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Phil Lindsey May 2015
Agnes McDuff collected strange stuff,
Or so the story goes:

There were old pots and pans,
String, rubber bands,
Boxes and boxes of clothes,
Newspapers, plates,
Books stored in crates,
And candlesticks lined up in rows.
Some mason jars,
Toy trucks and cars,
A model train with a whistle that blows,
Needles and spools,
All kinds of tools,
And shoes with holes in the toes.

There were tables and chairs,
Bookends in pairs,
A grandfather clock that was broke,
An old brass spittoon,
Some Sunday cartoons,
And a bicycle mssing a spoke.
Four or five hundred old wooden blocks,
Twenty-three pair of grey woolen socks,
A Christmas Edition bottle of Coke,
A board game missing directions,
A bat, a ball, a catcher’s mitt, two baseball card collections,
And a great big rusty tuba.  What a joke!

There was other stuff, but you’ve heard enough;
About what was stored in
The Attic of Agnes McDuff.

Part 2
Agnes’ attic was quite special
But not for the things it contained
But for how she had to get there
Please let me explain!

Agnes had a one-story house
A flight of stairs led to the attic.
When she opened up the door,
The light came on automatic.

It opened to a hallway
Where there was another door
Another light, another hall, and more stairs, which
Led back down to the first floor!

Where an elevator waited
To take her up again?
But it had just one button
And it was numbered “10”.

When she pushed it, it was crazy
The elevator turned upon its side,
Grew wheels and drove out on the street
For an amazing ride!

Across a long suspension bridge,
Then underneath a tunnel,
And then it went around and round
Like circling down a funnel!

It dropped upon a railroad track
Hooked onto the caboose
And followed to the roundhouse
Where it finally broke loose.

It turned around a couple times
And ran out toward the street
The elevator ran, of course
Because it had grown two feet!

It ran across an avenue,
Around a lake, and through a park
And then through another tunnel
Where it was very dark.

A mile later it emerged,
At Agnes’ house, by her front door!
The elevator walked inside,
And was on the second floor!!

So that’s how Agnes reached her attic,
Perhaps someday you’ll go there too,
Push the elevator button,
And you’ll find my story’s true!

Part 3
Agnes stood there in her attic
And smiled at all her stuff
That almost ends the story of
The Attic of Agnes McDuff.

But Agnes’ story can never end
Her smile turned to a frown,
Because you see poor Agnes
Forgot how to get back down!!
PwL  May 1, 2015
Some times I just need to laugh.  Happy May Day, HP!!
You and I were the best of friends,
We did everything together,
As the spring months came to their ends,
We waited for the start of the summer,

We had odd jobs at the start,
But the money wasn't enough,
To keep us that far apart,
we spent our time looking through old stuff,

We would listen to the old radio in the attic,
turning through the channels to find the right static,
to sing the songs of our Summer Playlist,
every song was a time we cherished,

When the Summer started to fade,
We couldn't see each other everyday,
School started and we had seperate classes,
Our classes together went by the fastest,

When the weekend came,
Back to the attic,
The radio station was always the same,
We turn it to the same summertime static,

When winter came the snow did too,
The months dragged on until Christmas came,
We went to the attic for something to do,
That radio station always stayed the same,

Some new songs were added to our Summer Playlist,
Some new memories were made to be cherished,
No matter the time of the year,
We always knew the radio was there,

To play our favorite station of summer static,
Singing our Summer Playlist songs,
Singing together in the attic,
The only place where we belong,

A New Year starts and the snow goes away,
We start hanging out again everyday,
There has been another year of being true friends,
The Seasons change and we start all over again

Back to the Attic in the summer sun,
It started off strange but then came the fun,
We'd changed over the year, but we still loved the attic,
The Radio's broken, but we still love the static.
I wrote this poem a long time ago, but I just added the final four lines tonight. I hope you like it.
Dylan Baker Mar 2014
There is a light in the attic
that has been on for two days,
shining dim through mouse tunnels
and A frames,
through insulation,
and hidden secrets.

There is a light in the attic
that has been on for three days,
and another house burned down
last week,
about a block from here
on the west side.

There is a light in the attic
that has been on for four days.
An incandescent bulb
with the filament intact and glowing,
and it only takes one spark,
to create a fire.

There is a light in the attic
that has been on for five days.
In that hidden room,
under the crumbling linoleum
we found pages from a newspaper
dated January 4, 1950.

There is a light in the attic
that has been on for six days,
and an entire world left to explore.
Who knows what else is hidden there,
under insulation,
under floorboards,
and in cubbyholes.

