tall tales but
Here between two people cherished thoughts are visible touching and powerful built by stones hewn
From quarries that reach back before time and have a future that is without end building materials of
Feeling emotion faith and honor all else would only be fables nothing could be that sure and have
Such endurance pillars of fire that burns and its end is in purification the arching unfamiliar to one
Looking from the outside but for the two in the center when the countenance of another can melt you
With a look and when eyes are locked together has the power to make the whole world fall away
Nothing else exists or should exist love has a bridge unseen the other side holds spectacle splendor
Fulfillment laughter romance announced in royal castles on the highest hills not even the richest can
Purchase what Terry and Iva have it is secure guarded and promised by He who is all love widowhood is
A robber but his plunder is of truth but the riches outweigh this temporal division and though
Sorrow as keen as it is makes loss into wellsprings where denial exists then courses unknown open and
You love the departed even more than before ever greater waves reach that other shore you have
Heaven then you feel this rapturous deep wave’s made noble by the caldron that has tears that over
Time Become far more valuable than diamonds and swells of emotional dreaming of a future day all that
We long for in life are constant gift to the departed these truths are mighty in force between Terry and
Iva for her birthday visit and the sweetness of parting with the statement see you ihasta manana in
English it means see tomorrow the tomorrow that now are seen through tears but then joy and rapture
Hugs will be without this divide the surging racing of the most clear and beautiful river will be surging in
Our hearts your hardship is harder than mine because I dwell in pure love and you must contend with
Human l life that isn’t clear and free thoughts are muted where here they burst and grow as you are
Taking in a great harvest where on earth you must be content with a small garden here your forehead is
Always shining for two reasons such wondrous thoughts occur continuously and His glory shines from
The throne brighter than the noon day sun when you walk in the sunshine and it touches you know that
Part of it is me touching you it can’t be as powerful as when its starts because earth regrettably has
A diffuse system so see it as when I use to kiss you tenderly if I didn’t say it I was saying thank you
For being mine and that you will be mine forever now that is half true be well my beloved my eyes are
Ever on you as the French say not goodbye but Au revoir it means till we see each other again and I do
Know all the languages and French is the language of love in my mind you appear in all the loveliest
Places in Arabian nights on the shore of the St. Guadalupe River that has the most shinning waters like
Your smile that is like day light dawning or in the lovely foots hills of the Sierra Nevada the Brazos River
Country because with you in them they are the picture of my beloved rest with the peaceful knowledge
It won’t be long now I have it on good account now the streets of gold then the gold in the streets will
Blend with our golden hearts which we refined in life and death by the High blaze we truly gave up all
That tarnished the gold now only the purist golden love is all that remained I love you

I had to stop writing last night around two I got to sleepy I had to delete a half a page it was just like
Writing a report it was lifeless when I came back to write I prayed that Christ would cleanse me with his
Blood so what I write would be truly pure it worked because I was broken by tears hard to see the keys
That way but I wouldn’t write any other way now the amulet grows dark because it is a living reality stop
Here if you are easily wounded I wrote already about my home Fremont California in night thoughts I
Described the shooting death of a teenager on a bike in broad day light a distance up the street we lived
On just because he was Mexican and just a week later a Mexican mother missed her ride at midnight to
Go an work at a nursing home her teenage daughter went worth her because she was afraid I know the
Place this happened very dark a man I say a man he had human features let say he got out of his car
Picked up a fallen tree limb and beat them both to death as they screamed into the cell phone to their
Helpless relatives yes the amulet shows a dark ominous Black like an ink well was knocked over and the
Ink rushed over the face your reaction is disbelief stunned a disconnection occurs that same thing
Happened before but on a grander scale in the garden when our first parents fell the same thing
Happened a darkness covered the globe leaving natural light unaffected but men and women’s minds
Were darkened they could do everything as before but they could only practice unrighteous acts as seen
When Cain slew righteous Abel there was a way to connect and do right but like to day most just strayed
farther and farther from true right living only the coming of the pure one that would be slain and by this
Sacrifice only could you have your mind freed and you by the spirit can walk free and please the most
Holy one He was beaten to the point you could only tell He was human because He stood upright and
Had limbs it was brutal but that was the cost to purge the vile disease we all suffer from that bleeding
Broken lamb was taken from that cross and His resurrection cast a new light over the whole earth the
Amulet glowed take cotton white clouds white snow and your getting how white and pure the amulet
Became this is in the heart of every soul that is redeemed it is the Holy Spirit it is shining and will shine
Into that perfect day don’t continue without it you rob your own soul of everything that is clean and
Decent and it will fill that ache in the heart that desires something all those that chase the next drug
High or the next conquest of another human how pathetic and it grinds those that practice it into a
Powder of Shame and guilt and a destination that only will end in flames why would anyone be that
Careless with Their own soul when there is a Heavenly Amulet waiting for you
Farah Taskin Jul 2021
The heady perfume of the
Arabian Attars
is
in the air!
A lunar litter
brings Eid
Antimony sulphide
of the downcast eyes
and the pinkish nails
have been painted with henna


