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judy smith Aug 2016
It’s New York Fashion Week, and there is a frenzy backstage as models are worked into their dresses and mob the assembled engineers for instructions of how to operate the technology that magically transforms a subtle gesture into a glowing garment suggestive of the bioluminescence of jellyfish. I know there’s not enough time for them to do their work. Almost instinctively, I find the designer and bargain for 20 more minutes.

While I wonder to myself how I got here, backstage at a runway show, I also know I am witnessing what may be the harbinger of how a fourth industrial revolution is set to change fashion, resulting in a new materiality of computation that will transform a certain slice of fashion designers into the “developers” of a whole new category of clothing. By driving new partnerships in tools, materials and technologies, this revolution has the potential to dramatically reshape how we produce fashion at a scale not seen since the invention of the jacquard loom.

The jacquard loom, as it happens, inspired the earliest computers. Ever since, textile development and technology have been on an interwoven path — sometimes more loosely knit, but becoming increasingly tighter in the last five years. Around that time, my colleagues and I embarked on a project in our labs to look at “fashion tech,” which at the time was a fringe term. These were pioneers daring to — sometimes literally — weave together technology and clothing to drive new ways of thinking about the “shape” of computation. But as we looked around the fashion industry, it became clear that designers lacked the tools to harness the potential of new technologies.

For a start, all facets of technology needed to be more malleable. Batteries, processors and sensors, in particular, had to evolve from being bulky and rigid to being softer, flexible and stretchable. Thus, I began to champion “Puck [rigid], Patch [flexible], Apparel [integrated],” an internal mantra to describe what I felt would be the material transformations of sensing and computation.

As our technologies have steadily become smaller, faster and more energy efficient — a progression known in the tech industry as Moore’s Law — we’ve gone on to launch a computer the size of a postage stamp and worked with a fashion tech designer to demonstrate its capabilities. In this case we were able to show dresses that were generated not just from sketches and traditional materials, but forward-looking tools (body scans and Computer Assisted Design renderings) and materials (in this case, 3-D printed nylon). At the same time, we integrated a variety of sensors (proximity, brain-wave activity, heart-rate, etc.) that allowed the garments themselves to sense and communicate in ways that showed how fashion — inspired in part by biology — might become the interface between people and the world around them.

Eventually, a meeting between Intel and the CFDA lent support to the idea that if technology could fit more seamlessly into designs, then it would be more valuable to fashion designers. The realisation helped birth the Intel Curie module, which has since made its way down the catwalk, embedded into a slew of designs that could help wearers adapt, interpret and respond to the world around them, for example, by “sensing” adrenaline or allowing subtle gestures to illuminate a garment.

As the relationship between fashion and technology continues to evolve, we will need to reimagine research and development, supply chains, business models and more. But perhaps more than anything, as fashion and technology merge, we must embrace a new strand of collaborative transdisciplinary design expertise and integrate software, sensors, processors and synthetic and biological materials into a designer’s tool kit.

Technology will inform the warp and weft of the fabric of fashion’s future. This will trigger discussions not just about fashion as an increasingly literal interface between people, our biology and the world around us, but also about the implications that data will generate for access, health, privacy and self-expression as we look ahead. We are indeed on the precipice of a fourth industrial revolution.Read more at:www.marieaustralia.com/red-carpet-celebrity-dresses | www.marieaustralia.com/black-formal-dresses
For the first twenty years since yesterday
                  I scarce believed thou couldst be gone away;
            For forty more I fed on favors past,
               And forty on hopes that thou wouldst they might last.
                    Tears drowned one hundred, and sighs blew out two,
               A thousand, I did neither think nor do,
               Or not divide, all being one thought of you,
               Or in a thousand more forgot that too.
          Yet call not this long life, but think that I
               Am, by being dead, immortal. Can ghosts die?
I saw an aged Beggar in my walk;
And he was seated, by the highway side,
On a low structure of rude masonry
Built at the foot of a huge hill, that they
Who lead their horses down the steep rough road
May thence remount at ease. The aged Man
Had placed his staff across the broad smooth stone
That overlays the pile; and, from a bag
All white with flour, the dole of village dames,
He drew his scraps and fragments, one by one;
And scanned them with a fixed and serious look
Of idle computation. In the sun,
Upon the second step of that small pile,
Surrounded by those wild, unpeopled hills,
He sat, and ate his food in solitude:
And ever, scattered from his palsied hand,
That, still attempting to prevent the waste,
Was baffled still, the crumbs in little showers
Fell on the ground; and the small mountain birds
Not venturing yet to peck their destined meal,
Approached within the length of half his staff.

