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Mateuš Conrad Aug 2016
now i know why i might engage with writing obscene
poems, chauvinism included, but still there
is no burning excuse in my mind with the way
western society actively desires censorship of certain
words, i already attributed censoring obscene
words as worse than what this tactic precipitates into:
the apathetic spread of *******, and violence
in general... it crosses my mind that sparring with violent
language cushions people from violet action...
to utilise violent language with that: pardon my French
attitude does more good than evil on the users...
how many road rage incidents could have been avoided
if people were unable to watch their tongue:
somehow we're making language sterile, by actively
pursuing this sort of censorship: which is not even
remotely politically related / motivated, we're bringing
an anaemic status quo in how fluidly we speak -
we desire to not hear the sometimes funny and the sometimes
awful... but we choose to see the god-fearing horrific...
ask any blind-man about music and he'd say:
well, i can dance to it in a nucleus position, centrally
gravitational pull - but ask the deaf man about
what he has to say when seeing **** written to counter
obscenity, as in cartoon-like: f&%£! it's just plain silly,
pocket-sized expression of psychotic behaviours,
rummaging through them i find only one source of inspiration:
the fact that we're in this blind-man's garden of innocence,
somehow dressed in the camouflage of censorship such
a tiny problem, that it does indeed require 23 mattresses
for the princess to not feel the frozen *** agitating her...
this sort of censorship in its application is under
a false sense of purpose, it really doesn't change people's
behaviour for the better, it doesn't pacify them, in does
the reverse: it infuriates, it makes violence more potent...
i'm still trying to figure out why such words
will make our perceptions saintly... unless of course
that's the reason behind them, as way of invoking an
anaesthetic placebo, a placebo that's actually active rather
than passive - presuming the anaesthetic placebo gives
way to an aesthetic active apathy-inducing ingredient...
meaning we can't bare to hear swear words, but we can
gladly watch 20 hours of 20 : 1 ****... censoring **** ****
**** **** will not escape Newtonian physics...
given our current scenario, Newtonian physics is far
more important than Einstein's relativity, i'd hate to be
in denial about cause & effect... as began with Socrates,
i too abhor moral relativism... of course Newton got
the gravity bit wrong, but i like the simpler version...
plus... there was no Romance with Einstein...
no apple, no tree, no Voltaire... meaning we don't necessarily
write history collectively, with all of us starting from
the big bang or the view from the Galapagos islands...
we don't... we continue writing history not from a
collective consciousness genesis... or from the collective
unconscious genesis - that's Jung with his archetypes
(devil, god, wise man, mother, father etc.) rather than
dreams (Freud) - we can chose were to write the future...
it's not so much ignorance as arm-chair intellectualism,
it's not about the safety of understanding something,
but the comfort of choosing to understand something...
which is pretty much to my excuse for my previous poems...
Heidegger... and that concept of Dasein -
i never bothered to understand it to the point of
reacting subjectively to it, by that i mean an interest
in writing about it, an interpolation of the subject with
alternative variations... i objectified it, i also countered it
when objectifying the concept turned out to be an
everyday object, shortening my quest.
the counter? hiersein, i.e. being here, here denoting a
solipsistic classification of awareness with / in the world -
which is basically me in my room, admiring my library,
my record collection, my torn sneakers, everything that
is classified exclusive to what dasein evolves into
when all its grammatical weaving only express a verb,
i.e. concern... so i thought, given this what can hiersein
(being here / nonchalance) actually show me as
my lack of interest in: "changing the world".
it became obvious yesterday, i had a hard time when i
didn't read the day's copy of the times (more on this later),
instead i had to suffice with construction site media,
you might have heard of this newspaper: the daily star,
at 20 pence a pop, you will see what £1.20 makes to
your psyche... but that's basically it, i objectified Heidegger's
concept and made it into an everyday object, in this
case and as the only case available: a newspaper -
and the trick is? well, with a newspaper like daily star
you don't actually experience dasein - it's completely
missing in this style of media, and that's worrying given
my barbaric poetry of yesterday... it's missing, not there,
such object-for-object chirality is what gives birth to
hiersein (being here); but today i returned to my usual
media diet, a flicked through the times and the natural
balance of personal objects and a fresh impersonal object
coexisted - the newspaper is truly the most adequate
compounded expression of Heidegger's dasein -
which i attribute to the constant need to emphasise an
empathy with others... empathising is a neutral form
of sympathising, since sympathy is sourced in shared
experiences: **** victims (e.g.) - therefore empathy is
something that in the ontological structuring of dasein,
which opposes the ontological structuring of hiersein,
which is structured by apathy; there is nothing else for
me to write, apart from the compendium proof
of the disparity of sources, i.e. headlines and subheadings:

- prior compendium -

i will never understand the point of autobiographies,
the majority of autobiographies are written
on a p.s. basis, after the facts / actions,
never immediately, concerning ideas /
solidified thoughts, thoughts condensed into idea
that allow thinking / cognitive narration to
continue regardless with what's being achieved...
i haven't anything autobiographical dissimilar
with something biographical...
Plato wrote that wonderful biography like
Shakespearean theatre, but i guess his critics felt
the claustrophobic tug & pull of mermaids...
still the problem ascends heights unparalleled -
even with ghost writers doing the leg-work...
cheap-buggers never learned to write, let alone read,
and here they are writing biographies...
ah, **** it... they're only sketches... whether biographic
or autobiographic... they're still mere sketches...
if this was the art world the revenue would come
posthumously, when it comes to literacy
nothing really distinguishes poets from
those prescribing pedestrian signs...
the Olympians can moan at the vacant stadium...
that there's a hierarchy in sports,
with the favoured monochrome idealisation
of where the bunny money is in the whirlpool
of the rabbit hole investment: football, volleyball...
but the literary events are the same...
people love to lie that they read the bestseller to
its full extent... but treat books like chairs and tables...
inertia prone half finished, sat on for 2 weeks of
the entire year... the Olympians are very much
like poets, and i care to distance myself from either
demand for more interest being invoked...
i like esoteric sports, i like esoteric writing...
but that's how it stand: poets are Olympians where
novelists are footballers, who retire at 30 and
then think about what to do with their wages
that are 10x higher than the everyday labourer...
start a restaurant, buy a strip of houses in Liverpool
like Michael Owen? good guess, here's to exploiting
youth disgracefully... that's what they're getting,
and these are the dilemma points to consider...
they're the equivalent gladiators of our time,
Rome was just a sleeper before it awoke once more...
but i'll never understand why these
people decided to exploit literature for gain...
all these academics with their pristine purity of discovery
are pacified when dictating print,
what poet, has a chance in hell, to appear gladly
excavated from Plato's cave of television?
about none.
i too was focusing on 20th century literature,
before 21st literature came about...
and i thought, oh god: they're really going to create
a totalitarian democracy, every artist will be
strip-searched for adding cinnamon and chilli to their
writing to bounce away from conformist
sober and sane extraction of alter wordings...
this 21st scene will become polarised...
we'll have the extinction of One Direction over a joint,
while the Rolling Stones drank a keg of whiskey
and pulled off a show... we'll have moralisation
of the fans to subdue the artists, which will mean
no artist will ably create a zeitgeist to rebel... everyone
will suddenly experience a weird sort of communism...
the worst kind... it will mean having
all the mental freedoms without the ability to
economise a coup... basically an inertia, an immediate
fatality... we can't economise a coup...
which boils down to why so many autobiographies
aren't really biographic, but rather consolidating,
by the meaning: autobiographic i intended to relate
the everyday... the most secretive account of life:
the everyday... this is stressing Proust,
even though i preferred Joyce over Proust i keep
the everyday the prime ideal: the only detail,
so that an autobiography can make sense,
automation of writing, like breathing or sneezing...
not some monetary-spinning device 20 years after
the facts... 20 years later you're pretty much writing
fiction... i am all for the biosphere of expanding
Alveoli... but when did you ever read an autobiography
that mentioned the taste of weak coffee
from the Friday of 20th of August 2016? never;
you read autobiographies
like you read self-help books...  waiting for
all that experience regurgitating motivational talk
about reaching a plateau of comparative success...
i can understand autobiographies written by the elders,
i understand biographies written about people
posthumously - but the tragedy is, given the spinning
wheel of money? we're getting "auto" biographies
written toward their 3rd volume renditions of
people aged 30... let alone 40... so much for
western society having the upper hand on political matters...
just saying: sort your own **** before trying
to sort other people's problems...
i could understand if these autobiographies were written
as described: automaton solo... but they're not...
before the compendium it's this everlasting presence
of a desired body of power being depicted:
prior the monopoly of knowledge, there was a monopoly
of literacy... given that 99% of us are literate, it
actually doesn't mean a third donkey's *******
whether we can read, or write, we got shelved in controlling
this once priestly vanity, we got taught bureaucracy alongside...
but the monopoly of literacy is way past us,
we're being convened in the ability to monopolise knowledge,
(oh please, don't let the paranoia seep in,
remember yourself when reading me, once in a while,
i don't drag you to phantasmagorical heights, even if i could,
i'd prefer you being agile in learning how to be bored
than letting your repel the same boredom i too share,
well... but **** me if you want to be the next Lenin) -
and the easiest way to monopolise knowledge? the media...
you basically need a lot of facts, and an evolved version
of dialectics, dialectics being the prime enemy of democracy
(it's not an alternative political model like despotism as
we are held to believe, it's actually dialectics,
suppressing other forms of collectivisation is the one
sure method of suppressing the attempt at dialectics
(individualism) - by making people overly opinionated,
ergo: the inability to engage with opinions, blind-alleys
throughout all plausible attempts to do so) -
so once you have enough facts to fiddle with the Rubik's cube
of juxtaposition, you end up with the ultra-scientific
form of dialectics... the matter of opinion in relation
to truth without a relative uniformity that prescribes
the status quo stasis is a debate about how accurate
we all are: i.e., is that true to the closest centimetre,
or the closest millimetre? it's a bit like watching a Zeno
paradox:
                 10.1                           and 10.01
      which one's tortoise and which is Achilles?
well, you know; ah ****! the compendium of the two
newspapers which got me slightly depressed...

- the compendium -

a. daily star

- B. BRO SAM'S SECRET 'NERVOUS BREAKDOWN'
- Laura & Jason's baby joy
- Robbie (Williams) £1.6M a night!
- BREXIT BOOST ON JOB FRONT
- ANGE DAD BACKS TRUMP
- JR'S wife Linda set to Holly
- Edd's no Beverly Hills flop
(Lana among cow *******)
- LAURA: OUR TINY TROTTS WILL BE WORLD-BEATERS
- FURY AT BAD LOSERS' SLURS
- 'Jealous sis' jibes
- MAKE YOUR KID AN OLYMPICS ACE
- Peaty: I want to be a rapper
- TV girl really ill
- **** SAM, 'ON THE BRINK OF BREAKDOWN'
- COSTA ***** HELL
- CAGING ANJEM WILL INSPIRE NEW JIHADIS
- POG'S LOADED AGENT BUYS CAPONE'S LAIR
- I'll make Kylie a pop star
- JEZ DOESN'T KNOW ANT FROM HIS DEC
- GUILTY OF DEMONIC SAVAGERY
- Great British Rake In
- Britain is *******
- BAYWATCH U.K.
- Va Va Vroom
- JUST JANE: My lover snubs plea to get wed
- HART: I'LL DECIDE WHEN TO GO.

b. the times

- Boy victim becomes a symbol of Assad's war
- US Olympics swimmers invented robbery tale, say Rio police
- Make us sell healthy food, supermarkets implore May (P.M.)
- Lost weekend of the lying best man
- fears over free speech delay law to silence hate preacher
- Met's 'commuter cops' live in France
- Husbands happiest when they earn half as much as wives
- Socialists plot to drive Britain left
- Fake human sacrifice filmed at European high altar of physics
- Officers investigated over ex-footballer's Taser death
- Number of pupils taking languages at record low
   (Mandarin @ 2,849 - % decrease of 8.1,
    alarmingly religious studies 27,032 up by 4.9%
    and psychology of status 59,469 up by 4.3%....
    meaning the mad will soon be diagnosing the sane
   as mad, just because the curriculum said so)
- Top grades add up to 100% at the school for maths prodigies
- Deprived sixth formers thrive on competition
- European students rush to get into British universities
- DVLA earns £10m selling driver's details
- Mystery over Kenyan death of aristocrat
- Journalist who voted twice reported to police for
  'fraud'
- Tomato tax threatens European trade war
- Love story of the Pantomime
- Homeless conmen fleeced widow, 81
- Brownlee brothers at the Olympics...
- Hopeful shoppers give sales a lift after Brexit vote
- MoD guard could be stood down despite terrot threat
- Owners spit mansion after failing to sell
- The job with international appeal: saving our hedgehogs
- Finch warns unborn chicks if weather gets warm
- Migrant violence rises after decline in policing around Jungle
- Longest road tunnel promises a relaxing ride under Pennines
- Mothers step up to drive Tube trains through night
(rowdy teens ageing exponentially on a Saturday night
when not getting a lift, ******...)
-MP's deal with bookmaker to be investigated
- Ebola nurse 'hid high temperature'
- Shoesmith's ex-huspand kept child *******
- Morpurgo war tale springs into life
- Supergran fights off teenage muggers
- IVF is more successful for white women
OPINION SECTION
- Great political fiction is good for democracy
- the BBC is leaving its audiences in the dark
- airline food? just pass me the gin and tonic
- Modern Olympics began on the fields of Rugby
/ greasy polls, holding firm, tongue tied,
  call for compulsory targets to tackle obesity,
second in line, mindfulness course, cost of planning,
puffins v. ship rats.... and all future letters to the editor /
- Moscow presses Turkey for access to US airbases
- Hundreds killed each month in Assad's jails
- Putin bans celebration of defeated KGB coup
(another James Bond movie on the cards,
i'm assured, and with a moral carte blanche) -
Hollande clams Carla Bruni spied concerning his
use of diapers...
- Euthanasia tourists flock Belgian A & E from France,
  where a revival of ****** made people dress shark-fin
  sharp on the catwalk...
- Mosquito pesticide linkage application = intersex /
   East German women
- Haiti cholera linked to Nepalese **** and ***** via
  the
Gino Aug 2013
You always say you hate to see me hurt, and you hate to see me cry. So all those times that you hurt me, did you close your eyes? Sad isn’t it? How no matter what you do or say to me… when you come running back… when you need me again… I’ll be here… right here waiting for you, I’ll take you back… no questions asked. Sad isn’t it?

So… from now on… when you think of me… just remember that I could’ve been the best thing you ever had You hurt me more then I deserve, how can you be so cruel? I love you more then you deserve, why am I such a fool? You asked me what was wrong, I smiled and said nothing, when you turned around and a tear came down and I whispered to myself… everything is.

You wonder why I don’t talk to you anymore and please believe me when I say it’s not that I don’t want to, it’s just that everything I want to say I can’t tell you anymore I don’t know which I would rather believe… that you never did care or that you eventually stopped Hold my hand, just one more time, so I can remind myself why it is that I can’t get over you I think its time I let you go… and that is hard to do because part of me will be in love with you for the rest of my life.

While I was holding on all you did was let go Sometimes it’s better to be alone. No one can hurt you that way I just wonder how many people never get the one they want, but end up with the one they’re supposed to have The hardest thing about growing up is that you have to do what is right for you even if it means breaking someone’s heart. Including your own.

All I’m asking for is one night together. Just you and me. All alone. And if you can honestly say you don’t feel anything for me after that night, I will finally let you go Sometimes all you need is a broken heart to realize that something even better is right in front of our eyes, just waiting to be found No one can promise they’ll never hurt you because at one time or another, it will happen. The real promise is if the time you spend together will be worth the pain in the end.

The worst feeling in the world is knowing you’ve been used and lied to Maybe they are right. Maybe I did get my hopes up too high. Maybe I was in over my head. Maybe I am the stupid one for ever thinking that you loved me, but maybe, just maybe, I am tired of being alone I don’t know which is worse, being the one with the broken heart or being the person that breaks the hearts It’s not that we aren’t meant to be together, I think that we’re just not ready for forever You always have an out An exit strategy to make sure you don’t get hurt  You always walk always  You walk away before they can walk away from you There were reasons we met, reasons for the good times and reasons bad times, and most importantly a reason to end. We have more to learn, more to experience and more loving to do in this lifetime.

Somehow I know we’ll meet again, not quite sure where and not sure when, your in my heart so until then good-bye If you think you’ve found that one that you really love… make sure they love you back Don’t hate me. Don’t regret me. Don’t even forget me Wherever you go, whatever you do, don’t say I never loved you It’s hard to love someone who’s in love with someone else, you have to ignore the pain and swallow your pride. Just to be a friend… but that’s all worth it because sometimes friendship last longer than love.

I haven’t been around but that doesn’t mean I'm there for  Even when I was acting like a fool I’ve tried to show you in a million ways but nothing ever got through I cut to prove to you that you are not the only one that can hurt me I wish I saved all the tears I cried for you so I could ******* drown you in them Sometimes I love you, Sometimes you make me blue, Sometimes I feel good, At times I feel used. Loving you darling makes me so confused get weak, that is my problem…

But the thing that I want you to see the most is that I survived without you I don’t think I ever felt that good and that bad at the same time in my life Sometimes I have been thinking a lot about growing up, and all of the relationships and broken hearts we go through. I always wonder how many times I said “I love you” to someone  Love is putting up with someone’s bad qualities because they somehow complete you Stop trying to change yourself for a relationship that’s not meant to be Don’t stay because you think “it will get better”. You’ll be mad at yourself a year later for staying when things are not better.

You cannot change a man’s behavior. Change comes from within I may hate myself in the morning But I’m gonna love you tonight Relationships are like glasses. If they break, let them stay broken, you’ll only hurt yourself trying to fix it. At least the pieces still remain Why do we fall for someone, who really isn’t for us?… should we blame ourselves for falling the wrong one. Or… should we blame the one we fell for, because… they made us believe that they are the right one for us?!

There will always be faces you can never look at without emotion and there are names you can never hear spoken without that same old feelings returning. Just when you think you can move on, you’ll remember all the reasons why you held on so long The only thing worse than a broken heart is knowing you’d give him another chance.
I don’t understand why I let myself stay with you, after all the lies and all the tears cried. What makes you so ******* special?

Too often we don’t realize what we have until it’s gone… too often we wait too long to say “I’m sorry, I was wrong” There’s nothing scarier then getting what you want, cause that’s when you really have something to lose.

I’m mad at myself for crying, I don’t even remember the reason but the tears keep flowing and they just wont stop I’m supposed to be strong but everything’s so wrong Maybe sometimes you just have to say what’s in your heart, not just what you think someone wants to hear I’m sorry that I’m not the one you wanted that I made your life ****** up its not telling you how I feel that scares me. Its what you’ll say back that does.

Learn from your past, move on, grow stronger. People are fake, but let your trust last longer. Do what you got to do, but always stay true, and never let anyone get the best of you.

I think it’s time that I let you go. And it’s really hard for me to do because I know that there’s a part of me that will be in love with you for the rest of my life. But this while running in place and day dreaming is just not healthy for either of us.

Not everything’s gonna be picture perfect… Things sometimes take time and have rough times to get through… Before you can get there but if you give up on things you want, everything you’ve gone through ends up being completely worthless If one day you realize that I haven’t talked to you in a while it’s not because I don’t care anymore it’s because you pushed me away and just left me there…

The higher you build the walls around your heart, the harder you fall when someone tears them down.
Just hit play and watch my life fall apart I can’t help myself I don’t want anyone else You are unmistaken ably my first love. Every guy I am with for the rest of my life will be compared to you Hold me when I cry, sleep with me on my drenched pillow, just for one night.
I know it’s hard to love me, but couldn’t you please just try anyway?
Time and time again, I forgave you. I’ve forgiven you for things that I swore to myself I’d never forgive someone for… and here you are, still hurting me, and I still forgive you And these break up songs Are making sense again And I really wish they didn’t.

It’s amazing after all we’ve been through the good times and the bad how we can walk past each other and pretend like it never happened give each other an awkward smile and move on It’s really painful to say goodbye to someone that you don’t want to let go but its even more painful to ask someone to stay if they never wanted to stay.

A sad thing in life is when you meet someone who means a lot to you, only to find out in the end that it was never meant to be and you just have to let go.
You didn’t intentionally break my heart, you even said you were sorry, but I cried anyway… I know the truth that you’re to scared to admit, you’re with her, but when you look at me, you can’t even remember her name

I’m  hurt. I am always getting my heart broken over and over. My heart has so many scars and bruises all over it. I don’t know how much just one heart can
take really, and I don’t really want to find out either.
After a while, you learn the difference between holding a hand, and falling in love. You’ll learn kisses don’t always mean something. Promises can be broken just as easily as they were made, and as hard as it is to believe, sometimes goodbyes are forever.

Life doesn’t hurt until you have time to yourself to think about how things have changed, who you’ve lost along the way, and how much of it is your fault.
It’s like once you’ve been hurt, you’re so scared to get attached again. you have this fear that every person you start to fall for, is just going to break your heart again If you don’t love me at my worst then you don’t deserve me at my best Make me stay Say something sweet and tender and untrue and make me stay.

The hardest thing about knowing you don’t love me
is that you spent so much time pretending that you did Like being in love there must be a corresponding painful side like losing in love, it’s just a fact of life You really know you love someone when all you want is for them to be happy, even if that means that you are not a part of me It’s not my fault if I can’t help looking at you. It’s not my fault if I can’t stop calling you. It’s not my fault I do like you. My only mistake was to fall to much in love with you Sometimes – no matter how long, or how much you love someone, they will never love you back and somehow you have to learn to be okay with that.

If your gonna make me cry, at least be there to wipe away the tears.
I’m holding on to something that used to be there hoping it will come back, knowing it won’t There’s always that one special person that no matter what they do to you, you just cant let them go At first, I cried because I didn’t have you why do I still cry now that I do?
How could you make me love you and then not be there to love me back?

I sit here and think about everything that happened this past week and not a single tear runs down my cheek. Maybe its because I’m too hurt to cry, or maybe I’m just to mad at you Maybe just  its my hearts way of telling me this isn’t over yet What do you do when the only person who can stop your tears is the one making you cry I’d like to think I’ll be happy again, but I really need to just stop and cry now, and sometimes I wish I could just scream at you, and show you what you do to me.

And even though you lied, and even though you pretended to care I can’t seem to get you out of my mind and even though it seems like I should be over you, with every tear that falls, it reminds me of how much I am still in love with you.

Have you ever hated somebody so much that you wish they would just leave and never come back but yet, loved them so much, you knew you'll die if they did?
I’ve been through this pain before I’ve even cried these tears before but to get you back, I’d go through so much more  I’m going to smile like nothings wrong, talk like everythings perfect, act like its just a dream and pretend that she’s not hurting me The truth of the matter is, I still have feelings for you And no matter how many times I tell myself that I’m better off with out you, a part of me just won’t let go I know I made a lot of stupid mistakes in my life, but the worst one was thinking the person who hurt me the most wouldn’t hurt me again.

