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Pauvel Jétha Aug 2013
Topping a rise comes a knight,
armour soiled and stained;
weary yet elated
riding his black steed.

The Princess in her tower sees
and gives a delighted cry.
She leans out her window
and hails the knight:

"**!Brave knight!
Whence comest thou?
Tell me thou seeketh me
for I wait for thee."

"Truly",answered the knight
"It is for thee I am come
my fair lady
and to take thine hand."

"I've sailed the seven seas,
toiled through forests and mires,
traversed deserts and dunes
looking for thee".

"Oh the joy!"whispered the lady
and cried,"My brave knight,
glad am I to hear thee but
Didst thou slay the dragon?"

Answered the knight,
"My dearest lady,
I have fought the giants,
conquered the orcs
and tamed the lions."

"Oh brave art thou
my worthy knight.
But didst thou slay
the mighty dragon?"

"I have escaped from dungeons,
caverns with unnamed fears.
Scorpions and serpents
I have crushed to the earth."

"Wonderful art thou
my worthy knight.
But didst thou slay
the fearsome dragon?"

"I have ridden the behemoth,
subdued the depths,
searched the clouds and
fiddled with thunderbolts"

"Magnificent art thou
my worthy knight.
But didst thou slay
the red dragon?"

"Lady,you are besot
with the dumb worm!",he said.
"I wonder if she",he thought
"has been crazed in that tower"

Sighing forlornly,
said the princess
"I canst not leave here
till the dragon is dead."

As the knight turned away
to ride back,she asked
"Whither goest thou?
To slay the beast?"

"Nay lady,nay
I go to slay the dunce
who wrote you
into that tower."

"What meanest thou
my dear knight?!
There is another knight
who dabbles in magic?!"

"Nay lady,nay.
He is not a knight.
He uses his quill
to weave his musings."

Cried the princess
"Oh mighty sir,
Oh Weaver with the quill!
Canst  thou hear me?"

"Yes dear lady,"said I,
"What do you desire?
What can I do
that will please you?"

"My dearest Sir!
Oh my bravest hope.
Slay the dragon
and make me thine."

"But my lady
as much as I desire to,
you should know there is
No dragon in the story"

(Silence pervades)

"Oh my dear knight!!"
cried the lady to the rider,
"Slay this goon
and we shall be one."

Uh-oh...Time to put down the pen and run.
;)
J Lee  Feb 2017
.....Slay Me.....
J Lee Feb 2017
I cannot hide
I'm drowning inside.
Help me..
Slay me..

My demons are multiplying.
Lips are chapped and faded.
Its grey and cold outside.
I'm a hazard to myself.
Destroying former beauty.  

This is a hell that shouldn't be reckoned with.
Lets never speak again.
So close to being in love.
My heart lives in the coffin I drag behind me.

The truth is you could slit my throat
And with my last breath
I'd apologize for bleeding on your shirt.

Because **** this fading world.
Slay me..
I don’t think about this often.
But when I do..
My god when I do..
I beg you to slay me .
Fade my life line.

Monsters watch me through the windows as I pass by.
Their lips curl into a smile.

Slay me..
Is there no help for me??
The shadows prove I'm alone.

Take my death and use it as a PSA.
I have a terrible fear that I may be loosing it..
Its so unbelievably hard
Wake me up from this nightmare..
Slay me…
JC Lucas Oct 2013
Every morning I must slay a mighty rusted dragon. His jaws gape as he waits for me. I climb his belly slowly, but persistently. When I reach his mouth I throw myself in. I burst from his stomach and slide down his back and he lies with his wounds and waits for tomorrow. I will slay him again today. These dragons are everywhere, waiting to be destroyed every morning by commuters and diabetics and dialysis patients. We must grit our teeth as the needle pierces the skin or as the engine starts again. We take that bitter pill and emerge victorious. But to what end? The dragon will be waiting the following morning as he always has, as he always will. It is the curse of the modern man. Each day we will slay this dragon until one of us is too weak to fight.

But I know, too, that this dragon is necessary. He is the grain of salt in my morning that seasons the bike ride down his back. I have learned to enjoy riding through the rusted iron bridge that is his throat, and yes, even the climb I must endure to reach it. Each day I must slay this dragon. I must. It is for me that he exists, not the other way around. And I will slay him each day until I am struck by an automobile or die of a blood disease.

So when I rise tomorrow, I will look him in the eye and he will wink. And I’ll know that he is not just a hill capped with a rusted iron bridge. He is the plight of modern men. He is the eternal struggle that must be, else life would be tedium. and we need each other, him and I.

When I wake, I will rise and slay him again.

And again.

And again.
Hello sister; can I have a word with you for a second
I see you as a good girl but other thought you 've got a different dimension
You dressed decently; putting a hijab on a skirt and blouse
But you 're something else when you 're outside your father's house
You 're a wild girl outside; but your neighbours taught you 're a decent girl
Half-bad and half-good like she 's stuck in bewilderment
She 's on the street scuffing; sniffing and puffing the cigarette
Looking for exotic-guys as she surf through the internet
She dress solo; she wears tight jean to make her *** looks mono
She rides solo; she wears "I 'm ****" logo
She rolls her artificial eyelids up and down as she walks through the district
A slim teen at the age of sixteen
Posting pictures on facebook; asking how do her face look
Black girl turns white and disastrous like space nuke
Posting half-naked pictures on instagram just to get more likes
She 's gone astray; and her dignity has gone on strike
She lies on her bed seductively; taking pictures inductively
She 'd loss her senses; she can't reason deductively
SlayQueen 's gon wild now; she 's no more domestical
She never minds the critics who says her life is pathetical
She shows her nice curve; dancing hot at the night club
a feeling of being hysterical; she can't resist a guy's touch
She displays her pale skin; and she smiles with fake grin
Young girl turns woman; Miss independence, Madam Slay Queen
She 's a witch of a high class;
with her vision behind glass
And now the lights and camera are all on you
Take pretty pictures is what you do;
Your ***** soul is the devil's bin.
Slay king & slay queen; two disgusting being
I wish a selfie would reflect
Our shortcomings and defects;
Our character and worse behaviour;
And let it stinks out to the neighbours.
The consequences of our stupidity,
And our heart with less rigidity.
How old are you when you loss your virginity
Maybe sixteen; a noble-less girl without a dignity
You're beautiful from the lens of a camera
Yet your character disgusts like cholera.
Your pictures go viral
50k likes on your slay pics, you are the girl that every guy admire
You put your boyfriend over your parent; you could talk to em aggressively
You allow your boyfriend to lay with you intensively
Sister; you 're not his only boo;
You 're just one of a kind, his first-class *******
All in the name of being caring; you 're just a JUST amidst his multitude
You better think better;
Think better and be clever
Try taking a selfie of your inner person;
Edit your flaws, let your ignorance lessen;
Brighten your heart, let your prudence strengthen;
And do away with spots that your virtue threaten.
RAJ NANDY Aug 2018
THE ENIGMA OF TIME IN VERSE: PART TWO
Dear Friends, having introduced ‘The Enigma of Time in Verse’ in Part One, along with few selected poetic quotes, I now mention what some of the important Philosophers thought about Time down the past centuries. But while doing so, I have tried my best to simplify some of those early concepts for better understanding and appreciation of my readers. If you like it, kindly re-post the poem. Thanks,  – Raj Nandy of New Delhi.

          THE ENIGMA OF TIME IN VERSE : PART TWO
   I commence by quoting Sonnet 60 of Shakespeare about Time,
   Hoping to seek some blessings for this Part Two composition of
   mine!
“Like as the waves make towards the pebbled shore,
  So do our minutes hasten to their end;
  Each changing place with that which goes before,
  In sequent toil all forwards do contend.
  Nativity, once in the main of light,
  Crawls to maturity, wherewith being crown’d,
  Crooked elipses ’gainst his glory fight,
  And Time that gave doth now his gift confound.
  Time doth transfix the flourish set on youth
  And delves the parallels in beauty’s brow,
  Feeds on the rarities of nature’s truth,
  And nothing stands but for his scythe to mow:
  And yet to times in hope my verse shall stand,
Praising thy worth, despite his cruel hand.”

              PHILOSOPHY OF TIME
Animals are said to live in a continuous present,
Since they have no temporal distinction of past, future,
or the present.
But our consciousness of time, becomes the most
distinguishing feature of mankind.
Though we are mostly obsessed with objective time, -
As the rotation of our Earth separates day from night.
With the swing of the pendulum and the ticking of clocks,
Which regulates our movements, while we try to beat the clock!
But the ancient theologians and philosophers of India and
Greece,
Who were among the first to ponder about the true nature
of all things,
Had wondered about the subjective nature of time;
Was time linear or cyclic, was time endless or finite?

GREEK PHILOSOPHERS ON TIME:
I begin with Heraclitus, the Pre-Socratic philosopher of 6th Century BC born in Ephesus.
He claimed that everything around us, is in a constant state of change and flux.
You cannot step into the same river twice Heraclitus had claimed,
Since water keeps flowing down the river all the while and never
remains the same.
This flow and change in Nature is a process which is ceaseless.
The only thing which remains permanent is impermanence!
Here is a quote from poet Shelley reflecting the same idea:
“World on world are rolling ever
  From creation to decay
  Like the bubbles on a river
  Sparkling, bursting, borne away.”

