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mel Jun 2018
my
darkness
has formed
a Love for me
as formless as
the Soul it
frees
Breon Mar 2018
Choose another bitter morning routine -
whether from cold, coffee, or compression,
As in "man, I really need to just relax and decompress"
But without the last bit happening.
Choose to let it sink in until you can bite it off,
Choose the pressure because it feels like home,
Choose to dally, choose self-sabotage,
Choose kicking at the gears of your routine until
Something warps under the strain until
It fits like you never believed it would.
Choose the long way into work, a million faces
Nodding off behind their steering wheels,
The city's symphony still trying to get in tune,
Still trying to harmonize with, with, with, with
Whatever gets them to their job still sane, all
Trying to dance to beats only they can hear,
Howling out careworn verses they scrawled
By trailing their lives along the road:
The rhythm of the city is discord and hell.
I've lived near cities for nearly all of my life. Now, relative isolation - visits to the countryside, even visits to towns which AREN'T suburbs - is more innately concerning, even confusing, even confounding, to me than the constant threat of terrible local drivers. Maybe I'm addicted to the city and I just don't know how to do without.
Mark Wanless Nov 2017
"The Mystery a Fear"


A wonder is the mystery
       The mystery a fear.
Countries unexplored bereave
       We must travel on.

Dream a simple holoworld
       Safety mist of brain.
Dream is but a dream, a craft
       Sculpted formless mind.

Lost the future gained a mote
       All the unexpressed.
Never seen, to near to touch
       Thoughtless only known.
Youdont Needthis Jan 2017
He exists in ****** duality
Dwelling in ******* lips and tongue
She is born of blackest dimension’s strum

When the rifle conquest bellows loud
And slaughter’s hum be murderous roar
It rivers in winding bends
Of purest human shale
The destroyer’s chorus in innocent’s wail
Clammy skin of mistresses pale

Chant in rounds this king curse brain
Her obsidian Charon
His violent game
It thousand claws
It needle veins
Sand drowning corpses in rotting flame
It eldest spirit from ancient plains
She blood unholy
He flesh unchained
Forever wholly thirst insane
Dismembering life
In nomine
Essence
Essence
Essence
Beki Ponds Apr 2016
I changed myself for you,
It was too late.
You’d already said your goodbyes
Before I smoked my first bowl
Before I decided to let loose
Before I chose to jug that plastic bottle of whiskey

I told you I needed you,
It was too late.
I treated it like a game
Because I thought that’s what you wanted
A girl with her head in the sky
And her heart full of limericks.

You never told me what you wanted
So I made a person up
I hid who I was from you
And realized later
Everything could have worked out
If I had been myself.
Wolf Irwin Jul 2014
My body will die but I will always be,
They could lock me up but I'll remain free,
I could lose my eyes and still I would see,
That anything could happen and I'll still be me,
I am not my thoughts, I am not my looks,
I am not the bad I've done or the chances I have took,
I am not the scared little boy whose knees once shook,
I am not any knowledge I've learn in any books,
I am a kind hearts biggest fan,
And I happened to be born as a man,
I'm a well orchestrated plan,
Ask my identity I'll say I am.
Martin Narrod May 2014
The likes of you I can't describe,
Yet I love to eat between your thighs.
The melody you spake to me
Unfolds my greatest sovereignty.
I crave to quaff all of your spit,
And swallow every drop of it.
Don't cheat me of your tasty flesh,
Those bare and supple ****** *******,
Your eyes that follow my firm gaze,
While we kiss and lick and misbehave.
I need to feel each piece of skin,
Smashing girl and boy parts over and over again.
It's such a treat to eat you whole;
I'm obsessed with eating 19-year-olds.
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Martin Narrod May 2014
Soy
You were totally something else. Like a calm respite overcoming an instance of excitement. Magic and other prime words that can dictate the inarticulate adjectives that was this afternoon. Happiness and pleasure. A coexistence. To coexist. Soy.
Martin Narrod May 2014
The clock gets me.
It comes to me in the middle of the night
Pulls back the sheets and says, "Hey fucko."
Then it lifts open my sobby wet sand-encrusted lids,
It knows when I'm trying at sleep, pumping quarters
Like I was swallowing yawns, sometimes I try to squint
Harder and take a dream to the next level, whatever
The next level is. It's like Friday night when I wanted to go
Out to do something, whatever something is.
Because I know that if I don't I'll miss that thing that's so
Important that if I were to miss it the clock wouldn't come for me

Again.
And on Tuesday's when I'm knotting a dream around 2 o' clock
In the morning, my web-footed adventure, say, killing your

Boyfriend, say
Fighting the Nazis, say,
Rediscovering that you sent nudie pics to
That rando guy we met in that club that lives
in Prague-
I throw the clock at the ******* wall.

Because who knows, I make the bed wrong
Or maybe I don't cook right, or look right, or
Smile the right way at the right

Time. And you start thinking that I have to die.
The bane of my existence is an imagined feat in your
Walnut-sized brain, slowly numbing us while we're
Supposed to be, say

Listening to the rich, Oxford voice of
David Attenborough.

Instead you're thumbing through that index
of CVS cashiers, just trying to find a scruffy face
To flip your digits to, your homemade justification. It becomes
A feat, an unjust cause of mine to

Get it right, that imaginative and artificial bit you've
Been sewing up Monday twilight.

That's when I go out and jaw your sister, somewhere between
A smirk on your face and a bit of anger at the end of your sentences.
Martin Narrod May 2014
We know you, and your little dark colors too. A picture book in your purse penned in mustaches on the full faces of your fare. We call you from bed, 8 o' clock in the morning, dog-light you slow wander the Peruvian darkness making jellyfish tentacles with your hands while you feel your way through Salem. We're colder than night and we wake thrice the bits of your day gig. You collapse in a green field of dandelion where thrushes drown you in Brown. We gorge ourselves on mango slivers, pineapple yolks, a half of grapefruit. We know you are close to your end.

On the tops of the cities you call to your lycan friends, the half-sick and muted bray allures them to you, from Bratislava and Mimon, the thoroughfare through the suq. We wait. The foregone untold, the beep beep jug jug swoop sound of the nightingale, in all her dun glory, we wait. Then, as if descending through the moor-lounging silver smoke, the cool stickiness to your fingertips; the fog.

We are there when the blue-less and smoky screen surrounds you, when you shank the auburn Scot hair of the sly fox that stalks, say, a cigarette from your lips. When you take the corners swiftly, gadding the streets. The prize king of vulpicide. You rub its matte fur against your bristly gray beard. And while you lay in your lumps of twelve carat flesh you bleat and you nag. One day you will never come home.
*Johnny 3:16 is an unattainable film featuring Vincent Gallo. The trailer for the film is available here

— The End —