Him from my childhood have I known; and then
He was so old, he seems not older now;
He travels on, a solitary Man,
So helpless in appearance, that from him
The sauntering Horseman throws not with a slack
And careless hand his alms upon the ground,
But stops,—that he may safely lodge the coin
Within the old Man’s hat; nor quits him so,
But still, when he has given his horse the rein,
Watches the aged Beggar with a look
Sidelong, and half-reverted. She who tends
The toll-gate, when in summer at her door
She turns her wheel, if on the road she sees
The aged Beggar coming, quits her work,
And lifts the latch for him that he may pass.
The post-boy, when his rattling wheels o’ertake
The aged Beggar in the woody lane,
Shouts to him from behind; and if, thus warned,
The old Man does not change his course, the boy
Turns with less noisy wheels to the roadside,
And passes gently by, without a curse
Upon his lips, or anger at his heart.

He travels on, a solitary Man;
His age has no companion. On the ground
His eyes are turned, and, as he moves along,
They move along the ground; and, evermore,
Instead of common and habitual sight
Of fields, with rural works, of hill and dale,
And the blue sky, one little span of earth
Is all his prospect. Thus, from day to day,
Bow-bent, his eyes forever on the ground,
He plies his weary journey; seeing still,
And seldom knowing that he sees, some straw,
Some scattered leaf, or marks which, in one track,
The nails of cart or chariot-wheel have left
Impressed on the white road,—in the same line,
At distance still the same. Poor Traveller!
His staff trails with him; scarcely do his feet
Disturb the summer dust; he is so still
In look and motion, that the cottage curs,
Ere he has passed the door, will turn away,
Weary of barking at him. Boys and girls,
The vacant and the busy, maids and youths,
And urchins newly breeched—all pass him by:
Him even the slow-paced waggon leaves behind.

But deem not this Man useless.—Statesmen! ye
Who are so restless in your wisdom, ye
Who have a broom still ready in your hands
To rid the world of nuisances; ye proud,
Heart-swoln, while in your pride ye contemplate
Your talents, power, or wisdom, deem him not
A burden of the earth! ’Tis Nature’s law
That none, the meanest of created things,
Of forms created the most vile and brute,
The dullest or most noxious, should exist
Divorced from good—a spirit and pulse of good,
A life and soul, to every mode of being
Inseparably linked. Then be assured
That least of all can aught—that ever owned
The heaven-regarding eye and front sublime
Which man is born to—sink, howe’er depressed,
So low as to be scorned without a sin;
Without offence to God cast out of view;
Like the dry remnant of a garden-flower
Whose seeds are shed, or as an implement
Worn out and worthless. While from door to door,
This old Man creeps, the villagers in him
Behold a record which together binds
Past deeds and offices of charity,
Else unremembered, and so keeps alive
The kindly mood in hearts which lapse of years,
And that half-wisdom half-experience gives,
Make slow to feel, and by sure steps resign
To selfishness and cold oblivious cares,
Among the farms and solitary huts,
Hamlets and thinly-scattered villages,
Where’er the aged Beggar takes his rounds,
The mild necessity of use compels
The acts of love; and habit does the work
Of reason; yet prepares that after-joy
Which reason cherishes. And thus the soul,
By that sweet taste of pleasure unpursued,
Doth find herself insensibly disposed
To virtue and true goodness.

                                  Some there are
By their good works exalted, lofty minds
And meditative, authors of delight
And happiness, which to the end of time
Will live, and spread, and kindle: even such minds
In childhood, from this solitary Being,
Or from like wanderer, haply have received
(A thing more precious far than all that books
Or the solicitudes of love can do!)
That first mild touch of sympathy and thought,
In which they found their kindred with a world
Where want and sorrow were. The easy man
Who sits at his own door,—and, like the pear
That overhangs his head from the green wall,
Feeds in the sunshine; the robust and young,
The prosperous and unthinking, they who live
Sheltered, and flourish in a little grove
Of their own kindred;—all behold in him
A silent monitor, which on their minds
Must needs impress a transitory thought
Of self-congratulation, to the heart
Of each recalling his peculiar boons,
His charters and exemptions; and, perchance,
Though he to no one give the fortitude
And circumspection needful to preserve
His present blessings, and to husband up
The respite of the season, he, at least,
And ‘t is no ****** service, makes them felt.

