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Sara Jones  Apr 2015
Zipper
Sara Jones Apr 2015
My life is falling apart at my seams,
Im crying and im fighting,
Pulling out my hair and skin as i try to comprehend whats happened to us,

What happened to me?
What happened to you?
What have we become?

I dont even know which person im talking about anymore.
But the message is still the same for all of you

Im wounded and I'm scaring up now.
Im stressed and tugging at the skin again.
Hardly eating, barely breathing again.
Not living again.

But of course some of you dont know ive been in so much trouble before.
All you know is what I've told you, and that doesn't mean ive told you everything

Someone, im begging
Look into these eyes of mine and see whos really trapped inside
Shes screaming for help, crying even
But she doesnt know where exactly to turn

She knows noone is looking for her because they seem to enjoy her persona.
They seem to like how guarded she is and how much of a mystery she beholds.

Someone, please, see the zipper on my back and shed my facadé.
Someone help me reach myself.
Because the zipper is too far up my spine,
I can't reach it by myself, my arms don't bend that way.

And if noone is willing to help me, that's okay.
I understand it's a selfish thing to ask of you to save me.

But if you think of all the times I've helped you when you were in crisis of self,
Wouldn't it soothe your mind to help me be at peace as well?

No never mind, forget I said anything.
I'll just stay here with my arms bending in every direction,
Until I can finally grasp that zipper and let her breathe the fresh air once more.
Because after all,
Even superman needs a rest from flying high all the time.
bc moon raven  Oct 2018
The Reed
bc moon raven Oct 2018
Growling and hissing, a storm formed along the road, portending the merging of the chaos that had been gripping our minds for months.  This day, this type of day, we could have dreamed up in the novel of our love affair.  The conversation along our drive into the country was as full and ***** as all other tête-à-têtes shared in our two months together.  We were never at a loss for words and his conversation had been more educated than the older men I had dated since the divorce.  I was forever astonished at him and with him.  

The first time I met him, I was sitting behind my desk and planning for another monotonous day of office politics and all the drama connected.  Lost in thought, I sipped coffee and read emails until, there was - him.  He opened my office door with such fervor and drama, I knew someone had just entered into my life that would leave me forever changed, and I welcomed it.  A mess of auburn hair, neither combed nor styled and yet quite fitting, haloed around his head and gave the visage of an angel.  He had a freckled nose and cheeks with blue eyes staring from behind all that wildness and they were the only calming feature about him.  I turned my head and grimaced a bit, “how dare someone charge into my office as if to own it”.  “How can I help you?” made its way from my lips with a bit of a sigh.  And he smiled, that smile which would make his face even younger and more deceptively angelic.  

“Hello” danced off his lips and in two syllables was able to sound singsong and my anger soon turned to anticipation.  He introduced himself as Parker and explained his new position as Junior Editor.  He went on to say someone instructed him to introduce himself to me since I was Senior Project Manager for the organization.  His fervent entrance into my office had sent a gush of wind that disheveled my tidy desk and his wide blue eyes looked around at the chaos he had rendered.  He seemed unable to offer apologies, and I soon learned this was his way.  His confident facade prevented admission of mistakes and the word “sorry” could not escape the tightness of his will to be correct.  This was my lover’s way and it was the structure built that only wrecking ***** could destroy.

As is expected of me, I extended my hand to welcome him, overmuch aware of my grip and strength in presenting my hand, I felt the need to dominate the grip.  I was a woman in a senior position inside the male dominated echelon of upper management.  I took his hand and with rehearsed quickness attempted to demonstrate my dominance, my superiority.   It was then, the first time I saw a devil behind his angelic face and I remember my expression churned up my secret thoughts.  He saw my eyes searching those thoughts and delight shone from his blue eyes like cold fire and I was burned.   Our hands soon contorted into a dance of dominance with fingers twisting as if in a finger shadow play.  No time for games or plays for control, I simply took the shake he offered and turned towards my coffee, my drama, my emails and without looking at him welcomed him again and gave a wave of dismissal.  He greeted my brush-off with a laugh and made his way to the chair in front of my desk.  He was tall and the light from behind silhouetted his broad shoulders and upright posture.  He was confident and sure.  His clothes were expensive, well-tailored and not at all the measure for his age.  He had a style about him and I believe it came as naturally to him as did the confidence in which he clothed himself.

I wanted to be angry at his overconfidence, his interruption, his disregard.  I was, instead, amused but annoyed.  He sensed he was beginning to irritate me and it seemed to delight him.  He would speak without taking a breath, eager to finish his thoughts, aware perhaps that time could steal the moment away and he would forever wonder.  He spoke with an accent I did not fully recognize and attempted to invite me to lunch or even coffee.  My lover was bold.  

I was succeeding in this corporate world, my world.  I was not ready to lose my focus for a moment alone with the delightful creature staring back at me, awaiting the “yes” he expected would be my answer.  He was a man who did not accept the “no’s”.    He would get what he wanted and would wait in predator mode until his prey was wounded, weak, ready.  He was not a predator in the malevolent sense, more in the need for survival mentality.  He would lift the wounded and weak above the limits of their afflictions and a “yes” would flow from their lips in fond gratitude.  Today I was not a “yes” and it did not feel like a final answer.  Somehow, I knew one day I would be naked with this man, my lover.  I knew I would take him inside me, and he would show me how to love in ways I had never known.  The “no’ and the explanations of the “no” exuded from my lips, and I could see him grow even more eager to know me.  He would learn the stories of my life from rumors and talk.  He would learn of my divorce, of the men I dated with expensive homes and cars.  He would hear about the occasional woman who would occupy my bed.   I had wished all of it to be true but only the divorce was correct.  I was not exceptional or exciting.  I was driven and focused.  

He stood there hearing my “no” with the sun behind him igniting the fire in his hair with his shoulders pinned back exposing his sculpted chest.  He stood there and allowed the silence after my rejection to hover the room, and there it was.  We locked eyes, and neither could emancipate from the other.  I wondered who he was and what he looked like naked in the morning with his disheveled hair, and we stared, locked in our gaze until my phone rang signaling the end of round one.  

Wrapped in my shawl, I moved between sipping coffee, as was my usual, and typing on my laptop.  He was behind me in the cabin.  I felt him approaching and knew he would quickly whisk me away from the overwhelming din of office emails and calls.  His presence behind me now was no longer disquieting but natural.  

The cabin had been his grandfathers and he had a noticeable pride about it when showing me through the door and gateway to his childhood memories.  He had a smile on his face I had never seen.  I delighted in how young it made his face appear, almost as if the childhood memories possessed him and he became the blithe youth here with his grandfather.  


It was fall at the cabin and the smell of musk and rotting leaves and ozone from the storm, filled the cabin and each deep breath was taking in a memory from my youth.   I was happy to be here with him and yet afraid.  Two months we flirted and touched over our shared lunches, eager to get inside each other physically, mentally.  The office was replete with stories of the happenings between the older woman executive and the younger up and coming man, how he must be using her to advance his career and how she was using him to heal the wounds of her recent divorce.  We heard these stories and watched them grow to the point we ended our touching, our flirting.  Soon the denial of our feelings and time apart turned to foreplay.  Soon there were stares across conference rooms, perceptive smiles as we crossed paths.  The total of it led us to this moment, to time alone together for the first time, this time.  

Fall in the country was the vangaurd to a glorious death.  The earth would explode with color announcing its final breath and moment upon the stage and we had arrived during the final bow and curtain call.  Trees draped in gold - and red - and orange heralded the fire to come and we too were ready to pour forth in glorious blaze and inferno.  During the entire ride into the country an ironical mist of dew and rain dotted the windshield as if nature attempted to douse the desires clawing to escape in each other’s arms.  There was a devil sitting next to me and I had to smile as his auburn hair blended so naturally with the landscape.  I was obviously lost in thought and he looked at me and asked if I was okay.  Him next to me, him crookedly smiling at me.  

“It’s nothing.  It’s just nice to see you in your element.”  My replay was short but my heart was beating so hard I was almost afraid he could see it bouncing behind my blouse, so I began to cover up but was met with his hand before I even reached the edge of my coat.  

“No.  I want to see you.”  His voice was soft but demanding and strong.  Often there were hints of a struggle for power between us.  His youth and position within the company prevented me from accepting his seriousness and his face would ***** into a grimace.  I never gave it much thought other than a bit of a nuisance.  His hand led mine to my lap, and I expected him to hold it, but he let go with a smile.  I enjoyed his show of power but refused to reveal a glint of it for fear I would lose the respect and control necessary over a subordinate.

Soon the cabin filled with the sounds of rain and thunder and as I stared out the window jealous of the drops of rain and their randomness, he touched my shoulder and looked down at me with his eyes bluer than wild lupine.  I smiled a painful smile and he knew I was overthinking the moment.  Taking my hand, he brought me to his chest and into his arms, arms that would embrace all of me and at times felt as if they could wrap around me twice.  I placed my head on his chest and began to reach for his belt.  The *** I had known was always routine.  This was expected, that was not allowed.  I fell into that routine naturally and was happy to oblige his needs in order to meet mine.  He kissed my forehead and still holding one hand, led me to the door of the cabin.  “What are we do…”  He stopped me with a single “shhh” from his lips.  I followed him and felt myself shiver.  I was not sure if I was shivering in fear or from the nip of fall air.  

“Don’t be afraid.  You have nothing to fear from me.  There’s no need to shiver my little poppet.”  He stepped back from me and stared as if I were a tiny bird in need of nestling back into its home.  “I’ve never seen you afraid.”  He touched my cheek and I felt so small and helpless, lost from home, and he was the only way back.  With a smile he took my hand and led me outside to the rain, lifting his face and savoring the drops bouncing off his cheeks.  

“W..w..what are you doing?”  I was trembling now and wondered if I had misjudged this man and he was in fact a lunatic ready to strangle me to my death.  My silk blouse, now drenched, clung to my ******* exposing an imprint of lace from my bra.  He reached for my shawl and pulled it off my shoulders.  He was looking at me so lovingly my body and mind calmed and I was once again in the moment.  Our moment.  This moment.  

