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Pan
Over the hills,
From mountain to mountain,
He dances and hunts and roams.
Playing his pipes,
And drinking the wine,
He dances and hunts and roams.

Horned God,
***** God,
Dancing God,
Drinking God,
Hooves upon the hills.

A cave in the hills,
The heart of his fair Arcadia,
He dances and hunts and roams.
Demeter he found,
And then he told Zeus,
He dances and hunts and roams.

Horned God,
***** God,
Dancing God,
Drinking God,
Hooves upon the hills.

In fair Arcadia,
He stood feeding his hounds,
He dances and hunts and roams.
Artemis came,
And he gave her ten pairs,
He dances and hunts and roams.

Horned God,
***** God,
Dancing God,
Drinking God,
Hooves upon the hills.

Visions and dreams,
In trances and dances of ecstasy,
He dances and hunts and roams.
Fair Apollo came,
And learned prophecy at his feet,
He dances and hunts and roams.

Horned God,
***** God,
Dancing God,
Drinking God,
Hooves upon the hills.

Bragging and boasting,
He plays his pipes and he dances,
He dances and hunts and roams.
Apollo comes challenging,
And the mountain god liked lyres,
He dances and hunts and roams.

Horned God,
***** God,
Dancing God,
Drinking God,
Hooves upon the hills.

Echo he loved,
He sang and he wooed,
He dances and hunts and roams.
Scorning his love,
His panic tore her to shreds,
He dances and hunts and roams.

Horned God,
***** God,
Dancing God,
Drinking God,
Hooves upon the hills.

Youngest of gods,
But oldest by far,
He dances and hunts and roams.
Father of all,
And forever the Child,
He dances and hunts and roams.
1969 Hartford art school is magnet for exceedingly intelligent over-sensitive under-achievers alluring freaks congenital creeps and anyone who cannot cut it in straight world it is about loners dreamers stoners clowns cliques of posers competing to dress draw act most outrageous weird wonderful classrooms clash in diversity of needs some students get it right off while others require so much individual attention one girl constantly raises her hand calls for everything to be repeated explained creativity is treated as trouble and compliance to instruction rewarded most of faculty are of opinion kids are not capable of making original artwork teachers discourage students from dream of becoming well-known until they are older more experienced only practiced skilled artists are competent to create ‘real art’ defined by how much struggle or multiple meanings weave through the work Odysseus wants to make magic boxes without knowing or being informed of Joseph Cornell one teacher tells him you think you’re going to invent some new color the world has never seen? you’re just some rowdy brat from the midwest with a lot of crazy ideas and no evidence of authenticity another teacher warns you’re nothing more than a bricoleur! Odysseus questions what’s a bricoleur teacher informs a rogue handyman who haphazardly constructs from whatever is immediately available Odysseus questions what’s wrong with that? teacher answers it’s low-class folk junk  possessing no real intellectual value independently he reads Marshall McLuhan’s “The Medium Is The Message” and “The Notebooks of Leonardo da Vinci” he memorizes introductory remark of Leonardo’s “i must do like one who comes last to the fair and can find no other way of providing for himself than by taking all the things already seen by others and not taken by reason of their lesser value” Odysseus dreams of becoming accomplished important artist like Robert Rauschenberg Jasper Johns Andy Warhol he dreams of being in eye of hurricane New York art scene he works for university newspaper and is nicknamed crashkiss the newspaper editor is leader in student movement and folk singer who croons “45 caliber man, you’re so much more than our 22, but there’s so many more of us than you” Odysseus grows mustache wears flower printed pants vintage 1940’s leather jacket g.i. surplus clothes he makes many friends his gift for hooking up with girls is uncanny he is long haired drug-crazed hippie enjoying popularity previously unknown to him rock bands play at art openings everyone flirts dances gets ****** lots of activism on campus New York Times dubs university of Hartford “Berkeley of the east coast” holding up ******* in peace sign is subversive in 1969 symbol of rebellion youth solidarity gesture against war hawks rednecks corporate America acknowledgment of potential beyond materialistic self-righteous values of status quo sign of what could be in universe filled with incredible possibilities he moves in with  painting student one year advanced named Todd Whitman Todd has curly blond hair sturdy build wire rimmed glasses impish smile gemini superb draftsman amazing artist Todd emulates Francisco de Goya and Albrecht Durer Todd’s talent overshadows Odysseus’s Todd’s dad is accomplished professor at distinguished college in Massachusetts to celebrate Odysseus’s arrival Todd cooks all day preparing spaghetti dinner when Odysseus arrives home tripping on acid without appetite Todd is disappointed Odysseus runs down to corner store buys large bottle of wine returns to house Todd is eating spaghetti alone they get drunk together then pierce each other’s ears with needles ice wine cork pierced ears are outlaw style of bad *** bikers like Hell’s Angels Todd says you are a real original Odys and funny too Odysseus asks funny, how? Todd answers you are one crazy ******* drop acid whenever you want smoke **** then go to class this is fun tonight Odys getting drunk and piercing our ears Odysseus says yup i’m having a good time too Todd and Odysseus become best friends Odysseus turns Todd on to Sylvia Plath’s “The Bell Jar” and “Ariel” then they both read Ted Hughes “Crow” illustrated with Leonard Baskin prints Todd turns Odysseus on to German Expressionist painting art movement of garish colors emotionally violent imagery from 1905-1925 later infuriating Third ***** who deemed the work “degenerate” Odysseus dives into works of Max Beckmann Otto Dix Conrad Felixmulller Barthel Gilles George Grosz Erich Heckel Ernst Ludwig Kirchner Felix Nussbaum Karl *******Rottluff Carl Hofer August Macke Max Peckstein Elfriede Lohse-Wachtler Egon Shiele list goes on in 1969 most parents don’t have money to buy their children cars most kids living off campus either ride bikes or hitchhike to school then back home on weekends often without a penny in their pockets Odysseus and Todd randomly select a highway and hitch rides to Putney Vermont Brattleboro Boston Cape Cod New York City or D.C. in search of adventure there is always trouble to be found curious girls to assist in Georgetown Odysseus sleeps with skinny girl with webbed toes who believes he is Jesus he tries to dissuade her but she is convinced

Toby Mantis is visiting New York City artist at Hartford art school he looks like huskier handsomer version of Ringo Starr and women dig him he builds stretchers and stretches canvases for Warhol lives in huge loft in Soho on Broadway and Bleeker invites Odysseus to come down on weekends hang out Toby takes him to Max’s Kansas City Warhol’s Electric Circus they wander all night into morning there are printing companies longshoremen gays in Chelsea Italians in West Village hippies playing guitars protesting the war in Washington Square all kinds of hollering crazies passing out fliers pins in Union Square Toby is hard drinker Odysseus has trouble keeping up  he pukes his guts out number of times Odysseus is *** head not drinker he explores 42nd Street stumbles across strange exotic place named Peep Show World upstairs is large with many **** cubicles creepy dudes hanging around downstairs is astonishing there are many clusters of booths with live **** girls inside girls shout out hey boys come on now pick me come on boys there are hundreds of girls from all over the world in every conceivable size shape race he enters dark stall  puts fifty cents in coin box window screen lifts inside each cluster are 6 to 10 girls either parading or glued to a window for $1 he is allowed to caress kiss their ******* for $2 he is permitted to probe their ****** or *** for $10 girl reaches hand into darkened stall jerks him off tall slender British girl thrills him the most she says let me have another go at your dickey Odysseus spends all his money ******* 5 times departing he notices men from every walk of life passing through wall street stockbrokers executives rednecks mobsters frat boys tourists fat old bald guys smoking thick smelly cigars Toby Mantis has good-looking girlfriend named Lorraine with long brown hair Toby Lorraine and Odysseus sit around kitchen table Odysseus doodles with pencil on paper Toby spreads open Lorraine’s thighs exposing her ****** to Odysseus Lorraine blushes yet permits Toby to finger her Odysseus thinks she has the most beautiful ****** he has ever seen bulging pelvic bone brown distinctive bush symmetric lips Toby and Lorraine watch in amusement as Odysseus gazes intently Tony mischievously remarks you like looking at that ***** don’t you? Odysseus stares silently begins pencil drawing Lorraine’s ****** his eyes darting back and forth following day Lorraine seduces Odysseus while Toby is away walks out **** from shower she is few years older her body lean with high ******* she directs his hands mouth while she talks with someone on telephone it is strange yet quite exciting Odysseus is in awe of New York City every culture in the world intermingling democracy functioning in an uncontrollable managed breath millions of people in motion stories unraveling on every street 24 hour spectacle with no limits every conceivable variety of humanity ******* in same air Odysseus is bedazzled yet intimidated

Odysseus spends summer of 1970 at art colony in Cummington Massachusetts it is magical time extraordinary place many talented eccentric characters all kinds of happenings stage plays poetry readings community meals volleyball after dinner volleyball games are hilarious fun he lives alone in isolated studio amidst wild raspberries in woods shares toilet with field mouse no shower he reads Jerzy Kosinski’s “Painted Bird” then “Being There” then “Steps” attractive long haired girl named Pam visits community for weekend meets Odysseus they talk realize they were in first grade together at Harper amazing coincidence automatic ground for “we need to have *** because neither of us has seen each other since first grade” she inquires where do you sleep? Todd hitches up from Hartford to satisfy curiosity everyone sleeps around good-looking blue-eyed poet named Shannon Banks from South Boston tells Odysseus his ******* is not big enough for kind of ******* she wants but she will **** him off that’s fine with him 32 year old poet named Ellen Morrissey from Massachusetts reassures him ******* is fine Ellen is beginning to find her way out from suffocating marriage she has little daughter named Nina Ellen admires Odysseus’s free spirit sees both his possibilities and naïveté she realizes he has crippling family baggage he has no idea he is carrying thing about trauma is as it is occurring victim shrugs laughs to repel shock yet years later pain horror sink in turned-on with new ideas he returns to Hartford art school classes are fun yet confusing he strives to be best drawer most innovative competition sidetracks him Odysseus uses power drill to carve pumpkin on Halloween teachers warn him to stick to fundamentals too much creativity is suspect Todd and he are invited to holiday party Odysseus shows up with Ellen Morrissey driving in her father’s station wagon 2 exceptionally pretty girls flirt with him he is live wire they sneak upstairs he fingers both at same time while they laugh to each other one of the girls Laura invites him outside to do more he follows they walk through falling snow until they find hidden area near some trees Laura lies down lifts her skirt she spreads her legs dense ***** mound he is about to explore her there when Laura looks up sees figure with flashlight following their tracks in snow she warns it’s Bill my husband run for your life! Odysseus runs around long way back inside party grabs a beer pretending he has been there next to Ellen all night few minutes later he sees Laura and Bill return through front door Bill has dark mustache angry eyes Odysseus tells Ellen it is late maybe they should leave soon suddenly Bill walks up to him with beer in hand cracks bottle over his head glass and beer splatter Odysseus jumps up runs out to station wagon Ellen hurriedly follows snow coming down hard car is wedged among many guest vehicles he starts engine locks doors maneuvers vehicle back and forth trying to inch way out of spot Bill appears from party walks to his van disappears from out of darkness swirling snow Bill comes at them wielding large crowbar smashes car’s headlights taillights side mirrors windshield covered in broken glass Ellen ducks on floor beneath glove compartment sobs cries he’s going to **** us! we’re going to die! Odysseus steers station wagon free floors gas pedal drives on back country roads through furious snowstorm in dark of night no lights Odysseus contorts crouches forward in order to see through hole in shattered windshield Ellen sees headlights behind them coming up fast it is Bill in van Bill banging their bumper follows them all the way back to Hartford to Odysseus’s place they run inside call police Bill sits parked van outside across street as police arrive half hour later Bill pulls away next day Odysseus and Ellen drive to Boston to explain to Ellen’s dad what has happened to his station wagon Odysseus stays with Ellen in Brookline for several nights another holiday party she wants to take him along to meet her friends her social circles are older he thinks to challenge their values be outrageous paints face Ellen is horrified cries you can’t possibly do this to me these are my close friends what will they think? he defiantly answers my face is a mask who cares what i look like? man woman creature what does it matter? if your friends really want to know me they’ll need to look beyond the make-up tonight i am your sluttish girlfriend! sometimes Odysseus can be a thoughtless fool