There is a light in the attic
that has been on for seven days,
and I don't know
if it will ever burn out.
Nigel Morgan Apr 2013
As he walked through the maze of streets from the tube station he wondered just how long it had been since he had last visited this tall red-bricked house. For so many years it had been for him a pied à terre. Those years when the care of infant children dominated his days, when coming up to London for 48 hours seemed such a relief, an escape from the daily round that small people demand. Since his first visits twenty years ago the area bristled with new enterprise. An abandoned Victorian hospital had been turned into expensive apartments; small enterprising businesses had taken over what had been residential property of the pre-war years. Looking up he was conscious of imaginative conversions of roof and loft spaces. What had seemed a wide-ranging community of ages and incomes appeared to have disappeared. Only the Middle Eastern corner shops and restaurants gave back to the area something of its former character: a place where people worked and lived.

It was a tall thin house on four floors. Two rooms at most of each floor, but of a good-size. The ground floor was her London workshop, but as always the blinds were down. In fact, he realised, he’d never been invited into her working space. Over the years she’d come to the door a few times, but like many artists and craftspeople he knew, she fiercely guarded her working space. The door to her studio was never left open as he passed through the hallway to climb the three flights of stairs to her husband’s domain. There was never a chance of the barest peek inside.

Today, she was in New York, and from outside the front door he could hear her husband descend from his fourth floor eyrie. The door was flung open and they greeted each other with the fervour of a long absence of friends. It had been a long time, really too long. Their lives had changed inexplicably. One, living almost permanently in that Italian marvel of waterways and sea-reflected light, the other, still in the drab West Yorkshire city from where their first acquaintance had begun from an email correspondence.

They had far too much to say to one another - on a hundred subjects. Of course the current project dominated, but as coffee (and a bowl of figs and mandarin oranges) was arranged, and they had moved almost immediately he arrived in the attic studio to the minimalist kitchen two floors below, questions were thrown out about partners and children, his activities, and sadly, his recent illness (the stairs had seemed much steeper than he remembered and he was a little breathless when he reached the top). As a guest he answered with a brevity that surprised him. Usually he found such questions needed roundabout answers to feel satisfactory - but he was learning to answer more directly, and being brief, suddenly thought of her and her always-direct questions. She wanted to know something, get something straight, so she asked  - straight - with no ‘going about things’ first. He wanted to get on with the business at hand, the business that preoccupied him, almost to the exclusion of everything else, for the last two days.

When they were settled in what was J’s working space ten years ago now he was immediately conscious that although the custom-made furniture had remained the Yamaha MIDI grand piano and the rack of samplers were elsewhere, along with most of the scores and books. The vast collection of CDs was still there, and so too the pictures and photographs. But there was one painting that was new to this attic room, a Cézanne. He was taken aback for a moment because it looked so like the real thing he’d seen in a museum just weeks before. He thought of the film Notting Hill when William Thacker questions the provenance of the Chagall ‘violin-playing goat’. The size of this Cézanne seemed accurate and it was placed in a similar rather ornate frame to what he knew had framed the museum original. It was placed on right-hand wall as he had entered the room, but some way from the pair of windows that ran almost the length of this studio. The view across the rooftops took in the Tower of London, a mile or so distant. If he turned the office chair in which he was sitting just slightly he could see it easily whilst still paying attention to J. The painting’s play of colours and composition compelled him to stare, as if he had never seen the painting before. But he had, and he remembered that his first sight of it had marked his memory.

He had been alone. He had arrived at the gallery just 15 minutes before it was due to close for the day.  He’d been told about this wonderful must-see octagonal room where around the walls you could view a particularly fine and comprehensive collection of Impressionist paintings. All the great artists were represented. One of Van Gogh’s many Olive Trees, two studies of domestic interiors by Vuillard, some dancing Degas, two magnificent Gaugins, a Seurat field of flowers, a Singer-Sergeant portrait, two Monets - one of a pair of haystacks in a blaze of high-summer light. He had been able to stay in that room just 10 minutes before he was politely asked to leave by an overweight attendant, but afterwards it was as if he knew the contents intimately. But of all these treasures it was Les Grands Arbres by Cézanne that had captured his imagination. He was to find it later and inevitably on the Internet and had it printed and pinned to his notice board. He consulted his own book of Cézanne’s letters and discovered it was a late work and one of several of the same scene. This version, it was said, was unfinished. He disagreed. Those unpainted patches he’d interpreted as pools of dappled light, and no expert was going to convince him otherwise! And here it was again. In an attic studio J. only frequented occasionally when necessity brought him to London.