His face, stern now, official, his mouth opening with such deliberateness that I was sure he had been in this situation before.  Once again my mind wanted to race to thoughts of not being good enough or that I was too old or too plain.  His voice pierced my thoughts and brought me to attention.  “There will be no talking unless I tell you to.  Nod if you understand”

My mind wanted to slap him with reminders of my superiority to him at work, how he was MY subordinate and how dare he.  My mouth would not open and my head began to nod in understanding.  My body and mind were bending to his will and acting upon his orders.  Shivering gave way to shaking now and I wanted to run to the warmth of the cabin and watch the fire burn the logs to a black crisp and wake up in his arms naked and giggling.  

Having seen my compliant nod, he began to speak.  “Undress.”  One word.  One word in response to the shaking mess of a woman standing in the rain, cold and afraid.  My hands were barely able to form the necessary movements to reach for the top button of my blouse.  I did not want to fail him or appear as if I were unfamiliar with tales of ***** men overpowering and having their way with a willing lover.  My fingers moved quickly now, wanting to end the scene and move on to the *******.  He stared.  He did not blink.  He did not nod or move.  He was enjoying every subtlety of me.  He was pleased.   I was a willing participant in his fantasy.  Nothing made me happier than to please him.  I began to feel hot and something inside me broke.  Was it my will, my pride, my fears?  I was not sure, but I felt alive.  Every thirsty pore of my skin opened up and lapped at the rain so very eager to feel it on my skin and the randomness of the drops was no longer something I envied but something in which I participated.  

My hands began to tug my blouse free from my skirt and the wet silk now draped over my hips like curtains, revealing the curves I was so painfully aware of hiding to keep anyone from noticing my *** and concentrate upon my words and actions.  I knew now I had one button remaining before I would, for the first time, display myself to him.  He did not flinch, rather, he maintained his stare and for a second I pleaded to him with my eyes not to expect me to do this.  He was resolute.  I spread open the soft, wet cloth and began to drape it off my shoulders.  I let it slide from my wrists, then fingertips, then to the ground blissfully unconcerned that my Hermes blouse was now draped over wet grass and mud.  

I looked down at my skin dripping and alive with goosebumps.  I had bought this bra in anticipation of this moment, in fear of this moment.  White lace bra and perfectly matched ******* were demonstrative of my control over even the small details.  My skirt was loose and heavy with the rain.  It was low on my waist and lay just below the navel leaving me the most exposed I had ever been with him.  I reached to touch the button on the back of my skirt.  Undone, I slipped my fingers along with the zipper feeling each click of the tiny teeth holding together the disguise of a powerful woman.  My hands traced the banded edge of the skirt pushing it over my hips allowing it to fall to the ground.  

His face looked stern but pleased, stoic and fixed.  I was in my bra, ******* and stilettos now.  I began to reach for the hinged part of my bra when he stopped me.  “No.  Stop.” He walked over to me.  He was close now and I was so cold I could feel heat from his body.  I wanted to kiss his lips, his full lips, but I did not move.  I knew now the rules and I would do only what was asked of me.  I stood rigid with no flinching.  I waited for any words that would pass from lips to ear.  He did not speak but leaned into me and reached over my right shoulder undoing the chignon in my hair.  He draped my shoulders with strands of liquid filament.  He took his time there, placing each strand in the exact order in which he was pleased.  With two steps back, he looked at my wet hair with the deliberate strands, as if he had created a masterpiece and for a moment I was unsure if the artwork he saw was me or his work.  

“Now be still.  Allow me to touch you, to admire you, my beautiful Moira.”  When he said my name even after these two months, he had the ability of saying it as if he were speaking it in serenade and for the first time.  He moved his hands to my back and unlinked my bra, one hook at a time with such dexterity I knew he must be a professional at *******.  He, who was to be my first professional lover.  He slid both straps off my shoulders, then taking my hands towards my abdomen, he slid the straps forward on my arms.  Lifting my hands, he demanded I keep them out and straight.  Me, the student to the professional, complied without question.  He bound my wrists with the lace bra, the bra I had bought just to please him, then lifted my arms above my head.  “You will keep your hands up until I tell you to move.”

I had become his toy.  I knew in this moment, I no longer existed for me, I was his, completely and entirely, and I abandoned myself to the rain, to the cold, to his gaze, realizing that surrendering to his urges strengthened me.  He turned and walked away.  He took a seat in an Adirondack chair and even it looked small in his presence.  “On your elbows and knees,” he spoke matter-of-factly.  Just five minutes ago, the struggle inside me to have the appearance of strength, would have denied me this happiness, this happiness to be free in his command.  “Now crawl to me, please.  Slowly.”

I did not care to be in the mud.  I wanted it.  I wanted to please him.  First to my knees, leaving an indention in the clay, then awkwardly at first, onto my elbows with my hands still tied at the wrist.  Crawling on my elbows, my back was arched with my waist higher than my head, giving him a view of the thong I had chosen only for this moment, my succeeding moment.  My position felt ungainly.  I looked to his face for approval.  “No.  You cannot look at me”, he commanded.  For a moment I felt I had lost his approval and self-doubt harried my brain.  My will to please was resolute.  I faced the ground, once again aware of the randomness of nature, the power of nature, how things in nature will do as they are told.  The reed is told to bend.  It does.  It does not question why but responds in its way.  Rivers do not question why they are shaped.  They just continue with powerful current.  I was the reed.  I was the river.  I did not question.

Face towards the ground, I could see the mud forming on my body, molding to my shape then rinsing with the rain.  It repeated.  Mud.  Rain.  Mud.  Rain.  This was the cadence to my crawl.  I arrived at his knees and waited there, a dog eager for a command from its master.  I was content to watch the rain beat ripples around his feet, splashing and shining his shoes with glossy drops.  “I cannot love you”, I thought to myself, “this is forbidden”.  “Being here in this moment, is forbidden.” We would have this moment.  Yes.  We could create this memory and think back on it in fondness and with both heaviness and happiness.  I would remember my young lover, my professional lover.  He would remember the obedient executive on her knees.  I would not regret our moment.  I would some day write it all down in my journal and press the pen deep into the paper.  It had to be etched, those words, my words, this memory.

His hand below my chin, lifted my gaze to his and he smiled, that smile, his smile, the smile that was like nature to my body, and I did not ask why.  I was a river being formed.  “You are so beautiful.  All of you.  Your skin so soft and pale.  Your eyes moving from fear to acceptance.  I see now you want to please me and I want you to know that I want to make you happy.  I want to be your lover.  I want to taste your lips kissed with rain and feel your shivering body pulled against me.  You are safe.  I will not hurt you.  Poppet.  I love you.  I have for awhile now, and I think you know it.  You, my wise, wise Moira.”  He lifted me up and for a moment pulled my body towards him burying his face in my abdomen.  He lingered there.  I felt how soft his red tufts of hair were and how soft his words were against my ears.  I loved him too.  Genuinely.  Profoundly.  I was afraid.

He inhaled deeply, there against my stomach, as if he were breathing in my essence.  I felt his breath turn from warm to cold against me as it mixed with rain.  He stretched his arms and moved my body backwards as he extended until I was a foot away from him.  “I would very much like to undress you, poppet.  I’ve been imagining it, aching for it.  I want to see all of you, naked and on display.”  He touched my abdomen with the tips of his fingers, as if afraid the pale china of my skin would disintegrate into a misty dream.  I relished it, the touch of him against parts of me he had not known.  I was always able to keep him at a distance, physically.  His hands traced the edge of my *******.  He moved slowly, and I knew he was wanting to etch this memory into his journal.  Nothing less than ink pressed hard to paper would release this memory to time.  His placed his hands on my hips and spun me around, my thong lining up with his gaze.  “Bend over.”  His voice from sweet to demanding again.

My hands were still bound, and I stumbled at first.  He seemed not to notice or to care, so I arched my back and pushed myself outward and into his view.  I felt his hands move from my thighs to my hips as gentle as summer winds that in their seductiveness turn our faces towards the impact.  I was in my forties and unsure how I would compare to the twenty-year-old’s he was known to date.  The gossip left nothing to imagination and everything to speculation.  My mind had conjured images of him, this professional lover, inside the firm thighs of a youthful companion.  Thoughts transformed to pleasure as the nature that was his hands took dominance over the thin lace that hid the only piece of me left unseen.  I became art in his hands, marble statue, exquisite with textures and curves wanting to be touched.  

The lace scraped my skin as he slid the *******, wet and splashed with earth, over the expanse of my hips and down to the ground at my ankles.  “Step out of them.”  He helped free my ankles, and I saw the delicate lace become one with the earth as the rain beat it into the mud.  This was freedom.  This was me with nature, me with my lover.  I was the reed and he was the wind.  

I was keenly aware of his eyes fixated on the valley of my mound, how my cheeks spread just enough to give hints of the pinkest of my flesh, now swollen and ripe.  “Turn around.”  I heard his voice and could tell the bombardment of rain was making it difficult to speak.  

I turned and began to ***** my body when I felt his hand on my back.  “No, poppet.  You must stay this way until I say stand.”  My body ached to be touched by him, by more than fingers and hands, but this, the anticipation, the wanting of it all, this was the skill of a professional lover.  I saw the earth drowned with a thick layer of rain now, and my shoes made splatters and ripples as I turned towards him.  I was cold now, too cold, unaware cold, numb in my cold.  I was happy to feel it.  I had for too long hid from rain, this glorious rain.  Now, I was one with the rain.  I was the river coursing its path as commanded by nature.  

He took my hands and untied them.  I watched the entire progression of it and I felt his presence now even more.  My hands were free, and I stared at my shoes and his shoes.  I was so small in his presence.  “Stand for me, poppet.”  His voice diffused through the rain and seemed softer now.  I stood there in my nakedness and he delighted in it.  My lover was not afraid and moved his head along with his eyes.  It was easy to know where upon my body his gaze had landed.  He seemed to linger the most on my face, and I thought how odd it was as most men concentrated on my ******* or mound.  My lover was different.  My lover was professional.