Laura Rousseau Shane files for divorce from Bill she is exceptionally lovely models at art school she is of French descent her figure possessing exotic traits she stands like ballerina with thick pointed ******* copious ***** hair Odysseus is infatuated she frequently dances pursues him Laura says i had the opportunity to meet Bob Dylan once amazed Odysseus questions what did you do? she replies what could i possibly have in common with Bob Dylan? Laura teases Odysseus about being a preppy then lustfully gropes him grabs holds his ***** they devote many hours to ****** intimacy during ******* she routinely reaches her hand from under her buns grasps his testicles squeezing as he pumps he likes that Laura is quite eccentric fetishes over Odysseus she even thrills to pick zits on his back he is not sure if it is truly a desire of hers proof of earthiness or simply expression of mothering Laura has two daughters by Bill Odysseus is in over his head Laura tells Odysseus myth of Medea smitten with love for Jason Jason needs Medea’s help to find Golden Fleece Medea agrees with promise of marriage murders her brother arranges ****** of king who has deprived Jason his inheritance couple is forced into exile Medea bears Jason 2 sons then Jason falls in love with King Creon’s daughter deserts Medea is furious she makes shawl for King Creon’s daughter to wear at her wedding to Jason  shawl turns to flames killing bride Medea murders her own sons by Jason Odysseus goes along with story for a while but Laura wants husband Odysseus is merely scruffy boy with roving eyes Laura becomes galled by Odysseus leaves him for one of his roommates whom she marries then several years later divorces there is scene when Laura tells Odysseus she is dropping him for his roommate he is standing in living room of her house space is painted deep renaissance burgundy there are framed photographs on walls in one photo he is hugging Laura and her daughters under big oak tree in room Laura’s friend Bettina other girl he fingered first night he met Laura at party is watching with arms crossed he drops to floor curls body sobs i miss you so much Laura turns to Bettina remarks look at him men are such big babies he’s pitiful Bettina nods

following summer he works installing displays at G. Fox Department Store besides one woman gay men staff display department for as long as he can remember homosexuals have always been attracted to him this misconception is probably how he got job his tenor voice suggesting not entirely mature man instead more like tentative young boy this ambiguous manifestation sometimes also evidences gestures thoroughly misleading after sidestepping several ****** advances one of his co-workers bewilderingly remarks you really are straight manager staff are fussy chirpy catty group consequently certain he is not gay they discriminate against him stick him with break down clean up slop jobs at outdoor weekend rock concert in Constitution Plaza he meets 2 younger blond girls who consent to go back to his place mess around both girls are quite dazzling yet one is somewhat physically undeveloped they undress and model for Odysseus radio plays Roberta Flack’s “Killing Me Softly With His Song” both girls move to rhythm sing along he thinks to orchestrate direct decides instead to let them lead lies on bed while curvaceous girl rides his ******* slender girl sits on his face they switch all 3 alternate giggle laughter each girl reaches ****** on his stiffness later both assist with hands mouths his ****** is so intense it leaves him paralyzed for a moment

in fall he is cast as Claudius in production of Hamlet Odysseus rehearses diligently on nights o
Shofi Ahmed Mar 2017
I
A flower that smells of pure bliss keeps an ear to the ground
It's a serene one sitting beneath the stars down on earth
The moon, far, far, seven seas away, loves to drop into her lap.

The Bay of Bengal billows, music has gotten beneath the skin.
The leaves furl out off the deep wood with the birds
singing out to the top of the trees, rhyming with the leafy dance.
Heavensent, that was in one sanguine day in the spring.
The Mother’s Language Movement in 1952 sprouted like this
on the eighth of native Falgun month—oh magic did it unleash!

On that day our beloved brothers were shot dead
They could swallow the bullets with smiles but won’t give up
demanding the official status for the Bangla mother tongue.
Angels wrapped round the martyrs amid lamenting mothers
Laid them on Falgun’s perfumed ground bleeding corpses
Seas of roses bloomed and blew them out red, red kisses!

They are gone not the stone wall of consciousness they raised
Ah, at the sprout of the spring what were they echoing?
Ingrained deep in the soil the pre-designing voice in the planning?
Who can tell? The world gels on February 21 in celebrating!

The angels then snapped up our martyrs’ souls off the land,
placed them on a piece of Heaven where they can hear the jingle.
Down on earth, a nation springs up, has gotten its wake up call!
Stepping on the sweetening arc of the mother tongue melody
the stone turns a flower, all in a butterfly moment soaring to victory.
Thanks to the movement - Bangladesh itself later comes to be!

II
The sun comes down to the rose painting on the land
In the heavenly Falgun hues it nibbles some wild summer dreams.
“Serene songs of earth stirring the water,” like it comes into play,
rowing the cloud bubbles singing in southern breeze.
Ah, a walk on the sun-kissed kaleidoscope land is a pure bliss.  
Every blossom spray of the wind is soothing sweet
Hop on and play straight to the ruby heart, as if it's a flute.

Mother tongue means speak free, fearless, in full streaming.
Speak the heart to the world without the fear of losing the cloud
that will listen, bouncing back on the brink of the sky river.
Then what did one say, hear, or was awed by in the blooming Falgun?
Could it have been the spring humming in her native lingua
or King David singing in mother tongue by babbling brooks
what in any other language, even with a silver tongue, isn’t possible?

Allah has listened to our martyrs’ crying mothers and fathers
The martyrs’ souls whisk through the galaxies and starry fair.
Soar high over the clouds, take the rainbow's *** of gold away,
like a hue turns 360-degree in the colourwheel bask into the colour.
still, dip the toes in Bangla mother’s soil salted with perfumed art
like Himalayan water swirling down melting deeper deep down
this magicland is polished for everyone be it you, a fairy, a star
or off the ploughed-out barrow a walked out wonder!

A pristine voice duo’s voiceprint gleans to the spring in muse,
Pops in a beauteous scurry and speaks in the mother tongue!
Hidden within the earthy depth, only emerges with time,
only dances in tangent, that day slipped out with the butterflies.
And finally the blue nymphs take the plunge drop down the sky  
that day the mother’s voice triumphed, whose is the most original!
This is a poem from my book Zero and One available on Amazon.
n)Ethno-spirit and Biodiversity (Diogiversity)

Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, features, colors, and textures of neutrality, focused on a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, whose diversity of genetic seizures, will adopt natural and compound patterns, but always predominant in the biological pattern and organic. Wandering the world in desert places, in alloys and classified plant compounds, emptying their species through the hollow of the atmosphere and through the green grasslands in the reviving surviving evolution of organisms and species that for the first time see each other as a biotype between rocks and plantations, reciprocally among themselves, and extemporaneously generating mythological genetics heritages. Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of, and inter-procedural reality of carbon, that factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon. encompassing all mythological species where the Life expectancy and Super life unfolds.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving the extinction of plagues or flagrant excesses not converted, Hyperdisis has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No. Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and tell transportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic diseases and endogenous. Forests and parks of Hyperdisis in the symbiotic open air, for more airs in microbiological space, in the intimate portion from greatest to least challenge of elements exclusive of antinomies of hieratic human bio culturalization, in a showcase of communities with an interest in technologies and renewable empirical usability, each part doing its scientific role and biodiversity in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existing, although it passes before our eyes without a Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super-appraisal measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and approving biological elements. The wealth and abundance of this item are delegated to Leiak, in all the revolutionary processes of the oak forests and the high mountains,

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects. Claiming innocent beings with greater attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. Feedback quantifies offset options in carbon circulation, offsetting multipurpose CO₂ inventory. Through the darkness Zefián and Vernarth traveled in the streets of Rhodes, and in Tsambika looking for the distilled portions of the carbon and sulfur emanated by the Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Helleniká and the souls that wandered were ringed under crescent-encrusted rings, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Helleniká, In the myth of the dustbin woodworm of the frieze where Etréstles perched next to Zefián's strap, who would manipulate the gold and alabaster chain, to pull its ascetic and rubies from it, approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn, and the mountainous temple of the one that follows the equinox in the meridian of seven days towards the southern and northern hemisphere. in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn. They enter the Necropolis of Helleniká, by upper and lower trays, cordoned off by obelisks in a series of petrified labels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intra-bodies of petrified breaths, expanding in the segments of frenetic life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shade. It was already dawn, Etréstles and the Archpriest broke the loaves to deposit them in the bowl of the Day, stretching in the arms of heaven under the gargle of the god Vertumnus who forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Citarista yawning on the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Helleniká, from the lair of his rib one, sees Diogenes of Sinope emerge, splitting with his doctrinal staff all the Isthmian paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander the Great asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me, and the bad ones I bite." Again, more murmurs, but Alejandro was not moved by those answers and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me"..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean ossuary seed, without heat or memory here in Corinth and its Diogiversity ".

o)Reflection space length (π)

The hemispheres were out of proportion, one another was modified in the air, leaving the horizon exorbitant and the poles out of square. Coastal the lengths of the sun around areas that some Helleniká countrymen had never put on the crowns of their consciousness. Certain pressure changes dislocated other modules in the filaments that had rudimentary inaccuracies, creating reflection space failures in the installation of the Duoverso, due to the due calculation defect. The observations of Hyperdisis, generated superpositions of the Zigzag Universe, before the crescent moon, after the full moon, again de-calculating the sphere of Hyperdisis in relation to the ecstatic length of itself in the hands of a third of a second a day, to overflow in impositions that They revealed Dekas Cove in Kimonos(π).

The value of the opinion of reflections will be the originality of breaking of statics, of the motors of the verb and the conscience of the flushed being, and of erudition of the naive contrast when decanting the perceived morality. They concur with the moral value in every sub-mythology of an ambivalent being of supernatural human co-belonging, not dependent on gnoseological reflections, rather spontaneous under the embankment of reason. The latter being absent in the shadow of its shadow, no reflection can take hold of anti-values, self-valorized in contingencies under the effects of the drug of lies or truth, in a difficult equation to refer to in gnosis treatises, declaring the absence of consciousness to species without reflection or length of their molecular evolution, in evidence of mythological humans. The triangle Patmos, Rhodes, and Kímolos, make up a Venusian adonis, of stimuli in the nostrils of Aion, which sneezed on the integrity of the reflex arc at high speed superseded in the tremors of Athens until Hyperdisis, flashing anatomical and pejorative on the optic nerve of the Colossus Rodino, and the twisting of the multi-personal muscles..., but already depersonalized..., with little telluric reaction in the core of the symmetry of his legs, dodging as he thrashed on his frowned arms, behind the legs of the lycaons..., digging his jaws in reflex arches, for ages that only an immemorial one would enchant him, and be it the throbbing of the earth in the crust and seams of the calcined Colossus. Existing like this their reflection of attenuated light, they shook through the sea full of sinewy pieces of precise length. Frequently in the hydronium cations, undermining the temporality of Tsambika in random stones in the humid, and dark narrowness of the anthropic reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. In Helleniká, everything that is expected, flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas it flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas from Devonian to Cretaceous, escaping from the ferocities of the Etesios and these same escaping from the roars of Vernarth.

p) One-Dimensional Beams II

When their ears fell in love with the Orthoptera or Grylloideas before Joshua, the night became restless, abandoning them from their shelters, they brushed the seeds of the thistle that trembled with the new millennium of the Duoverse. Levitating their ailerons in the tenors of their birth and dilettante sounds, before an ovipositing candor of the remains of the abdomen that remained in their jaws, always being from one of the Beams, for the largest Enciphers that hung from their antennas in search of Joshua's telepathic messages in the manger. Sappho of Mytilene, also known as Sappho of ****** or simply Sappho, pretended to be a marigold proliferating in the twenty corridors of the Greek poet, and also as the tenth poet in the other ten that was reflected with transparent wings of the dew that stuck, phenomenal of physique -Saphonic and in the recent rain of wind and condensed air, in the form of drops due to the sudden decrease in temperature in contact with cold surfaces. Sappho's dew was talked about in Kafersesuh, usually when it comes to condensation on a Poetic Grylloidae surface, naturally on the ground cover or artificially in a dull cloudy crystalline, in the amount of supernatural tradition, heroes, superheroes, and anti-heroes conspiring with the territorialities of hexagonality.