When the coffee and fruit had been consumed it was time to eat more substantially, for he knew they would work late into the night, despite a whole day tomorrow to be given over to their discussions. J. was full of nervous energy and during the walk to a nearby Iraqi restaurant didn’t waver in his flow of conversation about the project. It was as though he knew he must eat, but no longer had the patience to take the kind of necessary break having a meal offered. His guest, his old friend, his now-being-consulted expert and former associate, was beginning to reel from the overload of ‘difficulties’ that were being put before him. In fact, he was already close to suggesting that it would be in J’s interest if, when they returned to the attic studio, they agreed to draw up an agenda for tomorrow so there could be some semblance of order to their discussions. He found himself wishing for her presence at the meal, her calm lovely smile he knew would charm J. out of his focused self and lighten the rush and tension that infused their current dialogue. But she was elsewhere, at home with her children and her own and many preoccupations, though it was easy to imagine how much, at least for a little while, she might enjoy meeting someone new, someone she’d heard much about, someone really rather exotic and (it must be said) commanding and handsome. He would probably charm her as much as he knew she would charm J.

J. was all and more beyond his guest’s thought-description. He had an intensity and a confidence that came from being in company with intense, confident and, it had to be said, very wealthy individuals. His origins, his beginnings his guest and old friend could only guess at, because they’d never discussed it. The time was probably past for such questions. But his guest had his own ideas, he surmised from a chanced remark that his roots were not amongst the affluent. He had been a free-jazz musician from Poland who’d made waves in the German jazz scene and married the daughter of an arts journalist who happened to be the wife of the CEO of a seriously significant media empire. This happy association enabled him to get off the road and devote himself to educating himself as a composer of avant-garde art music - which he desired and which he had achieved. His guest remembered J’s passion for the music of Luigi Nono (curiously, a former resident of the city in which J. now lived) and Helmut Lachenmann, then hardly known in the UK. J. was already composing, and with an infinite slowness and care that his guest marvelled at. He was painstakingly creating intricate and timbrally experimental string quartets as well as devising music for theatre and experimental film. But over the past fifteen years J. had become increasingly more obsessed with devising software from which his musical ideas might emanate. And it had been to his guest that, all that time ago, J. had turned to find a generous guide into this world of algorithms and complex mathematics, a composer himself who had already been seduced by the promise of new musical fields of possibility that desktop computer technology offered.

In so many ways, when it came to the hard edge of devising solutions to the digital generation of music, J. was now leagues ahead of his former tutor, whose skills in this area were once in the ascendant but had declined in inverse proportion to J’s, as he wished to spend more time composing and less time investigating the means through which he might compose. So the guest was acting now as a kind of Devil’s Advocate, able to ask those awkward disarming questions creative people don’t wish to hear too loudly and too often.

And so it turned out during the next few hours as J. got out some expensive cigars and brandy, which his guest, inhabiting a different body seemingly, now declined in favour of bottled water and dry biscuits. His guest, who had been up since 5.0am, finally suggested that, if he was to be any use on the morrow, bed was necessary. But when he got in amongst the Egyptian cotton sheets and the goose down duvet, sleep was impossible. He tried thinking of her, their last walk together by the sea, breakfast à deux before he left, other things that seemed beautiful and tender by turn . . . But it was no good. He wouldn’t sleep.

The house could have been as silent as the excellent double-glazing allowed. Only the windows of the attic studio next door to his bedroom were open to the night, to clear the room of the smoke of several cigars. He was conscious of that continuous flow of traffic and machine noise that he knew would only subside for a brief hour or so around 4.0am. So he went into the studio and pulled up a chair in front of the painting by Cézanne, in front of this painting of a woodland scene. There were two intertwining arboreal forms, trees of course, but their trunks and branches appeared to suggest the kind of cubist shapes he recognized from Braque. These two forms pulled the viewer towards a single slim and more distant tree backlit by sunlight of a late afternoon. There was a suggestion, in the further distance, of the shapes of the hills and mountains that had so preoccupied the artist. But in the foreground, there on the floor of this woodland glade, were all the colours of autumn set against the still greens of summer. It seemed wholly wrong, yet wholly right. It was as comforting and restful a painting as he could ever remember viewing. Even if he shut his eyes he could wander about the picture in sheer delight. And now he focused on the play of brush strokes of this painting in oils, the way the edge and border of one colour touched against another. Surprisingly, imagined sounds of this woodland scene entered his reverie - a late afternoon in a late summer not yet autumn. He was Olivier Messiaen en vacances with his perpetual notebook recording the magical birdsong in this luminous place. Here, even in this reproduction, lay the joy of entering into a painting. Jeanette Winterson’s plea to look at length at paintings, and then look again passed through his thoughts. How right that seemed. How very difficult to achieve. But that night he sat comfortably in J’s attic and let Cézanne deliver the artist’s promise of a world beyond nature, a world that is not about constant change and tension, but rests in a stillness all its own.
Zelda  Sep 2016
In my Fantasies
Zelda Sep 2016
For 64 days I played a game of "Truth or Dare"
Cross my heart, beg to die
This is the confession of a broken heart
That sacrificed it's sanity for a steamy love affair