Now Heraclitus was refuted by Parmenides, born in the Greek colony of Elea,
On the western coast of Southern Italy, as his contemporary.
Parmenides said that our senses deceive us, since all changes are mere illusory!
True reality was only eternal and unchanging ‘Being’, which was both indivisible and continuous - filling up all space.
Zeno, a pupil of Parmenides, through his famous ‘Paradox of Achilles and the Tortoise’ had shown, that when the tortoise was given a head start,
Swift footed Achilles could never catch up with the tortoise,
Since the space between the two were infinitely divisible, resulting in the impossibility of movement and change in motion!
Now the Greeks were never comfortable with the Concept of Infinity.
They preferred to view the universe as continuous existing ‘Being’.  
However, unlike Heraclitus’ ‘world of change and flux’,
Both Parmenides and Zeno have presented us, with a static unchanging universe!
Thus from the above examples it becomes easy for us to derive,  
How those Ancient Greeks had viewed Time.
Time has been viewed as a forward moving changing entity;
And also as an illusory, continuous and indivisible Being!
To clarify this further I quote Bertrand Russell from his ‘History of Western Philosophy’;
“Creation out of nothing, which was taught in the Old Testament, was an idea wholly foreign to Greek philosophy. When Plato speaks of creation, he imagines a primitive matter, to which God gives form as an artificer.”

PLATO AND ARISTOTLE ON TIME:
For Plato, time was created by the Creator at the same instance when he had fashioned the heavens.
But Plato was more interested to contemplate on things which lay
beyond the sway of time and remained unchangeable and eternal;
Like absolute Truth, absolute Justice, the absolute form of Good and Beauty;
Which were eternal and unchangeable like the ‘Platonic Forms’, and were beyond the realm of Time as true reality.
Plato’s pupil Aristotle was the first Greek philosophers to contemplate on reality inside time, and provide a proper definition as we get to see.
He said, “Time is the number of movement in respect to before and after” - as a part of reality.
To measure time numerically, we must have a ‘before’ and an ‘after’, and also notice the difference objectively.
Therefore, time here becomes the change which we see and experience.
Time takes on a linear motion moving from the past to the present;
And to the unknown future like a moving arrow travelling straight.
Aristotle had developed a four step process to understand everything inside of Time and within human experience:
(a) Observe the world using our senses,
(b) Apply logical rules to these observations,
(c) To go back and consult past authorities, if your logic agrees with their logic,
(d) Then only you can come to a logical conclusion.

No wonder in our modern times, experiments conducted by the LDC or the Large Hadron Collider, located 100m underground near the French-Swiss border,
By going back in time simulates the ‘Big Bang’ conditions, that moment of our universe’s first creation.
The scientists thereby, study the evolution of our universe with time, which  resulted in the  finding of the Higgs Boson !  (On 4thJuly 2012)

NOTES :  All elementary particles interacting with the Higg's Field & obtain Mass, excepting for photons & gluons which do not interact with this field. Mass-less photons can travel at the
speed of light with a mind boggling 186,000 miles per second! Now this LDC is a Particle Accelerator 27 kms long ring-shaped tunnel, made mostly of superconducting magnets, inside which two high-energy particle beams are made to travel close to the speed of light in opposite directions, and the shower of particles resulting from the collision is closely examined, presuming that these similar shower of particles must have been produced at the time of the ‘Big Bang’ some 13.8 million years ago, at the time of Creation! Sound like fiction? Well, Prof. Peter Higgs got the Noble Prize for Physics, for locating the particle called ‘Higgs Boson’ among those shower of particles, on 10th Dec. 2013.

NOW TO LIGHTEN UP MY READERS MIND, FEW TIME QUOTE I NOW PROVIDE :

“TIME WASTES OUR BODIES AND OUR WITS,
  BUT WE WASTE TIME, SO WE ARE QUITS!” – Anonymus.

‘Time is a great Teacher, but unfortunately it kills its Pupils!’ – HL Berlioz

“Lost , yesterday, somewhere between sunrise and sunset, two
   golden hours,
   Each set with sixty diamond minutes.
   No reward is offered, for they are gone forever!” – Horace Mann


PLOTINUS & ST. AUGUSTINE ON TIME:
Now getting back to our Philosophy of Time, there was Plotinus of the 3rd Century AD,
The founder of the mystical Neo-Platonic School of Philosophy.
He had followed Plato’s basic concept of Time as “the moving image of eternity.”
Mystic Plotinus tried to synthesize both Aristotle and Plato by saying that the entire process of cosmic creation,
Flows out of the ONE  through a series of emanation!
This ONE gave rise to the ‘Divine Mind’ which he called the ‘Realm of Intelligence’ and is an aspect of reality,
When everything is understood in terms of Platonic Forms of Truth, Justice, the Good, and Beauty.
However, the later Christian theologians had interpreted this ONE of Plotinus, -
As the Christian God, the Divine Creator of the Universe.
For God is eternal, in the sense of being timeless, in God there is no before or after, but only a timeless present.

Now this lead St. Augustine, to formulate a very admirable relativistic theory of Time!
St. Augustine, the greatest constructive teacher of the Early Christian Church, had written in Book XI of his ‘Confessions’ during  5th century AD, -
His thoughts about the enigma of Time which had perplexed the Greek philosophers of earlier centuries.
To simplify St. Augustine’s thoughts, I now paraphrase for the sake of clarity.
Time can only be measured while it is passing, yet there is time past, and time future in reality.
To avoid these contradictions he says that past and future can only be thought of as present: ‘past’ must be identified with memory, and ‘future’ with expectation.
Since memory and expectation being both present facts, there is no contradiction.  
“The present of things past is memory, the present of things present is sight; and the present of things future is expectation,” - wrote St. Augustine.

This subjective notion of time led St. Augustine to anticipate Rene Descartes the French philosopher the 17th Century,
Who proclaimed “Cogito, ergo sum” in Latin, meaning “I think, therefore I am”, and is regarded as the Father of Modern Philosophy.

Now cutting a long story short I come to Sir Isaac Newton, well known for his Laws of Motion and Gravity.
Newton speaks of ‘Absolute Time’ which exists independently, flowing at a consistent pace throughout the universe, which can only be understood mathematically.
Newton’s ‘Absolute Time’ had remained as the dominant concept till the  early years of the 20th Century.
When Albert Einstein formulated ‘Theory of Space-time’ along with his Special and General Theory of Relativity.

Now the German philosopher Leibniz during 17th century, had challenged Newton with his anti-realist theory of time.
Leibniz claimed that time was only a convenient intellectual concept, that enables to sequence and compare happening of events.
There must be objects with which time can interact or relate to as ‘Relational Time’ he had felt.
Ernst Mach, like Leibniz towards the end of 19th Century, said that even if it was not obvious what time and space was relative to,
Then they were still relative to the ‘fixed stars’ i.e. the bulk of matter in the universe.

CONCEPT OF TIME AS 'SPECIOUS PRESENT' :
During late 19th century, Robert Kelley introduced the concept of ‘spacious present’, which was the most recent part of the past.
Psychologist and philosopher William James developed this idea further by describing it as ‘’the short duration of which we are immediately and incessantly sensible’’
William James also introduced the term “stream of consciousness” into literature as a method of narration,
That described happenings in the flow of thought in the mind of the characters, - likened to an internal monologue!
This literary technique was later used by James Joyce in his famous novel ‘Ulysses’.

TIME CONCEIVED AS DURATION: HENRI BERGSON (1859 -1941)
Next I come to one of my favourite philosopher the French born Henri Bergson.
The Nobel Laureate and author of ‘Time and Free Will’ and ‘Creative Evolution’.
Will Durant in his ‘Story of Philosophy’ says Bergson was ‘the David destined to slay the Goliath of materialism.’
It was Bergson’s ‘Elan Vital’ that life force and impelling urge, Which makes us grow and transforms this wandering planet into a theatre of unending creation.
For Bergson, time is as fundamental as space; and it is time that holds the essence of life, and perhaps of all reality.
Time is an accumulation, a growth, a duration, where “duration is the continuous progress of the past which gnaws into the future and which swells as it advances.
The past in its entirety is prolonged into the present and abides there actual and acting.
Duration means that the past endures, that nothing is lost.
Though we think with only a small part of our past; but it is with our entire past that we desire, will, and act.”
“Since time is an accumulation, the future can never be the same as the past, -
For a new accumulation arises at every step, and change is far more radical than we suppose…the geometric predictability of all things, Which is the goal of a mechanistic science, is only a delusion and a dream!”  
Bergson goes on in his compelling lyrical style:            
“For a conscious being, to exist is to change, to change is to mature,
to mature is to go on creating one’s self endlessly. Perhaps all reality is time and duration, becoming and change.”
Bergson differed with Darwin's theory of adaptation to environment, and stated;
“Man is no passively adaptive machine, he is a focus of redirected force, a centre of creative evolution.”

Martin Heidegger, the German thinker in his ‘Being and Time’ of 1927, had said:
“We do not exist within time, but in a very real way we are time!”
Time is inseparable from human experience, since we can allow the past to exist in the present through memory;
And even allow a potential future occurrence to exist in the present due to our human ability to care, and be concerned about things.
Therefore we are not stuck in simple sequential or linear time, but can step out of it almost at will!

