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 Nov 2023 Brumous
Nat Lipstadt
Why Men Cry in the Bathroom

For so many reasons.
I will tell you the why.
I think you know,
Or perhaps, you think you know.

Men are always O.K.,
Even when not.

We expect the worse,
Accept the worse,
Nonetheless,
We are forever unprepared.

Wearily, we cry,
In the bathroom, in private,
Lest sighs slip by,
We be unmasked,
Early warring, strife signs warning.

Copious, tho we weep
Before the mirror confessor,
It is relief untethered,
Unbinding of the feet,
An uncounting
Of beaded rosaries,
Of freshly fallen hail stones,
Of night times terrors
By dawn's early edition's light,
and welcomed.

But look for the mute tear,
The eye-cornered drop,
*** tat, that never drops,
But never ceases formation and
Reforming, over and over again,
In a state of perpetuity of reconstitution,

The tippy tear of an iceberg revealing,
And I see you peeping, wondering,
What is beneath


Look for:
the torn worm-eaten edges of spirit,
thrift shop bought, extra worn,
grieving lines neath the eyes,
where the salt has evaporated,
discolored the skin.
worry lines,
under and above,
browed mapped, furrowed boundaries.
the laugh line saga,
where better days are stored,
recalled, as well as recanted,
publicly, privately.

Why just men?

I don't know,
Perhaps,
it is all I know.


Jan 6, 2013
your effusive and lengthy comments are each a poem in their own right.  

Tinkered with June 22, 2013
With a push from Bala,
A serial peeper, thank God!
 Nov 2023 Brumous
hullzy
i would give you
all the stars,
all the planets,
just to see that smile
again.
 Jun 2023 Brumous
Aishu
Last Night
 Jun 2023 Brumous
Aishu
Last night,
when I closed my eyes,
I saw the moon
so full and so bright.
I fell asleep smiling.
 Jun 2023 Brumous
Al
Bohemian girl
 Jun 2023 Brumous
Al
She speaks in clouds,

her curves drink lost
words.

Her dress entrances.

This marketplace so full
of colour,

many fragrances merge.

I watch her dance with
gypsy jazz tones.

Olive skin and dark hair.

She beckons me forth, to
a flaming beauty.

With her clouds I
merge.
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