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Dorothy A May 2012
Trish had an uncanny ability to pick all the wrong ones. Like a friend once told her, “You always try to make a silk purse out of a sow’s ear!”  If there were a hundred available guys in a room, she always managed to zone in on the worst one there, not the kindest one, not the one with the greatest character or honor. It's like she had a special gift for finding a man—a cursed one—yet she had only herself to blame—not  fate for it—like she tried to point her finger at for her troubles. In this regard, Trish was often her own worst enemy. And none of her bad experiences seemed to deter her from her defeating patterns, for it seemed that having a ****** choice of a man in her life was better than having no man at all.

A Friday night without any date was something she desperately wanted to avoid. At the age of fifty-six, trying to meet men was getting old, as old as she was feeling, lately.

At Pete’s Place, a local bar down at the end of her street, and two blocks over, Trish could at least feel like she was among friends. It was an old hangout that always felt like a safe haven to turn to, familiar territory that she could call her own turf, her home away from home. Often, Trish encountered regulars, down-to-earth faces who have been going to the family-like establishment as long as or longer than she has. Drinking really was not her thing, not more than one or two, at the most. But if anything, if worst came to worst, she could say she was not home alone and left out while the world seemed to go on its own merry way without her.  

Pete’s Place was far from a glamorous hangout, but it had a cozy charm to it that made it irresistible to Trish. In the back were a pool table and a dartboard that provided some harmless enjoyment. With a couple of flat screen TVs, there usually was some sports game to watch. And every other Saturday, there was a DJ conducting Karaoke that always attracted a regular crowd. Trish couldn’t sing a note, but she loved to watch and cheer everybody else on. She just felt so welcome here, so at home, that even if she felt depressed or lonely, the atmosphere eventually lifted her heaviness of heart.  

Entering the bar this time, Trish hardly saw a familiar face at all—that was except for the bartender, Henry, who worked this job since forever. For a Friday night, business seemed surprisingly slow. There was only an older couple watching a baseball game that was at Pete’s Place, a couple that she did not recognize.

“Where is everybody?” Trish asked Henry.

Henry smiled. “Hey, Trish! Good to see ya! Yeah, it is like a ghost town tonight, isn’t it? I guess there are too many good things goin’ on down in Buffalo. I think there are some big boat races goin’ on. And, for sure, there is the jazz festival”.

“Well, I’m here, Henry! Look out, everybody! Let the fun begin!” she said jokingly as she sat herself up at one of the barstools. She looked around. Even the wait staff wasn’t around, obviously gone home early and not needed.

“Would have been nice to go somewhere fun like that. I mean the jazz festival. I like jazz”, Trish said to Henry.

Henry was trying to stay busy by wiping down the bar, cleaning every nook and cranny behind the counter. “You should have called up one of your girlfriends to go over there. I am sure someone would have gone with ya”.

Trish rolled her eyes. “What girlfriends? They are often too busy with their own husbands or men in their life to care about what poor, old Trish Urbine wants to do!”

Henry felt bad for her.  The more she frequented Pete’s Place, the more he knew she was all alone, was in between having some man in her life. And, lately, she was coming quite often to the bar by herself.

“You are not old, Trish! Hell, I am older than you!” Henry exclaimed.

Trish just frowned, not convinced at all by what Henry said. “Not old?” she asked. She pulled a small mirror out of her purse and looked at herself, giving herself the inspection of a drill sergeant. “That is a joke! Look at those bags under my eyes. Look at those crow’s feet, for pity’s sake!  Look at that droopy skin in my neck! Horrible! I am trying to save up for a face lift. I really need it! Been needing it for a while now!”

Henry shook his head. “All you women are alike. My wife does the same, **** thing, the same putdowns to herself. Says she’s fat. Says she’s getting old and ugly. Says this and says that. But let me tell you Trish, after thirty-six years of marriage, I still see her as my sweetheart. I’d have it no other way than with my Bernadette. He patted his belly and added, "Hell, look at me. Believe it or not, with my job, I don’t even drink that much beer. But look at the gut I am getting”.  

Trish scoffed at what he said. Henry looked nearly as lean as he did the first time she met him. He was just being nice. .Under better circumstances, she would have found what Henry said as endearing and charming. To say he still loved his wife as his “sweetheart” was incredibly adorable and rare.

“Hey”, Henry said. “Enough of my jibber jabber. Pardon my manners. What can I get for ya, dear?”

“Just a Diet Coke for me, Henry. I have to watch the calories myself. You know me—don’t want to get frumpy, lumpy and dumpy. At least not more than I am!” Trish smiled. She thought that her self disparaging remarks were a cute way of getting her point across with humor, but Henry couldn’t see anything funny about it.

He filled her glass of pop from the tap and handed it over to her. “Hey, how’s that daughter of yours doing? Is she still living in Albany?”  

Trish cupped her hands up to her forehead and rested her head on them. “She is still in Albany, but she might as be on the moon for all we ever talk to each other”. She looked up at Henry and he could see the frustration written all over her face.

“I didn’t mean to upset you”, he said.

“Oh, you didn’t”, she returned. “I appreciate you asking, but you know the situation with Patti and I. It is either that we are at each other’s throat or we just don’t talk. Truth be told, we haven’t really got along since she was a girl. Once she hit those teenage years—oh, man they were a nightmare! I wouldn’t relive those years for anything!”