The Aramaic message comes forward with vigor from the orthopterans and birds that piled up on the journey, going back and forth. The Beams shone from the celestial kingdom holding on to the Cherubim and the Archangels, through the paths of conversion and the support of the bizarre Christian time, in implacable hegemony for the propaedeutic of phylogeny, but more than perfumers chemistry and the same creation. carrying Lepidoptera winged tetra and Sand Crickets, on the interlocking and obfuscated pheromones from a nascent-elemental child, in his own evangelical philosophy, from a winged dimensionality and in the gloom of Manger shouted and aligned, before the compendiums of double pyramidal landmarks and of inflection, of his word in the Grylloids and panaceas created in the affinities of the world and Animalia, stylizing muleteers carriers, phrasing acronyms and parabolizing the polygonic nomenclature of the child made a territorial man on the wings of a Cricket, already being it !, but representing himself as a lifeless man in the entirety of an advantageous canon child, from a sudden bi-dimensionality of Grylloideos. A great Zohar light gathered all towards a whole in those vantage points of terrestrial columns and orthopterans that Joshua felt in advance in his resined ears, like irreversible entropy giving back his wise existence to prepare them for the day of his holocaust. Pre Existing in catharsis and busilis substance of divinity connected with the Grylloid phylogenetic species, classifying until the Aramaic crackle, pontifying pheromones settled in the lithosphere site of Gethsemane, coincidence in the wading of a Libraco period, or in the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in the characters of the vibrational timbre of the Beams and the atavistic pedestal, readapting in the evolutionary ellipticals of tetra-winged species, allowing to change the ancestral linguistic accouterments in processes of redesigning the genetic historical tree..., divine and increasing.

Inter-Duoverse, in space demography, has been frequented since today in a nuptiality between the Sun and Earth, wrapping the inter-generational homes that have prostrated themselves to the One-dimensional Beams, evolving millions of years between links of angels from the north and the south., for each year between half years and decades that the ancestors are passionate about, unleashing in what they aged in their youthful lives and eternal ideals, as an atom not guaranteed in families that did not get to know their Duoverse. When they walk through the urbanized farm of their parents they go in their shoes and in the paternal and inter-parental sun barefoot, the children travel far from the monographic patriarchy, declaring themselves between psychic families and unstable plots of core conformity and procreation.

The line of supra healthy cerebral is born from the Beams of deforested family trees and treasured in the Trunk of the seventh ascending generation, towards a nefarious tribal of industrious and vegetating regressive parapsychology, bringing zombie societies, to great lethargy that disorganizes the parallel emotion of the Being descended from a Messiah, with the prophetic organization. There in the Koumeterium of Messolonghi, in past generations, the "IO" was omitted to limit them from the spellings like Ghost Cemetery lost in other lost sacramental ancestors. The inappropriate location of our ancestral duties has guided us in the axis of the pabulum, before the second coming of Messiah Parousia, to continue the re-sprouting foliage of the Universal theological tree. The children of the seven intergeneration generations, will be from the endearing of a patriarchal family, and those of Exo family lineage will be from outside the non-generational family, where everything flourishes according to the requiems of ******-domestic economies, and in the new chimera from new shocks and reprimands, already being spouses the Sun and the Earth after being divorced from a deluge of immolations and inter-millennia and rotations, further than those of any prophet wandering without advancing or rotating, enlisting and expiring in succumbed and pre-historicized generations of other prehistoric ones. Pre and post Flood; not presenting itself as the object of linking a thousand decades where not even a holy chirp from the Thrush, praises on the windows of the world bringing us babies that are born without past or future quantum generations. Ready to the hint of Duality and its nuptiality with the Sun and the Earth, They will make us magical creditors of the increase in demography and of unions that will marry in inter generations, not seeing passions in exhaustion, under the grass of the allegory of defeated love. Giving ourselves conjugal virtuosity, but of immanent dogma for the purposes of multi-figurative coexistence, under the Yoke of an individualized Faith, in the passing of millennia, we continue to crawl on the floor of the nebulae, and we do not rise to establish ourselves as masters of ecstasy, and the pendulum of the stars, creating us more in the orthogonal egalitarian of the cosmos and its Vernarthian architecture, of poly productivity, of Sun-Earth and its post-genetics, of high-grade clay, expanding with halberds on the self-insolated Suns, and highly calorific inherited towards a rupture of Solar freedom leaving us in the horizontal, not having ascendants of sin enriching their illicit chromosome. Made a beast, from the inertia of a paradise full of hidden public and private exchanges, but not secular, for those who pay tributes of ecstasy in a reborn and weakened state. This is how Diogiversality is verticalized (Diogenes's anthological action), concluding the variants that weaken the nexus of the denatured society of its atavistic social nuclear concomitant, extending eco-life gaps, but eco-unstructured and crucial inter-generational nature, being of arbitrary passion and of seismological doctrines, of haughty morality and of sociology fabrics without body or motor, with frail of castes and generations evolved age in a retrograde and elemental psychic sense, but biologically and reversibly to their boomerang lineage.

q)Amphibology Cosmogonic, Sub-Mythological root

The threshold, as a minimum rubric, must be in force from the Constellation of Orion, with barely a hundred millionths under the same eye of Orion and his psychophysical space, sensitive to the falcado charioteers and the water vessels on the backs of the probable Barnard Loop., and its nebula presence. The icy impulsiveness brought her under her right shoulder and the lean hollow under her arm unraveling from a staircase, at the entrance point of Betelgeuse coming from the cosmogony of Eridanus and in tune with Ptolemaic astrology. In the Sibyl and with a hint of a metric brilliant mass triplet, Betelgeuse Orionis, is the scale of the Aulos and piccolos expelling hydrogen as an Ace in 240 scales of harmonies and in sounds of light, for cycles and years of Light. The binary of Orion, is pre-born of the sub-mythological root, with binaries of Poetic Parapsychology, or Para-poetical; which is the trapezoid and the kinetics of the hunter Orion arrowing the Pleiades and its nebulous plains, with diametrical diarthrosis in his synovial joints, with the third militarizing joints already formed by the hyaline cartilage, which joins the two bones with the synovial fluid, before reaching the deltoid of Hunter Aurion, to awaken the Asleep world.

Vernarth in one of his adventures in Pella, scapula with his arms the force of the friction discs of the Olympics and corrected his hands and shoulders, for this purpose of Aurion and his dilettante Astro Betelgeuse, with giant arrows against matters towards the sky of its Constellation, embedded in beaten Odyssey and turpentine in the sullen Hellenistic, being for May its amber trapeze of trunk and arm, in each hand a Xifos and Dorus, always in right-handed hemispheric pathologies of their shrewd hands in Kopis swords, and in the memories of the wind that throws pain to the whistle of the combatant, when the meteorites decay in the Tyrrhenian Sea. With his brass-bronze club and Vernarth's corrosive breath, he proceeded to file odyssey on Eos's ******* and peduncles; Goddess of the Dawn, in Dionysian beauty in bulk, Mintaka, Alnitak, Alnilam, (The Three Mariah), For the twelfth lunation of the Celestial Vault, together with Pleione, in its bolometric Oceanid matrix; against borderline stellar magnitude in the major and minor dogs, and in there a priori waves of misdeeds lending measurements in the eyes of Aurion, always henchmen on their Pleiades.

From this intricacy, Cosmo-is born the Vernarth Duoverso incited towards the Horcondising, so that it is mythical co-property at the origin of the universality of the Duoverse in the Vernarth scapulae, bleeding towards the cosmos that was born from his stellar blood, conjuring chaos and uncertainty in messenger Gonies, facilitating community life free of ethnocentric, psychic, intersubjective life, the metaphor of myth and dogmatic, by the imaginary struggle that leads its bleeding back over the Cosmos, and its demiurgic brilliance over the atmosphere of the earth like bronzes that twist in the necks of oxen, that urinate on the officers of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles, like flagrant Amphibology.

The Kanti Steed and the Aurion nebula, to the beat of a waltz ionize, lavish chemical ions free of electrons, on the neutral molecules of Betelgeuse, to proclaim in the nerves of the shoulders and its bronze club, as musical praxis and harmony net, giving way to the nebula and the art of the Duoverso, which shows the pristine astral days, how his alchemical arm sprouting in chemo-astralities of the pectoral, and his armpit that joined in its maximum stick, cutting down roots of Olive Bernar, behind Barnard's Loops, in the midst of runaway stars that are systematized in their ionized bleeding esplanade, such as Stellae Novae, who retrograded the astronomical ritual into cosmogony, and in her escape by going at night to sleep near her father Poseidon and Euryale, who cheered him near the grassy fields to paste explosive clay on the sheet of his drunken smiley face with Ionic wine, in advance of spreading the nascent Duoverso throughout the new world.

r) Hyperdisis

Sitting on the edge of Andromeda, in his planetary chamber Zefián; The Duoverso computer separated the parasitic inter-chamber from the Duoverso, which would be born from the Auriga, which in his buggy would unleash the senses of structures and luminosity between this colossal interplanetary chamber. Being between points that venture through the axon of time infinitesimal and longitudinally for light-years, which even so, will intervene from the Duoverse, for thermal purposes and other changes of the remnants, when especially the luminosity will speak of the destruction of the darkness inherent in the eyes of the universe, which can only stabilize areas that have not been fused in the discs of the Universe-Duoverse spatiality, long before the initial explosive between the Constellation of Orion and Andromeda. Globular clusters that will make up the perfect delay of transfusing the blood and no other, which makes the character Hyper naming and hyper-pectoral blood, which flows from this tri-astral polynomial, compromising the method of area, shape, and refinement of the sagittal profile of Hyperdisis in the Duoverse in the reversible intergalactic plane. Going from lenticular to irregular over the keystone of the trapezoid, towards the right arm of Orion, where its radius becomes hypocentral sequentially, but it takes advantage of interstellar matter, to generate its own light. Some explicit explosive arms of Andromeda were expelled from their center towards the right arm of Orion, for the purpose of implosions in the effect of the clubs or snails, as a sublime effusion on other stars, which lost essential stellar mass, to differ from one another.

Radio-Patmos, or galactic energies of Andromedian origin, would arrive as devout prayers at the border of Skalá, such astro-omegas and Invisible Universes, which inhabit the flaccidity of the Universe of Consciousness of the pole contact with the Xifos or Kopis, when Andromeda contacts the spur of the clubs or snails, inciting the capos of Astro-Omegas spaces, which would begin to take the front and front, after having been the atrium of invisible stars, only visible in the spurs of the swords, which were only moistened with the viscous blood draining from Orion, towards Hellenic lands as Omega age, for Vernarth early when he carries the keys of the Omega World, towards the shadowy proto galaxies, knowing that the Milky Way and Andromeda come so close in their stellar mass, being able to collide in a few million of light years, in advance, since the Duoverse of Hyperdisis will be formed as a Galaxy of change, to interact with each other, dismembering, but re-transforming into the new speculative nucleus of the Duoverse as a great Black Hole, embedded in the Kardiá of Patmos.

Hyperdisis, navigates from the most ancient confines, from the origin of nothingness itself on the threshold of the Universe, but now it is already converted into the Duoverse, re-implanting itself in helical polarity, and in bifurcations of luminosity, of colorful reincarnations or astral, to consent to the cessation of darkness and valuing luminance, possessing colorimetry and chromatic steps of childish tales in infant galaxies, which in all the lives of Greece and Vernarth delivered for their ancestors, articulating the iconology of Orion, in candlesticks per square meter, in vigils of:

LV is the luminance, measured in Nits or candela per square meter (cd / m²).

• F is the luminous flux, in lumens for the Andromeda triad, Milky Way e Hyperdisis in conjunction with Orion.
• dS is the surface element considered in the triad of Kímolos, Rhodes, and Patmos.
• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse.
• θ is the angle between the diameter of Andromeda and the Milky Way (2.5 million light-years)

The luminance can be defined from the radiometric magnitude and the radiance without more than weighting each wavelength by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of the Vernath's eye of the Betelgeuse area below, dumping plasma and bruises on the galaxies and the Orion Eyes.

s) Zigzag Universe

The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when Our life searched the earth, being able to see how cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from another type of self-observation, seeing ourselves in the face of Horcondising anti-material and Universal Biomass. We preexist under science that models the system of energy and matter in causes of ancestors, with whom their vital and ours sneakily crashed. Gravity made great paternity in the Vernarth Biomass, being in the Dodecanese, being cosmos in its arcuate curvature, which makes us screen with the moon in its romantic astrophysical swings, and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also time2-space2, which has not been troubled by the origin or abscess of the stars that move irregularly in zigzag, for the fractality of its component, which is clearly Aramaic blue light, in circuits of clusters and movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young of its gratitude's ".The distribution of nearby galaxies are keys to the paleo universe already arranged in macro waves, which are percentages of spaces in the Trisolate energy fields, which interact with the Mashiach of Gethsemane phylogeny, now tending to a stagnant decomposed future, towards a specific frozen present. Its final station is to bet the Zig Zag Universe on the re-expanding temporal Medieval chrestomathy, in gregarious qualities of Sub-mythology, already conformed here in Archangelos. The implosion of gravity has created worlds of visibility in great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring the hexagonality of the birthright in the passage, Here the Mashiach emerged and died in its abstraction in the One-dimensional Beams and in the foreign eyes, eroding those who are mortal and do not see with divine eyes in the self-resemblance, of our hypochondria and of the failed plan to amplify the size of the unknown analytic, of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in the natural infinity, here the privileged new world was envisioned, for self-similarity in the speculative and cosmogonic functions of Vertnarth, at intervals in each space of the shadowy walls, bringing accelerated courier bombs from Gethsemane among mutated olive trees to other humans. "Its correlation is an infinite fractal with reversible observable time.