Eid is a glorious gift
Bliss is blossoming
The blessings are blooming


The fragrant roses
and the white jasmines
are being elated by
a joyous colour
of the festivity
The nameless
nightingales
are singing the paeans
We're being showered
with Salams
Eid Mubaraks
are echoing
The cheerful children
are being
over the moon
Eid is marvellously nice
and we sacrifice.
Eid has been delightful since my childhood:)
Shofi Ahmed Jun 2017
Not once upon a time but now
among most innocent ones,
an Arabian voice is buried
in the thick wall of bricks
furnished with glory,
floating in the oasis of money.

Yet, when it switches to it's origin
then maybe is a poor Arab speaking.
Still the rest of the world
                                 can forget the oil
                           it's no sad story anymore
the sand beneath his feet shines
                                 brighter than the gold!
softcomponent Mar 2014
flailing in a grave, arabian drums

         arabian drums

'i sing the body electric' / fish-fillet mind is

eclectic, iridescent

finding a jumper cable in a dead-center desert

as the jeep ***** down--

the sound      
            
                            of         eccentric

                  

arabian

                                              
         ­                                 dru*ms
Let the bird of loudest lay
  On the sole Arabian tree,
  Herald sad and trumpet be,
To whose sound chaste wings obey.

But thou shrieking harbinger,
  Foul precurrer of the fiend,
  Augur of the fever’s end,
To this troop come thou not near.

From this session interdict
  Every fowl of tyrant wing
  Save the eagle, feather’d king:
Keep the obsequy so strict.

Let the priest in surplice white
  That defunctive music can,
  Be the death-divining swan,
Lest the requiem lack his right.

And thou, treble-dated crow,
  That thy sable gender mak’st
  With the breath thou giv’st and tak’st,
‘Mongst our mourners shalt thou go.

Here the anthem doth commence:—
  Love and constancy is dead;
  Phoenix and the turtle fled
In a mutual flame from hence.

So they loved, as love in twain
  Had the essence but in one;
  Two distincts, division none;
Number there in love was slain.

Hearts remote, yet not asunder;
  Distance, and no space was seen
  ‘Twixt the turtle and his queen:
But in them it were a wonder.

So between them love did shine,
  That the turtle saw his right
  Flaming in the phoenix’ sight;
Either was the other’s mine.

Property was thus appall’d,
  That the self was not the same;
  Single nature’s double name
Neither two nor one was call’d.

Reason, in itself confounded,
  Saw division grow together;
  To themselves yet either neither;
Simple were so well compounded,

That it cried, ‘How true a twain
  Seemeth this concordant one!
  Love hath reason, reason none
If what parts can so remain.’