Henry rested his elbows up on the bar counter. “Oh, I know what you mean!. My second son, my boy, Steven, and I had a terrible time once he hit about fifteen. Man, him and I bucked heads all the time. Yes, indeed! It could get ugly, and it sure as heck did! But now I’m proud of him! In Afghanistan, fighting for his country—that is somethin’ that makes me glad! Now, I say that I couldn’t ask for better sons. I’m proud of him—of all four of my boys as good, strong men that they are!”  

Trish sipped on her coke, a hurtful look upon her face while reflecting on her daughter, a daughter that she named after herself.  Both were named Patricia, but the same name did not mean two peas in a pod, actually far from it. Trish definitely preferred her name, short and sophisticated—so she had liked to think—and the name, Patti, seemed cute and carefree. But Patti seemed anything but cute and carefree, not like she was when she was very little. But the name stuck with her, as she preferred to be called

“Yeah, but Patti still lives in the past” Trish said. “She still blames me for everything wrong in her life. Nothing has changed, and I am still the bad guy. Trish thought for a second. “Well, her dad, too. He’s bad, too, in her eyes. She always says she raised herself, that she never had real parents. That’s crap because I raised her and I was around—unlike her useless father!”

“Sounds bitter on her part”, Henry agreed. He thought to say that Trish sounded a bit like that, too, but he did not think it was his place to say it out loud.

“Bitter is right”, Trish said in disgust.  

Bartenders have always been seen as good listeners, like the working man’s counselor. People, like Trish, often came in for a drink to try to forget their troubles, and wanting to lean on a trusty soul in need. Henry has seen plenty of this in his twenty-four years on the job, and he has honed the skill quite well, the skill of providing a listening ear. Sometimes he had good advice, but he knew he was no psychiatrist.    

Frustrated, Trish went on. “I mean who else was there for her? When her dad and I divorced, she wanted to stay with him just to spite me! But would he have her? No, he only wanted to be with his under aged, ***** wife!

“And who else would do what I did? When my step dad died, and my mom couldn’t handle my little brother anymore, who was it that took him in? It was me! He was eleven and I was almost twenty-two and living with my boyfriend. I helped to finish raising him, kept him at my place right up to the day that he was grown—and more! And I did it because it needed doing, and nobody else was stepping in! When my sister moved to Colorado, and one of her kids, my nephew, Craig, wanted to stay here to graduate here from high school, I agreed to take him in for two years until he finished high school. And yet I am such a bad, selfish person in Patti’s opinion! It makes me sick to think of how she sees me as her mother!”

Henry poured her a refill of pop in her half empty glass. He knew that Trish was on bad terms with her daughter, that their relationship was shaky and strained. Patti was Trish’s only child, and it troubled him that they didn’t have much of a relationship. Yet Trish did not need pity. She needed to refocus and find a new direction. Henry knew that she has needed a new direction for quite a while now.    

“Well, you know I love my daughter”, he replied. “I know your heart must be achin’ bad—real bad. I couldn’t imagine my life without Jocelyn or me not talkin’ to her. She’s the apple of my eye, ya know!  And my boys know it and get that she’s special to me—Daddy’s little girl. With four older brothers, she has always been outnumbered. And myself and the Mrs. never expected her, neither. One—two—three—four, the boys all came right in a row! She came way after, Ben, the last one—a big surprise, I tell ya! But I was tickled pink and couldn’t have been happier to have my little girl”.  Henry smiled warmly, and added, “No matter how old she gets, she will always be my little girl.”

Trish’s mood wasn’t influenced by what Henry said, not for the good. “Is that supposed to make me feel better?”

Henry looked a bit embarrassed. “Oh, I ain’t tryin’ to rub it in to ya! No, no Trish!  I’m just sayin’ you should see Patti as someone special, no matter what it is like now. She still is your daughter. And ya lover her! You know ya do! Try to get through to her. Keep on tryin’ and don’t give up hope.”

Trish didn’t look convinced by his little pep talk, so he said, “One day she will have her own children, and realize she will make mistakes, too. You sure will want to see those grandkids. Trust me! I live to see all of mine! ”

Patti sniffed at that comment, putting forth a laugh that seemed so phony and snarky. This behavior was not like her at all, not the bubbly Trish that Henry used to see coming into the bar. “Grandchildren? Are you kidding me? Patti wants nothing to do with men! She avoids them like the plague! Says she doesn’t want to end up like me…married and divorced four times…she says there is no excuse for it. But she uses me all the time as an excuse! I think she is just scared to death of relationships with guys!”

“I thought you were married three times?” Henry asked. He had a surprised look on his face, but then he tried to think differently. “But I don’t want to **** in on your life. It’s your business, not mine to judge”.

“No, Henry, it’s ok. My last marriage lasted only seven weeks”. She turned red in the face now, but she wanted to set it straight. “Patti thinks it is disgusting that I married all those times. My last husband tried to clear out my bank account, and I left him. Patti says she will never marry. She won’t touch a man with a ten foot pole to save her life!”

She paused as Henry stared intently at her, listening. “She does not want to end up like me”, she added, her voice throaty. Tears welled up in her eyes.  

Patti was the product of Trish’s first marriage to a man named Earl Colbert. When Patti was six, her father divorced her mother. Since then, Patti had seen plenty of men come and go. In between her other three husbands, there were too many boyfriends to even keep track of. Trish was also engaged twice, but the engagements were eventually broken off.    

She sat in silence as Henry was still thinking of the right thing to say to comfort her. Soon, two young couples had entered through the door, dispersing the air of awkwardness, and stopping the conversation between Henry and Trish.  Henry continued to clean up around the bar as he waved to them and welcomed their presence. One of the guys came up and ordered a pitcher of beer before joining his friends at a table.