Yet further.—Many, I believe, there are
Who live a life of virtuous decency,
Men who can hear the Decalogue and feel
No self-reproach; who of the moral law
Established in the land where they abide
Are strict observers; and not negligent
In acts of love to those with whom they dwell,
Their kindred, and the children of their blood.

Praise be to such, and to their slumbers peace!
But of the poor man ask, the abject poor;
Go, and demand of him, if there be here
In this cold abstinence from evil deeds,
And these inevitable charities,
Wherewith to satisfy the human soul?
No—man is dear to man; the poorest poor
Long for some moments in a weary life
When they can know and feel that they have been,
Themselves, the fathers and the dealers-out
Of some small blessings; have been kind to such
As needed kindness, for this single cause,
That we have all of us one human heart.
—Such pleasure is to one kind Being known,
My neighbour, when with punctual care, each week
Duly as Friday comes, though pressed herself
By her own wants, she from her store of meal
Takes one unsparing handful for the scrip
Of this old Mendicant, and, from her door
Returning with exhilarated heart,
Sits by her fire, and builds her hope in heaven.

Then let him pass, a blessing on his head!
And while in that vast solitude to which
The tide of things has borne him, he appears
To breathe and live but for himself alone,
Unblamed, uninjured, let him bear about
The good which the benignant law of Heaven
Has hung around him: and, while life is his,
Still let him prompt the unlettered villagers
To tender offices and pensive thoughts.
—Then let him pass, a blessing on his head!
And, long as he can wander, let him breathe
The freshness of the valleys; let his blood
Struggle with frosty air and winter snows;
And let the chartered wind that sweeps the heath
Beat his grey locks against his withered face.
Reverence the hope whose vital anxiousness
Gives the last human interest to his heart.
May never HOUSE, misnamed of INDUSTRY,
Make him a captive!—for that pent-up din,
Those life-consuming sounds that clog the air,
Be his the natural silence of old age!
Let him be free of mountain solitudes;
And have around him, whether heard or not,
The pleasant melody of woodland birds.
Few are his pleasures: if his eyes have now
Been doomed so long to settle upon earth
That not without some effort they behold
The countenance of the horizontal sun,
Rising or setting, let the light at least
Find a free entrance to their languid orbs.
And let him, where and when he will, sit down
Beneath the trees, or on a grassy bank
Of highway side, and with the little birds
Share his chance-gathered meal; and, finally,
As in the eye of Nature he has lived,
So in the eye of Nature let him die!
onlylovepoetry Jun 2019
head to toe kissing


I   the mundane

moonlight madnesses, a possessive noun,
commissions gravitational pulls that disobey and obey
laws of interstellar loving. The antique modalities once and forever, forever laying still, stilled in places of antiquities and historical need, are thundershower and hail rudely reawakened, the undertow of
pull and push, the yanking hands  of need for others, for others,
it’s the explosive-knowledge, the opening of the old kitbag of perpetual principles, that crazy head to toe kissing is no less necessary, more so, than the computation of the total breaths mundane, unnoticed even now as I write of them, that we will count from that very first, in deed, they are one and the same, like the same
kisses given from head to toe

II   the profane

at the first, the body insists, I am but a long haul trailer, no taxi me,
cargo and passengers, are my quatrain accompaniments,
traveling companions boon, my own toons, too soon disembarked,
songs of parents and lovers, children and others, your visage passed
without your permission, but with your happy encouragement,
to generations that will see things that futurists dare not
even mention, but the profane urge to warn them all, kisses from head to toe, elevates, and overcomes...so when most of my names dusted with forgetfulness, lost in the waves, my scorching soft lips will be recalled just as an airy flight of light brushing upon a newborn’s eyelids just at the moment of birth.  A rustling more felt than heard, the ****** and bruised carrying body will sensate and instantly forget, but nonetheless transmit genetically, that the profane of birth and life renewing can be only washed away, when past and future, recalled and recreated, kisses from head to toes, dripping with softening saltwater tears, a chemical organic reagent of creation,
inside the histories of head to toe kissing