Finite is the curvature, between the time that walks between the grove of the Duo-Universe as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, which is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had, before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change from arduous colors to the gradient in Avant-Garde, for the confines of perspectives and verbality, in amendments of physical fields, interwoven by an external gravitational means. The macro waves, are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in reaction disturbances and recreation of multiform plasma saviors of Christian cosmic. The double expression of macro waves and the equation of them over the axial of the universe turned into the universe Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion energy with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all being more than time... !, remaining at the expense of the wick of all electro-matter " The double examination of the macro waves and the equation of them on the axial of the universe turned into Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all of them being more than time... !, remaining at the expense of the wick of all electro-matter. The sub-mythology having already been constituted, Hestia appears, having slept a great slumber. When he appeared before Vernarth in Tsambika, he was seen changing in size, when he was six meters away he looked dwarf and when he was already two meters from him he looked monumentally huge, but in a versatile physiognomy, therefore he was already appreciated in his last steps, with her domestic Goddess figure that emanated light-years from the chimneys of the habitable galaxies. The critical immanence will happen, pre-existing of the perfectible plan for the Universe Zig Zag and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in the great ratio of the proscenium in the vicinity of Tsambika, between Mind / Meditation for constant mechanisms of Wisdom / Meditate, according to the cosmological constant, taking them perhaps to the beginning of a decade and the third universe called Traverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated, and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which moves backward. among the dizzying lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, from the prytaneion, igniting with the flames of the Kardiá on fire and the passion of consanguineous love, "Prytaneum", the omphalos stone, marking the navel of the world with the boast of wandering towards the island of Delos, in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house and full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between the distances that discount minutes of the Hestian space, for such a corollary by approaching its finitude, and inaugurating the sub-finite, that it will never be the source of the end of a disconcerting end of time, neither equationally consummated nor physical. "This consolidates the Duoverse into Duo-Universe, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-infinity)

t) Vernarth Omega (Ω) - Preface

before facing the Achaemenides. Being Omega and Micron in the warlike primer of their cause, within the prophetic in all necropolises of tiny omega (ω), towards an Omega that reaffirmed the good hand in Saint John the Apostle by rewriting the Apocalypse twice, coexisting the same but with the voice of Vernarth commanding the ten thousand Falangists, who made up inter-generational gaps, of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride of chlorine, at solid angles of Ω, in what was Virgo institutionum / Aurion-entity that interfered by projections and leaks, which converged on the strut of the omphalos of his heavenly father dealing frequently and bled his immortality, constituting from a helper being to the planes of subconscious reprogramming and perspective. With his arms raised, in each hand a raised sword to pierce the vanishing point, between the spaces that were ascribed, under the solid projection, from an observer that inhibits ad limits the biomass in all the masses of aqueous filter and lumen flow, towards the throne of the angelic guardian of Avant-guard by the stereotype and sclerosis of Zeus in his dissociated physicality, even though he is an amorphous entity with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in the humanoid apocalypse was transfigured from a solid point in Hyperdisis, as a direct escape settlement to Aurion, towards a surface of conical vestige in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse,

Vernarth distracted the emeritus stars in the corner of his room and in the convex the points of his celestial patriarchs in the conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from their common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions in the culmination of imagination and apparent angles, seen from any point of the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth solfying together with Sophocles in orpheons after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing with his own blood hematology verses, which traveled meters and that they shrunk from the anti-verses scarring their declaimed intra-breath, in corals that only the wind clarifies of what precedes and happens towards the suffering, in the metrics of the Areimos chorus that were lectured anti-verses, and that they tried to ****** him from the hands to Sophocles, in immortality that refined him by abandoning him in sub-units. With masks and mythical cycles, he mixed the metaphorical facsimile of momentum and the separation of friendship with him, seeing him in an episode of his works, and instead of Vernarth's transcript sheltering him in the origins of the volatilizations of his orpheons, converted into physical waves of a dramatic-oracular order. Gods re-transformed into divination and futuristic germination, they were hidden dormant and forgotten in times of subconsciousness in the Selenite collection, felt in the Colossi signs of parliamentary, where the oracle leans on the lines of vibrational words and how they cough their " páthis "in the place where the language dissociated from the heart nucleus speaks. In misguided divination, the oracular mantic brought the cold of loneliness and the fiery heat that guesses in the laurel forests in oracular daphnomancy, Vernarth omega self-erects as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein or the alert regret of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography, in ancients transiting in disintegrated emotionality and ****** Hellenic neurotransmission, "Two omega men or omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure, for tripartite meson form of routine grinding in Alzheimer's lost, lost in sympathetic and para-sympathetic routines, with probability of Hellenic gray matter; That is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours of vehemence, the dangers will brighten when reliving nth times in the twilight of omega, Vernarth, was already narrowing on the tracontero Eurydice, to save his pains, deposed in terms that would renew anti-economies by supplying unsustainable in liquefactions and in synaptic melts, extra energetic vesicle of pure natural law of the eyebrows, of lunation that rests in the inter millennium, beating with ecstasy in the Buddhist suttas, and in the adaptation of the flesh of the hypersonic fissures of the Meltemi, and attachments that still beat over the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and he cuts on the Sutta or sermon that mimicked him at the time of the lunation, doing sabotage of redemption of the anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overvaluing the wiles of the same utilitarian tragedy, conquering in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of jubilation. From here Vernarth, opens the gates of hell, eight hundred times going mad with omega value, by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and a body only asleep of concave omega, overlapping in golden transfinite chests, which reorder the natural numerals with the ordinal transfinite omega, but on frictionless wheels of other omegas that break in recirculation rules on alpha, in supra omega levels such as parades, stamens, episodes, and Vernarth-omega paradigmatic exodus.

Omega I Prologue: "Once upon a time, amidst a rain of clouds full of drama, in a time that was oriented regime of the armpit of Betelgeuse and Aurion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternate event of imprisoning past and next in an episode of the present act. The expectant was curious about the retouched makeup of the drama's superlative consonant, in a disembodied place, but with a good narrative source when it came to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Ismo "

Parod I: "For the submissive words on the stage of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames and by unequal numbers, pawned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers and Dionysian dances holding on to the Pufios; in Baquian and ceremonial liturgy near Vernarth, taking a glass every seven minutes in animosity, in cages of his stuck little finger, whistling from organic pimping, next to dancers raising an arm and directing the palm towards the heaven, while the other remained down with the palm towards the earth; in this position, since he was like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter, and from autumn to winter in fifteen times agreed with Sophocles, hanging from the penultimate to the entrance with his trembling voice desalted..., tolerating himself in his own tragedy)

This is I: "Through the right hemi-body, Vernarth intoned his laterality exposed in harsh penumbras, while Hera brandished over his existentialism clouds of oatmeal and candies in a liturgy, a homily that personified the Stasis, in the choral intermission resisting his angry hands in tragic passion and frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes when it was stoked "

(Vernarth says: "submitted in parts that are not its parts, my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as a public cheer are anointed, sentencing the opposition of other lesser stars who cheer what that does not shine. The principle of the voice violates the normal parenthesis, which is governed by itself in the omega voice, mocking the modal in four magistrates, in martyrdoms of an ideal of the procession, each one being with his super-private toga, before me It must not be who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of his judgment, which override the first, the coryphaeus directs his promenade from the countryside on his Horse Alikantus"

(Vernarth says: "I have instantiated the steps that my chestnut crossed with you in the future if I am to sing with a sorrowful voice, no choir will be able to follow me when you are gone. However, I have to define what personifies who, more than a thousand miles away, carries with him the lamp that opens the light of your roguish contemplation... "
Alikantus wailing says: "From the luster of your heartbeat, I obfuscated the jailer from your ribs, for the preference of the one who takes you even further in tempestuous pro-hedonistic prose "

Exodus I: "Sometimes the endings smell like fields of lavender, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the dialogues in the afternoon with its twilight, as well as stanzas that smell of lavender anointing, separated in syllables and tonic that flex my charm, not to say that I was anointed with Lavender when I was prepubescent "

(In fifteen times, in syllables and rakes, the sentences of its paragraphs are sterilized, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the Stasis that never purged the omission of the syllable that is not of proscenium nor trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)

With few and precise changes of consciousness, Vernarth approaches his Omega Point, as the end of his self is identical to his consciousness. He was leaving Tsambika and Kímolos, diligent towards Theoskepatis, warning Etréstles for defiance goods in the aftermath of the Eschaton. His spiritual cerebellum faded identically when he wandered through the distances of the entities that competed and are prominent, transforming his Hetairoi reliquary, here his tendentious impulse begins and dehumanizes him by becoming a Celestial entity, but with Noosphere endowment. The tendencies are established hyper-connected, with him Tsambika, Theoskepatis, and Patmos were triangulated for consummations and finality from the rudiment of Universal deity, reprogramming the end of restricted humanity to a mere boundary of dogmatic morality declared existential.

Within the Omega points, his unfolding acted as a disembodied statue and redemption of similarity and humanity, leading him to a self-conspiracy, by abandoning himself to his own equal, for the duration of the final sulfurous sublimation of the Cinnabar's margin of abstraction, after joining in all the quantum, physical and biological lines, making the Duoverse an inter chamber of the prior Master in a process of change, to sensitize his image of physical-chemical Man, but of God in his rigid powers. Cataloged as hommo sapiens who expresses himself in fallen beings under the arms of his sword in a limpid target, rather than in his own pointed tongue, and steely towards the point of unification in the hyper-dimensional of good achieve spatiality and volume, only contacted by his devoid of a Xifos hand. Consciousness rarely loomed in its compendium in nth bytes and data, much more than those recirculated in astrobiological quantum, creating blind exclusive and patrimonial universes, on the basis of nth bytes, which kept reorganizing itself in the personality of the unknown, fewer than four bridges of consciousness united in their own gregarious universe. The transcendence of the basic data of consciousness will lie in the Maenads, and their deliberate acre magic, extending through the limbs of the Nymphs, to re-possess it and take them to the confines of mystical paranoia, perhaps towards the embodied Vestal Virgins, purging their paths that they notice a variant of licentious departure in the stanzas when seeking final swings, which are not for the sake of shedding everything before the Universe rescinds its intellectual limitations, contracted in an orgiastic Imaginary Universe, and the precariousness of the concept transporting us to the origins of the species and its behavioral rapture of loss of sensation, and reason, for this reason, Vernarth takes them with him for his ******* and alienated perceiving of inherent reality and its opposite sunset. The ministry of the sacramental mystery is the consciousness of the Dionysian being in gestation, wanting to be the paroxysm of its equivalent, in an eternal Omega effect, for the purposes of omeganymy of conscious chaos, being the same portion of omega ad limit of its secondary reluctant personality of being, to found the hermit solitude on his revived empty ego, residing in his being by bilocating with two idiosyncrasies for a Venarthian Thiasoi, succumbing to weightlessness over all the Maenads and the intoxication of community in its opacity,

The madness was a transcript of reasons lost by the Vernarthian Omeganymy, sometimes the disproportionate of his steps by more than what should be generated was objected to in the circles of the Tsambika monastery. The unification of blood was confused by the viscous wine of the mysterious foliage of the Diospyros tree that led them through the enigmatic unaware, in primary practices that tore apart some somatized ones of the order of a third body, which still transmitted the last organic matter, refusing to spread at the omeganimic points. The consciousness of replicated beings of themselves challenged themselves towards the perfect copy of their transcendent alter ego, in an understanding of the present-future elucidating for whom or those who demystify the visions of an arbitrary creation, allied to the evolutionary myth-truth, in the face of any real and human maturity gap, the conclave of the near pious Christ, bequeathed in us and in the venerated hominization, at his sole and directional will. Now we are all in the aqueducts of Christian Science, for specimens of eternal categorization and frontally in view of a God-Mashiach, as ordinal inclusion and in greater ecumenical diversity, with variables of independence range, for staggering motor skills, retaining the attention of all the powers of the Christian world at an Omega point that seemed to be Alpha. The sense of the Duoverse in Vernarth Omega makes us rethink the central phenomenon of thought and frustrations, by the socialization of distant species from prudent dogmatic ostracism, towards refractory empathic and ultra-rational reasoning.

