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fear rose | a big choking risen by red-blue flashes and I pull over, past
the intersection under a row of street lights | thinking about my education, my nightgown waiting back home, wondering why
on earth | where are you going | where are you from | have you been drinking | who are you | who are you?? | clang in my rearview mirror,
a pair of cruisers circle in, intensity creaked in brown-nosed perplexion before black eyes, bloodshot, bothered, real country on the breeze
this balmy night and please don't hurt me,
the sound of slippers across
the kitchen floor is so hazy from here.
first traffic stop, ftp
Nico Reznick Jun 2022
Clearing ivy,
pulling up handfuls of
choking bindweed,
uncovering delicate
wildflowers in
neglected garden corners,
and there’s this
tiny bird
lying in the dirt.
Feathers sparkle
pretty and golden,
as fairytale light
falls through
parted vines.
Surely dead,
but then
- like Snow White
surfacing from
magic apple-induced
dormancy -
the bird moves,
woken by the kiss
of sunlight and
being witnessed,
and seems to breathe.
A gloved finger’s
exploratory, leathery ****,
a moment to realise,
then disgust,
sharp recoil.
A wing lifts;
gleaming feathers
parting reveal the
crawling mechanics inside,
the writhing, parasitic mess
behind the sick illusion,
the briefly faked miracle
of something
like life.

Away over a fence,
Union bunting
***** erratic and jarring
in a neighbour’s garden.
In a stuffy town hall,
the town band is practising
God Save The Queen, but
still can’t keep time.
Our betters wave to us from
high palace balconies
and golden coaches, and we
cheer them for it.

There’s such hunger, such
pain and desperation out there,
you can feel it, if you
forget to stop yourself.
There’s so much tragedy and injustice,
you have to go numb or go crazy.
There’s no future we can see,
and the past has been rewritten
to reflect the views
of focus groups,
fascists and fantasists.

And there’s a bird
lying in the dirt,
garlanded by fragrant petals,
feathers flashing like jewels,
so dead
it looks like
it’s breathing.
Fatıma Nov 2019
The city is melting in the screams
In the dead of night,
From thick skins to thin skins, 
So accustomed to fearful, bloodied scenes 

As you walk through or past 
blinking in the putrid smokes rising up like an atom explosion  
compelling you to gouge your eyes out 
or rip the flesh off your bones 
You're knocked out in a floundering hill of carcass 

I was there 
I was scared 

Unidentifiable in the crowd adorned with courage
As my people should be 
They targeted me anyway
Emptying the barrel of a dozen revolvers
Hundreds of black-clad Darth Vaders 
besieged my space once taken to be safe 

Gone are those days entrusting 'law and order'
unmasking itself as a little less human 
cutting innocent lives shorter and shorter 
learning that it's after all a shape-shifting demon 

"When I grow up I want to serve in the plice
Fools, you see what they want you to see 
A provocation or condemnation 
And they give you a taste of merciless damnation 

My people play no part in the conflict 
And yet. The demons in blue and green 
orchestrate and construct minefields to **** 
And yet. We don't plan to forfeit 

I say 'We' on behalf of journalists 
I say 'people' on behalf of journalists 
also happen to be People with Emotions 
Finding middle ground when the earth under your feet 
crumbles. Living in Commotion

Power-hungry bodies are dark voids during a war 
because money buys protection 
because status breeds greed 
Empowered bodies are overcome during a war 
because all they feel is pain and fury 
of measures shaking them to the burning core 

They fired shots after shots 
manhandling our right to exist 
Our weapon of choice is the pen
we'll show them
tyranny is so close to its end

— The End —