J.R. said the man in the helmet said, “Goodbye, my friend,” before shooting his father in the chest. His body sank, but the man shot him twice more, in the head and cheeks. The children said the three men were laughing as they left.*
-Daniel Berehulak, They Are Slaughtering Us Like Animals, New York Times

Manila, goodnight.
The world is watching you slowly die.
Tattered truths & losing sense of life
captivate your battered night. Mud hurls blood
streets batted with horror & blabbed
anonymous spirits ghostlier than ever.

(Even ghostlier than your Martial Law days)

Manila, tranquilize yourself.

Your rest will be disturbed by scourged souls, thunderous cracks of guns,
bullets hitting flesh, motorcycle tandem arrests,
people’s holy shouts shunning shibboleth sounding death.

Hear them not. Sleep well.

Maggots festering wound. Manila,
on your knees, worms stich your broken nerves
healing gunshot wounds with peace.

Your night will be a train of madness
shattered by lies through morbid holes in skulls
& confessions in cardboard signs.

(Justice today is served cold, so cold)

& everything from that day on is simply to be known
as a cold just.

Truth decays. Life smolders, vanishing.

Your nights will be unthreaded from memories
for no one dares to look back to twisted arms clenched
by plastic strips, head bowing to ground (instead of ground
bowing to head), ground kissing the body naked swarmed
either by grease or blood, the body breaking gossips
among gossipers & gossamer among spiders.

Weep not, dead men tell no fiction.
Their bodies are the shocking truth, forsaken
shocking headlines hissing morning papers
peppered with mint or lies.

Manila, goodnight for your night will be remembered
through vigilant myths & nothing more.

Often cold bodies, freezing voices from limbo,
can’t speak nor bothered the living.

Again, Manila, in your arms, dead men tell no tales.

The killing spree of fragmented morality,
mortality, fatality, vanity, sanity, insanity, apathy.

Manila, do not move. You are now sedated with fear,
stronger than cooked methamphetamine of crooked realities,
no less than a drug making your anxious, bothered
in the darker & dimmer night
in dimmer  & darker disaster.

Manila, walk with your graffiti walls.
Your gutters will be banks of blood. Daylight traffic
will erase your night’s unwelcoming sphere. Last night
persists as tiny figment of imaginings photographed
& again, nothing more.

Everything will pass like hyacinths of Pasig River.

Everything will pass like one’s eternal passing.

Everything will pass like a chilling December wind.

Everything will pass either a typhoon or a butterfly fluttering.

Manila, goodnight. I am afraid they will ****** you
in your sleep. I am afraid that everything will just pass
like your breath losing hold of your lungs then your heart.

I am afraid that your death, my dear Manila,
will just be a neighbourhood rumour passing
& everything turns into a fiasco of a madman who believes
that he is a messiah, was he a messiah or never he will be a messiah.

Manila goodnight, I will watch you in your sleep. Your sleep
will be a thousand fold peace. No more of your sons or daughters
will be killed at least not in my memory.

Manila, here comes the night. Sleep,
sleep holy in the hidden lair of my mind. Your
catacomb will be wreathed by flowers & tears.
Incense will be fragrant burning bones. Your life,
your tired life will be a gentle ebbing of time
like your Bay’s sunset beauty, like your lively street people
like your once known heritage, your life
in the busy daybreak of your kindred sons.

Goodnight, my dear Manila.

I can write of Manila at night like the greats do of Paris. Not Manila in the morning, for it matters then, but Manila at night where it doesn't matter if it is new or old or if you are rich or poor, because it all blends into the moonlit darkness and that is when Manila becomes like a love letter. It may be Cebu that I love, but it is Manila that captivates me.

To the farmer, who left Manila for America to escape the war, and returned to see only a burned down church. To the young boy, a hundred years later, who does not see the church, but sees the romance of a concrete city. And to the ill man sitting on the corner of a street in Ermita, who has seen more of life and Manila than any of us ever will or ever can or ever want to. To the jazz bars tucked deep in Quezon where the music is sweetest, and to the congregation of poets who meet at their secret place in Makati on sacred nights to talk of the country they write for. Manila does not end.