The supra intelligence has to become in them and those, the pre-existing point of duality, to reunify them in Patmos, as the only spirited meaning, and biomass evolving on the super-dimensioned materiality, in a greater radius where it will have to be delivered to whoever speaks with words. of living energy, and not complex towards all processes of emancipatory concord of personal authorship, on levels of relative lust in the absolution of medium integrity, and towards an elemental unitary totality of animal instinct guarded by the instinct of Being, that from its similar awakened rebirth of the sleeping mass matter, and in the animal purifying multiplicity. The man stands in his memorandum bend, like a haughty memorial, evolving in the cosmic expiration of the molecular transverse, admitting us in its vestige of complex extinction, but not in human slip, nor in acid and self-instituting scenery, on the real creation of its DNA, which reverts from the formality of helical reiterative rings, by heights of whoever oscillates in their coupled pairings, and their silent probable associations, in the nature of real origin and their structural perfection. The acceptability scenarios derive from the feasible concretion, and the approval of their tendencies and mobilizations of the structure of life, and codes greater than those that limit them to reside, to more than one body, residing from an incorporeal body, capable of its quantitative life and the extension of existence, super existing in the heights of the helical rings, which may vary more than they are, and which could be, without being seen under a scientific gaze. "Becoming a mechanics of maturation and prayer, which the energy from the material world to the spiritual, as a moving particle of inert matter in parasitized free radicals, which are re-energized by the mystery of the helical trans-threshold of the Aramaic mystery of the Olives Bern. "Vernarth disintegrates in omeganymy in laxity towards Aurion, descending pro-tenebrosity towards the profanity of Patmos, engulfed by Love in a dark summer, brushing the silos of DNA in the will of the automated world"
DUOVERSE
Jim Morrison  Nov 2010
Awake
Shake dreams from your hair
My pretty child, my sweet one.
Choose the day and
choose the sign of your day
The day’s divinity
First thing you see.
A vast radiant beach
in a cool jeweled moon
Couples naked race down by it’s quiet side
And we laugh like soft, mad children
Smug in the woolly cotton brains of infancy
The music and voices are all around us.
Choose, they croon, the Ancient Ones
The time has come again
Choose now, they croon,
Beneath the moon
Beside an ancient lake
Enter again the sweet forest
Enter the hot dream
Come with us
Everything is broken up and dances.
Alyssa Underwood Sep 2017
There is little in this world that consistently causes our hearts more pain or which produces in us more need for forgiveness than rejection, especially from those whom it has cost us so much to love. It is universal anathema to the soul, and much of our lives can be unconsciously governed by the fear of it. So we find ourselves naturally asking, "Joy in the midst of rejection? Is that even possible?" Oh, yes! Not only possible but commanded of us who are believers in Christ. And not only commanded of us but ready to be gloriously bestowed on us like the most precious of pearls.

It's in the season of greatest rejection that we enter the season of greatest opportunity to discover the fullness of God's joy by discovering the fullness of His own heart. Walking in intimacy with Jesus through this searing pain may be one of the most priceless privileges of grace granted to us on this earth, for it opens up one of the widest doors for us to enter into the fellowship of sharing in His sufferings, and there is no more obvious chance to die to ourselves and live for Christ than in that holy communion of suffering with Him.

It's there that we're most able to clearly see Him and best prepared to clearly reflect Him, and it's then that we're empowered to live our lives here on earth from the very throne room of heaven, seated in the resurrected presence of our Bridegroom, where the joy always runs full and over. So our deepest heartaches will turn to deepest joys when we embrace them for the sake of Christ, to gain Him and be found in Him, to know Him in intimate detail through excruciatingly sweet experience. We will discover that the Lord entrusts the most luscious of blessings and the rarest of secrets to the most desperate and thirsty of souls, and that He delights to place the loveliest of wings on the lowliest of worms.

The gifts of myrrh's sorrow which the Father pours into the vessels of our lives are poured first into the hands of His own Son and flow through His nail-pierced scars before they ever touch us. And as we choose to graciously receive them as such, we are filled up with Him and enabled to pour Him out into the lives of others, even those who continually scorn and despise us.

The gift (yes, gift) of rejection is the high privilege of being asked by our Commander to become His flag bearer, receiving the esteemed honor of marching beside Him at the center of the front line, into the heat of the battle and into the face of the "enemy" (the rejecter), armed with no gun and carrying only His banner of love over our head for all to see. It's a sacred invitation into a certain death for the sake of knowing His love more intimately and for the service of displaying it more gloriously.

And if tempted to refuse the privilege, let us remember these two things: this life is so much more freely, joyfully lived when we have finally learned to count ourselves dead to it and alive to Christ, and the flow of His agape love through us will only be as strong as what it costs us to demonstrate it. The greater the cost, the purer the love; the purer the love, the more we are made like Him; the more we are made like Him, the more attuned we will be to His own heart's breaking and to our own breaking of it.

Oh, that we might be purged of ever thinking again that our neglecting of His love does not matter to Him! May He cause our hearts to break and break until we see how much it does! May we know the world's rejection again and again until we are finally scoured clean of our own despicable tendency to reject Him in favor of all our worldly playthings! No lover has ever endured more rejection than our Lover at our own hands and by our own hearts. And no lover continues to love through rejection with the determination and desire, suffering and sacrifice, tenderness and tenacity of our own Bridegroom. Can we not endure whatever He has called us to suffer for Him? Can we not allow it to drive us more fervently to His heart?... Lord, capture us by Your mighty hand and consume us by Your mighty flame, and may we pant and pine only for You, for Your love sets us free to dance in the midst of the fire!

How humbling, mystifying and worship-evoking it is to realize that the One we have so grievously rejected is the same One Who so perfectly understands and longs to comfort our own heart's grief when we are rejected. And to not run to Him now for that fellowship of healing would be to reject Him all over again and to break His heart once more. What could hurt Him more than our stubborn resistance to share in both His sufferings and His comfort when there is so much joy and intimacy waiting to be had with Him? Whatever ache our own heart knows, however deep and scathing, it cannot compare to the ache of His own heart when we let anything pull us away from Him, for He is rightly EVERYTHING to us—Father, Husband, Lover, Best Friend, Brother, Confidante, Kindred Spirit, Counselor, Nurturer, Rescuer, Healer, Hero... Behind the pain of every rejection is a legitimate need or desire that He is waiting to fill in us, and we have to let Him get to it by dying to our fleshly ones.

Or do we suppose that we might ever find true and lasting joy apart from dying to ourselves and abiding in Him when He died so that we might fully live in the joy of that abiding? No, true joy will only follow abiding; abiding and dying walk hand in hand, and rejection throws open the door for all three. Man's rejection is central to God's wooing, for it shatters our false expectations of human love and stirs in our hearts the longing for a perfect one. So let us not shrink back fearfully from that which can do us such good and teach us to love as Christ has loved us. With renewed passion, let us ask Him to wrap every affection of our hearts more tightly around Him that every desire might be united with His own and that we might learn to love in a way that sets our lives and the world around us ablaze!

To be despised and rejected and, still, to love—that is the ultimate triumph of Christ in our hearts, for we are never more like Him, never more full of Him, never more surrendered to His heart and His work than when He pours out His love through us to those who will not love us back. When we can stand in the face of bitter, cutting words, contemptuous looks and shaming mockery and still love fiercely but with a gentle and quiet spirit, we will know without doubt that it is His Spirit moving gloriously through us... Lord Jesus, Who so willingly floods our hearts with Your most precious gift, Yourself (and You are Love!), teach us to ever know You more and to rely fully on the love You have for us and ARE for us in infinite supply. Teach us to feast on the abundance of that love, and let it flow freely out of us to the ones who would reject, scorn, mock and hate us, so that they too might one day taste and be consumed by Your perfect love which drives out all fear—Your infinite, immeasurable love which heals all wounds and fills all emptiness and gives meaning to all of our pain. You alone, O LORD, are able to truly and purely love through rejection, but You live gloriously in us, so unleash Your mighty waters through us. Your love is everything, for You are Everything!...

Our all-sufficient Bridegroom is able to work His agape love most perfectly in us when that love poured out to another is not ever reciprocated, for it forces us to finally let Him fill us with Himself alone and to rely completely on His love instead of on the love of another to meet our heart's deepest hunger. The need for His filling IS our deepest hunger, and so our soul comes most alive not when it is loved by our fellow man but when it receives and pours out Jesus' love to our fellow man, expecting nothing in return but more of Him. Thus His love is made complete in us whether they ever love us back or not, and the fear of their rejection is eventually driven out by His perfect and perfecting love.

Even if love is never returned...never even received...it is never in vain, for "love never fails." To love someone, though we mean nothing to them, may seem too cruel a burden for the heart to bear, but the only thing worse than not being loved is to not love, and so the greatest tragedy of love spurned or lost would be to stop loving. For to cease loving that which causes us pain would be to let the pain win, but for as long as we love, really love with Christ's own heart, no matter what else happens, we win.

Love without pain remains unproven and, therefore, is meaningless, but love through pain invokes nothing less than the miraculous and inspires even the incredulous. The purer one's love, the more pain it causes when it is rejected, but only continued love can redeem the pain of loving, and only a perfect Love can heal love's scalding wound; the more scalding the wound, the better primed it is to receive that perfect Love fully into it.

There is great romance to be found in unrequited love that keeps loving, though it is beyond any human emotion or fleshly capacity or mortal understanding. It is a most sacred mystery which cannot be grasped with the head or even the heart but only with the spirit, for it is a love whose connection to Christ remains unsevered. There is perhaps no intimacy to compare to it, for it drives us to Him like nothing else will. It is a love whose longing for the other gives us the greatest insight into God's own aching longing for us. Only when it has cost us everything to keep loving do we begin to understand the smallest fraction of the wildly extravagant love Christ has for us or of the brutally scandalous pain which it has cost Him, and it will leave us in utter awe of Him and in love with Him like we have never been before.

As our focus is turned more and more toward His love for us and toward all of our previous rejecting of it, we will come to clearly see that agape love and rejection have everything to do with the the hearts of the lover and the rejecter and nothing to do with what the beloved and the rejected have done or deserve. For obviously we have done nothing to deserve God's love and He has nothing to deserve our rejection, yet He never stops loving us and we keep rejecting Him in ways we can't even comprehend. No one has ever known more rejection than the only One Who is completely worthy of love. Every time we sin we reject Him in favor of something else, but still He loves us without fail and without end. He loves us because He is love and because He has chosen to set His love on us. We are absolutely and irrevocably loved and accepted in Christ Jesus, and nothing and no one can ever change or mar that love. Our identity is completely secure in Him simply because of Who He is and who He says we are to Him.

Therefore no amount nor depth of rejection by anyone changes anything about who we are in Christ or our worth to Him. We do not need any man's love or acceptance to validate our worth, for it has already been established in the heavenly realms by the only One Whose verdict carries any real and lasting weight. We are significant and precious and holy to God regardless of what anyone else thinks of us or says of us or does to us. What has their rejection got to do with us? Nothing, for we are His! We are chosen and we are beloved! And so we are freed from the fear of rejection when we see that it cannot define us or taint us in the sight of the only One Whose opinion or judgment matters. It's a glorious thing to finally care what no man thinks of us, only the Master, for then we begin to be free to love all men as He loves them and to pray with deepest sincerity, humility and fervor even for those who spitefully reject us.

And even for that one who has hurt us most deeply, who has crushed our heart and thrown us to the wind like chaff without so much as a glance back, we will pray, no longer with only a slight and distant hope that he would return to us but now with a passionate desire to see the prodigal return to the heart of the Father. We will pray, not with a focus on life with him but with a focus on life for him. We will pray for a total and glorious restoration of his life to Christ, even if we will never be there beside him to share in the fellowship and joy of his homecoming, even if we will never get to experience up close in this life the thrill of seeing the Lord make something beautiful yet of his ashes. And this may be the hardest and truest test of our love for him—this painful sacrifice of desiring his absolute best apart from us. It is a wrenching blow to our pride and to our will (not to mention our codependence), for we had so longed to play the Muse and to awaken that beauty in him. So we know we could never yearn or pray for this out of our own strength or wisdom; it is simply too painful to our flesh. We must be led into it and through every delicate step of it by our loving Redeemer, our Bridegroom, as if He were leading us out under a canopy of the starry host and into the most intricate and intimate of moonlit dances. And so we begin to pray and to dance...