“Poppet, I want you to remove my shirt, but you will not toss it to the ground.  You will place it on the chair.  Nod if you understand me.”  He knew I understood but was confirming I was still in the moment and willing.  I obliged him with a nod and without looking at his face, began to unbutton each dot from its hole until he was shirtless before me.  His chest was firm and hairless and dotted with unobtrusive freckles as random as the rain.  I was delighted.  He was beautiful.  My lover was beautiful.

He placed one hand on my head, the other on my shoulder.  “On your knees for me, poppet.”  My knees once again bent for him, and I knelt in the rain, the thick rain and saw my knees again molded in the mud and earth.  I was unsure now.  Years had passed since I had taken a man inside my mouth.  I felt panic, like the river, run a course through me and I started to turn away.  But I was resolute.  “I will make him happy in all things this day” rang in my ears like a mantra.  I watched as he undid his belt and felt it as he wrapped it around my neck two times and pulled the loose end until it was taut but not constricted against my skin.  I was his.  I was the pet and he was the master.  It was official to me now in this symbol.  I was leashed and about to be tamed.  My lover was going to teach me his skill.  I was delighted.

I watched him free the one button on his pants and move to the patterned teeth of the zipper.  He rested his pants on his hips and pulled free the thing, that thing, the thing I was craving.  The thing I would take inside me, deep inside wherever my master wanted it.  I was the river.  

He was not large, not small, but thick, surprisingly thick, he was swollen and vascular.  I studied the curve of it.  The tip, the head.  I watched his hand grip it and move it towards my lips.  I opened my mouth and took him inside me.  He moved his hands to the sides of my head and began to direct me in the movement he needed from me.  I studied the thrusts and followed.  I moved my tongue, my eager tongue, in unison with the rain and percussion of the drops.  I slid him deep inside me devouring and savoring the taste of him.  The taste of my lover was satisfying, and I wanted to bring him to completion there in that moment.

We stayed in the rhythm, with the rain, both lost to the moment.  He stopped his ****** and lifted my chin.  “Moira.  My poppet.”  He led me to my feet and gave his crooked smile to me.  He gave me his smile in that moment, in that second, his smile was mine.  

“I love you”, I whispered, unsure he heard me.  He lifted me like a child and carried my nakedness to the bed.  He placed me there, like a doll.  He contemplated my skin in the light of the fire.  My lover the wind.  My lover the water.  

He was soon naked and drops of rain lit up on his body like little mirrors and I could see images of the room and myself reflected in them.  He removed the belt from my neck.  “We won’t need this.  In this moment, you know you are mine.  You know I am yours.”  We both wrapped our arms around the other, and I felt his skin on mine.  His body was hard and moved in perfect form with each muscle flinching the way it should, each squeeze and release in harmony with the other.  My pale, soft skin was beautiful contrast to his and was yin and yang.  He felt hard and long inside me, so engorged each vein touched the inside of me in a different fashion.  We each sealed our mouth on the other unable to drink as deeply as we wanted.  We were in our moment, this moment.  Alive in the seconds that passed to hours.  We were ready to etch ink on the pages telling of how I was the reed and he was the wind and on this day, I did not ask why, I only did as was I was told.
Bouazizi’s heavy eyelids parted as the Muezzin recited the final call for the first Adhan of the day.

“As-salatu Khayrun Minan-nawm”
Prayer is better than sleep

Rising from the torment of another restless night, Bouazizi wiped the sleep from his droopy eyes as his feet touched the cold stone floor.

Throughout the frigid night, the devilish jinn did their work, eagerly jabbing away at Bouazizi with pointed sticks, tormenting his troubled conscience with the worry of his nagging indebtedness. All night the face of the man Bouazizi owed money to haunted him. Bouazizi could see the man’s greasy lips and brown teeth jawing away, inches from his face. He imagined chubby caffeine stained fingers reaching toward him to grab some dinars from Bouazizi’s money box.

Bouazizi turned all night like he was sleeping on a board of spikes. His prayers for a restful night again went unanswered. The pall of a blue fatigue would shadow Bouazizi for most of the day.

Bouazizi’s weariness was compounded by a gnawing hunger. By force of habit, he grudgingly opened the food cupboard with the foreknowledge that it was almost bare. Bouazizi’s premonition proved correct as he surveyed a meager handful of chickpeas, some eggs and a few sparse loaves. It was just enough to feed his dependant family; younger brothers and sisters, cousins and a terminally disabled uncle. That left nothing for Bouazizi but a quick jab to his empty gut. He would start this day without breakfast.

Bouazizi made a living as a street vendor. He hustles to survive. Bouazizi’s father died in a construction accident in Libya when he was three. Since the age of 10, Bouazizi had pushed a cart through the streets of Sidi Bouzid; selling fruit at the public market just a few blocks from the home that he has lived in for almost his entire life.

At 27 years of age, Bouazizi has wrestled the beast of deprivation since his birth. To date, he has bravely fought it to a standstill; but day after day the multi-headed hydra of life has snapped at him. He has squarely met the eyes of the beast with fortitude and resolve; but the sharp fangs of a hardscrabble life has sunken deep into Bouazizi’s spleen. The unjust rules of society are powerful claws that slash away at his flesh, bleeding him dry: while the spiked tendrils of poverty wrap Bouazizi’s neck, seeking to strangle him.

Bouazizi is a workingman hero; a skilled warrior in the fight for daily bread. He is accustomed to living a life of scarcity. His daily deliverance is the grace of another day of labor and the blessed wages of subsistence.

Though Allah has blessed this man with fortitude the acuteness of terminal want and the constant struggle to survive has its limits for any man; even for strong champions like Bouazizi.

This morning as Bouazizi washed he peered into a mirror, closely examining new wrinkles on his stubble strewn face. He fingered his deep black curls dashed with growing streaks of gray. He studied them through the gaze of heavy bloodshot eyes. He looked upward as if to implore Allah to salve the bruises of daily life.

Bouazizi braced himself with the splash of a cold water slap to his face. He wiped his cheeks clean with the tail of his shirt. He dipped his toothbrush into a box of baking powder and scoured an aching back molar in need of a root canal. Bouazizi should see a dentist but it is a luxury he cannot afford so he packed an aspirin on top of the infected tooth. The dissolving aspirin invaded his mouth coating his tongue with a bitter effervescence.

Bouazizi liked the taste and was grateful for the expectation of a dulled pain. He smiled into the mirror to check his chipped front tooth while pinching a cigarette **** from an ashtray. The roach had one hit left in it. He lit it with a long hard drag that consumed a good part of the filter. Bouazizi’s first smoke of the day was more filter then tobacco but it shocked his lungs into the coughing flow of another day.

Bouazizi put on his jacket, slipped into his knockoff NB sneakers and reached for a green apple on a nearby table. He took a big bite and began to chew away the pain of his toothache.

Bouazizi stepped into the street to catch the sun rising over the rooftops. He believed that seeing the sunrise was a good omen that augured well for that day’s business. A sunbeam braking over a far distant wall bathed Bouazizi in a golden light and illumined the alley where he parked his cart holding his remaining stock of week old apples. He lifted the handles and backed his cart out into the street being extra mindful of the cracks in the cobblestone road. Bouazizi sprained his ankle a week ago and it was still tender. Bouazizi had to be careful not to aggravate it with a careless step. Having successfully navigated his cart into the road, Bouazizi made a skillful U Turn and headed up the street limping toward the market.

A winter chill gripped Bouazizi prompting him to zip his jacket up to his neck. The zipper pinched his Adam’s Apple and a few droplets of blood stained his green corduroy jacket. Though it was cold, Bouazizi sensed that spring would arrive early this year triggering a replay of a recurring daydream. Bouazizi imagined himself behind the wheel of a new van on his way to the market. Fresh air and sunshine pouring through the open windows with the cargo space overflowing with fresh vegetables and fruits.

It was a lifelong ambition of Bouazizi to own a van. He dreamed of buying a six cylinder Dodge Caravan. It would be painted red and he would call it The Red Flame. The Red Flame would be fast and powerful and sport chrome spinners. The Red Flame would be filled with music from a Blaupunkt sound system with kick *** speakers. Power windows, air conditioning, leather seats, a moonroof and plenty of space in the back for his produce would complete Bouazizi’s ride.

The Red Flame would be the vehicle Bouazizi required to expand his business beyond the market square. Bouazizi would sell his produce out of the back of the van, moving from neighborhood to neighborhood. No longer would he have to wait for customers to come to his stand in the market. Bouazizi would go to his customers. Bouazizi and the Red Flame would be known in all the neighborhoods throughout the district. Bouazizi shook his head and smiled thinking about all the girls who would like to take rides in the Red Flame. Bouazizi and his Red Flame would be a sight to be noticed and a force to be reckoned with.

“EEEEEYOWWW” a Mercedes horn angrily honked; jarring Bouazizi from the reverie of his daydream. A guy whipping around the corner like a silver streak stuck his head out the window blasting with music yelling, “Hey Mnayek, watch where you push that *******.”

The music faded as the Mercedes roared away. “Barra nikk okhtek” Bouazizi yelled, raising his ******* in the direction of the vanished car. “The big guys in the fancy cars think the road belongs to them”, Bouazizi mumbled to himself.

The insult ****** Bouazizi off, but he was accustomed to them and as he limped along pushing his cart he distracted himself with the amusement of the ascending sun chasing the fleeting shadows of the night, sending them scurrying down narrow alleyways.

Bouazizi imaged himself a character from his favorite movie. He was a giant Transformer, chasing the black shadows of evil away from the city into the desert. After battling evil and conquering the bad guys, he would transform himself back into the regular Bouazizi; selling his produce to the people as he patrolled the highways of Tunisia in the Red Flame, the music blasting out the windows, the chrome spinners flashing in the sunlight. Bouazizi would remain vigilant, always ready to transform the Red Flame to fight the evil doers.