Whereupon it made this threne
  To the phoenix and the dove,
  Co-supremes and stars of love,
As chorus to their tragic scene.

          THRENOS

Beauty, truth, and rarity,
Grace in all simplicity,
Here enclosed in cinders lie.

Death is now the phoenix’ nest;
And the turtle’s loyal breast
To eternity doth rest,

Leaving no posterity:
’Twas not their infirmity,
It was married chastity.

Truth may seem, but cannot be;
Beauty brag, but ’tis not she;
Truth and beauty buried be.

To this urn let those repair
That are either true or fair;
For these dead birds sigh a prayer.
So spake the Son of God; and Satan stood
A while as mute, confounded what to say,
What to reply, confuted and convinced
Of his weak arguing and fallacious drift;
At length, collecting all his serpent wiles,
With soothing words renewed, him thus accosts:—
  “I see thou know’st what is of use to know,
What best to say canst say, to do canst do;
Thy actions to thy words accord; thy words
To thy large heart give utterance due; thy heart            
Contains of good, wise, just, the perfet shape.
Should kings and nations from thy mouth consult,
Thy counsel would be as the oracle
Urim and Thummim, those oraculous gems
On Aaron’s breast, or tongue of Seers old
Infallible; or, wert thou sought to deeds
That might require the array of war, thy skill
Of conduct would be such that all the world
Could not sustain thy prowess, or subsist
In battle, though against thy few in arms.                  
These godlike virtues wherefore dost thou hide?
Affecting private life, or more obscure
In savage wilderness, wherefore deprive
All Earth her wonder at thy acts, thyself
The fame and glory—glory, the reward
That sole excites to high attempts the flame
Of most erected spirits, most tempered pure
AEthereal, who all pleasures else despise,
All treasures and all gain esteem as dross,
And dignities and powers, all but the highest?              
Thy years are ripe, and over-ripe.  The son
Of Macedonian Philip had ere these
Won Asia, and the throne of Cyrus held
At his dispose; young Scipio had brought down
The Carthaginian pride; young Pompey quelled
The Pontic king, and in triumph had rode.
Yet years, and to ripe years judgment mature,
Quench not the thirst of glory, but augment.
Great Julius, whom now all the world admires,
The more he grew in years, the more inflamed                
With glory, wept that he had lived so long
Ingloroious.  But thou yet art not too late.”
  To whom our Saviour calmly thus replied:—
“Thou neither dost persuade me to seek wealth
For empire’s sake, nor empire to affect
For glory’s sake, by all thy argument.
For what is glory but the blaze of fame,
The people’s praise, if always praise unmixed?
And what the people but a herd confused,
A miscellaneous rabble, who extol                          
Things ******, and, well weighed, scarce worth the praise?
They praise and they admire they know not what,
And know not whom, but as one leads the other;
And what delight to be by such extolled,
To live upon their tongues, and be their talk?
Of whom to be dispraised were no small praise—
His lot who dares be singularly good.
The intelligent among them and the wise
Are few, and glory scarce of few is raised.
This is true glory and renown—when God,                    
Looking on the Earth, with approbation marks
The just man, and divulges him through Heaven
To all his Angels, who with true applause
Recount his praises.  Thus he did to Job,
When, to extend his fame through Heaven and Earth,
As thou to thy reproach may’st well remember,
He asked thee, ‘Hast thou seen my servant Job?’
Famous he was in Heaven; on Earth less known,
Where glory is false glory, attributed
To things not glorious, men not worthy of fame.            
They err who count it glorious to subdue
By conquest far and wide, to overrun
Large countries, and in field great battles win,
Great cities by assault.  What do these worthies
But rob and spoil, burn, slaughter, and enslave
Peaceable nations, neighbouring or remote,
Made captive, yet deserving freedom more
Than those their conquerors, who leave behind
Nothing but ruin wheresoe’er they rove,
And all the flourishing works of peace destroy;            
Then swell with pride, and must be titled Gods,
Great benefactors of mankind, Deliverers,
Worshipped with temple, priest, and sacrifice?
One is the son of Jove, of Mars the other;
Till conqueror Death discover them scarce men,
Rowling in brutish vices, and deformed,
Violent or shameful death their due reward.
But, if there be in glory aught of good;
It may be means far different be attained,
Without ambition, war, or violence—                        
By deeds of peace, by wisdom eminent,
By patience, temperance.  I mention still
Him whom thy wrongs, with saintly patience borne,