But even wrapped in Jesus' arms we are clumsy, stumbling miserably over our own feet. The music is perplexingly unfamiliar and the steps wildly unpredictable, and our toes feel terribly pinched in these new shoes. Maybe this dance is just too hard for us. Maybe we are not yet ready. Maybe we should sit it out for now and try again later when our shoes are a little more broken in or when our heart is a little less broken apart. So we pull away...

But He tenderly beckons us back: Dear and beloved bride, broken-but-beautiful one whom I have made My own, do not push Me away now, not after I have brought you so far. I have many more secrets to share with you and so much more to show you of Myself. But you are not letting Me lead this dance, beloved. Why are you so rigid in My embrace? Why so worried over the next steps? Let go of everything and abandon yourself to My love. Enjoy Me...Follow Me...Lean into Me...Keep watching My face...Let Me move you however I desire us to go...Trust Me...Love Me. Shall we dance, then?

Yes, we shall and we do! As He draws us into Himself, into the prayer of His heart and the dance of His Spirit, and as we give ourself over completely to the impulse of His leading, the details of our words and the precision of our steps give way to the desire and passion of His will, and the pulsating of our heart swirls to the rhythm of His own. The further He pulls us into union with Himself, the more we find ourselves desiring this same intimacy-with-Him for the very one who has so badly hurt us, for we see how badly he himself is hurting without it. We realize now that his running away from us and toward another is just as much a reflection of his insatiable yet misunderstood craving for God as was all of our running toward our own idols (including him). Our soul aches for his redemption and his healing and for his lost sheep's heart to be brought out of darkness and into the marvelous light that shines from Jesus' face, that he might truly know the pleasure of knowing the One Whose pleasure he was created for.

Somehow, through this heightened and mysterious intimacy of prayer for him, we are now discovering a strange and new kind of intimacy with this very one whose intimacy had so often given us the slip, this one whom we had so long loved and lived with but failed to uncover at all, and the fresh wind of it drives us even deeper into the ache of God's own heart for him and for us. It is at the center of that ache that we are finally able to let go of the hurt and the man and leave the matter entirely in God's hands, understanding that the Shepherd's aching heart knows fully all whom He has chosen and will never stop dealing with or seeking after any of His own sheep. And so...


                        We release to Him with a heart of trust
                        This one whom we love and always must
                        We can let go the man and rest because
                        It's out of our hands and always was



But the dance, like the feast, goes on and on, and the more we dance and the more we feast, the more we heal. Our Bridegroom wounds us by His own providence but washes our wounds with His faithfulness and binds them up with His love. The wounds and their healing make us beautiful to Him. They teach us to know Him, to hunger for Him, to enjoy Him and to please Him. And they get us perfectly ready for that most glorious of dances and that most joyous of feasts which are still to come but, perhaps, much closer than we might dare to imagine. It is time to awaken, dear bride of Christ, and to break in our dancing shoes!
~~~


"And so we know and rely on the love God has for us. God is love. Whoever lives in love lives in God, and God in him. This is how love is made complete among us so that we will have confidence on the day of judgment: In this world we are like Jesus. There is no fear in love. But perfect love drives out fear, because fear has to do with punishment. The one who fears is not made perfect in love. We love because He first loved us."
~ 1 John 4:16-19

"And we boast in the hope of the glory of God. Not only so, but we also glory in our sufferings, because we know that suffering produces perseverance; perseverance, character; and character, hope. And hope does not put us to shame, because God’s love has been poured out into our hearts through the Holy Spirit, who has been given to us."
~ Romans 5:2b-5

"As you come to Him, the living Stone—rejected by humans but chosen by God and precious to Him— you also, like living stones, are being built into a spiritual house to be a holy priesthood, offering spiritual sacrifices acceptable to God through Jesus Christ."
~ 1 Peter 2:4-5

"He was despised and rejected by mankind,
    a man of suffering, and familiar with pain.
Like one from whom people hide their faces
    He was despised, and we held Him in low esteem.
Surely He took up our pain
    and bore our suffering,
yet we considered him punished by God,
    stricken by Him, and afflicted.
But He was pierced for our transgressions,
    He was crushed for our iniquities;
the punishment that brought us peace was on Him,
    and by His wounds we are healed."
~ Isaiah 53:3-5

"But whatever were gains to me I now consider loss for the sake of Christ. What is more, I consider everything a loss because of the surpassing worth of knowing Christ Jesus my Lord, for whose sake I have lost all things... I want to know Christ—yes, to know the power of His resurrection and the fellowship of sharing in His sufferings, becoming like Him in His death..."
~ Philippians 3:7-8a,10

"But He said to me, 'My grace is sufficient for you, for My power is made perfect in weakness.' Therefore I will boast all the more gladly about my weaknesses, so that Christ’s power may rest on me. That is why, for Christ’s sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong."
~ 2 Corinthians 12:9-10

"For just as we share abundantly in the sufferings of Christ, so also our comfort abounds through Christ."
~ 2 Corinthians 1:5

"'Blessed are you who hunger now,
    for you will be satisfied.
Blessed are you who weep now,
    for you will laugh.
Blessed are you when people hate you,
    when they exclude you and insult you
    and reject your name as evil,
        because of the Son of Man.
Rejoice in that day and leap for joy, because great is your reward in heaven. For that is how their ancestors treated the prophets...But to you who are listening I say: Love your enemies, do good to those who hate you, bless those who curse you, pray for those who mistreat you...Be merciful, just as your Father is merciful.'"
~ Luke 6:21-23,27-28,36

"Make sure that nobody pays back wrong for wrong, but always strive to do what is good for each other and for everyone else. Rejoice always, pray continually, give thanks in all circumstances; for this is God’s will for you in Christ Jesus."
~ 1 Thessalonians 5:15-18

"You make known to me the path of life;
    You will fill me with joy in Your presence,
    with eternal pleasures at Your right hand."
~ Psalm 16:11

"I pray that out of His glorious riches He may strengthen you with power through His Spirit in your inner being, so that Christ may dwell in your hearts through faith. And I pray that you, being rooted and established in love, may have power, together with all the Lord’s holy people, to grasp how wide and long and high and deep is the love of Christ, and to know this love that surpasses knowledge—that you may be filled to the measure of all the fullness of God. Now to Him who is able to do immeasurably more than all we ask or imagine, according to His power that is at work within us, to Him be glory in the church and in Christ Jesus throughout all generations, for ever and ever! Amen."
~ Ephesians 3:16-21

~~~
Shofi Ahmed May 2017
Hidden within the earthy depth
only emerges with time
only dances in tangent
now slips out with the butterflies.  
Now the nightingales singing aloud!

One has spoken out, one blew
a kiss out off the dark seed.
Ah, what then broke through?
Up from the sky the blue-nymph  
dropped down on the scene!
One that hid blurring that's image
on the mirror is that now been seen?

Pouring rain singing down to primulas
paints it with all the colours of the wind
now the Spring picked up her paintbrush.

Rain some colour blow a kiss of the flower
paint it out of the mirror!
Victor D López Dec 2018
Victor D. López (October 11, 2018)

You were born five years before the beginning of the Spanish civil war and
Lived in a modest two-story home in the lower street of Fontan, facing the ocean that
Gifted you its wealth and beauty but also robbed you of your beloved and noblest eldest
Brother, Juan, who was killed while working as a fisherman out to sea at the tender age of 19.

You were a little girl much prone to crying. The neighbors would make you cry just by saying,
"Chora, neniña, chora" [Cry little girl, cry] which instantly produced inconsolable wailing.
At the age of seven or eight you were blinded by an eye Infection. The village doctor
Saved your eyesight, but not before you missed a full year of school.

You never recovered from that lost time. Your impatience and the shame of feeling left behind prevented
You from making up for lost time. Your wounded pride, the shame of not knowing what your friends knew,
Your restlessness and your inability to hold your tongue when you were corrected by your teacher created
A perfect storm that inevitably tossed your diminutive boat towards the rocks.

When still a girl, you saw Franco with his escort leave his yacht in Fontan. With the innocence of a girl
Who would never learn to hold her tongue, you asked a neighbor who was also present, "Who is that Man?"
"The Generalissimo Francisco Franco," she answered and whispered “Say ‘Viva Franco’ when he Passes by.”
With the innocence of a little girl and the arrogance of an incorrigible old soul you screamed, pointing:

"That's the Generalissimo?" followed up loud laughter, "He looks like Tom Thumb!"
A member of his protective detail approached you, raising his machine gun with the apparent intention of
Hitting you with the stock. "Leave her alone!" Franco ordered. "She is just a child — the fault is not hers."
You told that story many times in my presence, always with a smile or laughing out loud.

I don't believe you ever appreciated the possible import of that "feat" of contempt for
Authority. Could that act of derision have played some small part in their later
Coming for your father and taking him prisoner, torturing him for months and eventually
Condemning him to be executed by firing squad in the Plaza de Maria Pita?

He escaped his fate with the help of a fascist officer who freed him as I’ve noted earlier.
Such was his reputation, the power of his ideas and the esteem even of friends who did not share his views.
Such was your innocence or your psychic blind spot that you never realized your possible contribution to
His destruction. Thank God you never connected the possible impact of your words on his downfall.

You adored your dad throughout your life with a passion of which he was most deserving.
He died shortly after the end of the Spanish Civil War. A mother with ten mouths to feed
Needed help. You stepped up in response to her silent, urgent need. At the age of
Eleven you left school for the last time and began working full time.

Children could not legally work in Franco’s Spain. Nevertheless, a cousin who owned a cannery
Took pity on your situation and allowed you to work full-time in his fish cannery factory in Sada.
You earned the same salary as the adult, predominantly women workers and worked better
Than most of them with a dexterity and rapidity that served you well your entire life.

In your free time before work you carried water from the communal fountain to neighbors for a few cents.
You also made trips carrying water on your head for home and with a pail in each hand. This continued after
You began work in Cheche’s cannery. You rose long before sunrise to get the water for
Home and for the local fishermen before they left on their daily fishing trips for their personal water pails.

All of the money you earned went to your mom with great pride that a girl could provide more than the salary of a
Grown woman--at the mere cost of her childhood and education. You also washed clothes for some
Neighbors for a few cents more, with diapers for newborns always free just for the pleasure of being
Allowed to see, hold spend some time with the babies you so dearly loved you whole life through.
When you were old enough to go to the Sunday cinema and dances, you continued the
Same routine and added washing and ironed the Sunday clothes for the young fishermen
Who wanted to look their best for the weekly dances. The money from that third job was your own
To pay for weekly hairdos, the cinema and dance hall entry fee. The rest still went to your mom.

At 16 you wanted to go to emigrate to Buenos Aires to live with an aunt.
Your mom agreed to let you--provided you took your younger sister, Remedios, with you.
You reluctantly agreed. You found you also could not legally work in Buenos Aires as a minor.
So you convincingly lied about your age and got a job as a nurse’s aide at a clinic soon after your arrival.

You washed bedpans, made beds, scrubbed floors and did other similar assigned tasks
To earn enough money to pay the passage for your mom and two youngest brothers,
Sito (José) and Paco (Francisco). Later you got a job as a maid at a hotel in the resort town of
Mar del Plata whose owners loved your passion for taking care of their infant children.

You served as a maid and unpaid babysitter. Between your modest salary and
Tips as a maid you soon earned the rest of the funds needed for your mom’s and brothers’
Passage from Spain. You returned to Buenos Aires and found two rooms you could afford in an
Excellent neighborhood at an old boarding house near the Spanish Consulate in the center of the city.

Afterwards you got a job at a Ponds laboratory as a machine operator of packaging
Machines for Ponds’ beauty products. You made good money and helped to support your
Mom and brothers  while she continued working as hard as she always had in Spain,
No longer selling fish but cleaning a funeral home and washing clothing by hand.

When your brothers were old enough to work, they joined you in supporting your
Mom and getting her to retire from working outside the home.
You lived with your mom in the same home until you married dad years later,
And never lost the bad habit of stubbornly speaking your mind no matter the cost.

Your union tried to force you to register as a Peronista. Once burned twice cautious,
You refused, telling the syndicate you had not escaped one dictator to ally yourself with
Another. They threatened to fire you. When you would not yield, they threatened to
Repatriate you, your mom and brothers back to Spain.

I can’t print your reply here. They finally brought you to the general manager’s office
Demanding he fire you. You demanded a valid reason for their request.
The manager—doubtless at his own peril—refused, saying he had no better worker
Than you and that the union had no cause to demand your dismissal.

