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Cadmus 3h
They asked me once,
“Why do you always take the hard path?”

I said,
“It’s not that I choose it
It’s just the only path I see.”

Not all of us are given options.

Some roads are rough
because that’s all there is.
Sometimes, life doesn’t offer a choice between easy and hard - it simply gives a road, and we walk it.
Malia 13h
i imagine you sprawled across your bed
ankles crossed in the air, hair
falling in strands out of your neon
ponytail, bent over some graphic novel
that looks like it’s seen the bottom
of a backpack far too many times.

i imagine you have one of those smiles,
the kind that blooms soft and slow
across your cheeks like a lily, Louyse.

Lily Louyse, i see you upside-down on the
monkeybars, grinning like it all means nothing,
like the fire is long-gone, no smoke in the
air.
not anymore.

but the fire once was, we both know.

it burned your eyes as you shook
body wracked with a million papercuts
a million scars only you could see.
it licked your palms as you
clawed
at the darkness, wishing for some answer
some semblance-of-self.
i see you curled in a ball on the floor
silently begging the world for—
oh, i don’t know.
all I know is i’ve done, felt, screamed
the same.

but i have this strange feeling that
you peeled yourself up and gathered
each scrap ripped like a banned book
and taped yourself together
with shaking fingers.
and then you floated downstairs and
let the television drown out those
stupid, stupid thoughts and
smiled as kate winslet embraced the
sky—“i’m flying!”—
and i have this strange feeling that you will be
okay.
Wrote this for a tumblr request!
tear and thrash,
create, then crash—

no meaning left,
no faith,
just ash.

am i the only
one who feels
under the gun?

i’ve fought
for something more,

rose from flames,
still wanting more.

i’ve endured
all i could endure—

and now all i see
is blood
in my eyes.

but i’m
not giving up
yet.

i’m already broken—
but i’m not
gone.

how do i go on
when nothing feels right?

i stare into the sun
just to steal
some light.

you’re not the only one
falling from the sky—

but how can i be strong
when you keep
singing goodbye?
inspired by Story of the Year’s 'How Can We Go On', this piece is about survival after collapse—when there’s nothing left to hold but your own strength. for anyone still standing, still searching, still screaming: this is for you.
I have news for you,
even when you think you're failing,
you're actually winning.
Because if you're failing,
that means that you're still in the game.
If you're still fighting,
they haven't won.
Whoever "they" are to you,
don't let them win.
Stay in the game.

-Rhia Clay
Cadmus Jun 5
🏛️

Those who survived the deadly blows of life,
and the collapse of all they trusted.

Don’t cry anymore.

They’ve traded tears,
for silence.

No joy stirs them.

No sorrow shakes them.

They know too much.

They’ve seen the truth:
nothing stays.
Not warmth,
not promises,
not even pain.

They walk among us,
quiet
like ruins.

Surrounded by crowds,
they remain alone,

Survivors

wearing the stillness
of what nearly killed them.

🏛️
Some scars don’t scream, they whisper through silence that never ends.
you’re not down,
you’re not
out for the count.

give yourself
some room
to breathe.

i know
they’ve written
you off—

but don’t you
dare give up
now.

they haven’t
seen your best,
only your worst—

and now it’s got
you thinking
nothing

will ever
be good enough.

but none of that
matters now.

what matters
is this:

you hold
the power
to shape your fate.

so don’t you
dare give up
now.

get back up
off the ground—

don’t let them
count you out.
this one’s for the fighter who's been counted out too many times.

your story isn’t over.

your best hasn’t even begun.
Cadmus May 30
🎭

I
miss
the
time
when
my
smiles
were
real.

👺
This piece reflects the quiet resilience that grows in the shadow of sadness. It’s a reminder that even the faintest hope has the power to restore the sincerity of a smile.
Jonathan Moya May 28
Between the Waves  

There was never a single border,  
only the shifting tide of language,  
guavas glowing in the heat,  
the churn of Spanglish rolling in  
before the tide could pull it back.

At the checkout line, the cashier asks,  
"Paper or plastic?"—so simple, so sharp.
I glance at Mama, but her words stick,  
caught between lips and hesitation.
I answer for us. The shame clings,  
her silence louder than any mistake.

Each summer, my abuela arrived  
with stories curled like conch shells,  
her voice full of salt and lineage,  
each word a bridge we crossed halfway,  
somewhere between knowing and forgetting.

