A poem read in the style of Ted Hughes as portrayed by Daniel Craig in the film* Sylvia.

Stop standing in the middle of rooms, Sylvia,
it’s ridiculous.

Stop staring wistfully out of windows, Sylvia,
you’re wasting your life.

Stop putting your hair down like that, Sylvia,
you look more unhinged every day.

Stop mumbling about bees, Sylvia,
it’s not healthy.

Stop ripping up bits of paper, Sylvia,
you’re making it messy.

Stop talking to that old man, Sylvia,
he doesn’t look right.

Stop burning all the clothes and books, Sylvia,
it’s not good.

Stop baking all those cakes, Sylvia,
they’re strange.

Stop being really still and staring, Sylvia,
it’s scaring the kids.

Stop waiting up for me, Sylvia,
you need to sleep.

for Sylvia Plath
O Sylvia, Sylvia,
with a dead box of stones and spoons,
with two children, two meteors
wandering loose in a tiny playroom,
with your mouth into the sheet,
into the roofbeam, into the dumb prayer,
(Sylvia, Sylvia
where did you go
after you wrote me
from Devonshire
about rasing potatoes
and keeping bees?)
what did you stand by,
just how did you lie down into?
Thief --
how did you crawl into,
crawl down alone
into the death I wanted so badly and for so long,
the death we said we both outgrew,
the one we wore on our skinny *******,
the one we talked of so often each time
we downed three extra dry martinis in Boston,
the death that talked of analysts and cures,
the death that talked like brides with plots,
the death we drank to,
the motives and the quiet deed?
(In Boston
the dying
ride in cabs,
yes death again,
that ride home
with our boy.)
O Sylvia, I remember the sleepy drummer
who beat on our eyes with an old story,
how we wanted to let him come
like a sadist or a New York fairy
to do his job,
a necessity, a window in a wall or a crib,
and since that time he waited
under our heart, our cupboard,
and I see now that we store him up
year after year, old suicides
and I know at the news of your death
a terrible taste for it, like salt,
(And me,
me too.
And now, Sylvia,
you again
with death again,
that ride home
with our boy.)
And I say only
with my arms stretched out into that stone place,
what is your death
but an old belonging,
a mole that fell out
of one of your poems?
(O friend,
while the moon's bad,
and the king's gone,
and the queen's at her wit's end
the bar fly ought to sing!)
O tiny mother,
you too!
O funny duchess!
O blonde thing!

Sylvia, don't cry.  
Come and sleep next to me in this grassy field.
Our knees touching like two knobby parentheses
cupping words whispered between us at 3 am.
Vulnerable.
Venerable.
My dearest sister in arms.
And if it makes you happy
we could talk about literature and Gods and good art and tea and faithless fathers and lovers.

Sylvia,  don't cry.
Scream at me if it makes things okay.
Curse at the yellow moon hanging in the starless sky like a gold pendulum.
Break all the mirrors and wall clocks.
But don't run after a train that has already left that foggy station.

Sylvia, don't cry.
Stop scraping the answers to your sorrows off that crusty oven floor.
Go, open the kitchen window.

Sylvia, don't cry.
Next time the phone rings during dinner
Rip out the ******* cord
And choke that soulless *******.

Sylvia, don't cry.
Find a ladder and climb the frigging tree
Stuff your mouth with purple figs
until your belly aches.
Don't wait for them to fall on the ground.
Keep eating.

Sylvia, don't cry.
Slice their throats with your cursive knives
When men say
that a girl poet must bleed on the quill she writes with.
Smear your cheeks with their blood.
Battle paint.
My brave Amazonian.

Sylvia, don't cry.
I know at times
it feels as if your spirit is trying to
climb its way out of your own body
Stop swallowing stones to weigh it down.
Hold my hand.
It'll get better, I promise.

When Sylvia Plath first met Ted Hughes, she bit his cheek so hard that blood oozed from his skin.
I want to believe I made an impression like that on you.
(Not the first time, when I was fourteen, because I was awkward with too much eyeliner and not enough ideas)
I marked you, on your bones, beneath skin where only I could see it.
(Beneath layers and layers and layers, so I could
fit comfortably. A parasite)
Sylvia and Ted married quickly,
but the idea of marriage terrifies me,
but I want to be with you forever,
(and yet I don’t)
Sylvia loved Ted.
and I love you. too much. so much.
(my chest deflates when I think about
empty beds)
please do not leave me, like Ted left Sylvia.

do not find muses, inspirations,
but since I am the writer, I need to find my muse.
(you are my only one)



I think Sylvia and Ted shared writings,
but I cannot show you most of my words,
for the truth would burn, and I wouldn’t know
how to put out the fire.
but Ted was a writer, you are not.
so I will be like Sylvia, writing about people I love,
until it consumes me
entirely.