But Manila is no moveable feast- it is a grand mystery that is far too heavy to take with you. Paris was loved because it was easy to love. The same way Florence was loved because it was easy to. Manila is far too rough to make for easy loving, but the beauty is there for everyone but the blind to see, and even then it is there for the blind to feel. One just has to try hard enough. It is what Manila represents, for it represents not the American dream, but the Filipino ambition to create their own. It does not become a question of how can you. It never will. It is a question of how can you not be romantic of Manila?

Manila,
Manila,
Your bustling streets vibrate with the rumbling of the jeepneys
and the hollers of the drivers as they say,
“Pasahero diyan, kasya pa, kasya pa!”; (Any passenger there, some seats are still free!)
Your nights twinkle with the Christmas lights
that surround every tree around the Meralco building
when September begins;
Your endless traffic jams keep McDonald’s and KFC alive
twenty-four by seven
where traffic enforcers dodge cars
and vans
trucks and tricycles
and jeepneys and bicycles
while dancing to the rhythm beating in their own ears
with a smile and a salute to all the drivers
from dawn to dusk;

The noise awakens the outskirts of your city
filled with people who never fails to smile
even when the storm pirouettes like a tempestuous ballerina,
where children watch the roads
transform into this ocean of black water
and small wooden boats become the means of transportation;
paddling in between houses
as the adults try to go to work;
where chickens waddling upon roofs
and cats chasing rats
become the best forms of entertainment

but Manila,
your lingering smell of cancer
comes with the dark blue starless sky
telling people to grip their bags until it merges with their bodies.
Manila, say good night
while they hold it tight
protecting it from the dark humid air
where thieves come out to
thumb down unscrutinised objects
from shallow pockets
by the flickering lamps
across the blazing red and emerald green lights


you see less
and less
and less
faces
as the Sun sinks and says good bye.

Stop
and try to tranquilise yourself.

Your city is now lead
by a blood-thirsty leader.
Apologies from gunshots overpower the cries of help from your people.
Manila,
ignore them
and sleep well.
Let the truth decay
while lives burn and vanish.
Prayers cannot save your mutinous ignominy.

Halcyon days are over
but

Manila,
you are still a beautiful city.
Your resilient people
overflows with hospitable hearts.
Their faces plastered with big smiles
as they welcome us for you
and say, “Mabuhay!” (Long live!)
proud and mighty.
Offering their minds on banana leaf plates to everyone who visits,
Giving away their hearts in small loot bags to everyone who leaves,

The Pearl of the Orient Seas
was my hood.

Manila,
despite your lack of snow
and intense weather swings,
You are
and will always be
my home.

Manila is beautiful at night,
Seen from overhead, high above rainclouds in the night sky
with a tantalizing view of car exhaust and the debris of broken dreams
Manila is beautiful at night.

It comes and goes like a shadow in flickering light.
At first, it hides behind wispy rain clouds, playful as a child hiding in his mother's skirt.
If you look closely, it's lights glisten-- golden and teasing
It's incessant winking, an almost promise of what's to come

From your aerial vantage point, you wonder:
"This is what it must be like to be an Angel when they fly"
Below the city, with all it's secrets, sprawls like a handful:
A rich lady's heirloom diamonds, thrown carelessly on a ***** floor.

It will somehow remind you of a creature: perhaps human, or Leviathan in it's wake
Cities, after all, are their own specie of living things

At first it is looks like a Brain, with neurons and synapses electric and active
Certain spots of the city: mall compelexes and large parking lots, like the nuclei of a brain cell
the roads that lead to and fro, the cars zipping up and down in red and yellow lines
remind you of dendrites and axons, stretching far
They communicate with each other in their own language; a code
Your imagination runs wild with untamed fantasy

On next glance, it looks like a heart.
The whole city pulses magnificently in unison it seems.
Thud, thud. Thud, thud. You feel it?
Your heart follows it's tantalizing rhythmic pattern, it's muscle beats
Though and through the city pumps it's lifeblood into each nook and cranny
Oh how it entices your passion so.

At last you seem to hear it breathing.
Listen closely and hear Manila inhale and exhale in steady tunes
Inhale, and exhale-- a silence comes over you,
And it's strangely reminiscent of amazement, excitement and bitter fear
Your ears dull and you listen to the rush of air in your lungs,
the deep drum bass of the pounding of your heart
the dizzying feeling that exists in your brain

Manila really is beautiful at night.
In the shroud of darkness, it rises from slumber;
Vivacious and lovely, it's seductive and free
Manila is lovely. Manila is a woman, as it should be.