Made famous in a land and times obscure;
Who names not now with honour patient Job?
Poor Socrates, (who next more memorable?)
By what he taught and suffered for so doing,
For truth’s sake suffering death unjust, lives now
Equal in fame to proudest conquerors.
Yet, if for fame and glory aught be done,                  
Aught suffered—if young African for fame
His wasted country freed from Punic rage—
The deed becomes unpraised, the man at least,
And loses, though but verbal, his reward.
Shall I seek glory, then, as vain men seek,
Oft not deserved?  I seek not mine, but His
Who sent me, and thereby witness whence I am.”
  To whom the Tempter, murmuring, thus replied:—
“Think not so slight of glory, therein least
Resembling thy great Father.  He seeks glory,              
And for his glory all things made, all things
Orders and governs; nor content in Heaven,
By all his Angels glorified, requires
Glory from men, from all men, good or bad,
Wise or unwise, no difference, no exemption.
Above all sacrifice, or hallowed gift,
Glory he requires, and glory he receives,
Promiscuous from all nations, Jew, or Greek,
Or Barbarous, nor exception hath declared;
From us, his foes pronounced, glory he exacts.”            
  To whom our Saviour fervently replied:
“And reason; since his Word all things produced,
Though chiefly not for glory as prime end,
But to shew forth his goodness, and impart
His good communicable to every soul
Freely; of whom what could He less expect
Than glory and benediction—that is, thanks—
The slightest, easiest, readiest recompense
From them who could return him nothing else,
And, not returning that, would likeliest render            
Contempt instead, dishonour, obloquy?
Hard recompense, unsuitable return
For so much good, so much beneficience!
But why should man seek glory, who of his own
Hath nothing, and to whom nothing belongs
But condemnation, ignominy, and shame—
Who, for so many benefits received,
Turned recreant to God, ingrate and false,
And so of all true good himself despoiled;
Yet, sacrilegious, to himself would take                    
That which to God alone of right belongs?
Yet so much bounty is in God, such grace,
That who advances his glory, not their own,
Them he himself to glory will advance.”
  So spake the Son of God; and here again
Satan had not to answer, but stood struck
With guilt of his own sin—for he himself,
Insatiable of glory, had lost all;
Yet of another plea bethought him soon:—
  “Of glory, as thou wilt,” said he, “so deem;              
Worth or not worth the seeking, let it pass.
But to a Kingdom thou art born—ordained
To sit upon thy father David’s throne,
By mother’s side thy father, though thy right
Be now in powerful hands, that will not part
Easily from possession won with arms.
Judaea now and all the Promised Land,
Reduced a province under Roman yoke,
Obeys Tiberius, nor is always ruled
With temperate sway: oft have they violated                
The Temple, oft the Law, with foul affronts,
Abominations rather, as did once
Antiochus.  And think’st thou to regain
Thy right by sitting still, or thus retiring?
So did not Machabeus.  He indeed
Retired unto the Desert, but with arms;
And o’er a mighty king so oft prevailed
That by strong hand his family obtained,
Though priests, the crown, and David’s throne usurped,
With Modin and her suburbs once content.                    
If kingdom move thee not, let move thee zeal
And duty—zeal and duty are not slow,
But on Occasion’s forelock watchful wait:
They themselves rather are occasion best—
Zeal of thy Father’s house, duty to free
Thy country from her heathen servitude.
So shalt thou best fulfil, best verify,
The Prophets old, who sung thy endless reign—
The happier reign the sooner it begins.
Rein then; what canst thou better do the while?”            
  To whom our Saviour answer thus returned:—
“All things are best fulfilled in their due time;
And time there is for all things, Truth hath said.
If of my reign Prophetic Writ hath told
That it shall never end, so, when begin
The Father in his purpose hath decreed—
He in whose hand all times and seasons rowl.
What if he hath decreed that I shall first
Be tried in humble state, and things adverse,
By tribulations, injuries, insults,                        
Contempts, and scorns, and snares, and violence,
Suffering, abstaining, quietly expecting
Without distrust or doubt, that He may know
What I can suffer, how obey?  Who best
Can suffer best can do, best reign who first
Well hath obeyed—just trial ere I merit
My exaltation without change or end.
But what concerns it thee when I begin
My everlasting Kingdom?  Why art thou
Solicitous?  What moves thy inquisition?                    
Know’st thou not that my rising is thy fall,
And my promotion will be thy destruction?”