I feel like I am sitting in a room full of people that I love, and you know what, they just don’t care that I love them. They don’t care whether or not I live or die. To them I’m just another person , just another stranger. To me, they are my best friends, the only people I have left I’m scared to fall in love, scared to fall fast, because every time I fall in love, it never seems to last You’re the reason I live and the reason I die, you’re the reason.

I smile yet break down and cry, you’re the reason I keep going and the reason I fall, cause without you in my life I’m nothing at all I have waited for you for years and I will wait for you for the rest of my life. Even if that means I have to give you up for the rest of my life, I will wait for you.

I’m gonna smile, because I wanna make you happy, laugh, so you won’t see me cry. I’m gonna let you go in style, and even if it kills me, I’m gonna smile.
Love? It’s kind of complicated, but I’ll tell you this the second you’re willing to make yourself miserable to make someone else happy, that’s love right there.

You asked me what was wrong, I smiled and said nothing, when you turned around and a tear came down and I whispered to myself everything is.
I used to think that if I loved you enough you would realize it and love me back,
I don’t know which is worse, keeping your love for someone a secret or telling them and risk being rejected I don’t know which is worse, loving someone knowing its going to cause you pain or being in pain because you can’t love someone It hurts to realize that them people you thought you’d love for life don’t love you as much as you thought they did and can do without you as if they never knew you at all It seems to me that the harder I try the harder I fall.
Ever notice that the people who hurt you the most are the ones you tend to love more It’s funny the way you can get use to the tears and the pain.
No more crying, I can’t cry anymore. Don’t take my hand this time. Just go please and don’t look back, because I know if you did, I’d come running back to you and I can’t do that.

I’m glad you’re happy. I can’t say that I’m completely happy for you but I guess that’s just a part of life, I’ll always have feelings for you but the rest of the world is forcing me to move on.
I would rather leave now still loving you then to leave later hating you.
Broken heart again. Another lesson learned. Better know your friends. Or you will get burned.

Sometimes we must get hurt in order to grow; we must fail in order to know. Sometimes our vision only clears after our eyes are washed away with tears.
Walk home drowning these memories in the rain biting my lip to transfer this pain, your gone and I’m still going through withdrawals, next time around I’ll build a stronger wall You and me are inevitable, you’re all that makes me happy but if you break my heart again, I’ll **** you.

I’ve been laying here all night, listening to the rain. Talking to my heart and trying to explain. Why sometimes I catch myself wondering what might have been. Yes I do think about you, every now and then I’m not afraid of heights, I’m afraid of falling. I’m not scared of the dark, I’m scared of what’s in it. I’m not afraid of love, I’m afraid of not being loved back.

I didn’t ask for it to be over, but then again, I didn’t ask for it to begin. For that’s the way it is with life, as some of the most beautiful days come completely by chance I wish I saved all the tears I cried for you so I could ******* drown you in them.

I hate the way I could never hate you.
I want to cry, I really do, but I guess I just don’t want to give you the satisfaction of knowing that you hurt me once again I remember when I still believed the things you said You can’t just cling on to something because it’s familiar Difficult or easy, pleasant or bitter, you are the same you; I cannot live, with or without you.

This time its over I’m keeping my heart, I’m gonna be strong and not fall apart it’ll get better, I’ll no longer cryin a couple of weeks I won’t want to die, I won’t want to go back. I’ll be able to sleep, it won’t hurt so bad and it won’t hurt so deep!

It hurts to see someone you love ignoring you, it also hurts to see that he doesn’t feel your love. But it hurts even more to know that he loves you too, and just doesn’t want you to know Love is when someone hurts you. And you get so mad but you don’t yell at them because you know it would hurt their feelings I’d rather be your lover then your friend, but I’d rather be your friend then your nobody.

I’ve convinced everyone else that I don’t like you
judy smith Apr 2015
With designers like Iman Ahmed, HSY and Sania Maskatiya all showing, it was standing-room only at the venue. Many of the crowd of fashion insiders and socialites ended up sharing seats, with the chivalrous Zaheer Abbas giving his seat to Iman Ahmed after her show and sitting on the floor himself. So much for designer egos!

It was an evening that lived up to its billing.

Iman Ahmed may not be a designer who makes her clothing easily available, but in fashion terms she reaches heights that few other designers can reach. Her “Sartorial Philology and the New Nomad collection” was breathtaking.

The best fashion shows have a narrative — the clothes, styling, music and progression of the outfits blend seamlessly into a whole that portrays the designer’s artistic vision.

It’s hard not to gush about Iman Ahmed’s show last night because it was exactly what a fashion show should be.

Starting with a series of outfits in white and gradually adding tribal colours, Iman used fringing, embroidery and a range of fabrics to great effect. From the inspired detailing to the juxtaposition of texture and silhouette, this was a class act. The tribal white-dotted makeup and beaten silver accessories added further depth to Iman’s stunning layered ensembles.

Levi’s uninspired showing of their new 501 jeans and other stock provided the audience with a pause to process the previous collection. It’s difficult to make a interesting fashion week presentation out of high street wear and something that Levis struggles with.

They used better music than they did at their autumn show but the styling was still painfully lacking. They did manage to make everyone sit up and take notice at the end of their show though — Wasim Akram walked the ramp as their showstopper amid cheers from the admiring audience.

Somal Halepoto was next, with collection that looked distinctly amateur. She seemed to be aiming for a bright kitschy collection but ended up looking merely tacky. The shiny, synthetic-looking fabrics and gaudy embroidery were particularly woeful. Somal’s digital neon animal prints and some of the harem pants were funky but the rest of the collection had little to recommended it.

YBQ’s LalShah collection, meanwhile, was in a different league. An ode to 3 Sufi Sindhi saints, the collection was as much about the artistic impression it made on the ramp as it was about the clothes. The distinctly theatrical presentation relied on the slow beat of sufi music and plentiful accessories for much of its impact.

YBQ sent his models down the ramp in huge pagris, holding flags on poles and garlanded with prayer beads. He used only three colours - red depicting rage, white for peace and black for mourning. Most of the outfits were draped red jersey tunics or gowns with white lowers, braided belts and black turbans.

Rubya Chaudry wore a black gown with red roses but otherwise the outfits were all about subtle plays with drapery and cut. From jodhpur style chooridarsto asymmetrical draping, the outfits had interesting touches but needed all that heavy styling to make an impact. HSY was YBQ’s showstopper and added glamour to the theatrical presentation that he had choreographed.

Wardha Saleem was first up after the break and her Lotus Song collection showed how this talented young designer has been upping her game over recent years.

She used digital flamingo prints, 3D embroidery, gota embroidery and lasercutting in a pretty formal fusion collection. The detailing on the collection was simply stunning. Wardha used gota in delicate patterns that gave her outfits shimmer and paired this with three dimensional embroidery. The outfits featured flowers, fish, elephants and birds picked out in silk thread and beads.

She showed a variety of shift dresses, jackets, saris, capes and draped dresses. The styling was also great fun – the models wore shoes featuring spikes and 3D flowers while the multi-talented Tapu Javeri provided some gorgeous jewellery and music for the show. While there was nothing groundbreaking about her silhouettes, this was a beautiful collection that showed skill and artistry.

Sania Maskatiya, who presented her luxury pret on Day 1, now showed her lawn collection for AlKaram. As far as designer lawn goes, this is something of a dream collaboration.

Textile and print are Sania’s forte and she uses print extensively in her luxury pret. In this collection for Al-Karam she has taken print elements from her pret collections throughout the year including the Sakura, Lokum and Khutoot collections.

The prints are different from those used in her Luxe pret but are based on the same principals. She’s even used the paint splash embroidery from this season’s Khayaat collection in one of the outfits. Designer lawn should be affordable way to wear a designer’s aesthetic and this Sania Maskatiya Al Karam collaboration certainly is.

As for the show itself, showing lawn is always tricky on the ramp. Sania pulled it off with an upbeat presentation using fast music and trendy cuts, throwing a few conventional shalwar kameez in the mix. She fashioned the lawn into jackets, kaftans and draped tunic, using the sort of cuts that are a hallmark of her pret. It’s not how most people wear lawn but it was a great way to show off the prints on the ramp.

Naushaba Brohi’s Inaaya burst onto the fashion scene last year with a spectacular collection. Following up on a dramatic debut is difficult but Naushaba proved that she is not a one hit wonder with this collection. Inaaya’s SS15 collection continued with the theme of using traditional Sindhi crafts in contemporary wear. Naushaba used both touches of Rilli and some stunning mirror work in her collection.

What makes Inaaya noteworthy is the way that she takes unsung traditional crafts that we’ve seen badly used and gives them a high fashion twist. Standout pieces included a bolero with unusual mirror work and a rilli sari that glittered with tiny flashes of mirrors.

Although the collection included many beautiful outfits, there was a lack of focus. The simple tunic with a rilli dupatta didn’t work with knotted purple evening wear jacket. The inability to make a definitive statement let down an otherwise accomplished collection.

Naushaba added a characteristic touch at the end of her show. She’s committed to social responsibility and supports local craftswomen with her brand. Accordingly, Inaaya’s showstopper was Mashal Chaudri of the Reading Room Project along with Naushaba’s daughter Inaaya. She held up a plaque saying “I teach therefore I can” while Inaaya wore a T-Shirt with the slogan “super role model”.

HSY brought the evening to a close with a high-speed presentation of his Hi-Octance menswear collection. The unusual choreography featured the models zipping along the catwalk, pausing briefly on their second round. The energetic presentation complemented a collection of sharp suits and jackets, leavened with quirky polka dot shirts and bold stripy ties.

There was the requisite shirtless model in distressed jeans and an ice-blue jacket but also some appealing suiting fabrics. HSY used only Pakistani fabrics and included solid colours as well as self-checked and striped suits. This was wearable, classy menswear presented creatively.

Day 3 was undoubtedly the best day of TFPW so far. Iman Ahmed undoubted takes the laurels but she was ably supported by HSY, Wardha Saleem, Inaaya, Sania Maskatiya and YBQ.Read more here:www.marieaustralia.com/formal-dresses | www.marieaustralia.com/short-formal-dresses
Mateuš Conrad Apr 2016
perchance an epic was necessary, to consolidate the scattered thinking, and indeed, once a certain life, and was lived with a cherishing heart, the heart broke, and life turned from adventures to a more studious approach, and in here, a comfort was found, never before imagined explorations - of course sometime a tourist in the arts does come, but such tourists quickly fade, and the pursuit becomes more enshrined - to levitated towards epics is perhaps the sole reason for the cherished memory of some - and how quickly all can revolve around a searched for theme, after many incorporations were minded - as one to have travelled the Mediterranean, another to have been eaten by the great mandarin silkworm of the library of Kangxi - heading along the silk route with spices - indeed the great mandarin silkworm of the library of emperor Kangxi; as i too needed a bearing - to inspect the trickster of lore and the godly blacksmith of the north.

by instruction - an accumulation of the the zephyrs
into a vector, headed north,
toward the gluttonous murk of ice, jesting
with aches to the bulging and mesmerised crescendo
of adrift stars captured in the tilting away -
to think of an epic, to keep out-of-time of
spontaneity and thistle like swiftness in the last
days of summer, that Mercury brings the new
tides of the tetravivaldis -
   brought by the λoγος of a γoλας -
for reasons that satisfy the suntan copper of
the ***** - the λoγος of a γoλας - yet not toward
Monte Carlo or any hideout of money well invested
and greedily spent for a charm -
no, north bids me welcome from afar -
this norðri fløkja, this    ᚾᛟᚱᛞᚱᛁ       ᚠᛚᚢᚲᛃᚨ -
by my estimate, i could not take the nonsense
of numerology of a certain specialisation,
i took what was necessary, i pillaged the temple
of Solomon, perhaps that the dome of the rock
might stand - with its glistening dome and
its sapphire mosaics - i don't belong among
palm trees and date trees - hence i turned to
deciphering and subsequently encrypting -
as i have already with *ᚱᚨᛒᛖ
:
the journey of an Æsir through a birch forest
on a horse.
                    with this method in mind:
(a) ᚾᛟᚱᛞᚱᛁ       (b) ᚠᛚᚢᚲᛃᚨ:

(a)
the need to acquire possessions accumulating
into an estate, is a journey encountered
day by day, although a journey on ice

(b)
cattle only thrive near water,
auruchs did not, and hence illuminated
their way to extinction,
         by way of the Æsirs' harvest
(to eat up diversity of life, and create
a godless world of man).

my escape route came from ᚠ - mirroring שִׂ
although the former standing, the latter sitting
down, although the former fathomable
to my pleasure, the latter unfathomable
to ascribe numbers to letters for patterns -
i seek no patterns, hence my sight turned to
the northern sights, and meanings amplified.
                
the greeks were intended to explore abstracts,
having stated a triangle
they invented the ² symbol and what not,
it was because
they didn't bother extracting a phonetic unit
from something definite,
they classified such endeavours barbarian,
what reasonable greek of 13% reason and
87% reality would extract alpha from
the sound you made when
saying ansur (ᚨᚾᛋᚢᚱ) - i.e. attention -
i.e. deriving a definite sound differentiation
for alphabetical rubrics from a definite thing
(in whatever classification that might be)?
the greeks used the alphabetical rubric of
crafting a definite sound from an indefinite thing,
so they said: acronym, aardvark, assumption,
                       α                 α      α     α,
then they said α² - there are no antonyms -
but indeed there were, hence the Trojan nation
settling in the boot, that's Italy,
the Romans escalated the greek theory
beyond taking out a definite sound distinguished
from other distinguishable sounds,
abstracting what the alphabetic sound assured
a list under alpha: assumption, advantage,
acorn, etc. -
the latins were the first atomist after the greeks,
the greeks believed in atoms, but had no
microscopes to prove atoms existed,
such scientific faith found no parallel;
the latins ensured this was true,
ending with castrato sing-along -
the latins furthered abstracting sounds from
definite orientation which the greeks did
working from ice into iota,
the latins just sang i, i, i -
of course chiral behaviourism of such dissection
emerged - hatch a plan, plan a chisel -
it's very piquant i mind to let you know -
the greeks abstracted nouns in order to create
the alphabet, the barbarians still used
proper nouns to speak proper, the greeks
thus created synonyms and antonyms to add
to the spice of life - after all,
not deriving definite alphas from
cursors that acknowledged points of origins
created diacritical stressing like comma and
semis of colon and macron, not deriving them
from definite things, shunning a helpful
vocabulary bank to an unhelpful vocabulary
banked: synonyms and antonyms the Gemini's
birth of rhetoric;
but the latins were rejected with their atomic theory
of pronunciation, since they became laden
with diacritics - punctuation marks of a different sort,
you can measure a man sprint one hundred metres,
but is that also measuring a man to say
mān or män or mán? i know that the slavic ó = u
given the scalpel opening the ensō to craft a parabola -
but it's not necessarily an accent debate
but a punctuation debate... the emergence of
the diacritic symbols above the letters is due
partly to their joy of the popes listening to
castrato operas and the fact that the romans
went too far... hence the chiral nature of certain
symbols when dittoing - the barbarians used
definite things to assert definite sounds -
the greeks used indefinite things to assert definite
sounds - mind you, if the romans became too
abstract with their little units that became engraved
with punctual accenting, then the greek letters
became laden with scientific constants as necessarily
fathered, unchanging in the pursuit of Heraclitus' flux -
for example... Pythagoras and the hypotenuse:
                            σ / κ² = α² + β² -
           or?
                             c² (ć) = a² (ą) + b² / š (bubble beep
                                                           bop barman backup hop
                                                           of shackled kakah
                                                           or systematic oscillation
                                                           for bzz via burp);
πρ² is still more stable
                                 than what the latin alphabet allows -
hence why greek phonetic encoding was used in
science, and latin phonetic encoding was used in music,
can't be one or the other - added to the fact that
latin encoding had too many spare holes with
the evolution of numbers, and greek didn't have them,
hence β-reduction in lambda calculus and F-dur and A#

the one variant of the grapheme (æ) they didn't include
among expressions: graphite and grapheme
was the variant - gravitating to an entombing
of the excess aesthetic - geresh stress -
somehow the twins match-up to a single womb:
àé vs. áè: V vs. Λ - Copernicus wrote over all
of this with the flat earth uselessness
in terms of navigation - flat earth is useless...
huh? flat earth is the only system that gave
Columbus the chance to explore the new world -
no flat earth no Columbus -
that satellite named Luna was no tool
in navigating across the Atlantic - believe me
i'm sure -
                  or that grapheme (æ) varied like statistics
or like the characters in the book of genesis
that famous adam und eve (kim and kanye):
chances came, chances went:
it was still a draw on the tongue tied decipher:
àè and áé proved another notation for plurality
was necessary, not at the beginning of the word,
but after, hence the possessive article 's,
we could have parallelism, there was a crux,
how once the chiselling of letters came about,
more economic to chisel in a V than a U,
both the same, much easier though...
almost barbaric i might say...
sigma (Σ) enigma rune e (ᛖ) - this compass
is a ******* berserker, god knows if it's
mount Everest or the Bermuda Δ

but one thing is for certain, never you mind how
a language is taught unless you mind it,
not that conversational athenian is really what
i'm aiming at - but a lesson is a lesson nonetheless,
out of interest something new,
richard von Coudenhove-Kalergi,
and what preceded him, namely pan-slavism,
just when the polish-lithuanian commonwealth
did a little Judaic trick of its own,
although snorkelling in the waters of not writing
history for less a time than israel -
you can't beat ~2000 under water - although
you could if your little tribe had an einstein
among them, or proust or spinoza, then
you could effectively become a whale, popping
an individual out from the rubble to say a polite
'hello' and 'when will the dessert be served?'
but indeed, learning a language on your own,
how to learn from scratch, the greek orthography,
and why omicron and not omega,
the give-away? sigma - purely aesthetic reason,
                             νoμισματων

                             nomismaton

omicron                                                 omega

                 you write omicron at the front
                 and omega at the back
                 pivot letter? two: σ     μ &
                 νoμι-                                -ατων
                      ­                     |
                 anything here  
                 will use o            and anything
                                              here uses ω

alike to sigma:
                          χωρας (choras, i.e. country)

sigma (ς) not sigma (σ), i.e. digitalising languages
without a clear connectivity of letters,
block-a-brick-block-a-brick-digit-digit-digit
you learn that handwriting is gone,
two options, your own aesthetic reasons now,
remember, some paired for the ease of handwritten
flow - digitalised language changes the aesthetics,
you make your own rules (considering exceptions
of oh mega mega, ergo revision -

                                       χoρας,

but still the sigma rule, others esp. o mega
you stamp on them like βλαττια, i.e. cockroaches -
κατσαρίδα                 not         κατςαρίδα

all perfectly clear when you explore plato's
dialogue from the book Θηαετητυς (as you might
have noticed, the epsilon-eta project is still
in the storage room of my imagination) -
but indeed in the dialogue, between socrates
and the "hero" of the book theaetetus -
a sample, without an essay on the theory
of knowledge -
socrates: ...'tell me theaetesus, what is Σ O?'
theaetetus: yes, my reply would be that it is
                    Σ and O.
socrates: so there's your account of the syllable,
                isn't it?
theaetetus: yes.
socrates: all right, then: tell me also what your
                  account of Σ is.
                                                             ­   (etc.
or as some might say, a shrug of the shoulders,
a hmmpf huff puff of hot air, impractical interests
and concerns - well, better the impractical
problems than practical problems, less feet
shuffling and nail-biting moments with your
tail between your legs and an army of
intellectuals working out what went wrong
and how history will solve everything by
the practical problems repeating themselves) -
you know that inane reaction - others would just say
Humphrey Bogart and nonetheless get on with it.

some would claim i was begot a second time,
not in the sixth month period of the aqua-flesh,
how did i actually related to the life aquatic,
for nine months i was taught to hold my breath,
however did this happen?
a miracle of birth? ah indeed the miracle of
a crutch for a woman - spinal deformities -
9 months, sort to speak, in water or some other
fluid - merman - a beastly innovation -
next you'll be telling me beyond this life
we turn into centaurs, given the Koran's promise -
you'd need the appetite of a breeding horse
to satiate the 72 - or thereabouts - martyr or
no martyr - 72? that's pushing it -
or as they say among children - a chance playground
without swings or sandpits, but very careless
gravitational pulling toward a certain direction;
nonetheless, they might have that i did indeed
settle of a sáttmáli                  ᛋᚨᛏᛏᛗᚨᛚᛁ
                  við         ­                  Vᛁᛞ
                  tann                         ᛏᚨᚾᚾ
                  djevul                      ᛞᛃᛖVᚢᛚ -
the hands you see, fidgety -
     hond handa grammur burtur    úr   steðgur
     ᚻᛟᚾᛞ  ᚻᚨᚾᛞᚨ  ᚷᚱᚨᛗᛗᚢᚱ   ᛒᚢᚱᛏᚢᚱ  ᚢᚱ   ᛋᛏᛖᛞᚷᚢᚱ
         the hands give an ardent pursuit
                                                 away from rest -
well not that my poems will ever reach
the islands in question - and indeed an
uneducated guess propels me - what does it matter,
λαλος babbler meant anything, indeed λαλος,
language as my own, is a language that i can
understand - and should anyone omit
disparities - a welcome revision would never tease
nor burn my eyes - but the phonetic omission
peeved me off: woad in water, ventricles in a
variety of entanglements - it's just not there -
and indeed, orthographically, if there are no more
optometric involvements of omicron's twin -
then the stance is with you to use whichever pleases,
i can't tell the difference, unless i was a pedantic
student, aged 70, with a granddaughter i wanted
to be wed teasing a millimetre's worth of
phonetic differentiation between the two -
POTATO PA'H'TAYTOE TOMATO TA'H'MAYTOE -
linguistically one's american and the other
is british, which looks like greek and latin
upside-down and in a mirror: pəˈteɪtəʊ, təˈmɑːtəʊ;
or as the spaghetti gobblers would put it:
the tetragrammaton is working on their
texan drawl (dwah! ripples in china) -
or the high-society new england ******* *******
coo with a cuckoo's load of clocks -
before being sent off to england for a respectable
education, something en route Sylvia Plath -
but not to ol' wee scoot land - ah nay - well
perhaps for a year and then talk of north european
barbarism of a deep friend pizza and mars bar.