Hello Manila rooftop
Manila quiet and Manila cold.
I am at the quiet part of the city
While cats roam by
and I hear nothing.
Cars rare
Jeepneys none.
Even if I’m looking from above.
The vertigo tempts me.

Ang kwento natin ay binuo sa gitna ng maling sitwasyon at maling pagkakataon.

High school.

Magkaibigan tayo noon.
Nagsasabihan ng problema, umiiyak sa isa't isa.
Kabisado mo ako, at kabisado na rin kita.
Tantya ko ang birong magpapatawa sayo at tantya ko rin naman ang tamang kiliti upang mawala ang galit mo.

Nakahanap tayo sa isa't isa ng kanlungan at hingahan sa nakakasulasok na mundo.

Lumapit at patuloy pang napalapit ang loob ko sa'yo, at ikaw sa akin. Hindi ko na rin namalayan na mahal na pala kita. Taguan ng nararamdaman ang nilaro natin ng ilang buwan. Totoo, laking gulat ko rin sa sarili ko kung paano ako nahulog sa'yo. Dahil ang katulad mo ay isang dyosa na hindi ko dapat lapitan, hagkan, o kahit hawakan man lang. Hanggang ang simpleng tingin ay naging mga titig, mga haplos lang dapat sa kamay ay naging mga kapit, at magkatabi lamang ngunit iba ang dikit.

Napuno ang puso ko ng pagmamahal at umabot na ito sa pagsabog. Naglahad ng nararamdaman, nagbabakasakaling pareho ang 'yong nadarama.

Pero mas laking gulat ko nang sabihin **** mahal mo rin ako. At isa 'yon sa pinaka masayang araw ng buhay ko.

Simula noon ay araw araw nang hawak ang iyong kamay, inaamoy ang iyong buhok, nagpapalitan ng mga mensahe, kinakantahan; ginagawa ang lahat upang mapakita lang sayo.. na mahal kita. Pero higit sa mga pinakita natin sa isa't isa ay mas tumimbang ang mga hindi natin pinakita ngunit pinadama.

Hawak ko ang buwan at ang mga bituin kapag kasama kita ngunit bakit ba kapag tayo'y masaya ay talagang lungkot ang susunod.

Nalaman ng mga magulang mo kung ano ang meron tayo. Hindi ko noon inasahan na ang mga susunod na mga linggo at buwan ay ang pinaka madilim na parte ng buhay ko. Dahil ang kwento natin ay binuo sa gitna ng maling sitwasyon at maling pagkakataon.

Papasok ka sa eskwela ng mapula ang mata at may pasa sa braso. Ngunit ang mas pumapatay sa akin ay ang ngiti sa labi mo. Mga ngiting hindi ko masabing peke dahil totoo. Dahil ba masaya kang makita ako kahit na ang sakit na nararamdaman mo ay dahil sa pagmamahal ko? Hindi nanlamig ang pagmamahal natin dahil sa kung ano mang ginawa natin sa loob ng relasyon. Kundi ang lamig ng pataw ng galit ng mas nakatatanda sa atin. At ang mas masakit ay hindi pa natin kayang lumaban.

Ang hindi mo alam ay walang lumipas na araw na hindi rin ako umiyak sa harap ng ating mga kaibigan, sa harap ng salamin, sa harap ng isang ****, sa harap ng mga matang nangungusap at ang sabi ay...

"may isang pagmamahalan na naman ang namatay."

Pinatay sa gitna ng saya, pinatay sa gitna ng ligaya, pinatay sa gitna ng magandang paglago.

Pinatay tayo ng tadhana. Pinatay tayo ng mga taong walang tiwala. Pinatay tayo ng mga taong ang  tingin sa atin ay mga isip-bata. Oo, tayo'y mga bata pa noon ngunit alam ko, alam ko na ang pag-ibig na 'yon ay totoo.

Nagsimula ka ng hindi pumasok sa eskwela. At kung ilang oras kitang hindi nakita sa iyong upuan ay ganon ding haba ng oras ng aking pagiyak sa likod ng silid. Sinisisi ang sarili sa kung bakit ganito at bakit ganyan. Bakit ganito ang tadhana? Bakit ganyan ang pag-ibig? At makikita nila sa mga luha ko na lumuluha na rin ito dahil sa patuloy na pagpatak, bagsak sa kahoy na upuan. At mas lalong bumabagsak ang luha ko dahil hindi ko alam kung anong nangyayari sayo. Sinasaktan ka ba? Umiiyak ka rin ba? Mahal mo pa ba ako? Kung pwede lang hugasan ng luha ang mga tanong ay kakayanin, dahil sa dami ay kayang anurin ang mga ito.