  To whom the Tempter, inly racked, replied:—
“Let that come when it comes.  All hope is lost
Of my reception into grace; what worse?
For where no hope is left is left no fear.
If there be worse, the expectation more
Of worse torments me than the feeling can.
I would be at the worst; worst is my port,
My harbour, and my ultimate repose,                        
The end I would attain, my final good.
My error was my error, and my crime
My crime; whatever, for itself condemned,
And will alike be punished, whether thou
Reign or reign not—though to that gentle brow
Willingly I could fly, and hope thy reign,
From that placid aspect and meek regard,
Rather than aggravate my evil state,
Would stand between me and thy Father’s ire
(Whose ire I dread more than the fire of Hell)              
A shelter and a kind of shading cool
Interposition, as a summer’s cloud.
If I, then, to the worst that can be haste,
Why move thy feet so slow to what is best?
Happiest, both to thyself and all the world,
That thou, who worthiest art, shouldst be their King!
Perhaps thou linger’st in deep thoughts detained
Of the enterprise so hazardous and high!
No wonder; for, though in thee be united
What of perfection can in Man be found,                    
Or human nature can receive, consider
Thy life hath yet been private, most part spent
At home, scarce viewed the Galilean towns,
And once a year Jerusalem, few days’
Short sojourn; and what thence couldst thou observe?
The world thou hast not seen, much less her glory,
Empires, and monarchs, and their radiant courts—
Best school of best experience, quickest in sight
In all things that to greatest actions lead.
The wisest, unexperienced, will be ever                    
Timorous, and loth, with novice modesty
(As he who, seeking *****, found a kingdom)
Irresolute, unhardy, unadventrous.
But I will bring thee where thou soon shalt quit
Those rudiments, and see before thine eyes
The monarchies of the Earth, their pomp and state—
Sufficient introduction to inform
Thee, of thyself so apt, in regal arts,
And regal mysteries; that thou may’st know
How best their opposition to withstand.”                    
  With that (such power was given him then), he took
The Son of God up to a mountain high.
It was a mountain at whose verdant feet
A spacious plain outstretched in circuit wide
Lay pleasant; from his side two rivers flowed,
The one winding, the other straight, and left between
Fair champaign, with less rivers interveined,
Then meeting joined their tribute to the sea.
Fertil of corn the glebe, of oil, and wine;
With herds the pasture thronged, with flocks the hills;    
Huge cities and high-towered, that well might seem
The seats of mightiest monarchs; and so large
The prospect was that here and there was room
For barren desert, fountainless and dry.
To this high mountain-top the Tempter brought
Our Saviour, and new train of words began:—
  “Well have we speeded, and o’er hill and dale,
Forest, and field, and flood, temples and towers,
Cut shorter many a league.  Here thou behold’st
Assyria, and her empire’s ancient bounds,                  
Araxes and the Caspian lake; thence on
As far as Indus east, Euphrates west,
And oft beyond; to south the Persian bay,
And, inaccessible, the Arabian drouth:
Here, Nineveh, of length within her wall
Several days’ journey, built by Ninus old,
Of that first golden monarchy the seat,
And seat of Salmanassar, whose success
Israel in long captivity still mourns;
There Babylon, the wonder of all tongues,                  
As ancient, but rebuilt by him who twice
Judah and all thy father David’s house
Led captive, and Jerusalem laid waste,
Till Cyrus set them free; Persepolis,
His city, there thou seest, and Bactra there;
Ecbatana her structure vast there shews,
And Hecatompylos her hunderd gates;
There Susa by Choaspes, amber stream,
The drink of none but kings; of later fame,
Built by Emathian or by Parthian hands,                    
The great Seleucia, Nisibis, and there
Artaxata, Teredon, Ctesiphon,
Turning with easy eye, thou may’st behold.
All these the Parthian (now some ages past
By great Arsaces led, who founded first
That empire) under his dominion holds,
From the luxurious kings of Antioch won.
And just in time thou com’st to have a view
Of his great power; for now the Parthian king
In Ctesiphon hath gathered all his host                    
Against the Scythian, whose incursions wild
Have wasted Sogdiana; to her aid
He marches now in haste.  See, though from far,
His thousands, in what martial e
M Lundy Dec 2010
sweat drips down my face,
the floor swims beneath me
and smoke ribbons out of my mouth and nose.
mid-summer in an Arabic bar
with some ******* touching the dancer all over
and saying "*******" over and over again.