Death was not unfamilar to me. I'd killed my share of things classified as monsters. I wasn't complaining really, my job kept the humans safe. I just felt guilty, I was practically a monster myself. They call us Warriors of the night, we're not Vampires, we are born with extra strenght and a long life span. I was born a long time ago, I was raised to **** monsters that terrorize the human race. Since I was six, I'd been trained to ****. I was a killing machine, best of my kind. Yet somehow, even though what I do is considered an honor, I don't feel proud. I've been doing my job much to long, and lately I'd began getting sloppy with my work. God knows Rowan would be one ****** of boss if he heard about me letting the group of baby Werewolves. I wasn't a complete heartless ******* to **** a bunch of babies.
    I might've been two years ago, before the whole incident happened. I layed my head in my hands, I couldn't go there, not now. I needed a clear head. My small apartment in Master Singu's house was getting messy. I hadn't had time to clean lately with all of the monster attacks that had been popping up lately. Ghouls, Goblins, Oni, Ogre, you name it and it's been attacking. Wasn't much we could do with the Banshee, they were more of a signifier then a monster. A signifier of death, and usually they gave me a heads up if the person who's house it's been surrounding, is gonna die. Banshee were cruel looking creatures, never gotten to close to one, they make **** sure of that. Not sure I ever want to. They were ruled by the one and only, Death. And i will gladly stay as far from death as possible. Haven't heard too many good things about him. Death is one of the Four horsemen. Scariest ******* in the underworld, and I would gladly never meet any of deaths brothers or sisters, what ever the gender their welcome to stay away. There was a soft knock on my door, io glanced at the clock on the wall, it was already three. Warriors worked night shift basically, since thats the time most monsters like to come out.
    The victorian styled door was a black cherry carved wood, with a ancient symbols carved in so no evil spirit couls cross into my apartment, so I wasnt worried any monster was at my door. But I was suprised to see Cameron when I opened the door. Cameron and I used to work the nights together until he'd gone off and gotten married to Sylvia, who was a vampire. Vampires were only considered monsters when they didnt follow the rules. No feeding off of unwilling people, only donors, and they couldnt go around killing people. Their biggest rule though was not to tell any human what they were, Warriors like me had a lot of people to execute.
   "Cameron, never thought I'd see you around here anymore," just as I was talking to him I realized, Cameron looked scared and desperate. Unlike someone who spent his life killing evil monsters that were twice the size of him. " What's wrong Cameron?" He shook his head and walked past me, through the door and into the living room. "It's Sylvia, Theon please help me," Camerons voice was going all thick and his eye's all watery. This was deffinetly something bad. " Tell me, what has happened with Sylvia?" I needed Cameron in his most focused form to help me out, but as I looked at the shaking man I knew he was beyond that. " You remember the king vampire we took down to save Sylvia?" Cameron said quitely, but I knew instantly what vampire he was talking about. That vampire had killed Abelia. I quickly swept that from my mind and focused back on Cameron. " Yes I remember, "  I had no idea where Cameron was going with this. " You remember his brother than, the one that got away, he said that we would both pay. He, ah, made you pay that day. I never thought that he would carry out with his threat. He kidnapped Sylvia, and Sylvia is pregnant, " Cameron almost lost it right there.
    I never thought that, pip squeak of a vampire had it in him, but he was smart and possesed powers we hadn't known about until we had come across them. Their king that we had slayed, had been capturing girls of all species and abusing them in such barbaric ways.
We had to put an end to his affairs, and we did but his brother wasn't too happy about it. He'd done one of his tricks and manifested behind Abelia and snapped her neck. Everything for me had stopped, all I could hear was the blood in my veins. I didn't breath, I could still remember the deafining roar I had unleashed as my monster had gripped me, took the reins and killed all of the mans servants.
Blood had bathed the walls that night, not even the crickets dared to sing. The sun rose late that morning, and I sat inside this very apartment, on that very couch, and cried. For the very first time, I had cried until my eye's swelled shut, until my throat could bare no more. Until I passed out.
    "We'll get them back Cameron, don't worry. For now get some rest, we'll start investigating later tonight, I have meeting to attend," I was going to **** that ******* when I found him. He had taken my only love from me, and he would pay this time, I would make that absoultely certain. Cameron nodded and headed for the door. It was a long way back to his house, and he crossed quite a few bridges. I didn't want him making any bad decisions, " Cameron you can crash here, I have a guest room your welcome here man," I say casually so he doesn't get all prideful. He stops and looks at me for a moment then nods " Yeah, thanks man, and also thank you for agreeing to help me on this I know it's a bit of a touchy subject for you, just know i appreciate it." He made his way down the hall, I listened for the soft click of the door shuting before i went to leave.
    I grabbed my coat, and the keys to my Ducatti and ducked out the door. The hallway was long and at the end of it was two flights of srairs, I lived on the third floor. My motorcycle was parked right were I left it, it was a beauty. Black and red sleek metal and nice leather seats. I loved the bike so much I had named her Racer. I loved to drive fast, and so did she. I tore off out of the parking lot and listened to the purr of her engine on the way to Rowan's , my boss, office. It wasnt to far, but I wasn't in a rush either so i took the long road just to stall. I knew Rowan planned on giving me a partner. Probably some ****** that didnt know his way around a swiss army blade, let alone a sword. Warriors didnt use guns unless absoultely necessary. I loved the feel of my sword slicing through the air. I didn't, however, enjoy the noisy bang of a gun. A sword was like another limb, you have to trust it to take you were you need to go.
    Rowan's office light was on, and I could make out the form of three bodies. Great, I knew it, Rowan was going to assign me a partner.
I hated partners, the only one I'd ever slightly enjoyed had been Cameron. I got off my bike, patted the seat for good luck, and made my way into Rowans office. When I pulled open the door I was ready to yell at Rowan for even thinking of giving me a partner, instead i dropped my hand off the doorknob. " *******," was all I coluld say. I was stunned to silence.