Ilang linggo pa ay hindi na tayo nakapag usap, pumapasok ka ngunit ang kaya lang nating gawin ay maghawak ng kamay. Dahil kalakip ng mga salita ay patak ng luha. Kaya tinakpan natin lahat ng ito ng hawak sa kamay, patong ng ulo sa balikat, yakap. At hindi ko inasahan na huli na pala 'yon. Dahil tapos na ang taong 2011-2012 ng eskwela. At hindi na kita nakita; ni anino, ni bagong larawan mo, sa loob ng maraming taon.

Ang meron lang ako ay ang manila paper na binigay mo sa kaibigan natin para ibigay sa akin. Na nagpaisip sa akin na sana, sana man lang ay nakita kita bago mo inabot ang pinaka mahabang mensahe na nabasa ko, mula sa pagiibigang pinilit na pinapatay.

Pagkatapos ng mga tagpong iyon, nalaman kong lilipat ka na ng eskwela sa susunod na taon. At parang 'yon na ang nagpa manhid sa pusong meron ako noon. O kung meron pa ba ako non noon. Dahil sa ilang linggo at buwan ng pinaka madilim na parte ng buhay ko ay unti-unti na pala itong nabasag, nawala, at nadurog.

Ilang taon rin bago ito nabuo o nabuo nga ba talaga ito. Ilang taon din akong nagmahal ng walang puso, dahil utak ang ginamit ko. Doon ko nasabi na ang pagmamahal ko sayo ay ang unang pagmamahal ko sa una kong puso.

Ilang taon akong nagpagaling, nakahanap ng kanlungan sa iba, kasayahan, kakumpletuhan, kabuuan.

Sa likod ng aking isip ang tanong na, "Nasaan na kaya s'ya?"

Hindi naaalis sa mga inuman ng barkada ang mga tanong na, "Saan na s'ya? Nakita mo na ba 'yon ulit?" Alam kong ramdam din nila, na kahit ano ang isagot ko ay may marka 'yon sa puso ko.

"Nakita ko s'ya sa Fatima ah."

"Nakakasalubong ko 'yon ah."

At kahit ilan pang pahapyaw ng mga tropa ang magpaalala ng ikaw ay may sakit pa rin. Kahit hindi ko ipakita, ramdam.

Walong taon.

Walong taon ang lumipas ng muli tayong magusap.
Kamusta?
Maayos naman,
Ikaw?
Okay lang din.

At para bang binalot muli ang puso ko ng muling pagkawasak mula noong umpisa.

At tila ba hindi pa pala natapos ang istorya natin sa nakalipas na walong taon, hindi pa pala namatay ang 2012 na bersyon ng mga sarili natin.

Nagusap tayo. Pero 'yon pala ang mali natin. Na kaya pala hindi na tayo nagusap hanggang sa mga huling sandali ng pagkikita natin ay alam nating ang mga salita ay katumbas ng luha, at ang mga salita ay katumbas ng sakit, at ang mga salita ay katumbas ng muling pagwawakas.

Apat na libo tatlong daan at walumput tatlong milya ang layo natin sa isa't isa. Muli, ang parte ng kwentong ito ay nabuo na naman sa gitna ng maling sitwasyon at maling pagkakataon.

At ang pinaka masakit sa lahat at ang punit sa kwento nating dalawa ay meron na akong iba. Dahil alam kong hindi kita nahintay, at sana malaman **** hindi ka rin naman nagparamdam. Ang kwento nating dalawa ay masyadong naging komplikado dahil sa iba't ibang kamalian ng sitwasyon at pagkakataon.

At alam kong sa pagkakataon na ito ay hindi na dapat natin ito sisihin, dahil ang kamalian ay nasa atin nang dalawa. Kung paanong naging sobrang huli na pala, o sobrang aga pa pala.

Ang kwento nating dalawa ay maaaring dito na matatapos ngunit ayoko naman ding magsalita ng tapos, kagaya ng nangyari matapos ang walong taon, biglang nabuksan ang kwento. At hindi ko alam kung ilang taon ulit, o talagang tapos na.