he stares at her hips.

the mirror is on one side of me,
and one half of a pair of speakers is beside
my ear.
it's gigantic.

it blares music that my friend tells
me is from some new Bollywood movie.
two hands grab mine and i'm up.
one link in a circle, dancing a
Middle-Eastern two-step that's only slightly
familiar.

faces come in and out of my line of sight.
i recognize none
and feel as if i'm in a Salman Rushdie novel.
maybe i'm Haroun, in a new place with a blue genie
saving a sea of stories, a princess, a land, and my father.
but then again, maybe not.

i would never save my father.

i spin, spin, spin
until i can't see straight.

i wake the next morning on the belly
dancers couch.
my friends are having coffee with her
and discussing whether or not to
take me to the hospital.

Nadia found some blow in my pocket
and flushed it down the toilet.
she found *** in the other and put it back.

they had decided to let me sleep
and from then on call me "American Dream."
Copyright 2010 M.E. Lundy
Amy Irby Jul 2012
camel  
    
C-A-M-E-L  
    
...  
    
    
... (?)  
    
    
...  
    
    
Why?  
    
I don't know, cause they're cool ! . ?  
    
    
    
his favorite animal is a camel  
and he doesn't know why  
but i do  
    
i think, as a kid, he read about it
in an encyclopedia
And decided, "that's how I want to live my life"
    
the humps on camel's backs that can store water  
and they can go days, weeks, months,
I even heard years  
without replenishing  
crossing dry, barren deserts  
carrying cargo, people  
    
i didn't know camels wore graphic t-shirts,  
crocs and cargo shorts  
but he is a camel  
tall and lanky    
takes in tons and never gains a pound  
(i hate camels)  
    
a camel exists in the Arabian world  
is in love with a Middle-Eastern girl  
and they even have a miracle of that descent  
    
He IS A Camel!  
but the humps on his back  
are hope and inspiration    
and with just a little in the tank  
he will cross a world of deserts    
and bring you back a treasure chest full of dreams  
    
but he enjoys simplicity ...  
Sometimes,
then sometimes not at all  
he takes things way overboard    
and carries far to much cargo  
but he crosses the desert anyway  
    
i didn't know camels were such good teachers  
    
didn't know they made such good friends
for my friend and former youth pastor
Literatim Jan 2017
Where lonely camels roam, dunes in darkness lay
And myriads of stars glow in disarray.
Solely the morning star, lone wanderer, shines bright
And thus illuminates this dark Arabian night.