It was no more than a few minutes later that another customer approached inside Pete’s Place. It was Jake. Trish rolled her eyes at Henry. He was a regular here, too, like she was, and about the same age as her.

Jake immediately came up to Trish and put his arm around her. “Buy you a drink, darlin’?” he asked. His breath already smelled of alcohol.  

“Oh, Jake, get away!” Trish scolded him. “You know I don’t accept drinks from married men, so move on!” She waved her hand in the air to clear the bothersome odor of his ***** away from her.

Jack just laughed, and moved to the other end of the bar, his usual spot. Henry kept his calm although he did not like Jake acting like a fool to Trish, or to any of the women who came here. He had to do his duty and serve Jake, but if he had his way the guy would be just a step away from being told to leave. Henry always kept a close eye on how much Jake was drinking, and he often cut him off when it seemed he had his share.

“Whisky, Henry”, Jake ordered. They both knew the routine.

With his whisky in hand, Jake smirked at Trish and asked, “How come you ain’t at that big jazz festival downtown?”  

“How come you ain’t?” she echoed him, sarcastically

“Cuz I don’t have a sweet lady to go with me and keep my company”. He winked at her, and downed a gulp of whisky.

“Oh, you mean like your—wife!” Trish said.  Jake and Trish often bantered like this to each other. “You will never change, Jake. You are a rude and obnoxious flirt, and you ought to be ashamed!”

Jake just laughed her off.  “Sweetie, my wife knows I’m a big flirt. She’s OK with it! She says ‘as long as you are peeking and not seeking, who cares what you do!’”

The two young couples that came in a while ago overheard Jake’s conversation and started to crack up in laughter. It seemed that he was the entertainment for a lackluster evening at the bar, a court jester of sorts. Trish looked at the four, young faces that were laughing at her expense, glanced at Henry in silent agreement that Jake was an idiot, and quickly turned red in the face.

“Jake, shut your big mouth!” Henry intervened. “You lie as much as you belt them down!”  When Jake was more sober, he seemed pretty reasonable, but he was nauseating when he was on a drinking binge.

Henry exited into a room behind the bar for a moment. Jake whispered loudly to Trish, like an impish, little boy who knew he might get caught, but loved the thrill of it. “Psst. Hey, Trish! Look! My wife’s no fun at all! Won’t go out with me no more. The festival is going on all weekend. Just give me your number and I’ll call you tomorrow and pick you up to take you there”.

Trish pretended like she did not hear him, still rattled up a bit, but trying her best to hide it, and Jake soon devoted his mind to his drink.

She turned herself around in the barstool and pretended to watch the baseball game. The scene in the room was still practically the same way since she first arrived. Only now there was an edgier atmosphere with the four younger people in it. The older couple was still sitting together in the corner, intent on watching the ball game. The two younger couples were drinking down their pitcher of beer and talking away. One of the young man had his arm around his girlfriend, gently caressing her back, and the other young couple, that was sitting across from them was holding hands.  

In longing, Trish looked on at the young couples. How she m
Ashwin Kumar Nov 2021
Dear Patti, we miss you
We miss you so much
That there is a gaping hole
Taller than the Burj Khalifa
Left by your absence
Not a soul can replace you
You were one of a kind

Dear Patti, we miss you
You were always there for us
Whether it be the immediate family
Whether it be close relatives
Whether it be friends
So much so
That your presence was taken for granted

Dear Patti, we miss you
From your words of wisdom
To your unconditional support
From your sheer optimism
To your never-say-die spirit
From your delicious meals
To your spooky tales
From your knowledge of various topics
Whether it be cricket
Whether it be politics
Whether it be trains
To your unwavering enthusiasm

Dear Patti, we miss you
I still remember the day
As though it were only yesterday
When my dear friend
Was hopelessly marooned in her hostel
During the peak of the Chennai floods
Along with her family
It was your unconditional love
That saved the day
And my friend and her family
Can never forget you
Not just because of your timely help
But also because, to you
They were also family

Dear Patti, we miss you
You left us so soon
That we had no time to say goodbye
But you should know this
You will always live in our hearts
As a grandmother
As a mother
As a wife
As a sister
As an aunt
As a dear friend
And finally
As a human being
A very beautiful human being
Tribute to my maternal grandmother who passed away on 4th October
Mateuš Conrad Oct 2018
.well back in my days (2 years ago)... you could groove to Patti Smith sing her rock 'n' roll ******, and listen to American Head Charge cover the same song... you could actually listen to Die Krupps Nazis auf Speed... back in my day - you weren't deemed a 70 year old nostalgia steam-train... while still in your early 30s; good luck finding that Patti Smith track... might as well resort to róże europy: kości czerwone, kośsci czarne (european roses: red bones, black bones)... and to think the *** pistols got away with their shenanigans... 40 years prior; Patti Smith! come on! it's a great tune! or tuning... whichever.

racial slurs... so the suffix in
schwarze-negger is
a collective private property?!
Dr. Dre can say it,
as urban insult,
and i'm reduced to a colonial
past that isn't even mine?!
can i say the names
of countries like Nigh-ger-ia...
or Nigh-ger?
          can it just be an urban
slur these days?
   compared to spawn,
yes, black panther *****...
***** on a lemon before
******* on ***...
          what's next:
yo... walking *****?!
      the ****... well... if we're
in the interracial Olympics,
i once ****** a bony black
girl with a Kama Sutra slim, tight,
that it wouldn't require a 12"
to penetrate a Ghanian lard
yo-yo...
               pulverized
the soft pouch of flesh where my
***** originate from
using her coccyx...
   ****...
          even i didn't expect
finding out the riff...
   on joan jett & the blackhearts'
song i hate myself for loving
you...
      i'm with the Ire on the topic
of racial slurs...
   instead of "offense"...
we resort to head-butts...
   like the two Posen bucks...
running headlong into
a bare canvas...
            comment section?
well... obviously i take off
my Francis Bacon mask.
Nat Lipstadt Mar 2018
35,088 feet over Nebraska,  