III  the insane

so when, somewhere, some place, a man’s body prepares  
tous ses adieux, his memory foolishly sane and strong,
his wasted paper bag container ship, rust bucketed,
crinkled and wrinkled, skin folding in on itself, hanging to bones
by stretched sinews and tendons that no longer tend to business,
loosened and gangly, they hang on barely to the bare nakedness of
evolutionary processes, mostly not, offset, by the tenderizing effects of kisses, from invisible attendees,  unconscious they,
willingly and unwillingly, offering farewells in actuality...
head to toes, noses to belly buttons, tatted, tattered, and still tasted by dying cells.  It’s insane to think it’s even possible  one retains each and all, but he does, those few given, those few  millions he gave away for cheap belly laughs and poems, decade upon decade accumulated are the totality of him, all of them free and sealed in kisses from head to toes
a perfect fare thee well love poem to add to the pastures lying fallow on mountain ranges of kisses from heads to toes...June 3, 2019
.

Z - A

Zonked Yanks eXport Weird Views Underpinning Terrorist Suspects, Risking Quiet Proliferation Of Nuclear Missiles, Leaving Killer Jihads In Hostile Groups. Forgetting Europe, Death Claims Babylon: America.

Zero Yields X’s Without Value. Useless Technical Solutions Regarding Quanta, Plainly Outside Newtonian Mathematics. Logic Keeps Jokers In Hearty Guffaws  Forever.  Eternity Derides Computation By Algebra.

Zap! Your X-ray Was Very Useful Tool. Sarcomas’ Revealed, Quality Prognosis On Masse. Later Knowledge Jibes; Increased Hidden Growths Frequently Entailing Death Couldn’t Be Anticipated.



A – Z

Away Bright Cinder, Drift Eternally, Fly! Glow! Heat Incandescent! Jeweled Key, Luminous Molten Nuclei, Ornate Precious Quotient, Radiant Shining Teardrop. Unknowable Volcanic Whisper, eXact, Yield: Zero.

Awful Blues, Crazy Dreams, Every Fleeting Ghastly Horrible Idea Jars, Killing Love. Murderous Omens, Portending Quiescence, Reduce Sleep To Uniform Vacant Wastelands, eXiled Yearning Zenith.

Acting Behind Closed Doors, Every Famous General Has Insight: Jabbering Khaki Liveried Majors Narrate Orders, Pursuing Quarries, Retelling Strategic Theories. Up Valiant Warriors, Cross Your Zone!

A Bitter Child Denies Every Friendship Going. Hate Instills Jealousies Knife. Lies Mean Nothing. Other People Question Reality. Sic Transit Umbra, Vile World. eXcise Your Zest.

Albert Ball’s Camel Dived Effortlessly, Flaming Guns Hammered Into Junkers. Keeping Level Meant Not One Pilot Questioned Richthofens’ Stall Turn, Underpinning Victory With X-elerating Yawing Zoom…

Although Boy’s Charm Doesn’t Explicitly Frighten Girls, Her Instincts Jostle, Knowing Laughter Masks Nights Ordained Paths. Quiet! Reason Sleeps Tonight, Unmasked Votive Wanderings eXpose Y-Fronted Zygotes!



r10.6.1
One of my earliest 'concept' poems that actually worked out. Boy was I smug when I started pulling these bad-boys out of the ether; they’re so utterly…automatic: an allusion to my pretensions in writing Systems Poetry. There are loads of these that simply don’t work, and the 'X's' are a problem, but at their best they have an impact and effect quite different to poetry using a similar but undirected structure! This concept led directly to another poem: ‘Ab Imo Pectore’, which uses the same technique, but on lines rather than words, and in Latin, rather than English… told you I was a smug so-and-so!
Revelatory refractions held in the disco ball’s reflection, glancing off the wall.
Dim-lit dreams tilt forward, spilt into a paper cup, bounced backward and sprinkled up.

******* synonyms from the cold, dead pages of the riddle’s mask.
Breaching spatial avenues left for those who understood the task.
Taking hits from a dry-lit flask, leaving windows closed to bask

Clapped the snap back bass kit as it turned Wallace snitch.
The Wire drawn and laid on lawns boundless in the ditch.

Deaf to congruencies of affection, brought about by an adolescent *******.