The bumps and potholes in the road jostled Bouazizi’s load of apples. A few fell out of the wooden baskets and were rolling around in the open spaces of the cart. Bouazizi didn’t want to risk bruising them. Damaged merchandise can’t be sold so he was careful to secure his goods and arrange his cart to appeal to women customers. He made sure to display his prized electronic scale in the corner of the cart for all to see.

Bouazizi had a reputation as a fair and generous dealer who always gave good value to his customers. Bouazizi was also known for his kindness. He would give apples to hungry children and families who could not pay. Bouazizi knew the pain of hunger and it brought him great satisfaction to be able to alleviate it in others.

As a man who valued fairness, Bouazizi was particularly proud of his electronic scale. Bouazizi was certain the new measuring device assured all customers that Bouazizi sold just and correct portions. The electronic scale was Bouazizi’s shining lamp. He trusted it. He hung it from the corner post of his cart like it was the beacon of a lighthouse guiding shoppers through the treachery of an unscrupulous market. It would attract all customers who valued fairness to the safe harbor of Bouazizi’s cart.

The electronic scale is Bouazizi’s assurance to his customers that the weights and measures of electronic calculation layed beyond any cloud of doubt. It is a fair, impartial and objective arbiter for any dispute.

Bouazizi believed that the fairness of his scale would distinguish his stand from other produce vendors. Though its purchase put Bouazizi into deep debt, the scale was a source of pride for Bouazizi who believed that it would help his profits to increase and help him to achieve his goal of buying the Red Flame.

As Bouazizi pushed his cart toward the market, he mulled his plan over in his mind for the millionth time. He wasn't great in math but he was able to calculate his financial situation with a degree of precision. His estimations triggered worries that his growing debt to money lenders may be difficult to payoff.

Indebtedness pressed down on Bouazizi’s chest like a mounting pile of stones. It was the source of an ever present fear coercing Bouazizi to live in a constant state of anxiety. His business needed to grow for Bouazizi to get a measure of relief and ultimately prosper from all his hard work. Bouazizi was driven by urgency.

The morning roil of the street was coming alive. Bouazizi quickened his step to secure a good location for his cart at the market. Car horns, the spewing diesel from clunking trucks, the flatulent roar of accelerating buses mixed with the laughs and shrieks of children heading to school composed the rising crescendo of the city square.

As he pushed through the market, Bouazizi inhaled the aromatic eddies of roasting coffee floating on the air. It was a pleasantry Bouazizi looked forward to each morning. The delicious wafts of coffee mingling with the crisp aroma of baking bread instigated a growl from Bouazizi’s empty stomach. He needed to get something to eat. After he got money from his first sale he would by a coffee and some fried dough.

Activity in the market was vigorous, punctuated by the usual arguments of petty territorial disputes between vendors. The disagreements were always amicably resolved, burned away in rising billows of roasting meats and vegetables, the exchange of cigarettes and the plumes of tobacco smoke rising as emanations of peace.

Bouazizi skillfully maneuvered his cart through the market commotion. He slid into his usual space between Aaban and Aameen. His good friend Aaban sold candles, incense, oils and sometimes his wife would make cakes to sell. Aameen was the markets most notorious jokester. He sold hardware and just about anything else he could get his hands on.

Aaban was already burning a few sticks of jasmine incense. It helped to attract customers. The aroma defined the immediate space with the pleasant bouquet of a spring garden. Bouazizi liked the smell and appreciated the increased traffic it brought to his apple cart.

“Hey Basboosa#, do you have any cigarettes?“, Aameen asked as he pulled out a lighter. Bouazizi shook the tip of a Kent from an almost empty pack. Aameen grabbed the cigarette with his lips.

“That's three cartons of Kents you owe me, you cheap *******.” Bouazizi answered half jokingly. Aameen mumbled a laugh through a grin tightly gripping the **** as he exhaled smoke from his nose like a fire breathing dragon. Bouazizi also took out a cigarette for himself.

“Aameem, give me a light”, Bouazizi asked.

Aameen tossed him the lighter.

“Keep it Basboosa. I got others.” Aameen smiled as he showed off a newly opened box of disposable lighters to sell on his stand.

“Made in China, Basboosa. They make everything cheap and colorful. I can make some money with these.”

Bouazizi lit his next to last cigarette. He inhaled deeply. The smoke chased away the cool air in Bouazizi’s lungs with a shot of a hot nicotine rush.

“Merci Aameen” Bouazizi answered. He put the lighter into the almost empty cigarette pack and put it into his hip pocket. The lighter would protect his last cigarette from being crushed.

The laughter and shouts of the bazaar, the harangue of radio voices shouting anxious verses of Imam’s exhorting the masses to submit and the piecing ramble of nondescript AM music flinging piercing unintelligible static surrounded Bouazizi and his cart as he waited for his first customers of the day.

Bouazizi sensed a nervous commotion rise along the line of vendors. A crowd of tourists and locals milling about parted as if to avoid a slithering asp making its way through their midst. The hoots of vendors and the cackle of the crowd made its way to Bouazizi’s knowing ear. He knew what was coming. It was nothing more then another shakedown by city officials acting as bagmen for petty municipal bureaucrats. They claim to be checking vendor licences but they’re just making the rounds collecting protection money from the vendors. Pocketing bribes and payoffs is the municipal authorities idea of good government. They are skilled at using the power of their office to extort tribute from the working poor.

Bouazizi made the mistake of making eye contact with Madame Hamdi. As the municipal authority in charge of vendors and taxis Madame Hamdi held sway over the lives of the street vendors. She relished the power she had over the men who make a meager living selling goods in the square; and this morning she was moving through the market like a bloodhound hot on the trail of an escaped convict. Two burly henchmen lead the way before her. Bouazizi knew Madame Hamdi’s hounds were coming for him.

Bouazizi knew he was ******. Having just made a payment to his money lender, Bouazizi had no extra dinars to grease the palm of Madame Hamdi. He grabbed the handle bars of his cart to make an escape; but Madame Hamdi cut him off and got right into into Bouazizi’s face.

“Ah little Basboosa where are you going? she asked with the tone of playful contempt.

“I suppose you still have no license to sell, ah Basboosa?” Madame Hamdi questioned with the air of a soulless inquisitor.

“You know Madame Hamdi, cart vendors do not need a license.” Bouazizi feebly protested, not daring to look into her eyes.

“Basboosa, you know we can overlook your violations with a small fine for your laxity” a dismissive Madame Hamdi offered.

Bouazizi’s sense of guilt would not permit him to lift his eyes. His head remained bowed. Bouazizi stood convicted of being one of the impoverished.

“I have no spare dinars to offer Madame Hamdi, My pockets are empty, full of holes. My money falls into everyone’s palm but my own. I’m sorry Madame Hamdi. I’ll take my cart home”. He lifted the handlebars in an attempt to escape. One of Madame Hamdi’s henchmen stepped in front of his cart while the other pushed Bouazizi away from it.

“Either you pay me a vendor tax for a license or I will confiscate your goods Basboosa”, Madame Hamdi warned as she lifted Bouazizi’s scale off its hook.

“This will be the first to go”, she said grinning as she examined the scale. “We’ll just keep this.”
Like a mother lion protecting a defenseless cub from the snapping jaws of a pack of ravenous hyenas, Bouazizi lunged to retrieve his prized scale from the clutches of Madame Hamdi. Reaching for it, he touched the scale with his fingertips just as Madame Hamdi delivered a vicious slap to Bouazizi’s cheek. It halted him like a thunderbolt from Zeus.

A henchman overturned Bouazizi’s cart, scatter
Three years ago today Muhammad Bouazizi set himself on fire igniting the Jasmine Revolution in Tunisia sparking the Arab Spring Uprisings of 2011.
Aa Harvey Aug 2019
Beedazzled


The hornets appeared on the horizon.
Zipper was on lookout with Tryin’ Flyon.
The two of them were in an argument
And didn’t see the hornet’s a-flying.


In fear Tryin’ stumbled back and hit a plant,
And all the water came raining down with a mighty splash.
Sound the alarm!  I can’t, Tryin’!
My wings are soaked through, said Zipper, nearly crying.


The two of them ran and watched as above a squadron of hornets,
Crashed down with a thud!
What have we got here lads?  A couple of wet-through bees.
Please don’t hurt us, please!
Oh this doesn’t look good!


Shut up Tryin’, we are not scared of hornets.
You should bee, we’re bigger and stronger that you lousy maggots.
Zipper grabbed his stinger and said en garde!
The lead hornet laughed and insofar,
As to actually consider Zipper a threat,
Grabbed his stinger sword and said ok Bee, let’s!


The two of them fought and soon Zipper was no more.
Tryin’ was desperately trying to find a door,
But he was surrounded, soon to bee pounded,
Like the honey in the hive,
When it was deemed too rounded.


But the hornets didn’t know that the two bees were a three.
Scaredy Bee flew off as fast as he could,
Heading back to the hive and brotherhood.
He didn’t wait to see what happened to Tryin’,
He was too busy screaming and rapidly flying.


The guards saw him approach at an incredible speed.
Who the heck is this?  The fastest bee I’ve ever seen!
The guards said wait!  He said no way!
And he was past them before they knew what else to say.


Did he say hornets?  No way, get your ears fixed.
He did, he said hor…He said there were hornets!
With that the two guards turned tail and fled.
The commotion caused by Scaredy Bee was up ahead…


(C)2019 Aa Harvey. All Rights Reserved.
Red wine bubbling in the back of your throat
Rewind the kindling of a fire you won't put it out
Oceans unchanging, swallowing whole boats
You and I left in the void, to drown

I am unfeeling and fleetingly alive
I am lonely and slowly finding peace of mind
You are salt spilled across table tops
You are a child tearing apart and lost.

Dirt on your knees and scabs on your skin
We live free with the pleasures of sin
You taste him on your tongue,
Songs we left unsung.