(Nebraska-imagining me climbing a ladder, me upwards, Jacob’s angels coming down, off to a high school All Saints wrestling match in a cornfield town)

a place not on my bucket list, just a blue bias of an eastern stater’s unknowns, a sure sign of how much he doesn’t know

reading Patti’s slender volume “Devotion”

slender like her body, some would call it a wiry woman's
sparse but directed, connective, word-worshipping,
old familiar strangers she delivers to you that you have never met, her phraseology striking me and strikingly beautiful simultaneous

scan it and understanding instantaneous
she asking,
why do we write?

her answers are fine copper wire threaded
into a coil and I close it quick cause the loving ****** desire to
plagiarize such an oddly gorgeous offerings is overwhelming;
I feel the wire words piercing my temple, intending to
emerge out the other side, a decorative symmetry,
I don’t own

my need to script some cursive on my smooth body parts,
on my god-given papyrus, always at the ready,
is a methadone itch, a dulling urge needy for fulfillment,
that needs satisfying but me, soundly second rate,
write like the flip side of a hit vinyl record, no one is expected to play, fulfillment meets futility

thus the title is a modification of a Patti light touch

my alchemy never made any gold and my present presence now over Iowa a reminder that my prescriptions are 1200  evacuations; they are negative commandments,
proscriptions, not prescriptions

do not write, do not wrong words with a middling diffidence,
hide your face and put her words on a shelf above your head
hard to reach, so you do not be tempted

why do we write?

“All seeking an emptiness to imbue with words.  
The words that will penetrate ******
territory, crack unclaimed
combinations, articulate the infinite.” Patti Smith

disambiguation she relieves us of uncertainty
my combinations over Waterloo, Illinois
are ordinary smokestack gray, a spewing wastage,
the angels conforming that my words Cain-fail,
my confession
meets no one’s standards, not even mine

7:07pm Central Time
march 25 2018
onlylovepoetry Feb 2018
how I honor you (notes from a conversation with Patti Smith)*

~for Cné~

<•>

honor,
honor on my mind
(ran into Patti Smith last night at the Standard Hotel
in the Meatpacking District)

told her honor, 
honor,
on my mind

she said that’s
why I like you
city poet

”you, are a free range thinker,”

when you get stuck on a bubble gum word
on the sole of your shoe,
you one sticky stuck poet,
can’t let be freed~released till you get the

curve of the word,
curve of the world,
you stumble where gods get lost.  
where the divisions of the subconscious thread together,
and you got to peel the onion all the way back, while
you cry

here is what I think about honor:

there is so much added glut
in this world,
honor the reader
never write a word that
wastes a minute of their time!”*

you wrote you have only poem in you wright,
and you writ it to right the world,
thrice, and over and over in disguises.
and sometimes, I hear, even with
spaghetti sauce
the words in italics are Patti’s