and when descartes finished with christina
queen of sweden, she became an animate portrait
of feminine attempts at philosophising,
she was basically ostracised from society,
well, not society per se, she didn't become a stray
dog, but she forgot certain functions of
the upper tier - lazily modern man decides
to hide phenomena from understanding
individual instances, with the kantian guise
of a noumenon, hence cutting his efforts short -
indeed queen christina of sweden was ostracised
by society - only after descartes finished educating her;
and indeed to most people a little bit of sloth
equates to an amputation of some sort -
yet only with the x-files' season 2 episode 2
i've learned of the effects of prolonged alcohol
"misuse", that little boxing match in my liver?
it's not a pain as such, it's actually a hardening
of soft tissue - with prolonged alcohol exposure
soft tissue organs harden, notably the liver -
and it's not a pain, it's a hardening.
but indeed queen christina of sweden was ostracised
by her tier of socialites - i'm glad diogenes
didn't get to her, but then again a bit of cloth
goes a long way this far north -
yet unlike the encounter with napoleon by hegel
diogenes' encounter with alexander lasted longer -
which tells you the old method does no service
to a little bit of material accumulation -
but perhaps the acumen was briefer when you were
ably living in a barrel - and to think, as only
that being the sole expression, not so much
a body without organs as stated in the thesis
of anti-oedipus by deleuze and guattari -
a consideration for a body without limbs - prior
to a footprint an imprint on the mind -
carelessly now, a diarrhoea of narration -
how rare to find it - perhaps this idea of epic
poetry is a default of writing per se -
with this my whatever numbered entry i seize
to find escape in it - a lack of ambition -
a loss of spontaneity that's a demanded mechanisation -
by volume, by inaneness - to reach a single
technique accumulative zenith, and then back
into the ploughing, rustic scenery and the
never-bored animals - i rather forget such escapades -
and there i was dreaming of a grand
runic exploration - some imitable game -
some scenic routes - yet again -
Mateuš Conrad Jun 2016
early on i left an imprint for me to remember,
kinda like 2 x 2, equating to 4,
not as simple with words:
i like this dialectic between Dionysian and
Apollonian attempts to express aye arr parley!
shake the pine trees to get the toothpicks
like you might get a mojito, onward! toward
El Dorado! transgressing 24 hour hours
and you get the flavour:
first beer in in from dieting, oh ****, it's bitter,
second beer, mm, sweeter... then the headline
of whiskey and coke... Kazakhstan nice... yok sh'eh mash?!

three movements working their way,
those conquered and exposed to direct roman rule,
presiding over the "charm" with roads, western europe,
now they're so pride to reach that far back,
mention Boudica, one, more, *******, time!
i'll give you Britain that made Louis XIV
the peasant king at Versailles, and Charles II
wise with a Guy Fawkes firecracker... mm, guess
it happened here! in the yeast of a baker's
reincarnation via Malachi's heresy:
Elijah coming soon? Elijah not coming any time
you blunt sword of monotheism excluding
the chance of many, democratic influences!
either the fish or the aquarium...
the aquarium... a billion of them plus Islam will
be anarchic China, people never wish for better,
they only wish to better themselves,
including the social strata stampede that's necessitated
in the process... scientific positivism of Enlightenment
died, the absolute necessity (god) / the absolutely
necessary thing became trapped in the Bermuda
or the Copernican triangle, no good for crossing
oceans, just ably whirling east to no east outside
the atmosphere, try me with two thing:
Copernican vectors with a stable point constantly moving,
rather than sunny, constantly expressed economically
as usurper against usurer and the university grant
of simony, although worthy of an actor to spread
charitable work and paedophilia in Asia dubbed
Portuguese Missionary - well i'm sure the apologetics will
come, my neighbour hugging her dog watching television,
closest kin of the genesis story having secondary reminders
determining whether the lie was white or instructive,
a joke or seriousness - indeed entombed in treating these
words as a holiness worth for all the present religious attire.
absolutely necessary Kant said,
he also said: you said omni- etc., indeed you're on a
roundabout of intellectual yawns, there's nothing new here!
i need god as a concept of vectors and cursors, mediating
more than the caging of man's affirmation of himself
with Freud... the sounds and equally shared optics
need to accommodate a oneness, god is a predicate
of essential function: a. the triple affirmative:
i, thought, existence... something to concern myself with,
b. the duo affirmative:
denial, thought, existence... the arithmetic goes further,
i am writing quickly hence i will not brood over,
except a comparison in cinema, the film *hostel
(2005)
and pretty much all of Hollywood's 1970's grit output...
take for example Al Pacino in the panic in needle park,
you know what i see? modern american interpretation
of what eastern europe represents, the farts
leave flamboyant Amsterdam hopeful for Slavic ******,
they come to Slovakia, and it hits them,
the passive lack of jealousy and need to impress
building a chrysler building, the oddity like landing on mars...
but it's already been done with, New York in the 1970s,
the same slavic grit, even the way the cinematography looks
like the colours were shaded with a peppering of sand...
new york in the 1970s is like Eastern Europe in
the horror set in 2005 in Slovakia... globalisation's paranoia,
there are still people out there who we can't ascribe
metaphors to being exclusive: no iron lady lifted the
iron curtain, the iron lady had an iron skirt, and she
couldn't lift that up either... Churchill puffer a cigar
and a million bees emerged heralded by Edward the Confessor.
that's the relation though, Hollywood's 1970's urban grit
and what the tourists encountered in Slovakia in 2005,
a sleepy kingdom, 2nd Mongolia, second to none,
which i beg to differ with, given the Scots were tight
stretching 2 pence copper coin to invent copper wire
and the Swiss (also in hilly surroundings) have us
elaborate paedophilia via Nabokov catching butterflies...
hardly two mountain ranges and hardly two plateaus.
it's called exotica these days... yep... the dissection of
the Polish-Lithuanian commonwealth and the emergence
of both Lach, Ukrainian, Lithuanian, Latvian, Estonian
and White Russian is what the Czech say made them
speak both cesky and saksonski... tseba! holy roman
prague ****, disintegrated into the Austrian intervention...
very much as if: thank you for defending Vienna from
the Ottomans, Jan Sobieski.
but the Jews got reparations at the end of the ordeal,
and western Europe received the Marshall Plan...
eastern Europe received Marx... too proud they said,
it's not exactly Mama Russia surrogate,
it's Papa Khan also... moon gall! no news from Mongolia
i hear, sooner a tale from an American zoo
where a retired silver-back dragged a baby from
drowning in an inch of water, hero shot,
where were the parents? a four year old can hardly
sit on a kitchen stool let alone climb over zoological
fortifications... ah the blessing given unto man
by Iblis to ape ably a delay he has no chastity over:
if Iblis defended his pride, then man can but
defend his chastity - Iblis was given a longer time-frame,
man was given a shorter time-frame, Iblis'
choice expands furthest into myth, man's choice
implodes further into repetition - for Iblis' mistake
was but one, when knowing of man's aplenty;
it is said that when a man is to become a father,
he relives his childhood - legality i say would have
obliged me, but pride took no notice of symbols as signatures
of such love, especially given the expenses,
or as in the supermarket today, the cashier invested ?
into the one buying the goods:
- where is she? you're not together any more?
- oh, she's moving to York, it's her work, she has to.
- you're not moving with her?
- well, it's only for 2 years, and then she'll be back,
  training, it will take her 4 months...
na'h ah... bye bye...                       she ain't coming back...
tell you what mate, keep a cat, the most selfish animal,
bestia ex solipsism - no necessary petting by constantly
showering it signs of jealousy and ownership and upkeep,
as if having to punch a gorilla to hold hands.
i love feminism for one thing only:
it made sexism a branch of Darwinism, *** warfare...
in relation to me? two girls chatting away:
- *******! how could he leave you!
- but he did!
- what ***** made him do it!
- philosophy!
don't get me started on those who read very little
and can't allow philosophy a poetic form, and necessarily
have to plagiarise Aristotelian stylistics to be considered
philosophy (albeit only in scholarly musings).
i'm sure it was something about the fruits of our
presupposed wisdom that bore knowledge that individuated
us, to the point of extremes, as hardly scraps for
vultures, to no animal nobleness, parasitic amongst each other,
defining the 16th century or such desires to keep
afresh, minted and pampered for the next cohort of dupes...
some find the memory of dogs towards us keener
than our fellow men should wish to share...
the animal domesticated and not eaten is seemingly our
prefect to walk toward a seize-less craft of un-exhausted thought,
only un-exhausted because of missing interaction,
say there, is that Hegel's mirror (master) and narcissus (slave)?
the emergence of these belittled nations is clear in
western europe, the bombing of Libya,
the usurpers of Syria, the once conquered having a taste
for empire and colonial rule think they cherish
the biblical conundrum when the resurrection was inclined toward
the lands Sven and Mietek - toward the lands
of conquerors and the ones converted -
four movements thus (sketched):
a. sonata: βορας ηλιος - μακεδων να ινδια
b. adagio: βιργιλιος ως καντηνoν -
                  μεσoγειος: μαυρος (ex),
κoκκινος (ex), ειρηνικoς (ex),
ατλαντικoς (ex), βoρειος (ex), βαλτικη (ex),
south a poet, north a philosopher,
from only one sea came two oceans and many other seas
to sustain the thirst for seawater among men!    
c. scherzo: Casimir the 3rd welcoming the Jews.
d. sonata: an die mitternachtfreude - more like a calm
before taking up the arms.
Mateuš Conrad Aug 2017
don't get me wrong, i believe in competition,
but the neymar conundrum is
slightly bugging me...
    where does actual competition occur,
and where does general inequality begin?
   if you told me that the lie of being
educated was true: i'd laugh it off...
    after all, preceding generations always
valued education as a force for good -
a transition into adept modes of behaviour...
socialism was born from a rift from
the under-appreciation of the so-called
"virtue" of becoming educated...
           evidently only "idiots" gained
the higher economic ground for expressing
the ultimate freedom of "expression"...
   but paying someone one-hundred-and-ninety
pounds, for someone who can kick
a ball is the zenith of western "values"?
  what sort of "competitive" game is being
played out?
a bit like ensuring that mike tyson spars
with a one-handed boxer...
         oh sure... **** me! that's competition!
when will this "idea" of competition spiral
out of control and begin to look ridiculous?
it's, probably, about now...
            footballers' logic would state it
in the most obvious dynamic possible...
                   the individual is worth precisely
what is expected of him:
   the luck of a poker hand... luck!
        in the infinitely random pursuit of
the "individual",
                  there is always the notion of a
shared effort...
             to me, individualism is a fake
construct...
               ask the chinese about an individual...
oh yeah... there was one, a long time ago,
some guy named confucius...
    but these days he's in a sea of a billion
examples...
                i do believe in individualism,
but not when it's over-arching,
spanning 1 - 3 generations,
         it takes centuries, it takes 3+
generations, as it might take to establish
centuries and call them: the victornian era...
but so many "individuals" in a single moment,
where there is no death-debacle, a death-membrane
exclusion parameter? you *******
kidding me?
                 how will people not react to
this injustice of the "competitive" principle?
      so this ****** gets to kick a ball
and gets so much because so many eyes are
peering at him...
   if this isn't post-capitalism, i don't know what it:
capitalism has conquered socialism,
fair enough...
       but it has also showed us a heresy
inherent in itself: within the principle of
competition (which i agree with, given the spartan
dynamic): it has a handicapped person
competing with an ably bodied person -
  the idea of competition has become unfair...
no, not it terms of physical ability,
but in terms of reward!
                      you can't just do
          a humpty-dumpty um? moment...
so why bother schooling kids in the subject
matters of chemistry, history or english,
if some have the ontologia innatus
   (innate nature of being)
   that supports them in excelling in a particular
area of "interest"...
    you know what's actually socialistic
in a capitalistic system? the education system...
education is actually socialistic in capitalism:
it's oppresive!   it doesn't forge
people of skill... it only forges people
   who's sole "skill"? is to pay off debt!
   you're not creating professionals!
                                you're creating debtors!
so why bother:
1. erroding people's memory &
2. + 3. not teaching them a professional
    mechanism, due to bombarding them with
useless theory: airy-fairy *******
  while
        living the lie of reaching 100 mortal
years, and not... not once! not once!
encouraging the stability of future generations
filling those about to retire
                  spots of competence?!
no... this is not capitalism...
          this is capitliasm eating itself...
capitalism was always going to cannibalise itself
given the disappearing outside "threat"
competition...
   it was always going to implode...
                                  it's ouroboros capitalism...
because as of the 1990s... its only competition
is itself...
                      any footballer will tell you:
the neymar conundrum?
    oh, it's there...
                              he's an "individual"
within an advert...
   within a brand?
                but in a football team?
                              he's still only a striker!
i have to say... first the western powers blame
"collectivism", because it's too large to handle...
and then they cherish the idea of
"teams"... team sports, working together...
   at least socialism is a dualism...
   capitalism? nothing but a false serving
dichotomy...
            so this socialistic "grey area"?
                         isn't it bound to capitalism
also? whereby the so-called "individual"
over-shadows the group effort?
                    on the hard-on fans could name
me a few manchester united defenders from 1994 - 1998...
garry pallister? denis irvine?
              such a ****** sort of "individualism"...
who the **** actually came up with the paradox
of shoving individualism up everyone's ***-crack,
while at the same time preaching
                              the "team effort" mantra?
Mateuš Conrad Aug 2016
i.

my writing is truly one thing, my life another - not
that's a statement clouded in excuses and guilt:
just the claustrophobic macabre -
and so it happens, that every few days i reach
the limit with wrestling the Minotaur -
the time comes when the liver k.o.s the brain
and the brain then starts punching the liver -
it usually stars in the afternoon, e.g. yesterday,
at 3 in the afternoon, a burrowed sense of guilt
comes over, cigarettes are rolled and chain-smoked...
a promise of not painting the front of
the house is the overpowering weight on the heart -
as is an ably bodied father: who, i might
as the source of my writing capacity: the silence -
but the day flows through... the excess nicotine
adds to the shakes, the detox period begins
with a big meal: chinese pork belly in five spice
and other additives, peppers, spring onions
until a thick goo sauce is cooked slowly to thicken...
served with 'it's called egg fly lice, you plick!'
(Uncle Benny, lethal weapon 4) -
the meal is ate as if a ****** ****** - this is
really the point of critically approaching the
concentrated detox - binge of television,
drinking orange squash and smoking -
playing some stupid video game between watching
an even worse movie - before the saga of
x files begins... at 5 a.m. with the most annoying
feline opera by the most annoying ginger cat
begins... the shades are drawn and the hours between
5 a.m. are spent in a quasi somatic state -
the pain in the brain is too strong to allow you
a kipper without the sedative being dragged from
the body: taking sleeping is avoided -
the blinds in the room don't have blackout plastic,
by 6 a.m. a t-shirt is rolled up and put against
the eyes, the eyes adjust to the light until 7 a.m.,
the body gets up and goes downstairs for more
orange squash, but this time breakfast is stomached,
yesterday's leftover rice, fresh eggs scrambled
and mixed with spring onion -
                                                     cigarette, and a daytime
news channel - Victoria Derbyshire -
the main topic of concerns? only 12% of Paraolympic
Rio tickets have been sold, a charity having raised
about £25,000 wants to sponsor Rio's children
to join in the fun... housing shortages in England,
Redbridge council buying social housing in
Canterbury (once a military base) - 7 people living
in one room (the Romanian standard is
14... you have to remember night shifts) -
oh i seen houses like that, i remember one Jew renting
out his house to 20 / 30 Poles before the Union
expanded... paid of his mortgage... no new reality
here for me... the major misdiagnosis of heart attacks
in women on the N.H.S.: a woman ate a curry,
thought it was only a heartburn... boom, two days
later drops in agony... in between the real
results of the detox... sitting...
not ******* out whiskey yellow ***** when there
are barely any toxins in the body... diarrhoea...
up to about 8 times on the toilet - more orange squash,
more cigarettes... then onto the piece the resistance...
the x files... which last up to about the twilight zone
hour of having reached the 24 hour mark of being
awake... one last **** and then shower, and
then doing the laundry (on a sunny day like this,
it would be a shame not to)...
                                                   at noon
tinned mackerel in sunflower oil... brown bread,
all the oil drank... but by the twilight zone hour
a realisation: ****! my headphones are broken!
i've been walking around these streets with those
very depressing sounds of vrroom vrroom...
i know how the old complain about the youth
and their headphones... yes, but you probably
grew with about 10 cars per hour passing your
house back in the day... and too the birds could
be beautiful, and the sound of children's games
and golden laughter... but all the other sounds...
so off to the shop for a very respectable £1.50 pair...
and then the moment when all the sights
on the streets are no longer synchronised with
what i'm hearing, my eyes sharpen and i dance
past the cars and people never bothering to press
the crossing lights on streets: ease the traffic,
ease the traffic... then into the supermarket and
the detox ends... i can go back to sleeping a decent
night... a bottle of Stella... the only thing sexier
on a hot summer's day on the street... good old,
good cold Stella Artois...
then up to another shop for two more beers and
tobacco...
                        after that? magic...
as the title suggests: on a park bench with Ernie -
something more grand than Beckett's waiting
for Godot
... i.e. something resembling a scene from
Patriarch's Ponds, an encounter with
Mikhail Alexandrovich Berlioz (editor of a highbrow
literary magazine, abbreviated MASSOLIT)
and a young poet Ivan Nikolayich Poniryov -
a few clues to the less knowledgeable parties:
Behemoth ***** and chess, a book that makes
sense of the world interrupted by Herr Woland's
wonderful delights (among many), such
as the notable pandemonium at Ivan Savelyevich
Varenukha's Variety Theatre -
yes very much akin to Hector B.'s:
symphonie fantastique: dream of a witches' sabbath.

ii.

sincerest apologies... the sedative hasn't been bought
yet, and a patient father's invoice for work
done on the construction must be written in tangible
English - in ref. to the uttermost sincerity -
Polski nadal w mej duszy dudni,
                            taki ogrom organów i
                                         bębnów twki -
           że strach pomyślec - czy to wir zamkniętej
historii ludu: czy poczatek gorszych prwad o świecie?
   bo co o zamkniętej historii (skrawku) ludu?
      to przeciez moj dziad'ek w Partii uslugi dawal!
      a kraj podziekowal - i co Prawda to Walesa
   na Florydzie z lwa w zlota rybke sie zamienil.
   (comp. diacritic
                                                       ­                                 pending)

iii.