After several years of courtship, you and dad married. You had the world well in hand with
Well-paying jobs and strong savings that would allow you to live a very comfortable life.
You seemed incapable of having the children you so longed for. Three years of painful
Treatments allowed you to give me life and we lived three more years in a beautiful apartment.

I have memories from a very tender age and remember that apartment very well. But things changed
When you decided to go into businesses that soon became unsustainable in the runaway inflation and
Economic chaos of the Argentina of the early 1960’s. I remember only too well your extreme sacrifice
And dad’s during that time—A theme for another day, but not for today.

You were the hardest working person I’ve ever known. You were not afraid of any honest
Job no matter how challenging and your restlessness and competitive spirit always made you a
Stellar employee everywhere you worked no matter how hard or challenging the job.
Even at home you could not stand still unless there was someone with whom to chat awhile.

You were a truly great cook thanks in part to learning from the chef of the hotel where you had
Worked in Mar del Plata awhile—a fellow Spaniard of Basque descent who taught you many of his favorite
Dishes—Spanish and Italian specialties. You were always a terribly picky eater. But you
Loved to cook for family and friends—the more the merrier—and for special holidays.

Dad was also a terrific cook, but with a more limited repertoire. I learned to cook
With great joy from both of you at a young age. And, though neither my culinary skills nor
Any aspect of my life can match you or dad, I too am a decent cook and
Love to cook, especially for meals shared with loved ones.

You took great pleasure in introducing my friends to some of your favorite dishes such as
Cazuela de mariscos, paella marinera, caldo Gallego, stews, roasts, and your incomparable
Canelones, ñoquis, orejas, crepes, muñuelos, flan, and the rest of your long culinary repertoire.
In primary and middle school dad picked me up every day for lunch before going to work.

You and he worked the second shift and did not leave for work until around 2:00 p.m.
Many days, dad would bring a carload of classmates with me for lunch.
I remember as if it were yesterday the faces of my Jewish, Chinese, Japanese, German, Irish
And Italian friends when first introduced to octopus, Spanish tortilla, caldo Gallego, and flan.

The same was true during college and law school.  At times our home resembled an
U.N. General Assembly meeting—but always featuring food. You always treated my
Closest friends as if they were your children and a number of them to this day love
You as a second mother though they have not seen you for many years.

You had tremendous passion and affinity for being a mother (a great pity to have just one child).
It made you over-protective. You bought my clothes at an exclusive boutique. I became a
Living doll for someone denied such toys as a young girl. You would not let me out of your sight and
Kept me in a germ-free environment that eventually produced some negative health issues.

My pediatrician told you often “I want to see him with ***** finger nails and scraped knees.”
You dismissed the statement as a joke. You’d take me often to the park and to my
Favorite merry-go-round. But I had not one friend until I was seven or eight and then just one.
I did not have a real circle of friends until I was about 13 years old. Sad.

I was walking and talking up a storm in complete sentences when I was one year old.
You were concerned and took me to my pediatrician who laughed. He showed me a
Keychain and asked, “What is this Danny.” “Those are your car keys” I replied. After a longer
Evaluation he told my mom it was important to encourage and feed my curiosity.

According to you, I was unbearable (some things never change). I asked dad endless questions such as,
“Why is the sun hot? How far are the stars and what are they made of? Why
Can’t I see the reflection of a flashlight pointed at the sky at night? Why don’t airplanes
Have pontoons on top of the wheels so they can land on both water and land? Etc., etc., etc.

He would answer me patiently to the best of his ability and wait for the inevitable follow-ups.
I remember train and bus rides when very young sitting on his lap asking him a thousand Questions.
Unfortunately, when I asked you a question you could not answer, you more often than not made up an answer Rather than simply saying “I don’t know,” or “go ask dad” or even “go to hell you little monster!”

I drove you crazy. Whatever you were doing I wanted to learn to do, whether it was working on the
Sewing machine, knitting, cooking, ironing, or anything else that looked remotely interesting.
I can’t imagine your frustration. Yet you always found only joy in your little boy at all ages.
Such was your enormous love which surrounded me every day of my life and still does.

When you told me a story and I did not like the ending, such as with “Little Red Riding Hood,”
I demanded a better one and would cry interminably if I did not get it. Poor mom. What patience!
Reading or making up a story that little Danny did not approve of could be dangerous.
I remember one day in a movie theater watching the cartoons I loved (and still love).

Donald Duck came out from stage right eating a sandwich. Sitting between you and dad I asked you
For a sandwich. Rather than explaining that the sandwich was not real, that we’d go to dinner after the show
To eat my favorite steak sandwich (as usual), you simply told me that Donald Duck would soon bring me the sandwich. But when the scene changed, Donald Duck came back smacking his lips without the sandwich.

Then all hell broke loose. I wailed at the top of my lungs that Donald Duck had eaten my sandwich.
He had lied to me and not given me the promised sandwich. That was unbearable. There was
No way to console me or make me understand—too late—that Donald Duck was also hungry,
That it was his sandwich, not mine, or that what was on the screen was just a cartoon and not real.

He, Donald Duck, mi favorite Disney character (then and now) hade eaten this little boy’s Sandwich. Such a Betrayal by a loved one was inconceivable and unbearable. You and dad had to drag me out of the theater ranting And crying at the injustice at top volume. The tantrum (extremely rare for me then, less so now) went on for awhile, but all was well again when my beloved Aunt Nieves gave me a ******* with jam and told me Donald had sent it.

So much water under the bridge. Your own memories, like smoke in a soft breeze, have dissipated
Into insubstantial molecules like so many stars in the night sky that paint no coherent picture.
An entire life of vital conversations turned to the whispers of children in a violent tropical storm,
Insubstantial, imperceptible fragments—just a dream that interrupts an eternal nightmare.

That is your life today. Your memory was always prodigious. You knew the name of every person
You ever met, and those of their family members. You could recall entire conversations word for word.
Three years of schooling proved more than sufficient for you to go out into the world, carving your own
Path from the Inhospitable wilderness and learning to read and write at the age of 16.

You would have been a far better lawyer than I and a fiery litigator who would have fought injustice
Wherever you found it and always defended the rights of those who cannot defend themselves,
Especially children who were always your most fervent passion. You sacrificed everything for others,
Always put yourself dead-last, and never asked for anything in return.

You were an excellent dancer and could sing like an angel. Song was your release in times of joy and
In times of pain. You did not drink or smoke or over-indulge in anything. For much of your life your only minor Indulgence was a weekly trip to the beauty parlor—even in Spain where your washing and ironing income
Paid for that. You were never vain in any way, but your self-respect required you to try to look your best.

You loved people and unlike dad who was for the most part shy, you were quite happy in the all-to-infrequent
Role as the life of the party—singing, dressing up as Charlie Chaplin or a newborn for New Year’s Eve parties with Family and close friends. A natural story-teller until dementia robbed you of the ability to articulate your thoughts,
You’d entertain anyone who would listen with anecdotes, stories, jokes and lively conversation.

In short: you were an exceptional person with a large spirit, a mischievous streak, and an enormous heart.
I know I am not objective about you, but any of your surviving friends and family members who knew you
Well will attest to this and more in a nanosecond. You had an incredibly positive, indomitable attitude
That led you to rush in where angels fear to treat not out of foolishness but out of supreme confidence.

Life handed you cartloads of lemons—enough to pickle the most ardent optimist. And you made not just
Lemonade but lemon merengue pie, lemon sorbet, lemon drops, then ground up the rind for sweetest
Rice pudding, flan, fried dough and a dozen other delicacies. And when all the lemons were gone, you sowed the Seeds from which extraordinarily beautiful lemon trees grew with fruit sweeter than grapes, plums, or cherries.

I’ve always said with great pride that you were a far better writer than I. How many excellent novels,
Plays, and poems could you have written with half of my education and three times my workload?
There is no justice in this world. Why does God give bread to those without teeth? Your
Prodigious memory no longer allows you to recognize me. I was the last person you forgot.

But even now when you cannot have a conversation in any language, Sometimes your eyes sparkle, and
You call me “neniño” (my little boy in Galician) and I know that for an instant you are no longer alone.
But too son the light fades and the darkness returns. I can only see you a few hours one day a week.
My life circumstances do not leave me another option. The visits are bitter sweet but I’m grateful for them.

Someday I won’t even have that opportunity to spend a few hours with you. You’ll have no
Monument to mark your passing save in my memory so long as reason remains. An entire
Life of incalculable sacrifice will leave behind only the poorest living legacy of love
In your son who lacks appropriate words to adequately honor your memory, and always will.


*          *          *

The day has come, too son. October 11, 2018. The call came at 3:30 am.
An hour or two after I had fallen asleep. They tried CPR in vain. There will be no more
Opportunities to say, “I Love you,” to caress your hands and face, to softly sing in your ear,
To put cream on your hands, or to hope that this week you might remember me.

No more time to tell you the accomplishments of loved ones, who I saw, what they told me,
Who asked about you this week, or to pray with you, or to ask if you would give me a kiss by putting my
Cheek close to your lips, to feel joy when you graced me with many little kisses in response,
Or tell you “Maybe next time” when as more often than not the case for months you did not respond.

In saying good bye I’d give you the kiss and hug Alice always sent you,
Followed by three more kisses on the forehead from dad (he always gave you three) and one from me.
I’d leave the TV on to a channel with people and no sound and when possible
Wait for you to close your eyes before leaving.

Time has run out. No further extensions are possible. My prayers change from asking God to protect
You and by His Grace allow you to heal a little bit each day to praying that God protect your
Soul and dad’s and that He allow you to rest in peace in His kingdom. I miss you and Dad very much
And will do so as long as God grants me the gift of reason. I never knew what it is to be alone. I do now.

Four years seeing your blinding light reduced to a weak flickering candle in total darkness.
Four years fearing that you might be aware of your situation.
Four years praying that you would not feel pain, sadness or loneliness.
Four years learning to say goodbye. The rest of my life now waiting in the hope of seeing you again.

I love you mom, with all my heart, always and forever.
Written originally in Spanish and translated into English with minor additions on my mom's passing (October 2018). You can hear all six of my Unsung Heroes poems read by me in my podcasts at https://open.spotify.com/show/1zgnkuAIVJaQ0Gb6pOfQOH. (plus much more of my fiction, non-fiction and poetry in English and Spanish)
CK Baker Mar 2017
fischers rap
on a hot tin roof
bristol creek pools
over rock and seed
english wolfhound (and the barkbuster)
stroll pine lane
vibrant colors
of a cool spring
in cob yellow and
forest green

field mice squander
in cotton wind
goats and ferret
hold seven hour trim
raven and ****
meddle and forage (on a splendid fiaker goulash!)
crickets and frogs
hidden
in swollen grey logs

creepers fill the
cut stone walls
coy wolf high
on a frayed white rope
eagles perched
at trudy’s bend
catamounts laze
on a snow base cedar
(pared arbutus bent  
through a failed ground rock)

brush spider spins
a timely web
brown bears fumble
at the spirit jamboree
quizzical squirrels
crack their nuts
as pillow clouds float
over telegraph trail

12 point dances
on talus and scree
hen hawks float
in a big hard sun
clydesdale and coach
trot copper smith road
(glancing down
on finch and the warbler
whistling through
colander row)

lavender fills
the peat soil box
mountain cats
guard the heavenly gates
black eyed ridge
is wide and open
the country squire hails
this fruitful land
‘When the doors of perception are cleansed
Things will appear as they are:
Infinite.’

∞ William Blake



‘There are things known
and there are things unknown,
and in between are the doors.’

∞ Jim Morrison



Moment of inner freedom
when the mind is opened & the
infinite universe revealed
& the soul is left to wander
dazed & confus’d searching
here & there for teachers & friends.



People need Connectors
Writers, heroes, stars, leaders
To give life form.
A child’s sand boat facing
the sun.
Plastic soldiers in the miniature
dirt war. Forts.
Garage Rocket Ships

Ceremonies, theatre, dances
To reassert
Tribal needs and memories
a call to worship, uniting
above all, a reversion,
a longing for family and the
safety magic of childhood



A man rakes leaves into
a heap in his yard, a pile,
and leans on his rake and
burns them utterly.

The fragrance fills the forest
children pause and heed the
smell, which will become
nostalgia in several years.



An angel runs
Thru the sudden light
Thru the room
A ghost precedes us
A shadow follows us
And each time we stop
We fall



The Endless quest a vigil
of watchtowers and fortresses
against the sea and time.
Have they won? Perhaps.
They still stand and in
their silent rooms still wander
the souls of the dead,
who keep their watch on the living.
Soon enough we shall join them.
Soon enough we shall walk
the walls of time. We shall
miss nothing
except each other.



