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Santi 7h
It’s strange.
Lilies still in the wind.

An extraordinary wind at that.
Wind with a purpose so impertinent
It became love.

If you didn’t know any better,
You might name it something sweeter:
Abhorrence.

Your eyes sharp
And soft with desperation
Look at me for answers.

I’ve never seen anything quite like it
I marvel and speculate alongside you
We fall into a steady and cyclical dissonance
Are the lilies still anymore?

Yes, the sky is still blue. The grass,
Green.
It’s rather lovely.

I feel a tug. A pull.
With ease I lean into its plea
Spilling into silence,
I am gone.

You are here alone.
Delicately gilded, you are safe.

The lilies still in the wind.
Utterly strange.
:) hello
Stand atop
your                                                            ­                                         dunes
manifested
Dreams
from infallible convictions
Eyes — open
with pretentious ecstasy
Gawking
Your waves — in a waterless sea
Stand
facing the winds
permeating
your pedantic desert
Eyes — water
Assurances — seeping in
Indifferently
ravishing your                                                             ­                      dunes
Lie — buried
The sand’s absolute
Like sediment —
manifestations overlaid
Eyes — close
against the winds righteous pursuits
You wonder
how you missed the direction
whence they came
You strike a matchstick
and name it hope—
watch the flame gnaw
its own tail, a hungry ouroboros.

Your hands tremble like cities
under siege.
The skyline cracks, a porcelain plate
held together by spider silk.

We are all archaeologists here,
digging through ash
for the bones of who we swore
we’d become.

Some nights, the moon is a pill
that won’t dissolve.
You swallow it anyway,
let its cold light pool in your ribs.

The world is a fever dream,
but listen—
even wildfires leave behind
soil thick with tomorrow.

So let your heart be a dandelion:
ugly, stubborn,
and impossibly
easy to love.
Inspiration: Combines existential urgency (a "burning world") with intimate resilience, blending natural imagery and mental health metaphors. The poem mirrors modern anxieties but leans into hope as an act of defiance.

Key Elements:

Ouroboros metaphor: The flame eating itself reflects cycles of destruction/rebirth and self-sabotage.

Urban decay vs. nature: "Cities under siege" and "porcelain plate" contrast with organic imagery (dandelions, wildfires).

Medicalization of coping: The moon as an undissolved pill critiques how society medicates existential pain.

Archaeology of self: Digging through "ash" to find lost versions of identity.

Dandelion symbolism: Represents overlooked strength and the beauty of persistence.

Structure: Free verse with short, punchy stanzas. Enjambment creates urgency, while the final quatrain offers a resolving, mantra-like closure.
From the harshness of Everest,
To savage war trenches,
There's the will to survive,
While keeping your senses.

And once you do,
Life has a way,
Of taking it all,
anyway.
Been reading and pondering about survival under extreme circumstances.
another workday -
ignore the catastrophe,
bury your conscience.

another number,
type away the foreboding,
count down the minutes.

another dollar,
think about the bottomline,
excess overflow.

another warning -
it is coming to an end.
when will we wake up?
existential haikus as the rich becomes richer (and we become casualties)
Kian Jan 21
a body is an archive: unveiled
when i stumbled open--
claw-click, serrate-jaw,
wet antennae mapping paths i had never known.
skin, then flesh, then
(oh—how the soft explodes)
a threshold becomes a feast,
& i was alive for it.

they sang in that minor key,
the one tuned for
half-breaths.
sinews hummed electric as
the burrow began--
an architecture of frenzied mouths
churning absence into corridors,
each passage alive with the memory
of something never buried.

and is this not the nature of hunger?
to make the once-firm
a slurry of purpose?
they never meant to unravel
all i held,
but the burrow was me now.
(to be remade is to perish inside out.)

what the insects did not take
were pieces too sharp to swallow:
a wrist pressed to pulse--
the wrist itself forgotten;
an eye, emptied of meaning,
but still watching--
watching even as the body became
a hymn sung low
in thorax vibrations.

and there was no end.
no death.
no quiet.
only their small & perfect hands
reaching
(yes, always reaching)
for the marrow,
for the root of whatever i had been.

what remained was not myself.
but the insects
were full.
wax
as i watch the candle burn
the wick disintegrates
wonder when it'll be my turn
to join the invertebrates
distant echo repeats
the sun sets ahead
the oak roots meet
the foot of my bed
a collection of scents
for only $9.99
down the aisle i went
for the three hundredth time
melt into a mold
a mindless distraction
an umbrella, rose gold
with hydraulic retraction
collect ash and soot
from time spent waiting
for a longing fresh look
at the end's very beginning
a battery powered candle
with translucent white plastic
burns surprisingly well
poison fumes are fantastic
i set it all on fire
and watched the polymers melt
i heard a copper choir
the burning heat i felt
i can't get too close
lest i run the risk
of singing my own nose
or encoding a compact disc
inspired by a time i was lost in a candle aisle.
Syafie R Jan 13
It calls, sharp as a crack in the sky—

is it a hand reaching to lift me,
 or my own voice,
 drowning in its own echo?

The wound hums with the weight of rescue,
 but I wonder if I’ve always been

the one to pull myself under.
Gabriel Yale Jan 12
There’s no point in searching for it,
we’ll find it one day, understood.
We must understand ourselves,
so that we can be who we are.
This poem reflects the idea that the truth cannot be forced or actively searched for, it will be found when the time is right and when we truly understand ourselves. It emphasizes the importance of self-awareness and being true to who we are, suggesting that the truth is inherently tied to personal growth and understanding.
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