https://en.m.wikipedia.org/wiki/Patti_Smith
if i was a pearl i’d feel itchy scratchy stuck inside an oyster shell if i was a tree i’d  be a big fat redwood fantasizing about Julia Butterfly Hill living and peeing around me if i was a dog i’d be a Catahoula hound if i was Italian i’d be Sicilian if i was pasta i’d be spaghetti if i was Icelandic i’d be Bjork if i was a rock star i’d be Elvis Presley Bob Dylan Jimi Hendrix Jim Morrison John Lennon Bruce Spingsteen Maynard James Keenan if i was i writer i’d be Herman Melville Mark Twain James Joyce William Faulkner Thomas Bernhard Yukio Mishima Naguib Mahfouz Phillip K. **** Gabriel Garcia Marquez Annie Proulx Lydia Davis if i was a poet i’d be Walt Whitman Sylvia Plath Ted Hughes Gwendolyn Brooks Pablo Neruda  Heather McHugh Carl Sandburg Robert Frost Arthur Rimbaud Dante Alighieri Homer if i was a painter i’d be Leonardo Da Vinci Michelangelo da Caravaggio Johan Vermeer Rembrandt van Rijn Paul Cezanne Marcel Duchamp Jackson ******* Mark Rothko Ad Reinhardt Anselm Kiefer Susan Rothenberg if i was a photographer i’d be Man Ray Ansel Adams Edward Weston Diane Arbus Robert Mapplethorpe Sally Mann Helmut Newton Richard Avedon Annie Leibovitz if i was a philosopher i’d be Socrates Plato Aristotle Jean Jacques Rousseau Sören Kierkegaard Immanuel Kant Karl Marx Georg Hegel Friedrich Nietzsche Henry David Thoreau Ralph Waldo Emerson  Jean-Paul Sartre Jean Baudrillard Michel Foucault if i was a singer i’d be Woody Guthrie Otis Redding Grace Slick Bob Marley Joni Mitchell Marvin Gaye Johnny Cash Patsy Cline June Carter Patti Smith Chrissie Hinde Nick Cave P J Harvey Beyonce if i wa a band i’d be Velvet Underground Ramones *** Pistols Clash Cure Smiths Joy Division Uncle Tupelo Pixies Nirvana Nine Inch Nails Madrugada Sigur Ros White Stripes Thee Silver Mt. Zion Memorial Orchestra Justice of the Unicorns if i was a boot i’d be Chippewa Frye Ariat Red Wing Tony Lama Wellington if i was a shoe i’d be Christian Louboutin Jimmy Choo Kedds Chaco Chuck Taylor p f flyer if i was a dress i’d be Channel Dolce & Gabbanna Giorgio Armani Marc Jacobs Comme des Garçons if i was a cowboy shirt i’d be H bar C Rockmount Temp Tex Karman Wrangler Levis Strauss Lee if i was a hat i’d be a Stetson Borsalino Stephen Jones if i was a fruit i’d be a mango apple banana blackberry if i was an scent i’d smell like fresh perspiration jasmine sandalwood ylang ylang the ocean if i was a doctor i’d be a gynecologist neurosurgeon if i was a flower i’d be a hibiscus rose orchard if i was a stone i’d be a sparkling ruby diamond opal if i was a knife i’d be a k-bar switch-blade machete if i was a gun i’d be a Remington Winchester Beretta Glock AK-47 if i was a car i’d be a Lamborghini Ferrari BMW Saab Volkswagen GTO Ford Mustang Dodge Challenger if i was a  TV show i’d be Law and Order if i was actor i’d be Charlie Chaplin Humphrey Bogart Steve McQueen Robert De Niro Ed Norton Shawn Penn if i was an actress i’d be Marlene Dietrich Ingrid Bergman Natalie Wood Audrey Hepburn Marilyn Monroe Helen Mirren  Meryil Streep Brigette Fonda Robin Wright Julianne Moore Angie Harmon if i was a female comedian i’d be Gilda Radner Lily Tomlin Nora Dunn Joan Cusack Sarah Silverman Tina Fey if i was a  football player i’d be Sid Luckman George Blanda Walter Payton **** Butkus Mike Singletary Joe Montana Jerry Rice Payton Manning LaDanian Tomlinson  Drew Breeze if i was a celebrity i’d be Charlotte Gainsbourg if i was a rapper i’d be Tupac Shakur if i was a movie director i’d be Sam Peckinpah Robert Altman Stanley Kubrick Roman Polanski Werner Herzog Rainer Fassbinder Louis Bunuel Alfred Hitchcock Jean-Luc Godard François Truffaut if i was a bird i’d be a eagle hawk sparrow bluebird if i was a fish i’d be a dolphin shark narwhal Charlie the tuna if i was breakfast i’d be a French toast pancake folded in half with 2 strips of bacon in between if i was a cold cereal i’d be snap crackle popping rice crispies shredded wheat cheerios oatmeal if i was tea i’d be Japanese green matcha Irish breakfast Tulsi Thai holy basil Lapsang souchong Luzianne Lipton if i was a soap i’d be French hand milled ayurvedic Avon Ivory Dove Pears Aveda  if i was a man i’d be a football basketball baseball tennis swimmer athlete if i was a woman i’d be a track star runner writer painter gardener doctor nurse yoga mom i'm just scratching the surface and the beat goes on lahdy dah dah
Sa Sa Ra Dec 2012
Patti Smith - Jubilee

*
Oh glad day to celebrate 'Neath the cloudless sky
Air so sweet Water pure
Fields ripe with rye Come one, come all
Gather round Discard your Sunday shoes
Come on now Oh my land
Be a jubilee Come on girl
Come on boy Be a jubilee

Oh my land Oh my good
People don't be shy Weave the birth of harmony
With children's happy cries Hand in hand
We're dancing around In a freedom ring
Come on now Oh my land
Be a jubilee Come on girl
Come on boy Be a jubilee

We will never fade away Doves shall multiply
Yet I see hawks circling the sky Scattering our glad day
With debt and despair What good hour
Will restore our troubled air? Come on people
Gather round You know what to do
Come on people Oh my land
What be troubling Oh my land
What be troubling What be troubling
What be troubling you

We are love and the future We stand in the midst of fury and weariness
Who dreams of joy and radiance? Who dreams of war and sacrifice?
Our sacred realms are being squeezed Curtailing civil liberties
Recruit the dreams that sing to thee Let freedom ring

Freedom ring Freedom ring
Jubilee Oh my land
Oh glad day Oh my land
Hear our cry Freedom ring
Oh glad day Oh my land
Jubilee Jubilee
Patti Smith - Jubilee

http://www.youtube.com/watch?v=_4audt7QHYo
Ken Pepiton Aug 2018
******. No white guy can say that, right.
People who can truly call themselves ******* can. *****-***** ****, W.O.P.,
maybe they can say ******, okeh. But they say it mean,
knowaddamean.
What'sbout Jewboy?
Can the Kaffen kid say ******?
Sand-******, but not ***** ******. Hecan say ****, too. And *** and *****.

Oy vey, okeh. We can take it. We can take it all. Rules is rules.

That's right. Wanna fight? Wanna be my enemy?

--- Grandpa had a play date. ***- Where's the Fun?
These kids got no guns.
And no enemies. Except imaginary ones.


Greedy little master mind sprouting odd fruits from Pokémon.
Can we make this work? Perfect it, in effect?

Marbles, maybe we can teach that old game and go from there to the funnest parts of FTA... Findtheanswer, like God and Adam played. The rules are some same, bounds, fudges and such. Keepsies, ante-ups and such, too.
Risk is right if-I-can-tation.
Losses can be baked, clayballs,
while momma bakes our daily bread.
Poor kids can make marbles in the sun, since forever, I am sure. Rolly-polly patti and johnny cakes roll marbles into spoons,
Momma knew that stuff. She could shake butter into cream, singin' along Que sera, sera, whatever will be
will be,

but it won't be the death of me,
watch and see,
babu boy oh boy
---
We can play war until we die, but don't tell the children.
They are the price we are to pay. They must believe.