as i knew, i should have finished this poem on
the principle of ensō - all in one piece -
thus i would have staged what happened on the bench
with Ernest -
                        but after walking to the supermarket
minding my own business and the jokes ensued
about how no one notices, how they know my name
as it's their mascot -
                                   after walking into a world
i found chaos; indeed if i wrote the poem on principle
of ensō, i would have included the phantasmagorical
details of something so simple you could almost cry at it...
the simplicity of it, the fluidity of almost 2 hours
spent in conversation... about what? i'm not telling,
and how was it spoken? i'm not telling either -
let's just they laughed at Ernest's bike, because
it was proper oldie...
                                     i mean, i won't mention the odd
details, but the essence? forget it man!
after writing my father's invoice, and how cut money
on the construction site, blame it Romanians but only
have themselves to blame with their model
of profiteering and that ****** fetish they have
Che's socialism of guerrilla warfare...
                            and the comments in the supermarket,
it just stuck with me about Ernie's bike,
nothing in comparison to the Tour de France's racers
doing up to 50kmh...
                                      it just made me happy to make
a clean bed... and prevent 36 hours awake threshold
glitches of abstraction: black strings and random
square objects popping out of nothing with me in a
variation of nervous startles... Ernest's bike?
an antique, a 1950s Raleigh...
- hard leather seat beneath that modern overcoat?
- yes; no one would even take it if i left it
  outside a shop, they'd probably sell it for parts.
- well, unless someone is smart enough to notice
  a vintage, and tries to restore it,
  buy the vintage green paint and cover the rusty bits.
oh **** it, i can't keep my own company to suit
being happy by saying: ooh, doesn't know a joke,
the happiest he felt after walking out with a stone heart
was making a bed... but to be honest?
psst... i haven't made it in over a month... last night i
was getting cold-heat shivers in the idea of it being *****
enough though i shower everyday... ok, every other day
sometimes, my socks have holes in them, and my
shoes are ripped.
but there's more to this... the bicycle is a pun
of a Heidegger maxim: man is born as many men...
but dies as a single man... imagine how many
influences are entombed in us, the education reformers
to begin with, motherhood tips, cot deaths...
but we die as individual men... so when Ernest said
about the bicycle being only worth spare parts,
i said what Heidegger meant: but i'd take the whole thing
as one.
- how many gears?
- three at the back, one at the front; you see this thing?
- the long tube beneath the seat?
- yeah, when charged it would power up the front
   and back lights.
- oh, i'm used to seeing that thingy-madgit that you'd
   press against the front tire and the principle would be
   the same.
- a dynamo.
- yeah, a dynamo, forgot the name of it.
it started so innocently, i just sat on the bench with my
earphones and two beers and started rolling a cigarette.
- may i invade the bench?
                                               (earphones out of the ears)
- sure.
                and we just sat there, i asking if he minded me
smoking.
- i used to, loved it, esp. after dinner, gave it up 15 years ago.
  then conversations about dogs, family,
                                         and children's games,
          i said
- i'm finding it hard to find people of my generation with
even friendly dynamic of the body: eye contact is gone!
- it's all the fidgeting on those ****** tablets and phones,
when we were kids we used to play marbles,
conkers, hopscotch, so many...
- and we used to draw a racing maze, fill bottle caps
with plasticine and flick them through the maze
(i can't remember if we threw dice to see how many
moves we could make).
  by the time we started talking about the dogs we liked,
and compared them to the dog walkers passing us
   we already forgot who died today: it was Gene Wilder...
the world is mourning him, and we sat there
and the best i could come up with was Richard Pryor.
- dumb animal luck...
- you know how i managed to train my dog to run
  around the park, but come back to me? i used a whistle
  to get the dog to come back and i'd give it a treat.
  until it got the hang of it, i sometimes wouldn't give it
  a treat... other times i would, the point being was
  to teach it both obedience when nothing was given
  and double obedience when something was.
- ever heard of Pavlov? he basically did the same thing,
  but your experiment had coordinates, it was three-dimensional,
  Pavlov's was just two-dimensional, instead of a whistle
  he used a bell... just to stimulate two senses
  as coordinated, the sound of a bell created saliva
  in the dog's mouth, poor dog received treats
  but in the end Pavlov put him in a car with closed
  windows in the middle of summer outside
  of Parliament square; obviously the dog died.
- German shepherd though... i had a friend, naturally
  obedient.
- could walk a German shepherd through Manhattan
  without a leash.
- exactly, not even half a metre away, and when the
  master stops, the dog stops.
(i started thinking, what a great way to invert theology,
in this way from dogs to gods.)
well... i guess there was more, but if i write more
about it, when i'll reflect upon this chance meeting of
complete strangers as more insightful than it
already was...
                         he managed to climb back on his bike
with a slight problem after his hip-replacement
operation... at 74 such things break... and he rode off
and i sat there trying to think about what the hell
i was thinking after watching the x files to find
something insightful...
                                        well, i got one thing,
i mentioned it before... i could never have believed
that adults created the most nightmarish version
of hide (negate) & seek (doubt) -
                   i thought it was just as bad as
  truth & dare with religion - with that motto:
          the Koran: this is the truth, and the only truth...
so truth or dare? i dare you to deny it!
                    can i just doubt it? you know, not be
a definite unbeliever, but an indefinite quasi-believer?
well doubt in the stated quasi-believer is wavering,
isn't it? the two of the most beautiful games of
innocence, morphed into these gargantuan abominations.
Mateuš Conrad Jun 2016
grammatical geometrics, first words serve best,
a couple smoking marijuana walking into
tinsel town, by myself, drinking, lone wolf
drinks a pact's share of harvest of midnight growls,
they say fear the man walking into a forest
at night by himself: if only his ambitions were
an acquirement for more human fossils...
i could never account for some idiot correlation
linking me to the primate form...
grammar geometry though, imagine it!
nouns are linear consolidations taking for tangents
in trigonometry of slang;
grammar is a Christopher Columbus' worth
of star gazing, overshot the mark from Portugal
and landed at Cape Horn...
bring back 1980s disco! i'll give you epileptic seizures!
honestly, ensure grammar is coupled with geometry,
hard to decipher shares with suffixes
                          -ish or                      -able.
some might say nouns are squares, and adjective are
triangles, while others would say hexagons are
verbs along with pentagons - horseradish scandals
and chicken scratches;
but when it comes to rigid grammar categorisation
you will wonder at the re-categorisation
of certain words, as Nietzsche stated, a disbelief
in grammatical arithmetic counter Cartesian
2 + 2 = i think, therefore, i am. a three times table likewise,
a horse with an apple in its mouth is also a horse
without a stable.
concerning god, i mean to suggest that re be regarded
as a pronoun, uncoupled from garçon service as a prefix...
that clean napkin and a Parisian accent of Dover,
i mean to suggest re be akin to the recycling of
sunset, sunrise, summer, spring, repeat,
the idealised pronoun formulation of any if no activity,
hence grammar and geometry,
shapes from adjectives and shapes from other categorisations;
but still the facts: to speak of god's pronoun usage
is to speak in terms of re, the repetitive cascade of
the many to come from such suggestion:
take for example standing on a bridge over the eastern avenue,
looking at trees and looking at street lamps,
the delta equilibrium balancing the analytical knowledge
of trees, and the synthetic knowledge of street lamps...
if our analytical knowledge of trees was perfected
we'd hardly think of chlorophyll incubators of photosynthesis
with solar shields on suburban roofs in Chernobyl...
we've analysed trees to such an extent as to be
ably providing illumination of "trees" for constant traffic...
term it as revision of ontology, variant:
expressing the relationship of a set to its image under
a mapping when every element of the image set has a
reverse / chiral image in the first set - hence god, in pronoun
categorisation with the standard duo function of
equilibrated thinking with being as neither owner nor
discarder, rather applying some sense of
the grammar complexes with geometrical explanations,
the prime pronoun, sunrise 1996 of may,
sunrise 2006 of may, altogether re - re is the
clarifying pronoun, of course a cause of concern leading
toward Kantian pantheism, but better the pronoun re
describing history and the obvious repeat,
than having to ascribe omni a pronoun status
with the verbs / shapes of both thought and being -
who will decipher the assertion that,
                              geometrically-and-grammatically
sp­eaking an adjective is a square? well, me an Raza
were talking about the European Championships:
- who you supporting?
- Poland.
- ah.
- who you supporting, Turkey, obviously.
- well, kind of.
- i think Iceland will bring the carnival, conquering
the Spaniard Dutch in qualification.
- i'm betting on Italy or France.
- what about England?
- ah, England has a **** team.
- true, the best English squad was 1996.
- andreas möller 1996.
- true - best squad since 1966.
- **** squad after.
- completely; when do you think Turkey will finish,
after the group stage? quarters?
- maybe.
- you think Poland will come out from the group stages?
- valiant Northern Ireland, i wish,
  a bit like agnieszka radwańska hearing the practice
of Japanese culture and lost honour:
lost a bet, early retirement, which is why a Pulitzer prize
is such a gagging instrument ensuring you keep
on speaking a trans-grammatical word going, i.e.
blah blah blah.
but still, the way the pronoun category is exploited to argue
the existence and the non-existence of:
pantheism - omni cogito (all manner of thinking provides no
                                             individualised ref. sigma-replica
                                             that might guarantee
                                             a differing between muscle flex
                                             and ego strained),
theism - re cogito (thinking, again) -
monotheism - mono cogito (thinking, alone) -
                                                      it's like neo-liberalism
politics and... the name of the father, after 2000 years
and we still don't know what his father's name is...
odd, isn't it? is it Jaspers? or is it Tickling Architecture in
Timbuktu? there were some serious problems prior
to 632 of the certified era... like... when what who?!
Phantom of Golgotha... i still want to translate geometry into
grammar - or at least,
what once was tree, that became a lamp post,
what once was onto logic, and became second nature,
what was once the nature of being,
that later became, solely, and purely, technical logistics:
whereby using a smartphone became more complicated
than rigid arithmetic, or checking the twelve hour clock-face.
whatever thought you ascribe the pronoun re,
it instils an apathy, an easily multiplying being,
and whatever thought you ascribe the pronoun omni
only means too much is encapsulated in the individual,
usually translated as an individual with debt
and an amputee story of hurt; i treat re and omni as
higher tier pronouns than i might treat the orthodoxy
currently presiding - after all, in existential parameters
i can affirm myself presiding over ****** functions
of taking a **** in whatever disguise i care to make replica
of the syllables e' 'go, or later, with subsequent theory,
the polymer of all possible affirmations, the anti-theoretical
cuckoo.
Mateuš Conrad Sep 2016
yes, i know he said he was a vegetarian, delicate counter-priesthood prince - a manner of vegetarianism that expressed an abhorrence of the practice of Eucharist, i too think the Eucharist as a metaphor is a bit porridge: i.e. yucky.  but as Wagner said to him: up north, either you eat meat or you lose the plot (loose - ß - again, not scharfes S - but die scharfes'zart - sharp-tender - already prerequisite of what sharpening omega meant for the w); mind you: salt & pepper to taste according to your own palette - if you're not a sugar ****** you won't over-salt the sauce... and you certainly will not overcook the pasta, halfway between dreadlocks and poodle hair: desirably experience bound al dente, and here comes Socrates with his knowledge of al dente: me no muffin! true that... like all these excess sugar breakfast cereals - ******* the outside, soft inside... or like the idea of ants having an exoskeleton... that's pure culinary theory - al dente exoskeleton; did i already mention salt and pepper to taste? yeah, the beef stock cube is salty, but not salty enough, given the already unsalted meat and vegetables: i cook, i take care of a toddler - Nietzsche keeps bragging: cooked by a cyclops.

who would have thought that a personal
revision of mama Italia's classic
could end up being so tasty;
Nietzsche is the foremost diner in my humble
abode: i just like the way he says:
who let woman into the kitchen?!
that's right, i deviated from the standard recipe
of mama Italia's cooking for papa don
Giovanni - honestly? in lonely times at
university when everyone was into ******
ad drunk debaucheries, and ****** fancy dress
parties? Aria Giovanni saved the day...
just look at the classic beauty, plump as a plumb
in between two cream bergs - such
exfoliation... where's that daddy long-legs
on the catwalk... come on! shove a malteser up
her *** like a suppository escutcheon - i'm sure
the salad leaves will keep her starving even more,
or walk her in Gucci with a drip-pole -
intravenous therapy while on the job -
but can you believe what only a quarter of a teaspoon
does to the Bolognese sauce recipe?
wonders... you don't add the carrot, or the celery,
among the vegetables you add button mushrooms,
and the three colours of peppers -
onions and garlic (a lot of it) as standard -
oregano, rosemary and thyme too,
some Italian five-spice - but the fennel seeds!
the fennel seeds! after i learned to cook i see
ready meals are diabetics in disguise,
and restaurant foods as defunct -
what? we're all expressing our capacity to
make choice, apologies if you made the sort of
choices you now hate... hardly a reason to
complain about my exercise in freedom,
i don't blame you, i'd have chosen differently
if i were you too... but there we go...
i'm cooking Bolognese from scratch because i like
to tickle my sense of smell and the buds of
the palette garden, i look at the sauce and
write fiction: the plot thickens...
                                                     and that's the great
3 minute microwave sequence on the other
side of the spectrum... because we're all so *busy
-
busy bees and that's merely the generation Y
dads getting hormonal treatment from tending to
babies - choices choices choices -
                                                          oddly­ enough
the mediocre work that goes on in those glass
shards - by comparison, the default argument is
pretty obvious: i too would have not invested
in caring for art, or as i once said:
you can't get good art and raise a family -
you can create good art that will support the family,
you'd end up being a great technician,
an artistic engineer - the standard model of bridges /
already in your head - is refining yourself
via plagiarism - you end up plagiarising yourself -
but come one! a quarter of a teaspoon of fennel seeds?
well, i'm not talking cumin seeds...
or maybe it was the turmeric powder that
coloured the onions yellow while frying?
2 tablespoons of garlic - for sure, enough garlic
and we're already talking Dracula -
~5 strips of bacon too -
                                          no, not necessarily involving
carrots and celery - why be boring?
this is me in my furore days in an organic
chemistry class at university - back to the esters
and perfumes, but this is raw, it's analytical
chemistry, it's nothing synthetic -
birds and the bees and some hippy buckles over
a giant butternut squash - which is why i find
people who ably memorise and recite poetry
are the same people who probably write polemics,
and do the peacock verbal dance for a woman
in a restaurant - rather than give her raw grub
of your own calibre - 1 cube of beef stock
dissolved in water - simmering for about 40 minutes,
tomatoes chopped - obviously tomato puree -
500 grams of mince beef -
                                                ever think that poetry
could reinvent journalism and also the way of
writing recipes? FENNEL SEEDS! that's what goes
in first, you roast them in chilli infused olive oil -
let them sizzle for a bit - and yes,
you pour some oil into salted water where
you'll be boiling the spaghetti - the oil means the
spaghetti won't stick together, plus pouring
oil into a saucepan of boiling water is the other
famous pastime of chemists... the former?
watch paint dry. i'm pretty ****** sure i missed something,
like mama Italia missed something to keep
the recipe a secret - well... there's Parmesan cheese
to garnish and fresh basil -
                                                and if i were raising a family,
i wouldn't be listening to the dead skeleton's album
dead magick... oh sure, the reward would be:
i'd have a little crowd at my funeral, some gibberish
about how many people knew me so well... but really
didn't... the whole street profession...
                i never got the idea of solitude and how it
might be sad from the Beatles' Eleanor Rigby song -
don't know never became an impressionable counter -
oh yeah, Darwinism helped! it helped a lot
in creating a world view, a world view that said:
don't touch this ****... leave them to it:
these people are more influenced by opinion columns
of newspapers than philosophy books -
in England, where, i dare say, the daily telegraph
is actually respectable, as is the guardian -
and the central of the two opposites? tickling
tabloid, i call the times posh tabloid, because it is
a posh tabloid: i like the way fame
desired for sales becomes toilet paper
the next day... or the newspaper on the street
that gets the footprint on the plastic surgery escapades...
love it! mm, yes darling! lovin' it!
Mateuš Conrad Jul 2016
the construction industry is filled with Englishmen... well, let's just say the management and bricklayers, and from i hear it's a ****** management, they think it's cheaper to loan a crane than to install one... as i heard, a typical construction site of has about 30 Englishmen tops, a construction site population of about 400... i might be exaggerating, but i heard it first hand, and i've seen it, well 10 years ago it was a bit different, but the cracks were already showing - how one Brit undermined another Brit, dehumanised one ethnicity using another's desperation / exaggeration of rewards: by lowering wages of the former's.

only a casual inference of the vote -
it's one thing pushing away the psychology
of the collective into the recesses of Hades -
even further into Tartarus -
well, you can see Tartarus from here -
the Titans are above us, Luna, and Helios,
Jupiter and Saturn and Mars - we rise
from this place, at least with faithful command
to whatever childish ambition -
psychology can shove collective psychology
of a populace into theory - that calm resolve
of reason, the unconscious and its archetypes -
but to concern oneself with passions,
that's also necessary - side with the "enemy"
to understand them, and then see past the fog...
in a fashion magazine... citation:
if we block free movement, and experienced
Polish or Bulgarian seamstresses cannot come
into the country, it is not obvious how they will
be replaced - "we couldn't have grown the business
without the help and support of these killed people,"
says designer *Christopher Raeburn
, who
wasn't able to find similarly experienced Brits
in London (pedantic note, the dittoing of that quote
should belong to me, i'm assuming direct contact
with the designer and the writer of the article,
ditto quotation starts with third party members,
people like me, not with the person interviewed
and the interviewee - i now understand how
dittoing works in English in terms of quoting
someone - in means as above, but by another person;
but i'm sure the quote was passed as word-of-mouth,
so the person who's first to pass a quote shouldn't
immediately use " " marks, he's not a third-person
encapsulation of a newspaper article, this isn't
a novel - simple math: origin (0, on an axis of
x, y, z), person who first encounters the origin-al
notes it with precision 'the sun will come up
tomorrow' - after that a person who encounters
'the sun will come up tomorrow' will then pass
the message down as: "the sun will come up tomorrow",
and then the dittoing cascade appears - the way
gossip spreads - it's not exact - it's ~truth -
people add to it, change it, overhear it and modulate
it - only the first person from the naked origin
should be allowed to ditto the quote - i.e. use
the " " marks - the second person directly citing
the origin makes a single layered membrane encapsulation -
after that it's a repeat of two layers, with the second
layer ably fluctuating, hence not loss of the origin
but a polymer of interpretations - Odysseus said of me:
'Homer' cited the 'Trojan war', we cite "Homer" and
the "Trojan war" as 'Odysseus' said, myth making in ambiguity
or the gossip factory, but given the sequence
0, 1, 2, 2, 2, 2, 2, 2, 2, 2... nth
a, 'a', "a", "a", "a", "a", "a", "a", "a", "a"... nth we all have a
chance to cite something from the third person,
after all, isn't fiction's limit based on the third person?
the pedant in me had to mule over this to get some
alcohol frenzy from it... and hey! i did).
it wasn't immigration to be honest, the racist smears
were a smokescreen... look at it this way...
the English Civil War... a friend of mine at university
once said: 'no great nation emerges without a civil war',
i could have written something in excess of that
but then i'd be writing as a third person " " inventing it
and almost treating it as my own, which is a no-go
zone - but from scraps you get the idea - go home,
things are about to get ugly between our civil partners...
and it doesn't boil down to wages as such,
Brits love the fact that Swedish students come to
the Norfolk fields for strawberry harvests, or whoever...
you know what i think it is? London urbanity got
to the vein of countryside folk, or Manchester being
overshadowed, actually globalisation ensured that
only capitals are "representative" of each nation
(inverse the dittoing, that's insinuating a passing-on
from an abstract, like Sartre's notation of "ego" meaning:
imitate me in between each "ego" with my narrative) -
they're not, but the golden nugget in my reasoning
is primarily concerned with You-Tube Sensations -
you name them: eat a tablespoon of cinnamon
and then sniff a ***** sneaker - film it, earn a billion -
become a unit of advertisement, sell it, bin it,
record your life, people binge on it, earn a windmill -
Vlog Blog Bog Sven and Fjoorn - remember when
children were employed in Victorian England?
this isn't between a Brit and a Bulgarian - this **** is
about a Brit and a Brit, hindsight: the English Civil war...
one Brit is saying, deep in the countryside:
you know what, there are people in urban environments
that teach their children that milk comes from
supermarkets and not cows, there's a borderline between
milking a cow and ******* on a part of a woman's
body overly sexed up - this has nothing to do with migration,
well, party it does, it want labourers to understand
a master, some ******* Bulgarian who speaks one
sentence of English gives about two nanoseconds trying
to understand authority - it's not demeaning to him,
he's told what to do, and off he goes and does it and
daydreams about his family reaping the benefits back home...
but employ someone proficient in the language,
who understands it, who has leisure time in it,
and you get a different picture dear Oliver - please sir,
can i have some more? no! back to work you filthy
little Beatnik! it's the self-worth pride, the self-sustaining
pride of nations - the people are saying: did we reduce
our youth to write video biography entries that only
tell other young people to buy the stuff they're advertising,
and all of them have become so fragile as to write poetry?!
well... better think again! minus the influx of migrants...
the doctor that relocated the upper-part of my index
was Hungarian... if it weren't for him... i'd probably have
to use a door to pull it back in...
and i understand what they're saying: i'm not racist... but...
my own countrymen have become so ******* lazy
i have to disguise my racism against other ethnic races...
because if i don't... it's back to Cromwell and the
Parliamentarians of the Square Table.
Mateuš Conrad Jul 2016
that you may read poetry without a tongue, with a plight
of sore eyes, of eager eyes, only eyes,
and shelter yourself from the rain
with a hand agreeing to greet it falling extended:
plucking mushrooms as you
might be reasonable meeting it with
umbrellas - but umbrellas
far beyond the flowery gutter of scent
and decaying ambition where the frugal
fungal arise like lechery of goblin ****
celebrated - some might add
a dice throw of Macadamia nuts -
eyed i too you the death-stinker;
this is the English revision of Zulu -
primitive tongue extended into abstract,
by those speaking English as foreign,
my English is an English reversed on
the colonialists - its a robbing tongue when
effectively used, with this in mind
i'm starting to think the Irish are bigger *****
than the Welsh even with the middle exported
as V into France and the longbow-men -
remember the antonym of German compounding
is the hyphen in English - optic talk -
failed rubrics of arithmetic for one,
failed rubrics of spelling the other -
i wish you knew English as well as you once
you knew Swahili - i actually wish you knew
Swahili ably talking to you grandparents...
i'm not your grandfather, even though
i wish he wishes he was -
you became gluttonous in tongue as they in body,
fat overdose from mono-linguistic apartheid -
you let them undermine the bilingualism
inherent in you... the Prussians
and the Russian and the Austrians never stole our
tongue... of course we devolved it borrowing
too many words, but loan nouns are never able to evolve
into slang, into urban talk that deconstructs nations,
where once was France now there's only Paris,
the same with England and London;
that you may read poetry without a tongue,
and make tongue read unto mind a Braille -
goosebump fidgety prickle - sour palette without
saying Thai in York - for the eyes to see the deformity
at hand, for the tongue to turn silent for one evening
alone, Venetian snares of the omni- eyed fake
entrusted with Cerberus' oath (only howl a wake
when your master Hades passes into the Styx for
voice of democratically reprimanding judgement over all
souls to arise from droplet into their own content
river form); for i too would have taken to resurrecting
the tongue, but the tongue was forgotten for a purpose
of agility in sports and un-thought poetics of excessive
rhyme, hardly the jazz, hardly the blues,
and hardly poetry - jazz i agree beyond measure a mint
cloud among the down-pouring heavy-clad-grey-clouds
of Mozart - i admit the blues the invigoration -
but rap? rap i just don't get.
me and this homeless man just laughed it off:
and i'm a Brazilian (blue tracksuit bottoms,
yellow t-shirt, green hoodie) - Eminem nemo Emo?
get the beach bleach out... we're going to stain those
starfish as coordinates' worth of horoscope... twirling
twirling twirling... cartwheels a'hoo a'hoo a'hoo ha hey.
i mean, sorry, i don't get the "hood" -
i don't get post-grunge either... i think i'm getting old -
and it's true what they say... the only black friend
was a drug dealer - wanted me to teach his daughter
to play the guitar... i said i listened to Bob Marley's sons
and he said i listened to culture -
racial stereotypes can be fun, i guess, if you're honest
about them... keen on the Illuminati,
so i said: anything better than Kubrick's eyes wide shut ******?
n'ah? hell, if it can't beat that, what's the interesting part?
or as i itemise the rewards the Koran states...
those 72 virgins... is that a metaphor for gym membership?
if you're a lazy drunk like me... the last thing
you want is 72 eager beavers.
Mateuš Conrad Mar 2016
you will never hear
a thumping drum of
a Kafkaesque mea culpa
of the first fist clenched
drumming against the chest...
thum' thum' thump,
boom boom, boom boom,
given that my index finger
on my right hand was dislodged
in order that i might not clench it
into a fist,
given the strong hand it once was,
given that,
i'd still gladly if not
ably punch you dead - indeed should
it take another dislocation i would see it:
a face ably punched dead, nonetheless...
question is, would i take more pleasure
anally defacing it rather than punching it?
Clinton Arneson Jun 2014
Sly, shy shadow,
capturing attention,
photons fail,
within delicious
dimension.

Indicating ably,
though quite indirectly,
amply, firmly, softly,
lovely, young fecundity
John Jan 2013
I was tripping, tripping
Over to Vietnam
Their hands were ripping, slipping
In hot blood
While I asked how many people they've shot
How many kids?
How many villages burnt with a fire so hot
So cold, the beers cracked open
Sweating like the citizens trying to stay alive
Rage trapped in their heart-like pig pens

I was told to take pictures
Told to record every explanation
Every lieutenant major gave a lecture
As calves were sewn to thighs
Thighs sewn, stitched
The thighs piled high
In buckets of ****** ice

I might have a son
I visited a madam
Down in la Drang Valley
Should've kept it in my pants
Now my sons running naked
Through streets paved in fresh blood
Pros ably pushing drugs or kidnapping women
Selling women
Because his mother was sold to me
In Vietnam
Had the weirdest dream last night. I was a journalist or a soldier/photographer in Vietnam in the late 60s. This is a product of said dream.
Mateuš Conrad Oct 2016
a.

227.9 million years away
                   (mars)                   heliocentric model
i.e. away from coordinates (0,0), i.e. the sun

b.