CONCLUDING  PART  TWO OF ENIGMA OF TIME IN VERSE
In this part I have tried to convey what the Ancient Greek Philosophers had felt about Time in a simplified way.
Also some thoughts of Medieval and Early Modern philosophers and what they had to say.
Where Sir Isaac Newton stands like a colossus with his Concept of Time, Laws of Motion, and Gravity.
Not forgetting Henri Bergson, one of my favourite philosopher, of the mid-19th and the mid-20th Century.
All through my narration I had tried to hold the interest of my readers, and also educated myself as a true knowledge seeker.
In my concluding Part Three I will cover few Modern Philosophers along with the relativistic concept of time.
Certainly not forgetting the space-time theory of our famous Albert Einstein!
Thanks for reading patiently, from Raj Nandy of New Delhi.
  *ALL COPY RIGHTS ARE WITH THE AUTHOR ONLY
Oscar Wilde  Jul 2009
Humanitad
It is full winter now:  the trees are bare,
Save where the cattle huddle from the cold
Beneath the pine, for it doth never wear
The autumn’s gaudy livery whose gold
Her jealous brother pilfers, but is true
To the green doublet; bitter is the wind, as though it blew

From Saturn’s cave; a few thin wisps of hay
Lie on the sharp black hedges, where the wain
Dragged the sweet pillage of a summer’s day
From the low meadows up the narrow lane;
Upon the half-thawed snow the bleating sheep
Press close against the hurdles, and the shivering house-dogs creep

From the shut stable to the frozen stream
And back again disconsolate, and miss
The bawling shepherds and the noisy team;
And overhead in circling listlessness
The cawing rooks whirl round the frosted stack,
Or crowd the dripping boughs; and in the fen the ice-pools crack

Where the gaunt bittern stalks among the reeds
And ***** his wings, and stretches back his neck,
And hoots to see the moon; across the meads
Limps the poor frightened hare, a little speck;
And a stray seamew with its fretful cry
Flits like a sudden drift of snow against the dull grey sky.

Full winter:  and the ***** goodman brings
His load of ******* from the chilly byre,
And stamps his feet upon the hearth, and flings
The sappy billets on the waning fire,
And laughs to see the sudden lightening scare
His children at their play, and yet,—the spring is in the air;

Already the slim crocus stirs the snow,
And soon yon blanched fields will bloom again
With nodding cowslips for some lad to mow,
For with the first warm kisses of the rain
The winter’s icy sorrow breaks to tears,
And the brown thrushes mate, and with bright eyes the rabbit peers

From the dark warren where the fir-cones lie,
And treads one snowdrop under foot, and runs
Over the mossy knoll, and blackbirds fly
Across our path at evening, and the suns
Stay longer with us; ah! how good to see
Grass-girdled spring in all her joy of laughing greenery

Dance through the hedges till the early rose,
(That sweet repentance of the thorny briar!)
Burst from its sheathed emerald and disclose
The little quivering disk of golden fire
Which the bees know so well, for with it come
Pale boy’s-love, sops-in-wine, and daffadillies all in bloom.

Then up and down the field the sower goes,
While close behind the laughing younker scares
With shrilly whoop the black and thievish crows,
And then the chestnut-tree its glory wears,
And on the grass the creamy blossom falls
In odorous excess, and faint half-whispered madrigals

Steal from the bluebells’ nodding carillons
Each breezy morn, and then white jessamine,
That star of its own heaven, snap-dragons
With lolling crimson tongues, and eglantine
In dusty velvets clad usurp the bed
And woodland empery, and when the lingering rose hath shed

Red leaf by leaf its folded panoply,
And pansies closed their purple-lidded eyes,
Chrysanthemums from gilded argosy
Unload their gaudy scentless merchandise,
And violets getting overbold withdraw
From their shy nooks, and scarlet berries dot the leafless haw.

O happy field! and O thrice happy tree!
Soon will your queen in daisy-flowered smock
And crown of flower-de-luce trip down the lea,
Soon will the lazy shepherds drive their flock
Back to the pasture by the pool, and soon
Through the green leaves will float the hum of murmuring bees at noon.

Soon will the glade be bright with bellamour,
The flower which wantons love, and those sweet nuns
Vale-lilies in their snowy vestiture
Will tell their beaded pearls, and carnations
With mitred dusky leaves will scent the wind,
And straggling traveller’s-joy each hedge with yellow stars will bind.

Dear bride of Nature and most bounteous spring,
That canst give increase to the sweet-breath’d kine,
And to the kid its little horns, and bring
The soft and silky blossoms to the vine,
Where is that old nepenthe which of yore
Man got from poppy root and glossy-berried mandragore!

There was a time when any common bird
Could make me sing in unison, a time
When all the strings of boyish life were stirred
To quick response or more melodious rhyme
By every forest idyll;—do I change?
Or rather doth some evil thing through thy fair pleasaunce range?

Nay, nay, thou art the same:  ’tis I who seek
To vex with sighs thy simple solitude,
And because fruitless tears bedew my cheek
Would have thee weep with me in brotherhood;
Fool! shall each wronged and restless spirit dare
To taint such wine with the salt poison of own despair!

Thou art the same:  ’tis I whose wretched soul
Takes discontent to be its paramour,
And gives its kingdom to the rude control
Of what should be its servitor,—for sure
Wisdom is somewhere, though the stormy sea
Contain it not, and the huge deep answer ‘’Tis not in me.’

To burn with one clear flame, to stand *****
In natural honour, not to bend the knee
In profitless prostrations whose effect
Is by itself condemned, what alchemy
Can teach me this? what herb Medea brewed
Will bring the unexultant peace of essence not subdued?

The minor chord which ends the harmony,
And for its answering brother waits in vain
Sobbing for incompleted melody,
Dies a swan’s death; but I the heir of pain,
A silent Memnon with blank lidless eyes,
Wait for the light and music of those suns which never rise.

The quenched-out torch, the lonely cypress-gloom,
The little dust stored in the narrow urn,
The gentle XAIPE of the Attic tomb,—
Were not these better far than to return
To my old fitful restless malady,
Or spend my days within the voiceless cave of misery?

Nay! for perchance that poppy-crowned god
Is like the watcher by a sick man’s bed
Who talks of sleep but gives it not; his rod
Hath lost its virtue, and, when all is said,
Death is too rude, too obvious a key
To solve one single secret in a life’s philosophy.

And Love! that noble madness, whose august
And inextinguishable might can slay
The soul with honeyed drugs,—alas! I must
From such sweet ruin play the runaway,
Although too constant memory never can
Forget the arched splendour of those brows Olympian

Which for a little season made my youth
So soft a swoon of exquisite indolence
That all the chiding of more prudent Truth
Seemed the thin voice of jealousy,—O hence
Thou huntress deadlier than Artemis!
Go seek some other quarry! for of thy too perilous bliss.

My lips have drunk enough,—no more, no more,—
Though Love himself should turn his gilded prow
Back to the troubled waters of this shore
Where I am wrecked and stranded, even now
The chariot wheels of passion sweep too near,
Hence!  Hence!  I pass unto a life more barren, more austere.

More barren—ay, those arms will never lean
Down through the trellised vines and draw my soul
In sweet reluctance through the tangled green;
Some other head must wear that aureole,
For I am hers who loves not any man
Whose white and stainless ***** bears the sign Gorgonian.

Let Venus go and chuck her dainty page,
And kiss his mouth, and toss his curly hair,
With net and spear and hunting equipage
Let young Adonis to his tryst repair,
But me her fond and subtle-fashioned spell
Delights no more, though I could win her dearest citadel.

Ay, though I were that laughing shepherd boy
Who from Mount Ida saw the little cloud
Pass over Tenedos and lofty Troy
And knew the coming of the Queen, and bowed
In wonder at her feet, not for the sake
Of a new Helen would I bid her hand the apple take.

Then rise supreme Athena argent-limbed!
And, if my lips be musicless, inspire
At least my life:  was not thy glory hymned
By One who gave to thee his sword and lyre
Like AEschylos at well-fought Marathon,
And died to show that Milton’s England still could bear a son!

And yet I cannot tread the Portico
And live without desire, fear and pain,
Or nurture that wise calm which long ago
The grave Athenian master taught to men,
Self-poised, self-centred, and self-comforted,
To watch the world’s vain phantasies go by with unbowed head.

Alas! that serene brow, those eloquent lips,
Those eyes that mirrored all eternity,
Rest in their own Colonos, an eclipse
Hath come on Wisdom, and Mnemosyne
Is childless; in the night which she had made
For lofty secure flight Athena’s owl itself hath strayed.

Nor much with Science do I care to climb,
Although by strange and subtle witchery
She drew the moon from heaven:  the Muse Time
Unrolls her gorgeous-coloured tapestry
To no less eager eyes; often indeed
In the great epic of Polymnia’s scroll I love to read

How Asia sent her myriad hosts to war
Against a little town, and panoplied
In gilded mail with jewelled scimitar,
White-shielded, purple-crested, rode the Mede
Between the waving poplars and the sea
Which men call Artemisium, till he saw Thermopylae

Its steep ravine spanned by a narrow wall,
And on the nearer side a little brood
Of careless lions holding festival!
And stood amazed at such hardihood,
And pitched his tent upon the reedy shore,
And stayed two days to wonder, and then crept at midnight o’er

Some unfrequented height, and coming down
The autumn forests treacherously slew
What Sparta held most dear and was the crown
Of far Eurotas, and passed on, nor knew
How God had staked an evil net for him
In the small bay at Salamis,—and yet, the page grows dim,

Its cadenced Greek delights me not, I feel
With such a goodly time too out of tune
To love it much:  for like the Dial’s wheel
That from its blinded darkness strikes the noon
Yet never sees the sun, so do my eyes
Restlessly follow that which from my cheated vision flies.

O for one grand unselfish simple life
To teach us what is Wisdom! speak ye hills
Of lone Helvellyn, for this note of strife
Shunned your untroubled crags and crystal rills,
Where is that Spirit which living blamelessly
Yet dared to kiss the smitten mouth of his own century!

Speak ye Rydalian laurels! where is he
Whose gentle head ye sheltered, that pure soul
Whose gracious days of uncrowned majesty
Through lowliest conduct touched the lofty goal
Where love and duty mingle!  Him at least
The most high Laws were glad of, he had sat at Wisdom’s feast;

But we are Learning’s changelings, know by rote
The clarion watchword of each Grecian school
And follow none, the flawless sword which smote
The pagan Hydra is an effete tool
Which we ourselves have blunted, what man now
Shall scale the august ancient heights and to old Reverence bow?