She tells me of the women before us,  
how her mother boiled guava leaves  
to ease the aches of growing bones,  
how a girl’s silence could mean strength  
but never surrender. “You carry oceans,”  
she says, pressing a shell into my palm.
"Listen, and you will always know  
where you come from."  

In the humid dusk, I traced my name  
in sidewalk chalk, watched rain  
blur it into something new.
Could memory be pliant? Could belonging  
be washed and reshaped by the wind?

But what of the body—  
its slow turning, the way girlhood folds  
like an old dress, pressed into something new?
What of the hands that will cradle, will teach,  
will shape another name into the world?

I watch my mother’s weary eyes,  
the way she smooths the hem of her days,  
thumb and forefinger pressing the fabric,  
flattening something unseen.
I wonder if I will smooth my own worry  
the way she does—without pause,  
without breaking.

Outside, the cicadas rasp,  
their voices a low and constant hum,  
a pulse threading through the thick heat  
like something old, something knowing.

Here, the neon hum of the city never rests,  
palm fronds shudder against the skyline,  
the edge between past and present dissolving,  
Miami swallowing whole every homecoming,  
every goodbye never quite gone.

At the bodega, my friends are waiting,  
laughing too loud, pressing tamarind candy  
into my palm, the sticky sweetness clinging—  
a small amber stone, a promise of what remains.
We swap bracelets—plastic beads clinking—  
a quiet oath in neon-lit safety.

But between jokes, between  
sips of cola and smudged lip gloss,  
I catch glimpses—mothers’ tired hands,  
names that slip too easily from memory,  
the weight of futures we pretend not to see,  
just for now, just for tonight.

Still, the tamarind sticks,  
a sharpness beneath its sweetness,  
as if warning—this is not just candy,  
but proof of change, proof that  
what is soft can still pull,  
what is sweet can still sting.

As I walk home, salt on my lips,  
the moon folds itself into the bay,  
the water whispering,  
"Listen, listen,"
until it carries the answer away.

Somewhere, I smooth my sleeve,  
flattening the fabric beneath my palm.
I am not my own strength – nor am I my own words
I am not the sum of silver, or rich as the world,
Nor even close to a sliver of gold.

I am not my future – or any better than my own past
I am all of my mistakes made in the present,
And all of the things, hoping to come to pass
Nowhere near a love that endures without question –
Nor the calm; being a life of many, many scars.

I am the quiet battles, that tears praise my triumphs,
The stillness in inner storms, battling emotional riots –
Marvel of flesh, fragile code; built of miracle science
Living in society’s endless bias, where the little
You hope to give, is the hope that will be trampled
Beneath the heels of Giants.

A faith that’s ALWAYS under intense heat
And so many pressures; pressed and refined,
I emerge as a Beautiful Diamond.
Jonathan Moya May 26
After all the operations, after the slow unraveling,  
I trace the shimmer left behind,  
a pearl forming in the absence of what was—  
the weight of my steps lighter, not in grace,  
but in uncertainty mixed with hope.  

I do not run anymore  
Yet, I watch Tom Cruise sprint, sprint—  
limbs loose, effortless at sixty-two,  
vaulting over rooftops,  
clinging to the side of airplanes,  
breathing forever underwater.  

He crashes, bruises, bleeds in theory,  
but never in flesh—  
his smile intact, his hair untouched,  
a muscular chest absorbing each blow,  
with no marks,  
no limp, no hesitation.  
I content myself with the thought
that I am the real mission impossible,
the one facing the final dead reckoning.

Sure,  I sit here, reckoning with the
dead weight  of legs that will not vault,  
feet that drag instead of sprint,  
watching a man outrun time itself,  
as I count the losses my body cannot ignore.  

Neuropathy hums in my hands,  
a static whisper beneath the skin,  
feet waiting for signals that never arrive.  
Pouchitis returns, rhythmic,  
a ghost cycle that feels almost natural,  
a body remembering what it should forget.  

And yet—there is something else.  
Not just the loss, not just the ache,  
but the way illness made me listen,  
the way it softened the edges of my voice,  
the way it let me hold my wife’s hand  
with a reverence I never knew before.  

I see faces at the mall, at the movies—  
those moving without thought,  
and those like me, learning how to walk again.  
I see my brother’s quiet grief and joy,  
my own reflected back in his silence.  

To confront death is to speak to it,  
to name it,  
to let it sit beside you,  
to let it teach you how to be human.  

I am a better poet for this.  
Not for the suffering,  
but for the softness it left me.  

And somewhere within the nacre,  
within the slow layering of survival,  
I am still here.
of survival,  
I am still here.
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