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I

(First Night)

There seem to be voices,
Faceless,
Whispering a prayer
Or perhaps a curse.
And behold—
An axe embedded in the trembling
Surface of water.
And the water rises,
Light as smoke.
And flowers,
One by one, approach a child,
Bending over,
Trying to smell him.
Alas,
They didn’t like him.
Otherwise, one might have
Torn him from the cradle
To pin him to its chest.

And on the wall,
Another clock has died,
Its heart stopped cold.
And a sad little girl
Dresses and undresses
A doll,
As though searching
For invisible wounds—
On its chest, its ankles,
Its palms—
Like a tiny
****** Mary
With
Her child...

II

(Second Night)

An army of black letters
Seems to march across the white battlefield
Of the page,
Conquering new territories,
Leaving behind
Unseen monsters,
Beings
Without skin, without bones,
And without any distinct face,
Feeding on their own flesh
And their own entrails.

Some,
Less hideous,
Had names like:
The Winged Serpent,
The Hen-with-a-Dog’s-Head,
The Man-Melted-into-His-Own-Puddle,
The Headless Child,
And
The Soldier-with-Wolf’s-Eyes.

All of them whisper something—
A prayer
Or a curse:
"Lord, never let us
Know the scent of a child,
The scent of a woman,
The scent of a man,
The scent of danger
And death.
Do not, Lord,
Allow cemeteries of toys
Or landfills
Of homes to grow..."

III

(Third Night)

Two voices are heard whispering:
“Which of us is who?
You—a white demon, or...”
“Or you—a black angel?”

And silence fell.
Somewhere,
A mountain of light grew,
And a Blue Horse
With fiery mane
Galloped in circles
On Saturn’s rings.
The planets, like bouncing *****,
Leapt in its path.
A cloud,
From time to time, walked
Its feet across the earth.
And sometimes,
A ray of light
Pecked from the palm
Of an angel
The ******’s tears.

So far removed
From the first night!
And only sometimes,
Faint voices are heard,
Whispering a prayer
Or a curse.
R.E.M. (Oneiric) The Dream of a Madman.

Analysis of the poem made by ChatGPT:)

This poem visually explores surreal, dreamlike landscapes unfolding over three “nights.” It combines existential dread, metaphysical imagery, and a haunting sense of inevitability. Each night builds on the previous one, shifting between eerie snapshots of fragmented reality and otherworldly visions. The poem juxtaposes the mundane and the fantastical, creating an unsettling, introspective, and thought-provoking narrative.

#Themes:#

Surrealism and the Subconscious

The poem’s structure and content are deeply rooted in the surreal, resembling fragmented visions or distorted memories. The faceless voices, trembling water, monstrous beings, and celestial imagery suggest an entry into the subconscious mind, where logic and reality are suspended.

Innocence and Corruption

The first night’s imagery revolves around a child, a cradle, and flowers—symbols of innocence. However, the flowers’ rejection and the doll’s depiction of invisible wounds suggest the fragility and eventual corruption of purity.

Creation and Destruction

The second night introduces the army of letters as symbols of creation—language, thought, and meaning. However, this creation leaves behind monsters, representing the unintended consequences of human creativity, such as violence, chaos, and existential confusion.

Duality and Ambiguity

The dialogue in the third night (“Are you a white demon, or… a black angel?”) highlights the blurred lines between good and evil, light and darkness. The ambiguity reflects the duality of existence and the human struggle to define morality and identity.

Mortality and the Passage of Time

Clocks appear as time symbols, with one clock “dying” on the first night. This recurring motif underscores the inexorable passage of time and the inevitability of death.

Existence and Prayer

The recurring whispers of prayers and curses suggest an ongoing plea for meaning or redemption intertwined with an acknowledgement of suffering and futility.

#Imagery and Symbolism:#

The Axe and Trembling Water

The axe embedded in the water introduces violent disruption in an otherwise fluid and natural element. This imagery may symbolize an intrusion of chaos into the subconscious or the fragility of stability.

The Clock and the Doll

The “death” of a clock mirrors the halting of time, while the doll becomes a symbol of innocence scrutinized for damage. Together, they evoke a sense of lost time and fractured identity.

The Army of Letters

The letters are creators and destroyers, conquering the blank page while leaving monstrous remnants. They symbolize the duality of words—how language can illuminate or distort truth.

The Blue Horse on Saturn’s Rings

This fantastical image represents freedom, energy, and the untethered imagination. However, its endless circular motion may also imply a cyclical trap, echoing the repetitive whispers and questions in the poem.