Now, I sit by the window wishing I had had a crystal ball
because it'd  have saved me a century of torment
Knowing I wasn't your knight in shining armour
It'd have saved me a century of screaming
Instead I watched Atlantis vanish
My pretty, perfect, paradise turned to ash

In my fantasies
We're still in the attic staring at it
The picture of broken love
Holding on to a hope, so cold
I should let go, but I'm paralyzed
Covered in apprehension that we'd survive
And come down from the attic
I am convinced, I'm staring at it
The picture of true love
but true love left, walked out the door
and it's all my fault and if I was honest
I'd admit it's over

Hello, unhappily ever after
Thoughts that refuse me to let me sleep
I remember when I first saw you
I ran out of words
I lost my breathe as butterflies erupted
I couldn’t resist entering the maelstrom despite the warnings
This is my odyssey
I couldn't resist the enchanting music
I thought I could take it
I wanted to be imprisoned
I never knew something so beautiful could be so dangerous

But in my fantasies
We're still in the attic staring at it
The picture of broken love
Holding on to a hope so cold
I should let go, but I'm paralyzed
Covered in apprehension that we'd survive
And come down from the attic
I am convinced, I'm staring at it
The picture of true love
but true love left, walked out the door
and it's all my fault and if I was honest
I'd admit it's over

I still want to be your ***** little secret
The thing you write your love songs about
But I'm nothing more than a wilting February song
Lost in the bitter, biting, bleak winter air
Because you were never mine
And every day I woke up alone, lying to myself
That I could live with empty arms
Instead of a soft lullaby
I scream words of a banshee

Inject me with your love, baby
Give me your love, honey
Fill me with lush tender dreams
Make cotton, candy, clouds rain sweet sugars of incandescent ecstasy
Just give me what I need because underneath I’m breaking

But in my fantasies
We're still in the attic staring at it
The picture of broken love
Holding on to a hope so cold
I should let go, but I'm paralyzed
Covered in apprehension that we'd survive
And come down from the attic
I am convinced, I'm staring at it
The picture of true love
but true love left, walked out the door
and it's all my fault and if I was honest
I'd admit it's over

You need to tell me if you feel the things I do
Your hard exterior, your indecisions are making me wonder
If it’s worth staying up until 3 am
To meet you for our  little rendezvous
But I'm tired of sleeping with the enemy
A person I can't recognize  
Take off the mask, end this façade
Stop blaming me for losing yourself
When you got caught up in someone you invented

But in my fantasies
We're still in the attic staring at it
The picture of broken love
Holding on to a hope so cold
I should let go, but I'm paralyzed
Covered in apprehension that we'd survive
And come down from the attic
I am convinced, I'm staring at it
The picture of true love
but true love left, walked out the door
and it's all my fault and if I was honest
I'd admit it's over

I admit
It's over
Our masterpiece has crumbled beneath your feet
Turned to ash, you left the remains in my chest
Because none of it was real
It was just a game of "Truth or Dare"
But I was never given the truth
So I dare you to tell me the truth
But you refuse
But that won't stop me from sleeping tonight
Without nightmares, without shadows
In my fantasies
Kagami Nov 2013
Silent crackle, tingle,
The smell of a sticky must. Floating dust in
An abandoned attic, where the rats roam and the dead skeleton of a fish
Still lies in an empty bowl of moldy rocks and plastic plants.
Yet, despite the emptiness, a girl curls up in the corner, black
Running down her face as she weeps for the things she longs for most.
She looks out the *****, broken window at the cloudy sky and imagines it
Blue. The brightest of skies with only few hints of cirrus.
A blanket on the ground and the man she loves, nothing else in sight.
The expanse of green in her head is contrasted to the rotting floorboards she lays
On, dreaming. The steady beat of Boy in Static thrumming through her headset
As she struggles not to scream and jump, finishing the job on the window
From troubled teens years before. The sound reminds her of VHS tapes,
Press rewind, take a turn and start over. But she can't, when something has changed.
The boy she knew, looking down with his hood not up, but covering his face, shielding
Himself from her. She knew he had a ***** in his head, but she just looked away. He never answered anything she asked. He was unable.
But her heart still dropped, she smiled her best. An amazing actress, fooling everyone, makeup allergy keeping her eyes dry. She just read Huck Finn as though nothing was wrong.
Now she sits in her room, writing and shaking her head. This line is not right.
Her walls were full of color and poetry, but her mind kept wandering to that attic.