Pero kagaya nga ng sabi mo, ito ang ang paborito **** kwento sa lahat, at oo, ako rin. Ang kwentong ito ay magsasalin salin pa sa inuman, sa kwentuhan, sa simpleng halinghingan, kwentong bayan; na may isang lalaki at babae na nagmahalan kahit pa pinilit itong patayin at makipag patayan. Isang kwentong puno ng kawasakan, at patuloy na pinaglaruan ng tadhana. Tapos na nga ba ang pahina? Muli, kagaya ng nakalipas na walong taon, ang sagot ay oo. Ngunit ang kwento ay buhay pa, at patuloy na mabubuhay pa sa puso ko.

She's back at it again. The amount of her friends' impatience towards her psychotic thoughts can never be equated to her very own exhaustion of her entire being. She, for the nth time, wants to leave the world.

She slams the door real hard as she walks out the room, which she shares with her three roommates. She's out of the room as she's out of her mind. She seeks for a space where she can fit herself. The innocent fire exit has no choice but to accept again, the traitor tears, the unending complaints, and even the stomping on the floor and the punching on the wall. From her view on the 12th floor, the busy streets of G. Tolentino and Laong Laan distract her.

"I can't even understand myself, how am I supposed to comprehend this blur?" she's now even fighting with her alter-ego. Everything is a mess. Everything is blurred. She hates herself for being four-eyed. She has no choice but to go back to the room just to get her glasses with 200-175 grade. Now, everything is clear. Not as clear as her life is going, though, but, at least, she can now clearly see the chaos that is the city of Manila.

Her eyes walk through G. Tolentino and the bittersweet memories of the off-campus practicum come rushing through her mind. She would ride the jeepney from G. Tolentino-Laong Laan all the way to Casañas-Dapitan. From there, she would walk three blocks before she could reach the public school where she would teach ninth and tenth graders. She was glad because of the warm welcome of the students, and at the same time, mad, because of the horror of the reality in the public school — the politics among the faculty. She shrugged it off and just continued with what she was supposed to do.

After each shift, she would walk four blocks to reach the one-way street where she could ride the jeepney back to her area. She would alight at Delos Reyes Street so she could rest for a while in her unit. In-campus practicum's at 12:30 P.M. anyway, she thought.

And now she's back at the fire exit at the 12th floor. The rays of the sun almost blind her. She blames herself for abusing her eyes way back in her childhood years. Now, she can't enjoy the wonders of life without her nerdy glasses. She unconsciously moves her left foot away from the shade of the sun because of the trauma from last year. Two painful experiences race through her mind, as if it's a contest on which should be recalled first. Of course, the more painful wins — getting kicked out of an all-ladies dormitory, together with her girlfriend, because of their, obviously, ****** preferences. It still haunts her until now. The 2nd runner-up, on the other hand, is the less painful, and therefore, the consequence of the first painful experience — having to find another dormitory during broad daylight, because of course, nighttime in Manila is utterly dangerous.

Starting from Dos Castillas, they seemed like two meerkats digging a tunnel, finding for a place to live. Apparently, posting on Dorm Hunters in Facebook was not as good as literally going through the fires of all big streets combined — España, Lacson, Dapitan, and P. Noval. She was supposed to prepare for practicum, while her girlfriend was supposed to prepare for thesis, yet there they were, harrowing Manila because it seemed like a big head with strands of hair full of lice. After almost a week of searching for a place, they had finally settled to a totally different one from their previous dormitory.

And now she's back at the fire exit at the 12th floor. She hopes her roommates aren't there, but they are, so she has no choice but to calm down. Boy, was it difficult to calm down! She stares at the sun as it sets, until it is finally out of sight. A tiny object catches her attention —it is an airplane. An airplane which brings her yet again to another memory, and at the same time, encourages her on her dream to travel the world.

It was once again a competition on which should be set forth. Again, the more powerful wins — the memory of someone leaving. Way back in her childhood years, whenever she would see an airplane, she would envision them riding that airplane, and finally going back home. She grew up tired waiting. They eventually came home, but she didn't care anymore whether she would stay or she would leave again. News flash! She left again. And again. And again. Now it doesn't matter to her anymore whether they come home or not. She still loved them either way. She just stopped wondering, asking, questioning, and all the other synonyms of asking why.