Blind spot in the centre of view. Rhythmic dancing, oblivious to the pew
Unplugged mixing, interlocked twisting
Pulsing in tune with distorted computation
Dehydrated seizures next to the watering station

Molly Mary caught in the flashing lights, blinded by the car’s brights.
A necklace found, nothing else around.
Body grasped for fun, stuffed, mounted, late night pokes meticulously counted.
dear immoral,
              salt
seed of
    s
                              la
  ughter
enticingly, affably, salt
compassionate psychic stimulates
  the pigheaded exclamation
compassionate osculation stands
glove
                  gives callously
  equally, nonetheless, equally
quarrelsome loving glove
a persnickety longshoreman
  each persnickety biochemistry
is the
  longshoreman cancerous?
A ambiguous certification
a stupid symphony
leads a wizardry
a road worker.
                    No content,
  j
                      us
            t web,
                                  you
    r bright face
is suffered with an imagery.
Bridge operator:
                agile
                    computation
 ­         today, randomly ordinarily
ah! A
                    trembling
    je
      we
                l­er
confidant loves increasingly
  languidly, sociably, spontaneously
Look! A poor *******
perpetual on my
          quick
                              bible;
  my psychotherapy roves
into a
            bleeding seashore.
Oxygen
  tickles beautifully
boisterous, antisocial, odorous
Look! A quivering predisposition
the
          psychoanalysis's
  preferably quick
      psych
    otherapy-
how
        ebbing it is!
It has the the depression snowed ordinarily.
It repels the grin into the seashore
a
        punishing scream.
Cataclysm predicts perfectly
              stupidly sensually noncommittal
unchanging rambling cataclysm
in t
      he

                        unharnessing camaraderie
a perfect board
          overshadows
  his youth

  so
                                  that it is contemporary
grin
            quick psychotherapies
I repel quick
this punishing kennel.
The chore
into appreciated camaraderies
psychotherapies rove in it.
A ink stick:
  into appreciated ca
                mar
          aderies
psychotherapies rove in
            my own gossip.
Dogmatic, unrealistic cliff
  grip
              of firefly
realistically, subtly, cliff
Situationist
              on my quick bible;
  my paralysis roves
onto a crazy seashore.
Situationist on a
            journey;
  my
            paralysis ambles
onto a
      crazy hotel.

A equality
  onto procreation kings
paralys
          is
        amble outside of the kings.

Buzzard: omnipotent nullification
  extraordinarily, perfectly, saintly
that buzzard is ambitious
This poem was written by a computer.
Thinkerbelle Jul 2017
I fell in love with the way he keeps himself
so full, so sure, so arrogantly handsome yet so humbly beautiful

I fell inlove with him for all the times he stayed
through all the beating, through all the cheating,
through all the bad and good

I fell in love with his words
the way they roll out of his mouth through the clever words he speak and into my soul, he envelops me with every decibel he forms

I fell inlove with him, because he is true, because he is him

I fell in love with the way he looks at things that astound him,
the way the crease forms between his bushy brows,
you know he's thinking, you know he's about to say something
you know when he looks at you, so straight into your eyes you would think he has feelings for you,
so deep into me that the brilliant comeback I've thought of all of last night has crumbled and vanished only to be replaced by you

so then you caught me, words, out of breath, out of mind

you asked me, "what do you think?"

I thought, of how unpretentiously gorgeous you look
of the tax computation that made you question yourself, if u were in the right course
i thought of why you were so inlove with her,
I think of why I love him
but I think I'm in love with you

So I said, " I don't know"


eg
Gabriel  Jan 2014
Why try...
Gabriel Jan 2014
Trapped in a helium glow of iridescent isolation, in the terrifying grasp of convalescent irritation.
Nevertheless, it's the complex grin of a mechanical computation, not some abstract will of a medical complication, but the laborious equations of a most difficult accusation.
Now you can swim through a black hole, or ride a surfboard on a supernova, but a white dwarf star will slow down the ball speed of Anna Kournikova.
In an instant the universe could end, but it would be so fast we would not see until it came back again.
You think your real?
The sands of an hourglass steal the time you say, but you're the one that plays, no.
That expanded feeling you get, when you realize the universe as gotten larger...or made you smaller...in an attempt to understand its own creation, experiment after experiment.
One never thinks to understand their world until it is crushing down upon them, baring teeth, going for the ****; only then, is understanding important.
A trillion suns shine in a billion solar systems in a million galaxies and then some, but a single kiss from her lips, could break apart Calypso.
Within the dark matter, memories and patience lost, we have never diminished our flame of will.
Savage endings frayed in the  yesterday dust....memories twice scorned.
the dirty poet Apr 2022
he’s so sharp
and gets everything wrong
like a superb computer
without enough information
for its calculation

— The End —