One such indeed I saw, but, Ichabod!
Gone is that last dear son of Italy,
Who being man died for the sake of God,
And whose unrisen bones sleep peacefully,
O guard him, guard him well, my Giotto’s tower,
Thou marble lily of the lily town! let not the lour

Of the rude tempest vex his slumber, or
The Arno with its tawny troubled gold
O’er-leap its marge, no mightier conqueror
Clomb the high Capitol in the days of old
When Rome was indeed Rome, for Liberty
Walked like a bride beside him, at which sight pale Mystery

Fled shrieking to her farthest sombrest cell
With an old man who grabbled rusty keys,
Fled shuddering, for that immemorial knell
With which oblivion buries dynasties
Swept like a wounded eagle on the blast,
As to the holy heart of Rome the great triumvir passed.

He knew the holiest heart and heights of Rome,
He drave the base wolf from the lion’s lair,
And now lies dead by that empyreal dome
Which overtops Valdarno hung in air
By Brunelleschi—O Melpomene
Breathe through thy melancholy pipe thy sweetest threnody!

Breathe through the tragic stops such melodies
That Joy’s self may grow jealous, and the Nine
Forget awhile their discreet emperies,
Mourning for him who on Rome’s lordliest shrine
Lit for men’s lives the light of Marathon,
And bare to sun-forgotten fields the fire of the sun!

O guard him, guard him well, my Giotto’s tower!
Let some young Florentine each eventide
Bring coronals of that enchanted flower
Which the dim woods of Vallombrosa hide,
And deck the marble tomb wherein he lies
Whose soul is as some mighty orb unseen of mortal eyes;

Some mighty orb whose cycled wanderings,
Being tempest-driven to the farthest rim
Where Chaos meets Creation and the wings
Of the eternal chanting Cherubim
Are pavilioned on Nothing, passed away
Into a moonless void,—and yet, though he is dust and clay,

He is not dead, the immemorial Fates
Forbid it, and the closing shears refrain.
Lift up your heads ye everlasting gates!
Ye argent clarions, sound a loftier strain
For the vile thing he hated lurks within
Its sombre house, alone with God and memories of sin.

Still what avails it that she sought her cave
That murderous mother of red harlotries?
At Munich on the marble architrave
The Grecian boys die smiling, but the seas
Which wash AEgina fret in loneliness
Not mirroring their beauty; so our lives grow colourless

For lack of our ideals, if one star
Flame torch-like in the heavens the unjust
Swift daylight kills it, and no trump of war
Can wake to passionate voice the silent dust
Which was Mazzini once! rich Niobe
For all her stony sorrows hath her sons; but Italy,

What Easter Day shall make her children rise,
Who were not Gods yet suffered? what sure feet
Shall find their grave-clothes folded? what clear eyes
Shall see them ******?  O it were meet
To roll the stone from off the sepulchre
And kiss the bleeding roses of their wounds, in love of her,

Our Italy! our mother visible!
Most blessed among nations and most sad,
For whose dear sake the young Calabrian fell
That day at Aspromonte and was glad
That in an age when God was bought and sold
One man could die for Liberty! but we, burnt out and cold,

See Honour smitten on the cheek and gyves
Bind the sweet feet of Mercy:  Poverty
Creeps through our sunless lanes and with sharp knives
Cuts the warm throats of children stealthily,
And no word said:- O we are wretched men
Unworthy of our great inheritance! where is the pen

Of austere Milton? where the mighty sword
Which slew its master righteously? the years
Have lost their ancient leader, and no word
Breaks from the voiceless tripod on our ears:
While as a ruined mother in some spasm
Bears a base child and loathes it, so our best enthusiasm

Genders unlawful children, Anarchy
Freedom’s own Judas, the vile prodigal
Licence who steals the gold of Liberty
And yet has nothing, Ignorance the real
One Fraticide since Cain, Envy the asp
That stings itself to anguish, Avarice whose palsied grasp

Is in its extent stiffened, moneyed Greed
For whose dull appetite men waste away
Amid the whirr of wheels and are the seed
Of things which slay their sower, these each day
Sees rife in England, and the gentle feet
Of Beauty tread no more the stones of each unlovely street.

What even Cromwell spared is desecrated
By **** and worm, left to the stormy play
Of wind and beating snow, or renovated
By more destructful hands:  Time’s worst decay
Will wreathe its ruins with some loveliness,
But these new Vandals can but make a rain-proof barrenness.

Where is that Art which bade the Angels sing
Through Lincoln’s lofty choir, till the air
Seems from such marble harmonies to ring
With sweeter song than common lips can dare
To draw from actual reed? ah! where is now
The cunning hand which made the flowering hawthorn branches bow

For Southwell’s arch, and carved the House of One
Who loved the lilies of the field with all
Our dearest English flowers? the same sun
Rises for us:  the seasons natural
Weave the same tapestry of green and grey:
The unchanged hills are with us:  but that Spirit hath passed away.

And yet perchance it may be better so,
For Tyranny is an incestuous Queen,
****** her brother is her bedfellow,
And the Plague chambers with her:  in obscene
And ****** paths her treacherous feet are set;
Better the empty desert and a soul inviolate!

For gentle brotherhood, the harmony
Of living in the healthful air, the swift
Clean beauty of strong limbs when men are free
And women chaste, these are the things which lift
Our souls up more than even Agnolo’s
Gaunt blinded Sibyl poring o’er the scroll of human woes,

Or Titian’s little maiden on the stair
White as her own sweet lily and as tall,
Or Mona Lisa smiling through her hair,—
Ah! somehow life is bigger after all
Than any painted angel, could we see
The God that is within us!  The old Greek serenity