We swore allegiance for security. We thought it best
for the kids to lie.

You know?
I believe, you know. It's unbelieving I need help with.

Can't you see? We swore allegiance and taught it has become the  honor-us-course-us-po-deserve-us ritual. A rite we pass for the protection of the eagles gathered around the body.

We are proud of our children who die taking
the courses called for, we never ask why,
except when we cry. Silently, inside.

It's our role to remember the glory
of our children dying for the IDEA that lives
in the statue of Freedom
under which our laws allow
might is right, if God was ever on our side.

You know what I mean.
Say so. You know the lies are being told.

Stop believing that is okeh, eh?

---
Mussleman dominance meme manifests once more to battle the flood of knowing being re-leased or bought, outright, to aid the seekers seeking the meta game.

F.T.A, remember? Find The Answer. Same rules as Hide and Watch,
"All ye, all ye, outsiders hidden in our midst, in free."

"Send me your- poor, huddled masses",
remember being proud of that idea.
Poor thing, lady libertine, so tarnished now that not even Iaccoca's glory loan could gild the actions she sanctioned in the name of the republic for which she (a proxy mate, feminine aspect of God) stands. Sig-n-if-i-cious-ly.

Seig Freud, we say, with the statue of freedom watching over the legislative body, she stands
quite similar to Diana of the Ephesians,
in her role as mob solid-if-er, if I know my mythic truths been told.
---
Trink, trink, trinkits gits the good good luck,
light m'fire witcha spark and see
a light in the night when the noises pending terrors flee.

Rite, we passed those places ages ago, now we hear echoes, only we know them, for we have been taught,
what echoes ever are.
Our own terrors screaming back at us.

Alot of lies are taught wrong
and a sleeping giant in a child may dream
of other ways to see.
New windows on new word worlds expressed in
HD Quad-processed reality
simulations. You know,
child eyes see right through those.

Exactly that happened. Slowly at first.
Good is more difficult to believe
you are expert enough to try doing than is evil.
Read it again.
This couplet or line, as time will tell.

Don't ignore known knowns,
stand up under the weight of knowing good and knowing evil.
Be good.

We know from conception,
we think,
whatever it takes means
take what ever we think right,
pursue happenstances in the favor of my father's world,
provided for me, the kid.
\
The son, a first-man son,
some several thousand generations removed.
Lucky some body stored the good stuff in the mitochon'orhea, right.
We'd be powerless. O'rhea, double stufft, blessusall.

Otherwise lies are left for kids to learn,
but not to
be left true,
as when they first was told.

Our sibyl e-gran mals tol' em true,
as they knew what they passed through, to the moment, then...

Around the fire, dancing shadows, make them play.
All ye, all ye outs, in free!

See dancing shadows, en-joy my joy, be strong,

long strong, sing along, long, long song

and laugh until you die.
---
Some con-served ideas will land a man in a prison with no keys.

Imagine that. Take your time, it is no passing fancy. Be here,
with me, a while. Pleased to meet you I am, no comma needed.
Now, we may wait, whiling away a time or two is common, in mortal pauses. Are you dead or alive?

Is it dark or light? Do you see in color here, or in gray?

Who built your prison? I built mine. You'll love it, I imagine,

whenever forever flows past those old lies striving for redemption,
recycling-clingy static hairballs and ghost turds
touch, once more,
*** potentia amber atoms in cosmic chili for the soul
of the loaf-giver, warden of the feeding forces life lives
to give dead things. There's the rub.

Spark to fire? Watts to fuel the favor, Issac, can you lead us in a song? A con-serving song for when the cons a fided or feited,
defeat my sorrows and my shame,
let me see Christ take the blame.

Confidencein ignowanceus. Worsen dignitatus evawas.

Blow on it. Soft. The spark landed in that ghost **** you thought you swept away or ****** into a vortex of hoovering witnesses,
if you whew too strong, you blow yer own little light out, and have to wait for lighten-loadin' bearers
to take care from you.

That can take time, too.

It always takes a while to get deep enough to see the bottom.

Cicero, old friend...

ne vestigium quidem ullum est reliquum nobis dignitatis 

[not even a trace is left to us of our dignity]

From <https://en.wikipedia.org/wiki/Dignitas(Romanconcept)>

See, from a single spark,
touching a volatile bit o' whatever,
you may see the root of the Roman canker sore
yomamma kistyawit.
And be on yo way,
satisfied minded there do seem to be a way, each day, just beyond the evil sufficiency we find soon after the morning's mercy's been renewed.

And may, if it may be,
ye see a rich man wit' a satisfied mind
and may that man be me in your mirror, as it were.

Carry on, as you were.
Or walk this way, a while,
mind the limp. I'll set the pace.
It ain't a race, y'lil'squirt.

Wait'll y'see.

Waiting is time's only chore this close to shore.

What manner of men are we, who could be our enemy?
What name makes me your enemy?

What peace can you imagine when no words carry hate?
Can you imagine evil peace?
Cromwell n'em said they could make peace wit' war.
They lied.
Their lies remain lies,
evil knowns
good to know, on the whole.

Knowing makes believing count for more than idle
oaths of loyalty to memes mad
from the first of forever to now.

now. stop. This is the bottom. I know the way from here.
Do you?
You can say so, but you never know,
if you never make the climb.