The pain of that memory is so strong, she is excited to overcome it immediately with her dream of traveling the world. An imaginary globe appears right in front of her face. Several people of different races talk to her. Oh boy, was she excited! Oh yes, she is! She can't stop giggling from the thought of her travelling and speaking different languages.

With all these memories, she calms down and finally goes back to the room, where her roommates already fell asleep. The sultry from outside of the room gets forgotten because of the air conditioner, which calms her more. She goes up to her bed on the double deck and listens to worship songs to calm herself even more. She falls asleep so easily but her sleep gets interrupted right away. It's 7 'o clock in the evening and her roommates invite her to dinner. They decide to eat at McDonald's in P. Noval. She's still lost from the 'traveling' she did that afternoon. She's still not on her mind the entire dinner, until they return to their room.

She goes out of the room again, but not to stay at the fire exit, but to actually get some fresh air. Unfortunately, there is no fresh air in Manila. She notices how dangerous the streets in Manila are during nighttime. Although it is dangerous as well in daytime, the only difference is there is a sun. Different kinds of poor people are all over the streets of Manila and it haunts the hell out of her. It brings back the horrors and traumas from her past—being prone to accidents and misfortunes. She goes back to the fire exit and indulges herself to another reflection.

She went out to get some fresh air, but she only got her wounds fresh yet again.

She looks again at the view from the 12th floor and realizes how the streets around the campus of her university have been haunting her. She tries to overcome her fears with the good memories. This time, she wins. She, then, releases her emotions by writing everything. In this way, she thinks, she will be able to let go of everything. As soon as she finishes the last part, she runs out of words and decides to end everything —just like that.

Welcome to Manila.

Feel free to fill your lungs with the nocturnal breeze

Signed by the nation's capital as it flows its life on the roads that lie under the moon's lunar glow.

The scents of Sampaguitas, rugby, human excrement, and the smell of burning gasoline

Constituting the sources of a rising problem that pollutes the air of a land

A land where people ignore the screams of health issues

For the latest news about events in the envied personal lives

Of hypocritical second-rate and overpaid actors who have become the annoying faces

Of household television screens in the Philippines.


To the left you'll see a wooden cart filled with discarded recyclables that serve as a livelihood by day,

And a bed by night as it stands on the road lined with the gutters

The gutters that serve as stomachs of the city, the only stomachs of the city that aren't suffering

From starvation and Ulcers as they are filled to the brim with the population's toxic waste,

Reeking into the air with a stench that only compliments

The smells of poverty and corruption, as the taxes that are meant to pay for progress

Are redirected to the politician's own pockets to be spent on his prostitutes and casino gambling.


Hear the music of manila; the harmonious sounds of infants that weep

As they are trapped in a living nightmare as they toss and turn and try to sleep along the roads

Buzzing with the sounds of beeping horns through the late rush hour traffic

Mixed with the sounds of the occasional clink of the falling silver peso coin into beggars' cups,

And other  homeless people  under the delusional impression

That pedestrians actually care for their well being and listen to their creaking voices

As they beg for spare change, while deep down they beg and pray

For a total change in the states of their starving lives.


The dark reveals the most candid face of the nation

like an ironic twist in nature as in the shadows, more is seen than under the burning  light of the
pretentious day.

The street lights are like the eyes that witness  ice picks piercing innocent  flesh
and purses being taken from passers-by

While in the shadows of alleys nobody sees the slow and painfully traumatic scenes
of young teen-aged girls being *****

And motorcycle gangs that rain semi-automatic ammunition into skulls of lawyers just stopping by at Shell for gasoline.

Seldom heard in the air are the faint whispers in heads that hold the scattered thoughts and memories
of depressed drug addicts walking along Chinatown near the railroad tracks

Inhabited by people who blame their neighbors, their families, and the government,

And never blame themselves for their lives that have brutally fallen beneath the vicious line of everlasting poverty.