As the gleaming eye of heaven rises in the East,
wake the weary nomad and his weary beast.
And as it reaches zenith, the heat burning the flesh,
they reach their destination: the vibrant Marrakech.

Explosion of colors, spices galore
Sold on bazaars selling infinitely more
A snake tamer plays his tunes in a trance
and the dervishes do their habitual dance.

And with every turn, every swish, every sway,
Unfolds like a dream the Arabian day.
'Til the sun sets again in this wondrous land
To darken once more the kingdom of sand.
LOVELY Semiramis
Closes her slanting eyes:
Dead is she long ago.
From her fan, sliding slow,
Parrot-bright fire's feathers,
Gilded as June weathers,
Plumes bright and shrill as grass
Twinkle down; as they pass
Through the green glooms in Hell
Fruits with a tuneful smell,
Grapes like an emerald rain,
Where the full moon has lain,
Greengages bright as grass,
Melons as cold as glass,
Piled on each gilded booth,
Feel their cheeks growing smooth.
Apes in plumed head-dresses
Whence the bright heat hisses,--
Nubian faces, sly
Pursing mouth, slanting eye,
Feel the Arabian
Winds floating from the fan.
Robin Carretti May 2018
He quietly appears so many years have passed smelling the amazing greener then life grass a potent filled with magic the invisible man he passed.
Splendor in the grass

Ehh Oh yuck someone
abandoned you
On the runway
He Grilled walked in
fashionable late
The head of his
mansion

You needed to
tolerate
Oh! Chuck
Full of gas
shattered_
her mind
with scars coming
toward her
like glass

The wake-up call
The lady of
all envy
Winning
an Emmy
Adelle
We could
of had it all
Another name
Amy
For the love,
Of a ghost
Like the
Candy Man
Invisible man
from
Ireland

Something got posted
seductively
Blindfolded hosted
Designed into his
Money hand
Powdered substance
poisoned her

Invisible man
Her eyes got
Smoked like
Poison Ivy
In the Army now
Please too much
Attention of green
Arabian in the Nile
Miles and miles
Navy to be seen
He was colored blind
Different eye
Brown in one and blue
Something hatched

Matchmaker  Ghost rider
Fiddler on the roof
We need a story writer
Like a horse
without a hoof
To neigh the right
stuff

I Sir "Infinitely" so
"Existentially"
Remarkably
Divinely
Ghostwriter
Her words were
blank
She is so genuine
Every other day
He was mine
The quiet man
Super shy
Another try
Valentine's day +*

Writing but not seeing
I love you until this day
Quiescently being forced
he entered emerged
I love you let's get
engaged
Beg your pardon
was not her
To be loved so sorry to be
changed
Like a stale piece

Her niece vintage
furniture more love
and peace
Quietly operation
tugged
Someone got flagged
That blind man
faced
And looked into
the  quiet man
On someone's 
body
The smells
like Moms
perfume her
exact tune
New Jersey Patch reader
"The Catcher in the Rye"
To weird the movie
Carrie
School can be strange
A bucket list of water
down your head
She walked

The Quiet man lips
No small talk
Ghost post bed
Not even one star
could be heard
The gas lamp
she tripped
Out of sight

She saw a face not to
be described

So inhibited like
endangered
species

The invisible man
loved her
But got his
vengeance on
anyone
that was too near her
People wanted so
much to
be her
Her force
indescribable

When someone was
clear to see
Extremely well visible
she didn't care to
know them

Her nose on the tip
baking with flour
Ghostly the hostess
of the most
But feeling his
energy the invisible
the man was
courting her so challenging

New flame "Procreating"