And that can take forever, I've been told.
Fun, for fun. Bees in bonnets and such archaic antics, no pun un intended.
The N word test. I chickened out, but under protest. If I say/said a word to hurt a childlike mind, or an innocent ear, I am not being kind. And the black magi said He could care less, he's moving back to Kingston.
LJW Feb 2014
I've given poetry readings where less than a handful of people were present. It's a humbling experience. It’s also a deeply familiar experience.

"Poetry is useless," poet Geoffrey ****** said in a 2013 interview, "but it is useless the way the soul is useless—it is unnecessary, but we would not be what we are without it."

I was raised a Roman Catholic, and though I don’t go to Mass regularly anymore, I still remember early mornings during Advent when I went to liturgies at my parochial school. It was part of my offering—the sacrifice I made to honor the impending birth of the Savior—along with giving up candy at Lent. So few people attended at that hour that the priest turned on only a few lights near the altar. Approaching the front of the church, my plastic book bag rustling against my winter coat, I felt as if I were nearing the seashore at sunrise: the silhouettes of old widows on their kneelers at low tide, waiting for the priest to come in, starting the ritual in plain, unsung vernacular. No organist to blast us into reverence. No procession.

Every day, all over the world, these sparsely attended ceremonies still happen. Masses are said. Poetry is read. Poems are written on screens and scraps of paper. When I retire for the day, I move into a meditative, solitary, poetic space. These are the central filaments burning through my life, and the longer I live, the more they seem to be fused together.

Poetry is marginal, thankless, untethered from fame and fortune; it's also gut level, urgent, private yet yearning for connection. In all these ways, it's like prayer for me. I’m a not-quite-lapsed Catholic with Zen leanings, but I’ll always pray—and I’ll always write poems. Writing hasn’t brought me the Poetry Jackpot I once pursued, but it draws on the same inner wiring that flickers when I pray.        

• • •

In the 2012 collection A God in the House: Poets Talk About Faith, nineteen contemporary American poets, from Buddhist to Wiccan to Christian, discuss how their artistic and spiritual lives inform one another. Kazim Ali, who was raised a Shia Muslim, observes in his essay “Doubt and Seeking”:

[Prayer is] speaking to someone you know is not going to be able to speak back, so you're allowed to be the most honest that you can be. In prayer you're allowed to be as purely selfish as you like. You can ask for something completely irrational. I have written that prayer is a form of panic, because in prayer you don't really think you're going to be answered. You'll either get what you want or you won't.

You could replace the word "prayer" with "poetry" with little or no loss of meaning. I'd even go so far as to say that submitting my work to a journal often feels like this, too. Sometimes, when I get an answer in the form of an acceptance, I'm stunned.

"I never think of a possible God reading my poems, although the gods used to love the arts,” writes ***** Howe in her essay "Footsteps over Ground." She adds:

Poetry could be spoken into a well, of course, and drop like a penny into the black water. Sometimes I think that there is a heaven for poems and novels and music and dance and paintings, but they might only be hard-worked sparks off a great mill, which may add up to a whole-cloth in the infinite.

And here, you could easily replace the word "poetry" with "prayer." The penny falling to the bottom of a well is more often what we experience. But both poetry and prayer are things humans have learned to do in order to go on. Doubt is a given, but we do get to choose what it is we doubt.

A God in the House Book Cover
Quite a few authors in A God in the House (Howe, Gerald Stern, Jane Hirschfield, Christian Wiman) invoke the spiritual writing of Simone Weil, including her assertion that "absolutely unmixed attention is prayer." This sounds like the Zen concept of mindfulness. And it broadens the possibility for poetry as prayer, regardless of content, since writing poetry is an act of acute mindfulness. We mostly use words in the practical world to persuade or communicate, but prayers in various religious traditions can be lamentations of great sorrow. Help me, save me, take this pain away—I am in agony. In a church or a temple or a mosque, such prayerful lamentation is viewed as a form of expression for its own good, even when it doesn't lead immediately to a change of emotional state.

Perhaps the unmixed attention Weil wrote of is a unity of intention and utterance that’s far too rare in our own lives. We seldom match what we think or feel with what we actually say. When it happens spontaneously in poetry or prayer—Allen Ginsberg's "First thought, best thought" ideal —it feels like a miracle, as do all the moments when I manage to get out of my own way as a poet.

Many people who pray don’t envision a clear image of whom or what they’re praying to. But poets often have some sense of their potential readers. There are authorities whose approval I've tried to win or simply people I've tried to please: teachers, fellow writers, editors, contest judges—even my uncle, who actually reads my poems when they appear in the Pittsburgh Post-Gazette, where he used to work.

And yet, my most immersed writing is not done with those real faces in mind. I write to the same general entity to which I pray. It's as if the dome of my skull extends to the ceiling of the room I'm in, then to the dome of the sky and outward. It’s like the musings I had as a child lying awake at night, when my imagination took me to the farthest reaches of the galaxy. But then I emerge from this wide-open state and begin thinking about possible readers—and the faces appear.

This might also be where the magic ends.

• • •

I write poetry because it’s what I do, just as frogs croak and mathematicians ponder numbers. Poetry draws on something in me that has persisted over time, even as I’ve distracted myself with other goals, demands, and purposes; even as I’ve been forced by circumstance to strip writing poetry of certain expectations.