149.6 million years away
                      (earth)                         "               "
etc.

c.

    standard metric system, alternatively
                        this is the geocentric model emerging
i.e.        one day on earth is equivalent
           of a day and forty minutes on Mars...
  we don't have access
                     to a heliocentric model for this
primarily because of the coordinate of the sun
being (0,0), in Kantian symbolism 0 = denial,
therefore the sun cannot encompass day,
or night, hours or minutes...
                             you cannot apply
the relativity of days comparatively being different
on Mars or on Earth using the heliocentric model...
              
      and to think, all it took was for nautical directions
being blessed by the movement of constellations,
        and that phrase of mine: where's Copernican east?

            we're all shouting at the ****** project,
it's either who write the best concentrated plagiarism
of the masses for the visual effects,
          the glued together parts of iron and oxygen
tanks... or who can write the words behind the images
well enough to capture the imagination
        and shift it elsewhere...
oh believe me, i am living in a 48 hour week,
    i'm not writing science fiction,
                       i'm on earth, but this isn't earth,
it doesn't require a measure of distance,
   but still the figures stand... so i might as well
toy with them and get some bogus answer...

d.

what does life constitute on a "planet" that consists
of 48 hours?
                     today i put on something warm,
the cold finally got to me,
                          i'm the butterfly while a hurricane
rages on elsewhere,
                              quantum humanism some call it,
because the physics never really inclined itself
to treat human emotions well enough -
                    just today,
as i peered into the day's sky -
                     the moon and the sun shared the same
blue horizon -
                           in the summer the moon has the
tides - and keeps them at bay, calm,
         but when autumn and winter come,
and the earth tilts - the moon looses the grip on
the tides in the northern hemisphere -
hurricanes in the west, tsunamis in the east,
              storms at Greenwich meantime -
the time of day? when the moon engages in
profane acts with day, appearing and stunning
insomniacs into coherency, as if asking:
            so if i am being given a very quick
and less romantic sunrise, and esp. a less
romantic sunset, by seeing the moon closely aligned
to the sun during the day:
                 am i seeing the nightly delights of
the southern hemisphere, and if so,
            is that to the east, or is that to the west?
i am guessing it's to the east... for i am seeing
the night in the southern Pacific continent -
              i am seeing their night
                          for the moon has transgressed
its boundaries, and left the northern waters
ready to rebel under the polytheistic guise
complimenting the spacious orbs -
                       when order and monotheism of
the north during spring and summer...
         then Poseidon's upheavals with the watery
rebellious graves during autumn and winter:
or how Hades persuaded his two brothers to
pay due and meet with the Titans in Tartarus:
to thus form a pact against the monotheistic concept:
for the soul of the ancient Greeks said:
                shame be unto you, brats,
for shunning the religion of your forefathers!

e.

indeed the 48 hour day, two days and two nights,
or more precisely: three nights and one day -
sooner or later they'll push the clocks back,
a man will go to sleep in the dark,
   and catch but a glimmer of a day - then too
thrown into the darkness: a 48 hour day on a planet
involves three periods of darkness, and one
period of daylight - and if they said Alaska was
torture... here is a man engulfed alone in it.

f.

strange to think that 78.3 million years between
Mars and Earth only add 40 minutes more to a day...
           as ever, the non-uniform suggestion of gravity,
take but one step on that soil,
                           the curse of the astronauts on the moon:
and then invite the poets of the cult of the moon,
the emblem of the moon that's Islam...
                              an then wait for the consequences
and the ***** dreams of those people and their children...
               even the Atom Bomb seems to have
been forgiven by comparison -
                                but never the moon: or the death
of childhood - lunar crown shattered -
                              death of storytelling for children
some might say: 1001 minutes of advertisement
before Cyrus starts weaving a web of entrenched
consumerism - not even the Belgian fields
and their world war 1 trenches could have provided
such a status quo to continue...
            to continue...

g.

so do i multiply that figure by something?
78.3 million years disparity -
                        times the time difference?
i.e. 78.3 multiplied by 40 and added to
the distance from earth?
            λoγος - no!
                                 what's the distance from
starting coordinate (0,0) to the earth? 149.6 million...
      and mars?
227.9 million...
                                      which means 78.3 multiplied
by taking away the negation symbol due
to the double-negation coordinate that the sun is
(timeless and without space-affirming
                  timing to our necessary comprehension
of the day to day) - meaning the distance
of the planet with 48 hour days (three nights and one
day) is 313.2 million years away from the sun...
               Jupiter stands at being 778.5 million years...
and that's a kept in ****... a gaseous giant...
                 so the distance is plausible...
but like i said before: first comes logic,
which splits into rationality and irrationality -
                      but irrationality still uses logic -
      we all know that irrationality is not reasonable -
          but it is ably-reasoned-with
           or can succumb to some variation
                     of the illogical -
                                              namely illogical rationality:
as in passing Platonic theories down the ages,
or succumbing to the Freudian psychoanalysis -
fashion is simpler, cruder -
                                               it cuts off the missing
points, it desecrates the shrines of famous names
and does the grand thing of keeping everyone
hooked in, rather than out of it nostalgic -
       no one is really winning either side of this point.

h.

and this is really what two beers can do to you
to relax after living on plant H-48 -
                     no yoga teacher can tell you that ***
gets better when you pay alms to this world -
         the yoga fakes are making enough dosh laughing:
*** is good, where there's a billion of them,
not a scattering of what i call the real reason
why we evolved to be so numerous:
     cancerous libidos, or overblown libidos,
   and a knack at ******* each other off - which just
says: keep 'em coming!
                                    and they expect people to really
be awe-stricken when you have such nice names
in biology: chlorophyll and enzyme and hydro and
aqua... and for all life to begin with a big bang?
    i thought you couldn't hear astronauts scream
in space?        or maybe that big bang was just
       a big boo - because aren't we **** scared?

i.

American politics has cracked with this presidential
election, the real dynamic is out...
           it reminds me of
the trinity of ******, the brown-shirts
(Sturmabteilung) thugs leader Ernst Röhm
and the man that replaced him:
               Heinrich Himmler of the
less thuggish and more professional murderers'
brigade the (Reichsführer Schutzstaffel) -
you see, i actually have a better attention span
when i live on H-48... did you notice
that neither of the presidential candidates mentioned
the literature in their debates?
one said: tax evasion, the other said: emails!
but these two sly foxes are toying with the whole
process... they're citing the literature...
   tim kaine and mike pence are the geniuses behind
the scenes... you have to give credit to them...
                it's the ingrained discussion -
the gospels -           it subconsciously will even convince
black voters (of a certain age) to vote for Trump,
regardless of his blunders... which are like ******'s
blunders even though Eva Braun has Jewish heritage
(as seen in one documentary on channel 4) -
                    and you know they're running the show
because they only have one debate...
         that's how important they are...
                       did you ever care to watch a
Ingram Bergman film twice? or three times?
i don't think so. once... and then the butterfly is gone,
gone gone. i'm not here for the entertainment -
American protestant-ism isn't European,
                          it's ultra-Catholic -
                    oddly enough, not in terms of all
the iconic symbolism - that's scaled down -
       but the message is profoundly Catholic -
the two men cited the literature - they're
not thugs, they're not blundering rhetoricians like
the two puppets in their hands...
                        they're the power brokers
or what in England we call the kingmakers -
   i'm not into conspiracies, just the obvious things -
****** had a funny moustache,
          Trump has a funny haircut -
J F K was handsome L B J wasn't and was furious
when Marilyn sang the birthday blues...
                   Gerald Ford is the founder of the Mafia...
Nixon wanted in... oops... didn't happen...
                    ever since Ford it's been playtime after
playtime and no one doing the arithmetic on lives -
               well you know, a washing machine
breaks down, you get a new one...
                  but something came up at the turn
of the 21st century, no one expected it -
this is where i only ascribe one conspiracy:
                                         you can't miss it,
it's blatantly there on the geographical map,
S.A. and that beautiful ornament flag with a pretty
sword and Arabic calligraphy...
                             i'm not wetting my appetite with
these words... it's just common sense -
                money is something that provides the
trans-valuation of all things: it's what the alchemists
were always hoping to find, but it was found
so long ago that it didn't matter how childish they
thought they could be: thanks for paracetamol
though...
                                     what's actually the most
mystifying aspect of this is how there's an ingrained
desirability of a status quo:
      you can have a coin with Rex's head on it,
and no matter what the base metal is,
it will still devalue something more precious
                     and increase value of something more
precious...               it happens in the art world
with the artist being recognised posthumously
                                for the object of his work,
but nothing beyond that...
                                              and since it is painfully
obvious... the question is...
                     do you challenge the status quo
                                          or do you consider yourself
a unit of qua                 -
                                   and that's an open question,
if a question at all...
                                        it's because i have left the
exciting part of this poem,
                                    gravity pulled me down to
planet H-24 (otherwise known as earth), and i see
all this ****** misery...
                                       and i think...
even though my life on planet H-48 can sometimes
feel like torture - i know that i'm in control of
certain perks on it...           and all because i decided
to travel there, with one missing clue as to
why it took me 2 years to escape Heidegger's Alcatraz -
            and why i decided to go back in...
      after reading the previously mentioned book
i realised i was given the key into something else,
           kaleidoscopic even -
worded physics, worded chemistry, worded biology,
  not the physics of equations, or chemistry
of electron-migration diagrams in organic reactions,
or biology and its oops after oops and
a boxing match with theology -
                                           i even considered
buying the Alcatraz in English... but that would
make no sense...
                         given the already bilingual dynamic
being established...
                                     as Dante chose Virgil
to wade through hell... you too must also choose
the one companion, and reject all others...
               and if Heidegger chose Aristotle
i must choose Heidegger - and would i say that
my grandfather was a bad man for being a
communist party member? do you think
a small town boy gets sold the highest form of
Versailles intrigue that culminates in
the Siberian gulag? they got you spinning that old
housewives' tale like a dodo doing dodo
                                           rather than being dodo.
Sally A Bayan Feb 2016
Eyes chanced upon a brown object
Nestled on  a crowd of multi-colored subjects
A bunch of dried and fresh leaves,
Small, thin and soft spikes of twigs
And I wondered.....how on earth
Did fibers and strips of polyester sack
Get included in this mix?

One would think it might fall, and be slung
But it stayed put, steady, where it hang
I was trying to figure it out:
A cylnder, at first thought...but I had my doubts
I realized, it was a crooked oblong
And, from its opening on one side, came the soft songs
A small part of which, was attached
To the thorny Bougainvillea branch.

Strange.....for it was small...yet steep
A human hand could never go deep
You wouldn't think it could contain anything
And yet...inside it, were resting
Three tiny eggs...warming
And eventually, would be hatching.

Soon, the Red Palm and Sweetsop trees
Buzzed with activities
Birds of many kinds, watched, upon the bay window eave,
High on the electric cables...they perched and wouldn't leave
To and fro.......high and low, they flew
The air was filled with bird sounds i never knew

Soon, too, soft tweeting was heard
Along with the louder chirping of the older birds
Then came that morning, when, a birdling,
Eagerly, tested its wings,
Then fell off its nest
Down to the roots of the Red Palm tree
Where it almost met its final rest...
Suddenly, came to the rescue, two big palms
That put the birdling back inside its home
And reinforced the nearly displaced nest...

Both birdling and nest, were put to a test....

Today, other birds fly around this once busy space
Where life's significant phases
Inevitably took place,
Lonely and deserted now,
For the birdlings are fully grown
They're  now flying on their own...

From my rocking chair, I could see
Among those entangled twigs
Hidden among a crowd of sprigs
Still ably rests
An abandoned strange nest
That once told the story
Of an Olive-backed sunbird....and its glory...


Sally

Copyright February 18, 2016
Rosalia Rosario A. Bayan

^^^^^^^^^^
Mateuš Conrad Mar 2016
why do people always pain themselves to write as if they could ever be understood, when so few read them, and even a fewer number care to understand? and why do so many ably bodied ******* themselves with writing? why have they lost the taste for fresh air and instead chose a wheelchair that writing is?*

in legal terms - are you implying a play on synonyms or
just simply stating: d'uh, i don't know what
that means? ah, a limitation on the vocabulary,
an atypical symptom of lawyers - when socrates attacked
eloquence per se, he also defeated himself
by ensuring law abided by the law of highest eloquence,
and the rabble got diddly-squat, his attack on rhetoricians
lost the prowess of attracting debased educators
with himself the most debased educator:
and instead attracted lawyers... thus the law of the eloquent,
rather than the rubric of the least eloquent...
lost an eye for an eye, lost a mouth with it too...
i rather be fed eloquence and education
and coarseness to equally educate
than be fed a justice fed by eloquence alone,
because if this is to be the equilibrating case,
then serving justice will just be a case of speaking
in a satin tongue of readied rhetoric
as justice so called,
and when speaking in a coarse tongue
no justice will be made applicable...
i rather be educated by someone in a coarse tongue
than be brought to justice by someone in an eloquent tongue,
i rather not be educated by someone in an eloquent tongue /
i rather be brought to justice by someone in a coarse tongue
(the mob),
at least the coarse tongue is well equipped to
address the many who require educating,
unlike the eloquent tongue equipped to
address itself and itself alone, rather than addressing
the jury who blindly pass judgement, because
the lawyer's tongue is not in the mouth of the defendant
but in the lawyer's mirror of social strata of respectability
appearing so guiding, kindly tying a bow-tie of applause.
Mateuš Conrad Aug 2016
an anatomy of a maxim, originally: the greatest trick the
devil ever pulled was convincing the world the world that
he didn't exist... perhaps, but what
was the conviction, what ontology lay
behind it, was it pre-existential (Cartesian)
or existential (Sartre's)? we're not
talking gambling with Pascal - we're not talking
games anymore - i'll explain later.
i have too many concrete references to throw
at you, where you'll make this whole affair
a scandalous one that i didn't invent myself,
but we're all refining our meanings,
in youth prescribing unknown to us
slang vocabulary to filter through the included
and the excluded, i always wondered where
slang originated, and to what purpose,
the Beat poets and novelists licked the topic
of slang with their addictions to subplot the
demands for a bubble-effect and a non-touch policy...
i was watching the Olympics today,
and i was watching the height of plagiarising Greek
in Pax Romanum, and it felt very civilised,
an equal contest, handshakes of the defeated,
they are after all games, we're not been equal,
let's celebrate Achilles and remember him
for no depressive isolating ******* when drinking
Dionysian epilepsy of refill, refill, so we remain drunk
and memory of him keep us drunk!
but no, oh no, modern men don't know what
to do heroes, or such memories that might
detach us from thinking ourselves likewise;
oh the slur of jealousy, so much angst, among ably
bodied and among the disabled, the disabled have
no sight of a plateau to look up to among the ably
bodied, they're rotten to the core -
and i know where premature dementia stems from...
i was watching the Olympics today, and it felt so
healthy, but then i watched the opening of another
sport... football... and i put on Salem's debut album
on the speaker, songs like sick, release the boar,
trapdoor, and i felt a reminder of the fall of
the western Empire, and when the Norse men
came against the Roman plagiarism of Greek culture
after the Trojan immigration to Italy after the defeat
at Troy, and Hector dying glorious by a glorious
hand of Achilles, and Achilles dying from luck
for the prototype of Tinder man of Paris, ***** licking
boot straps marching to fake debility...
oh, if you don't have a mobile phone, and never used
the Tinder application, you can see the super-charged
desperation of women, porcelain dolls pretending it
was always hard luck and too much eager ****...
they book the cheapest tickets to the Opera house
to see Bolshoi ballet, they even buy tickets that only
allows them to stand... after the second act there's no
sign of them... they disappear, no Tinder swipe
no Pokemon... better chances looking for either
in Auschwitz (as i heard has happened, Auschwitz,
well, thank god people go to fake mourning and a digital
theme park at the same time, at least the hens and stags
have Prague... they call us the forgotten Europeans...
maybe this is the precise intention of what i once
mentioned concerning the ONE LESSON IN TAO:
to aid the world, let the world forget you,
in order that you might forget the world.
seeing la corsaire we had anna nikulina as Medora,
mikhail lobukhin as Conrad, nina Kaptsova as Gulnare,
vitaly biktimirov as Birbanto (the *******),
denis medvedev as Lankendem and alexei loparevich
as Sāid Pasha... the major dances...
- pas d'esclaves by kristina kretova and igor tsvirko,
- danse des forbans by kristina karasoyova (soloist),
                                       anna antropova, anna balukova,
                                       evgeny golovin, denis savin
,
- pas de trois de odalisques by yanina parienko,
                                        xenia zhiganshina, elvina ibraimova
,
- le jardin animé............................................................­........
- grand pas de eventailles......................................................­.....
lonely girls at the opera, phones in the interludes, swiping
left, swiping right, a boy without a phone,
behind me two young women trying to strike conversation
about ballet exclusively, nothing human, just prepared for
the stage... what an awful talk, and talk, and talk...
no talk about excessive clapping... out-of-time clapping...
i'm truly living among barbarians... i might not be as rich
as these barbarians, but i wouldn't care to clap so much,
i guess the logic is: i payed so much money for this ticket
i better make my presence felt.
as i already said, i did take Ezra Pound on the commute,
i should have taken Kant... on the way back from central
London heading into the west i felt patronising
tourist eyes of misguided voyeurism, here one minute,
gone the next... only the devil sweats with shame in hell,
while everyone remains cool and in denial at being in one...
i was just standing on the tube, reading a book of poetry...
i turned into Niagara Falls... sweat on my back,
sweat on my front... while everyone else remained
surprisingly well hydrated, i looked like i just ran a marathon...
so after watching the Olympics i watched the dark ages emerges,
two strands of sport... god almighty and the barbarian's
religiousness of sports, so hellbent-anti-bohemian,
intimate secretes of Onan as a chant with that curled finger
jerking sideways movement... after watching a few days
of the Olympics, the empty seats, the few remaining lights
of this world... i got a cyst pool of ****** bound maggotry...
dad says to son: as my dad said unto me: 'ammer 'em in!
but now i know where premature depression comes from,
under communism we flourished with our imagination,
we played hide & seek into the night,
even when they imported Nintendo and comics we
were hardly moved... hardly the ones to be domesticated
and zoologically probed by anaemic paraphrasing -
we lived outdoors, we slept indoors, we used to eat
sunflower seeds, freshly baked bread, drink
cheap lemonade, go foraging for mushrooms -
idealism of some sort? but none of us were given
pharmacological attractions to treat - we were
given a childhood - even in England we managed to
play with Pokemon cards, to be puberty riddled geeks,
but then things changed... none of this new generation
of youth is given the same childhood chances,
in my youth few already experimented with ***,
teased us all that it was the highest achievement -
back then we still had people to look up to -
strange how i bypassed ****** pubescent development,
when the first boy masturbated he'd be *******
*****... i'd be ******* a sensation aged 8 or 7...
and said it felt good, i didn't involve a church doctrine
that life begun somewhere other than after the birth...
as it might be reasonable inspection that mere death,
sudden, et tu Brutus?, is like an *******,
the fetus later, then birth, the migraine of mourning,
the ***** training (getting used to angels),
the ****... takes us several years to record our
first memory, some might go back as far as being 4
years old... no further, whoever says they can remember
prior is mixing what's presented to them for distortion...
i can't distort my first name and my favourite footballer's
surname in the 1990s world cup (lothar matthäus),
or the satirical sketch show about Solidarity:
**** wałęsa (lew) was the lion, tadeusz mazowiecki (żółw)
the turtle, jacek kuroń (hipopotam) the hippo -
the memory of the "turtle" politician always made me fall asleep.
to be honest, the maxim sounds better not because the devil
denied he existed, but because God denied he existed,
once having proven he did, he denied it with such force
that his marriage to the chosen people became a brief
marriage to the elect / intellectual people... but then that
failed too... we're at the last stage... with Islam teaching
us the original intention of man having to relationship
with god... when Muslims teach us kung fu and judo and
yoga and stop trying to censor our vocabulary,
teach us mutual respect, a divorce from writing poetry
to solely embrace the Koran... when they finally realise
they have become more decadent than anyone would
have thought give their discovery of oil under the dunes...
the greatest trick the
devil ever pulled was convincing the world that
he doubted his own existence
; and all because he knew
that god denied his own, as became apparent in modern
politics, that the sole tactic politicians used to perpetuate
their authority was in the playground of using denial...
but it was never a playground... oddly enough
doubt and denial mingle like the Cartesian mind-body
duality - but when looking at children i know
that children do not understand doubt, too many games
to play to doubt them, hence the crippling uncoupling
from imagination later on, they're real, undoubted games,
hence the child's complete immersion in them:
whether Walt Disney lived and provided for the lost
children is none of my business.... children don't know
doubt, they have no knowledge of thought per se, thought
per se identified as ego... they know only one form of
lie: which is denial, intuitive lying... doubtful lying is
in good interest only a wavering, but nonetheless a straight line...
if ever doubtful lying ever persisted - even the Koran states
something about non-believers... it states nothing about
quasi-believers... the sort of: well... as long as that
martyr walks into a harem, where all the 72 virgins
are actually prostitutes, and he can stomach their piercing
eyes, then we'll think about giving him 72 authentic brides
to deflower.
Mateuš Conrad Jul 2016
long before the Greeks started applying diacritical stresses to their letters, the English should have applied them, following their European counterparts in the use of the Latin α-β sabbatical - but of course, they wouldn't, the English poker hand had a royal flush compared with the Greek pair of tens - the reigning delusion given the British Empire? we are the Romans reincarnate - sure, it worked to produce us the Canadian, the American and the Australian accents - but they really, really have to dress-up for the occasion - it just won't do leaving the alphabet naked without stresses that invoke a spirit of universal pronunciations, leaving it a mongolian steppe instead, a wild-west you might add, adding to the social hierarchies established when the hierarchy rests with someone seeing the invisible standards of elocution in that numerous number of examples ready on hand... this is a second English Revision, the first one was economic with Marx... this is another altogether different revision... to appropriate English into what other European nations have done prior... of course, not appropriating the stresses to the fall of the Roman Empire gave them the delusion as successors of the power established - but only for so long... they're not looking over at America with admiration anymore... they're wondering: what the hell is going on?! but i deem this project a half-failure in waiting - given that establishing a universal pronunciation system will not work miracles - Silesian Polish is one example in the making, but if you at least add necessary invocations to stress certain letters, you wouldn't write poetry using the word blah from time to time - it's still bewildering in the Copernican sense that English, out of all the European languages hasn't bothered to wear a cravat of acute vowel or a belt's worth of umlaut - straight out of Eden these people are, stark naked in the moonlight - obviously because of this lack of addition the power balance rests with them, but the English know that they were once occupied by Romans, the Americans can have the naked Latin... the English aren't so sure as to why not join the exercise of additional-revision... the polygamy of accents wouldn't disappear - but the orthographic revisions would aid the less concerned with saying certain words right... but then again, it might be too late, given that because no diacritics were ever ascribed to how the English encoded sounds leveraging toward a poly-phonetic-diversity on these isles alone (let alone North America and Australia) - adding stresses to these 26 popes will have no effect at all... but still! why did the Greeks decide to add stress and eloquence and the reincarnate delusional Romans didn't follow Greek suite?! one thing is for sure... start adding them... and acronym English / ugly English will disappear - people simply need quickly-identifiable stresses, they want linguistic calculus, to ably differentiate and integrate.

after your required reading - *what did i miss?!