Which curbs the passion of that
Thus, then, did the Achaeans arm by their ships round you, O son
of Peleus, who were hungering for battle; while the Trojans over
against them armed upon the rise of the plain.
  Meanwhile Jove from the top of many-delled Olympus, bade Themis
gather the gods in council, whereon she went about and called them
to the house of Jove. There was not a river absent except Oceanus, nor
a single one of the nymphs that haunt fair groves, or springs of
rivers and meadows of green grass. When they reached the house of
cloud-compelling Jove, they took their seats in the arcades of
polished marble which Vulcan with his consummate skill had made for
father Jove.
  In such wise, therefore, did they gather in the house of Jove.
Neptune also, lord of the earthquake, obeyed the call of the
goddess, and came up out of the sea to join them. There, sitting in
the midst of them, he asked what Jove’s purpose might be. “Why,”
said he, “wielder of the lightning, have you called the gods in
council? Are you considering some matter that concerns the Trojans and
Achaeans—for the blaze of battle is on the point of being kindled
between them?”
  And Jove answered, “You know my purpose, shaker of earth, and
wherefore I have called you hither. I take thought for them even in
their destruction. For my own part I shall stay here seated on Mt.
Olympus and look on in peace, but do you others go about among Trojans
and Achaeans, and help either side as you may be severally disposed.
If Achilles fights the Trojans without hindrance they will make no
stand against him; they have ever trembled at the sight of him, and
now that he is roused to such fury about his comrade, he will override
fate itself and storm their city.”
  Thus spoke Jove and gave the word for war, whereon the gods took
their several sides and went into battle. Juno, Pallas Minerva,
earth-encircling Neptune, Mercury bringer of good luck and excellent
in all cunning—all these joined the host that came from the ships;
with them also came Vulcan in all his glory, limping, but yet with his
thin legs plying lustily under him. Mars of gleaming helmet joined the
Trojans, and with him Apollo of locks unshorn, and the archer
goddess Diana, Leto, Xanthus, and laughter-loving Venus.
  So long as the gods held themselves aloof from mortal warriors the
Achaeans were triumphant, for Achilles who had long refused to fight
was now with them. There was not a Trojan but his limbs failed him for
fear as he beheld the fleet son of Peleus all glorious in his
armour, and looking like Mars himself. When, however, the Olympians
came to take their part among men, forthwith uprose strong Strife,
rouser of hosts, and Minerva raised her loud voice, now standing by
the deep trench that ran outside the wall, and now shouting with all
her might upon the shore of the sounding sea. Mars also bellowed out
upon the other side, dark as some black thunder-cloud, and called on
the Trojans at the top of his voice, now from the acropolis, and now
speeding up the side of the river Simois till he came to the hill
Callicolone.
  Thus did the gods spur on both hosts to fight, and rouse fierce
contention also among themselves. The sire of gods and men thundered
from heaven above, while from beneath Neptune shook the vast earth,
and bade the high hills tremble. The spurs and crests of
many-fountained Ida quaked, as also the city of the Trojans and the
ships of the Achaeans. Hades, king of the realms below, was struck
with fear; he sprang panic-stricken from his throne and cried aloud in
terror lest Neptune, lord of the earthquake, should crack the ground
over his head, and lay bare his mouldy mansions to the sight of
mortals and immortals—mansions so ghastly grim that even the gods
shudder to think of them. Such was the uproar as the gods came
together in battle. Apollo with his arrows took his stand to face King
Neptune, while Minerva took hers against the god of war; the
archer-goddess Diana with her golden arrows, sister of far-darting
Apollo, stood to face Juno; Mercury the ***** bringer of good luck
faced Leto, while the mighty eddying river whom men can Scamander, but
gods Xanthus, matched himself against Vulcan.
  The gods, then, were thus ranged against one another. But the
heart of Achilles was set on meeting Hector son of Priam, for it was
with his blood that he longed above all things else to glut the
stubborn lord of battle. Meanwhile Apollo set Aeneas on to attack
the son of Peleus, and put courage into his heart, speaking with the
voice of Lycaon son of Priam. In his likeness therefore, he said to
Aeneas, “Aeneas, counsellor of the Trojans, where are now the brave
words with which you vaunted over your wine before the Trojan princes,
saying that you would fight Achilles son of Peleus in single combat?”
  And Aeneas answered, “Why do you thus bid me fight the proud son
of Peleus, when I am in no mind to do so? Were I to face him now, it
would not be for the first time. His spear has already put me to Right
from Ida, when he attacked our cattle and sacked Lyrnessus and
Pedasus; Jove indeed saved me in that he vouchsafed me strength to
fly, else had the fallen by the hands of Achilles and Minerva, who
went before him to protect him and urged him to fall upon the
Lelegae and Trojans. No man may fight Achilles, for one of the gods is
always with him as his guardian angel, and even were it not so, his
weapon flies ever straight, and fails not to pierce the flesh of him
who is against him; if heaven would let me fight him on even terms
he should not soon overcome me, though he boasts that he is made of
bronze.”
  Then said King Apollo, son to Jove, “Nay, hero, pray to the
ever-living gods, for men say that you were born of Jove’s daughter
Venus, whereas Achilles is son to a goddess of inferior rank. Venus is
child to Jove, while Thetis is but daughter to the old man of the sea.
Bring, therefore, your spear to bear upon him, and let him not scare
you with his taunts and menaces.”
  As he spoke he put courage into the heart of the shepherd of his
people, and he strode in full armour among the ranks of the foremost
fighters. Nor did the son of Anchises escape the notice of white-armed
Juno, as he went forth into the throng to meet Achilles. She called
the gods about her, and said, “Look to it, you two, Neptune and
Minerva, and consider how this shall be; Phoebus Apollo has been
sending Aeneas clad in full armour to fight Achilles. Shall we turn
him back at once, or shall one of us stand by Achilles and endow him
with strength so that his heart fail not, and he may learn that the
chiefs of the immortals are on his side, while the others who have all
along been defending the Trojans are but vain helpers? Let us all come
down from Olympus and join in the fight, that this day he may take
no hurt at the hands of the Trojans. Hereafter let him suffer whatever
fate may have spun out for him when he was begotten and his mother
bore him. If Achilles be not thus assured by the voice of a god, he
may come to fear presently when one of us meets him in battle, for the
gods are terrible if they are seen face to face.”
  Neptune lord of the earthquake answered her saying, “Juno,
restrain your fury; it is not well; I am not in favour of forcing
the other gods to fight us, for the advantage is too greatly on our
own side; let us take our places on some hill out of the beaten track,
and let mortals fight it out among themselves. If Mars or Phoebus
Apollo begin fighting, or keep Achilles in check so that he cannot
fight, we too, will at once raise the cry of battle, and in that
case they will soon leave the field and go back vanquished to
Olympus among the other gods.”
  With these words the dark-haired god led the way to the high
earth-barrow of Hercules, built round solid masonry, and made by the
Trojans and Pallas Minerva for him fly to when the sea-monster was
chasing him from the shore on to the plain. Here Neptune and those
that were with him took their seats, wrapped in a thick cloud of
darkness; but the other gods seated themselves on the brow of
Callicolone round you, O Phoebus, and Mars the waster of cities.
  Thus did the gods sit apart and form their plans, but neither side
was willing to begin battle with the other, and Jove from his seat
on high was in command over them all. Meanwhile the whole plain was
alive with men and horses, and blazing with the gleam of armour. The
earth rang again under the ***** of their feet as they rushed
towards each other, and two champions, by far the foremost of them
all, met between the hosts to fight—to wit, Aeneas son of Anchises,
and noble Achilles.
  Aeneas was first to stride forward in attack, his doughty helmet
tossing defiance as he came on. He held his strong shield before his
breast, and brandished his bronze spear. The son of Peleus from the
other side sprang forth to meet him, fike some fierce lion that the
whole country-side has met to hunt and ****—at first he bodes no ill,
but when some daring youth has struck him with a spear, he crouches
openmouthed, his jaws foam, he roars with fury, he lashes his tail
from side to side about his ribs and *****, and glares as he springs
straight before him, to find out whether he is to slay, or be slain
among the foremost of his foes—even with such fury did Achilles
burn to spring upon Aeneas.
  When they were now close up with one another Achilles was first to
speak. “Aeneas,” said he, “why do you stand thus out before the host
to fight me? Is it that you hope to reign over the Trojans in the seat
of Priam? Nay, though you **** me Priam will not hand his kingdom over
to you. He is a man of sound judgement, and he has sons of his own. Or
have the Trojans been allotting you a demesne of passing richness,
fair with orchard lawns and corn lands, if you should slay me? This
you shall hardly do. I have discomfited you once already. Have you
forgotten how when you were alone I chased you from your herds
helter-skelter down the slopes of Ida? You did not turn round to
look behind you; you took refuge in Lyrnessus, but I attacked the
city, and with the help of Minerva and father Jove I sacked it and
carried its women into captivity, though Jove and the other gods
rescued you. You think they will protect you now, but they will not do
so; therefore I say go back into the host, and do not face me, or
you will rue it. Even a fool may be wise after the event.”
  Then Aeneas answered, “Son of Peleus, think not that your words
can scare me as though I were a child. I too, if I will, can brag
and talk unseemly. We know one another’s race and parentage as matters
of common fame, though neither have you ever seen my parents nor I
yours. Men say that you are son to noble Peleus, and that your
mother is Thetis, fair-haired daughter of the sea. I have noble
Anchises for my father, and Venus for my mother; the parents of one or
other of us shall this day mourn a son, for it will be more than silly
talk that shall part us when the fight is over. Learn, then, my
lineage if you will—and it is known to many.
  “In the beginning Dardanus was the son of Jove, and founded
Dardania, for Ilius was not yet stablished on the plain for men to
dwell in, and her people still abode on the spurs of many-fountained
Ida. Dardanus had a son, king Erichthonius, who was wealthiest of
all men living; he had three thousand mares that fed by the
water-meadows, they and their foals with them. Boreas was enamoured of
them as they were feeding, and covered them in the semblance of a
dark-maned stallion. Twelve filly foals did they conceive and bear
him, and these, as they sped over the rich plain, would go bounding on
over the ripe ears of corn and not break them; or again when they
would disport themselves on the broad back of Ocean they could
gallop on the crest of a breaker. Erichthonius begat Tros, king of the
Trojans, and Tros had three noble sons, Ilus, Assaracus, and
Ganymede who was comeliest of mortal men; wherefore the gods carried
him off to be Jove’s cupbearer, for his beauty’s sake, that he might
dwell among the immortals. Ilus begat Laomedon, and Laomedon begat
Tithonus, Priam, Lampus, Clytius, and Hiketaon of the stock of Mars.
But Assaracus was father to Capys, and Capys to Anchises, who was my
father, while Hector is son to Priam.
  “Such do I declare my blood and lineage, but as for valour, Jove
gives it or takes it as he will, for he is lord of all. And now let
there be no more of this prating in mid-battle as though we were
children. We could fling taunts without end at one another; a
hundred-oared galley would not hold them. The tongue can run all
whithers and talk all wise; it can go here and there, and as a man
says, so shall he be gainsaid. What is the use of our bandying hard
like women who when they fall foul of one another go out and wrangle
in the streets, one half true and the other lies, as rage inspires
them? No words of yours shall turn me now that I am fain to fight-
therefore let us make trial of one another with our spears.”
  As he spoke he drove his spear at the great and terrible shield of
Achilles, which rang out as the point struck it. The son of Peleus
held the shield before him with his strong hand, and he was afraid,
for he deemed that Aeneas’s spear would go through it quite easily,
not reflecting that the god’s glorious gifts were little likely to
yield before the blows of mortal men; and indeed Aeneas’s spear did
not pierce the shield, for the layer of gold, gift of the god,
stayed the point. It went through two layers, but the god had made the
shield in five, two of bronze, the two innermost ones of tin, and
one of gold; it was in this that the spear was stayed.
  Achilles in his turn threw, and struck the round shield of Aeneas at
the very edge, where the bronze was thinnest; the spear of Pelian
ash went clean through, and the shield rang under the blow; Aeneas was
afraid, and crouched backwards, holding the shield away from him;
the spear, however, flew over his back, and stuck quivering in the
ground, after having gone through both circles of the sheltering
shield. Aeneas though he had avoided the spear, stood still, blinded
with fear and grief because the weapon had gone so near him; then
Achilles sprang furiously upon him, with a cry as of death and with
his keen blade drawn, and Aeneas seized a great stone, so huge that
two men, as men now are, would be unable to lift it, but Aeneas
wielded it quite easily.
  Aeneas would then have struck Achilles as he was springing towards
him, either on the helmet, or on the shield that covered him, and
Achilles would have closed with him and despatched him with his sword,
had not Neptune lord of the earthquake been quick to mark, and said
forthwith to the immortals, “Alas, I am sorry for great Aeneas, who
will now go down to the house of Hades, vanquished by the son of
Peleus. Fool that he was to give ear to the counsel of Apollo.
Apollo will never save him from destruction. Why should this man
suffer when he is guiltless, to no purpose, and in another’s
quarrel? Has he not at all times offered acceptable sacrifice to the
gods that dwell in heaven? Let us then ****** him from death’s jaws,
lest the son of Saturn be angry should Achilles slay him. It is fated,
moreover, that he should escape, and that the race of Dardanus, whom
Jove loved above all the sons born to him of mortal women, shall not
perish utterly without seed or sign. For now indeed has Jove hated the
blood of Priam, while Aeneas shall reign over the Trojans, he and
his children’s children that shall be born hereafter.”
  Then answered Juno, “Earth-shaker, look to this matter yourself, and
consider concerning Aeneas, whether you will save him, or suffer
him, brave though he be, to fall by the hand of Achilles son of
Peleus. For of a truth we two, I and Pallas Minerva, have sworn full
many a time before all the immortals, that never would we shield
Trojans from destruction, not even when all Troy is burning in the
flames that the Achaeans shall kindle.”
  When earth-encircling Neptune heard this he went into the battle
amid the clash of spears, and came to the place where Ac
Jay M Wong Feb 2013
1:1
Stop. Who’s there? Tis clock strikes twelve,
brings thy Horatio to seek tis specter from hell,
In Denmark, something is rotting in thy state,
In Norway, unimprovèd mettle hot and full awaits,
Tis specter arrives to arouse confusion and fear,
but to treat it violence and majestic threat,
thy specter departs as the ****’s crow drew near,  
leaving the blows of malicious mockery to regret.
And for Hamlet may speak to the wandering soul,
Tis morning to Hamlet must the three a’go.