She was there again. Blankly staring at her star charm anklet. A simple blue ribbon.
And the throbbing of her heartbeat through that one spot on her thumb,
That pressure point that hurts more than anything. But one thing could be worse.
Being left. Just like the broken rocking horse in the corner and the baby's cradle
Lined with blue silk that was shoved into a box. That baby is probably dead. Just like all
Of the others who lived there, burned by the fire. Goose flesh raises, prickly
Hairs on her legs from a week of no shaving. Scratch. Scratch. Scratch. Bleed.
Change the song. Bleed Like Me. Perfect. She draws on the peeling walls, two hundred
Years of wallpaper and lead paint, chalk barely leaving a mark. She sketches a masterpiece.
A child that she wishes she could have. Impossibly too young, but still...
A daughter she could raise better than her mother raised her. A chance to do something right.
More than the mechanic life she has lead, empty and useless.
Confused and pathetic. Like the broken grandfather clock that ticks backwards.
Three, two, one.
Ding-****, ****-ding. Grandfather never taught me anything. He was not a wise man.
He was a fool. Knew too much and too little, no room to know what was right.
She let another raindrop escape and suddenly it began to pour. Lightning crashes as a glass
Slipper collides with the picture drawn of her dream. Thunder as she releases a
Bloodcurdling scream. "Why!?"
Why her? The pain in her back is unbearable. She slouches too much, and her eyes burn.
She is not Cinderella; her ball gown does not glitter.
Piano is her least favorite instrument, but it somehow gets to her. Small hammers
Striking her heart strings, low notes reminding her of his voice and the soft, feminine
Voices radiating, remind her of when she was young... Immortal. She has aged since then.
Too quickly. Her entire life has been a masquerade ball. Unskilled idiots dancing
Around her and stepping on her toes. Shouldering her in the stomach,
Breaking her ribs. Beats of music guide her skilled toes, swerve around falling raindrops that
Her own eyes emit. And she crashes through the floor of that dismal attic. Broken free,
But she is still trapped. The walls are charred down here.

But the walls are not painted black. They were once a mint color, green and cheerful, healthy.
Until a psychopath lit a match.
"I didn't mean to do it." It was all in her head. The house.
She set it aflame.

She sits in her room, writing and shaking her head. This line is not right.
Her walls were full of color and poetry. It isn't worth it to stare. Nothing will change.
She is still just a girl in a glass box, being stared at and judged. Trapped and ridiculed because her eyes bleed and bless the onlookers with bad luck. It's amazing the things
That people don't know. Drifting deeper into a pit of endless darkness. A candle won't
Live down here. No oxygen to let it breathe. But one lit self portrait hangs in the air.
Years ago, drawn in pencil. Symbolic, it wants to be erased. To die.
And the ******* the page is wearing a mask. The girl in the parchment is me.
Medium length hair and a tear painted, permanent. A Parasite. Capitalized for its meaning.

A demon is running through me, singeing
My tissues, blisters on the insides of my bones. Swelled up, show through
My skin. Waves on a shore. But I am not a beach. A ***** maybe...
Still, I hate it. The hate killed whatever flowers I had left planted in my mind.
Tainted me with the horrible visions of a tear streaked face of paper mâché.
She was the one in the attic. Her whole persona
Wilted and ashen, grey. A silent movie might mask it; the hurt, I mean.
The grey lines on the screen hiding the bags under her eyes and the redness of her nose,
Get rid of the twinkling shards of glass frozen on her cheek from crying in the dead of winter.
Slip up once, and everything goes to hell. Well, I must have slipped years before I was born.
Few smiles are left on this dismal timeline. And I shall use them wisely. But, for now,
I think I will just weep, sleep forever and hope that you don't give up on me and pull the plug.
I am still here somewhere, just dormant. Please wake me up. Get me out of this charred cabin,
This glass box. Pull me out of my warped sense of everything, teach me again what
Love feels like. I have forgotten amidst everything that I have felt and remembered.
There is no more room for things to be learned. Only for things to be repaired.
I will give you a hammer. Come inside and fix me; that ***** in your head couldn't have taken your knowledge away. You are the only one that knows.