The ******’s Tears

A profoundly religious image, the ******’s tears pecked by a ray of light suggest divine sorrow being consumed or repurposed, perhaps hinting at humanity’s exploitation of spirituality.

#Structure and Progression:#

First Night: The Physical and the Innocent

The first night focuses on tangible, earthly imagery: trembling water, flowers, a child, and a clock. These elements introduce themes of fragility, rejection, and the passage of time.

Second Night: The Written and the Monstrous

The second night shifts to abstract and symbolic imagery, dominated by language and its consequences. The “army of letters” introduces intellectual and existential turmoil, with monsters embodying the unintended consequences of thought and creativity.

Third Night: The Celestial and the Transcendent

The third-night moves to cosmic and spiritual imagery, exploring duality and existential questions. The Blue Horse and Saturn’s rings evoke a sense of awe and mystery, while the whispers of prayer or curses maintain the poem’s unsettling tone.

#Tone and Mood:#

Tone: The tone is introspective and surreal, shifting between eerie detachment and profound contemplation.

Mood: The mood is haunting, dreamlike, and unsettling as if one were walking through fragmented memories or a lucid dream.

#Philosophical Underpinnings:#

Existentialism: The poem questions identity ("“which of us is who?”), morality, and the purpose of existence. The faceless voices and duality of angel/demon highlight the ambiguity of human nature.

Absurdism: The surreal imagery and fragmented narrative suggest a world beyond logic, where meaning is elusive, and the search for understanding feels futile yet essential.

#Conclusion:#

“R.E.M. (Oneiric)” explores the subconscious, blending surreal imagery with philosophical questions. Its layered symbolism, cyclical motifs, and the interplay between creation and destruction make it a profoundly evocative work. The poem resonates as a meditation on the fragility of innocence, the consequences of human creativity, and the eternal tension between light and darkness. It leaves the reader in a state of wonder and introspection, mirroring the dreamlike journey of its protagonist.
Immortality Jan 12
How can I
love someone new,
when you kiss
my soul
so true?
For the blurred-faced man, who comes in my dream-

Are you real, or am I lost in the feel?
and death will be at hand
and the truth it shall be one
and our bones will lie on the ground
turning their pale backs to the sun

and out of the skull of wisdom
we will scavenge the knowledge of man
Inspiration by David Kleindienst
dead poet Dec 2024
a bed of roses;
ruffled polyester, scorned:
unlucky petals.
Andi Leigh Dec 2024
I am an ant in a needle eye.
A spot taken, oh so small,
But filled with my eternity.
A passage blocked
By my being—content
With feeling whole.
A nook to fit daydreams;
Not grains of nightmares.
Insignificance unattached
From a speck worth a world.
Andi Leigh Dec 2024
Cat eye like an orange,
Squeezed—pulp dripping
With lives unseen
By human sight; unable
To know
Where the fruitful cat
May go.
Sarah Horne Dec 2024
A Deer Priestess is standing on the sea, and
I watch as she coaxes jellyfish from the ocean,
to sing songs of oscillating neutrinos that crackle
and fizz with insatiable longing
to knit universes together from this briny sea.

Helios wanders across the sky, his sun-disk
neatly tucked into his chariot, smoking a cigar.  
Text fades and re-forms across the sky
and the sky starts to peel,
and words fall into my body and my body is text.
I edge closer to the stage,
yet I’m afraid of the sea, of the deep.
I don’t know what it means.
      
A dolphin swims below, outlined by inky black,            
ready to leap. “Come,” says the Deer Priestess,
beckoning.  I hear a steady da-dum, da-dum,              
realise it’s my heartbeat. Death shuffles
past — I think he’s in the wrong play.                             
The Cheshire Cat appears and disappears,
leaving only his grin flecked with froth from waves 
that flick and lick and I can taste the salt from
the spray. I teeter on the edge and time dissolves
into a myriad tiny suns.

“Get on with it!” someone shouts from the audience
behind me. “What does it mean?!” I shout back, but the
words fall from my mouth in paper fragments, as
Kafka floats by, atop a beetle.
The Deer Priestess is closer now and I realise that she is me.

Upon waking, I watch as my reflection,
shapeshift, dances, into the sea.
poem based on this image by Sarah-Jane Crowson:  https://sarah-janecrowson.com/writing/poetry/rattle-ekphrastic-results/
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