Hemming her long skirt
Her diary innocence
Being on her side
but scheming
Disguise home staging
From the ridiculous to the
subline

Her address
Send forget me knots
street
Only blind
people are the kind
you want to find

SOS  surrender or out
The other S Soulmate
Ghost
Hailed the Mary
The Quiet Man
John Wayne

The laundromat
Mack the knife
Invisible man
Inked his whole life
Waynes world
Born to be wild

The other man
Hit the metal
heavy music
fan
Drenched so humid
He was the Murad

Triangle mess
Shopping at London
Harrods
Let's hear it for
the girls or ((Gods))
The magical channeling
TV on the blink
Went right on his computer
All the quiet man linked

He finger waved by the world
Guinness drinking Heineken
beer
The ghost rider
Got grilled called upon
By Ron
College kid playing
Rugby
The good bad and
the Ugly
Clint Eastwood
stretched them out
like Gumby
Western gunshot slinger
He couldn't see the
Ghost rider
the
blank stares
Perky Rabbit Hares
All the negatives got
burned
Exorcist's heads twist
and shout eyes healed
about

Climbing the Jacks
of the shinning
Nowhere in the beauty of
Her heart gleaming

Took a blindfold call felt
somewhere but where?
But I couldn't see blinded
by stars
Over the rainbow, the skies
weren't blue
Being stalked by
someone you know

By the greater impossible
love
To be silent like she was
invisible
So naive at time feeble

Without an honorable
love of fee
Gone with the winding
shopping spree
Disworthy and sneaky
but for being
who or answers
Doctor Who?
Invisible man what
could he do

He was so flavorful
well balanced
strong nursed her well
and sturdy
Quiet man thinking in his
beloved study

She was no goodie
magical shoes
The Ghostwriter
left invisible
clues
More Quiet time
Lemonade time affair of a
Ghost man
Like Hannah and her sisters
Woody if he could
But he is a **** good writer
The Movies of NewYork
I am proud to say
I come from
Brooklyn NY

If lips could talk
pouty
Sensing something but why?
Hans Christian Anderson
Quiet man playing softly but
Killing me easily through the
Blind sighted window

The widows
War Veterans
True Hero My dad
World War 2
Wifes lies and fibs
Quiet leads to invisible
Heller Keller was so
fortunate
Like Fate, she was
the real
Mccoy, she could light
anyone's smile
with joy
The barbecue next season
So many years to reason
More gun control
Be more visible to others
Mothers and brothers
Have a heart of soul


Only the strong keep the
  fight
Just keep on trucking
Grill them show them
What you could write
Perhaps it's cool to be the
Ghostwriter
Not everyone likes
To see the clear picture
What is really taken

So what if people cannot read us
Somehow we are all blind that's
OK its a miracle how other people
Can make it the beautiful day


Of the next groundhog day
He was loving to be invisible
He wanted to keep it that way
So deep set her eyes
to die
Somehow talk could be cheap
And the shepherd of love loads

of sheep, silence is the best sleep

All in someones head so lovingly deep

Invisible but remarkable to be the person
you want to be or let's really look closer
it's not always rosier.
Can we be so invisible to everything we look at? What about being blind Helen Keller to me was the fortune of better futures your best wine out of the cellar. So what if you are blind there will always be someone you love around you just have to feel them
Elena Mustafa Sep 2020
a nice muslim girl
Was the victim of her
Lovers ghost
The ghost of a Saudi
Prince
Whom loved her
And her the same
He committed suicide after
His beloved accused
Him of unspeakable acts
When ever
The girl slept
Her late lover
Would come from the
Darkest recesses of her mind
And appear in her nightmares
****** from the neck down
As he slit his own throat
Asking her why
She betrayed him
After the shared something special
He would haunt her in her nightmares as
****** Faisal
Or the arabian ghost
If you say ****** faisal
3 times
He will show up
In your nightmares
A tormented soul in the earth
And the hearafter

— The End —