Your old jacket, the one you gave me,
Well the zipper broke last week.
And the sleeves are torn apart,
It's grown too tight, it don't fit how it did in the start

Metaphors for a broken heart
How the ocean rages and pulls us apart
Smiles for the tattered soul
How the angels play their role.
judy smith Apr 2017
So you know you’re looking at two very different styles of dress, here. But precisely what decades? When did that waistline move back down? What details are the defining touches of their era? How long were women actually walking around with bustles on their backsides?

Lydia Edwards’s How to Read a Dress is a detailed, practical, and totally beautiful guide to the history of this particular form of clothing from the 16th to the 20th centuries. It tracks the small changes that pile up over time, gradually ******* until your great-grandmother’s closet looks wildly different than your own. As always, fashion makes for a compelling angle on history—paging through you can see the shifting fortunes of women in the Western world as reflected in the way they got dressed every morning.

Of course, it’ll also ensure that the next lackadaisically costumed period piece you watch gives you agita, but all knowledge has a price.

I spoke to Edwards about how exactly we go about resurrecting the history of an item that’s was typically worn until it fell apart and then recycled for scraps; our conversation has been lightly trimmed and edited for clarity.

The title of the book is How to Read a Dress. What do you mean by “reading” a dress?

Basically what I mean is, when you are looking at a dress in an exhibition or a TV show, reading it in terms of working out where the inspirations or where certain design choices come from. Being able to look at it and recognize key elements. Being able to look at the bodice and say, Oh, the shape of that is 1850s, and the design relates to this part of history, and the patterning comes from here. It’s looking at the dress as an object from the top down and being able to recognize different elements—different historical elements, different design elements, different artistic elements. “Read” is probably the best word to use for that kind of approach, if that makes sense.

It must send you around the bend a little bit, watching costume adaptations where they’re a bit slapdash. The one I think of is the Keira Knightley Pride and Prejudice, which I actually really enjoy, but I know that one’s supposed to have all over the place costuming-wise.

Yeah, it does. I mean, I love the BBC Pride and Prejudice one, because they kept very specifically to a particular era. But I can see what they did with the Keira Knightley one—they were trying to keep it 1790s, when the book was written, as opposed to when it was published. But they’ve got a lot of kind of modern influences in there and they’ve got a lot of influences from 30, 40 years previously, which is interesting to an audience and gives an audience I suppose more frames of reference, more areas to think about and look at. So I can see why they did that. But it does make it more difficult if you’re trying to accurately decode a garment. It’s harder when you’ve got lots of different eras going on there, but it makes it beautiful and interesting for an audience.

The guide spans the 16th to the 20th century. Why start with the 16th century?

Well, partly because it’s where my own interest starts, in terms of my research and the areas I’ve looked at. But more importantly in terms of audience interest, we get a lot of TV shows, a lot of films in recent years—things like The Tudors—that type of era seems to be something that people are interested in. That time is very colorful and very interesting to people.

And also because in terms of thinking about the dress as garment, obviously people wore dresses in medieval times, but in terms of it being something that specifically women wore, distinct from men’s clothes, I really think we start to see that more in the 15th, 16th century onwards.

Where do you go to get the historical information to put together a book like this? What do you use as your source material? Because obviously the thing about clothing is that it has to stand up to a lot of wear and tear and a lot of it doesn’t survive.

This is the other thing about the 16th century stuff—there’s so little surviving. That’s why that chapter was a lot shorter and also that’s why I used a lot of artworks rather than surviving garments, just because they don’t exist in their entirety.

But wherever possible, you go to the garments themselves in museum collections. And then if that’s proving to be difficult, you go to artworks or images, but always bearing in mind the artist will have had their own agenda, so they won’t necessarily be accurate of what people were actually wearing. So then you have to go and look up written source material from the time—say, diaries. I like using letters that people have written to each other over the centuries, describing dress and what they were wearing on a daily basis. Novels can be good, as well.

Also the scholarship that has come before, the secondary sources, works by people like Janet Arnold, Aileen Ribeiro. Really well researched scholarly books where people have used primary sources themselves and put their own interpretation on it can be really, really helpful. Although you take some of it with a pinch of salt, and you put your own interpretation on there, as well.

But always to the dress itself wherever possible.

What are some of the challenges you face, or the constraints on our ability to learn about the history of fashion?

Well, the very practical issue of trying to see garments—some of them I did see here in Australia, but a lot of them were in the States, in Canada, in New Zealand, so it’s hard to physically get there to see them. And often, even when you can get to the museum, garments are out on loan to other exhibitions or other museums. That’s a practical consideration.

But also, especially when I’m talking about using artworks and things, which can be really helpful when you’re researching, but as I’ve said they do come from a place where there’s more interpretations and more agendas. So if someone’s done a portrait and there’s a beautiful 1880s dress in it, that could have been down to the whims of the person who was wearing it, or the artist could have changed significantly the color or style to suit his own taste. Then you have to do extra research on top of that, to make sure that what you are seeing is representative.

It’s a fascinating area. There’s a lot of challenges, but for me, that’s what makes it really exciting as well. But it’s really that question of being able to trust sources and knowing what to use and what not to use in order to make things clear for the audience.

Obviously many of these dresses were very expensive and took a lot of labor and it wasn’t fast fashion—people didn’t just give it away or toss it when it fell out of season. A lot of times, you did was you remade it. When you’re looking at a dress that’s been remade, how do you extract the information that you need as a historian out of it?

I love it when something like that comes up. I’ve got a couple of examples in the book.

Well, it can be quite challenging, because often when you’re first looking at a piece it’s not obvious that it’s been remade. But if you’re lucky enough to look inside it and actually hold it and turn it round different angles, there’ll be things like the placement of a seam, or you’ll see that the waist has been moved up or down according to the fashion. And that’s often obvious when you’re looking inside. You can see the way the skirt’s been attached. Often you can tell if a skirt’s been taken off and then reattached using different pleats, different gatherings; that can give you a hint that it’s then been remade to fit in with a different fashionable ideal.

One of the key ways is fabric. You can often see, especially in early 19th century dresses when they’ve been made of these beautiful 18th century silks and brocades. That’s nice because it’s the first obvious clue that something’s been remade or that an old dress has been completely taken apart and it’s just the fabric that’s been used. I find it particularly interesting when the waist has been moved or the seams have been taken off or re-sewn in a different shape or something like that. It can be subtle but once your knowledge base grows, that’s one of the most fascinating areas that you can look at.

You page through the book and you watch these trends unfold and there are occasional sea changes will happen fairly quickly, like when the Regency style arises. But how much change year-to-year would a woman have seen? How long would it take, just as a woman getting dressed in the morning, to see styles just radically alter? Would you even notice?

Well, this is the thing—I think it’s very easy, when we’re looking back, to imagine that in 1810 you’d be wearing this dress and then all the frills and the frouf would have started to come in the late 1810s and the 1820s, and suddenly you would have had a whole new wardrobe. But obviously, unless you were the very wealthiest women and you had access to dressmakers who had the absolute newest patterns and newest fabrics then no, you wouldn’t have seen a massive change. You wouldn’t have afforded to be able to have the newest things as they came in. You would have maybe remade dresses to make them maybe slightly more in line with a fashion plate that you might have seen, but you wouldn’t have had access to new information and new fashion plates as soon as they came. To be realistic, there would have been very little change on a day to day level.

But I think also, for us now—it’s hard to see it without hindsight, but we feel like we’re fairly fluid in wearing the same kind of styles, but obviously when we look back in 20 years, we’ll look at pictures of us and see greater changes than we’re now aware. Because it happens on a slow pace and it happens on such a subconscious level in some ways.

But actually, yeah, it’s to do with economics, it’s to do with availability. People living in towns where they couldn’t easily get to cities—if you were living in a country town a hundred miles away from London, there’s no way that you would have the resources to see the most recent fashion plates, the most recent ideas that were developing in high society. So it was a very slow process in reality.

If you have a lot of money you can change out your wardrobe quicker and wear the latest styles. And so the wealthiest people, their clothes were what in a lot of case stood the best chance of surviving and being in modern collections. So how do we know what working women would have worn or what middle class women would have worn?

Yeah, this is hard. I do have some more middle class examples, because we’re lucky in that we do have quite a few that have survived, especially in smaller museums and historical collections, where people have had clothes sitting in their attics for years and have donated them, just from normal families over the years.

But, working women, that’s much more difficult. We’re lucky from the 19th century because we have photographic evidence. But really a lot of it will come down to written descriptions, mainly letters, diaries, not necessarily that the people themselves would have kept, but there’s examples of people that worked in cotton mills, for instance, and people that ran the mills and their families and wives and friends who had written accounts of what the women there were wearing. Also newspaper accounts, particularly of people who would go and do charity work and help the poor. They often wrote quite detailed descriptions of the people that they were helping.

But in terms of actual garments, yeah, it’s very difficult. Certainly 18th century and before, it’s really, really hard to get hold of anything that gives you a really good idea of what they wore. But in the 18th century—it’s quite interesting, because then we get examples of separate pieces of clothing worn by the upper classes, like a skirt with a jacket, which was actually a lower middle class style initially and then it became appropriated by the upper classes. And then it became much fancier and trimmed and made in silks and things. So then, we can see the inspiration of the working classes on the upper classes. That’s another way of looking at it, although of course that’s much more problematic.

It’s interesting how in several cases you can see broader historical context, or other stories happening through clothes. Like you point out that the rise of the one-piece dresses is due to the rise of mantua makers, who were women who were less formally trained who were suddenly making clothing. Are there any other interesting stories like that, that you noticed and thought were really fascinating?

There’s a dress in the book that a woman made for her wedding. I think she was living on her own, or she was living with a servant and her mother or something. She made the dress and then turned up to her wedding and traveled quite a long way to get there, and when she arrived, the groom and all the guests weren’t there. There was nobody. So she went away and came back again a week later, and everyone was there. And the reason that no one was there before was that a river had flooded in the direction that they were all coming from. She had obviously no way of finding out about this until after the fact, and we have this beautiful dress that she spent ages making and had obviously gone to a lot of effort to try and work out what the latest styles were, to incorporate it into her wedding dress.