1:2
Claudius, thy Uncle, is crowned King a’last,
Gertrude, thy Mother, hastily marries a’fast.
With duties done, Laertes to France adieu,
Hamlet griefs thy Father’s death and thy Mother’s dine,
for once a Hyperion to now a satyr is Uncle to Father a’new,
is but now a little more than kin and less than kind.
Horatio brings poor Hamlet the fatherly news,
that King Hamlet’s specter is now a’loose.
The joyous Hamlet is but joyous to see,
the two month father, dead and decease,
but for he calls that foul deeds will foully arise.
He hurries to the heavenly site prior sunrise.

1:3
Laertes to Ophelia, a brother to sister, he warns,
that Hamlet is but a fiery lover and to love he sworn,
but to love now is but not the future,
for Hamlet’s fire may, thy mind unpure,
for his lovely vows are not to believe,
he is but a man of deception to conceive.
For when Laertes departs, Polonius rants,
that Hamlet’s love, Ophelia must recant
for his affections and fashions are but false wows,
for when blood burns, lends the tongue false vows.

1:4
Shrewdly the air bites, nipping and eager,
at Horatio and Hamlet thy specter nears.
To speak alone, it beckons so,
But Horatio to Hamlet speaks no,
for may it draw thy madness and strip thy reason,
but to thee specter does Hamlet go,
for thy life is but a’lacking living reason.
Aback do they hold him most,
but Hamlet, his sword he wields
Fate has brought him here, he feels
To hold him back is but to turn a’ghost

1:5
Revenge, does his heavenly father speak,
of tis horrid ****** of unnatural feat.
For the orchard’s snake, wears thy father’s crown
and ****** thy gracious Queen, whose now evil abound.
With dignity and devotion she loved me so,
but tis sinful ******, Hamlet, you must’a know!
Through my ears, a venomous potion he drew,
thy fair Uncle, Claudius that potion he brew.
Abed, my life he ended this night,
And to my crown and Queen took he a’flight.
For thy dearest father, revenge must thy draw
upon thy villainous head, Claudius must fall
And to thy sword thou dearest friends must swear,
to tell not the occasions of this night we bear,
And to madness Hamlet must falsely seek,
to discover the truth of horrid deed beneath.

2:1
Reynaldo to Laertes, Claudius a’spies,
to Paris, Reynaldo goes with a’plan devised,
to seek the situation of Laertes in foreign hoods,
with bait of falsehood takes this carp of truth.
Ophelia then enters, with her father she shares,
"Oh, father, father, I’ve just had such a scare!"
In her sewing room, it is Hamlet she sees,
with no hat, nor buttons, nor stable knees
For he stared and stared to let out a final sigh,
Love mad he may be, a’to King we must a’by.

2:2
With Rosencrantz and Guildenstern,
Directly or indirectly will Claudius learn,
of Hamlet’s matters they are to return.
Polonius, with news of Hamlet, he waits,
for thee Ambassador, to inform that Denmark Gates,
Are to be opened for young Fortinbra’s ****** defeat,
Polonius to Claudius, reveals thy madness roots,
For Hamlet is but love crazy for the fairest fruits,
of dearest Ophelia, who a letter he wrote,
Proclaims the fairness of her upon tis note.
And to test the truth, their confrontation, must’e spy,
Behind the arras to view thy love-mad side.
Is but our hastily marriage and his father’s death,
thy Mother, aware, are but the means of his mad breath.
Polonius then to Hamlet, speaks of witty words,
A fishmonger he calls, but one of two is misheard,
For when Polonius humbly takes a’leave,
He is but to take anything, but his life, shall he not receive.
Rosencrantz and Guildenstern, enter to Hamlet, they chat,
but Hamlet to quickly find the two are but a King’s ****,
Only sent to spy on a dearest friend,
And to human’s name do they offend,
Only to betray a dearest friend in honor of the King.
And so Players arrived at Denmark grounds,
for they, the best in the world, Polonius sounds.
And then for Jephthah, witty Hamlet chants,
the song of a foolish man who accidently grants,
the sacrifice of his beloved daughter.
Pyrrhus, do they perform for dearest Hamlet,
His sword is a’air, but a’air it sets,
for he hesitates to swing thy sword,
And with this, Hamlet hopes to store,
the strength to **** the horrid Lord.
Though he is but ashamed, for upon false emotions can Players act,
And in himself upon truths, strength can he not extract.
So a play for the King’s conscience does Hamlet devise,
for the heavenly ghost may be false in his advice.

3:1
To be or not to be; that is the question,
For Hamlet to be nobler or to a’take action,
Shall he withdraw with ****** self slaughter,
But shall’st never may see thy fairest daughter,
To die, but to sleep for a mere dream,
But in sleep shall fair or foul be unseen?
Now Polonius and Claudius awaits,
for Hamlet’s arranged meet with a’bait.
Hamlet to Ophelia, his love recants,
For honesty and beauty are but Someone’s grants,
Once did he love her, but now a’figured,
that women are but corrupt and impured,
For one’s honestly and beauty can and shall be taint,
For if God given thou one face, dear not another by paint.
For honestly and beauty has God falsely bred,
All but one, shall women *****.
All but one, shall women be nun.
Hence this marriage is over, and to a nunnery at once,

3:2
Let this mousetrap be named and this play a’set,
Shall capture thy horrid mouse or thy Uncle of Hamlet.
Polonius to Hamlet, the theater he knows,
For a Caesar death died he at thee Capitol.
Upon the lap of fair Ophelia, does Hamlet, lie,
Only to think of country matters and nothing (he implies).
And the play begins, with a prologue so brief,
Like a woman’s love, was Hamlet’s belief.
The King and Queen, a loving bond they share,
But the King by a mystic potion envenomed beware.
Thee action to ****, a murderous scene it was,
Leaving Claudius to regret the murderous act abuzz,
He arises to say: Let there be light! Let there be light!
And to the joy of Hamlet to see tis joyous sight,
For the words of thy heavenly father was but right.
Now shall the minute parts of truth ignite.
And to his Mother he shall speak daggers wield none,
for shall his tongue speak of the cruelties undone.

3:3
With Rosencrantz and Guildenstern, to England a’go,
Should insane Hamlet know not a hawk from a crow,
And behind the arras, Polonius will again spy,
the taxation of Hamlet and his Mother’s cry.
Polonius departs to spy upon the Mother and the Insane,
Only to leave Claudius to regret thy hideous Mark of Cain,
Shall he pray the Heavens to forgive him his actions,
For thy stripped thy Brother of life, throne, and attractions.
As Claudius is never to withdraw his stripped token,
Divine forgiveness shall never then be unspoken.
Hamlet can **** not his murderous Uncle in praying stance,
For a hideous monster shall not a’go Heaven by chance.

3:4
So behind the arras dearest Polonius stays,
to view the idle and wicked tongue arrays,
Thou’st the Queen, Thy Husband’s Brother’s wife!
But to hear a rat, shall Hamlet for a ducat its life.
Oh, but death ‘neath the arras, may it the King?
A horrid act? To **** and wear thy brother’s ring?
Oh, King it be not, but be a wretched, rash fool,
And now shall Hamlet tell thy Myth a’Ghoul.
For thy murderer has slain thy Heavenly mate,
And only now by natural law does he abate.
Upon these portraits shall ring a’clear,
That from thy Heavenly father is he nowhere near,
A murderer, a villain, a horrid fiend,
He is but a devilish murderer yield unclean,
No way can one drop from THIS to THAT,
And shall by this scene, the specterous soul attract,
Dear not be untenderly to thy Mother it speaks,
And shall this revenge soon awake its peak,
Hamlet appears a’mad to thy watching Mother,
but to his mother he warns, abed not another,
For two mouths should speak of none,
of this revenge that will soon be done.
And again, abed let not him ****** you so,
For now, apart to English must’e a’go.

4:1
Gertrude to Claudius, she continues to reveal,
Of Polonius’s ****** and his arras squeal,
"A rat! A rat!" A’mad Hamlet is,
Brandished, to rapier the life of his.
And now where’s thou Hamlet still?
To draw apart the body he hath killed.
Rosencrantz and Guildenstern is but yet called again,
With discord and dismay, are they to seek that thou slain.

4:2
The two seek to Hamlet, for the body’s lair,
Compounded with dust now does it wear,
And a sponge, does Hamlet call them so,
for the King to squeeze them dry and thorough,
"A knavish speech sleeps in a foolish ear."
The body a’by a’King, but a’King, the body unnear.
And so, Hamlet to the King premiere.

4:3
And to Claudius does Hamlet call,
That Polonius now rests at a dining hall,
‘til a conference of worms devours him all
He shall eat not, but they eat so,
‘tis our fate despite status quo.
And upon the lobby stairs a corpse may lay,
One of dearest Polonius, slain to heaven or hell
Now to English death must Hamlet pay,
To one mother does he give two farewells.