Thirty is too young to know you’re nothing,
so get your head out of the gas.
Thirty is old enough to know you’re something,
Sylvia, Sylvia, Sylvia Plath.

Pressure expands more than your skull.
Mason jars in the cupboard clink
all the reasons you should be annulled,
Sylvia, Sylvia, Sylvia Plath.

Here’s what you missed in the other room:
no mother, no father, wooden food,
children play mommy better than you.
Sylvia, Sylvia, Sylvia Plath.

I cannot breathe, I cannot breathe
any more, blue mind
in which I have lived like a prisoner
for thirty years, manic and lonely,
barely daring to fill my lungs.

Sylvia dear, it’s time to say goodbye.
You’ve lived much too long——
marble-heavy, a bag full of God,
frightening effigy with cracked lips
silently holding your breath

and a head in the feverish oven
where it pours red over snow white
with the children asleep in the next room
I used to pray to recover you
oh, you.

In the American tongue, in the British town
blinded white by the tongue
of winter, winter, winter,
but the sadness within is old.
My British friend

says there have been a dozen or two
so I never could tell where you
put your mouth, your pen and ink,
I never could talk to you.
The words trapped in my throat.

Swallowed in a sea of tears
I, I, I, I,
I could hardly speak
I thought every woman was she.
and the looks pitiful

the madness, the madness
leaving me to be a lunatic.
A lunatic to Daddy, Teddy, Mother.
I began to write like a lunatic.
I think I may well be a lunatic.

The whites of my eyes, the memories of Boston
are no longer full of light and truth
with my average looks and mediocre mind
and my Bible and my Bible
I may be a bit of a lunatic.

I have always been scared of you,
with your books, your gobbledygoo.
And your coifed curls
and your German eye, mousy brown.
Crazy girl, crazy girl, O You——

not sane but locked up
so tight no eye could peep through.
Every man enjoys a Mother,
child suckling the breast, the mad
mad mind of a madness like you.

You stand tall and proud, Sylvia,
in the pictures I have of you,
a twitch in your hands instead of your eye
but no less a devil for that, no not
any less the deranged woman who

shattered my fragile mind in a million pieces.
I was scarcely a girl when I met you.
At twenty I tried to die
and get back, back, back to you.
I thought even the bones would do

but they pulled me into the spotlight,
and painted a shiny new coat on me.
And then I knew what to do.
I made a model of you,
a girl in blue with a look of despair.

And a love of the noose and pills
and I said I do, I do.
So Sylvia, dear, I’m finally through.
The telephone line is dead on this end,
the voices just can’t hear through this madness.

If they’ve killed the spirit, I’ve killed the body——
the ghost who said she was you
and drank my blood for a year,
ten years, if you must know.
Sylvia, you can close your eyes now.

There’s a gas in your brilliant, blue mind
and the other women never liked you.
They are praising your dead body.
They always knew it was you.
Sylvia, Sylvia, you witch, I’m through.

There's a passage in a story by John Buchan where a minor character explains how a good mystery story is created: take at least three random subjects or events and connect them together. Here goes.
 
A toothbrush
Covent Garden
Wildflowers*
 
Interesting to let the mind float free and subjects appear unbidden, thought Marcus. The moon had risen and out at sea its reflections caressed the swelling waves. Calm the night after such a day of being about.
 