Things like that, I find really interesting, because they talk so much about human and social history as well as fashion history, and the garment is the main way we have of keeping these stories alive and remembering them and looking into the kind of life and world these people lived, who made these garments.

Over the centuries, how does technology affect fashion? Obviously, we think of the industrial revolution as really speeding up the pace of fashion. But are there other moments in the history of fashion where technology shapes what women end up wearing?

One example is where I talk about the Balenciaga dress from the early 1950s—with a bubble hem and a hat and she would have worn these beautiful pump shoes with it—with the introduction of the zipper. Which just made such a huge difference, because it suddenly meant you’d have ease and speed of dressing. It meant that you didn’t have to worry about more complicated ways of fastening a garment. I think the zipper made a massive change and also in terms of dressmaking at home, it was a really quick and simple way that people had of being able to create quite fashionable styles on a budget and with ease and speed at home.

Also, of course, once women’s dress started to become simpler and they did away with the corset and underwear became a lot less complicated, that made dressing a lot easier, that made the introduction of the bias cut and things that sit very closely to the natural body much more widely used and much more fashionable.

I would say the introduction of machine-made lace as well, particularly from the late 19th, early 20th century onwards where it was so fashionable on summer dresses and wedding dresses. It just meant that you could so much more easily add this decadent touch to a garment, because lace would have been so much more expensive before then and so time-consuming to make. I think that made a huge difference in ordinary women being able to attain a kind of luxury in their everyday dress.

That actually makes me think of something else I wanted to ask you, which is you point out in your intro the way we casually use this word “vintage.” I think about that with lace. Lace is described as being a “vintage” touch but it’s very much this question of when, where, who, why—it’s a funny term when you think about it, the way we use it so casually to describe so much.

Oh, yes. It’s crazy. I used to work in a wedding dress shop and I used to make historically inspired wedding dresses and things. And brides used to come in and say, “Oh, I want something vintage.” But they didn’t really know what they meant. Usually what they meant is they wanted something with a bit of lace on it, or with some sort of pearls or beading. I think it’s really inspired by whatever is trending at the time. So, you know, Downton Abbey became vintage. I think ‘50s has always been kind of synonymous with the word vintage. But what it means is huge,
howard brace Aug 2013
"A leisurely breakfast" their mother would admonish, "aids digestion and builds strong bones..." so what with the imposed inactivity every morning, boredom broken only by Sockeye the family Spaniel, whose want of table manners coincided very conveniently with mealtimes... as he paced restlessly under the table, slobbering indiscriminately in his daily scramble to devour every dangling morsel before supply and demand shut up shop for the night and went home, far tastier... he gobbled down the latest offering of egg white, than the remnants of his own dietary allowance, they just had to get the timing right that was all, or risk loosing a finger, or gaining one depending upon who was doing the dangling, or who was doing the gobbling... he gave an indignant sneeze, not so much a hint but more of a... 'what's with the pepper malarky...'  So that it was only with a good deal of snappy hand coordination, lengthy digestion and sturdy bone building that Rocky was finally able to extricate himself from the table and make the most of what little time remained until lunchtime, meagre time indeed for the Rocky's of this world to hang around with their dogs, leaving their little sisters to help mums do, whatever it was that girls usually did when they should have scooted out of the kitchen faster, when it would have been all so much simpler just to grab a handful of biscuits instead...  Meanwhile, laying in wait in the room above, flat out upon the bedroom counterpane, having recently had their insides stuffed to bursting with a full English breakfast's worth of beach and holiday apparal... and that was just the luggage.    

     The contents of which, up until a week last washday had been snoozing fitfully behind 'Do Not Disturb' signs, cautiously peeping out from the gloomier, more remote recesses of the bedroom dresser, or carefully concealed in cupboards and closets... and being in every other respect by no means readily accessible to public scrutiny of any kind... had been left to their own devices some twelve months earlier with a clear understanding to skip bath nights from that moment on and henceforth immerse themselves in the heady, camphorated pungency of mothball, vowing once and for all never to darken portmanteau lids again... but now, after many hours of arduous laundering and de-fumigation... were now being squeezed and unceremoniously shoe-horned into what had recently become nothing short of an overcrowded sanctuary for the dispossessed.  
              
     Meanwhile, all the luggage asked from life other than be detained under section four of the Mental Health Act, 1983 and be found cosy padded accommodation elsewhere... was to have their interiors vacated, their tranquility reinstated... and with a questionable wink from a dodgy Customs official, have their travel permits invalidated... irrevocably, for despite throwing a double six for a spot of well earned convalescence back on top of the wardrobe some twelve months ago, basking in the shade of a warm Summer Sun, striking up the occasional conversation with the floral decor, third bloom from the left currently answering to the name of Petunia, the still over extended luggage, seemingly with little hope of R & R this side of the letter Q, faced the perennial disquiet of vacational therapy, of being knelt on, sat and bounced upon and be specifically manhandled in ways that matching sets of co-ordinated luggage should not...
                                        
     Tina could be heard quite distinctly in the next street concerning her husbands lack of competence, whilst Red it appeared had become just as outspoken as his wife in that particular direction... as the local self appointed busybody, who lived well within earshot of the address in question would bear witness to as she put feverish pen to paper, writing to what had become a regular... and some would say hot bed of intrigue in the local tabloid concerning how vociferous the once tranquil neighbourhood had become of recent and how certain undesirable elements within the community were to be heard carrying on alarmingly at all hours, day and night... and as she diligently weighed her civic duty against simple household economics as to whether to send this latest block busting eye opener by first or second class post, their parents could now be heard broadcasting, if anything to a wider listening audience than the previous newsflash, some of the more sensational episodes of the previous twenty-four hours as to who was pulling whose suitcase zipper now... although in which direction it should be pulled, they both agreed, wasn't for public disclosure at that time... vowing to draw blood well before the day was out, as three lacerated fingers would later testify and that it was only because of the children that they were going at all... but God willing, they would be setting off very shortly with rosy smiles on their faces for the sole benefit of the neighbours, even if it killed them. 

     Spurred to fever pitch  by this latest 'stop-the-press' newsflash, the same public spirited busybody now threw herself wholeheartedly into further award winning journalism and for the second time that morning took to pen and paper, only now directed to the gossip column in the local Parish Gazette, followed by grievous lamentations of impending bloodshed to the incumbent Chief Constable as to how they'd all be murdered in their beds ere long before nightfall.

     By devouring his water bowl, thereby dispensing with the need for it to be washed and by its abrupt and mysterious absence, disposing of all further incriminating evidence as to where the abundant supply of liquid, now surging copiously across the kitchen floor had sprung from... the flash-flood was hastily making its own getaway beneath the kitchen units, leaving Sockeye to his own devices to carry the can on his own, ankle deep in what up until earlier that morning had been sloshing around quite contentedly in Eccup reservoir.

      Having inadvertently released the handbrake in a boyish gesture of bravado, thereby placing himself in sole charge of a runaway vehicle, Sockeye it appeared was not the only member of the Salmon family to have dropped himself right in it that day as Rocky, having unwittingly placed the following ten years pocket money well out of reach and back into the pockets of his parents dwindling resources, had to a far greater extent nominated himself for the same Earth moving experience as the one his mum would shortly be giving Sockeye...

      Having just been granted licence to do whatsoever it pleased, the vehicle began its leisurely rearwards perambulation down the long garden driveway and by way of small thanks for its new found independence took Rocky along for the ride where due to a certain lack of stature on Rocky's part, at no point had he ever been in the slightest position to influence the Holiday threatening train of events which now engulfed him, never thinking to reapply the handbrake... that would be too easy, he perched on the edge of the seat clutching the steering wheel and stretched out his sturdy little legs in an heroic, but futile attempt to reach the pedals as the family car, which up until any second now had been his fathers pride and joy, pitched backwards at what seemed to Rocky, breakneck speed and directly into a very severe and unforgiving brick wall.

     Almost missing this latest round of entertainment above that of her parents most recent exchange, River accompanied by Sockeye scampered outdoors and slap into what could only be described as the most fun she'd had all year as an unsuspecting "what was that noise" muscled its way through the open bedroom window and fell flat on its face in the garden below and which, if that morning to date was anything to go by, then the neighbourhood would soon be tuning in to the latest Salmon family's 'hot-off-the-press' breaking news bulletin.

     Opening her mouth River hesitated as she fine-tuned the speech centres of her young and delicate synapse into full vocal alignment, then adjusting shutter speed from f8 to automatic she closed her mouth... then opened it once again and informed her brother that if the tip of dads size 9 was an Olympic gold, then Rocky would be sure to take first in the 110 metre hurdling event with 'team GB...' and could she have his autograph... with those words of solid encouragement rattling around his ears like the last biscuit in an otherwise empty tin box, River went skipping back into the house to announce the latest newsflash of her parents next financial happening... which she felt certain would prompt further rounds of thought provoking front page journalism.

     A steady two hours drive away, over on the east coast, the inhabitants of a sleepy fishing community were gainfully employed, pretty much as any other, going about their daily business, one such denizen... a baby crustacean, currently marooned by the tide had taken up temporary accommodation in a beachfront rock-pool property of certain distinction, was as yet unaware of a completely different and obscure set of circumstances that would shortly be rearing his slobbering jowls and bring all four paws, the size of dinner plates, crashing down upon the unsuspecting seashore fauna... was determined while she waited to catch the next high tide home, that until such time that the right wave rolled along, would potter about in the little rock-pool, perhaps indulge herself in a leisurely bathe... and catch up on a spot of therapeutic knitting.