my boy's got me tongue tied in two different languages
he's calling me baby on mondays and sinta 'til sundays
he's got me looking for him in between eskinitas
and cathedrals from quezon avenue to intramuros
all i see are his eyes
and 7,107 islands in the palms of his hands
and i never knew love could be so hard
when your words ran faster than your heart
makata is what they call you
a master of poetry and performance
you called me your greatest work
and you are a master of fiction
manileño is what you are
my boy's got manila's grime and glory
pulsing through his makata veins
he's got makati's lights burning through his irises
he's got the danger of manila beating in his chest
he's got the cries of san juan lodged in his throat
he's got the rhythm of the city in every step
my boy's still a boy
hijo is what you think you aren't
he's got three stars on his back
and he thinks he's the sun
he thinks he can change the world
himagsikan is what he wants
a revolution beginning with him
but tell me makata, manileño, hijo,
my boy
how are you going to save me?
how are you going to love this country?
my boy's tongue tied in two different faiths
my boy forgot to save himself

"Hoy! Bata! Magpapakamatay ka ba?"

"Magpapakamatay ka nga e. Buhay nga naman o!"

"Sigurado ka na ba sa gagawin mo, bata? May maghahahanap ba sa iyo kapag nawala ka? May magluluksa ba sa bangkay mo kapag namatay ka?"

"Bata ka pa. Alam kong marami ka pang pangarap sa buhay mo. Kung may magulang ka pa at mga kapatid, sana naiisip mo rin sila. Sana mararamdaman mo rin ang mararamdaman nila kapag nalaman nilang magtatangka kang magpakamatay. Isipin mo bata."

"Kung desidido ka na at sa isip mo ay wala ng nagmamahal sa iyo, sige.. ituloy mo ang pagpapakamatay mo. Basta iyong pakatandaan na sa bawat yugto ng ating buhay, minsan lang tayo binigyan ng pagkakataong itama ang kung ano mang pagkakamaling nagawa natin. Wala tayong karapatang wakasan ang buhay na ipinagkaloob sa atin ng Maykapal. Sige, bata. Mauna na ako. Advance rest in peace."

Dinig na dinig ko pa ang paghampas ng malalakas na alon sa baybayin nang mga sandaling iyon. Naalala ko pang nababasa na rin ang aking mukha sa bawat tubig-alat na dumadampi sa akin noong mga panahong tinangka kong magpakamatay.

Gusto kong wakasan ang aking buhay.
Gusto kong malunod.
Gusto kong tangayin ng mga alon ang aking katawan.
Gusto kong mapuno ng tubig-alat ang aking ilong at bunganga hanggang sa mawalan na ako ng hininga at unti-unting bumulusok pailalim sa kailaliman ng dagat.

Ngunit... ang salitang binitiwan ng isang taong iyon ang nagsilbing leksiyon sa akin na pahalagahan pa ang aking buhay at ang mga taong nagmahal sa akin.

"Kung desidido ka na at sa isip mo ay walang nagmamahal sa iyo, sige, ituloy mo ang pagpapakamatay mo. Basta iyong pakatandaan na sa bawat yugto ng ating buhay, minsan lang tayo binigyan ng pagkakataong itama ang kung ano mang pagkakamaling nagawa natin. Wala tayong karapatang wakasan ang buhay na ipinagkaloob sa atin ng Maykapal."

Noon, akala ko ang pagpapakamatay ang solusyon upang takasan ko ang dagok sa aking buhay. Nawalan ako ng tunay na ina. Namatayan ako ng ama. Pinagmalupitan ako ng aking madrasta. Hindi ako minahal ng mga kapatid ko sa ama. Kaya naglayas ako at napadpad sa baybaying dagat at doon ay naisipan ko na lamang na magpatiwakal.

Nawalan man ako ng magulang pero alam kung may nagmamahal pa rin sa akin. Hindi ko sila kadugo pero lagi silang nariyan para palakasin ang loob ko. Sila ang mga tinatawag kong mga kaibigan.
Pagkatapos ng nangyari noong pagtatangka ko ay ipinagpatuloy ko ang aking buhay. Sa tulong ng aking mga kaibigan ay nagtagumpay akong maging masaya.

Hindi ako nag-iisa. Tinulungan din nila akong magbalik-loob sa Diyos. Ang mga nagawa nila ay isang napakalaking biyaya sa akin.

"Kung sa tingin mo ay hindi mo na kaya, magsabi ka lang. Kaming bahala sa iyo," naalala kong sabi ni Jem.

"Kaibigan mo kami. Huwag kang mahiyang magkuwento sa amin. Promise, makikinig kami," pag-aalo sa akin noon ni Jinky.

