II
Blue base and pink hues, black lining, framing the face saw once in dreams, a face with a name that began with the letter M. The other painting – a hazy black, red lips, no eyes – is a man’s face. Flying across shadowed, spiralling stairs, I encountered exits blocked by chairs – all these impressionist paintings hanging along the corridor, where a painter was explaining to his students the woman he met in his dream… they all called to me as a dream factory, dream logic – where everything was bound and unburdened, and we were told to identify faces in these coffin paintings. All day we tried matching, mouth stuttering half-formed names, lost faces, amputated body parts, strangers’ fragmented memory. Then the old lady I was working with let out a wail. She bolted, I followed, and there we saw creatures known as man and woman – to the woman on the right, she greeted with the M-lettered name, and to the man on the left she pointed at the eyeless painting, said, stranger, this is you– and they wept together.