Use this never ending lightning and bring your bride to life.

The Tragic True LOVE Story of Blanche Monnier

Just for falling in LOVE
With a commoner
Blanche Monnier was kept in attic
For 25 years
Blanche's True LOVE survived


The year was 1876

In midst of the Third Republic period in France
When the historical power struggle of royalist ******* and republican radicals were discussed in bourgeois socialites
That's the time when
In a small place called Poitiers
Four hours away from Paris
There lived:
Madam Louise Monnier
Wealthy and prominent
Member of CLASS society
Known in Parisian high society
For their charitable works
Who had received many community awards too

With her son
Marcel Monnier
A brilliant student
And a prominent lawyer
Well respected in Paris

And her daughter
Blanche
(Marcel's sister)
Twenty Five years old
Beautiful beyond words
Intelligent
Very gentle and good natured
A young socialite in rich circles

Lived happily in their
Monnier Estate

It was during this time
Blanche fell in LOVE with a suitor
Let us call him
James
Who lived in her neighborhood
Sadly he was not young
Nor was he from rich aristocrat family
He was elderly man,
Basically a commoner
And an unsuccessful penniless lawyer

Madam Louise Monnier - disapproved
Of such alliances for her daughter Blanche and
Insisted Blanche to marry a more suitable man
Of her own age, class and status

But in passion of her LOVE -
Blanche profusely disagreed
And Madame Monnier got angry
They quarreled and argued
One day Madame Monnier locked Blanche
In a dungeon attic ordering
"Until you would agree - you are imprisoned"

Years passed
But Blanche was stubborn
So much in deep LOVE with James
She did not relent to her Mother's wishes

So the story goes....
Nine years passed

On this side James - Blanche's suitor
The beau too died in 1885

It is said that
Blanche's brother Marcel apposed his mother
To at least set Blanche FREE now
But Madam Louise Monnier had absolute
Stronghold and control over the family
Thus Marcel aboded to his mother's decree
And Blanche was kept locked still after

In the eyes of society
Beautiful young Blanche had simply disappeared
Without a clue

Madame Monnier and Marcel mourned
In front of everyone
Stating Blanche ran away
And continued to live their lives
As normal as those rich aristocrat families live

No one gave much thought to this
Everyone went about their life
As if nothing had happened

With time - they say
Blanche was forgotten
From everyone's memory

For over 25 years,
Blanche remained in a attic dungeon
Tied to her bed
Waiting for her LOVE
To LOVE, to be LOVED by JAMES
But her mother Madam Louise,
And her brother Marcel
With their two servants
No one helped her to be FREE

Blanched was chained in a dark attic room
She was accompanied by rats and lice
Day after day
Living in dirt and darkness
Alone, isolated, in solitude
Blanche became insane
Drown in her own tears and
In company of
Rats, bugs and pests...
And rotten odor

Rumors say that it was one of the female servants
Who slipped the secret of
Monnier Estate's beautiful daughter Blanche
To her boyfriend
Who immediately wrote a letter to
The Attorney General

In 1901,
Attorney General of Paris
Received an anonymous note
Handwritten and unsigned

The content were disturbing
And The Attorney General
Sent his police team to investigate
The Police arrived to search Monnier Estate

At first,
Police couldn't find anything unusual
Until they came across strange odor
Coming from upper floors

When the Police went upstairs
Madam Louise Monnier sat
On the ground floor living hall
Calmly reading a book

When the Police approached
The attic room
From where the odor was coming
They saw that the room was padlocked

Realizing something amiss
Police smashed the lock and
Broke open the room

The horrors lay within

A pitch dark room
With only one window
Shut closed with black curtains

The stench of room was so over whelming
That immediately the window was broke open

With the light coming in
The police realized that the bad odor
Was because of rotting food
That littered all over the floor

And in a corner - there was a bed
Where an emaciated women was chained

She was our Blanche Monnier
Fifty years old now
Tied to the bed
It was over two decades
She had not even seen the sun
And she had lived
In her own excrements

That beauty of youth
That youthful LOVELY being
A divine, kind, pure hearted girl
Did not even resembled like a human

She was naked
Chained like animals to the bed
Lying on a straw mattress

She was completely
Frightened and delirious

She weighed just 50 pounds (22 kilograms)