No one thought up being;
he who thinks he has
Step forward



The Crossroads
a place where ghosts
reside to whisper into
the ears of travelers &
interest them in their fate

Hitchhiker drinks:
“I call again on the dark
hidden gods of blood”

-Why do you call us?
You know our price. It
never changes. Death of
you will give you life
& free you from a vile
fate. But it is getting late.

-If I could see you again
& talk w/ you, & walk a
short while in your company,
& drink the heady brew
of your conversations,
I thought

-to rescue a soul already
ruined. To achieve respite.
To plunder green gold
on a pirate raid & bring
to camp the glory of old.

-As the capesman faces
poisoned horns & drinks
red victory; the soldier,
too, w/ his trophy, a
pierced helmet; & the
ledge-walker shuddering
his way into inward grace

-(laughter) Well, then. Would
you mock yourself?

-No.

-Soon our voices must become
one, or one must leave.



There was preserved

in her

The fresh miracle

of

surprise.



open

The Night is young
& full of rest
I can’t describe
the way she’s dress’d
She’ll pander to some strange
requests
Anything that you suggest
Anything to please her guest
Jim Morrison  Nov 2010
Power
I can make the earth stop in
its tracks. I made the
blue cars go away.

I can make myself invisible or small.
I can become gigantic & reach the
farthest things. I can change
the course of nature.
I can place myself anywhere in
space or time.
I can summon the dead.
I can perceive events on other worlds,
in my deepest inner mind,
& in the minds of others.

I can

I am
~~~

People need Connectors
Writers, heroes, stars,
leaders
To give life form.
A child’s sand boat facing
the sun.
Plastic soldiers in the miniature
dirt war.  Forts.
Garage Rocket Ships

Ceremonies, theatre, dances
To reassert Tribal needs & memories
a call to worship, uniting
above all, a reversion,
a longing for family & the
safety magic of childhood.
~~~

The grand highway
is crowded
w/
lovers
&
searchers
&
leavers
so
eager
to
please
&
forget

Wilderness
~~~

Now is blessed
The rest
remembered
~~~

A man rakes leaves into
a heap in his yard, a pile,
& leans on his rake &
burns them utterly.
The fragrance fills the forest
children pause & heed the
smell, which will become
nostalgia in several years
~~~

Sirens
Water
Rain & Thunder
Jet from the base
Hot searing insect cry
The frogs & crickets
Doors open & close
The smash of glass
The Soft Parade
An accident
Rustle of silk, nylon
Watering the dry grass
Fire
Bells
Rattlesnake, whistles, castanets
Lawn mower
Good Humor man
Skates & wagons
Bikes
~~~

Where’d you learn about
Satan- out of a book
Love?- out of a box
~~~

night of sin (The Fall)
-1st ***, a feeling of having
done this same act in time before
O No, not again
~~~

Between childhood, boyhood,
adolescence
& manhood (maturity) there
should be sharp lines drawn w/
Tests, deaths, feats, rites
stories, songs, & judgements
~~~

Men who go out on ships
To escape sin & the mire of cities
watch the placenta of evening stars
from the deck, on their backs
& cross the equator
& perform rituals to exhume the dead
dangerous initiations
To mark passage to new levels

To feel on the verge of an exorcism
a rite of passage
To wait, or seek manhood
enlightenment in a gun

To **** childhood, innocence
in an instant
I. Song of the Beggars
"O for doors to be open and an invite with gilded edges
To dine with Lord Lobcock and Count Asthma on the platinum benches
With somersaults and fireworks, the roast and the smacking kisses"

Cried the cripples to the silent statue,
The six beggared cripples.
"And Garbo's and Cleopatra's wits to go astraying,
In a feather ocean with me to go fishing and playing,
Still jolly when the **** has burst himself with crowing"

Cried the cripples to the silent statue,
The six beggared cripples.
"And to stand on green turf among the craning yellow faces
Dependent on the chestnut, the sable, the Arabian horses,
And me with a magic crystal to foresee their places"

Cried the cripples to the silent statue,
The six beggared cripples.
"And this square to be a deck and these pigeons canvas to rig,
And to follow the delicious breeze like a tantony pig
To the shaded feverless islands where the melons are big"

Cried the cripples to the silent statue,
The six beggared cripples.
"And these shops to be turned to tulips in a garden bed,
And me with my crutch to thrash each merchant dead
As he pokes from a flower his bald and wicked head"

Cried the cripples to the silent statue,
The six beggared cripples.
"And a hole in the bottom of heaven, and Peter and Paul
And each smug surprised saint like parachutes to fall,
And every one-legged beggar to have no legs at all"

Cried the cripples to the silent statue,
The six beggared cripples.

Spring 1935

II.
O lurcher-loving collier, black as night,
Follow your love across the smokeless hill;
Your lamp is out, the cages are all still;
Course for heart and do not miss,
For Sunday soon is past and, Kate, fly not so fast,
For Monday comes when none may kiss:
Be marble to his soot, and to his black be white.

June 1935

III.
Let a florid music praise,
The flute and the trumpet,
Beauty's conquest of your face:
In that land of flesh and bone,
Where from citadels on high
Her imperial standards fly,
Let the hot sun
Shine on, shine on.

O but the unloved have had power,
The weeping and striking,
Always: time will bring their hour;
Their secretive children walk
Through your vigilance of breath
To unpardonable Death,
And my vows break
Before his look.

February 1936

IV.
Dear, though the night is gone,
Its dream still haunts today,
That brought us to a room
Cavernous, lofty as
A railway terminus,
And crowded in that gloom
Were beds, and we in one
In a far corner lay.

Our whisper woke no clocks,
We kissed and I was glad
At everything you did,
Indifferent to those
Who sat with hostile eyes
In pairs on every bed,
Arms round each other's necks
Inert and vaguely sad.

What hidden worm of guilt
Or what malignant doubt
Am I the victim of,
That you then, unabashed,
Did what I never wished,
Confessed another love;
And I, submissive, felt
Unwanted and went out.

March 1936

V.
Fish in the unruffled lakes
Their swarming colors wear,
Swans in the winter air
A white perfection have,
And the great lion walks
Through his innocent grove;
Lion, fish and swan
Act, and are gone
Upon Time's toppling wave.

We, till shadowed days are done,
We must weep and sing
Duty's conscious wrong,
The Devil in the clock,
The goodness carefully worn
For atonement or for luck;
We must lose our loves,
On each beast and bird that moves
Turn an envious look.

Sighs for folly done and said
Twist our narrow days,
But I must bless, I must praise
That you, my swan, who have
All the gifts that to the swan
Impulsive Nature gave,
The majesty and pride,
Last night should add
Your voluntary love.

March 1936

VI. Autumn Song
Now the leaves are falling fast,
Nurse's flowers will not last,
Nurses to their graves are gone,
But the prams go rolling on.

Whispering neighbors left and right
Daunt us from our true delight,
Able hands are forced to freeze
Derelict on lonely knees.

Close behind us on our track,
Dead in hundreds cry Alack,
Arms raised stiffly to reprove
In false attitudes of love.

Scrawny through a plundered wood,
Trolls run scolding for their food,
Owl and nightingale are dumb,
And the angel will not come.

Clear, unscalable, ahead
Rise the Mountains of Instead,
From whose cold, cascading streams
None may drink except in dreams.

March 1936

VII.
Underneath an abject willow,
Lover, sulk no more:
Act from thought should quickly follow.
What is thinking for?
Your unique and moping station
Proves you cold;
Stand up and fold
Your map of desolation.

Bells that toll across the meadows
From the sombre spire
Toll for these unloving shadows
Love does not require.
All that lives may love; why longer
Bow to loss
With arms across?
Strike and you shall conquer.

Geese in flocks above you flying.
Their direction know,
Icy brooks beneath you flowing,
To their ocean go.
Dark and dull is your distraction:
Walk then, come,
No longer numb
Into your satisfaction.

March 1936

VIII.
At last the secret is out, as it always must come in the end,
The delicious story is ripe to tell the intimate friend;
Over the tea-cups and in the square the tongue has its desire;
Still waters run deep, my friend, there's never smoke without fire.

Behind the corpse in the reservoir, behind the ghost on the links,
Behind the lady who dances and the man who madly drinks,
Under the look of fatigue, the attack of the migraine and the sigh
There is always another story, there is more than meets the eye.

For the clear voice suddenly singing, high up in the convent wall,
The scent of the elder bushes, the sporting prints in the hall,
The croquet matches in summer, the handshake, the cough, the kiss,
There is always a wicked secret, a private reason for this.

April 1936

IX.
Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.

Let aeroplanes circle moaning overhead
Scribbling on the sky the message He Is Dead,
Put crêpe bows round the white necks of the public doves,
Let the traffic policemen wear black cotton gloves.

He was my North, my South, my East and West,
My working week and Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last forever: I was wrong.

The stars are not wanted now: put out every one;
Pack up the moon and dismantle the sun;
Pour away the ocean and sweep up the wood;
For nothing now can ever come to any good.

April 1936

X.
O the valley in the summer where I and my John
Beside the deep river would walk on and on
While the flowers at our feet and the birds up above
Argued so sweetly on reciprocal love,
And I leaned on his shoulder; "O Johnny, let's play":
But he frowned like thunder and he went away.

O that Friday near Christmas as I well recall
When we went to the Matinee Charity Ball,
The floor was so smooth and the band was so loud
And Johnny so handsome I felt so proud;
"Squeeze me tighter, dear Johnny, let's dance till it's day":
But he frowned like thunder and he went away.

Shall I ever forget at the Grand Opera
When music poured out of each wonderful star?
Diamonds and pearls they hung dazzling down
Over each silver or golden silk gown;
"O John I'm in heaven," I whispered to say:
But he frowned like thunder and he went away.

O but he was fair as a garden in flower,
As slender and tall as the great Eiffel Tower,
When the waltz throbbed out on the long promenade
O his eyes and his smile they went straight to my heart;
"O marry me, Johnny, I'll love and obey":
But he frowned like thunder and he went away.

O last night I dreamed of you, Johnny, my lover,
You'd the sun on one arm and the moon on the other,
The sea it was blue and the grass it was green,
Every star rattled a round tambourine;
Ten thousand miles deep in a pit there I lay:
But you frowned like thunder and you went away.

April 1937

XI. Roman Wall Blues
Over the heather the wet wind blows,
I've lice in my tunic and a cold in my nose.

The rain comes pattering out of the sky,
I'm a Wall soldier, I don't know why.

The mist creeps over the hard grey stone,
My girl's in Tungria; I sleep alone.

Aulus goes hanging around her place,
I don't like his manners, I don't like his face.

Piso's a Christian, he worships a fish;
There'd be no kissing if he had his wish.

She gave me a ring but I diced it away;
I want my girl and I want my pay.

When I'm a veteran with only one eye
I shall do nothing but look at the sky.

October 1937

XII.
Some say that love's a little boy,
And some say it's a bird,
Some say it makes the world round,
And some say that's absurd,
And when I asked the man next-door,
Who looked as if he knew,
His wife got very cross indeed,
And said it wouldn't do.

Does it look like a pair of pyjamas,
Or the ham in a temperance hotel?
Does its odour remind one of llamas,
Or has it a comforting smell?
Is it prickly to touch as a hedge is,
Or soft as eiderdown fluff?
Is it sharp or quite smooth at the edges?
O tell me the truth about love.

Our history books refer to it
In cryptic little notes,
It's quite a common topic on
The Transatlantic boats;
I've found the subject mentioned in
Accounts of suicides,
And even seen it scribbled on
The backs of railway-guides.

Does it howl like a hungry Alsatian,
Or boom like a military band?
Could one give a first-rate imitation
On a saw or a Steinway Grand?
Is its singing at parties a riot?
Does it only like classical stuff?
Does it stop when one wants to quiet?
O tell me the truth about love.

I looked inside the summer-house;
It wasn't ever there:
I tried the Thames at Maidenhead,
And Brighton's bracing air.
I don't know what the blackbird sang,
Or what the tulip said;
But it wasn' in the chicken-run,
Or underneath the bed.

Can it pull extraordinary faces?
Is it usually sick on a swing?
Does it spend all its time at the races,
Or fiddling with pieces of string?
Has it views of its own about money?
Does it think Patriotism enough?
Are its stories ****** but funny?
O tell me the truth about love.

When it comes, will it come without warning
Just as I'm picking my nose?
Will it knock on the door in the morning,
Or tread in the bus on my toes?
Will it come like a change in the weather?
Will its greeting be courteous or rough?
Will it alter my life altogether?
O tell me the truth about love.

January 1938
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