4:4
With a Captain does Hamlet now proceed,
Who tells of young Fortinbras of Norway accede,
The Norway prince through Denmark he leads,
to seize a’minute ****** patch must’e receive.
A worthless land, must many die for one,
But true greatness acts not from fair reason,
But for the sake of the mind when honor is won.
And has Someone granted the reasoning mind,
For man to hesitate so cowardly inside,
For thy deed to act, must we rid the mind bind,
And act on instinct and be not wise.
And from the reasoning state must Hamlet now leave,
for honor he shall act, and his emotions he’ll believe.

4:5
False sanity is but false no more,
For fair Ophelia’s reason be not restore.
A’now sings of thy premature stone a’foot thy father’s grave,
and the departure of Hamlet for thy wed depraved.
Claudius is but to blame for thee rotting state,
For Polonius, a proper ceremony he not awaits,
For poor Ophelia, stripped from her reasonous state,
For Laertes aback from France, by thy father’s death, irate.
And Laertes enters, with thy support for king,
For the murderer, vengeful death shall he bring,
So Claudius to Laertes, says he is not to blame,
but thy father’s murderer is but another name.
And enters Ophelia, with figurative flowers to give,
But those of Faithfulness have ceased to live.
Alive are but for Thoughts, for Remembrance,
for Adultery, for Repentance, and for False Romance.
For his sister’s sanity is but another to blame,
Laertes, a vengeance mind, is but now aflame.

4:6
Horatio, a letter from Hamlet he receives,
that upon a Pirate ship has Hamlet board,
And that shall with speed would’st fly a’breathe.
Meet to hear the story Hamlet has a’stored.

4:7
Claudius to Laertes, he speak of innocence,
for by public appearance, the truth may bent,
For the public count loves Hamlet so,
And to thy fair Mother, Claudius a’beau.
Thy noble father lost and sister insane,
The murderous filth of Hamlet is to blame.
At this, a loyal messenger approaches,
to deliver the news that but Hamlet reproached,
An English death did Hamlet face not,
For now his destined death are they to plot,
Naked and alone, will he return to Denmark a’learn,
Of the honorable fence-match, he shall earn,
Against Laertes, whose fatherly love nor illusion,
Shall the death of Hamlet draw conclusion.
Even a’church will Hamlet, Laertes slay,
Death by no bounds, must Hamlet pay.
Envenomed rapier and wine shall prepare,
the faithful death of murderous Hamlet a’near.
Gertrude then enters with Ophelia’s news a’share,
For sorrows comes not in singles but in greater pairs,
Upon muddy death has Ophelia drowned,
for now another death has but profound,

5:1
Two Gravediggers upon one grave they create,
for to the death of thy Graveowner do they relate,
To die by self slaughter or to die by not,
the attention of passing Hamlet have they caught.
With Hamlet does one of thee two chat,
for once a woman, shall this grave be buried at,
A quick digger for Hamlet to his surprise,
Revealed that to England is mad Hamlet to advise.
For a corpse to live for eight or nine,
Thy dearest Yorick’s skull is to find,
Thy a corpse to date three and twenty,
Leaves Hamlet to recall thy memories a’plenty,
And to think Alexander, o’buried alike.
Here comes the King, Laertes and the Queen,
And upon the burial grounds is Ophelia seen,
His dearest sister does Laertes mourn,
But to Hamlet, her death, his heart a’torn.
Laertes to Hamlet, must’e not compare,
the death of one is a little more foul than fair,
For forty thousand brothers can sum not his love,
For the death of the fairest maiden beloved.
Claudius to Laertes, must Hamlet pay thy debt,
the plot of night prior shall’st not forget.

5:2
Hamlet to Horatio, does his truths trust,
Of thy wretched King and his unjust,
Of Rosencrantz and Guildenstern English death they meet,
With sacrifice and thy seal was thou to spare self defeat.
Now’st Osric enters to Hamlet a’chat,
For’st not hot, nor cold, nor sultry at.
And a’wish to court, with thy Laertes of excellence,
For Hamlet’s head does thee King expense.
With six French rapiers and poniards assign,
For by fate’s determination, shall this court incline,
For a special providence in the fall of a sparrow,
Can we do not, but abide by fate a’follow.
Trumpets and drums, now’st the fence begins,
For Hamlet and Laertes hand and hand therein.
Pardon he begs, Hamlet to thy brother,
For in him is but foil Hamlet yet another,
And so they fence for honor and fence for life,
Two of two leads Hamlet the strife.
The King, to Hamlet he drinks,
Tis pearl shall he the cup he sinks,
And unwounded for two, Hamlet prevails,
But Queen, the dearest Mother, so faithfully frail,
For she drinks thy cup of heavenly pearl,
For heavenly it be not, as thy malicious plot unfurl,
The cup! The cup! A poisonous potion,
Cause yet another by venomous commotion.
A distracting cause, for Hamlet to bear,
For Laertes envenomed blade must’e beware,
Now envenomed blood shall Hamlet shed,
Shall he hold thy rapier of Laertes instead,
to shed thy venomous blood of thy venomous mind,
For now thy murderous plot shall unwind,
At the honorable death of brother Laertes,
Shall the death of Claudius be a’seized.
The King’s to blame for the death of all,
And tis day shall he see his destined fall.
With thy venomous blade held a’hand,
Let the doors be locked and the evils banned,
For Hamlet wounds thy treacherous soul,
And shall horrid Claudius pay his destined toll,
For Hamlet forces to drink thy murderous potion,
And shall he too die of venomous commotion.
The death of four and tis ****** scene,
Shall Horatio tell to those unseen.
Shall he speak of murderous truths embark,
for Fortinbras shall now throne Denmark,
For in Fortinbras does his admiration lay,
For does Hamlet trust thou’st fiery ambitious way,
And tis now concludes thy Hamlet’s life,
For death and death thou’st all alike...
A dedication and summary of Shakespeare's "Hamlet" the tragedy of the witty prince of Denmark written in 2011 for a class journal assignment.
Ivan Brooks Sr Aug 2018
African woman
Mother of civilization.
Oh beautiful woman,
Thou are beyond description.

African woman
Queen of the people of Mamba.
Jambo to all those in heaven
Bless you too my dear mama.

African woman
Royal Nubian Queen.
The backbone of her man
You'll do anything to help him win.

Single Black woman
Made of broken pieces
You're the breadwinner,Superwoman.
You're the symbol of strength in all places.

African woman
Daughter of Eve's.
Thou are God's true specimen,
And the apple of his eyes.

Black woman
Daughter of Africa.
Blueprint of a **** woman,
Dark hue of coffee arabica.

African woman
Mother of humanity
Chieftess of ancient Nyngoman,
Mama Africa's bounty.

African woman
My Mandingo bride.
First woman of Africa's Eden
Center of God's black tribe.

Nigerian woman
My Yoruba Queen.
Envied by the women of Oman,
Cafe ou lair, cream of Africa's cream!

Warrior woman,
Queen of Wakanda.
Come and flip your wand,
Find the soul of Sarafina.

Curvy woman
In your womb lies Africa's future.
My Lormah woman
Oyobuays marvels at your structure.

Beautiful woman,
Perpetual envy of the silicon woman.
Pride of the Black man,
The essence of a real woman.

Indigo Woman
Lillies of the African plains.
Thou are Eve of the African Eden,
Best of the portraits that nature paints.

Voluptous woman,
Full, thick natural lips.
Real assert of the Black woman,
Nature gets aroused by your hips.

Ellen Sirleaf, today's woman,
Africa's first female president.
A Liberian woman,
Loved and revered wherever she went.

Smile ,Gambian woman,
You're daughter of Sarakunda.
Roots of the Black American woman,
Captives of the kanda Bolinga.

South African woman
Mariam Makeba
Sang for freedom and fought like a man
You were truly Soweto's finest Deva.

Dark ebony woman,
You are red, yellow and green.
Hanmatan wind stops at your command,
Born to slay and be seen.

African woman
Thou are the only reason
God put Adam in a coma.
Your perpetual beauty transcends time and Season.

African woman,
Under your cleavage, the Nile flows
And between your fingers, golden threads are woven,
You are the reason Beyonce glows.

Harriet Tubman, brave woman
Smuggled slaves underground.
She was a freed Black slave woman,
Who avowed to leave no soul behind.

Creative woman
Maya Angelou, gifted poetess.
Famous writer and a Black woman
Will be remembered for her poetic prowess.

Native African woman,
Africa's limestone and cement.
A mother, a wife, virtuous woman,
Lioness and the spine of the continent.

Liberian woman
Roots of my poetry, you gave me life
You are every woman.
Your edges are sharper than the Sumarais knife.



#IvanBrookspoetry©
13/8/2018
For mama and all the black Queens.
lmvm Dec 2013
I was born into this world by a scared and tired mother, who'd been through every one of life worst pains.
Broken by every hitting and slashed up by every knife I could ever imagine.

A father who was naive and young, and didn't know much other than the fact that anyone and everyone different were to be hated.
A boy who was scared of complicated words and complicated people,
and only liked life behind the cover of dark glasses, until the day his voice was filled with so many voices I had to leave him for my mother who was blinded with pain.

I was suppose to be born into this world with a mother whose words were poetry, who would give me life lessons, who would sing to me in a harsh voice and give me tea on hard mornings.

I was supposed to be born into this world with a father who loved everyone, whose ex-lover was a man who had fought in a world war for his own country, betraying my father, for my father was of the enemy's blood. My father was supposed to be quiet. Only words he ever spoke, was reading out old literature to me on days were the moon was out.


Why did I have to be born with a mother who has had enough, and a father who doesn't know how to love me?

If I could have had the parents I was suppose to, I would be a woman of great knowledge,
who's beauty was strong in every word she spoke, who would've loved herself through every storm.

Yet here I am, knowing nothing except the things I've figured out for myself, or from my friends' mothers, even though my mother would have had stronger lessons to teach than any of theirs.