"Life on a Lily Pad" © Michelle Tribe
"Life on a Lily Pad"
© Michelle Tribe
At 21, I was sure I’d publish my first book before I was 25. I’m past my forties now and have yet to find a publisher for a book-length collection, though I've published more than a hundred individual poems and two chapbooks. So, if a “real” book is the equivalent of receiving indisputable evidence that your prayers are being answered, I’m still waiting.

It hasn’t been easy to shed the bitter urgency I’ve felt on learning that one of my manuscripts was a finalist in this or that contest, but was not the winner. Writing in order to attain external success can be as tainted and brittle as saying a prayer that, in truth, is more like a command: (Please), God, let me get through this difficulty (or else)—

Or else what? It’s a false threat, if there’s little else left to do but pray. When my partner is in the ICU, his lungs full of fluid backed up from a defective aortic valve; when my nephew is deployed to Afghanistan; when an ex is drowning in his addiction; when I hit a dead end in my job and don’t think I can do it one more day—every effort to imagine that these things might be gotten through is a kind of prayer that helps me weather a life over which I have little control.

Repeated disappointment in my quest to hit the Poetry Jackpot has taught me to recast the jackpot in the lowercase—locating it not in the outcome but in the act of writing itself, sorting out the healthy from the unhealthy intentions for doing it. Of course, this shift in perspective was not as neat as the preceding sentence makes it seem. There were years of thrashing about, of turning over stones and even throwing them, then moments of exhaustion when I just barely heard the message from within:

This is too fragile and fraught to be something that guides your whole life.

I didn't hear those words, exactly—and this is important. For decades, I’ve made my living as a writer. But I can't manipulate or edit total gut realizations. I can throw words at them, but it would be like shaking a water bottle at a forest fire; at best, I can chase the feeling with metaphors: It's like this—no, like this—or like this.

So, odd as this sounds for a poet, I now seek wordlessness. When I meditate, I intercept hundreds of times the impulse to shape a perception into words. Reduced to basics, the challenge facing any writer is knowing what to say—and what not to.

• • •

To read or listen to poetry requires unmixed attention just as writing it does. And when a poem is read aloud, there's a communal, at times ritualistic, element that can make a reading feel like collective prayer, even if there are only a few listeners in the audience or I’m listening by myself.

"Allen Ginsberg" © MDCArchives
Allen Ginsberg
© MDCArchives
When I want to feel moved and enlarged, all I have to do is play Patti Smith's rendition of Ginsberg's "Footnote to Howl." His long list poem from 1955 gathers people, places, objects, and abstractions onto a single exuberant altar. It’s certainly a prayer, one that opens this way:

Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy!

The world is holy! The soul is holy! The skin is holy! The nose is holy! The tongue and **** and hand and ******* holy!

Everything is holy! everybody’s holy! everywhere is holy! everyday is in eternity! Everyman’s an angel!

Some parts of Ginsberg's list ("forgiveness! charity! faith! bodies! suffering! magnanimity!") belong in any conventional catalogue of what a prayer celebrates as sacred. Other profane elements ("the ***** of the grandfathers of Kansas!") gain admission because they are swept up into his ritualistic roll call.

I can easily parody Ginsberg's litany: Holy the Dairy Queen, holy the barns of the Amish where cheese is releasing its ambitious stench, holy the Pittsburgh Pirates and the Internet. But reading the poem aloud feels to me the way putting on ritual garments must to a shaman or rabbi or priest. Watching Patti Smith perform the poem (various versions are available on YouTube), I get shivers seeing how it transforms her, and it's clear why she titled her treatment of the poem "Spell."

A parody can't do that. It can't manifest as the palpable unity of intention and utterance. It can't do what Emily Dickinson famously said that poetry did to her:

If I read a book [and] it makes my whole body so cold no fire ever can warm me I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry. These are the only [ways] I know it. Is there any other way.

Like the process of prayer—to God, to a better and bigger self, to the atmosphere—writing can be a step toward unifying heart, mind, body, universe. Ginsberg's frenzied catalogue ends on "brilliant intelligent kindness of the soul"; Eliot's The Waste Land on "shantih," or "the peace that surpasseth understanding." Neither bang nor whimper, endings like these are at once humble and tenacious. They say "Amen" and step aside so that a greater wordlessness can work its magic.
From the website http://talkingwriting.com/poetry-prayer
skbmart Nov 2013
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Julianna Eisner Apr 2014
I haven't ****** much with the past
But I've ****** plenty with the future
Over the skin of silk are scars
From the splinters of stations and walls I've caressed

A stage is like each bolt of wood
Like a, like a log of Helen, is my pleasure
I would measure the success of a night by the way, by the way I
By the amount of **** and seed I could exude
Over the columns that nestled the P.A.

Some nights I'd surprise everybody by skipping off
With a skirt of green net sewed over
With flat metallic circles which dazzled and flashed
The lights were violet and white
I had an ornamental veil, I can't bear to use it

With the way my hair was cropped, I craved, craved covering
But now that my hair itself is a veil
And the scalp inside is a scalp of a crazy
And a sleepy Comanche lies beneath this netting of skin

I wake up, I am lying peacefully
I am lying peacefully and my knees are open to the sun
I desire him and he is absolutely ready to seize me
In, in, in, in, in heart, I am a Moslem, in heart, I am an American
In heart, I am Moslem, in heart, I'm an American artist and I have no guilt

I seek pleasure, I seek the nerves under your skin
The narrow archway, the layers, the scroll of ancient lettuce
We worship the flaw, the belly, the belly
The mole on the belly of an exquisite *****
He spared the child and spoiled the rod
I have not sold myself to God
...mad solo...

...mad love...

— The End —