with the classics - you look at your contemporaries
and become slightly peeved off -
what ontology can't explain is the instinct
criticising the coal-miners of words -
you rarely see awe when the obscure nugget
of some precious metal is chiselled out -
like the αρκενστoνε - but tmesis will not be
akin to a precious stone (tmēsis - why did the Greeks
insert necessary diacritics and the Anglophiles
were so lazy reducing Aphrodite to Prostodite?
it means e.g. ex-*******-aggeration of something) -
with such a paradise some of us become
coal-miners of words, precious vocalisations -
20 carat with that ontology of yours;
poetry ought to make philosophers like heroes
of Homer's day - give the battlefields shifted to
libraries rather than pecking menus of crows
in muddy Ypres - after reading the book reviews
comparing Saturday reviews with Sunday reviews
i get the picture - it's not a beauty, it's just there -
money is not the dirt people speak of hoping for
a win on the lottery and an escape -
money invoked a necessary loss of tribalism -
of excess labour when no labour in what area was
prescribed earning was necessary -
offices hoovered like hospitals, but then hospitals
incubating super-bugs, resistant to antibiotics ***** -
a baby held captive in a cupboard -
since Hippocrates' times sadism crept in -
people are so sane they perform it automatically without
knowing - until their time comes;
every time i read Bukowski i feel i'm at home,
the latter Bukowski, the posthumous writings -
i too wish i wrote with the sensibility of philosophers,
limited vocabulary, the so called systematic approach -
they simply said: 100 words, written to the volume of
1000 pages - systematisation in philosophy involves
a limitation on vocabulary - they want to see how
far their stressed limit of vocabulary eats away at
the potential sigma of potential - poets on the other hand
rarely systematise - they'd rather jump in with
as many words as possible, and leave anyone reading
their word bewildered, because their vocabulary is
not drilled in, it's not perfected, it almost looks like
a prosthetic limb - the moment when you see a dictionary
in action, the odd word from them all, breaking
the fluidity of a poem that could have been a waterfall -
there are plenty of dictionary moments in almost all
poetry - there's no ticking clock event in them, there's
pause, reflection, revision.
for me this poem started in thinking how ridiculous
using certain words can be - Roman Empire, pseudo-Christ -
i mean, in poetry at least, such words and compounds
look ridiculous in poetry, there's no dogmatism in poetry
to allow such words a serious use - esp. when
compared with what philosophy practices -
a systematisation / containment of a particular vocabulary,
stretched to its limit, dismissive of synonyms of words -
(variations of particulars), i.e. the founding principle
of establishing universal meanings to words:
on that rainbow canvas: red is red, blue is blue,
green is green... all together they're white / mirage of paper
and sclera - the so called invisible -
systematisation in philosophy is a rejection of multiple
meanings of words (deviating 2nd through to 6th meanings
for lying / ambiguity) - and limitation of what can be expressed
with a border on tongue - after all borders exist in
landmasses and in seas -
yet i still don't think poetry is all about music -
those days are long gone - poetry started nibbling at
philosophy - they are heroes to me, i mean, Francis Bacon
died after trying to invent a refrigerator (hypothermia -
hyper-thermal? perhaps a variant of hippo or the trait
of the lizard - the lizard disease - below thermal acceptability
for mammal, true indeed) -
yet after reading the crunch (2), mahler, sometimes even
putting a nickel into a parking meter feels good-,
and esp. am i the only one who suffers thus?
i just
think of C. G. Jung - i don't know why - that little
book of his i have: the undiscovered self -
i really don't know what there is to discover -
when you start writing you never actually think from
the beginning that you have it in you -
you never do! it's a lazy beast, writing is -
even a poem a day can be a welcome presence -
for me it was never something undiscovered,
discovering that i started to smoke cigarettes aged
21 after being so anti-cigarettes coming from clubbing
stinking of tobacco - the self i discovered was a bit like
a portrait of Dorian Grey (great book by the way,
better than an adaptation on screen) - that self i didn't
expect - although less ****** and definitely less
fetish spandex clubs - i don't know why i'd mingle
the abstract simplicity opening doors and corridors
to walk on that poetry is (however mutilated due to
a lack of respectable technique like some English teacher
telling you to coordinate yourself with metaphor, pun
or imagery vectors - modern painters can paint
******* and their expression is still art, but when it
comes to poetry... everyone suddenly needs old
Chaucer dungeons or Shakespeare with whip to tell
you it's poetry - a ******* black square on canvas isn't
Raphael!) - i just realised that it's not about discovery -
this is going to sound ridiculous, but it's how it goes,
i don't attack too much significance in examples as these,
i know the meaning of such example, but the meaning
is shallow due to the peddle-stool that C. G. Jung
ascribed the compound: the undiscovered self -
with poetry it's always the inner self that introverts
and shuts up when the world never bothers -
the crucial moment comes when that basic unit of life
(of course, vary it with existence or reality and the matrix,
whatever) reacts to a world it can no longer understand -
poetry then enters the realm of the individual,
the undiscovered self is found, once a healthy individual
weighing 75kg, now a drunkard at 115kg and somehow
still content (the invisibility shroud from back in school,
as with Plato: 18 through to 21 - beauty is a short-lived
tyranny
- and 3 years is enough) - and the self begins
digging, and digging and digging (yes, i know, it's
how pronouns interact with each other, the ~self is never
self said - old Germanic - the telegram technique -
self said that self would - funny how all psychiatric theory
or psychology is so ****** obsessed with pronouns and
no other category of words - that's where the sharks swim
sniffing out a drop of blood from a cubic mile of sea water) -
and by digging there is no actual stasis of an undiscovered
self - there's only the continuum of perpetuated inner
and more inner; but what is discovered is not what
is necessarily categorised as zenith, an undiscovered potential,
for that's motivational speech - that little book is
about motivational talk, therapy to craft an illusion of
self-assurance... never mind... after reading
the book reviews from Sunday, most notably the biography
of Philip K. ****... i found that English is a language most
beautiful, but also a language most dismissive -
as with the late acceptance of existentialism -
the slow nibbling at the walls of English utilitarianism -
for that could only be an English product of thought -
and the results? well, teenage suicides and too much
pill-dropping to cure depression: nothing that hurts.
it was hanging in the air, like a guillotine blade -
too much faith in English sensibility and that bloodied
doctrine that utilitarianism is, it's not about big words
these days, when behind those big words there are crude
actions - talk about really inventing a blanket to cover
the crude actions behind what was said in variation of
the supposed vaccine program to make people immune toward
crude actions.
Yenson Nov 2018
The Cons fed no rations...hahaha

The house breaking Burglars are Chris, Joan, Tom and Kelly
Ably assisted by Jim and Cindy, the black and white *******
who broke up their families, move in together, to **** each other
Life's too short, forget abandoned spouses, what the hell, ok
Then there's Linda, who's had three husbands in ten years
all leaving after a while, leaving her with two kids
to look after, what a palaver, where's a true lover
These ******* ****, use and take then do a runner
Her trust in ******* men ruined to pieces and no nookie

All dysfunctional lives, full of pain, angry at the world
Yes we're in Limehouse, but do we have to **** sour juice
They're all seeking to vent, seeking revenge for their miseries
Look that couple upstairs, always bright, styled like Vogue
neat and tidy, full of laughter, going places, yuppie cts
See quiet husband, walks like Bowie, with a kin of **** swagger
And the wife so cute and petite, drives the shiny Red Mini
He ***** her every night, I hear them, I tell you
Their skins glows, shines like the sun, too happy by half

Chris the Scot married to strife and bother
The criminal life is such wahala, police here and there
its hide and seek, no money, no nookie, no nothing
Well OK, there's Tennants and Special Brew to drown the blues
****** hubby again in Wormwood Scrubs serving ******* Majesty
Tom ain't stealing as much as father, have to beg next door again
Joan is ******* and ain't making no money, now in the duff
only fifteen, by ******* Nobby, from the Young ******* Socialist Brigade, Kelly is also ******* and only twelve, what a life
Ahh ....  life on the Estate is life in *******

Listen you all, here's the deal, here's the number
Those ******* Happy couple at number fifteen
Why ain't them struggling like us all, where's the cushty
You don't see them carping, the ******* are loaded,
Them knobs have it all, smiling and laughing like *******
Let put some fire up their *****, let's teach them street life
Hears they think they are royalties, let tax their ****** *****
I'll be the lookout, you kick in the ****** doors
Liberate their valuables, we'll all have a party

******* Nora, the quiet man has blown a frigging gasket
Says he gonna tell all we are crooks, gonna evict us, the fool
Go get the posse, go put out a contract, a ****** for the jump
We are Eastenders, born by Bow bells, and we look after our own
How ****** dare the toffee nosed tory, says I should go get a job
as if, working for honest gain is our thing, ****** idiot
Yes mate, the boys are out, the contract is on
Let's see Jackanory tell us a bleeding story
Hero to Zero is now playing at Roman Street market

Break them up, mash  them down, ruin their lives
lets play 'trading Places, see how the c
ts feels
I already see cool man strung up. dangling on a rope
How dare they live happy and comfortable
two wages, car, dining out, new attire every day
Come on Jim, Cindy, Linda, all go get your mates
There's work to be done, no time to play
We are the TUC, that's Thieves United Confederation
And we've got the ******* Red Boys in the Team

It's down Tobacco road for Mr Tory, the bleeding ******
Ain't no more laughter, we'll put them in the gutter
Lie and slander, defame and harass, topple Saddam
Get the ******* Red mill going, its round Robin time
How's yer father,  no more mate, not ****** likely for a while
Yer only leg-over is gonna be legging it to the Social Security
Its Dole time, pain and miseries for you sunshine
Sing a song of hate, pariah on a roundabout
Yer marathon man now mate, come meet the Red Devils

Here, They need no ******* introduction
girl Apr 2013
cha-ris-ma
/kəˈrizmə/
Compelling charm that can inspire devotion in others
Can you imagine?
Being so fluent with your words, so ably presentable that you could encourage and influence people to take action?
Mateuš Conrad Sep 2016
the oddity of it all, i can sound like a 70 year old, writing in 2016, by simply writing about 2004 - and that's the excuse everyone gives for lazy English text form: 2 (abc), 3 (def), 4 (ghi), 5 (jkl), 6 (mno), 7 (pqrs), 8 (tuv), 9 (wxyz) - where you had to press a button several times to get the right letter (even with spellcheck helping you shorten the digit-bag sequence) - but that's no excuse with digital phones and a complete keyboard... but that's how it looks, after only 12 years... i'm actually aged 70 given the advances of the technology advent... let's forget the technology of the 1990s... i've circled round and met up with people who collected vinyls... that's how old i am in respect to my buying habits... we're the silver-compact-vinyl kids: the ghouls of the 1960s, born in the 1980s and not getting down with the kids... and to readdress just two books: all that stream-of-consciousness made the latter end of Ulysses a bit like writing by candle-light... as was reading the plagiarism of the above stated in Sartre's iron in the soul... or as the puritans said: we're filling for at least a ¶ (pilcrow) to be inserted: not to mess up the idea of a river and "thinking aloud" where punctuation marks mean: stopping suddenly because you become self-conscious... i just needed a ****** bookmark! the monks at the time of Charlemagne used the ¶ quiet often, condensed bibles, ink was worth 20 camels and paper was worth 20 dresses for a queen... ah, the times when paper was as precious as silk... so the puritans condensed writing, they weren't as sparing in their inner feng shui - a room the size of St. Paul's... and two words in it: Jesus Christ... they were like modern day delivery guys, packaging words together, they didn't have the luxury to write paragraphs with the now established spacing afresh, i.e.:

            and Jimmy went up a ladder into the loft etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc.
             Florence was making a cup of tea when she heard Jimmy yell: 'my long lost golf clubs!' etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc.

i.e.

¶ and Jimmy went up a ladder into the loft etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc.

alternatively the ¶ went out of fashion in the literary world, once writing became affordable and changed into a profiteering case of bravado... but i still think ¶ is a bit like using a clef.*

or how to keep one's intellectual integrity: have a drink or two,
and muster enough creative energy to use this encoding -
or... how to make poetry akin to computer
programming - a subtler way to encode
the now slothfully rising moon:
half of it, not full, nor scimitar crescent,
a half bitten honey biscuit, just above the forest
horizon, and the semi-detached houses
of English outer-suburbia - in a sense
transcendentalism, a box with many words
in it attributed to the cause,
as is the reason why Christianity became
the most schismatic religion that has ever
graced man's "good will" (ambiguity,
not an approximation) - in line with philosophical
whims of vogue: idealism, realism, transcendentalism,
existentialism, ism after ism after the Methodists
and the Baptists and other mongrels of current
affairs... already stated: populist Platonism
and the ransacked and burnt library of Alexandria...
yes, decidedly, poetry as a variation of
computer programming - although more akin
to: the tetragrammaton and the Noah's
checklist of paired onomatopoeia(s) (plural
form is underlined, Oxford hasn't picked up
the circumstance: there are neurotics out there
who'd send you to the guillotine for not
updating "spelling mistakes" that aren't
"spelling mistakes" quickly enough!) -
to the cause or as signatures of being easily
recognisable as: yes, that's that... a moustache
and a bowler hat...            alternatively
watch a stand-up show by Miranda -
the very typical English-ness inside out:
hysterical from the word go... the ministry of
funny walk from Monty Python ***
                      the two walks at the airport -
or the trip-up on skewed pavement slabs
checking the impromptu socially acceptable
version of the other seeing us -
comedians do it oh so well: the inside-out,
stern exterior, boy ******* a thumb and relating
to a blanket as if it were an umbilical chord...
what a tightly knit individual...
                          made complete with about a dozen
patches...
                       but it is! it is! it really is already
ready to be likened to computer programming,
perhaps there's no <xerox> or other commands,
but poetry deals with encoding sounds,
no man can encode a proper roar of a lion
or a squirt of a skunk, that's sheer travesty that
so many people can actually muster enough
encouragement to encode these sounds...
i imagine a world where we don't even care
to write knock, and knock on a piece of wood
and a noumenon is born, the sound isn't noted
down, it remains a thing in itself (synonyms,
in italics) - it's probably akin to getting a tattoo,
great if you have a short-term memory loss
like that guy in Memento... but it's going to
be hard to displace knock-knock -
again this is already an approximation -
onomatopoeia upon onomatopoeia -
it doesn't even sound akin or properly dressed
to mention Plato's theory of forms -
sounds can be forms: apparently they're waves...
no waves are forms (shapes) -
or that demigod who fell in love with his shadow,
rather than his image reflected in a lake,
he fell in love: because it gave him enhanced reflexes...
every single time... boom... shadow... boom...
shadow... and so much of language goes into
these nonsensical types of encoding -
blah for: talking a lot -
                                           hmm - when negatively
pondering something -
                                            i believe that
there should be a grammatical elevation of the onomatopoeia
to the status of nouns, verbs etc. -
                           but it is, it is, it really is
like computer programming,
               above and beyond the sheltering vacuum -
how would we ever write a word to encode the
sound of lightning, or a volcano erupting,
or the earth spinning - in these areas i find god -
       i will find man in these areas:
but i'll be hinged on mathematical explanation:
and mathematics is pure optics -
                       so what that we can write one and write
1, write two and write 2, three and 3, four and 4 -
    by now we can write to, too, free and for...
and this is just the start -
                             by acknowledging onomatopoeia
for something, we acknowledge our limitation
of encoding something in that realm -
this inability gave us the emergence of nouns -
   sooner or later when someone started
talking about an earthquake... a litmus test of:
brr grrm boom bah dobble aah! etc.
we got the picture - and why would a monkey
evolve from its conscious-sleep reservoir
to say just as much as with a simple grunt and ooh -
actually, some onomatopoeia(s) became sophisticated -
a grunt is a sophisticated onomatopoeia -
       as is weeping and crying and shouting -
as is shooing (or to shoo) -
well, that's how i see it... poetry as reality programming -
since there's more than just a computer -
at the moment it just resembles a game of
whack-a-mole -                 although there's more than
the mere 26 primary moles -
      and all this talk does relate to something,
something very important at the beginning of the
20th century... well, a century later, and something
similar is being discussed... Ivan Bunin?
noble prize winner from 1933, the first russian to do so...
  anyway... this goes beyond his concerns...
his concerns were akin to that dud i made
with the word mruwka -
                               personally? i feel that the "correct"
version of the word is aesthetically displeasing -
and anyone who says otherwise treats orthography
not as an aesthetic question, but a question
of rubrics and regime - so there we have the "correct"
version mrówka                               (ant)       -
anyone agree with me? well, the English language
doesn't have any concerns for orthographic
regulation - it has excessive spelling and that's that -
what bothered Ivan was the Bolsheviks rewriting
orthographic rules... the word in question?
izvestia - that really peeved him off...
                      everyone in intellectual circles was
disturbed by the changes (can't recall the original) -
but the changes were approved by the Russian Academy of
Sciences (immediately before the revolution) -
there would have been any dispute about the "evolution"
in orthographic terms if done prior to Feb. 1917 -
the war postponed the changes, and with the Bolsheviks
in power... then obviously the suspicion...
   now... such changes are but farts in hurricanes
in comparison with what happened in the realm of English...
i mean, ****'s sake, we're talking minor aesthetic tweaks
here and there - the changes still encompass the form
that's understood by the ear, and it's only a matter of
taste where you write the word ant as either mruwka
or mrówka - well, mind you, i'm already asking
for the incorporation of the Czech š (sz) and č (cz) -
but what's happening in English... my god: it's terrifying!
all these acronyms? all these emoticons?
        i know that English journalists are in favour of
:) and :( and ;) ;) [wink wink] - and next thing you know:
you're talking to a monkey... you soon realise:
the deaf have nurtured a superior system of communication,
as have the blind than these poor, healthy, ably nimble
*******...                   how they're superior, i don't know,
and in all honest? don't care...
         for goodness' sake: a heard a story that a girl
wrote her g.c.s.e. English language paper in text format:
   e.g. c (see) u (you) l8r (later)          -
now you see why i think that poetry is like computer
programming?
these people are scripts from a classical software program
that looks something like: 3;r/d]]aq"pk.0    etc.    
it's a complete and utter mess!
                         fair enough saying: O Shakespeare O
Milton... those guys are turning in their graves...
and they ain't showering the English language with
graces mind you: they're calling it the new
***** & Gomorrah - and it's not England was the sole
inheritor of the computer -
                                       that's what not having
diacritical accessories does to you...
                             you get hacked...
and this... pretty much... is a form of a hack:
you'll wake up tomorrow with a pair of sunglasses
or think you're looking down a microscope;
i swear to god...       me and Ivan are just laughing...
he's not drinking, i'm drinking, but we share
the same intuitive devices - the same puppet strings
pulled him in 1919 as they are pulling me in 2016...
the same ****** trials of a variation of zoology -
some look at monkey behaviour,
            others look at how language is cradled in people:
and i'm not even going to bother
elaborating on anything by Chomsky -
which brings me to the following conclusion
(back to Miranda) - i don't believe in fame apparent,
fame apparent, as in: tabloid crap and c.c.t.v.
and 20 nannies and 50 bathrooms, and not being
recognised wearing a virtual reality gear when walking
down a street when otherwise imprisoned on
a television screen rewind - that's not fame,
that's tyranny under the masses -
                         i don't believe in it... which answers
one famous English scientist's question:
why does posthumous fame exist?
                                    it's like that Camus question
about suicide - well... i guess it's a question of
endurance... a bit like a fail-safe mechanism about
why the pyramids are still standing even though
they experienced so much weathering by the elements -
well, as endurance has it: posthumous fame is
filled by introverts...
                                          i dare you to name that
famous Bolshoi ballet dancer, or that famous 1930s
actor or actress... they're part of the extrovert side of
what's called "fame" - but that's only a minor point
i wanted to make... the real zest i already explained -
ah crap, summary in maxim:
   the concept of modern fame is the result of a god
that has been attributed such qualities as omnipresence...
               well, aren't modern celebrities... a bit like that?
Barton D Smock May 2015
altar

the baby is too light.  its mother puts it on a scale that reminds her of a plate her empty childhood couldn’t break.  its mother invites neighbor boys to punch her in the stomach.  some of the boys bail.  some don’t.  the mother’s nickname doubles as her real.  the baby is not called bricks.


zero

when I couldn’t get my head around the surrender of my body to the flotation device of an immaculate conception, I’d simply swallow a baby that had swallowed a pill.  years go by and I am zero.  the number arrested for suicide.        



basics

because he is asleep, he does not find himself sleeping in the tub.  something slides from his belly and becomes wedged.  his dream business goes under even in dream.  he makes eyes at CPR manikins.  his son, his life, pushes for legs.



safeguards

I call this piece

the hotel room
that left
your father.

a hammer is a good bid, an unmarked
bottle of cologne
is better.

your mother stopped in
to let me know
my high school
mile time

was threatened.

she said she would’ve come sooner
but she had to work
a fork
from her thigh.

the disabled are born liars
but lie
only once.  




turnout

before the parade
I carried with me
a trombone
and entered
the high
corn-

what I played
there

was mournful
after
the fact-

a tune
for no one, for a tree’s

late
cat


outlet

depression is a non-starter.  depression is depression unknowingly cured.  it is like I have this shirt because it exists and not because it invites everyone whose shirt it’s not to enjoy joy.  I don’t want to hear you say you’re sad to say.  I ******* to reappear and think it might be why my father vanished.  it’s enough during foreplay to flicker.



viewership

my youth spent trying to see the devil as a young man.  my motherly youth.  my **** scene a return to form.  cut from yours, you have your baby’s eyes.  I went unborn.  I went beaten.  we went together in broad daylight when broad daylight was god’s elevator.



pressure

the original thought in my head was to be postdated by god until god learned he had a baby on the way.  I had children until I could only have four.  what I say to self-harm is pay attention.  my daughter raises her hand on the off chance she buried something in her teacher’s body.  (we have stopped talking

but I can squeeze her anorexia into a phone booth)  poverty myth:  I groom my sons with the beak of bird abandoned.  real time I tell my tongue it’s ******* curtains for the mouth I’m getting.  full circle my daughter surrounds those brothers of hers that mine clone.        



On having a secret mother

the boy is lacing up his right shoe
when he sees
the string
tied
to his middle
finger
and wonders
how asleep he was
when it happened-

(being forgotten
is a lot like
being forgotten
by) harm, that purple balloon

lowered into
then surrounded
by

the inactive
construction site
of the world




On suicide

you are further than I
in your worship
of the slow
vehicle
that carries
praise
back and forth
from appearing
to reappearing

god (how else)
to bully

what would
wipe you
clean
of body

language…

On foreclosure

any chance, no,
of improving
upon
my impression
of god.

noises beneath a bomb or bomb
threat.

wheelbarrows, wagons.

the occasional declawed cat
past which
I make
like I am
rowing.

(in wheelbarrow)  (in wagon)  otherwise,

no cats
on cat
island.


On libido

the previous verse was a poor man’s bible.  like wildfire a fondness for appropriate discipline spreads.  one scarecrow means practice, two scarecrows mean parentage.  a third is your father’s failed garden of baby teeth.  is, by definition, is.  I are

motherless.  what mother doesn’t know doesn’t worry.  many spiders came on the wind and a few were swept into mouths briefly opened by age. what made woman did not make the disappearing girl.  flashing back to a scene that’s not there or forward to one dependent on space, pain arrives

in memoriam.  