Here I am, shaking in every word I preach. Dumb sentences that comes out all the time, because I was taught that silence is unpleasant, and I should break it, with words of things I know, (which isn't much, and shall be repeated.)

Here I am, as weak as a young girl can possibly be at this time of night, hating myself as much as I must believe my mother hates herself.
Oscar Wilde once said that all men will be different from their fathers, and all women shall be like their mothers for that is our curse.
I repeat to myself not to be like her, to be a better woman, to be a better mother when I grow older, but how can I?

When she showed me to hate myself, and my dad showed me to hate everyone who isn't like him?

Yet here I am, loving everyone.
Rebelling everything my father told me, for he did not look out for me the slightest.
I still can't rebel against my mother, loving everyone but myself, looking at myself only as the monster in me, and not the other parts.
The parts that somehow still believe that there is a reason I am alive, and that there is a reason these people made me.

There is love, there is hope, there is faith and all these parts are behind this monster- this dragon.

This dragon that I though for so long could only be slayed by pretty boys with nice eyes. But I realize now that I am not a damsel in distress, and that i shall slay it myself. Slay all the self-hatred, all the ugliness and all evil.

A dragon I would not have had, had I have had the poetic mother and the quiet father.

I realize that no matter how much my parents had taught me,
no matter how great my parents had been,
no matter how many lessons and how many old books,
I still wouldn't have been a woman of great knowledge.

I wouldn't have had that knowledge, had I'd not been fighting for all these years, and many years more to come, because of my broken mother and my unloving father.

I think the only way to get to know as much as possible is to slay the dragon, every day, slay it until it bleeds and screams out in pain.
And to remember that the pretty boys won't hurt the dragon and make it disappear as much as you can.
And to remember that you can't always trust the pretty boys to not speak dragons tongue.
And live everyday
fighting it
until
the battle is won.

Which I believe
(deep down)
will happen one day.
// I honestly don't know. It's 2 am, my mind is a mess, I haven't taken my medicine and I honestly don't know anymore. Sorry, this is it. This is my pathetic excuse of a heart, and I have no idea if it even makes the slightest sense.//
Trefild Feb 27
I write sometimes li̲ke I'm out for
blood (I kind of have been & am)
like vampires; tha[ɑ]t's for
all the injustice & violence absorbed
[video games, films, (& later) rap & politics-related stuff]
from this unjust & f#cked world
you may think I'm a kettle boiling, 'cause
writing rhymed texts & going hos—
—tile in 'em is a way to blow steam off
besI̲des that, I'm bored
like a plank that I̲ would, o[ʌ]f course
["board"]
not mind to wa[ɑ]tch a dumb war—
—mongering, power-drunk ****
walk off into the waters galore of hungry cro[ɑ]cs or
sharks, though I̲ would o[ɑ]pt for something much worse
if punishing power-corrupted schmucks were
up to mO̲I̲ with my warped
mind; like a drama queen, or a jihadist fiend
at a public spot with **̲[ɑ]stile in—
—tentions & a bomb, or a gun on him
I'd make such a scene
["sin"]
one tor—mentors would love to observe
one worth grabbing some ****** po[ɑ]pcorn
[like the one portrayed in "punishment of an autocrat"]
****** alert; the villainous fiend
inside wants to join this lyrical binge
give 'em *******, dude
————————————————————————————————
listen U̲p, you da[ɛ]mn fool
this message is also for the trap rap playschool
that you pU̲nk pertain to
consider yourself LIA 'cA̲U̲se you're plain doomed
[lost in action]
like an aircrA̲ft which is about
to crA̲sh into the ground (plane, doomed)
call thI̲s sh#t maltreatment
'cause, like a wicked professor prone
to domineering, I'ma teach you a lesson, ***
["molltreatment"]
'cause in this lyric-writing game, you
are just a lame stewd'
[stu(ew)dent]
you better find some da[ɛ]mn tools
the screws of mine are cray loose
just like Deadpool's; memorize this name to
call me by: Slay Illsome
[Deadpool's real name is Wade Wilson]
you're like pup: so ****** tame you
should be called Lame Chillsome
["po[ɑ]p", in the sense of "pop music"]
so inept that holding somebO̲[ɑ]dy's dra[ɛ]nk, you'd
prob'ly wind up with the dra[ɛ]nk spilled, chump
I'm an instiller of awe & distaste
a thrill killer, nuts, A̲lthough well-trained
and I really love to slay noobs
I'll be enjoying some thrilling, high-octane tunes
while you'll be stricken by the grave blues
'cause I'll have you feeling such a pain you
are gon' wish it were Max 'stead of me & start to pray to
["Payne"; Max Payne, who mostly just guns down his targets]
me to put you down like I̲'m the type slinging
off at others; I'll I̲ce you by swinging
my mo'f#cking blade through
your neck like a batter, whereA̲fter I[ɑ]'ll pick
up your nut & make use
of it as a **** bA̲sketball, *****
I'll chop you in parts, then bo[ɑ]x 'em, like a way to
verbally tag an attrA̲ctive gal with
a set of plumply-shaped *****
["buxom"]
I'll have the box wrapped a la gifts
and then get the remainders of you sE̲nt ta
a replantation-focused center
(so much for something with the littlest of spite...)
————————————————————————————————
like a substance a[ɑ]ddict
tryna quit but quickly sliding ba[ɑ]ckwards
one verse & I'm back to mY̲ bad ha[ɑ]bits
[the prelude]
of writing; life-lethargic, bU̲t this art form
is something I sure have go[ɑ]t a lust for
nail rhyming as if rhymes were lush girls
do this kind of stuff for
fun & to maintain these mI̲nd skills I scored
["slay just to maintain some relish & killing skills"]
which explains why I dub it "bar sport"
[sport/fun of making bars (rhymed lines)]
you trap rap hacks ou[ɑ]ght to ha[ɑ]ve your
bars shA̲rp just like swords of samurais, for
as I̲'ve said afore, I'm O̲U̲t for blood, twerps
————————————————————————————————
struck this "bar sport" writing up short
["bar sport (prelude)" followed by this one]
on hope, wound up with a flood of thou[ɑ]ghts versed (wow)
guess this writer's inner fire's no[ɑ]t burned... out
like someone dO̲ne too much work
"bar sport (Slay Illsome)" by TREF1LD (TRFLD) is licensed under CC BY-NC-SA 4.0 (to view a copy of this license, visit creativecommons.org/licenses/by-nc-sa/4.0)
Cecil Miller Oct 2015
She's got a face for radio,
She wears it best from head to toe.
She's a special kind of homely girl;
Her gift is being in a state of pity, so...

She is eager to shed her burdons,
But never tells the true
Meaning of actions
That always leave her due.

Love would never fix her woes,
She's a woman of motive
Crying on the shoulders of the higher-rated.
Tears are the flames of the voltive,

It's not mine to say.
It's mine to stay away.
She's not mine to slay.
But, I know her, anyway.

She's a vampire, the emotional kind,
One bite, then three times three is nine,
Thrice to thine, and thrice to mine,
And thrice again to make up nine,
Like a Harpee, she goes to them,
And drains from them vitality,
She's a shrewd one, and she's a shrew,
She doesn't even want to *****,
She's a player, till the game is won,
And the sorceress says the charm is done.

No one can ever show her kindness
Without her expecting more.
If you have a dollar of quarters,
She'd not take less than four.

I have seen the hearts of hopeful
Shredded at her feet.
And then the ugliness that thrives her
Gathers the replete.

She's sated til her next desire.
She never rest for long.
There will always be some lonely sap,
That she Will sap upon.

It's not mine to say.
It's mine to stay away.
She's not mine to slay.
But, I know her way.

She's a vampire, the emotional kind,
One bite, then three times three is nine,
Thrice to thine, and thrice to mine,
And thrice again to make up nine,
Like a Harpee, she goes to them,
And drains from them vitality,
She's a shrewd one, and she's a shrew,
She doesn't even want to *****,
She's a player, till the game is won,
And the sorceress says the charm is done.

The only thing she has is blame
To mead out to another sucker's name,
As soon as she has all she can get,
She leaves them, she leaves like all the rest,

Don't they think her heart is good!
They treat her like they think they should.
They don't know that to ease her pain
Is too surrender their gain, and go insane.

She never will come differently
Some things do not change.
Her talons grip them where they live,
Time and time, again.

It's not mine to say.
It's mine to stay away.
She's not mine to slay.
But, I know her way.

She's a vampire, the emotional kind,
One bite, then three times three is nine,
Thrice to thine, and thrice to mine,
And thrice again to make up nine,
Like a Harpee, she goes to them,
And drains from them vitality,
She's a shrewd one, and she's a shrew,
She doesn't even want to *****,
She's a player, till the game is won,
And the sorceress says the charm is done.

She will make them steal
From the future of their children.
She is a guiltless wonder.
She really never lets them in.

All for nothing is the way she lives.
She is gone with the fairer treat.
Every lonely victom she leaves
The bitter without the sweet.

It's not mine to say.
It's mine to stay away.
She's not mine to slay.
But, I know her way.

She's a vampire, the emotional kind,
One bite, then three, times three is nine,
Thrice to thine, and thrice to mine,
And thrice again to make up nine,
Like a Harpee, she goes to them,
And drains from them vitality,
She's a shrewd one, and she's a shrew,
She doesn't even want to *****,
She's a player, till the game is won,
And the sorceress says the charm is done.
I have always thought "a face for radio" was an enjoyable turn of phrase. I knew I would one day use it im a title. I do enjoy the company of a stand-up kind of woman. This piece is not about most woman, but the occasional shady woman with a hustle I have come across from time to time. I am not a player hater as long as it does not affect my life(As a gay man, I've got plenty of game.) but, I am no respector of the dishonest.

— The End —