Stale breadcrumb soaked in chicken stock
Simmered in a ceramic crock
Soon softens and absorbs
Lush butter and fresh herbs.
And all from bread as dry as chalk.

If you have a coin
Call me by your name
I’ll steal it from you

I was standing in the fields one day, like I usually would be doing, legs deep in grass, the wind nudging my ears with things I hadn’t yet lived. The sky above me was in a shade of grey I couldn’t name.

  “The weather is beautiful today.”

That’s when the horse appeared.

He jumped, upright, landing with the brutality of a ballet dancer, although he shouldn’t know how to. He had only two legs, thin and humanlike, and one of its molars, impossibly large, vibrated, producing a melody I couldn’t recognise, yet somehow remembered.

It leaned close. His breath smelled like burnt tobacco and languages. Then it said:

  “But Aleksejs…”

Terrifying in its intimacy.

And just like that, it was gone.
No sound. No dust. No hoofprints in the grass.

Nothing.
  Nothing.
    Nothing.

I stood there, frozen.
Not cold.

Later, when I woke up (though I couldn’t say for sure when the dream began or if it had ever truly ended or even started), I sat on the edge of my bed and told myself:

  “Was it me he was talking to?”

Frankly, no one answered. But the top left corner of the ceiling pulsed once, lightly,
And for some reason, I took that as a yes.

I opened a letter addressed to no one
And found a wet map of my own grin.
The postmark said “Somewhere Between”
And the ink ran like a guilty priest.

The ceiling hummed its usual sermon:
  “You are a question your mirror asks gently.”
I nodded, chewing on glass-handled scissors,
Waiting for the floor to finish deciding its shape.

A horse walked in, dressed as my therapist.
She whined,
  “Your trauma wears a wedding dress.”
I asked for a refund
  And received a gun filled with sleep.

Behind the curtain:
  Someone’s mother melting into a fax machine,
  My ex spelling “forgiveness” with her teeth,
  A child screaming “I’m your future, father!”
  While drawing on a body bag.

I stood there,
  Drenched in six contradictory versions of myself,
Clutching a plunger and a birth certificate.

Someone whispered,
  “Your voice is a privilege.”

And all my response to that was:
  “Shut up louder.”

I just came from the cafeteria. In a shocking twist,
I have to actually meet people, I mean, can you imagine?
And we have group projects, my least favorite thing,
except perhaps, having a gym class.

The cafeteria was so crowded—didn’t I see you there?

Everyone there seemed to be wearing vintage Urban Outfitters.
I felt left out, but no one openly pointed at me.

Next, I expect to see bubblegum patch vests, skate-fit jeans and leopard-appliqué flats.

Between us, I’ve gotten old, and lost what little fashion game I had.
Now I’m modulated, that is, I’m over over-indulgence.

When I pictured myself in college, ***, what, a half a decade ago?
I imagined myself in a Lime Fizz Dress from Modcloth.
THAT never happened—which is all for the good.

School and by extension - school work - is definitely happening.
It’s not all studying while drinking back-to-back espressos at sunrise.

This week’s assignments due are: a ‘reflective assignment’ on qualitative research methods, a policy memo, a case analysis, and a group presentation. Argh.

So if you don’t hear from me—I haven’t been deported—I’m just oppressed.
.
.
Songs for this:
This is Why by Paramore
Lauren by Men I Trust
Margaret by Pomegranate tea [E]

But Gordon,
ODB told me to like it raw
So if I bite into a chicken thigh
And realize the rubber texture
Is because I didn’t deep fry
Am I just a donut to you?
Glazed and sprinkled or fruit looped?

We move through the night,
though the streets seem empty,
we look left and right,
electric vehicles are stealthy.

As we exercise stepwise, sunrise happens.
and black night fades its cover.
Like phoresy, painted, pieces of heaven,
the day opens with primary colors—
reds that delight, oranges that tease
and peacocking yellows that leaven.

As the counterfeit rainbow enchants and rouses,
streetlights waver and douse,
lights flicker on in houses,
and the earth blossoms active in borrowed hues.

Morning twinkles with its particular, angular light,
as we enter the still still lobby.
They’ve already set out the coffee!
With a sip, I feel the morning's started right.
.
.
Songs for this:
Day Tripper by MonaLisa Twins
Our Day Will Come by Amy Winehouse

"Have you ever tried choking?" He asked nonchalantly.
“No,” she said. with a wrinkled nose of disapproval

“Want to try it?” His approach couldn't hide his excitement
“Ok,” she said, absent-mindedly running her index finger over his lips.

“you  can  choke  me,” she added slowly,
“if I can stab you repeatedly
with the 7 inch stainless steel
nail-file I keep under my pillow.”
.
.
Songs for this:
Me and the Devil by Soap&Skin
Better By Myself by Hey Violet

I’m new to ‘self-directed study,’ it’s a construction I’ve never known. It’s kind of a faustian bargain that resembles another self-paced activity—treading water. The program’s like an immersive plunge in deep, choppy, informational seas.

On the other hand, instead of dark, crowded auditorium classes, we’ve been studying, on sunny mornings, out by the pool, where there’s a summer-camp-like vibe.

When I say 'we', I mean Chella and I, we’re a two-girl study group. I’ve only known her for 13 days but we have a lot in recent-common. She was in my Yale graduation class (last month) but our paths never really crossed at Yale.

She’s a tall, lithesome, black girl from Miami Florida. Not the sandy beach Miami, where palm trees sway, bikini clad models strut and flamingo-pink art-deco bars face the ocean. No, she’s from the Liberty City ghetto—and she has stories.

She say’s that getting her Yale acceptance was a sea change. People were incredulous, as if aliens had landed or everyone in her high school had won the lottery, There’s a sad but steely resignation in her voice when she says she’s never going back there, "Evah."

So, it’s 86°f here in Boston, MA, and we’re out studying by the pool. There isn’t a cloud or bird in the sky and the sun looks—well, honestly, we’re not looking at the sun—we’re college graduates—we’re in the shade. I was afraid the pool would be summer-time crowded but we’ve been the only one’s here all week. We plunge into the pool and then read.

As Blue Coupe by Twin Peaks finished playing on my Bose Soundbar, Chella professed, “I literally LOVE that song.”
“I’ve loved that song since 8th grade,” I agreed.
“I don’t think my musical taste will ever be better than it was in 8th grade.” Chella confided.
“8th grade’s when everyone’s up on trends,” I said, thinking back.

We read for a while. The only thing tainting our near resort-core experience, is the flood of material we must cover.

“I want to be jolly,”  I declared to the universe,“I’m holding that today.”
“You keep yourself so grounded,” Chella said, “like you refuse to delight in anything!”
“That’s not true!” I gasped.
“Yes, it is!,“ she updogged, if anything goes wrong, you’re just done.”
“NOoo!” I laughed. “Ok, two things, if two things go wrong,” she amended.
“That’s fair.” I admitted, “I’m a two chance girl.”  
“That’s fair,” she agreed, then she added, “I’m going to switch the vibe up.”
‘SIREN by Shygirl’ began banging as we went back to our reading.
‘Self directed study’ has it’s advantages.
.
.
Songs for this:
Count Contessa by Azealia Banks & Lone
Blue Coupe by Twin Peaks
SIREN by Shygirl

I’m a homicidal poet,
who breathes coffee like oxygen,
haunts digital wastelands—
until my fingertips bleed pixels
and my pulse hums in binary.

I bury bodies in blank verse,
resurrect them with rhyme.
Sleep for a century.
Repeat.

But I swear—
I’m fine.