Gregory had phoned him, early. Marcus had been lying in bed. Sylvia had just returned from the bathroom and had folded herself into his arms. Their collective feet had conversed amicably as early morning feet do. She was still tingling a little from the passion they had shared, stretching herself languorously like a cat coming into the warm after a cold night out.
 
'Marcus,' said Gregory, 'it's today.' And that was all. The line went dead, but that was all he needed to know.
 
He extricated himself from Sylvia who was intent either on sleep or further love-making. She was incorrigible, but so so desirable.
 
I'll just take a toothbrush he thought as he swiftly shaved. He picked a new pink one still in its packet and put it in his bag with the papers, a map, his camera . . .
 
He thought about Ripley as he steered the car onto the motorway. That character fascinated him and he wondered if its inventor Patricia Highsmith had ever known such a man; a nice good-looking man, but selfish and nasty. Marcus wondered if he was selfish and nasty. He reckoned he was.
 
When he reached Covent Garden, parking illegally in Jermine street, he wasted no time in walking directly to Turino's. There, amongst the tourists and the out of town shoppers was Greg.
 
'I have this little package for you. Don't open it until you reach Southwold. Park in front of the Lion Hotel. Do nothing until she appears, which she will do after her lunch with the doctor. Then follow her. We think she'll go to Ben's. If she does we want the pictures . . . and as explicit as possible. Leave the package.'
 
It's at least two and a half hours to this village on the Suffolk coast. Until Ipswich he scarcely regarded the early summer colours, the plaintive skies, fields stretching to woods, the occasional grandeur of parkland.
 
He stopped for coffee at a services and called Sylvia.
 
'Hi Sylvia it's me.'
'Where are you? I was hoping we'd spend the morning together.'
'Well Greg called . . . I'm on my way to the seaside.'
'Oh . . . no time for Sylvia today?'
'Not today'
'Tonight?'
'if all goes to plan'
' You journalists, you're all the same . .'
 
But he wasn't. He was different. He didn't just write, he could investigate, uncover things, hack into mobile phones, get the compromising images.
 
Yes, she was going to Ben's . North, on the Norwich road. No hesitation. She drove fast. He had to have his wits about him. When she turned off the main road to the mill he carried on, then doubled back and two miles further on parked within sight of the building.
 
Her red car was there the courtyard. He decided on getting in from the garden so left the road for an adjoining field. Waist high in a profusion of grasses and wildflowers Marcus made his way painstakingly towards a collection of outbuildings, the indoor swimming pool, garages, an office.
 
The pictures were good. Both of them, together. The architect and the broker. Lovers, conspirators, thieves. They deserved everything coming to them.
 
He had entered the mill briefly. There were voices upstairs, a little laughter and then silence. He left the package on the kitchen table propped up against a vase.
 
They'd been following her movements for months after he'd taken his suspicions to Fred. Yes, he'd been so lucky. A wine bar conversation, an aggrieved employee, a few leaked documents and it all came together. And now this . . . the ****** stuff the paper loved.
 
He decided not to go back to Sylvia tonight but walk by the sea, let the gentle whoosh of water on the pebbled strand sooth his ruffled conscience. He had done his job. There would be other intrusions. Investigations, revelations. Mr Nice but nasty like The Talented Mr Ripley, he thought.

Sometimes it is, poor Sylvia,
that we cannot find the answers. They're
not to be found clinking about in the stars,
blowing about in the August wind,
or blooming among the tea flowers, no matter
how scented. No charlatan soothsayer discerns.
No pull of the cards deciphers. If answers come
at all they'll be found deep within yourself, only.
Don't we all prove that countless, wretched
times? But know this, dear Sylvia, even though it's too
late for your sanity and your life, your daddy didn't
die because of you, for you, by you. Death simply
drew the line and pulled him across.

What were you to do when life puzzled you
to the limit, when all poems disappointed,
when the ink failed to flow smoothly,
the pen tore at the paper and the paper
turned to ash before a line could be written down?
What to do when your child's smile failed to ignite
motherhood, when Daddy's image floated in and out, when
emotional pain dragged you terrified under its
black cerement, that cold, wet, smothering grave cloth?

Fear, oh my God, fear, and the doubt that you had,
the whirling about of a shattered mind, bouncing
from this trap to the other - your muted, stifled inner
screams unheard, or worse, unexpressed. Yes,
you found a solution, poor Sylvia, but suicide
doesn't always equate with an answer. You found a
sad poem, a dirge to be exact, something that moves
us, but there is no rhyme to it and the ending is an
enigma, a great puzzle yet to be invoked, understood.

----