     So, placing the days events since breakfast into perspective...  [i]  the vehicle indemnity provider, henceforth to be named 'the party of the first part', who currently weren't cognisant of an impending claim to date, would shortly be laying eggs attempting to squirm out of all liability, due to  [ii]  the automobile, driven by a minor, fortunately for Salmon senior on private land and henceforth, the aforementioned to be called 'the third party, to the party of the second part...' which urgently needed rigorous cosmetic attention to the rear tail light cluster and surrounding bodywork so as to maintain a favourable resale mark-up price.  [iii]  Having been dragged kicking and screaming from the top of the wardrobe, the luggage had rapidly developed cold feet and cried sudden illness in the family, but were being taken to the Wake anyway.  [iv]  Wrapped around the hot water cylinder since the previous Summer, the various sundry items of holiday apparel stood united, resolute as a Union Picket line not be seen dead looking as though they'd never so much as seen the bottom of a flat-iron.  [v]  Both Red and his wife, Tina, despite wearing the same anaemic smile as the one show to the neighbours as they departed, travelling counter clockwise along the crescent so as not to unduly advertise their recent misadventure with the garage wall, were only going for the sake of the children, whilst  [vi]  River and her errant brother didn't want to go anyway dismayed at leaving the television set behind, were already missing their favourite programs, which only really left  [vii]  'mans-best-friend' who, when he wasn't actually hanging over the front seat giving dad big sloppy licks as though... 'are we nearly there yet' or perhaps... 'I need to stop and spend a penny... or you'll all know about it if you don't,' was more than content to be taking up the majority of the rear seating arrangements and with a delinquent wag of his tail, was deliriously happy to be wherever his family were.**

                                                        ­                             ...   ...   ...

a work in progress.                                                        ­                                                                 ­  1862
Abby Sanderson  Nov 2011
Zipper
Abby Sanderson Nov 2011
It’s a foggy autumn
Or maybe it’s a foggy memory.
The trees are trying on new tints;
The vermilion of my favorite matches my sweater,
with my name embroidered and a brand new zipper.
I scrunch my brow, and bite my tongue,
trying to introduce the metallic sides.
They quickly say h-h-hello but don't want to get along.
I try and try; mom smiles and says they'll warm up.
I let them go to take a deep breath.
I inhale and close one eye
and finally, as one vermilion leaf falls,
the left side feels romance and gives the right a kiss.
Zip zip zzzzzzip--
I love to see them love,
with my hands in the air and my chest kept warm.
sabrina paesler  May 2015
tally
sabrina paesler May 2015
I’ve tattooed a line across
the veins of my wrist
and marked a down stroke
for every time
“you can’t wear red lipstick”
made me believe
I never wanted to in the first place.

for every time instead
I’ve stained my lips with cherries
learning how to tie the stems
so I can slip forget-me-knots
to the back of your throat—
do you feel my restriction now?

the razors that fly off my tongue
perk thorns on my skin,
another down stroke on my wrist
will teach me that
you were right,
shyness is a virtue.

no need to speak,
go spend one hundred dollars
and some percent for tax
to cover up,
even though I’m sure your mother told you
that cotton stains.

so make it black.
get your hair stuck
in the zipper of that sundress
and pray as you pull it out
that it will lose its pigmentation
in the process
mark a down stroke
for killing two flowers
for one bouquet.

hold it
close your eyes and throw it back,
I know we shouldn’t be wearing white anyway
but tradition can take a lot out of you
like what you really think—
don’t say **** in public.

instead drag your first impressions
all the way to the altar
and dress in your Sunday best
a flower on your lapel
clear on your lips
a stroke for the neat decline
of the son

I tattooed a line across
the veins of my wrist
and marked a down stroke
for every time
my image
was my fault.
Judypatooote Mar 2015
HIGH TOP SHOES...

Back in my day, children wore high top shoes.
Girls white, boys brown.
Because they gave you ankle support.
MOM SAID....

What would mom say now?
High tops are back.
But not for kids
there can't be any ankle support
For they have 7" heels
Some with a zipper up the back
And cut out pointed toes
With silver sparkles
WHAT?
What a difference 70 years makes
Now we should be back into high tops
Girls white, boys brown
Because they give you ankle support...
GRANDMA SAID....

By judy
I just found a picture of me in high tops as a little girl.  That brought  on a poem....
Cyril Blythe Nov 2012
I followed Delvos down the trail until we could see the mouth of the mine. The life and energy of the surrounding birches and sentential pines came to a still and then died as we left the trees shelter behind and walked closer, closer. The air was cold and dark and damp and smelled of mold and moths. Delvos stepped into the darkness anyways.
“Well, girl, you coming or aren’t you?”
I could see his yellowed tobacco teeth form into a smile as I stepped out of the sun. It was still inside. The canary chirped in its cage.
“This tunnel is just the mouth to over two hundred others exactly like it. Stay close. Last thing I need this month is National Geographic on my *** for losing one of their puppet girls.”
“Delvos, ****. I have two masters degrees.” I pulled my mousey hair up into a tight ponytail. “I’ve experienced far more fatal feats than following a canary in a cave.”
He rolled his eyes. “Spare me.” He trotted off around the corner to the left, whistling some Louis Armstrong song.
“I survived alone in the jungles of Bolivia alone for two months chasing an Azara’s Spinetail. I climbed the tallest mountain in Nepal shooting Satyr Tragopans along the cliff faces. In Peru I…” Suddenly I felt the weight of the darkness. I lost track of his lantern completely. I stopped, my heartbeat picked up, and I tried to remind myself of what I had done in Peru. The mine was quiet and cold. I wiped my clammy, calloused hands on my trail pants and took a depth breath.

In through the nose. Out through the mouth. This is nothing. I followed a Diurnal Peruvian Pygmy-Owl across the gravel tops of the Andes Mountains, no light but the Southern Cross and waning moon above. I am not scared of darkness. I am not scared of darkness.
I stopped to listen. Behind me I could hear the wind cooing at the mouth of the mine.
Taunting? No. Reminding me to go forward. Into the darkness.
I shifted my Nikon camera off my shoulder and raised the viewfinder to my eyes, sliding the lens cap into my vest pocket. This routine motion, by now, had become as fluid as walking. I stared readily through the dark black square until I saw reflections from the little red light on top that blinked, telling me the flash was charged. I snapped my finger down and white light filled the void in front of me. Then heavy dark returned. I blinked my eyes attempting to rid the memories of the flash etched, red, onto my retina. I clicked my short fingernails through buttons until the photo I took filled the camera screen. I learned early on that having short fingernails meant more precise control with the camera buttons. I zoomed in on the picture and scrolled to get my bearings of exactly what lay ahead in the narrow mine passageway. As I scrolled to the right I saw Delvos’ boot poking around the tunnel that forked to the left.
Gottcha.
I packed up the camera, licked my drying lips, and stepped confidently into the darkness.

When I first got the assignment in Vermont I couldn’t have been more frustrated. Mining canaries? Never had I ever ‘chased’ a more mundane bird. Nonetheless, when Jack Reynolds sends you on a shoot you don’t say no, so I packed up my camera bag and hoped on the next plane out of Washington.
“His name is John Delvos.” Jack had said as he handed me the manila case envelope. He smiled, “You’re leaving on Tuesday.”
“Yes sir.”
“Don’t look so smug, Lila. This may not be the most exotic bird you’ve shot but the humanity of this piece has the potential to be a cover story. Get the shots, write the story.”
I opened the envelope and read the assignment details in the comfort of my old pajamas back at my apartment later that night.
John Delvos has lived in rural Vermont his entire life. His family bred the canaries for the miners of the Sheldon Quarry since the early twenties. When “the accident” happened the whole town shut down and the mines never reopened. . There were no canaries in the mines the day the gas killed the miners. The town blamed the Delvos family and ran them into the woods. His mother died in a fire of some sort shortly before Delvos and his father retreated into the Vermont woods. His father built a cabin and once his father died, Delvos continued to breed the birds. He currently ships them to other mining towns across the country. The question of the inhumanity of breeding canaries for the sole purpose of dying in the mines so humans don’t has always been controversial. Find out Delvos’ story and opinions on the matter. Good luck, Lila.
I sighed, accepting my dull assignment and slipped into an apathetic sleep.


After stumbling through the passageway while keeping one hand on the wall to the left, I found the tunnel the picture had revealed Delvos to be luring in. Delvos reappeared behind the crack of his match in a side tunnel not twenty yards in front of me
“Do you understand the darkness now, Ms. Rivers?” He relit the oily lantern and picked back up the canary cage. “Your prestigious masters degrees don’t mean **** down here.”. He turned his back without another word. I followed deeper into the damp darkness.
“Why were there no canaries in the mine on, you know, that day?” The shadows of the lantern flickered against the iron canary cage chained on his hip and the yellow bird hopped inside.
“I was nine, Ms. Rivers. I didn’t understand much at the time.” We turned right into the next tunnel and our shoes crunched on jagged stones. All the stones were black.
“But surely you understand now?”
The canary chirped.