Police covered Blanche in a white sheet
And took her to the hospital
Madam Louise Monnier - and Marcel were arrested
For this atrocious inhumane crime
Of imprisoning and treating Blanche
So badly
For what? -
for a natural act of LOVING

"We can not even comprehend
What a LOVER goes through
When subjected to such punishments"


Blanche was horrendously malnourished
In hospital she was lucid to be rescued and freed
She exclaimed...
"How lovely it is to breathe the fresh air"

When she was informed about James
She could not even remember
The reason for her current state -
Was "LOVE"
Her eyes were hollow, her face was blank

There was public out-cry all over France
It was loud and clear
Public out-raged was brimming
They wanted the mother and brother punished

And Madam Louise Monnier -
Who was seventy years old then
suffering from heart disease
Could not take the shock
Of such societal backlash
For the horrible crime she committed

It is accounted that
Madam Louise Monnier
Died in police custody
15 days after Blanche's rescue
Police say -
Probably of a heart attack

Brother Marcel was imprisoned for 15 months
He confessed of
Not being directly part of the crime
But just acting under pressure of his mother

The whole blame was put on Madam Louise Monnier
Brother Marcel was considered only an accomplice
And thus when Marcel pleaded innocent and sought pardon
He was acquitted and set FREE
Such were the laws of those days

Our LOVER - Blanche Monnier
Had suffered greatly
The mental trauma
Of LOVE longing had
Lasting psychological damage

There after
Blanche lived in a French Sanitarium
Till she died in 1913
Twelve year after she was liberated

People say - that at times
The nursing staff used to hear Blanche
Sing the songs of LOVE

And they used to see Blanche
Talking LOVINGLY with a non-existing person
Most probably that person was "James"
The man she LOVED more than her life

Thus is remembered
The story of Blanche's LOVE

She suffered but never relented
To her mother's wishes
"To forget her LOVER James"

It was impossible to survive for 25 years
Without proper food, light, sun, or any human company
In that tiny dark dungeon attic
But Blanche did miraculously survive
With the hope that one day
She will be FREE
She will meet James
And she will LOVE James
And she will say to James
"My Jamie, see I did truly LOVE YOU"

That's the power of TRUE LOVE
This is a TRUE STORY
Garrett Burger Dec 2017
sleeping in the attic.
I allow the sensation,
the atmosphere to be formed and felt
No illusion of yours
creates the things I imagine and feel
on my own,
alone.

In this attic
some would say
the slanting ceilings
bring me down
But I,
would disagree.
which is why
I'm In the attic

I see the peek. The rising walls
Lifting me along with it
Though their opinions are not relevant,
So should be my choice of words.
but, because, though

I'm here.
I'm here because I chose to be
here.
choose to stay
The walls too close to echo
my thoughts.
too close to shout
Even the whispers are heard
in full volume

Maybe I rushed that one out.
let's take it back to,
the attic.

Not room for too much,
Just too little time to worry
about space for the things
You don't need.
don't use,
or don't have.
Only the things that belong
make it with you
When you live in a space,
like this

I'd cover the walls,
Though I don't like the metaphor
I'd wait until tomorrow
to address the issue,
Though I have no way of knowing
when tomorrow has arrived.
yet here i am.
Avoiding it anyway.

and I'm already hearing myself being talked,
and thought.
into only a space as small as these 4 uneven walls
allow.

to no surprise.
Only until I closed my eyes
did I see
The reason I'm here
In the attic.
BB Tyler  Jan 2011
A Brief Tour
BB Tyler Jan 2011
I'd like to begin
by pointing out the color of the walls;
the pink under the plaster,
and the tubes,
red and blue,
that keep my shower water warm.

This is my home,
that some call a temple,
with two brightly lit halves of an attic,
and no trouble keeping them full.

Its windows are always open,
except when the lights go out
and the shutters are pulled closed
and all that's left breathing is the fireplace
and the attic.

the fire place is a grand face
of grout and proud brick
cradling the humblest coals
under his black, stuffy nose
clogged with no longer solid logs.
His breath keeps the attic warm,
with the help of the coals,
who ask for no thanks.

I'd invite you in
if it wasn't for the moss on the threshhold.
That emerald green.
Those gems that seem,
with dew, to gleem  
a blue and gold sheen
of umpteen citrines.
The sun's careen is seen by these
green finger leaves.

When I turn out the lights
and retreat to the attic,
I hear the moss sigh
like some sort of static.
Her breath reaches the crest
of my gentle home's breast.
The ceiling beam shudder
with a reeling like no other;
A sound that makes me cry,
while my cluttered attic comforts me,
and I speak no word but why.

The moss,
she makes me cry.