On memory*

for all the showing, one would think the only things born were eyes.

when lord
says
or lords
say

this is the body

I tend  
in unison
to trail
behind
my voice

as if

I could make my own
remember
the anesthesia
it underwent

to intervene.





On devastation

brother, there’s not a cigarette

on earth
that you
can surprise


On the past

my death a warped photograph of a former awe, my life

four children
drinking water
from glasses placed on either side
of my sleep-

it is on these nights
when I am sick
that I become the sound of my ears
softening
my mind’s
thoughtless position
on time, that I am ably

here, ably slow
in sight of
the aging

marksman
I’ve given
a sporting chance



On supervision

you may have been a child
projecting a maze
or an adult
memorizing
the hollowness
of things.

in a condensed version
of poverty’s
obstacle course
I still hold the hammer
that works for a mirror…

with dog or with dogs, we were presented
as two examples
of how to be
family.

I love me a farm machine
and the week
you knock yourself into.

(a silo
saddens
a drunk)


On phobia

before the brat kid
can repeat

this is not
the television
my father
writes for, it is my understanding

that such a child
belongs
to the itch
to have a child
disappear.  as I refuse

(to enter
the ocean)

I’m pretty sure god has put my death in a bug.  






On the need for a watchlist

if one can talk of it

one is most likely
not
poor.
    
we called you to life to give you a name.
odd imagery ensued.

a prisoner gave birth in the yard of your mouth.

god became the man men wanted to be.  god wore a dress
he could see through.  a short history
of heaven
made its way

to hell
to have its
location

shared.  

your mother developed a stutter
for which I developed
a stutter
application.  things began to click

on you
and when that
didn’t work

your fake cry
took on
a depth

of meaning
made us dip

(into
your brother)


On paternity

as his mother heard yesterday he was born to some nobody everyone can describe, she instructs her barber to slide a lit cigarette behind her ear. as unimportant as the barber is, his pencil makes a subtle change in her dream to put a cricket on the witness stand.



On contact

talk early, walk late.  

eat
for food.

hold kitten
like a rifle, your father’s head

to god.

call my / with your

premie.



On looting

we move the cemetery to confirm there is nothing outside of this town.  the ******* remains a two man show.  leash laws are for dogs and angels.  our doctor has a touch of deer worry.  exercise is for the birds.  god is the pitter patter of imagined feet.  our fathers double over in bathrooms from the shame of not calling out for paper.  our mothers have done the math.  by now, most kids have eaten a popsicle alone in a church.  I’m in it for the stick.



On my father being gay

a crow
born inside
a footstep
is passing
for dark



On having little to no vision

the amount of thought
given to locating
the secret
mind.

I am on count eight
of ten-

ten, the future.

I call your hiding place
water.

-

of course you dream of falling-

those toys
are the toys
of god’s
children.

-

staring contest-

the only child and the twin, then

the lonely
victor.

-

let there be
all

the light.



On decompression

the zombie movie
about buzzards.

the hungry enough horse.

the 48 hours
that go
undetected
in the parents
of special
needs
children.  

the civilian
birthday suit, the war

footage.





On the expected delays**

in this place
paid for
by another
country’s
melancholy

two dreams
of being
run into
by a newly
pregnant
late

bloomer

are had
by the one
man
we share

like a comb
to forget
whose hair
was first
Mateuš Conrad Oct 2015
perhaps he didn’t say the words as he might have,
perhaps satan was dyslexic and cross-eyed,
had his tongue split for a purpose,
because even though he tempted with the fruitful offering:
and you will be like the gods, able to distinguish
good from evil...
he forgot to mention that we were never able,
but ably knowing the archimedes stuck in the yoke of the sun
in terms of chemistry (apparent
helium-hydrogen equilibrium) and leverage dynamic,
ably allowing copernicus his mathematics...
we knew that much and performed the justification
by going against the maxim of the book of genesis
concerning how man would never differentiate himself from man
but struggle in vain...
it’s truly a dynamo effect of paradoxes that milton noticed
giving way to satanic heroism at its finest...
i know there’s a word lodged in the mouth of youth concerning perfection,
but imagine ******* a girl with a ******,
then she tells you she’s ready to take anti-conception pills
so she can have more pleasure,
she proposes to you,
you end your stay in edinburgh and return home to make money
on the roofs,
she calls you up, says she’s pregnant,
you tell her to get rid of it
because she broke of the engagement herself,
(now you’re a proper wife beater oink oink stella artois),
then she has *** with your old schoolfriend
and in a frenzy they decide to hatch a plan to **** you:
whether the impregnation story is true or not, ask the ****** mary
patron saint of contraception,
and your schoolfriend goes with the plan,
you survive the poisoning about to practice christianity,
but then the same girl calls you up while you’re busy roofing
and decides panic is better than venom or ******,
she decides to invest schizophrenia in you...
verbatim: ‘i’m hearing voices! i’m hearing voices!’
then you go mad by de facto justifications...
she just implanted a virus in you exposing you to
the existence of a symptom...
after several years you travel to where the “love” originated (edinburgh),
and remember the clothed encounter for three days solid
(seeing her so pathetic still playing video games;
although her mouth was somehow stitched up, which for
her would be rather unusual)...
you encounter the word ‘sam’ and the words ‘the best *** i ever had...’
so you reason... insects... nothing more, can i go blind now?
i don’t want to see their ugly faces in this act of pretending
they originated from monkeys knowing good from evil
to these “gods” knowing **** all about the differential lodged between
good and evil (utopian continuity), not this relativity making one good less than another
or one evil less than another is fascinating (socrates
mentioned it as the abhorrence of moral relativism) but possessing the knowledge
to craft refrigerators, aeroplanes or hammers...
well there’s a + on either side, and a - on either side too...
but the (+, -) in middle doesn’t really serve to craft definite coordinates
unless it’s (1 / yes, 0 / no);
i can only expand milton’s satanism, and that’s how it’s done:
to choose between the knowledge of good and evil,
and the knowledge between animalistic segregational brutality and human ingenuity
i’d think the guillotine was akin to a tiger’s quick ****
rather than what the hangman asserted asphyxiating when his neck didn’t break;
now you tell me your misery... about your first
encounters with love and poeticising it back into an ideology of ideals.
Mateuš Conrad Jun 2016
ᚠ                       Φ

             F

Θ                       ᚦ

                                     no explanations
exist within a geometry outside
the circle, only architecture, sole,
yet the sole geometry of architecture
is an encircling, a lifting,
and had i wrote my poetry
in the comfort of rising beyond Marx
is socio-political schematic i would,
but i rather talk to scaffolders than to poets,
i'd rip my heart through enough thin
veil to prove it so that i shared an entombing of lips
wholly bodied with one! i rather!
care for this ******* Parisian princess
in your divorce as best you can...
i kept a cat for seven years before my neighbour
decided it was time to un-wed affection
to an animal neither tilling for ably feeding
to instead choose his daughter as my wife:
i rejected feeling no compass of conversation...
the cat died, i went into the graveyard and dug
a gravestone out and buried my cat in
the moonlight: don't ever come across me and my pet!
you killed half the intelligence that was me!
*******! humanity engaging with humanity
it plagiarises as itself an ownership to suit puppet
strings like it might tailoring,
POLAND ****** EUROPE!
POLAND ****** EUROPE!
POST COLONIAL NATIONS SEEK NEW *******
TO CRAFT THE LOST COTTON BUDS INTO
GRANULE CEMENT SET! POLAND ******
EUROPE! POLAND ****** EUROPE!
POLAND ****** EUROPE! POLAND ****** EUROPE!
MAMA RUSSIA! PAPA PRUSSIA! HOSANNA! HOSANNA!
LAUREL LEAFS AS I SAT ON THEM! THE CROWN
OF KING TU-154...
ROMANIA DONKEY DON QUIXOTE!
WHOOP WHOOP! WHOOP WHOOP GREK IZLAND
CORFU! then the postman comes with my jealousy
as within reach of hope to attain old age...
(snigger)... i hope i don't... i want million
dollar baby's truth to wake me.
Mateuš Conrad Oct 2015
and while adam inherited the sunrise of eden, the devil inherited eden's sunset;
so that writing about something is less satisfactory
than what was never really envisioned, but otherwise handed
with the befriended samael away from library or cocktail party,
**** writing i suspect, but the feeling is too immense for words
to capture the images that were sequenced in that frailty, because they were fleeting moments; thus the night's former admiration for the eyes to behold, the lowered horizon of the moon in such bulging yellow as might encompass the frozen one of winter's heights.

how can language be made believable in the sense of
creating images out of words?
here is an example,
and man did his "buddhist" bit under a tree in the
night, on the field he fancied himself a stranger
but a place he forgot to frequent.
upon return to civilisation from equating
******* of sexuality as that of the ******* cut
before being able to be experienced
laughing about it,
he walked down the hill,
a herd of deer made it onto the darkened streets and pavement,
the stag died, the harem was in disarray,
but the youngest one did not follow the herd
and turned into the street the man was walking on,
in lightning momentary genetics of similitude via atoms
the man looked at the young deer mare
and told her: run! with eyesight.
then came the sight of the harem herd at the crossroads,
and thus this same man started galloping, wild at heart,
herding the deer mares back into the forest.
be warned, i had witnesses who would vouchsafe that
they saw and that i too had eyes.
this is the equivalent of heideggerian expression of this one
remaining truth: man, he who herds animals,
he who domesticates animals also.
i never write from fantasy, i experience my sickness
as a woman weeping in my mentioned care for mentality;
it's simply... the misery of not being with me, being near;
thus i reside writing from experience,
nothing more, nothing that could make me give into
the modern twist of fashion and fame:
only fictional characters elevate any mention of realistic fame,
all the real people are journalistic target practice;
fifteen minutes are up! time to create fictionalised celebrities,
and that time is upon us.
thus the problem with fiction, given this poem.
i imagine the women after muhammad's death, just
to make it easier for you to imagine a man with this harem (otherwise herd)
of deer mares; i frequented populated places too often
in winter, now spring's passing deflowering comes sepia-like,
thus i can unbutton my need to cherish human interaction,
and return home, forest bound.
thus we say, unto clarice lispector, wild at heart,
thus we say, written out of parring against images that haunt
the schizoids' arable need to see in colour and phantom; i cannot;
take it or leave it.
if this is my best itemisation of events
then i didn't run the deer off the street to allow the traffic to
pass, but because i wrote it like picasso drawing 90º metered
into hammer blows in architecture class
doesn't mean it didn't happen, it only means i wrote
it like the remnants of a child in an ageing man - which suits
the quote by him, be an artist by remaining true to childhood,
ensure there's no precision no schooling
in the work you try to vogue, because it won't vogue
after all, given you're still encrusted in imaginary befriending
and dreaming, just remain true to childhood
and your art will not become overladen with itemisation
of *** being the last remaining frontier away from
the antarctic, the alps and buddhism;
indeed all children are born artists, but only a few
make it art in adulthood, most make it to jealousy
and marketing or sleepwalking into selling furniture
with hope to buy it back into self-employment,
that's why art is borne from those who cherish childhood
and think less and remember more.

so ardent me within her deer-like to her prance jesting happy
jump-over invisible fence-like structures content
with the *** so full of life, and her, the *** of so much potential for death
ably being guarded to return, out of man's sight;
i didn't even bother to count them to a number;
i hate it, beauty cannot given the righteous expression,
letters are nothing but skeletal compared to the muscle of images.
Mateuš Conrad Feb 2016
children the happy idiots, secondary children doubly idiotic thinking of love idealising via Darwinism, must be a toast... well surrender you and i, i'd too be ably nimble, but i got Mandela on my back quacking: you?! what the ****?! yeah, they said till the field and laugh and pretend. brain dead you *****, BRAIN... DEAD! they didn't hear you, they're english, try Celtic.. Brie anomaly of Normandy... nothing... what about egyptian? sha shoo shisha collar coo coo? hey... that works, lets give the flapping owl a cuneiform signature worth a sunset!*

love it,
slightly drunk,
got a bottle of whiskey ready,
cried listening to a horror film
soundtrack, got over 200 reads on a poem
of mine,
got hooked on a pope song
from the early millennials,
when i was a teen hammering leftover
refrigerators on the sly with a tourist
as a party was taking place,
and the un-lived the happily ever after
with the suicide of the Grimm brothers
for subsequent pressures that demanded
attentive dissatisfaction marginalised
into concrete paragraphs sentenced for a grade
for a furthering from schooled to schooling.
Mateuš Conrad Aug 2016
as with any plaster work, or draping muscles and bones and
organs in skin - i knew i reached a zenith of some sort:
forever introspective, that chance momentum
that never reaches a museum of retrospective
finalised banalities -
and with that's happening in America,
i get a chance glimpse into that part of the world
so bogus, so *****-like, so haphazardly
put together - the chance to see the rats (artists)
jump ship and head to Tangiers, Paris, London
(for the pillars of the movement to come,
London especially, but might i suggest Edinburgh?
the capital of the offshoot that's to come
from Scandinavian novels?) -
i wouldn't suggest heading to Prague -
or Budapest - never to tourist hot-spots, obscurity is
what you need - Edinburgh out of season,
then the theatrical circus isn't there -
***** poetics: poncy monologues and Annabel
art-house flea markets... but that's the beauty,
flea markets in France, charity shops in England...
but i did exhaust this one musical avenue,
i dropped the ᚱᚢᚾᛖᛋ - it got boring after a while:
all that charged up mythological feeling -
the way we always wanted: myths to feel with,
to eat, rather than the sterile scientific facts...
i've learned enough to later ditch them,
even a Professor of Chemistry will have a postcard
of Edward Hopper's painting by his desk,
that window to view the world that doesn't
necessarily encompass sun moon and constellations...
how anyone would be foolish to scrub off
some inspiration from such things bemuses me,
the lowest of the low of poetic expressions is
sung to things that manage too much: the moon
and the sea tides, the sun and the seasons and
phototropism - it's a double edged sword...
only from one art to another do we get to see
our labourers of attention, else the same old deficit:
god... who in his glee took offence at anyone
having more awe-inspiring sense to please such
things... no alone can you master contemplating
both the beauty and the utilisation behind such
objects as a single man... however well...
it's impossible... you're sharing the bronze platform
with those that simply wrote of the shallow
beauty, and those that found these objects
were not simply aesthetic, but meaningful in
the machinery of things... it was never up to
us to find that electric genius of combining the aesthetics
with the machinery as one...
for in that sense god is a form as fraction
of 9/1, 8/1, 7/1, 6/1, 5/1, 4/1...
the fraction of wholeness... a complete set to start with...
man has already proved the limit as a fraction
with the base 3... 9/3, and that didn't really end well...
at best man is composed of a fraction base of 2...
by sharing the world through marriage to a woman,
or through a learned devotion, a crumb of what a woman
is, a philia (love) of his interests, a soloist voyage...
some just say: you will either take to being faithful
to philology and yourself as its devotee,
or you'll take up a wife... oddly enough chemists are
defilers of marriage having any purpose other than
to distract... but as i said: you can rarely write
decent things when trying to admire celestial spheres...
more ambition comes from the distraction of the zodiac
"prophets" and astrologers... a poem about the moon
is just a poem that is levelled with a poem
about a dustbin... but hey... Top Cat lives in the dustbin,
Neil Armstrong bopped along the lessened gravity
surface... but which is easier to acquire for a smile?
Benny... cue the violin theatrics of lamenting to a comic
end.
well... we have to juggle each other's impressions,
taking at hacking the raw meat will not give any of us
medium-rare barbecue steaks marinated...
taking the moon as something else is: nice...
and you know how nice things end up as... as tacky
suburban *******... if you're going to tackle the
thing with all the rawness... i'd first spend looking
looking at that thing of your attention in a graveyard...
just to get the feel to the idea: well... my fellow daisies
sniffed from the roots up would probably have
said something sulky similar.
but it's like that, you get to exhaust certain musical avenues...
i'm currently at a period where i have enough
stash of jazz records to rekindle my interest in it...
on today's menu? the real McCoy (McCoy Tyner,
Joe Henderson, Ron Carter and Elvin Flynn -
Flynn makes his mark, even though not the star
of the album, Art Blakey has a match) -
then onto the tragedy of Sonny Clark with his
cool struttin' alongside Art Farmer, Jackie McLean,
Paul Chambers and Philly Joe Jones...
i must admit that after watching the film whiplash
my ear-buds staged a coup to move from a certain
type of music into this... and even though
i already said that the climate in America at the moment
is very a second attempt at a Beat movement...
it's very much different... i guess jazz makes all the sense
in a pure urban environment...
jazz and urbanity, the hipster parties where wine flows
like poetry and people get to do their wild marijuana
******... but Bukowski changed everything
by bringing a taste of the classical into the scene...
it feels just like that these days...
there's no jazz on the radio...
going back to watches and radios, mono-utility things
that are the glamours of the inoffensive cluttering of a room...
no digital screen... the radio position at the back
of my head, behind me, the little fly-eye Rubik cube
ahead of me...
that's the odd thing with coming with jazz these days...
it's like Bukowski in the shadows of the beat movement
back when it was the beaten track...
so i said that jazz and urbanity are perfect partners...
well... take jazz from an urban environment and put it
in a outer-suburban environment, in a place
about 30 minute walk from farming fields with bulls
and horses... foxes the thieves rummaging in people's
trash... and... as classical music took to
teaching us the language of celestial bodies,
Holst... in this kind of environment jazz does the same...
jazz becomes equal to classical music with celestial
bodies... i'm just wondering if there are enough
instruments to arrange the solar system...
Mercury the Trumpet...
         Venus the Double Bass
Earth the Piano
                       Mars the Drums
Jupiter the Tenor Sax                                   (comparatively,
                Saturn the Soprano Sax                using a Holst
                                                           ­        schematic, the reverse,
                                             yet citing Jupiter, not as a planet,
                                           well, the bellowing voice of paternal fury)
Uranus the Clarinet
                                           (takes sheer magic to play that thing)
so that just leaves us with an Neptune as either
   Alto Sax or Trombone...
but that's how jazz morphed since it last came across
poetry... someone stole it from its urban environment
of busy streets and ugly manners and quick quick snappy
and the millionth time i could compare it to a spontaneous
encounter with someone in a bar... jazz lost its cool there...
people said the same thing about jazz
as Kaiser Joseph II did of Mozart... "too many notes"...
translate this urbanity into an outer-suburban environment
and put it against that kind of backdrop?
well... personally, there are just enough notes in each piece...
you looked outside the window? you could hear
a **** from a mile away and no tree would even sway
in nodding approval even with a galeforce wind slapping
them... jazz lost its synchronisation with the urban environment
it emerged from... but in so doing, it managed to mature
like good wine on the outskirts of large cities,
where it literally became the only thing that could ably
make a Kandinsky moment from semi-detached houses.
NEWSFLASH... what is this concern about art being
subjective? i don't see where these arguments go...
i thought art was about revealing the intimate,
not revealing the objective shallows of a method...
of limited scope like any philosophical systematisation...
if Christopher Columbus ever did things
objectively he might have discovered Lisbon or the Canary Islands...
art can't be objective... trying to argue that art is
"only a subjective" expression... well, if it was to be
a "greater" expression objectively, an artist would
walk into an art gallery, take all the paintings from
the canvases, and turn to the public and say:
now let's see your subjectivity, otherwise go ponce
off the art critics to take something they said to your
date about how: the light contorts the features of expressions
blah blah blah blah blah... the point of art being
superior as a subjective vehicle is so that i can feel someone
else's feelings... as opposed to thinking someone else's thoughts...
art is the sensual, not the premeditated dogmatic funeral -
which all philosophers attend: they're objective to the
point that they're afraid of having a personal attachment
to their outputs - they will hardly ever want to invite
a criticism of their objectivity, because they're such emotional
paupers - they fear criticism of their subjectivity to such
a point, that you can simply look at their pronoun usage
strategy, they really do use these words like kings -
but when Mozart is criticised by the Kaiser... he thought
nothing of it... he actually thought, nothing of it,
perhaps his vanity was wounded, but his virtue wasn't...
which is why he remains with us...
for the fatal wound incurred is not that of virtue,
but that of vanity... and true virtue is unafraid of criticism,
there's this cognitive blockage that enriches the
heart and leaves the mind blank... the sort of blank
that accommodates the Pyramid of Vanity:
bishops, priests, doctors, kings, queens, portrait artists,
Versailles... such things are so ****** void of anything
but scare-mongers, sycophants, leeches and finally tourists...
for whatever you take from the realm of Hades,
there's a stamp-duty on each precious element from that
realm... each thing is stamped: worthless...
you couldn't extract penicillin from Hades...
changing gold into a ring is worthless if such symbolism
of a union of monogamy end with the ring being
nothing more than a thing disputed over the divorce settlement.
the heart
cannot repair
the heart
in much despair
the heart
missing these pair
the heart
feels the unfair

exiled from the venue
our writing brothers
their words expelled
by unseen smothers

swift the extradition
of a movement quick
the removal done
with a rapidness of click

no more seeing the
works they did ably create
our kinsmen vanishing
off the forum's slate

the heart languishing
without our kindred
being around
the heart so dispirited
their expression fell
silent of sound
David Hilburn Mar 2023
Due, the times
Arrival of a concerted friend
At the designated since, the basis of every crime
To be, a whole salvation of what ends

Keep, the times
Rue and divulgence to a rapid and just
Merit, the coping suggestion of what ides
Were, the note of atonement in fair, if not ought's must

Solemn, the times
Strange horizon's with a calling
Ably, the needs of another, shied
And true, sigh of curiosity, that has seen falling

Adage, the times
Sworn to better kind
Turns of repose, have the sense to shine
Well and could, the very order of what mind

Secret, the times
May to fore, the airing, a league with might
To know a callous sorts of claim, the history of why
We are that we are, the other side of what mercy might

Stars, the time
Worth neither whether willing nor would
Comparison needs the let, the better in a wishful lime
Tow and certainty to hold, a portrayal of hosts who could...
asking if oblivion is to be, offer it, and the flies will come...
Mateuš Conrad Jan 2016
i prefer the company of animals to human company
as the eight years passed before i embarked on a quench
of seeing my thought coded in phonetic symbols,
because i can enjoy the company
of animals, whether petted or wild
reduced to only speaking certain onomatopoeias
that i pluck from the depth of galloping
horses in gallop re-imagined
with the tides' waves...
and have the bounty of my incision of choices
to be ably riddled by sorrow
sowed by the end of a poet's output:
to weep at the beauty of certain songs...
indeed here i laid my armour with naked breast;
it does endear this stone heart of mine
to remain its size when the changes came,
to remain its size upon crossing the threshold
of that well accounted for the first step
on the styx of psychosis that lasted year upon year,
and in me such mistrust of fellow man grew,
that i simply burnt all bridges i could have
walked across, and only in writing looked back,
wept until no former reality of images' recurrence
was extinguished like even the wettest nibble of coal
taken on the gallows of two flint stones struck
for a spark of glitter and promethean ingenuity
with chinese kaleidoscopes of coloured alveoli;
that each tree except the pine branches out
with the first image, the y of the tetragrammaton:
upon the bypass bridge over a highway
where machines echo to former hoof and hot snout
sneeze, looking south at london fiery in the lost
silver sheen of the moon that now only cradles
the inward looking things which allow the lunar
light to provide man's sight the opiates
of balanced mercury kept for the libra of what
maxim serves better purpose now
than it did with the counter-reformation:
i too, among the renaissance painters,
the willing pauper of attire, with such depths of
origins that might make emerald jealous have lived
to be as unchanging as the comet's oval orbit,
to live day upon day akin to a fox's fur never shed
or in chameleon rainbows quick to change
for the last sprout of quickened rain into the
airy earth breathed with geological history of layering;
i too took to their concerns,
play the role in pauper's attire, for only
in work are there riches of what would drive some men mad;
only in work, in this continuum too complex
to specify - let this never rise about to clothe you
as identifiably having pope sixtus iv being your patron.
Pagan Paul Mar 2017
.
War. Famine.
Pestilence. Death.
Enjoy a game of poker.
It relieves the boredom.
They only have one Big project
booked into the work diary.
The horses are stabled,
so why not have down time?
The day-to-day business
takes care of itself.
Ably supervised by the humans
in a race to the Big day.