When I first got to Sheldon and began asking about the location of the Delvos’ cabin you would have thought I was asking where the first gate to hell was located. Mothers would smile and say, “Sorry, Miss, I can’t say,” then hurriedly flock their children in the opposite direction. After two hours of polite refusals I gave up. I spent the rest of the first day photographing the town square. It was quaint; old stone barbershops surrounded by oaks and black squirrels, a western-themed whiskey bar, and a few greasy spoon restaurants. I booked a room in the Walking Horse Motel for Wednesday night, determined to get a good night’s sleep and defeat this town’s fear of John Delvos the following day.
My room was a tiny one bed square with no TV. Surprise, surprise. At least I had my camera and computer to entertain myself. I reached into the side of my camera bag, pulled out my Turkish Golds and Macaw-beak yellow BIC, and stepped out onto the dirt in front of my motel door and lit up. The stars above stole all the oxygen surrounding me. They were dancing and smiling above me and I forgot Delvos, Jack, and all of Sheldon except its sky. Puffing away, I stepped farther and farther from my door and deeper into the darkness of Vermont night. The father into the darkness the more dizzying the star’s dancing became.
“Ma’am? Everything okay?”
Startled, I dropped my cigarette on the ground and the ember fell off. “I’m sorry, sir. I was just, um, the stars…” I snuffed out the orange glow in the dirt with my boot and extended my hand, “Lila Rivers, and you are?”
“Ian Benet. I haven’t seen you around here before, Ms. Rivers. Are you new to town?” He traced his fingers over a thick, graying mustache as he stared at me.
“I’m here for work. I’m a bird photographer and journalist for National Geographic. I’m looking for John Delvos but I’m starting to think he’s going to be harder to track than a Magpie Robin.”
Ian smiled awkwardly, shivered, then began to fumble with his thick jacket’s zipper. I looked up at the night sky and watched the stars as they tiptoed their tiny circles in the pregnant silence. Then, they dimmed in the flick of a spark as Ian lit up his wooden pipe. It was a light-colored wood, stained with rich brown tobacco and ash. He passed me his matches, smiling.
“So, Delvos, eh?” He puffed out a cloud of leather smelling smoke toward the stars. “What do you want with that old *******? Don’t tell me National Geographic is interested in the Delvos canaries.”
I lit up another stick and took a drag. “Shocking, right?”
“Actually, it’s about time their story is told.” Benet walked to the wooden bench to our left and patted the seat beside him. I walked over. “The Delvos canaries saved hundreds of Sheldonian lives over the years. But the day a crew went into the mines without one, my father came out of the ground as cold as when we put him back into it in his coffin.”
I sat in silence, unsure what to say. “Mr. Benet, I’m so sorry…”
“Please, just Ian. My father was the last Mr. Benet.”
We sat on the wooden bench, heat leaving our bodies to warm the dead wood beneath our legs. I shivered; the star’s dance suddenly colder and more violent.
“Delvos canaries are martyrs, Ms. Rivers. This whole town indebted to those tiny yellow birds, but nobody cares to remember that anymore.”
“Can you tell me where I can find Mr. Delvos and his, erm, martyrs?” The ember of my second cigarette was close to my pinching fingertips.
“Follow me.” Ian stood up and walked to the edge of the woods in front of us. We crunched the dead pine needles beneath our feet, making me aware of how silent it was. Ian stopped at a large elm and pointed. “See that yellow notch?” he asked. Sure enough, there was a notch cut and dyed yellow at his finger’s end. “If you follow true north from this tree into the woods you’ll find this notch about every fifty yards or so. Follow the yellow and it’ll spit you out onto the Delvos property.”
“Thank you, Ian. I really can’t begin to tell you how grateful I am.
“You don’t have to.” He knocked the ash out of his pipe against the tree. “Just do those birds justice in your article. Remember, martyrs. Tell old Delvos Ian Benet sends his regards.” He turned and walked back to the motel and I stood and watched in silence. It was then I realized I hadn’t heard a single bird since I got to Sheldon. The star’s dance was manic above me as I walked back to my room and shut the door.

The canary’s wings and Delvos stopped. “This is a good place to break our fast. Sit.”
I sat obediently, squirming around until the rocks formed a more comfortable nest around my bony hips. We had left for the mines as the stars were fading in the vermillion Vermont sky that morning and had been walking for what seemed like an eternity. I was definitely ready to eat. He handed me a gallon Ziploc bag from his backpack filled with raisins, nuts, various dried fruits, and a stiff piece of bread. I attacked the food like a raven.
“I was the reason no canaries entered the mines that day, Ms. Rivers.”
Delvos broke a piece of his bread off and wrapped it around a dried piece of apricot, or maybe apple. I was suddenly aware of my every motion and swallowed, loudly. I crinkled into my Ziploc and crunched on the pecans I dug out, waiting.
“Aren’t you going to ask why?”
“I’m not a parrot, Mr. Delvos, I don’t answer expectedly on command. You’ll tell me if you want.” I stuffed a fistful of dried pears into my mouth.
Delvos chuckled and my nerves eased. “You’ve got steel in you, Ms. Rivers. I’ll give you that much.”
I nodded and continued cramming pears in my mouth.
“I was only nine. The canaries were my pets, all of them. I hated when Dad would send them into the mines to die for men I couldn’t give two ***** about. It was my birthday and I asked for an afternoon of freedom with my pets and Dad obliged. I was in the aviary with pocketfuls of sunflower-seeds. Whenever I threw a handful into the air above me, the air came to life with wings slashing yellow brushes and cawing songs of joy. It was the happiest I have ever been, wholly surrounded and protected by my friends. Around twelve thirty that afternoon the Sheriff pulled up, lights ablaze. The blue and red lights stilled my yellow sky to green again and that’s when I heard the shouting. He cuffed my Dad on the hood of the car and Mom was crying and pushing her fists into the sheriff’s chest. I didn’t understand at all. The Sheriff ended up putting Mom in the car too and they all left me in the aviary. I sat there until around four that afternoon before they sent anyone to come get me.”
Delvos took a small bite of his bread and chewed a moment. “No matter how many handfuls of seeds I threw in the air after that, the birds wouldn’t stir. They wouldn’t even sing. I think they knew what was happening.”
I was at a loss for words so and I blurted, “I didn’t see an aviary at your house…”
Delvos laughed. “Someone burnt down the house I was raised in the next week while we were sleeping. Mom died that night. The whole dark was burning with screams and my yellow canaries were orange and hot against the black sky. That’s the only night I’ve seen black canaries and the only night I’ve heard them scream.”
I swallowed some mixed nuts and they rubbed against my dry throat.
“They never caught the person. A week later Dad took the remainder of the birds and we marched into the woods. We worked for months clearing the land and rebuilding our lives. We spent most of the time in silence, except for the canary cries. When the house was finally built and the bird’s little coops were as well, Dad finally talked. The only thing he could say was “Canaries are not the same as a Phoenix, John. Not the same at all.”
We sat in silence and I found myself watching the canary flit about in its cage, still only visible by the lanterns flame. Not fully yellow, I realized, here in the mines but not fully orange either.

When I first walked onto John Delvos’ property on Thursday morning he was scattering feed into the bird coops in the front of his cabin. Everything was made of wood and still wet with the morning’s dew.
“Mr. Delvos?”
He spun around, startled, and walked up to me a little too fast. “Why are you here? Who are you?”
“My name is Lila Rivers, sir, I am a photographer and journalist for National Geographic Magazine and we are going to run an article on your canaries.”
“Not interested.”
“Please, sir, can I ask you just a few quick questions as take a couple pictures of your, erm, martyrs?”
His eyes narrowed and he walked up to me, studying my face with an intense, glowering gaze. He spit a mouthful of dip onto the ground without breaking eye contact. I shifted my camera bag’s weight to the other shoulder.
“Who told you to call them that?”
“I met Ian Benet last night, he told me how important your birds are to this community, sir. He sends his regards.”
Delvos laughed and motioned for me to follow as he turned his back. “You can take pictures but I have to approve which ones you publish. That’s my rule.”
“Sir, it’s really not up to me, you see, my boss, Jack Reynolds, is one of the editors for the magazine and he...”
“Those are my rules, Ms. Rivers.” He turned and picked back up the bucket of seed and began to walk back to the birds. “You want to interview me then we do it in the mine. Be back here at four thirty in the morning.”
“Sir…?”
“Get some sleep, Ms. Rivers. You’ll want to be rested for the mine.” He turned, walked up his wooden stairs, and closed the door to his cabin.
I was left alone in the woods and spent the next hour snapping pictures of the canaries in their cages. I took a couple pictures of his house and the surrounding trees, packed up my camera and trekked back to my motel.

“You finished yet?” Delvos stood up. The mine was dark, quiet, and stagnant. I closed the Ziploc and stuffed the bag, mainly filled with the raisins I had sifted through, into my pocket.
Delvos grunted and the canary flapped in its cage as he stood again and, swinging the lantern, rounded another corner. The path we were on began to take a noticeable ***** downward and the moisture on the walls and air multiplied.  
The lantern flickered against the moist, black stones, sleek and piled in the corners we past. The path stopped ahead at a wall of solid black and brown Earth.
The canary chirped twice.
It smelled of clay and mildew and Delvos said, “Go on, touch it.”
I reached my hand out, camera uselessly hanging like a bat over my shoulder. The rock was cold and hard. It felt dead.
The canary was fluttering its wings in the cage now, chirping every few seconds.
“This is the last tunnel they were digging when the gas under our feet broke free from hell and killed those men.”
Delvos hoisted the lantern above our heads, illuminatin
Kelsey Nicole  Feb 2015
waves
Kelsey Nicole Feb 2015
Like rippling water distorts a reflection,
the mirror reshapes my
stomach,
thighs,
arms.

Buttons unlatch from their holsters,
The zipper loosens its grip,
Exposed are the  things I despise.

Pinching, pulling, pushing.
Nothing changes, all still there.

Not so much a distorted body,
More so a distorted mind.
Bus Poet Stop Apr 2015
eye sometimes go to bed wearing an old hoody. It has a metal zipper  to close the front and the zipper is always cold, unpleasantly so, on my bare skin.  After awhile though, my body temperature warms the metal just enough, that it is no longer a cause of discomfort though the metal still remains inherently cool to the touch

While science can easily explain this I guess, I felt this to be a major miracle.  That flesh pliable and heart-heated to 98 degrees could conquer the molecules of metal that were made in China struck me as extra ordinary (always two words, please!) and nothing short of a personal intervention by a personal deity

When I put the hoodie on at first I would think
******* (that's cold)
When I awoke, cosy and warm, I would think
******* (that's so cool)

having studied philosophy in Cleveland,
I knew that the logic of the situation,
what I had experienced was not an
interregnum, but the invisible intervening handiwork of god, who, also knocked my glasses from the nightable to the floor,
just cause she/ he was in a bad mood, on account of having to come such a long way, just,
to reheat me
one more time.
In terre gnum - freedom from the terror of chewing gum discard actions and a phobia of gnus

— The End —