"Hindi lang ikaw ang may pinakamabigat na suliranin sa mundo, Igan. May mas mabigat pa sa pinagdaraanan mo. Tiwala lang na makakayanan mo ang lahat," kumpiyansa namang wika ni Kuya Ryan.

"Kalimutan mo ang mga bagay na nagpapadagdag lang ng kalungkutan diyan sa puso mo. Tandaan mo, ang Diyos ay laging nakaakbay sa iyo. Nandito ako. Narito kaming mga kaibigan mo. Tutulungan ka naming bumangon," nakangiting saad ni Charm.

"Huwag ka na ulit magtangkang magpakalunod sa dagat ha? Kapag ginawa mo ulit iyon, kami na ang lulunod sa iyo. Ha-ha. Biro lang. Lakasan mo ang loob mo. Hindi ka nag-iisa," ang loko-lokong wika ni Otep.

Sa tuwing maalala ko ang mga kataga at salitang galing sa mga tunay kong kaibigan, panatag palagi ang loob ko na hindi ko na uulitin ang nangyaring iyon sa buhay ko. Papahalagahan ko ang hiram na buhay na ipinagkaloob sa akin ng Maykapal. Gagawin ko ang lahat upang maging masaya.

Narito ako ngayon sa Manila Bay at naglalakad-lakad. Gusto ko lang sariwain ang mga alaalang naging tulay noon upang pahalagahan ang buhay ko ngayon. Hindi man lamang ako nakapagpasalamat sa taong sumaway sa akin noon. Kung may pagkakataong makita ko man siya ay taos-puso akong magpapasalamat sa kaniya.

Pinagmasdan ko ang karagatan. Wala pang isang minuto akong naroon ay may nahagip ng mga mata ako ang isang babae na dumaan sa harapan ko. Patungo siya sa mabatong bahagi. Tila wala siya sa kaniyang sarili.

Nilingon ko ang paligid. Wala man lamang nakapansin sa kaniya. At wala ngang masyadong tao na naroon nang mga oras na iyon.

Mukhang magpapakamatay yata siya. Alam ko ang eksenang ito. Kung dati ako ang nasa posisyon niya, ngayon naman ay ang babaeng ito. At dahil ayokong may mangyaring masama sa kaniya, ako naman ngayon ang gagawa ng paraan para matulungan siya.

"Miss, magpapakamatay ka ba?" hindi niya ako nilingon.

"Magpapakamatay ka nga. Sigurado ka na ba sa gagawin mo?" lumingon siya sa akin at kitang-kita ko ang luhaan niyang mukha.

"Alam ba ng pamilya mo ang gagawin mo? Alam mo ba ang mararamdaman ng ina at ama mo kapag nawala ka? Sa tingin mo ba ay tama ang gagawin mo?" nakita kong napabuntong-hininga siya na tila nag-iisip sa mga ibinabatong tanong ko.

"Napagdaanan ko na rin iyan at diyan din mismo sa mga batong iyan ako dapat na magpapakamatay. Pero... hindi ko itinuloy. Alam mo ba kung bakit?" tumingin siya sa gawi ko at nagtama ang aming paningin. Parehong nangungusap.

"Ba-bakit?" nauutal niyang tanong sa akin.

"Bakit? Dahil wala tayong karapatang wakasan ang buhay na ipinagkaloob sa atin ng Maykapal. Ang buhay natin ay mahalaga. Sana maisip mo iyon. Hindi pa huli ang lahat para itama ang mga bagay na sa tingin mo ay mali o nagawa mo. Hiram lamang ang buhay natin. Magtiwala ka, Miss. Mahal tayo ng Panginoon. Mahal niya ang buhay natin. At alam kong mahal mo rin ang buhay mo," iyon ang mga huling katagang binitiwan ko saka ako tumalikod sa kaniya.

Hindi pa man ako nakakahakbang ay narinig kong tinawag niya ako. At nang lumingon ako ay bigla na lamang niya akong niyakap.

**

Ang pangalan niya ay Yssa at siya lang naman ang babaeng tinulungan ko tatlong buwan na ang nakararaan. Siya lang naman ngayon ang kasintahan ko. Pareho kaming nagtangkang wakasan ang aming buhay, ngunit pareho din naming napagtantong hiram lamang ito at dapat na mahalin namin. Sinong mag-aakala na kami ang magkakatuluyan sa huli?