I'd like to end
by pointing out the color of the windowpanes,
and the gray of the drywall.
The tubes,
red and blue,
still keep my shower water warm.

This is my home,
that some call a temple,
with two brightly lit halves of an attic,
and no trouble keeping them full.

Its windows are rarely open,
except when the lights go out
and the shutters flutter open
and all that's left breathing is the fireplace
and the attic,
and the colors.
Copyright: Bennett Tyler
‘There were noises up in the attic
When I arose today, Maureen,
Have you been storing your batik
Up on the shelves, for the shelves aren’t clean!
I said you shouldn’t go prying there,
There is nothing up there to see,
Just things I cast from a hazy past
Before your marriage to me.’

‘I keep all my art and craft downstairs
In the cupboard, next to the door,
You’ve watched me folding my batik there
So what would you ask me for?’
‘I only wondered,’ her husband said,
‘Those scrabbles, they could have been rats,
More reason never to venture there…’
‘I’ll bring in the neighbours cats!’

She smiled, and blew him a kiss just then,
They hadn’t been married long,
They’d worked together for six long months
When she only knew him as John.
But after the office party, and
That cupboard, under the stairs,
A half a jug of Bacardi, and
They knew, the future was theirs.

She heard the scrabbling overhead
On a Sunday, lying in,
And what seemed like a rattle of chains
Though she thought, it couldn’t have been.
John Dean was out at the supermart
So she scrambled out of bed,
Pulled down the ladder and mounted it
To the attic, overhead.

The hatch slid back from a faulty catch
And she peered, up into the gloom,
There were spiders webs and rusty beds,
And dust, in that grim old room,
She saw what looked like a cabin trunk,
Padlocked, and covered in chain,
And another trunk with an open lid…
She climbed down the ladder again.

At lunch, she mentioned the sounds she’d heard
And she watched her husband’s face,
He seemed quite distant, then perturbed,
Got up and began to pace.
‘You haven’t been up in the loft, Maureen,
That attic is out of bounds!’
‘Well listen to you, the stern John Dean!
How do you think that sounds?’

They didn’t talk for another day
But her anger was aroused,
While he went up to the attic twice,
Mad at the scene he’d caused.
‘I didn’t mean it like that,’ he said,
It’s just that it’s full of dirt.’
But she shrugged off his excuses, she
Was playing at being hurt.

She searched the house for the padlock key
That had locked the trunk in chain,
Then finally found it on his ring,
And slipped it off again.
She waited until the coast was clear
With John Dean not around,
Climbed the ladder and opened the trunk
With the key that she had found.

Just as she went to raise the lid
His head appeared in the hatch,
‘Sorry it’s come to this, our kid,
You’re about to meet your match.’
The lid went up and she looked aghast
At the woman, speared with a knife,
‘Maureen, please meet Deborah Dean,
She was my former wife.’

She pulled the knife from the woman’s throat
And she pointed the blade at him,
‘Don’t think you’ll ever do that to me,’
Her voice was dour and grim.
‘That open trunk is your future home,’
He said as he locked the hatch,
‘You’ll jump right in and you’ll close the lid
When you hear the giant rats!’

David Lewis Paget
Sitting up in the attic room
with things forgotten, out of bloom
A china doll of antique grace
with porcelain cracked and ***** face
Ringlets of golden honey hair
in a velvet burgundy dress long past care
Little hands open in out stretched arms
Portraying all the grandeur of Victorian charms.
Sitting atop a wooden box
beside a clock that never tocks
Around her lays all that is forgotten
Pictures,Toys, wool and cotton.
Belongings to another time and place
things that once came please and grace
A painting that upon a wall did stand
A trumpet that once Jazzed a band.
Saddened all to the timeless lack
They fill the Attic, every nook and crack.

But!
On nights when the full Moon's light is there
when its magical rays through the attic's windows fare
The Little Doll's eyes do twinkle
where Moonbeams fall and sprinkle.
Granted if but for a moment
the doll that has long lain dormant
Awakens with a child like giggle
where memories within her tingle.
The Clock is given a moment in time
to tick a second, sound a chime
While down stairs the family talk
unknowing what above their heads does walk
However, every now and then upon the full Moon
A sound they'll hear in the Attic room
No sooner than they open the door
the magic ends what powers did soar
As they peer into what lays dead and still
a tingle up their spines does fill
For there Sitting upon her wooden seat
with arms out stretched and bare feet
Bella awaits the next full Moon's shine
When the clock shall tick and again shall chime.


Alisdaire O'Caoimph

— The End —