The stillness is penetrated by sound.
Death cleaning his teeth
with his reaping scythe or
Death sharpening his reaping scythe
on his teeth.
Either way, it shattered vertebrae.
His nerves were getting twitchy.
Three Kings, the Jack and Queen of Clubs.
Royals were dropping like flies.
It was going to be a busy night.
He met Wars eyes and her bet,
(****! She looks beautiful sweating),
paid an advance and called.
Uncharacteristically delicate,
he lay down his souls.
Jack and Queen of Clubs.
Kings of Diamonds, Spades and Hearts.

War smiled sweetly.
Her dirk-like eyelashes
fluttering an assassins dance.
Letting her cards fall soft,
triumphant with winners ecstasy,
she declares her hand...




… “SNAP!” she says.




© Pagan Paul (14/03/17)
.
Mateuš Conrad Dec 2015
well, it's hardly a dostoyevsky novel: this western journalism; there's no elaborate plot, no complex characters, if western journalism deems itself fit for purpose, and by purpose i mean demeaning the poles as the eastern irish, plumbers do all, i dare say they ought to consider the balkan slavs for a natural selection cocktails of augmented purposiveness in demanded bourgeoisie opinion, in the safe abode of having a piano in the lounge; socialists in the framework of ably philanthropic, but penniless by nature.

that's the thing with the reincarnation of the roman empire,
the areas of europe not conquered
due to the romans' fear of icy goosebumps
is hilarious,
not to mention the trick western "philosophers"
(psychiatrists) have give us, us, children of the setting
sun - weight & measures, chevrolet sized wheels & bonnets
in ***** envy over our counterparts -
the conquered lands suddenly feel they have
a legacy to fulfil - if i was ****** the soviet would be neutral
and the belief in the luftwaffe would be minimal,
i would be the anti-thatcher, believing in the dwarf miners
of coal rather than diamond: to dig under the channel
and invade from beneath the breathable earth
rather from the sky on failure of the zeppelins...
i wouldn't follow napoleon from the pyramids of giza
into the realm of the oninion domes of russia...
what fate, what travesty! everything i say seems to
be far right albeit it isn't.
that's the thing with western "philosophers"
(psychiatrists), they think ireland (err land)
is on some strange continent known as eastern europe,
central of the ural mountains,
poland the ireland of the east? i dare say iceland.
amsterdam lost to st. petersburg over being the claimant
of the twin: venice of the north - too many ******,
too much of life worth living without fashion
and what someone else thought, edinburgh stood
still whole while the athenians just talked crap
although thee twinning was accurate:
never mind that, the zenith of travis' musical output
the 12 memories output is staggering,
like in that club in edinburgh i wondered
what the guy was playing, he was playing,
and years later knew it was neil young's old man...
managed to play it with scarce notes resounding...
but i tell you, western society is not the zenith...
syrians over their own... just to look into a loo
rather than a magic mirror on the wall...
loo loo on the tiles... who's **** stinks more than mine?
so before the sun set i had a drink,
i got out from bed on the promise of a drink,
not the goldfish wish fulfilment of passive sadism
watching my mother cry at what she and they did...
i got up for a will of life with a drink,
skimming the ice rink for some cubes in mathematics,
i got out of bed for the drink, and nothing else,
the else otherwise is revealed in people living
fully amused lives...
you know...
we're doubly animate, there's the animate bit of us
that residues animals as your counter-points,
but the doubling effect lies in our thinking,
we can be immobile: stephen hawing on alladin's
flying carpet sort of speak... it's not exactly
the expression via telepathy or telekinesis,
the former being a projection of pathology -
the spreading of mental illness via mere thinking
and the egg throw ogling into another man's happiness
of possessions priceless, like: wife, children, house.
begin with fakes... i'm not sure why it's called
artificial if not simply placebo intelligence to add
to the illusionary spectacle gratified...
artificial seems to only add to the confusion
between synthesis and psychoanalysis...
but of course we're not synthesising souls
(pashtun *sa
, breath, a rendering, esp. if only in
afghanistan), we're synthesising replicas,
clone wars tore us apart, the en masse greys
of the daily walk on the land once in bloom
now in square paving, or by masonry spiders
cobweb.
yes, i left my soul in scotland, on the climb up
gleann comhann - with ben nevis the tallest
peak visible through the shroud of cloud seen through,
but i still, i still just, don't, get,
the fact that western society sees me like it
sees itself, with a colonial past that needs self-repression
(prefix self and hyphenate and you get automation),
i was without land for some time,
the four partitions of poland between austro-hungarians,
russians and prussians learned via scolding
taught me... what i learned i'm not quite sure, but
i did learn the lesson...
but psychiatric treatment can't teach me anything,
it can't turn a physical problem into materialising
a metaphysical condition,
but as i said, english existentialism has no human
affairs to be concerned with, english existentialism
is more concerned with monkeys and dinosaurs,
sweet & sour bits of life, coupled together
you only get *** tree fruit pastels: sweet & sours.
i can't imagine a worse off exile...
but i read of one in a book what took to foot
from england straight into afghanistan...
i heard it... literate or illiterate, nonetheless sung...
the pashtun women singing landays (syllable
restrictive songs of 9 or 13 syllables while
cooking or washing clothes in the river),
with the "little horrors", all that mature man
and me attired in wrinkles beneath the niqab,
the parchami (member of the afghan communist party),
unlike persian dari poetry, thus like:
fate brought me a spouse a child to raise
god, while he grows tall & strong, i age and i grow weak.
but the western nations will not be so assured
in fermenting their colonial past among their european
neighbours who weren't colonial... and that i vouch
with an ardency to simply prove them unable to
take a holiday in southend's pebble beaches
rather than silky white sand of the carribean.
Mateuš Conrad Jul 2018
/                                                    so...

    gravity is a vertical

powerhouse...

  while magnetism

is a horizontal equivalent...

i get it,

     well, not really...

a fear of the night?
    
  counter a fear of open space /
large crowds...

   can the two never, ever,
be synonyms?

        but there's a sensation
replica akin to magnets...
  
  and the sensation doesn't express
itself sideways,
but within the confines of a copernican
up and down        \/===....

sideways? nothing,
up and down,
like my neighbours playing
my nintendo,
and almost experiencing
an itch, on the tip of my fingers...

you can't get this if you're
not a one child policy artifact of
chinese politics...
            enforced "solipsism" type of:
oh, look at you!
    not in my boat?
not a giraffe?!
          comes the time when
you tell a ******: overboard
with 'im!  ****...
bypassing: walking the plank...
he'll either giggle with the dolphins...
or look dark eye with the sharks...

but you can sense a magnetism
with a naked hand,
eased away, or rather, lost to the night...
there's this obstructive force
you entertain with north-north
facing magnets...

      sonny corleone type,
akin to the nonchalance: hey! a pizza!
        no biggie!

            what's gravity sideways?
yes, copernican, gravity horizontally?
police academy joke...
             what's magnetism vertically?
what's east, left, right, west,
up, south and down-trodden centre
                       (north)?
                        
     i thought flat-earth implied that:
you could actually navigate a car
past the rhine spaghetti of

duisburg, düsseldorf,
                  essen, dortmund...

you want a flat earth?
it's there...
   reading a printed map,
navigating a car like
      competing in a rally race...

3D earth is about useful
on this navigational crux of
travelling to poland from england,
like an ice-cream on a rolly-polly
shoved up a dead turkey's ***
on the 4th of july.

no one questions the facts
at this point,
   but somehow it's worth unquestioning
the copernican genesis
with a bundle, unfolded,
and stressed as: ably read;
i.e. what the metallurgy professionals
demand a technical drawing to
be...

      i still don't know whether gravity
is allowed a, sideways, a throw,
a horizontal aspect of existence...
  rather than increments, of up,
shying away from a jamaican 100m,
or the somali 5000m
                       for a sip of water...

maybe the heatwave, coupled
with: maybe the fasting...
            but magnetism is akin to
a sensation of numbing...
       sure as **** gravity doesn't
express itself sidewise...
             and magnetism is
left right up down and center
equally, being the same:
nodding approval...

                   magnetism and
a numbing sensation of obstruction
on the tips of your hand...

   gravity is too objective
at this point...
              it has exhausted itself
as a subject matter with einschtein...
and whoever roman polanski was...

             magnetism and the skeletal
unravelling...
   a numbing sensation on the tips
of your fingers...
   since... what's west of nowhere
when there's the universe that
is a one dimensional proportionate
aspect of "space", confined to a "time"?

a sensation avert to falling,
bound to encompass even
the sameness of such expression within
dreams...
an up, to a north, a down,
to a south...
           but then... regressing
to defame pluto as a planet...
  outlier moon... ice, thingy majig...

    magnetism! in the palm of my hand...
a numbing sensation
on the tip of my fingers, and then as
the entire hand outstreched...

   the concern for understanding
magnetism, will be,
what the 19th and the 20th century was
concerned, within the confines
of electricity.
Mateuš Conrad Jun 2016
how strange to read some of the last chances, or commiserations
without a death, the moment a woman or man begins to divide,
so many encouragements arise from nowhere, hence the theatre of
theoretical manoeuvring, way beyond the concept of narrator,
the death of narration is the birth of psychology,
they say, and it must be, treading into this forest of thought without
a compass will soon leave you disorientated, let alone keeping
a narrative continuum - once the narrator dies,
once the narrator dies in you, you either see a psychologist
or begin to write poetry, poetry, the entire cast of Chekov's
the seagull chipping in for the pauper, once famous for
chopping wood or digging for coal on the page
with such flamboyance as to reveal the true spectacle
of the Royal fireworks on the Thames provided
for by Charles II and accompanied by Handel's
composition - everyone is chipping in into
the narrator's porcelain cup - from irina nikolayevna,
through ilya afanasyevich and the personae quasi gratae
like the watchman, the cook... only Yakov having
acquired a name, the rest, mechanised extension
of the salon boors - where real existential debate takes
place due to the serious concerns of the universe
and our place in it. they like Yakov because he was hired,
and could clearly move on elsewhere, a traveller,
not the permanent occupant of the daily dealings of
the estate; but indeed it's not about that -
after they split up she started dreading having his
name tattooed on her, she felt a burning sensation to
burn the ink off her skin - to my surprise she tattooed
his name onto her skin rather than having tattooed
his entirety onto a piece of paper - a poem can be scrapped,
can be cherished or anything, 'write a poem prior to
the tattoo' someone should have said - but the tattoo
came first, and the poem came second - other allegiances
are passed down in ink, as i have never understood
the mentality of tears at a sporting event, notably football,
the tears of your forefathers, elsewhere reasoning gives
crowd like anonymity, soloist sports, cool headed -
no religious-like attachment - first the poem, then the tattoo.
poetry is just another word for juxtaposition -
but what are the two things necessary to contrast?
well... here's one half decent example, of all written text,
an E.U. cucumber,
                                     (a) is it reasonably shaped?
(b) is it practically straight?
                                                       ­ if it isn't coinciding with
points (a) and (b) being satisfactorily met, then this
cucumber is a culprit, being a non-compliant member
of the fruit & veg stand, according to the E.E.C.
1677 / 88
regulation, meaning it can't be a class 1 cucumber,
but a boomerang.                                       and you wonder,
with all those great movies concerning heroism,
the sacrifice to create democracy where tyranny strikes,
to overthrow absolute sovereign power,
all those wars, and all we get in the end, is a vote,
made quiet clearly ineffective because of the by-product
of democracy: bureaucracy - as every it can be said:
an over-simplified observation,
                                                        well, championing the idea
of democracy where the majority of people were
illiterate still, apparently, resonates in how people vote,
make your mark
                                                           ­      X               so you see,
a man made literate when once he would be illiterate
seems offensive to still pretend like i am illiterate -
but what a strange illiteracy this is, i still vote like the first
people voted, instead of ably signing my name,
i am told to write X... which is why, subconsciously,
people seem to be put off voting - it's such a symbolic
event in the mind - i vote by singing my approval with
an X... the little things matter in the end -
no one dying for an ideal could have envisioned
the bureaucratic escapade of counting where the wind
blows in what favourable choice of opinion at the time,
in post-Marxist terminology, we're no longer dealing
with the bourgeoisie types, we're dealing with the bureaucratic
type - there are so many laws on this earth, that few
are known and even fewer are kept -
i know the ten commandments are a joke, given the outdated
phrasing, but aren't the modern laws even more of a joke?
why, i can count to 10... counting to how many there
are is quiet staggering - you might have broken about
a thousand without knowing you had, like eating a
curved cucumber... but then, are picked cucumbers always
bent? i've never seen a straight pickle, i mean theoretically
that's breaking the law - the war of the sexes is what
gave us this ******* - this wasn't a war for Crimea,
not so much a war for independence, once those classical
wars ended, the war of the sexes began -
if Marx was alive, he'd be far from writing a critique of
the bourgeoisie class, after all, urbanity killed off
the etymological root of bourgeoisie - old french, walled
city - given that, or should i say, working from that,
no, if Marx were alive today, it would be the bureaucrat
who'd be attacked.
Sam Po Jun 2014
an Overweight Adolescent
who is unhappy with his physique
an Overjoyed Adorable kid
with a red hat on his head
an Over Aggressive tiger
screeching over his prey
Over All i just want to sleep

Over Abashed by mistakes
Over Ably worker
who forgot to pray
Over All i just want to eat

Overdose Admiration
from someone you even hate
Overflowing Absences
in my subject that i hate
Over All i just want some sweets

Over Age, Over Awed, Over Arm
Over All
I'm just exaggerating my Actions
for you to
pay Attention!!!
Insufficient Oct 2014
I'm not like you
I think outside the box
Just a little different
I'm not lost

Outsider,--
Looking in, has its cost
Has its benefits
In my opinion
I would have my store open on Sunday
I'm sorry I just like to profit

Don't look down on me
You're not any better using Downy
I think Tide does a hell of a job
We'll all soon get swept by the ocean currents prob--
--ably

So don't dimiss your ideas because they're different
But embrace it because it's brilliant
And magnificent
All those haters are insignificant

Don't let them steal your shine
Rise above and realize

How much better you are without them ..
Barton D Smock Jan 2016
~

[On mother, father, god, dog, *****]

what if the eyes in the back of my head

hallucinate

what if
the eyes in the back of my head

during surgery

during

a haircut

~

[On foreclosure]

the occasional declawed cat
past which
I make
like I
am rowing

(in wheelbarrow)  (in wagon)  otherwise,

noises beneath a bomb or bomb
threat

~

[On the past]

my life

four children
drinking water
from glasses placed on either side
of my sleep-

it is on these nights
when I am sick
that I become the sound of my ears
softening
my mind’s
thoughtless position
on time, that I am ably

here, ably slow

full view
of the aging

marksman

~

[On phobia]

as I refuse

(to enter
the ocean)

I’m pretty sure god has put my death in a bug  

~

[On the need for a watchlist]

if one can talk of it, one is most likely not poor.  we called you to life to give you a name.  god became the man men wanted to be.  god wore a dress he could see through.  a short history of heaven made its way to hell to have its location shared.  your mother developed a stutter.  your fake cry took on a depth of meaning made us dip

(psalm
for satellite)

into your brother.

~

[On paternity]

as his mother has heard only yesterday how he was born to some nobody that everyone can describe, she instructs her barber to slide a lit cigarette behind her ear.  as unimportant as the barber is, his pencil makes a subtle change in her dream of putting a cricket on the witness stand.

~

[On my son having little to no vision]

I am on count eight of ten-

ten, the future.

I call you raindrop,
your hiding place

water

-

staring contest-

the only child and the twin, then

the lonely
victor

~

[On decompression]

the zombie movie about buzzards.  the hours that go undetected in the parents of forty-eight special needs children.  

~

[On lore]

I have two dreams of running into the newly pregnant late bloomer.  in the first and most recurrent, I am operating a remote control car I’ve lost while worrying about a brother’s closeness to a certain pilot.  in the second, my mother is talking lights out to nostalgia’s previous owner who agrees with her that the roofs of buildings need to be smaller.  in both, I get the sense my father has already hit the pop fly under which he collapsed muttering baseball, baseball, ghost of a baseball.

~

[On suicide]

I was here long before you guessed my age  

-

(our proverbial sister dons again the birthday suit of body language)

-

the dog won’t eat.  might it know

we come from the family of sitting and dying?

~

[On contact]

hold kitten
like a rifle.  pop

a paper sack
at your father’s

ear.  ah, your father

who was made to kneel

for two
maybe three
things

(god, shrapnel) a flying saucer

from the wreckage of his church

~

[On writing]

my sense of place is a person.  *** is odd,

right?  this thing that auditions

for what it has.
Sean Murray Jan 2018
Thieves, thieves.
Christ are we petty.

Could not have imagined
such a death
Such a short-sited
venomous slip of the mind
such a death-toll...
so unpredicted-ably sad to see
            A mighty species
Die.

That's the fate of the fate-less, I guess
Our gods were a faceless
Mass
of derangement
Massive enough to take us to space.
What we've plucked from out of our souls
We can never replace

Such as it is, we have no chance
Put to death.
****** and detached.
That's how it ends
--surrounded.

We write out
these sorrows
that aren't really sorrows
and
Pin the tasteless love to our chests

Oratorical ****-hoarding
Trade-card victims
with no actual dignity left.

How embarrassing..
the glory of man-kind
To face a demise,
so mundane.

Forsaken by lies.


Our souls have been neutered and
Turned into tools for
Violently-popular
Prostitution-alized fools

Love for the luscious
the rush of the snarling
Hysterical rousings of
Tumultuous twerps.

This is the way that history ends.

Resting in our dreams.
Sorry for my last post,
I was drunk and tired and just slammed out a bunch of craziness.
I'm not going to delete it though because I stand by my point... whatever that might be.
Elizabeth Reeves Oct 2016
He would file the edges of glasses down
Whenever one would chip
And I would find them,
Rough rimmed
Ragged edges ground
And always where my lips would rest.

I don’t know why it annoyed me so.
Perhaps because I hated the imperfection so badly
But the dishes too, he began to glue those
When broken and that was too much.

Cup handles superglued and breaking just
As I lifted the hot liquid for a sip
Lead crystal port decanters with the
Elegant stoppers mended
And sitting cockeyed on top
Daring me to lift it and then
Only to break over and over
And him,
trying to fix it
again and again and again.

I found myself deliberately smashing things
Down when chipped, or flawed
Throwing them on anything hard.
The backyard patio became my favorite
Breaking point.
I couldn’t stop.
although I cut my feet and knees
While creeping through the yard
barefoot
Weeping.

I hid the adhesive.  

Just so he couldn’t try to mend things one
More
time.

I severed the cord on the grinding wheel
And found myself examining anything
fragile with a keen eye=
Sometimes a magnifying glass.
Searching for any imperfection that might prove
A flaw capable of breaking.

And in the end
it seemed to me

That nothing,
nothing could leave this house
Until finally,
eternally,
unfix ably broken
or crushed into pieces.
Meandering Mind Aug 2020
illusions abound

what's not an illusion?

is all in life an illusion?

is life really nothing
  but a man sitting at a computer
  typing his existence into existence?

could he type himself into
  whatever existence he wanted?
could he dare to type
  the thing he feared the most?
   the lack of existence?
    and whether such a state
     was type-ably reachable?

he wouldn't dare
the sentence would elude him
but it would gnaw at his mind
  it would sit and wait
   and then jump out
    and try to be typed
     but the man wouldn't let it
like a caged bird
  a self-destructive bird
   one who literally would vanish
    if it flew from the cage

if that bird knew its potential fate
  would it still want out?
would the caged bird still sing
  if it knew what awaited outside?
   not just doom
    but complete annihilation

SHOULD the caged bird still sing?
should it accept its fate?
should it reject its fate
  and try to escape?

what would the caged bird do?
what should the caged bird do?
and if the caged bird is nothing
  but a part of the man
should the man listen
  to the caged bird at all?

what about the other thoughts?
  the thoughts like cheetahs
   sprinting through savannahs
  like dolphins
   leaping from the sea
  like digital aliens
   quantum leaping across the universe
more free
  than that bird
   could ever hope to be

should those thoughts have more say?
or should the caged bird win out?

will the caged bird win out
  if it's such a strong willed beast
telling that man to try
  to be bold
   to type that sentence
    into existence
     (or non-existence)
  just to see what happens

the heart would speed up
  man's heart does speed up
the thought would jump forward
  man's thought does jump forward
the fingers would begin
   a slow deliberate march
    across the keys
  man's fingers begin to march

the breath catches
the bird sings
the cheetah halts
the dolphin floats
the aliens know
  and yet they watch
all stops
all waits

the fingers tapping at the keyboard
  now the arena of the whole universe
as the man types
  one key at a time

as he's always typed his existence
  INTO existence

and wondered

if he could type his existence
  OU
what is reality?

do we create our own reality?

do we make ourselves real?

can we make ourselves unreal?
jeffrey robin Aug 2010
JUST BECAUE IT IS ALL HOPELESS
doesn't mean a thing

we are not
trying to win

we are not trying
to stay sane

we are only here
"to see"

to see eachother for free

to see eachother and make love
in the same ole way

JUST BECAUSE WE ALL ARE HELPLESS
doesn't mean a thing

i don't need no help at all
i know the most important thing

which is that you all are lovely
so love-ably lovely

oh so lovely
so very very lovely

— The End —